{"id":1178,"date":"2019-06-25T10:29:27","date_gmt":"2019-06-25T14:29:27","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=1178"},"modified":"2025-11-17T11:43:53","modified_gmt":"2025-11-17T16:43:53","slug":"frager1","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/frager\/frager1\/","title":{"rendered":"MALCOLM FRAGER COLLECTION: Sub-Group 1"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3>SUB-GROUP 1: PERSONAL PAPERS<\/h3>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Programs\"><\/a><strong><span style=\"font-size: 16px;\">Series 1: Programs<\/span><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 1&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658150776395{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Pre-1961 season.<br \/>\n32 concert programs, invitations, and facsimiles (including duplicate copies); dated between May 1, 1944, and April 13\u201314, 1962; 1 undated (after 1960).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1962\u201363.<br \/>\n38 concert programs, related publicity materials, and press clippings (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1963\u201364.<br \/>\n7 concert programs.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1964\u201365.<br \/>\n5 concert programs and excerpts (including duplicate copies); 3 undated (1964\u201365 season).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1965\u201366 (July\u2013December 1965).<br \/>\n10 concert programs.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 2&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658150971573{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1965\u201366 (January\u2013February 1966).<br \/>\n10 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1965\u201366 (March\u2013May 1966).<br \/>\n15 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1966\u201367 (July\u2013October 1966).<br \/>\n11 concert programs.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1966\u201367 (November\u2013December 1966).<br \/>\n6 concert programs.<br \/>\nSan Diego Symphony Orchestra program (dated December 13, 1966) accompanied by press clipping.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1966\u201367 (January\u2013July 1967).<br \/>\n10 concert programs.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 3&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658153920617{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1967\u201368 (October\u2013December 1967).<br \/>\n13 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1967\u201368 (January\u2013August; undated).<br \/>\n31 concert programs, excerpts, and press clippings (including duplicate copies); 2 undated (1967\u201368 season).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1968\u201369 (August\u2013November 1968).<br \/>\n19 concert programs and excerpts (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 4&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658153930375{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1968\u201369 (December\u2013January 1969).<br \/>\n11 concert programs and excerpts (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1968\u201369 (February\u2013March 1969).<br \/>\n13 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1968\u201369 (April\u2013May 1969).<br \/>\n10 concert programs and publicity circulars.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1969\u201370 (August\u2013September 1969).<br \/>\n13 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 5&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658153937403{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1969\u201370 (November 1969\u2013January 1970).<br \/>\n19 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1969\u201370 (February\u2013March 1970).<br \/>\n15 concert programs.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1969\u201370 (April\u2013June 1970).<br \/>\n15 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1969\u201370 (July\u2013August 1970).<br \/>\n16 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1970\u201371 (September\u2013November 1970).<br \/>\n16 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>1970\u201371 (January\u2013March 1971).<br \/>\n14 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 7<\/th>\n<td>1970\u201371 (April\u2013August 1971).<br \/>\n15 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 6&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658154313107{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1971\u201372 (August\u2013November 1971).<br \/>\n14 concert programs (including duplicate copies).<br \/>\nHamburg Philharmonic Orchestra concert program (dated September 12\u201313, 1972) accompanied by press clipping.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1971\u201372 (December 1971\u2013February 1972).<br \/>\n21 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1971\u201372 (March\u2013April 1972).<br \/>\n14 concert programs and publicity circulars (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 7&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658154464256{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1971\u201372 (May\u2013August 1972; undated).<br \/>\n16 concert programs and excerpts (including duplicate copies).<br \/>\nOversized item (recital program dated June 13, 1972) separated; see Box 79, Folder 1.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1972\u201373 (October\u2013December 1972).<br \/>\n13 concert programs and excerpts (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1972\u201373 (January\u2013March 1973).<br \/>\n20 concert programs and excerpts (including duplicate copies).<br \/>\nCopy 3 of Koninklijke Liedertafel concert program (dated February 16, 1973) has manuscript note on cover from Malcolm Frager to his family (\u201cDear Folks\u201d).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1972\u201373 (April\u2013July 1973; undated).<br \/>\n14 concert programs (including duplicate copies); 1 undated (1972\u201373 season).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1973\u201374 (August\u2013September 1974).<br \/>\n10 concert programs and festival booklets (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 6<\/th>\n<td>1973\u201374 (October\u2013November 1974<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 8&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658154777259{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1973\u201374 (December 1973).<br \/>\n6 concert programs.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1973\u201374 (January\u2013February 1974).<br \/>\n11 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1973\u201374 (March\u2013April 1974).<br \/>\n16 concert programs and excerpts (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1973\u201374 (May\u2013July 1974; undated).<br \/>\n14 concert programs, excerpts, and publicity materials (including duplicate copies); 2 undated (1973\u201374 season).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1974\u201375 (September\u2013December 1974).<br \/>\n17 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>1974\u201375 (January 1975).<br \/>\n7 concert programs and excerpts (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 7<\/th>\n<td>1974\u201375 (February 1975).<br \/>\n16 concert programs and excerpts (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 9&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658155346294{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1974\u201375 (March\u2013April 1975).<br \/>\n10 concert programs.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1974\u201375 (May 1975).<br \/>\n10 concert programs.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1974\u201375 (June\u2013July 1975; undated).<br \/>\n11 concert programs and excerpts (including duplicate copies); 3 undated (1974\u201375 season).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1975\u201376 (September\u2013October 1975).<br \/>\n12 concert programs and excerpts (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1975\u201376 (November 1975\u2013January 1976).<br \/>\n32 concert programs and excerpts (including duplicate copies).<br \/>\nOversized item (concert program with Orchestre Philharmonique de Strasbourg dated January 28, 1976) separated; see Box 79, Folder 1.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>1975\u201376 (February 1976).<br \/>\n11 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 10&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658157269204{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1975\u201376 (March\u2013April 1976).<br \/>\n25 concert programs and excerpts (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1975\u201376 (May\u2013July 1976).<br \/>\n31 concert programs and publicity materials (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1975\u201376 (August 1976; undated).<br \/>\n17 concert programs (including duplicate copies); 1 item (3 copies) undated (1975\u201376 season).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1976\u201377 (September\u2013October 1976).<br \/>\n27 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1976\u201377 (November\u2013December 1976).<br \/>\n21 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 11&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658334020967{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1976\u201377 (January 1\u201314, 1977).<br \/>\n9 concert programs and excerpts (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1976\u201377 (January 15\u201331, 1977).<br \/>\n14 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1976\u201377 (February 1977).<br \/>\n9 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 12&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658334209689{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1976\u201377 (March 1977).<br \/>\n17 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1976\u201377 (April 1977).<br \/>\n21 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1976\u201377 (May\u2013July 1977).<br \/>\n18 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1976\u201377 (August 1977; undated).<br \/>\n11 concert programs (including duplicate copies); 3 undated (1976\u201377 season).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1977\u201378 (September\u2013October 1977).<br \/>\n14 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 6<\/th>\n<td>1977\u201378 (November 1977).<br \/>\n12 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 13&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658334243225{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1977\u201378 (December 1977\u2013January 1978).<br \/>\n16 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1977\u201378 (February 1978).<br \/>\n8 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1977\u201378 (March\u2013April 1978).<br \/>\n13 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 14&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658334253545{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1977\u201378 (May\u2013June 1978).<br \/>\n14 concert programs and excerpts (including duplicate copies).<br \/>\nPage from Lincoln Center stagebill (dated May 1978) has typescript note to \u201cFlo &amp; Al.\u201d<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1977\u201378 (July 1978).<br \/>\n13 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1977\u201378 (August 1978; undated).<br \/>\n10 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1978\u201379 (September 1978).<br \/>\n13 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1978\u201379 (October\u2013December 1978).<br \/>\n20 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 15&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658334264440{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1978\u201379 (January 1979).<br \/>\n10 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1978\u201379 (February 1979).<br \/>\n19 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1978\u201379 (March\u2013April 1979).<br \/>\n20 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 16&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658334275864{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1978\u201379 (May 1979).<br \/>\n13 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1978\u201379 (June 1979).<br \/>\n13 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1978\u201379 (July 1979).<br \/>\n7 concert programs (including duplicate copies).<br \/>\nOversized items (2 copies of Orquesta Sinfonica de la Universidad de Conception concert program, dated July 13, 1979) separated; see Box 79, Folder 1.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1978\u201379 (August 7, 1979).