SUB-GROUP III: ASSOCIATION WITH MARCEL DUPRĂ
Box 31
| folder 1 | [opus 43] Paraphrase on âTe Deumâ. â 18-29 / 4 / 1946. For organ. In ink; 7 pages of music. Annotated with performance markings and registrations. |
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| folder 2 | [opus 44] Vision. â movements completed between 25 Juin 1947 and 24 Mars 1948. For organ. In pencil, annotated with registrations; 28 pages of music. Dedication âA Nina Falcinelliâ at head of page 1. An additional dedication, apparent in the caption of page 1, was previously rubbed out. Stamped with the registration of the SOCIETE DES AUTEURS, COMPOSITEURS, ET EDITEURS DE MUSIQUE (no. 623,029). |
| folder 3 | [opus 49] La France au Calvaire. â [without date] Libretto, in MDâs hand. In ink; 26 pages. Accompanied by a rĂ©sumĂ© (synopsis) of the oratorioâs movements, appearing in pencil at the end of the manuscript; 6 pages. |
| folder 4 | [opus 52] Quatuor. â Movements completed between 8/2/58 and 7 Mars 58. In pencil. Movements paginated separately. Movements: I. Preludio (7 pages of music) â II. Scherzando (13 pages of music) â III. Larghetto (9 pages of music) â IV. Rondo (11 pages of music). Annotated with performance markings. Dedication on page. 1: âPour toi, avec lâinfinie tendresse de mon coeur, ma petite enfant adorĂ©e le brouillon de ton quatuor/Ton Mammy/15 Juillet 1958â |
| folder 5 | [opus 52] Quatuor pour violon, alto, violoncelle et orgue. â [without date] In ink; 26 pages of music. Dedication on title page: âA Rolande Falcinelliâ Annotated with performance markings and with organ registrations, in pencil. Accompanied by organ registrations, in pencil, in RFâs hand (2 leaves). |
| folder 6 | [opus 52] Quatuor pour violon, alto, violoncelle et orgue. â [without date] MS. facsimile. Score (26 pages of music) and parts for violon, alto, and violoncello (each 8 pages of music). Score and parts annotated in pencil with performance markings. N.B. Score is a facsimile of the manuscript housed in box 31/5. |
| folder 7 | [opus 57] Choral et Fugue. â 29/5/62. For organ. Pencil draft; 8 pages of music, unnumbered. Accompanied by analytical scheme in MDâs hand (2 pages, in pencil). |
| folder 8 | [opus 61] In memoriam. â 1965. For organ. Manuscript facsimile; 29 pages of music. Dedication at head of title page: A ma fille. Movements: I. PrĂ©lude â II. Allegretto â III. MĂ©ditation â IV. Quodlibet â V. Ricercare â VI. Postlude. Copy inscribed on title page, in pencil: âPour ma Rolande chĂ©rie / dans le doux souvenir de Marguerite / Marcel DuprĂ© 26 Mars 1965â |
| folder 9 | [opus 62] EntrĂ©e, Canzona, Sortie. â Septembre 1967. For organ. Manuscript facsimile. Movements paginated individually (4, 2, 5 pages of music, respectively). |
| folder 10 | Sur les Steppes de lâAsie Centrale / A. Borodine; rĂ©duction pour orgue [par] Marcel DuprĂ©. â [without date] For organ. In ink; 8 pages of music. |
| folder 11 | Lâapprenti sorcier / Paul Dukas; transcription pour orgue. â 1944 In ink.; 27 pages of music. Pencilled at end (p. 27): âCommence 27 Nov 44 / Brouillon 11 DĂ©c 44 / Copie 19 DĂ©c 44 / Perce 30 Dec 44â Accompanied by ânumĂ©rotage des combinaisonsâ, in pencil, dated 24 / I / 45 (2 pages). |
| folder 12 | Le sommeil de Canope. â [without date] For solo voice, not specified. In pencil. 2 pages of music. Accompanied by handwritten text, Le sommeil de Canope (aux flancs du vase) / Albert Samain. In pencil (2 pages). |
| folder 13 | ThĂšmes. In pencil; 1 page of music. Presents the themes for his Trio; the purpose of this manifestation not apparent. |
Box 32
| folder 1 | Cours dâharmonie analytique, 1Ăšre annĂ©e. Paris: Alphonse Leduc, 1936. Signed by RF on front cover. |
