{"id":1171,"date":"2019-06-25T10:18:24","date_gmt":"2019-06-25T14:18:24","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=1171"},"modified":"2024-04-02T11:46:58","modified_gmt":"2024-04-02T15:46:58","slug":"charles-warren-fox-papers","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/charles-warren-fox-papers\/","title":{"rendered":"CHARLES WARREN FOX PAPERS"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1614702006491{margin-top: -20px !important;}&#8221;]<\/p>\n<p>SC 1998.76<\/p>\n<p>Ruth T. Watanabe Special Collections<br \/>\nSibley Music Library<br \/>\nEastman School of Music<br \/>\nUniversity of Rochester<\/p>\n<p>prepared by Jeremy N. Grimshaw<br \/>\nSummer 1999<\/p>\n<p><a name=\"Contents\"><\/a><a name=\"Contents\"><\/a><\/p>\n<h3>CONTENTS<\/h3>\n<ul>\n<li><a href=\"#Descrip\">Description of Collection<\/a><\/li>\n<li><a href=\"#Series\">Description of Series<\/a><\/li>\n<li><a href=\"#Inventory\">Inventory<\/a>\n<ul>\n<li>Series 1: <a href=\"#S1\">Research Notes<\/a><\/li>\n<li>Series 2: <a href=\"#S2\">Transcriptions and Arrangements<\/a><\/li>\n<li>Series 3: <a href=\"#S3\">Manuscript Facsimiles, Photographs, and Photocopies<\/a><\/li>\n<li>Series 4: <a href=\"#S4\">Microforms<\/a><\/li>\n<li>Series 5: <a href=\"#S5\">Publications<\/a><\/li>\n<li>Series 6: <a href=\"#S6\">AMS Materials<\/a><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><a id=\"Descrip\" name=\"Descrip\"><\/a><\/p>\n<h3>DESCRIPTION OF COLLECTION<\/h3>\n<p>Location: M2B 5,4 \u2013 5,5<br \/>\n3 linear feet<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;5165&#8243; img_size=&#8221;medium&#8221; add_caption=&#8221;yes&#8221; alignment=&#8221;center&#8221; style=&#8221;vc_box_outline&#8221; onclick=&#8221;link_image&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n<h4>Biographical Sketch<\/h4>\n<p>Charles Warren Fox was born on July 24, 1904, in Gloversville, New York. He began his academic studies at Cornell University, where he studied psychology and musicology, the latter under Otto Kinkeldy. In 1932 he joined the Eastman School of Music faculty, beginning by teaching psychology courses part-time. The following year he began teaching music history and musicology courses, and continued teaching at Eastman until his retirement in 1970. He served as the first chairman of the Eastman School\u2019s musicology department, and from 1952 until 1959 served as editor of the <i>Journal of the American Musicological Society<\/i>. He also served as President of the Music Library Association (1954-56). He passed away in his hometown of Gloversville on October 15, 1983.<\/p>\n<p>&nbsp;<\/p>\n<h4>Provenance<\/h4>\n<p>Accessioned by the Sibley Music Library in July, 1998. The date of acquisition is not known.<\/p>\n<p>&nbsp;<\/p>\n<h4>Scope and Content<\/h4>\n<p>The collection contains notes gathered by Dr. Fox in the course of his musicological research, as well as photocopies, microfilms, and transcriptions (by Dr. Fox and others) of several 15th- and 16th-century musical manuscripts and publications. A large portion of the research materials are dedicated to the study of the German song &#8220;Ein Fr\u00f6hlich Wesen&#8221; and its transmission. The results of this research were given at an American Musicological Society meeting (Pittsburgh, Pennsylvania, December 29-30, 1937). A reprint of this paper, entitled &#8220;Ein Fr\u00f6hlich Wesen: The Career of a German Song in the Sixteenth Century,&#8221; is also contained in the collection (see INVENTORY). The collection also contains Dr. Fox\u2019s correspondence with and submissions from contributors to the <i>Journal of the American Musicological Society<\/i>. In addition, the collection contains research materials on various other subjects, as well as Dr. Fox\u2019s personal copies of some books, articles, scores, and other materials.<\/p>\n<p>&nbsp;<\/p>\n<h4>Associations<\/h4>\n<p>The Eastman School of Music Archives holds Rochester Philharmonic Orchestra concert programs for which Dr. Fox wrote the program notes.<\/p>\n<p>&nbsp;<\/p>\n<h4>Restrictions and Use<\/h4>\n<p>There are no restrictions on the use of this collection.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><a id=\"Series\" name=\"Series\"><\/a><\/p>\n<h3>DESCRIPTION OF SERIES<\/h3>\n<p id=\"S1\" style=\"text-align: left\" align=\"CENTER\">Series I. <a href=\"#S1\">Research Notes<\/a>.<\/p>\n<p style=\"padding-left: 30px\">Wherever possible, Dr. Fox\u2019s folder designations and groupings have been maintained. His notes are divided into the following subseries.