<br \/>\n6 copies of Lincoln Center concert program dated August 7, 1979.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1978\u201379 (August 18, 1979; undated).<br \/>\n4 copies of Tanglewood 1979 concert program (Malcolm Frager performed August 18, 1979).<br \/>\n3 undated concert programs (1978\u201379 season).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>1979\u201380 (September\u2013October 1979).<br \/>\n14 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 7<\/th>\n<td>1979\u201380 (November\u2013December 1979).<br \/>\n13 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 17&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658334287504{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1979\u201380 (January\u2013February 1980).<br \/>\n19 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1979\u201380 (March\u2013April 1980).<br \/>\n18 concert programs and publicity materials (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1979\u201380 (May\u2013June 1980).<br \/>\n14 concert programs, excerpts, publicity materials, and festival programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 18&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658334299064{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1979\u201380 (July\u2013August 8, 1980).<br \/>\n6 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1980\u201381 (August 31\u2013September 1980).<br \/>\n19 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1980\u201381 (October 1980).<br \/>\n8 concert programs and excerpts (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1980\u201381 (November 1980).<br \/>\n17 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1980\u201381 (December 1980\u2013January 1981).<br \/>\n15 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 6<\/th>\n<td>1980\u201381 (February 1981).<br \/>\n7 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 19&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658334310112{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1980\u201381 (March 1981).<br \/>\n12 concert programs and festival booklets (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1980\u201381 (April 1981).<br \/>\n7 concert programs and excerpts (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1980\u201381 (May 1981).<br \/>\n13 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 20&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658334323561{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1980\u201381 (June\u2013July 1981).<br \/>\n10 concert programs and excerpts (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1980\u201381 (August 1981; undated).<br \/>\n10 concert programs and festival booklets (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1981\u201382 (September 1981).<br \/>\n6 concert programs and festival booklets (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1981\u201382 (October 1981).<br \/>\n7 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1981\u201382 (November\u2013December 1981).<br \/>\n15 concert programs and excerpts (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 6<\/th>\n<td>1981\u201382 (January 1982).<br \/>\n14 concert programs and festival booklets (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 21&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658334335457{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1981\u201382 (February 1982).<br \/>\n7 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1981\u201382 (March\u2013May 1982).<br \/>\n13 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1981\u201382 (June 1982).<br \/>\n4 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1981\u201382 (July\u2013August 1982; undated).<br \/>\n13 concert programs and excerpts (including duplicate copies); 2 undated (1981\u00ad82 season).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 22&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658339745765{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1982\u201383 (September\u2013October 1982).<br \/>\n13 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1982\u201383 (November\u2013December 1982).<br \/>\n9 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1982\u201383 (January\u2013February 1983).<br \/>\n11 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1982\u201383 (March 1983).<br \/>\n7 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1982\u201383 (April\u2013May 1983).<br \/>\n9 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>1982\u201383 (June\u2013July 1983).<br \/>\n11 concert programs and excerpts (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 7<\/th>\n<td>1982\u201383 (August 1\u201312, 1983).<br \/>\n5 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 23&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658340343912{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1982\u201383 (August 18\u201326, 1983; undated).<br \/>\n5 concert programs and festival booklets (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1983\u201384 (September\u2013October 1983).<br \/>\n17 concert programs (including duplicate copies).<br \/>\nCopy 3 of Staatsoper Dresden concert program (dated September 8\u20139, 1983) accompanied by typescript letter from Eberhard Steindorf (Konzertdramaturg, Staatsoper Dresden) to Malcolm Frager and 4 press clippings.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1983\u201384 (November\u2013December 1983).<br \/>\n8 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1983\u201384 (January 1984).<br \/>\n5 concert programs and festival booklets (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1983\u201384 (February\u2013March 1984).<br \/>\n11 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>1983\u201384 (April\u2013May 1984).<br \/>\n14 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 7<\/th>\n<td>1983\u201384 (June\u2013July 1984).<br \/>\n5 concert programs and festival booklets (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 24&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658340354567{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1983\u201384 (August 1984; undated).<br \/>\n6 concert programs and festival booklets (including duplicate copies); 1 undated (1983\u201384 season).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1984\u201385 (September\u2013October 1984).<br \/>\n13 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1984\u201385 (November 1984).<br \/>\n9 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 25&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658339859708{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1984\u201385 (December 1984\u2013January 1985).<br \/>\n8 concert programs and excerpts (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1984\u201385 (February 1985).<br \/>\n9 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1984\u201385 (March 1985).<br \/>\n6 concert programs and festival booklets (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1984\u201385 (April\u2013June 1985).<br \/>\n10 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>1984\u201385 (July\u2013August 1985; undated).<br \/>\n7 concert programs and festival booklets (including duplicate copies); 2 undated (1984\u201385 season).<br \/>\nOversized items (concert program from Bachmarathon\/Orgelorgie, Frankfurter Bachkonzerte, undated [1984\u201385 season]) separated; see Box 79, Folder 1.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 6<\/th>\n<td>1985\u201386 (September\u2013October 1985).<br \/>\n11 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 26&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658339904228{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1985\u201386 (November 3\u201316, 1985).<br \/>\n6 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1985\u201386 (November 19\u201330, 1985).<br \/>\n5 concert programs.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1985\u201386 (December 1985\u2013January 1986).<br \/>\n7 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1985\u201386 (February 1986).<br \/>\n11 concert programs and festival booklets (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1985\u201386 (March 1986).<br \/>\n6 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 6<\/th>\n<td>1985\u201386 (April\u2013May 1986).<br \/>\n12 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 27&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658344462874{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1985\u201386 (June\u2013August 1986; undated).<br \/>\n5 concert programs and festival booklets; 1 undated (1985\u201386 season).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1986\u201387 (September 1986).<br \/>\n5 concert programs and festival booklets.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1986\u201387 (October 1986).<br \/>\n9 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1986\u201387 (November\u2013December 1986).<br \/>\n6 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1986\u201387 (January\u2013February 1987).<br \/>\n9 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>1986\u201387 (March 1987).<br \/>\n9 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 7<\/th>\n<td>1986\u201387 (April 1987).<br \/>\n4 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 28&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658347039198{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1986\u201387 (May 1987).<br \/>\n9 concert programs and excerpts (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1986\u201387 (June\u2013July 1987).<br \/>\n6 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1986\u201387 (August 1987).<br \/>\n1 festival booklet, 1 concert program.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1987\u201388 (September 1987).<br \/>\n3 concert programs.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 29&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658347047533{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1987\u201388 (October\u2013December 1987).<br \/>\n11 concert programs and excerpts (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1987\u201388 (January 1988).<br \/>\n9 concert programs, excerpts, and festival booklets (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1987\u201388 (February\u2013March 1988).<br \/>\n11 concert programs and publicity circulars (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1987\u201388 (April 1988).<br \/>\n8 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1987\u201388 (May\u2013July 1988; undated).<br \/>\n9 concert programs and excerpts (including duplicate copies); 1 undated (1987\u201388 season).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 6<\/th>\n<td>1988\u201389 (September\u2013December 1988).<br \/>\n8 concert programs.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 30&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658347055837{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1988\u201389 (January 1989).<br \/>\n3 concert programs and festival booklets.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1988\u201389 (February\u2013April 1989).<br \/>\n11 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1988\u201389 (May\u2013July 1989).<br \/>\n6 concert programs and publicity circulars.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1988\u201389 (August 1989).<br \/>\n4 concert programs and festival booklets.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 31&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658347599760{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1989\u201390 (September 1989).<br \/>\n7 concert programs and festival booklets.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1989\u201390 (October 1989).<br \/>\n7 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1989\u201390 (November 1989).<br \/>\n<span style=\"font-family: inherit;\">7 concert programs (including duplicate copies).<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 32&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658347611569{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1989\u201390 (January 1990).<br \/>\n9 concert programs, excerpts, and festival booklets (including duplicate copies).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1989\u201390 (February\u2013March 1990).<br \/>\n14 concert programs (including duplicate copies).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 33&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658347618120{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1989\u201390 (April 1990).<br \/>\n8 concert programs.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1989\u201390 (May\u2013June 1990).<br \/>\n5 concert programs.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1989\u201390 (July 1990).