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| folder 2 | Cours dâharmonie analytique, 1Ăšre annĂ©e. Paris: Alphonse Leduc, 1936. Previously accompanied by sheets bearing manuscript exercises; now separated to box 32/3. |
| folder 3 | Manuscript pages of exercises, removed from RFâs copy of the Cours dâharmonie analytique, 1Ăšre annĂ©e. |
| folder 4 | Cours dâharmonie analytique, 2Ăšme annĂ©e. Paris: Alphonse Leduc, 1936. Signed by RF on front cover. |
| folder 5 | Manuel dâAccompagnement du plain chant grĂ©gorien. Paris: Alponse Leduc, 1937. |
| folder 6 | DonnĂ©es Ă©lĂ©mentaires dâacoustique Ă lâusage des Ă©tudiants organistes. Paris: H. HĂ©relle, [1937] |
| folder 7 | Cours de contrepointi. Paris: Alphonse Leduc, 1938. |
| folder 8 | Allocution de Marcel DuprĂ©. Text of an address given by MD at an event on February 21, 1953. 14 pages. âRĂ©union organisĂ©e le 21 FĂ©vrier 1953 dans la Salle dâorgue de Marcel DuprĂ©. Ă Meudon Ă lâoccasion de la remise de la Croix de Chevalier de la LĂ©gion dâHonneur Ă M. Jean PERROUX.ââon front cover. Presentation copy. Inscribed to Nina Falcinelli by Marcel DuprĂ©. Also signed by Jean Perroux. |
| folder 9 | Notice sur la vie et les travaux de Marcel Samuel-Rousseau (1882-1955). Paris: Typographie de Firmin-Didot, 1956. âLue Ă lâoccasion de son installation comme membre de la Section de Composition Musicale: sĂ©ance du Mercredi 11 Avril 1956.â Accompanied by handwritten lists of pupils (4 pages, in ink), and by a calling card bearing the name of Madame Marcel Samuel-Rousseau. |
| folder 10 | Souvenirs sur Ch.-M. Widor. Paris: Typographie de Firmin-Didot, 1959. 10 pages. âSĂ©ance publique annuelle des cinq AcadĂ©mies, lundi, 26 Octobre 1959.â Presentation copy. âA ma chĂšre petite Rolande / En profonde affection / Marcel DuprĂ© / 21 Novembre 1959ââon title page. |
| folder 11 |  Factures dâorgues. â 1982. âEdition par Hans Steinhaus et Roger Deleplace pour le compte de lâAssociation des Amis de lâArt de Marcel DuprĂ© (Paris).â 73 pages. PrĂ©face by RF (page 1). |
| folder 12 | Cours Ă©lĂ©mentaire de fugue. â [without date] Reproduction of typescript draft. N.B. Later published as volume 1 of his Cours complĂšt de fugue (Leduc, 1938). |
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| folder 13 | Facture dâorgue amĂ©ricaine. â [without date] In pencil. 21 pages, unnumbered. Written in a ruled schoolchildâs manuscript book. |
| folder 14 | Histoire de la philo. â [without date] In pencil. The content organized by RF around the following rubrics: SchurĂ©; Grece; Bacon [et] Spinoza; Modernes; Taine; Divers; and several additional loose pages. |
| folder 15 | Philosophie de la musique. Tome I. â [without date] Carbon copy of typescript manuscript. 111 pages. Table de matiĂšres appears on pages 132-139 of Tome II. Inscription at head of first page: âPour toi, ma Rolande aimĂ©e, ma petite fille, cette Philo qui fut Ă©crite pour toi. Ton Mammy / Paris 13 DĂ©cembre 1949â |
| folder 16 | Philosophie de la musique. Tome II. â [without date] Carbon copy of typescript manuscript. 139 pages. Table de matiĂšres appears on pages 132-139 of Tome II. |
Box 33
| folder 1 | Lâorgue aux Etats-Unis. â [without date] In ink. 14 pages. |
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| folder 2 | [Projet dâorgue symphonique] â [without date] Title page lacking. Carbon copy of typescript. 16 pages. Accompanied by a carnet containing pencilled notes and bearing the appellation PROJECT MEUDON. |