<\/p>\n<p style=\"padding-left: 30px\">Subseries A. Ein fr\u00f6hlich Wesen.15 folders containing notes on &#8220;Ein fr\u00f6hlich Wesen,&#8221; arranged alphabetically by category (e.g., &#8220;E.f.W.-Analyses of Songs, E.f.W.-Variant Readings, etc.).<\/p>\n<p style=\"padding-left: 30px\">Subseries B. Composers. 5 folders containing notes on particular composers or issues surrounding them.<\/p>\n<p style=\"padding-left: 30px\">Subseries C. Regional Research. 3 folders containing notes on the musical figures and trends of particular geographic regions.<\/p>\n<p style=\"padding-left: 30px\">Subseries D. General Research. 9 folders containing correspondence, notes on various manuscript and bibliographic sources, and some miscellaneous pages.<\/p>\n<p>&nbsp;<\/p>\n<p id=\"S2\">Series II. <a href=\"#S2\">Transcriptions and Arrangements<\/a>.<\/p>\n<p style=\"padding-left: 30px\">17 folders arranged alphabetically by composer and\/or publisher, or by city location of manuscript source if no composer or publisher is given. These folders contain transcriptions and arrangements of pieces by various composers, mostly from the late 1300s to the late 1500s. Most transcriptions were completed by Fox, although some were apparently done by colleagues at Dr. Fox\u2019s request or by students as class assignments. One group of transcriptions was originally in a two-ring binder, along with a table of contents supplied by Dr. Fox. The items in this group have not been incorporated into the rest of the series.<\/p>\n<p>&nbsp;<\/p>\n<p>Series III. <a href=\"#S3\">Manuscript Facsimiles, Photographs, and Photocopies<\/a><\/p>\n<p style=\"padding-left: 30px\">27 folders containing excerpts, reproduced through various means (photograph, photostat, photocopy, etc.), of several original manuscripts and early publications. This series is arranged alphabetically by location of the manuscript source (e.g. Basel, Berlin, St. Gall), or by another name given by Fox, usually that of the composer or publisher.<\/p>\n<p>&nbsp;<\/p>\n<p>Series IV. <a href=\"#S4\">Microforms<\/a><\/p>\n<p style=\"padding-left: 30px\">8 films of various lengths and sizes, containing excerpts from original manuscript sources or early publications. Also included are various notes written by Fox on small pieces of paper, identifying each film, and\/or the work to be done with it.<\/p>\n<p>&nbsp;<\/p>\n<p>Series V. <a href=\"#S5\">Publications<\/a><\/p>\n<p style=\"padding-left: 30px\">7 folders containing books, pocket scores, article reprints, and pamphlets.<\/p>\n<p>&nbsp;<\/p>\n<p>Series VI. <a href=\"#S6\">AMS Materials<\/a><\/p>\n<p style=\"padding-left: 30px\">8 folders containing materials pertaining to Dr. Fox\u2019s editorship of the <i>Journal of the American Musicological Society<\/i>, including official society business and correspondence with contributors to the journal.<\/p>\n<hr \/>\n<p><a name=\"Descrip\"><\/a><a name=\"Descrip\"><\/a><a name=\"Series\"><\/a><\/p>\n<p><a id=\"Inventory\" name=\"Inventory\"><\/a><\/p>\n<h3>INVENTORY<\/h3>\n<p><strong>Series I: Research Notes<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Subseries A: <i>Ein fr\u00f6hlich Wesen<\/i><\/strong><\/p>\n<p><strong>Box 1<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Analysis of Songs<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Auff\u00fchrungspraxis<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Holbein<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Isaac<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Lute<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Maximilian I<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Miscellaneous<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Organ<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Quodlibets<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Rhau, Luther<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Sources, Descriptions of<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Similar Pieces<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Similar Texts<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>Texts vs. no Texts<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Variant Readings<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Box 1<\/strong><\/p>\n<p><strong>Subseries B: Composers<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>Barbireau<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>Barbireau, Barbingant<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 