<br \/>\n4 concert programs and festival booklets.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1989\u201390 (August 1990; undated).<br \/>\n3 concert programs and festival booklets; 3 undated (1989\u201390 season).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>1990\u201391 (January 1991).<br \/>\n1 festival booklet, 2 copies of schedule for the International Mozarteum Foundation\u2019s \u201cMozart Week\u201d (Internationale Stiftung Mozarteum, Mozartwoche) festival (January\u2013February 1991). 3 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>1990\u201391 (July 1991\u2014in memoriam note).<br \/>\nAnnouncements of the International Mozarteum Foundation (Mitteilungen der Internationalen Stiftung Mozarteum), vol. 39, nos. 1-4. 244 pp.<br \/>\nIncludes in memoriam note for Malcolm Frager (p. 239).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 7<\/th>\n<td>1991\u201392 (January 1992\u2014in memoriam concert).<br \/>\n1 festival booklet, 2 copies of schedule for the International Mozarteum Foundation\u2019s \u201cMozart Week\u201d (Internationale Stiftung Mozarteum, Mozartwoche) festival (January\u2013February 1992). 3 items.<br \/>\nFestival included in memoriam concert by the English Chamber Orchestra (Leopold Hager, conductor) with Robert Levin, piano.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 34&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658347625281{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Undated.<br \/>\n1 recital program (Queen Elizabeth Hall); undated (Sunday, 18 March).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Other programs (without Frager): 1965\u201377.<br \/>\n10 concert programs.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Other programs (without Frager): 1979\u201383.<br \/>\n7 concert programs.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Other programs (without Frager): 1983\u201390.<br \/>\n5 concert programs.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 35&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658347631849{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<p><em><strong>[Removed due to reorganization of materials]<\/strong><\/em><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Publicity\"><\/a><strong><span style=\"font-size: 16px;\">Series 2: Publicity<\/span><\/strong><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Reviews\"><\/a><strong><em>Subseries A: Reviews<\/em><\/strong><\/p>\n<p>Arranged geographically: the United States first, alphabetically by state, then foreign countries alphabetically.<\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 36&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658348026444{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Alabama.<br \/>\n11 press clippings (including duplicate copies); dated 1963\u20131989.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Arizona.<br \/>\n9 press clippings (including duplicate copies); dated 1966, 1989; 1 undated (1960s?).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>California.<br \/>\n48 press clippings and facsimiles (including duplicate copies); dated 1960\u20131989; 4 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Colorado.<br \/>\n16 press clippings and facsimiles (including duplicate copies); dated 1959\u20131986; 2 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>Connecticut.<br \/>\n5 press clippings (including duplicate copies); dated 1963\u20131965; 1 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Florida.<br \/>\n19 press clippings (including duplicate copies); dated 1962\u20131990; 4 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 7<\/th>\n<td>Georgia.<br \/>\n4 press clippings (including duplicate copies); dated April 1982; 1 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 8<\/th>\n<td>Hawaii.<br \/>\n1 press clipping with duplicate facsimile; dated January 1985.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 9<\/th>\n<td>Illinois.<br \/>\n19 press clippings (including duplicate copies); dated 1961\u20131989.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Indiana.<br \/>\n15 press clippings and facsimiles (including duplicate copies); dated 1963\u20131989.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Iowa.<br \/>\n3 press clippings; dated 1979, 1985.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 12<\/th>\n<td>Kentucky.<br \/>\n6 press clippings (including duplicate copies); dated 1962\u20131987.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 13<\/th>\n<td>Maryland.<br \/>\n11 press clippings and facsimiles (including duplicate copes); dated 1977\u20131990.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Massachusetts.<br \/>\n81 press clippings and facsimiles (including duplicate copies); dated 1963\u20131988; 4 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Michigan.<br \/>\n4 press clippings; dated 1960, 1989; 2 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Minnesota.<br \/>\n17 press clippings (including duplicate copies); dated 1960\u20131989.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Missouri.<br \/>\n65 press clippings and facsimiles (including duplicate copies); dated [1953]\u20131989; 8 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Nebraska.<br \/>\n1 facsimile of press clipping (2 copies); dated January 1990.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 19<\/th>\n<td>New Jersey.<br \/>\n1 press clipping; dated July 1973.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 20<\/th>\n<td>New York State.<br \/>\n32 press clippings and facsimiles (including duplicate copies); dated 1964\u20131988; 5 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 21<\/th>\n<td>New York City.<br \/>\n60 press clippings and facsimiles (including duplicate copies); dated 1960\u20131987; 7 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 22<\/th>\n<td>North Carolina.<br \/>\n8 press clippings (including duplicate copies); dated 1964\u20131985; 1 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 23<\/th>\n<td>Ohio.<br \/>\n41 press clippings and facsimiles (including duplicate copies); dated 1962\u20131988; 3 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 24<\/th>\n<td>Oklahoma.<br \/>\n4 press clippings and facsimiles; dated 1961\u20131974.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 25<\/th>\n<td>Oregon.<br \/>\n18 press clippings (including duplicate copies); dated 1962\u20131986.<br \/>\n4 press clippings dated March 2\u20134, 1965, originally enclosed in envelope along with (4 items):<br \/>\n&#8211; Invitation to reception hosted by the Sunset Auxiliary of the Portland Symphony Society. 1 item, with envelope.<br \/>\n&#8211; Publicity circular announcing brunch hosted by the Women\u2019s Association of Portland Symphony. 2 copies.<br \/>\n&#8211; Typescript itinerary for Malcolm Frager for March 1\u20133, 1965, in advance of March 3 performance with Portland Symphony. 1 p., with envelope.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 37&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658410143702{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Pennsylvania.<br \/>\n31 press clippings and facsimiles (including duplicate copies); dated 1960\u20131989.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Rhode Island.<br \/>\n9 press clippings (including duplicate copies); dated 1963\u20131983.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>South Dakota.<br \/>\n2 press clippings; dated February and November 1960.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Tennessee.<br \/>\n2 press clippings; dated February 1968.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>Texas.<br \/>\n16 press clippings (including duplicate copies); dated 1962\u20131988; 2 undated.<br \/>\n&#8211; Press clipping dated October 26, 1971, accompanied by excerpt from concert program.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Utah.<br \/>\n3 press clippings and facsimiles; dated 1966, 1987.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 7<\/th>\n<td>Virginia.<br \/>\n1 press clipping; dated December 1967.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 8<\/th>\n<td>Washington, DC.<br \/>\n13 press clippings and facsimiles (including duplicate copies); dated 1962\u20131982; 1 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 9<\/th>\n<td>Washington State.<br \/>\n2 press clippings; dated 1962, 1985.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 10<\/th>\n<td>Wisconsin.<br \/>\n4 press clippings (including duplicate copies); dated 1966, 1985; 1 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 11<\/th>\n<td>Australia.<br \/>\n41 press clippings and facsimiles (including duplicate copies); dated 1969, 1973, 1982; 3 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 12<\/th>\n<td>Austria.<br \/>\n28 press clippings and facsimiles (including duplicate copies); dated 1980\u20131990; 2 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 13<\/th>\n<td>Belgium.<br \/>\n58 press clippings and facsimiles (including duplicate copies); dated 1961\u20131990; 2 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 14<\/th>\n<td>Canada.<br \/>\n35 press clippings and facsimiles (including duplicate copies); dated 1960\u20131990; 2 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 15<\/th>\n<td>Czechoslovakia.<br \/>\n7 press clippings; dated 1970\u20131978.<br \/>\n&#8211; Also in folder: letter from Dr. Bechyn\u011b (Czechoslovak Arts and Entertainment Agency) to Tom Graham (Harrison\/Parrot) pertaining to press reviews from Frager\u2019s Prague concerts (1976); dated November 2, 1976.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 16<\/th>\n<td>Finland.<br \/>\n1 press clipping; dated June 1987.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 17<\/th>\n<td>France.<br \/>\n17 press clippings and facsimiles (including duplicate copies); dated 1961\u20131989; 1 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 18<\/th>\n<td>Germany: 1961, 1967.<br \/>\n40 press clippings and facsimiles (including duplicate copies); dated 1961, 1967.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 19<\/th>\n<td>Germany: 1970s.<br \/>\n111 press clippings, facsimiles, and typescript transcriptions (including duplicate copies); dated 1970\u20131979.<br \/>\n&#8211; Also in folder: concert program (Staatstheater Dresden) dated August 31\u2013September 1, 1978, accompanied by letter from Eberhard Steindorf (Konzertdramaturg, Staatstheater Dresden) to Malcolm Frager and 4 press clippings.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 20<\/th>\n<td>Germany: 1980-1990.<br \/>\n141 press clippings, facsimiles, and typescript transcriptions (including duplicate copies); dated 1980\u20131990.<br \/>\n&#8211; Also in folder: concert program (Staatstheater Dresden) dated September 10\u201313, 1980, accompanied by letter from Eberhard Steindorf (Konzertdramaturg, Staatstheater Dresden) to Malcolm Frager and 5 press clippings.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 21<\/th>\n<td>Germany: undated.<br \/>\n16 press clippings and facsimiles; 16 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 38&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658411417554{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Greece.<br \/>\n1 press clipping; undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Great Britain.<br \/>\n32 press clippings and facsimiles (including duplicate copies); dated 1964\u20131990; 7 undated.<br \/>\n&#8211; Press clipping dated January 26, 1990, accompanied by letter from Hans-Hubert Sch\u00f6nzeler to Malcolm Frager dated January 27, 1990, pertaining to January 26, 1990, concert.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Holland.<br \/>\n140 press clippings and facsimiles (including duplicate copies); dated 1961\u20131989; 18 undated.<br \/>\n&#8211; Also in folder: 2 publicity posters containing collages of press clippings; undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Hungary.<br \/>\n3 press clippings (including duplicate copy); dated April 1966; 1 undated.<br \/>\n&#8211; Also in folder: 2 letters from Alice Ba\u00fa to Malcolm Frager (ink); dated April 11\u201313, 1966. Includes translation of April 6, 1966, review from Dutch to German.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Iceland.<br \/>\n5 press clippings and facsimiles; dated 1964, 1966; 2 undated.<br \/>\n&#8211; Undated press clipping (\u201cP\u00edan\u00f3t\u00f3nleikar\u201d) accompanied by typescript English translation of review. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 6<\/th>\n<td>Israel.<br \/>\n1 facsimile of press clipping (2 copies); undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 7<\/th>\n<td>Italy.