| folder 3 | Souvenirs. â [without date] Carbon copy of typescript manuscript. 159 pages. Dedication on title page: âPour Lisette / Pour Jeannette / Pour Dominiqueâ Table des matiĂšres appears on pages 156-159. Accompanied by Sylviane Falcinelliâs handwritten comment: âA copy of Marcel DUPREâs memories written for his grandchildren and for Rolande Falcinelli (his family and mine were the only owners of these private copies). S.F.â |
| folder 4 | TraitĂ© de lâimprovisation Ă lâorgue. â [without date] Typescript. 273 pages, with numerous interpolations. âTraduction par J. DuprĂ©â Title page lacking. Index [i.e., Table of Contents] appears on pages 271-273. |
| folder 5 | Bulletin No. 4, G.A.M. (Groupe dâAcoustique Musicale). â 17 Avril 1964. Typescript. 9 pages, with interpolations. N.B. This bulletin bears an obvious thematic connection with MDâs DonnĂ©es Ă©lĂ©mentaires dâacoustique. |
| folder 6 | Principes de facture dâorgues. â [without date] Typescript. 9 pages. âA ma Rolande chĂ©rie / Tendrement / Marcel DuprĂ© / Meudon 9 FĂ©vrier 1950ââInscription at head of first page. Accompanied by several leaves bearing pencilled notes; a diagram (in ink) of âdiamĂštres de tuyauxâ; a diagram of [two diapasons?]; a printed notice from E. F. Walcker & Cie. Orgelbau; and notes on âOrgues du Conservatoireâ (3 pages). |
| folder 7 | Projet organologie. A dossier comprised of several documents, organized around the following rubrics (as itemized on the original file folder): IdĂ©es; Noms â RĂ©gions; Projet; Liste facteurs; Correspondants. |
| folder 8 | Facture dâorgues. â [without date] In ink. 138 pages. Accompanied by Sylviane Falcinelliâs handwritten comment: â. . .the part âFacture dâorguesâ is from my grandmotherâs hand (the painter Nina Falcinelli). Probably she helped him when he prepared his pedagogical book about organ-building.â |
Box 34
| folder 1 | RĂ©sumĂ©s dâannĂ©es, Conservatoire de Fontainebleau. A notebook containing comments in the hands of both M. DuprĂ© and R. Falcinelli, providing information on their students at Fontainebleau. The rubrics indicated are: Listes dâĂ©lĂšves; Cours; RĂ©pertoire dâĂ©lĂšves; and, Examens. Accompanied by a list of required repertory for the Organ Class, and by a concert program of August 27, 1949.â |
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| folder 2 | ELEMENTS [A gathering of notated musical themes grouped around the following rubrics: Harmoniques; Rhythmiques; Thématiques; and, Périodes. |
| folder 3 | Tables de pĂ©dagogie Reproductions of the dedication, and of the summary of contents, from the original dossier file folder. âPour mon enfant spirituelle, / ma Rolande bien aimĂ©e, / En souvenir de St. Ouen / 29 Juin 1948 / Ton Mammy / 21 Juin 1949ââinscription to RF by MD. Accompanied by Sylviane Falcinelliâs handwritten comments. |
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| folder 4 | Tables de répartition In pencil. 5 leaves. |
| folder 5 | Degrés étrangers |
| folder 6 | Â Musique â Technique |
| folder 7 | SolfĂšge |
| folder 8 | Harmonie analytique; Harmonie stylisée |
| folder 9 | Contrepoint; Fugue |
| folder 10 | Composition; Orchestration |
| folder 11 | Â Piano |
| folder 12 | Accompagnement |
| folder 13 | Orgue Documents organized around the rubrics: ExĂ©cution; PĂ©dale; Plain-chant [et] Improvisation. In addition, the dossier contains other typescript documents, together with pencilled notes in RFâs hand. |
| folder 14 | Histoire |
| folder 15 | Acoustique; Facture dâorgues |
| folder 16 | Philosophie de la musique; Esthétique; Pédagogie |
| folder 17 | [This dossier lacking any rubric.] |
| folder 18 |  ConfĂ©rences Ă lâUniversitĂ© de Chicago, 1946 A Schema-summary of the documents, reproduced from the original dossier folder in which MD had kept them. |