18<\/strong><\/td>\n<td>Isaac \u2013 Mass<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 19<\/strong><\/td>\n<td>Pipelare, Pierre de la Rue<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 20<\/strong><\/td>\n<td>Virdung, <i>Livreplaisant<\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p><strong>Subseries C: Regional Research<\/strong><\/p>\n<p><strong>Box 1<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 21<\/strong><\/td>\n<td>Antwerp<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 22<\/strong><\/td>\n<td>Copenhagen<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 23<\/strong><\/td>\n<td>Switzerland<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p><strong>Subseries D: General Research<\/strong><\/p>\n<p><strong>Box 1<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 24<\/strong><\/td>\n<td>Correspondence<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 25<\/strong><\/td>\n<td>Scores, Notes on<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 26<\/strong><\/td>\n<td>Sources, List and Descriptions of<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 27<\/strong><\/td>\n<td>Miscellaneous Notes (1)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 28<\/strong><\/td>\n<td>Miscellaneous Notes (2)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Box 6<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Bibliographic References. Approximately 125 3&#215;5&#8243; cards, each containing the bibliographic information for a particular research source. Arranged by composer. Some have a subject or key word listed at the top.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Music History Chronology: 1410-1572. 110 3&#215;5&#8243; cards, each corresponding to a given year, listing important musical and\/or historical events occurring in that year.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Manuscript Index. Approximately 50 5&#215;8&#8243; cards. At the top of each the location and number of a manuscript source usually appears, followed by a list of secondary sources of information on that manuscript. Some cards list the name of a piece instead, followed by a list of manuscript and secondary sources for the piece.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Research Notebooks. Two brown, spiral-bound, 5&#215;8&#8243; inch notebooks, containing bibliographic information for sources and some notes on contents. Most of the note seem to have been taken during trips to the New York Public Library or the Library of Congress. Both notebooks have blank pages in the back. One contains 1\u00bd pages of names and addresses.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: left\" align=\"CENTER\"><strong>Series II: Transcriptions and Arrangements<\/strong><\/p>\n<p><strong>Box 2<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Transcriptions from black 2-ring binder. Includes an inventory by Dr. Fox.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Transcriptions: Amner \u2013 Busnoys<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Transcriptions: Clemens \u2013 Heckel<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Transcriptions: Isaac<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Transcriptions: Josquin \u2013 Landini<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Transcriptions: Lassus (1 of 2)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Transcriptions: Lassus (2 of 2)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Transcriptions: Laurencini \u2013 Rossi<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Transcriptions: Scaramella \u2013 Vincenet<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>\n<p>Transcriptions of anonymous pieces from the following manuscript sources, as listed on the transcriptions. (Some citations are incomplete, and the libraries holding these manuscripts may since have changed their catalogue numbers.)<\/p>\n<ul>\n<li>Basel MS F.X. 10<\/li>\n<li>Basel MS F.X. 17-20, No. 48<\/li>\n<li>Basevi<\/li>\n<li>Berlin, Staatsbib. Mus. Ant. O65<\/li>\n<li>British National Museum MS Add. 31922<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>\n<p>Transcriptions of anonymous pieces from the following manuscript sources, as listed on the transcriptions. (Some citations are incomplete, and the libraries holding these manuscripts may since have changed their catalogue numbers.)