<br \/>\n13 press clippings, facsimiles, and transcriptions; dated 1961\u20131982; 2 undated.<br \/>\n&#8211; Also in folder: \u201cFrager\u2019s Rome debut\u201d [press release?], issued by Harold Rogers, Cultural Correspondent for Italy, <em>Christian Science Monitor.<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 8<\/th>\n<td>Netherlands.<br \/>\n1 magazine (<em>Klavier<\/em>), 1 press clipping; dated 1967, 1984.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 9<\/th>\n<td>Norway.<br \/>\n7 press clippings and translations; dated 1961\u20131972; 1 undated.<br \/>\n-Press clipping dated October 7, 1961, accompanied by English translation of Norwegian article (ink). 2 pp.<br \/>\n&#8211; \u201cMalcolm Frager: Recital, Oslo, 9th March 1971.\u201d Packet of English translations of reviews dated March 10\u201311, 1971 (typescript). 4 pp.<br \/>\n&#8211; Also in folder: publicity flyer containing collage of Norwegian press clippings. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 10<\/th>\n<td>Poland.<br \/>\n43 press clippings and translations; dated 1961\u20131984; 7 undated.<br \/>\n&#8211; Press clipping dated November 15\u201330, 1967, accompanied by letter from Stanislaw Skrowacziewski (Music Director, Minneapolis Symphony Orchestra) to Malcolm Frager (dated January 3, 1968). 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 11<\/th>\n<td>Portugal.<br \/>\n1 press clipping; dated September 1970.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 12<\/th>\n<td>South Africa.<br \/>\n31 press clippings and facsimiles (including duplicate copies); dated 1975\/76\u20131982; 3 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 13<\/th>\n<td>Spain.<br \/>\n11 press clippings and facsimiles; dated 1961, 1981, 1987.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 14<\/th>\n<td>Sweden.<br \/>\n6 press clippings; dated 1961\u20131981; 2 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 15<\/th>\n<td>Switzerland.<br \/>\n107 press clippings and facsimiles (including duplicate copies); dated 1964\u20131990; 2 undated.<br \/>\n&#8211; Also in folder: air mail envelope containing facsimiles of 2 sketches of Malcolm Frager and 1 sketch of [Morag Frager?] by Dr. Willy Dreifuss (dated 1966).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 16<\/th>\n<td>USSR.<br \/>\n14 press clippings (including duplicate copies); dated 1963; 1 undated.<br \/>\n&#8211; Includes press clippings from Russian newspapers as well as English-language newspapers covering Frager\u2019s tour.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Asia.<br \/>\n6 press clippings and facsimiles (including duplicate copies); dated 1979.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 18<\/th>\n<td>South America.<br \/>\n27 press clippings and facsimiles (including duplicate copies); dated 1965\u20131988; 2 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Recording Reviews.<br \/>\n35 press clippings, facsimiles, and press packets compiled by record companies (including duplicate copies); dated 1960\u20131991.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 20<\/th>\n<td>1948\u2014Carl Friedberg.<br \/>\n10 press clippings (including duplicate copies) pertaining to Carl Friedberg; dated 1948\u20131955. Includes 2 profiles of Malcolm Frager, 1 concert review, and 2 articles upon Friedberg\u2019s death; dated 1948\u20131955.<br \/>\nAlso in folder:<br \/>\n&#8211; \u201cCarl Friedberg: One of the Great Pianists of Our Time.\u201d Publicity circular issued by Annie Friedberg.<br \/>\n&#8211; Publicity circular on the death of Carl Friedberg, issued by the Carl Friedberg Music Foundation (John Ranck, President). 2 copies.<br \/>\n&#8211; B\/W photocopy of photograph of Joanne Baker (Chairman of Keyboard Division, University of Missouri at Kansas City), Marian Jersied Lott (Artist in Resident, University of Akron), Malcolm Frager, and unidentified woman. 1 p.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 39&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658411428572{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" colspan=\"2\" nowrap=\"nowrap\"><strong><em>[Removed due to reorganization of materials]<\/em><\/strong><\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Interviews\"><\/a><strong><em>Subseries B: Interviews<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 40&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658412722754{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1944.<br \/>\n2 press clippings (profiles of Malcolm Frager); dated May and October 1944.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 2<\/th>\n<td>1945.<br \/>\n2 press clippings (pertaining to solo appearance with the St. Louis Little Symphony Orchestra); dated July 1945.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 3<\/th>\n<td>1956.<br \/>\n1 press clipping (profile on the occasion of performance with the St. Louis Little Symphony Orchestra); dated July 6, 1956.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1958.<br \/>\n1 press clipping (announcement of National Society of Arts and Letters piano contest winner); dated May 9, 1958.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>1959.<br \/>\n3 newspaper clippings, 1 magazine (<em>Time, <\/em>full issue) (profiles of Frager on the occasion of his winning the Levintritt Piano Award); dated October 1959.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>1960.<br \/>\n1 magazine (<em>Discorama,<\/em> full issue), 2 newspaper clippings (2 profiles of Frager on the occasion of his winning the Queen Elizabeth of Belgium International Piano Competition, 1 concert announcement); dated June\u2013August 1960.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>1963.<br \/>\n2 newspaper clippings (profiles on the occasion of Frager\u2019s Moscow debut); dated April 1963.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>1965.<br \/>\n1 newspaper clipping (profile of Morag Frager); dated March 2, 1965.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>1966.<br \/>\n1 newspaper clipping (profile of Frager and Vladimir Ashkenazy); dated January 2, 1966. 2 copies.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>1967.<br \/>\n3 newspaper clippings and facsimiles (including 1 duplicate facsimile); dated August and November 1967.<br \/>\n&#8211; Facsimile of November 1967 press clipping accompanied by letter from Frederick Steinway (general inquiry about interest in Frager lecture-recital); dated November 29, 1967. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td>1968.<br \/>\n2 newspaper clippings; dated November 1968; 1 undated (1968).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 12<\/th>\n<td>1970.<br \/>\n4 newspaper clippings (including 1 duplicate copy) and 1 magazine (<em>Clavier,<\/em> full issue, 2 copies) (profiles of Frager); dated February\u2013December 1970.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 13<\/th>\n<td>1972.<br \/>\n5 newspaper clippings (including 1 duplicate copy) (4 profiles of Frager, 1 profile of Morag and Frager children); dated January\u2013November 1972.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 14<\/th>\n<td>1973.<br \/>\n3 newspaper clippings and facsimiles (photographs and brief profiles of Frager); dated February\u2013April 1973.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 15<\/th>\n<td>1974.<br \/>\n4 newspaper clippings (including 1 duplicate copy) (profiles of Frager as performer and as judge); dated February and October 1974; 1 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 16<\/th>\n<td>1975.<br \/>\n1 magazine (<em>Ouverture,\u00a0<\/em>full issue), 9 newspaper clippings and facsimiles (including 3 duplicate copies); dated March\u2013December 1975.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 17<\/th>\n<td>1976.<br \/>\n2 newspaper clippings; dated August 1976 (photographs with captions); 1 undated (1976).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 18<\/th>\n<td>1977.<br \/>\n1 facsimile of interview article from <em>Piano Quarterly<\/em>; dated Spring 1977.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 19<\/th>\n<td>8 newspaper clippings (including 1 duplicate copy); dated February\u2013December 1980.<br \/>\n&#8211; Clippings dated February 19, March 6, and March 20, 1980, comprise a 3-part series of reports by Malcolm Frager pertaining to his 2-month European concert tour (<em>The Berkshire Eagle<\/em>).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 20<\/th>\n<td>1981.<br \/>\n3 newspaper clippings (profiles of Frager); dated March\u2013April 1981.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 21<\/th>\n<td>1982.<br \/>\n6 newspaper clippings and facsimiles (including 2 duplicate copies), 1 magazine (<em>Out of the Air,<\/em> full issue); dated March\u2013December 1982.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 22<\/th>\n<td>1983.<br \/>\n1 newspaper clipping, 1 facsimile; dated April and August 1983.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 23<\/th>\n<td>1984.<br \/>\n2 newspaper clippings; dated September and December 1984.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 24<\/th>\n<td>1985.<br \/>\n8 newspaper clippings and facsimiles (including 2 duplicate copies), 1 typescript transcript of radio interview (\u201cSpotlight on the Arts,\u201d with David Cleveland); dated January\u2013August 1985.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 25<\/th>\n<td>1986.<br \/>\n7 newspaper clippings and facsimiles (including 4 duplicate copies); dated March\u2013June 1986.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 26<\/th>\n<td>1987.<br \/>\n7 newspaper clippings (including 1 duplicate copy); dated February\u2013December 1987.<br \/>\n&#8211; Clipping dated February 26, 1987, is profile of Alfred and Florence Frager (parents of Malcolm Frager).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 27<\/th>\n<td>1988.<br \/>\n8 newspaper clippings and facsimiles (including 1 duplicate copy); dated January\u2013November 1988; 2 undated (1988).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 28<\/th>\n<td>1989.<br \/>\n6 newspaper clippings and facsimiles (including 1 duplicate copy); dated February\u2013November 1989.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 29<\/th>\n<td>1990.<br \/>\n5 newspaper clippings and facsimiles; dated April\u2013August 1990.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 30<\/th>\n<td>1991.<br \/>\n1 newspaper clipping (pertaining to Frager\u2019s 1978 experience handling the Mozart manuscripts in the Jagiellonian Library, Krakow, Poland); dated March 17, 1991.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 31<\/th>\n<td>Undated.<br \/>\n12 newspaper clippings and facsimiles, 3 typescript documents (transcriptions of press articles?), 1 facsimile of entry in the Grove Dictionary of Music and Musicians; 16 undated.<br \/>\nAlso in folder: 4 telegrams and facsimiles from Carl Dahlgren; 4 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Business Papers\"><\/a><span style=\"font-size: 16px;\"><strong>Series 3: Business Papers<\/strong><\/span><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Contracts\"><\/a><strong><em>Subseries A: Contracts<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 40 `{`cont.`}`&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658415925684{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\">folder 32<\/th>\n<td>1963.<br \/>\nContracts and related material for performances and broadcasts. 38 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 33<\/th>\n<td>1979.<br \/>\nContracts, addenda, and related documents for performances and broadcasts. 45 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 34<\/th>\n<td>1980.<br \/>\nContracts, addenda, and related documents for performances and broadcasts. 58 items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 41&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658498278351{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1981.<br \/>\nContracts, addenda, and related documents for performances and broadcasts. 62 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1982.<br \/>\nContracts, addenda, and related documents for performances and broadcasts. 57 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1983.<br \/>\nContracts, addenda, and related documents for performances and broadcasts. 62 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>1984.<br \/>\nContracts, addenda, schedules, and related documents for performances and broadcasts. 41 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>1985.<br \/>\nContracts, addenda, and related documents for performances and broadcasts. 70 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>1986.