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| folder 19 | Résumés des conférences, Chicago, 1946 Documents organized under the following rubrics: Programmes; Idées; Plans [de] conférences; Documents. |
| folder 20 | I. LâĂ©volution de la littĂ©rature de lâorgue. (first of two) |
| folder 21 | I. LâĂ©volution de la littĂ©rature de lâorgue. (second of two) |
| folder 22 | II. Technique; Interprétation |
| folder 23 | III. Registration |
| folder 24 | IV. Méthode; Concert |
| folder 25 | V. Pédagogie |
| folder 26 | I. Histoire de la littĂ©rature de lâorgue. ANGLAIS |
| folder 27 | II. Technique; Interpétation. ANGLAIS |
| folder 28 | III. Registration. ANGLAIS |
| folder 29 | IV. Méthode; Concert. ANGLAIS |
| folder 30 | V. Pédagogie. ANGLAIS |
Box 35
| book 1 | Themes given by MD to his pupils at the Conservatoire for improvisation. Contains fugal themes and also ThĂȘmes libres in their respective sequences in the following chronology. Certain themes bear attributions to their respective composers. In ink; 45 numbered pages. Mars-Avril-Mai 1926 1926-27 1927-28 1928-29 1929-30 1930-31 1931-32 1932-33 1933-34 |
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| book 2 | Themes given by MD to his pupils at the Conservatoire for improvisation. Contains themes in the following chronology. Certain themes bear attributions to their respective composers. In ink; 68 numbered pages. 1934-1935 1935-1936 1936-1937 1937-1938 1938-1939 1940        N.B. Change in hand evident for 1940 through 1941-1942. été 1940 1940-1941 1941-1942 1942-1943   N.B. Change in hand evident for 1942-1943. 1943-1944   N.B. Change in hand evident for 1943-1944. |
| book 3 | Â Themes given by MD to his pupils at the Conservatoire for improvisation. Contains themes for fugues in the following chronology. Certain themes bear attributions to their respective composers (RF in that number). In ink; 37 numbered pages. 1945-1946 1946-1947 1947-1948 1948-1949 1949-1950 1950-1951 1951-1952 1952-1953 1953-1954 |
| book 3 | Themes given by MD to his pupils at the Conservatoire for improvisation. Contains themes for fugues and thĂȘmes libres in the following chronology. Certain themes bear attributions to their respective composers (RF in that number). In ink; 37 numbered pages. 1934-1935 1935-1936 1936-1937 1937-1938 1938-1939 1940 Ă©tĂ© 1940 1940-1941 Ă©tĂ© 1940 1941-1942 1942-1943 1943-1944 1944-1945 |
Box 36
Contents of this box altogether:
Themes given by MD to his pupils at the Conservatoire for improvisation.
Altogether, 25 manuscript books, their content in pencil throughout.
| book 1 | Fugues analysĂ©es. Mars â Mai 1926 |
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| book 2 | Fugues analysĂ©es. Oct. 1926 â Juin 1927 |
| book 3 | ThĂšmes. 1928-1929 |
| book 4 | Cours. 1932-1933; 1933-1934; 1936 : 1944-45. |
| book 5 | Oct. 1932 â Juin 1933 |
| book 6 | Oct. â DĂ©c. 1933 |
| book 7 | Janv. â Juin 1934 |
| book 8 | Oct. 1934 â Janv. 1935 |
| book 9 | FĂ©v. â Juin 1935 |
| book 10 | ThĂšmes. Mars â Juin 1936 |
| book 11 | ThĂšmes. Oct. 1936 â Juin 1937 |
| book 12 | Classe. Oct. 1937 â FĂ©v. 1938 |
| book 13 | Fugues. Mars â Mai 1938 |
| book 14 | Fugues. FĂ©v. â Mai 1939 |
| book 15 | Juin â Oct. 1940 |
| book 16 | Novembre 1940 â FĂ©v. 1941 |
| book 17 | Février 1941 |
| book 18 | Oct. 1941 â Juin 1942 |
| book 19 | Oct. 1942 â Juin 1943; Oct. 1943 â Mars 1944 |
| book 20 | Mars â Mai 1944; Oct. â Nov. 1944 |
| book 21 | DĂ©c. 1944 â Juin 1945 |
| book 22 | Oct. 1945 â Mai 1946 |
| book 23 | Oct. 1947; Janv. â Juin [1948] |
| book 24 | Oct. 1947 â Juin 1948 |
| book 25 | FĂ©v. â Juin 1949; Oct. 1949 â FĂ©v. 1950 |
Box 37
In this box altogether:
Themes given by MD to his pupils at the Conservatoire for improvisation.