<\/p>\n<ul>\n<li>Brussels, Bibl. Roy., MS IV.90<\/li>\n<li>&#8220;Codicus&#8221;<\/li>\n<li>Capp. Guilia MS XIII 27<\/li>\n<li>Laburdi MS<\/li>\n<li>&#8220;Livreplaisant&#8221;<\/li>\n<li>Mellon Chansonnier<\/li>\n<li>Montpellier Codex<\/li>\n<li>&#8220;Munich&#8221;<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Transcriptions of anonymous pieces from the <i>Odhecaton,<\/i> an anthology of polyphony published in 1501 by the printer Ottaviano Petrucci.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>\n<p>Transcriptions of anonymous pieces from the following manuscript sources, as listed on the transcriptions. (Some citations are incomplete, and the libraries holding these manuscripts may since have changed their catalogue numbers.)<\/p>\n<ul>\n<li>Oxford, Christ Church, MS 101<\/li>\n<li>&#8220;Pernner&#8221; (?) MS<\/li>\n<li>St. Gall MS 462<\/li>\n<li>Trent, Bibl. Comm. 1947-4<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>\n<p>Transcriptions of anonymous pieces from the following manuscript sources, as listed on the transcriptions. (Some citations are incomplete, and the libraries holding these manuscripts may since have changed their catalogue numbers.)<\/p>\n<ul>\n<li>Ulm, Schermar MS 237<\/li>\n<li>Vienna, 18832<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Rough transcriptions<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>Transcriptions: extra copies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>Miscellaneous transcriptions and student assignments<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left\"><span id=\"S3\" style=\"text-decoration: underline\"><strong>Series III: Manuscript Facsimiles, Photographs, and Photocopies<\/strong><\/span><\/p>\n<p><strong>Box 3<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>\n<p>Facsimiles of mansucripts from the Universit\u00e4tsbibliothek Basel.<\/p>\n<ul>\n<li>F IX 22. &#8220;Aus dem Liederbuch des Bonificus Amerbach, geschreiben von Hans Kotter.&#8221; Four negative-exposure pages, 7 x 9\u00bd&#8221;. Blatt 21 recto through 22 verso. Notated in tablature.<\/li>\n<li>F IX 63 [Druck]. &#8220;Aus dem Liederbuch des Arnt von Aich.&#8221; Two pages, each 7 x 9\u00bd&#8221;, in negative exposure. One page contains Tenor and Bassus parts, the other the Discantus and Altus. Included also is a positive-exposure copy of the Tenor\/Bassus page.<\/li>\n<li>F X 10. Two pages, each 8\u00bd x 11\u00bd&#8221;. Folios 4 recto through 4 verso.<\/li>\n<li>F X 18 No. 48. Two pages, each 4\u00bd x 7&#8243;. One contains the Altus and Discantus parts, the other the Tenor and Bassus.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>\n<p>Facsimiles of Berlin, Mus. MS 40026 [1524]-Kleber.<\/p>\n<ul>\n<li>1 copy, 8 x 13&#8243; photostat, negative exposure, folios 26 verso through 29 recto, 69 recto through 70 recto, and 105 verso through 106 recto. Music is given in tablature.<\/li>\n<li>1 copy, identical to the previous one, but in positive exposure.<\/li>\n<li>1 page, 8\u00bd x 11&#8243;. Photocopy of folio 106 verso.<\/li>\n<li>An unidentified manuscript excerpt, labeled by Fox &#8220;Ritter (Kleber).&#8221; One 10\u00bd x 9\u00bd&#8221; page, followed by one 4\u00bd x 9\u00bd&#8221; page. A total of six systems, each consisting of two staves.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>\n<p>Facsimile of Firenze, R. Conservatorio di musica, MS musicale 2639, No. 16.<\/p>\n<ul>\n<li>Six 6 x 9&#8243; photostat pages in negative exposure. Folios 26 verso through 28 recto, and 49 verso through 50 recto.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>\n<p>Facsimile of &#8220;Gerle&#8221; MS. (1533, British Museum)<\/p>\n<ul>\n<li>3 photograph pages, 8 x 10&#8243;, in positive exposure. Music in tablature.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>\n<p>Facsimile of &#8220;Grefswald&#8221; MS.<\/p>\n<ul>\n<li>5 pages, 6 x 8\u00bc&#8221;, of an unidentified MS containing Isaac\u2019s &#8220;Ein fr\u00f6hlich Wesen.&#8221; Each page contains one voice part: Discantus 1, Discantus 2, Tenor 1, Tenor 2, and Bassus.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>\n<p>Facsimiles of Heckel publications.<\/p>\n<ul>\n<li>5 pages, 6\u00bd x 8&#8243;, in positive exposure. Numbered 23 through 27. Page 23 contains the end of a preceding piece, then the title &#8220;Ein fr\u00f6hlich Wesen. Discant.&#8221; Music in in tablature.<\/li>\n<li>Pages 23, 24, and 26 of the excerpt listed above, in negative exposure.<\/li>\n<li>5 pages, 6\u00bd x 8&#8243;, in negative exposure. Numbered 23 through 27. Page 23 begins with the title &#8220;Ein fr\u00f6hlich Wesen.