<br \/>\nContracts, addenda, correspondence, and related documents for performances and broadcasts. 49 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>1987.<br \/>\nContracts, addenda, check stubs, and related documents for performances and broadcasts. 48 items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 42&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658499078702{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" colspan=\"2\" nowrap=\"nowrap\"><strong><em>[Removed due to reorganization of materials]<\/em><\/strong><\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 43&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658499098821{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1988.<br \/>\nContracts, addenda, and related documents for performances and broadcasts. 39 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>1989.<br \/>\nContracts, addenda, invoices, and related documents for performances and broadcasts. 47 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1990\u20131992.<br \/>\nContracts, addenda, and related documents for performances and broadcasts. 51 items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Financial Records\"><\/a><strong><em>Subseries B: Financial Records<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 44&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658499327809{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Columbia Artists, 1979\u201380.<br \/>\n15 monthly credit balance statements from Columbia Artists Management Inc.; each accompanied by relevant invoices, receipts, and other financial documents.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Columbia Artists, 1981\u201383.<br \/>\n24 monthly credit balance statements from Columbia Artists Management Inc.; each accompanied by relevant invoices, receipts, and other financial documents.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Columbia Artists, 1984.<br \/>\n13 monthly credit balance statements from Columbia Artists Management Inc.; each accompanied by relevant invoices, receipts, requisitions, and other financial documents.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Columbia Artists, 1985\u201386.<br \/>\n26 monthly credit balance statements from Columbia Artists Management Inc.; each accompanied by relevant invoices, receipts, and other financial documents.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Columbia Artists, 1987\u201389.<br \/>\n35 monthly credit balance statements from Columbia Artists Management Inc.; each accompanied by relevant invoices, receipts, and other financial documents.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Columbia Artists, 1990.<br \/>\n12 monthly credit balance statements from Columbia Artists Management Inc.; each accompanied by relevant invoices, receipts, and other financial documents.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 45&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658499340017{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Harrison\/Parrott Ltd., 1979\u201389 [1 of 3].<br \/>\n33 monthly account statements; dated January 1979\u2013December 1981.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Harrison\/Parrott Ltd., 1979\u201389 [2 of 3].<br \/>\n45 monthly account statements, facsimiles, and accompanying documents; dated January 1982\u2013December 1985.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Harrison\/Parrott Ltd., 1979\u201389 [3 of 3].<br \/>\n47 monthly account statements; dated January 1986\u2013December 1989.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Harrison\/Parrot Ltd., 1990\u201391.<br \/>\n7 monthly account statements; dated January\u2013June 1990, March 1991.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Various Items [1974].<br \/>\nCorrespondence pertaining to Malcolm Frager\u2019s professional activities (e.g., performance and professional invitations, fees, concert schedules, repertoire); dated May\u2013December 1974 (arranged chronologically). 35 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Various Items [1975].<br \/>\nCorrespondence and facsimiles pertaining to Malcolm Frager\u2019s professional activities (e.g., performance and professional invitations, concert schedules, fees, repertoire); dated January\u2013December1975 (arranged chronologically). 120 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Various Items [1976].<br \/>\nCorrespondence and related documents pertaining to Malcolm Frager\u2019s professional activities (e.g., performance invitations, concert schedules, repertoire); dated January\u2013December 1976 (arranged chronologically). 67 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Various Items [1977].<br \/>\nCorrespondence pertaining to Malcolm Frager\u2019s professional activities (e.g., performance invitations, concert schedules, repertoire); dated January\u2013December 1977 (arranged chronologically). 58 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>\u00a0Various Items [1978].<br \/>\nCorrespondence pertaining to Malcolm Frager\u2019s professional activities (e.g., performance and professional invitations, concert schedules, repertoire); dated February\u2013June 1978 (arranged chronologically). 32 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Various Items [1979\u201384].<br \/>\nCorrespondence pertaining to Malcolm Frager\u2019s professional activities (e.g., performance invitations, concert schedules, repertoire); dated September 1979\u2013November 1984 (arranged chronologically). 29 items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Correspondence\"><\/a><span style=\"font-size: 16px;\"><strong>Series 4: Correspondence<\/strong><\/span><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Individual Correspondents\"><\/a><strong><em>Subseries A: Individual Correspondents<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 46&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658504709327{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Arrensburg, Ismael (Sociedad Musical Daniel).<br \/>\n17 letters, facsimiles, and documents; dated January 1985\u2013February 1990.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Badura-Skoda, Paul.<br \/>\n2 letters, 1 personal card (blank); dated January 1980 and July 1984; card undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 3<\/th>\n<td>Barnum, Marion Phyllis.<br \/>\n1 letter; dated July 1972.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Berg, Darrell.<br \/>\n2 letters, accompanied by various documents about C. P. E. Bach; dated July 1981 and January 1982.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Booth, Ronald.<br \/>\n2 letters; dated November 1978 and April 1982.<br \/>\n&#8211; Letter dated November 1978 accompanied by 5 typescript documents:<br \/>\n1 -\u201cTempo Choice and Tempo Freedom in von Weber\u2019s Piano Music.\u201d 26 pp.<br \/>\n2 -\u201cIntuition and Musical Authority as Basis of Interpretation (by Walter Gieseking).\u201d Translation by Ronald Booth. 7 pp.<br \/>\n3 -\u201cThe Challenge of Teaching.\u201d 8 pp.<br \/>\n4 -\u201cSchumann\u2019s Dynamic Intentions in His Piano Music: Summary and Conclusions.\u201d 4 pp.<br \/>\n5 &#8211; CV for Ronald Booth. 2 pp.<br \/>\n-Letter dated April 1982 accompanied by \u201cSchuman\u2019s Dynamic Intentions in His Piano Music.\u201d 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Brendel, Alfred.<br \/>\n1 letter; dated May 1987.<br \/>\n&#8211; Letter accompanied by \u201cRobert Schumanns Kinderszenen. Aspekte einer Komposition.\u201d [Special issue of]\u00a0<em>Musica<\/em>\u00a035, no. 5 (1981), pp. 413-504. Includes article by Alfred Brendel (\u201cDer Interpret mu\u00dfer wachsen sein.\u201d<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Buttram, Dr.<br \/>\n1 letter; dated December 1986.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Colman, John.<br \/>\n1 letter; dated February 1966.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Croan, Robert.<br \/>\n1 card; undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Dawydowa, X.<br \/>\n1 letter; dated July 1983.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Davies, Dennis Russell.<br \/>\n1 letter; dated May 1985.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Diamond, David.<br \/>\n1 letter; dated November 1961.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 13<\/th>\n<td>\u00a0Dienes, Klara and Lazlo.<br \/>\n1 card; postmarked January 1977.<br \/>\n&#8211; Card accompanied by envelope and 2 manuscript notes. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Dolmetsch, Carl.<br \/>\n1 letter; dated December 1968.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Drake, Kenneth.<br \/>\n1 letter; dated August 1968.<br \/>\n&#8211; Accompanied by 2 items:<br \/>\n__\u201cRousseau, Beethoven and Involvement.\u201d Typescript manuscript. 6 pp.<br \/>\n__ Frances Mayhew Rippy, \u201cBrevity, Music, Particularity, Change: Four Premises of Modern Literature\u201d (pp. 36\u201356). Facsimile of chapter from unidentified source. 11 leaves.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Dreesmann, William.<br \/>\n1 card; dated December 1977.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Eckert, Thor, Jr.<br \/>\n1 letter; dated June 1991.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Eckhardt, Ferdinand.<br \/>\n1 letter; dated May 1983.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Fischer, Irwin.<br \/>\n1 letter; dated November 1969.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 20<\/th>\n<td>F\u00fcrst, Jutta.<br \/>\n1 letter; dated May 1981.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 47&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658504804806{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Garofalo, Marcello.<br \/>\n1 letter; dated January 1974.<br \/>\n&#8211; Oversized items (facsimiles of press clippings on or about Carlo Garofalo) separated; see Box 79, Folder 4.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Gilles, Marie-Dominique.<br \/>\n1 letter; dated September 1985.<br \/>\n&#8211; Letter accompanied by facsimile of Jacques Chailley,\u00a0<em>Carnaval de Schumann, Op. 9<\/em>\u00a0(Paris: A. Leduc, 1971). 39 pp. (19 leaves).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Ginastera, Alberto.<br \/>\n1 letter; dated August 1965.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Griffin, George.<br \/>\n1 letter; dated April 1977.<br \/>\n&#8211; Letter accompanied by 4 photographs of an 1897 Steinway &amp; Sons piano (4 color photographs, 8\u201d x 10\u201d).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Haram, Petter.<br \/>\nFacsimiles of 6 compositions by Petter Haram arranged by Kaare Haram. Includes:<\/p>\n<ol>\n<li>For solo piano. 1 p. 2 copies. Copy 2 oversized.<\/li>\n<li><em>Caprice Synzygus.<\/em>\u00a0For violin and piano. Score and violin part. 3 pp.<\/li>\n<li><em>Dance Ettisar.\u00a0<\/em>For solo piano. 2 pp.<\/li>\n<li><em>Marbil\u00f8.\u00a0<\/em>For solo piano. 2 pp.<\/li>\n<li><em>Red Lakelet.\u00a0<\/em>For solo piano. 2 pp.<\/li>\n<li>For solo piano. 1 pp.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Hendershott, Judith.<br \/>\n1 letter; dated May 1989.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Jensen, Gunnar Arne.<br \/>\n1 letter; dated July 1985<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Kang, Mahn-Hee.<br \/>\n1 letter; dated June 1989.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Kessler, Minuetta.<br \/>\n1 publicity flyer.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Koch, Frederick.<br \/>\n3 letters; dated May 1962\u2013May 1983.<br \/>\nAlso in folder: 1 publicity circular on Frederick Koch (2 copies, copy 2 oversized), 1 publicity brochure for Koch School of Music.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td>K\u00f6hler, Hans Joachim.<br \/>\n2 letters; dated December 1989 and March 1990.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Kuerti, Anton.<br \/>\n1 publicity brochure.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 13<\/th>\n<td>K\u00fcthen, Hans-Werner.<br \/>\n1 card, 5 letters; dated December 1980\u20131989. Letters accompanied by envelopes and various documents and facsimiles of manuscripts.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Labunski, Felix R.<br \/>\n1 letter; dated December 1963.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Laderman, Ezra.<br \/>\n1 letter; undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Langlois, Th\u00e9o.<br \/>\n1 business card.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Lauer, Klaus.<br \/>\n1 letter; dated March 1981.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Levin, Robert N.<br \/>\n5 letters; dated August\u2013November 1979.<br \/>\nAlso in folder:<\/p>\n<ul>\n<li>Copy of stop payment order; dated October 10, 1979.