Altogether, eight manuscript books (the content of books 1-6 in pencil; that of books 7 and 8 in ink), dated as follows.
| book 1 | Mars â DĂ©c. 1950 |
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| book 2 | Janv. â Mai 1951 |
| book 3 | Oct. 1951 â FĂ©v. 1952 |
| book 4 | FĂ©v. â Juin 1952; Oct. â DĂ©c. 1952 |
| book 5 | Janv. â Juin 1953 |
| book 6 | Oct. 1953 â Juin 1954 |
| book 7 | Manuscript book, without rubric. Bears the inscription âA ma Ninette adorĂ©eâ and is dated 16 Mai 1955. Contains one theme dated 5 Mars 1956, followed by themes labelled as being âMusetteâ and âChaconneâ. Accompanied by three leaves tipped in loosely. |
| book 8 | âSujets et thĂšmes. 1954-55.â Accompanied by several leaves tipped in loosely. Altogether, the content is more extensive than MDâs rubric would indicate: Mai 1954 Janv. 1955 Janv. 1956 Mai 1956 DĂ©c. 1956 Sept. 195 Mars 60. DĂ©c. 60 1962 Mai 63 Juin 64 |
Box 38
| folder 1 | Printed recital programs, 1930s |
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| folder 2 | Printed recital programs, 1940s |
| folder 3 | Printed recital programs, 1950s |
| folder 4 | Printed recital programs, 1960s |
| folder 5 | Notices (i.e., program notes) regarding MDâs programmed repertory selections. Carbon copy of typescript. Accompanied by a word-processed list of the works and their composers. |
| folder 6 | Various themes given to MD for improvisation in recital appearances |
| folder 7 | Various themes given by MD to other performers for improvisation |
| folder 8 | Various notes for recital preparation in Lyon and at the Salle Gaveau (Paris). Accompanied by Sylviane Falcinelliâs handwritten comment. |
| folder 9 | Registrations for use at Meudon (first of two) Accompanied by Sylviane Falcinelliâs handwritten comment. |
| folder 10 | Registrations for use at Meudon (second of two) |
| folder 11 | Paul Hindemith |
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| folder 12 | Percy Grainger |
| folder 13 | Vincent dâIndy |
| folder 14 | Gabriel Pierné |
| folder 15 | Gabriel Pierné |
| folder 16 | Reynaldo Hayn |
| folder 17 | Florent Schmitt |
| folder 18 | Florent Schmitt |
| folder 19 | Albert Roussel |
| folder 20 | Gabriel Fauré |
| folder 21 | Emmanuel Bondeville |
| folder 22 | Georges Auric. |
| folder 23 | Marcel Samuel-Rousseau |
| folder 24 | Henri Busser |
| folder 25 | Charles Heus |
| folder 26 | Maurice Duruflé |
| folder 27 | Leopold Stokowski |
| folder 28 | Vittorio Guy |
| folder 29 | Walter Damrosch |
| folder 30 | Nadia Boulanger. |
| folder 31 | Desiré Inghelbrecht |
| folder 32 | Rhené Baton |
| folder 33 | Paul Paray |
| folder 34 | Arthur Bodansky |
| folder 35 | Josef Lhevinne |
| folder 36 | Alfred Cortot |
| folder 37 | Wilhelm Kempf |
| folder 38 | Henri Gagnebin |
| folder 39 | Harold Bauer |
| folder 40 | Enrico Bossi |
| folder 41 | Frederic Lamond |
| folder 42 | Â ? Caldara |
| folder 43 | Â ? MacPherson |
| folder 44 | Emile Vuillermoz |
| folder 45 | Henri Dallier |
| folder 46 | Leanne Loulain |
| folder 47 | M. Chevalier |
| folder 48 | Joseph Cardinal Lefebre, Archbishop of Bourges |
| folder 49 | Monsignor Johan, Bishop of Agen |
| folder 50 | Alfred Holhuis |
| folder 51 | Louis Tuluy |
| folder 52 | [Illegible] 1926 |
| folder 53 | [Illegible] 1911 |
Box 38
| folder 54 |
Letters received from various cardinals, archbishops, and bishops (first of two)
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| folder 55 |
Letters received from various cardinals, archbishops, and bishops (second of two)
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| folder 56 | Nouveau Conservatoire. A dossier containing administrative documents sketching out plans for a new Conservatoire building.