&#8221; Music in tablature.<\/li>\n<li>Pages 23, 24, and 26 of the excerpt listed above, in positive exposure.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>\n<p>Facsimiles of Isaac, Missa &#8220;Ein fr\u00f6hlich Wesen,&#8221; 1539 (Berlin). Positive Set. The two portions of this set together match exactly the negative exposure set in folder 8, except that they have been labeled differently by Fox, and lack a single page.<\/p>\n<ul>\n<li>41 photograph pages, 6 x 8\u00bd&#8221;, in positive exposure, numbered by Fox on the reverse of each page.<\/li>\n<li>8 additional pages, labeled on reverse &#8220;Missae tredecim&#8230;1539 (Berlin).&#8221; Numbered on reverse: HH(1)r through HH(4)r, and II(1)r.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>\n<p>Facsimiles of Isaac, Missa &#8220;Ein fr\u00f6hlich Wesen,&#8221; 1539 (Berlin). Negative Set. This set matches exactly the positive-exposure set in folder 7, except that it has been labeled differently by Fox, and contains one additional page not found in the positive-exposure set.<\/p>\n<ul>\n<li>51 pages, 6 x 8\u00bd&#8221; in negative exposure, numbered on reverse by Fox. Pages 1-15 are marked &#8220;A&#8221; for Alto; 16-28 &#8220;B&#8221; for Bass; 29-41 &#8220;S&#8221; for Soprano; 42-51 &#8220;T&#8221; for Tenor.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>\n<p>Facsimiles of Munich, Univ. Bibl. MSS 328-331.<\/p>\n<ul>\n<li>Seven damaged and faint photostat images, 8\u00bd x 5\u00bd&#8221;, in positive exposure.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>\n<p>Facsimiles of publications by Phalese. Excerpts from three publications, from 1545, 1546, and 1547, all containing a title page followed by two pages of tablature music titled &#8220;Een vrolick Wesen.&#8221; The music in all three is identical, and the 1546 and 1547 publications appear to have used the same imprint. A related note written by Dr. Fox is included in this folder.<\/p>\n<ul>\n<li><i style=\"font-family: sans-serif;line-height: normal;text-align: left\">Des Chansons Reduictz en Tablature de Lut a deux, trois, et quatre parties.<\/i> (Louvain, 1545). Three 8 x 10&#8243; positive-exposure photos. The first shows the title page, featuring an illustration of a lute; the remaining two photos are of unnumbered, paired pages from the original.<\/li>\n<li><i style=\"font-family: sans-serif;line-height: normal;text-align: left\">Carminum Quae chely vel testudi&#8230;<\/i> (Louvain, 1546). 3 pairs of 8 x 10&#8243; positive-exposure photos, 6 in total, each pair overlapping at the inner edges to show 1 page of the original publication. The first two photos are of the title page, which features a lute player surrounded by several other musicians (the same illustration featured in the 1547 publication). This is followed by two unnumbered, paired pages from the original. Inscription on the back indicates that Dr. Fox obtained the copies from the Vienna National Library.<\/li>\n<li><i style=\"font-family: sans-serif;line-height: normal;text-align: left\">Des Chansons Reduictz en Tablature de Lut a deux, trois, et quatre parties.<\/i> (Louvain, 1547). Three 8 x 10&#8243; positive-exposure photos. The first shows the title page, which features a lute player surrounded by several other musicians (the same illustration featured in the 1546 publication); the remaining two photos are of unnumbered, paired pages from the original.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>\n<p>Facsimiles from the Regensburg, Pernner MS, pp. 278(?) \u2013 283(?).<\/p>\n<ul>\n<li>4 photocopy pages, 12\u00bd x 8\u00bc&#8221;, in positive exposure. Each shows one opening (two pages) of the original. Three pages are numbered 278-9, 280-1, and 282-3. The fourth page is not numbered; it may have appeared immediately before or after the other three, or elsewhere in the manuscript.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>\n<p>Facsimiles of St. Gall, MSS 462, 463, and 530.<\/p>\n<ul>\n<li>MS 462, f. 28 v. Obrecht, &#8220;Ein fr\u00f6hlich Wesen.&#8221; 2 photostats: one 6\u00bd x 9&#8243;, in positive exposure; one 6\u00bd x 9&#8243;, in negative exposure. One photocopy, 8\u00bd x 11, in positive exposure on cardstock. All three copies show folio 28 verso of the original.<\/li>\n<li>MS 463, f. 114 v. Anonymous, &#8220;Io non posso,&#8221; and Obrecht, &#8220;Ein fr\u00f6hlich Wesen.&#8221; One photostat, 6\u00bc x 8\u00bd&#8221;, in negative exposure.<\/li>\n<li>MS 530, f. 34 v. &#8220;Sicher Tablature.