<\/li>\n<li>Invoice from the Massimo Agency; dated October 19, 1979.<\/li>\n<li>Facsimile of letter from Robert Levin to Douglas Sheldon (Columbia Artists Management, Inc.); dated January 22, 1980.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Lock, David.<br \/>\n1 letter; undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 20<\/th>\n<td>Lopez, Richard C.<br \/>\n1 letter; dated May 1988.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 21<\/th>\n<td>Mandadzhiev, V.<br \/>\n1 letter (with duplicate facsimile); dated August 1983.<br \/>\nAlso in folder: 1 contract (in Bulgarian\u2013Cyrillic); undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 22<\/th>\n<td>Mann, Alfred (Eastman School of Music).<br \/>\n1 letter; dated November 1988.<br \/>\n<em>Separated from Series 8 (Research Papers), Sub-series A (Articles); see Box 64, Folder 14 (Larsen, Jens P. \u201cHandelian Tempo Problems and\u00a0<\/em>Messiah<em>\u201d).<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 23<\/th>\n<td>Mantel, Gerhard.<br \/>\n1 letter; dated October 1987.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 24<\/th>\n<td>Mayer, William.<br \/>\n1 postcard; dated January 1977.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 25<\/th>\n<td>Mees, Reinald.<br \/>\n1 letter; dated December 1977.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 26<\/th>\n<td>Meister, Chris.<br \/>\n1 letter; dated October 1985.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 27<\/th>\n<td>Miller, Jacques.<br \/>\n2 letters; dated May 1962 and July 1963.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 28<\/th>\n<td>M\u00f6bus, Hans Karl.<br \/>\n1 letter; dated October 1981. Accompanied by transcription of Frager\u2019s cadenza to Weber\u2019s Piano Concerto [No. 2] in E-flat major. 4 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 29<\/th>\n<td>Morey, Art.<br \/>\n1 letter; undated (February 6).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 30<\/th>\n<td>Neumann, Frederick.<br \/>\n1 card; postmarked December 1989.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 31<\/th>\n<td>Nikisch, Arthur.<br \/>\n1 letter; undated. Accompanied by \u201cDarrell Matthews Berg\u2014Publications.\u201d<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 32<\/th>\n<td>Orlov, Henry.<br \/>\n1 letter; dated August 1986. Accompanied by Henry Orlov, \u201c\u041f\u0420\u0418 \u0414\u0412\u041e\u0420\u0415 \u0422\u041e\u0420\u0416\u0415\u0421\u0422\u0412\u0423\u042e\u0429\u0415\u0419 \u041b\u0416\u0418\u201d [At the court of triumphant lies], pp. 62\u201375. Facsimile of article (in Russian Cyrillic) from unidentified source. 7 leaves.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 33<\/th>\n<td>Parchman, Gen.<br \/>\n2 letters; dated October\u2013November 1963. Both letters accompanied by publicity circular for Gen Parchman (composer).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 34<\/th>\n<td>Previn, Andr\u00e9.<br \/>\n1 card (\u201cWith compliments \/ Sent at the request of Andr\u00e9 Previn,\u201d sent by Boosey &amp; Hawkes); undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 35<\/th>\n<td>R\u00e9gnier, Jean N\u00f6el.<br \/>\n1 letter; dated January 1985.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 36<\/th>\n<td>Reichlin, Gerhart.<br \/>\n1 letter; dated November 1963.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 37<\/th>\n<td>Roland, Claude (Belgian Centre for Music Documentation).<br \/>\n1 card (\u201cComplimentary copy presented by the composer\u201d); undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 38<\/th>\n<td>Rosenblum, Sandra P.<br \/>\n1 letter; dated December 20, 1989.<br \/>\n&#8211; Letter accompanied by facsimile of transcription from Fanny Mendelssohn autograph. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 39<\/th>\n<td>Roze, Jeanine.<br \/>\n5 letters; dated August 1979\u2013July 1987.<br \/>\nAlso in folder: partial list of concertos for piano with orchestra from Malcolm Frager\u2019s repertoire. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 40<\/th>\n<td>Saavalainen, Jussi.<br \/>\n1 card; dated February 1983.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 41<\/th>\n<td>Sannem\u00fcller, Gerd.<br \/>\n1 letter; dated December 1984.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 42<\/th>\n<td>Schubert-Weber, Siegfried.<br \/>\n2 letters; dated March 1967.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 43<\/th>\n<td>Schwarz-Schilling, Reinhard.<br \/>\n1 letter; dated September 1973.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 44<\/th>\n<td>Segarstam, Leaf.<br \/>\n1 letter; undated (February 19).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 45<\/th>\n<td>Shaffer, Sherwood.<br \/>\n1 letter; dated January 1964.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 46<\/th>\n<td>Simon, Abbey.<br \/>\n1 letter; dated January 1988.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 47<\/th>\n<td>Slowinsky [?].<br \/>\n1 notebook, containing manuscript sketches for solo voice with German text; dated 1972. 28 pp.<br \/>\n&#8211; Pencil annotation on front cover: \u201cFrom: Slowinksi, Wladyslow, Miniatury, Box 54.\u201d<br \/>\n&#8211; Affixed to inside front cover: excerpt of Frager concert program (Staatskapelle Dresden, June 3, 1976) and photograph of Malcolm Frager from program booklet.<br \/>\n&#8211; Inscription on first page of notebook from Alice Kehrer; dated June 4, 1976.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 48<\/th>\n<td>Apek, Jean Van Der.<br \/>\n4 letters; dated July 1975\u2013January 1983.<\/p>\n<ul>\n<li>Letter dated July 27, 1975, accompanied by facsimiles of pages from original edition of Beethoven\u2019s Path\u00e9tique and the Steingr\u00e4ber edition of Beethoven\u2019s Piano Concerto No. 4.<\/li>\n<li>Letter dated February 9, 1976, accompanied by facsimile of title page from the original edition of Beethoven\u2019s Path\u00e9tique.<\/li>\n<li>Also in folder (4 items):\n<ol>\n<li>Facsimiles of pages from 3 editions of Beethoven\u2019s Sonata, Op. 54. 3 pp.<\/li>\n<li>Schumann, <em>Th\u00e8me sur le nom Abegg vari\u00e9 pour le Pianoforte.<\/em> Facsimile of title page and p. 10 from published score (Leipzig: F. Kistner, n.d.). 2 pp.<\/li>\n<li>Schumann, <em>12 Etudes Symphoniques pour le Piano-forte.<\/em> Facsimile of score (Vienna: Tob. Haslinger, n.d.). 31 pp.<\/li>\n<li>Facsimile of page from unidentified piano composition. 1 p. 2 copies.<\/li>\n<\/ol>\n<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 49<\/th>\n<td>Steinberg, Michael.<br \/>\n1 letter; dated June 1967.<br \/>\n<em>Separated from Series 8 (Research Papers), Sub-series A (Articles); see Box 64, Folder 6 (Georg von Dadelsen, \u201cDie \u2018Fassung letzter Hand\u2019 in der Musik\u201d).<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 50<\/th>\n<td>Sz\u00e1sz, Tibor (1986\u201387).<br \/>\n6 letters; dated March 1986\u2013February 1987.<\/p>\n<ul>\n<li>Letter dated April 2, 1986, accompanied by facsimile of press clipping and facsimile of manuscript realization of Beethoven\u2019s K. 238. 4 pp.<\/li>\n<li>Letter dated December 19, 1986, consists of brief inscription on title page: \u201cContinuo Notation and Practice in the Piano Concertos of Mozart and Beethoven.\u201d Manuscript consists of musical examples and realizations. 7 pp.<\/li>\n<li>Letter dated December 30, 1986, consists of discussion of continuo in Beethoven\u2019s piano concertos, with musical examples. 18 pp.<\/li>\n<li>Letter dated February 9, 1987, accompanied by script for lecture-demonstration \u201cLiszt\u2019s Symbolism and Musical Structure.\u201d 40 pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 51<\/th>\n<td>Sz\u00e1sz, Tibor (June 18, 1989).<br \/>\n1 letter; dated June 18, 1989.<\/p>\n<ul>\n<li>Accompanied by (12 items):\n<ol>\n<li>Draft of article \u201cFigured Bass in Beethoven\u2019s \u2018Emperor\u2019 Concerto: Bass or Continuo or Orchestral Cues?\u201d 75 pp.<\/li>\n<li>Excerpt from William S. Newman, <em>Beethoven on Beethoven: Playing His Piano Music His Way <\/em>(New York: W. W. Norton, 1988). 9 pp.<\/li>\n<li>Facsimile of Paul Badura-Skoda, \u201cEine langerwartete Neuausgabe der Beethoven-Klavierkonzerte Nr. 1\u20133,\u201d <em>Das Orchester<\/em> (April 1988)<em>, <\/em>353\u2013356. 5 pp.<\/li>\n<li>Facsimile of Hans-Werner K\u00fcthen, \u201cLeserbriefe,\u201d <em>Das Orchester <\/em>(February 1989)<em>.<\/em> 161\u2013162, 207-208<em>. <\/em>5 pp.<\/li>\n<li>4 facsimiles of press clippings pertaining to Tibor Sz\u00e1sz. 5 pp.<\/li>\n<li>3 facsimiles of letters to or about Tibor Sz\u00e1sz (letters of commendation or recommendation) and 1 facsimile of press clipping. 4 pp.<\/li>\n<\/ol>\n<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 48&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658504797631{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Sz\u00e1sz, Tibor (June 21, 1989).<br \/>\n1 letter; dated June 21, 1989.<\/p>\n<ul>\n<li>Accompanied by (4 items):\n<ol>\n<li>Facsimile of program for American Musicological Society, Southeast Chapter Spring Meeting (March 19, 1988). Lists Tibor Szasz\u2019s presentation \u201cFigured Bass in Beethoven\u2019s \u2018Emperor\u2019 Concerto: Orchestral Cues or Continuo.\u201d 2 pp.<\/li>\n<li>Musical examples for presentation \u201cFigured Bass in Beethoven\u2019s \u2018Emperor\u2019 Concerto\u2026\u201d 7 pp.<\/li>\n<li>Conference program booklet for Southeastern Historical Keyboard Society (March 20\u201322, 1988). Lists Tibor Sz\u00e1sz\u2019s presentation \u201cMozart\u2019s Piano Concertos: Keyboard Continuo in the Autograph Manuscripts.\u201d 32 pp.<\/li>\n<li>Musical examples for presentation \u201cMozart\u2019s Piano Concertos\u2026\u201d 9 pp.<\/li>\n<\/ol>\n<\/li>\n<li>Accompanying cassette tape (\u201cTibor Szasz on Continuo in Beethoven, Mozart\u201d) separated; see Box 63, Item 20.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Tcherepnin, Ming.<br \/>\n1 letter; dated October 1989.<\/p>\n<ul>\n<li>Letter accompanied by facsimile of article: Guy Wuellner, \u201cBagatelles (Op. 5),\u201d\u00a0<em>Piano Quarterly,<\/em>\u00a046\u201348. 3 pp.<\/li>\n<li>Also in folder (xx items):\n<ol>\n<li>2 newsletters from the Tcherepnin Society; dated July 1989 and September 1989. 4 pp.<\/li>\n<li>6 publicity documents and facsimiles (brochure for the Tcherepnin Society, biographies of Tcherepnin family members, works list, concert program, 2 facsimiles of press clippings).<\/li>\n<li>Alexandre Tcherepnin, Sonata No. 1 for cello and piano. Facsimile of published score and cello part (Paris, Durand &amp; Co., 1925). 22 pp.<\/li>\n<li>Alexander Tcherepnin, Eight Pieces for piano. Published score (Bryn Mawr, PA: Theodore Presser Co., 1957). 24 pp.<\/li>\n<li>Alexandre Tcherepnine, Quatre Romances, Op. 31. Facsimile of published score (n.l.: n.p., n.d.). 10 pp.<\/li>\n<li>Alexander Tscherepnin,\u00a0<em>Message,<\/em>\u00a039. Facsimile of published score (n.l.: n.p., n.d.). 12 pp.<\/li>\n<li>Alexandre Tch\u00e9repnine, Huit Pr\u00e9ludes, op. 9. Facsimile of published score (Paris: Huegel, 1926). 12 pp.<\/li>\n<li>Alexandre Tcherepnine, Scherzo [op. 3]. Facsimile of published score (n.l.: n.p., n.d.). 8 pp.<\/li>\n<\/ol>\n<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 3<\/th>\n<td>Thorne, Francis.<br \/>\n1 letter; dated January 1966.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Toeplitz, Uri (Erich).<br \/>\n1 letter; dated April 1984. Accompanied by business card.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Walker, Alan (McMaster University).<br \/>\n1 letter; dated November 1979.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Webber, Robert.<br \/>\n1 letter; dated February 13, 1967.<br \/>\n&#8211; Accompanying oversized score (Webber, Sonata No. 1) separated; see Box 79, Folder 2.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Wein Kauff, Fauka.<br \/>\n1 card; dated September 1983.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Weinstadt, Liliane.<br \/>\n1 letter; dated July 1980.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Welcher, Dan.<br \/>\n1 letter; dated February 1985. Accompanied by publicity brochure for Dan Welcher.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Willia, Richard (Baylor University).<br \/>\n1 letter; dated June 1986. Accompanied by vita for Richard Willis. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Wilson, Richard.<br \/>\n1 letter; dated October 1985.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Wolf, Barbara Starr.<br \/>\n8 letters; dated March 1985\u2013March 1986.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Wolfe, Jacques.