|
| folder 57 | Charles Kiesgen. Correspondence regarding RFâs recording of MDâs organ works. Documents typescript unless otherwise indicated.
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| folder 58 |
Le Centenaire dâAlexandre Guilmant, 1937.
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Box 39
| folder 1 |
MD biographical information.
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| folder 2 |
Press items
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| folder 3 | Oeuvres de Marcel DuprĂ© (List of MDâs works). Reproduction of typescript (9 pages). N.B. The last work cited herein is his Vitrail (1969), opus 65, published by Bornemann. |
Box 40
| disc 1 | WIDOR: Symphony No. 9 in C minor; Symphony no. 5 in F minor. Marcel Dupré at the organ of Saint-Sulpice, Paris. Westminster, c1972. WGM-8172 1 sound disc (33 1/3 RPM) |
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| disc 2 |
Marcel DuprĂ© spielt/plays/joue Bach an der Orgel von/at the organ of/Ă lâorgue de St. Sulpice, Paris. Philips 6587 501. 1 sound disc (33 1/3 RPM) In series: Die Meister der Organ = Masters of the Organ = Les MaĂźtres de lâOrgue. |
| disc 3 | Marcel Dupré, Le Chemin de la Croix. Marcel Dupré at the Cavaillé-Coll Organ of Saint-Sulpice, Paris. Westminster W-9349. 1 sound disc (33 1/3 RPM) In series: Collectors Series. |
| disc 4 | Marcel DuprĂ©, Trois PrĂ©ludes et Fugues, op. 36; Olivier Messiaen, Le Banquet Celeste; Les Bergers. Marcel DuprĂ© Ă lâorgue de Saint-Sulpice. Mercury 130.576 MLY. 1 sound disc (33 1/3 RPM) In series: TrĂ©sors Classiques. |
Box 39
| folder 4 | RĂ©sumĂ© de technologie de lâorgue / Louis-Ch. BarthĂ©lemy. Bayeux: Colas, 1943. First of six copies printed to be distributed âhors commerceâ; bears the stamp BIBLIOTHEQUE MARCEL DUPRE. Now separated to the Sibley Music Libraryâs rare books collection, call no. ML552 .B285R 1943. |
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| folder 5 | Commemorative brochure, 1847-1947, Cent ans au service de la musique. âAchevĂ© dâimprimer 5 DĂ©cembre 1947 pour le centenaire de la Maison GAVEAU. . . .â |
| folder 6 | La France au Calvaire: oratorio. Livret. PoĂšme de RenĂ© Herval. Paris: S. Bornemann, 1954. Presentation copy of the oration libretto. Inscribed: âPour ma Sylviane / Tendrement / Marcel DuprĂ© / 31 Octobre 1962â |
| folder 7 | Inauguration de la Plaque Commemorative dâAristide CavaillĂ©-Coll. Typescript (4 pages). Delivered by MD in Paris on Sunday, 14 December 1963 (confirmed by internal evidence within the text). |
| folder 8 | Mémoires du Stradivarius au violon précalculé. Text of address given by Professor Fernand Dacos (University of LiÚge), 4 April 1963 at the Société des Ingénieurs Civils de France. |
| folder 9 | Trois plis cachetĂ©s de Louis Pasteur: ouverts le 16 DĂ©cembre 1963. Notes et rĂ©flĂ©xions de MM. M. DelĂ©pine, Ch. Dufraisse, L. Velluz, J. Wyart. Paris: Gauthier-Villars, 1964. âAcadĂ©mie des Sciences. SĂ©ance du Lundi, 16 Mars 1964.â |
| folder 10 | Notes in MDâs hand pertaining to various projects, including organ-building; specifications of particular instruments are also represented. |
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