&#8221; 1 photostat, 7 x 9\u00bc&#8221;, in negative exposure. Music is given in tablature.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>\n<p>Facsimiles of &#8220;Seer Schon&#8221; publication. A manual for players of the clavichord, lute, and flute, on reading and performing music notated in tablature.<\/p>\n<ul>\n<li>43 pages. All pages are photostat copies in negative exposure. The first page measures 6 x 8\u00bd&#8221;, and shows the title page only. All other pages measure 12 x 8\u00bd&#8221;, and each shows an entire opening. The pages of the original are numbered 1 through 84 by Fox.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>\n<p>Facsimile of Segovia Cathedral MS, p. 159.<\/p>\n<ul>\n<li>One photostat, 7 x 9\u00bd&#8221;, in negative exposure. Note by Fox on back reads &#8220;(cf. Angl\u00e8s).<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>\n<p>Facsimiles of the Tornai MS, 26 r \u2013 27 v. Both sets in this folder are of the same folios from the original.<\/p>\n<ul>\n<li>4 photos, 4 \u00be x 3 \u00bd&#8221;, in positive exposure, each photo showing one page of the original.<\/li>\n<li>1 photostat, 10 \u00be x 7 \u00bd&#8221;, in negative exposure, showing all four pages.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>\n<p>Facsimiles from the Vienna National Library, MSS 18810 and 18832.<\/p>\n<ul>\n<li>MS 18810, contratenor, ff. 21r-21v. 2 photostats, 4\u00bd x 6&#8243;, in negative exposure, each showing one page of the original.<\/li>\n<li>MS 18810, tenor, ff. 21 v \u2013 22 r. 1 photostat, 4\u00bd x 12&#8243;, in negative exposure, showing one opening (two pages) of the original.<\/li>\n<li>MS 18810, bassus, ff. 21 v \u2013 22 r. 1 photostat, 4\u00bd x 12&#8243;, in negative exposure, showing one opening (two pages) of the original.<\/li>\n<li>MS 18810, discantus, ff. 23 v \u2013 24 r. 1 photostat, 4\u00bd x 12&#8243;, in negative exposure, showing one opening (two pages) of the original.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p><strong>Box 3 <\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16 (cont&#8217;d.)<\/strong><\/td>\n<td>\n<ul>\n<li>MS 18832, ff. 46 v \u2013 48 r. 2 photostats, 4 \u00bd x 12&#8243;, in negative exposure, each showing one opening from the MS. Folio 46 verso through 47 recto is the tenor part, and 47 verso through 48 recto is the bassus part. An additional photostat page, 4 x 6&#8243;, in negative exposure, shows only the bassus part from 47 verso.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>Miscellaneous unidentified photostats of published transcriptions, in negative exposure.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p><strong>Box 5<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>\n<p>Facsimile of Ulm, Schermars Sammlung MS 237, Discant partbook.<\/p>\n<ul>\n<li>90 photostat pages, approximately 4 x 12&#8243;, in negative exposure. Each is folded vertically down the middle. Each copied page shows an opening (two pages) from the original.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>\n<p>Facsimile of Ulm, Schermars Sammlung MS 237, Alto partbook.<\/p>\n<ul>\n<li>86 photostat pages, approximately 4 x 12&#8243;, in negative exposure. Each is folded vertically down the middle. Each copied page shows an opening (two pages) from the original.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>\n<p>Facsimile of Ulm, Schermars Sammlung MS 237, Tenor partbook.<\/p>\n<ul>\n<li>82 photostat pages, approximately 4 x 12&#8243;, in negative exposure. Each is folded vertically down the middle. Each copied page shows an opening (two pages) from the original.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>\n<p>Facsimile of Ulm, Schermars Sammlung MS 237, Bass partbook.<\/p>\n<ul>\n<li>86 photostat pages, approximately 4 x 12&#8243;, in negative exposure. Each is folded vertically down the middle. Each copied page shows an opening (two pages) from the original.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left\" align=\"CENTER\"><span id=\"S4\" style=\"text-decoration: underline\"><strong>Series IV: Microforms<\/strong><\/span><\/p>\n<p><strong>Box 5<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>film 1<\/strong><\/td>\n<td>Phalese: Des Chansons Reduictz en Tabulature de Lut \u00e02 \u00e03 \u00e04. Several feet of film, in positive exposure, accompanied by a small note by Dr. Fox giving the manuscript name and contents.