<br \/>\n1 letter; dated October 1969. Accompanied by transcriptions of reviews of\u00a0<em>A Hebrew Trilogy<\/em>\u00a0by Jacques Wolfe. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Young, Bruce.<br \/>\n3 letters; dated January\u2013March 1989; 1 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 15<\/th>\n<td>Young, Stewart.<br \/>\n4 letters; dated December 1978\u2013January 1989.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Zander, Benjamin (Artistic Director, New England Conservatory at Walnut Hill School).<br \/>\n2 letters; dated February 1985 and March 1986.<br \/>\n&#8211; Letter dated February 1985 accompanied by brochure for Walnut Hill School.<br \/>\n&#8211; Also in folder (2 items):<\/p>\n<ol>\n<li style=\"list-style-type: none;\">\n<ol>\n<li>\u201cThe Conductor\u2019s Note by Dr. Glenn Block.\u201d Typescript document. 2 pp.<\/li>\n<li>Concert program for the Boston Philharmonic (Benjamin Zander, Conductor), 1984\u201385 season. 2 copies.<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Linda (?).<br \/>\n1 letter; undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Tom (?).<br \/>\n1 letter (from Malcolm Frager); dated February 1987.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Unidentified.<br \/>\n4 letters, 1 postcard, 1 note from unidentified correspondents; dated September 1978 and October 1988; 3 undated.<br \/>\n<em>1 letter (in Russian; undated [October 10]) separated from Box 71, Folder 8.<br \/>\n<\/em><em>1 letter (concerning Prokofieff Concerto), 1 postcard (in German) separated from Box 75, Folder 7 (inscribed volume of Prokofieff\u2019s Piano Concertos Nos. 1\u20133).<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 20<\/th>\n<td>Unidentified cards.<br \/>\n5 cards, 4 postcards from unidentified correspondents (to Malcolm and\/or Morag Frager); dated April 1974\u2013March 1983; 4 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Organizations\"><\/a><strong><em>Sub-series B: Organizations<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 48 `{`cont.`}`&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658505007059{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 21<\/th>\n<td>Artinscon, Ltd. (Ir\u00e8ne Sch\u00f6nholzer).<br \/>\n2 letters; dated June\u2013July 1988.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 22<\/th>\n<td>Australian Broadcasting Commission (Charles Buttrose, North American Representative).<br \/>\n1 letter; dated July 1968.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 23<\/th>\n<td>B. A. Musique (Marie-Jos\u00e9 Billard-Aza\u00efs; Julien Aza\u00efs).<br \/>\n4 letters; dated April 1988\u2013December 1989.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 24<\/th>\n<td>Bakersfield Symphony Orchestra (Lorraine Allen, Secretary).<br \/>\n1 letter; dated November 1986.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 25<\/th>\n<td>Ball State University (Leonard Atherton, Director of Orchestras).<br \/>\n1 letter; dated May 1988.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 26<\/th>\n<td>Baltimore Symphony Orchestra (Decatur H. Miller, President).<br \/>\n1 letter; dated August 1990.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 27<\/th>\n<td>Banff Centre for Continuing Education (Kenneth S. Murphy, Manager, Extension Services and Placement).<br \/>\n1 letter (cc: Malcolm Frager); dated November 1979.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 28<\/th>\n<td>B\u00e4renreiter-Verlag (Dietrich Berke).<br \/>\n1 letter; dated July 1979.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 29<\/th>\n<td>B\u00f6sendorfer (Michael Niessen; P. Lemell),<br \/>\n4 letters; dated November 1979\u2013March 1980.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 30<\/th>\n<td>British Museum (Peter J. Whitehead, Department of Zoology).<br \/>\n1 letter; dated November 1979.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 31<\/th>\n<td>Broude Brothers Ltd. (Ronald).<br \/>\n1 letter; dated April 1984. Accompanied by list of lost Buxtehude sources (facsimile from Georg Karstaedt\u2019s thematic catalogue of Buxtehude\u2019s works). 21 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 32<\/th>\n<td>Bureau Hongrois pour la protection des droits d\u2019auteur (Dr. M\u00f3ra\/Mrs. T\u00f6r\u00f6k).<br \/>\n1 letter; dated April 1972.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 33<\/th>\n<td>Chicago Symphony Orchestra (Mark T. Lashof, Assistant Artistic Administrator).<br \/>\n1 letter; dated June 1988.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 34<\/th>\n<td>Cleveland Orchestra (Kenneth Haas).<br \/>\n1 letter (cc: Malcolm Frager); dated November 1979.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 35<\/th>\n<td>Colt Clavier Collection (Charles? Colt).<br \/>\n2 letters; dated January\u2013February 1985.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 36<\/th>\n<td>Columbia Artists Management, Inc. (Sue Radtke, Douglas Sheldon, Ronald A. Wilford, Diane Saldick).<br \/>\n10 letters (including 6 letters cc: Malcolm Frager); dated July 1979\u2013November 1980.<br \/>\nAlso in folder: mockup of publicity brochure for Malcolm Frager.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 37<\/th>\n<td>Columbia University (Chou Wen-chung, Jack Beeson).<br \/>\n2 letters; dated November 1986; 1 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 38<\/th>\n<td>Concert for Humanity (James P. Hopkinson, Chairman).<br \/>\n1 letter; dated February 1988.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 39<\/th>\n<td>Concertgebouworkest (H. J. van Royen).<br \/>\n1 letter; dated March 1979.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 40<\/th>\n<td>Concerto C. W. Winderstein (Hans-Dieter G\u00f6hre).<br \/>\nFacsimile of 1 letter (cc: Malcolm Frager); dated June 1980.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 41<\/th>\n<td>Costa Verde Festival (Sequeira Costa).<br \/>\n3 letters; dated July 1985\u2013February 1986.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 42<\/th>\n<td>Czech Philharmonic (Vladim\u00edr Sefl).<br \/>\n1 letter; dated April 1981.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 43<\/th>\n<td>Eastman School of Music (Robert Freeman).<br \/>\n1 letter; dated September 1987.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 44<\/th>\n<td>Embassy of the United States (Cameron S. Thompson, Stuart C. Parker, Pavlina K. Aladzhova).<br \/>\n4 letters; dated August 1983\u2013March 1984.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 45<\/th>\n<td>Frieburg Staatliche Hochschule f\u00fcr Musik (A. Marchand).<br \/>\n1 letter; dated August 1978.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 46<\/th>\n<td>G. L. Promo\u00e7\u00f5es (Gabriele I. Leib, Werner Wagner).<br \/>\n1 fax, 1 letter; dated April 1990; 1 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 47<\/th>\n<td>Los Grandes Conciertos de Guatemala (Rodrigo Asturias).<br \/>\n2 letters; dated February and October 1990.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 48<\/th>\n<td>Harrison\/Parrott Ltd. (Jasper Parrott, Christa I. Brown, Pat Copping).<br \/>\n19 letters and facsimiles (including 4 letters cc: Malcolm Frager); dated July 1978\u2013May 1981.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 49<\/th>\n<td>Hebrew University of Jerusalem (Les Amis Belges de l\u2019Universit\u00e9 H\u00e9bra\u00efque de J\u00e9rusalem; David Lazar, Director for Europe).<br \/>\n2 letters; dated June\u2013July 1987.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 50<\/th>\n<td>G. Henle Verlag (Martin Bente).<br \/>\n1 letter; dated February 1985. Accompanied by \u201cSources of WQ 3.\u201d 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 51<\/th>\n<td>International Society for Contemporary Music (Roman Ryterband).<br \/>\n1 letter; dated July 1967. Accompanied by brief resume and publicity materials for Roman Ryterband. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 52<\/th>\n<td>International Top Artists Promotion (Henri Sweers, Jr.)<br \/>\n1 letter; dated March 1981.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 53<\/th>\n<td>Internationale Stiftung Mozarteum.<br \/>\n19 letters, 1 card, 1 envelope with annotations; dated October 1978\u2013October 1990; 2 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 49&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658512423348{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Jerusalem Records (Moshe Saperstein).<br \/>\n1 letter; dated August 1985.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>\u00a0Johns Hopkins Medical Institutions (George B. Udvarhelyi, Director, Cultural Affairs Office).<br \/>\n1 letter; dated March 1988.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Junge Deutsche Philharmonie (Annette Wolde).<br \/>\n1 letter; dated October 1987.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Kent State University (Robert Palmieri, Chairman, Division of Keyboard Instruments).<br \/>\n1 letter; dated November 1988.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Kimball World (Elsie Shumway, Director of Institutional Services).<br \/>\n1 letter; dated July 1986.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Konzert-Direktion Hans Adler<br \/>\n4 letters; dated November 1979\u2013July 1985.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Konzertgesellschaft Z\u00fcrich (Samuel Hirschi).<br \/>\n3 letters; dated June 1979\u2013April 1980.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Kunstler-Agentur der DDR.<br \/>\n4 letters; dated September 1978\u2013March 1986.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Lindemans Legat (Arne Holen and Einar Solbu).<br \/>\n1 letter; dated May 1986.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Massachusetts Institute of Technology (Robert Freeman).<br \/>\n1 letter; dated January 1969.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Mozart Bicentennial at Lincoln Center (Fiona Morgan Fein, Coordinator; Neal Zaslaw, Musicological Advisor).<br \/>\n2 letters; dated April\u2013May 1990.<br \/>\nAlso in folder (2 items):<br \/>\n&#8211; Participants in \u2018Performing Mozart\u2019s Music.\u2019\u201d Typescript list of contact information for symposium participants. 6 pp.<br \/>\n&#8211; Press clipping (with duplicate facsimile) pertaining to \u201cPerforming Mozart\u2019s Music\u201d symposium; dated May 1991.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 12<\/th>\n<td>National Society of Arts and Letters (Carl Matthes).<br \/>\n1 letter; dated March 1981.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Neue Mozart-Ausgabe (Dietrich Berke, Wolfgang Rehm, 1 unknown).<br \/>\n10 letters, 1 postcard; dated November 1978\u2013March 1990; 1 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 14<\/th>\n<td>National Westminster Bank Limited.<br \/>\n1 letter; dated November 1978.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 15<\/th>\n<td>New Haven Symphony Orchestra (Murry Sidlin, Music Director\/Conductor).<br \/>\n1 letter; dated December 1980.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 16<\/th>\n<td>New York Philharmonic (Albert K. Webster, Executive Vice President and Managing Director).<br \/>\n1 letter; dated February 1989.<br \/>\n&#8211; Oversized score (J. S. Bach, Concerto for Four Pianos, fourth piano part) separated; see Box 79, Folder 3.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 17<\/th>\n<td>New York Public Library (John Shepard, Head, Rare Books and Manuscripts, Music Division).<br \/>\n1 letter; dated August 1988.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Norsk Konsertdireksjon (Finn Berntsen, Leon Jarner).<br \/>\n2 letters; dated September\u2013October 1979.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 19<\/th>\n<td>W. W. Norton &amp; Co. (Claire Brook, Vice President and Music Editor).<br \/>\n2 letters; dated September\u2013October 1988.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 20<\/th>\n<td>Norwegian State Academy of Music (Einar Solbu, Dean).<br \/>\n1 letter; dated March 1986.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 21<\/th>\n<td>Nova Filharmonia Portuguesa.<br \/>\n1 letter; undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 22<\/th>\n<td>Oakland Symphony Orchestra Association (William Cohler, Director of Promotion).<br \/>\n1 letter; dated May 1973.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 23<\/th>\n<td>Ofam Direction de Concert (Matthieu Fobe).<br \/>\n2 letters; dated May 1980.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 24<\/th>\n<td>L\u2019Orchestra in the Berkshires (David A. Barg, Music Director).<br \/>\n1 letter; dated December 1987.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 25<\/th>\n<td>Orchestra of the Eighteenth Century (Frans Br\u00fcggen, Music Director).