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>film 2<\/strong><\/td>\n<td>Verona MS 756: Missa Ein fr\u00f6hlich Wesen. Several feet of film, in positive exposure, accompanied by a small note by Dr. Fox giving the manuscript name and contents.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>film 3<\/strong><\/td>\n<td>Verona MS 756: Missa Ein fr\u00f6hlich Wesen. Same as film 2, but in negative exposure.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>film 4<\/strong><\/td>\n<td>Basel, MS F IX 25. 7\u00bd&#8221;, negative exposure. A small note by Dr. Fox giving the manuscript name and contents can be found in Box 5, folder 1.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>film 5<\/strong><\/td>\n<td>St. Gall, MS 462\/463. 12\u00bc&#8221;, negative exposure. A small note by Dr. Fox giving the manuscript name and contents can be found in Box 5, folder 1.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>film 6<\/strong><\/td>\n<td>Unidentified film, 7\u00bd&#8221;, negative exposure. A small note by Dr. Fox that accompanied this film can be found in Box 5, folder 1.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>film 7<\/strong><\/td>\n<td>Unidentified film, 32\u00be&#8221;, positive exposure. A small note by Dr. Fox that accompanied this film can be found in Box 5, folder 1.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>film 8<\/strong><\/td>\n<td>&#8220;Trium vocum carmina.&#8221; From an unidentified manuscript. 3 sheets, 3 x 4&#8243;, each containing three 1 x \u00bd&#8221; frames of film. The sheets are marked &#8220;T,&#8221; &#8220;D,&#8221; and &#8220;B,&#8221; presumably signifying tenor, discantus, and bassus parts, respectively.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p><strong>Box 5<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Notes by Dr. Fox corresponding to Box 5, films 4-7.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p id=\"S5\" style=\"text-align: left\" align=\"CENTER\"><strong>Series V: Publications<\/strong><\/p>\n<p><strong>Box 4<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Walther, C. L. <i>Chansonvormen op het Einde Van de XVde EEUW<\/i>. Amsterdam: H. J. Paris, 1938. 127 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>\n<p>Pascal, <i>Pens\u00e9es<\/i>. Paris: Librairie Hatier, date unknown. 61 pp.<\/p>\n<ul>\n<li>Gabriel, Paul. <i style=\"font-family: sans-serif;line-height: normal;text-align: left\">Das deutsche evangelische Kirchenlied<\/i>. Leipzig: Verlag, Quelle, &amp; Meyer, 1935. 143 pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>\n<p>Librettos<\/p>\n<ul>\n<li>Wagner, Richard. <i style=\"font-family: sans-serif;line-height: normal;text-align: left\">Lohengrin<\/i>. Leipzig: Philipp Reclam jun, date unknown. 73 pp.<\/li>\n<li>Wagner, Richard. <i style=\"font-family: sans-serif;line-height: normal;text-align: left\">Das Rheingold<\/i>. M\u00fcnchen: G. Fransiche Buch-druckerei, date unknown. 62 pp.<\/li>\n<li>Wagner, Richard. <i style=\"font-family: sans-serif;line-height: normal;text-align: left\">Siegfried<\/i>. M\u00fcnchen: G. Fransiche Buchdruckerei, date unknown. 76 pp.<\/li>\n<li>Wagner, Richard. <i style=\"font-family: sans-serif;line-height: normal;text-align: left\">Tristan und Isolde<\/i>. M\u00fcnchen: G. Fransiche Buch-druckerei, date unknown. 43 pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Fox, Charles Warren. &#8220;Ein Fr\u00f6hlich Wesen: The Career of German Song in the Sixteenth Century.&#8221; Reprint of a paper read before the American Musicological Society (Pittsburgh, Pa., December 29-30, 1937). (2 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Schrade, Leo. &#8220;Unknown Motets in a Recovered Thirteenth-Century Manuscript.&#8221; <i>Speculum <\/i>XXX, no. 3 (July 1955). Offprint. Inscription by the author.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Miscellaneous publications and fragments.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>\n<p>Materials pertaining to the American Council of Learned Societies:<\/p>\n<ul>\n<li><i style=\"font-family: sans-serif;line-height: normal;text-align: left\">The ACLS Newsletter<\/i>, vol. IX, nos. 1-4.<\/li>\n<li>Official Announcement, dated April 8, 1958, regarding the naming of 27 recipients of awards through the ACLS Grant-in-Aid program.<\/li>\n<li>Official Announcement, dated April 14, 1958, regarding the bestowal of a $500,000 grant from the Ford Foundation to encourage international scholarly congresses to meet in the United States.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p id=\"S6\" style=\"text-align: left\" align=\"CENTER\"><strong>Series VI: Materials pertaining to the American Musicological Society<\/strong><\/p>\n<p><strong>Box 4<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Miscellaneous administrative materials, including a program from the 1957 annual meeting at UCLA, a financial report, minutes from a Society Board meeting, and a newsletter dated April 15, 1958.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Copy of a letter from Charles Warren Fox to Howard Brown regarding an article accepted for publication in the Spring 1959 issue of the <i>Journal of the American Musicological Society.<\/i><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Correspondence between Charles Warren Fox and Samuel E. Brown, Jr. regarding the acceptance of an article for publication in the Spring 1959 issue of the <i>Journal of the American Musicological Society.<\/i> Included is Brown\u2019s initial inquiry, his draft of the article, entitled &#8220;A Possible Cantus Firmus Among Ciconia\u2019s Isorhythmic Motets,&#8221; and a copy of Fox\u2019s response.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Correspondence between Charles Warren Fox and Ralph T. Daniel, Jr., regarding an article accepted for publication in the Spring or Summer 1959 issue of the <i>Journal of the American Musicological Society.<\/i> Included is Daniel\u2019s initial inquiry and a copy of Fox\u2019s response. The article in question is not included.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Correspondence from Walter A. Rubsamen regarding an article submitted for consideration to the <i>Journal of the American Musicological Society.<\/i> Included are Rubsamen\u2019s initial inquiry and his draft of the article, entitled &#8220;The <i>Justiniane<\/i> or <i>Viniziane<\/i> of the 15th Century.&#8221; Musical examples to accompany this article are found in this collection, Box 2, folder 8.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Correspondence between Charles Warren Fox and the Rev. Fidelis Smith, O.F.M., regarding an article proposed by the latter for consideration by <i>Journal of the American Musicological Society.<\/i> Included are Fr. Smith\u2019s initial inquiry and also Fox\u2019s reply, in which he agreed to receive a copy of the article for possible publication.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>Copy of a letter from Charles Warren Fox to Lincoln B. Speiss regarding the acceptance of an article by Speiss for publication in the Spring 1959 issue of the <i>Journal of the American Musicological Society.<\/i><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Correspondence from John Ward regarding an article submitted for consideration to the <i>Journal of the American Musicological Society.<\/i> Included is Ward\u2019s initial inquiry and his draft of the article, entitled &#8220;Music for <i>A Handefull of pleasant delites.<\/i>&#8221; The article bears some editorial markings, presumably in Fox\u2019s hand.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p><strong>Box 2<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 18<\/strong><\/td>\n<td>Musical examples to accompany the materials in Box 4, folder 12.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1614702006491{margin-top: -20px !important;}&#8221;] SC 1998.76 Ruth T. Watanabe Special Collections Sibley Music Library Eastman School of Music University of Rochester prepared by Jeremy N. Grimshaw Summer 1999 CONTENTS Description of Collection Description of Series Inventory Series 1: Research Notes Series 2: Transcriptions and Arrangements Series 3: Manuscript Facsimiles, Photographs, and Photocopies Series 4: [&hellip;]<\/p>\n","protected":false},"author":276,"featured_media":5165,"parent":400,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"finding-aid","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[3],"class_list":["post-1171","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/276"}],"replies":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=1171"}],"version-history":[{"count":0,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1171\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/400"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media\/5165"}],"wp:attachment":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=1171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=1171"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=1171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}