<br \/>\n1 letter; dated August 1983.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 26<\/th>\n<td>Organizaci\u00f3n de Conciertos G\u00e9rard (Werner Wagner, Gerald Uhlfelder, Ismael Arensburg).<br \/>\n36 letters; dated February 1978\u2013May 1990. Accompanied by 2 publicity documents. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 27<\/th>\n<td>Orlando Festival Stichting (Henk Smit).<br \/>\n1 letter; dated May 1989.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 28<\/th>\n<td>Oxford University Press (Susan Brailove, Manager, Music Department).<br \/>\n1 letter; dated June 1975.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 29<\/th>\n<td>Peabody Conservatory of Music (Eileen T. Cline, Dean).<br \/>\n1 letter; dated April 1986.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 30<\/th>\n<td>Pendragon Press (Robert J. Kessler, Managing Editor).<br \/>\n1 letter; dated December 1988.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 31<\/th>\n<td>Edition Peters (Norbert Molkenbur and Peter Hauschild).<br \/>\n1 letter; dated February 1987.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 32<\/th>\n<td>Piano Quarterly (Robert Silverman, Editor).<br \/>\n1 letter; dated July 1988.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 33<\/th>\n<td>Prago Koncert (Tom\u00e1\u0161 Karl\u00ed\u010dek, Head of Section; Zina N\u00e1ro\u017en\u00e1, Chief of Section).<br \/>\n2 mailgrams, 3 letters; dated September 1979\u2013April 1981; 1 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 34<\/th>\n<td>Radio DRS.<br \/>\n1 letter; dated December 1978.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 35<\/th>\n<td>Rand Daily Mail (Joe Sack, Music Editor).<br \/>\n1 letter (cc: Malcolm Frager); dated June 1978.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 36<\/th>\n<td>Rias Berlin (H. Dittberner).<br \/>\n1 letter; dated October 1978.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 37<\/th>\n<td>Rollins College (Sylvia Reynolds, Associate Professor of Piano).<br \/>\n1 letter; dated February 1987.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 38<\/th>\n<td>Rombach &amp; Co. (Dirk Nabering).<br \/>\n2 letters; dated May\u2013June 1980.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 39<\/th>\n<td>Royal Liverpool Philharmonic Society (Stephen Gray, General Manager).<br \/>\n1 letter (cc: Malcolm Frager); dated June 1978.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 40<\/th>\n<td>Saint Louis Conservatory (Stephen Jay, President).<br \/>\n1 letter; dated April 1981.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 41<\/th>\n<td>San Jose State University (Bill Meredith).<br \/>\n1 letter; dated October 1988.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 42<\/th>\n<td>Seesaw Music Corp. (Raoul R. Ronson, President).<br \/>\n1 letter; dated July 1970. Accompanied by list of compositions by Henry Orland. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 43<\/th>\n<td>Soci\u00e9t\u00e9 Fr\u00e9d\u00e9ric Chopin (Bogumil Pa\u0142asz and El\u017cbieta Artysz).<br \/>\n1 letter; dated March 1986.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 44<\/th>\n<td>Svensk Konsertdirektion AB (Kerstin Hammarstr\u00f6m, Henrik F. Lodding).<br \/>\n2 letters; dated April and July 1980.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 45<\/th>\n<td>Sveriges Riksvadio AB (Gunnar Arne Jensen).<br \/>\n1 letter; dated June 1980.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 46<\/th>\n<td>Telarc Records (Robert Woods).<br \/>\n3 letters; dated September 1978\u2013February 1980.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 47<\/th>\n<td>Teldec (Hans Bernhard B\u00e4tzing).<br \/>\n1 letter; dated September 1985.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 48<\/th>\n<td>\u00a0Time (Israel Shenker, Otto Friedrich).<br \/>\n2 letters; dated July 1963; 1 undated.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 49<\/th>\n<td>Tivoli Festival (Tom Kristensen).<br \/>\n1 letter (cc: Malcolm Frager); dated June 1989.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 50<\/th>\n<td>Toronto Symphony (Walter Homburger).<br \/>\n1 letter; dated September 1979.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 51<\/th>\n<td>Transvaal Performing Arts Council (A. Rainier, Peter Koster, Schalk W. Visser, Eva Takacs).<br \/>\n6 letters; dated June 1980\u2013January 1987.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 52<\/th>\n<td>University of Chile (Jose Vasquez Crisostomo).<br \/>\n1 letter; dated May 1981.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 53<\/th>\n<td>University of Connecticut (Paul Phillips, Music Director, Eastern Connecticut Symphony Orchestra).<br \/>\n1 letter; dated December 1987.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 54<\/th>\n<td>University of Maryland (Neil Ratliff, Head of the Music Library).<br \/>\n2 letters; dated November 1986 and June 1989.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 55<\/th>\n<td>Vitoria.<br \/>\n4 letters (1 cc: Malcolm Frager); dated August 1979\u2013January 1986.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 56<\/th>\n<td>Wimbledon Music Inc. (Jean France Mercier, Vice President).<br \/>\n1 letter; dated June 1977.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 57<\/th>\n<td>92nd St. YM\/YW Hebrew Association (Omus Hirshbein, Director, Performing Arts and Humanities).<br \/>\n1 letter; dated July 1989.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Other Correspondence\"><\/a><strong><em>Sub-series C: Other Correspondence<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 59<\/th>\n<td>Furno, Andr\u00e9, to Jasper Parrott.<br \/>\n1 letter; dated June 1978. Pertains to scheduling performance for Malcolm Frager.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 60<\/th>\n<td>Harrison\/Parrott Ltd. (Jasper Parrott) to Samuel Hirschi (Konzertgesellschaft Zurich).<br \/>\n1 letter; dated June 1979. Pertains to Malcolm Frager\u2019s Austrian representation.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 61<\/th>\n<td>Harrison\/Parrott Ltd. (Jasper Parrott) to F. Axel Mehrle.<br \/>\n2 telex messages; dated May 1981. Pertains to recordings by Malcolm Frager.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 62<\/th>\n<td>Freeman, Robert (Eastman School of Music), to Stewart Young.<br \/>\n1 letter; dated September 1988. Invitation to present a lecture at Eastman.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 63<\/th>\n<td>Kabalevskaya, Maria, to Ozan Marsh (Presidents, Pianists Foundation of America).<br \/>\n1 letter; dated December 1989. Pertains to library of Dmitry Kabalevsky.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Kirkpatrick, John, to Mr. Madlinger.<br \/>\n1 letter; dated October 1943.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 65<\/th>\n<td>K\u00fcthen, Hans-Werner, to\/from Tibor Sz\u00e1sz.<br \/>\n2 letters; dated February\u2013April 1990.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 66<\/th>\n<td>Dr. Rudolf Raab K\u00fcnstleragentur (Till D\u00f6nch, Johanna Ertl) to Linda Marks (Harrison\/Parrott Ltd.).<br \/>\n2 letters; dated March 1985 and June 1987. Pertain to contracts for Malcolm Frager.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 67<\/th>\n<td>Sheldon, R. Douglas, to Robert Levin.<br \/>\n1 letter; dated March 1980.<br \/>\nAlso in folder: draft of concert program for Malcolm Frager, labeled \u201cCCS 1978\u201379.\u201d 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 68<\/th>\n<td>Sonic Arts Corp. to Tibor Sz\u00e1sz.<br \/>\nContains various documents relating to Tibor Sz\u00e1sz\u2019s research, including facsimiles from scores and manuscripts, musical examples, article reprint (\u201cLiszt\u2019s Symbols for the Divine and Diabolical: Their Revelation of a Program in the B-minor Sonata\u201d), publicity materials, and article draft (\u201cPiano Concertos of Haydn, Mozart, and Beethoven Restored: Continuo Function of the Soloist\u201d). 74 leaves, total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 69<\/th>\n<td>Stravinsky, Igor, to Vladimir Efimovich.<br \/>\n1 facsimile of letter with typescript translation; dated July 1968. Pertains to publication of piano transcription of\u00a0<em>Le sacre du printemps.<br \/>\n<\/em>Also in folder (3 items):<\/p>\n<ul>\n<li>Facsimile of recital program for Vladimir Leyetchkeca (October 1974). 1 p.<\/li>\n<li>Facsimile of title page of\u00a0<em>Le sacre du printemps<\/em>\u00a0transcription by V. Leetchkiss (Moscow: Le Compositeur Sovietique, 1973). 1 p.<\/li>\n<li>Publicity circular for Vladimir Leyetchkiss. 1 p.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 70<\/th>\n<td>Transvaalse Performing Arts Council (A. Rainier) to Jasper Parrott.<br \/>\n1 letter; dated October 1980.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 71<\/th>\n<td>Vitoria to Jasper Parrot.<br \/>\n1 letter; dated April 1981.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 72<\/th>\n<td>Young, J. B., to James Mallinson.<br \/>\n1 letter; dated January 1989.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 50&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658520311755{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" colspan=\"2\" nowrap=\"nowrap\"><strong><em>[Removed due to reorganization of materials]<\/em><\/strong><\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Competitions\"><\/a><span style=\"font-size: 16px;\"><strong>Series 5: Competitions<\/strong><\/span><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 51&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658520382173{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Concours Musical Reine Elisabeth (1960).<br \/>\n7 competition booklets and programs; dated June 1\u201317, 1960.<\/p>\n<ul>\n<li>Program for Second Concerto Concert with Malcolm Frager, Lee Luvisi, and Gabor Gabos (dated June 7, 1960) includes autographs of Luvisi and Gabos.<\/li>\n<li>Program for recital given by first three laureats, with Lee Luvisi, Ronald Turni, and Malcolm Frager (dated June 17, 1960) includes autographs of Luvisi, Turni, and Frager.<\/li>\n<\/ul>\n<p>Jean Absil. Passacaille, Op. 101. Score. Manuscript facsimile, with performance markings (published for the Concours Musical Reine Elisabeth 1960). 10 pp.<br \/>\nMarcel Poot, Concerto pour Piano. Two-piano reduction. Manuscript facsimile, with performance markings. 59 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Concours Musical International Reine Elisabeth de Belgique (1968).<br \/>\nPresentation binder containing (2 items):<\/p>\n<ul>\n<li>Competition booklet for first round (no. 43 of 1,200 copies). 132 pp.<\/li>\n<li>Competition booklet for final round (no. 00042 of 1,900 copies). 88 pp. Title page includes 13 autographs.<\/li>\n<\/ul>\n<p>Concert program (Concert given in homage to the memory of H. M. the Reine Elisabeth with Malcolm Frager, Eduardo del Pueyo, and Nikita Magaloff); dated May 16, 1968. 24 pp.<br \/>\n<em>Beaux-Arts <\/em>(special issue on the Concours Musical International Reine Elisabeth de Belgique) (April 29, 1968). Full issue. 75 pp.<br \/>\nAlso in folder: program for Malcolm Frager performance at the Council Chambers of City Hall, NY (December 18, 1968).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>11th Montreal International Competition (June 4-22, 1976).<br \/>\nCompetition booklet (Malcolm Frager on jury). 48 pp. Includes autographs of jury members (p. 13).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Concurso Internacional de Piano Paloma O\u2019Shea (1981\u20131987).<br \/>\nCorrespondence, brochures and regulation booklets, press clippings, and other material related to the competition; dated April 1981\u2013September 1988.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Internationale Musikfestwochen Luzern (1983\u20131990).<br \/>\nMaterials related to Malcolm Frager\u2019s masterclasses at Luzern, including applications, rosters, correspondence from administrators and students, and notes. Includes materials for years 1983\u20131990.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Third American National Chopin Competition (December 12\u201315, 1984).<br \/>\nCompetition program booklet (Malcolm Frager on jury), with annotations.<br \/>\nManuscript notes about competition contestants. 11 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 52&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658520421782{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>7th Van Cliburn International Piano Competition (May 18\u2013June 2, 1985).<br \/>\nCompetition booklet (Malcolm Frager on jury). 160 pp.<br \/>\nConcert program for finals; dated May 30\u2013June 1, 1985. 8 pp.<br \/>\nJudge\u2019s notes and related materials (originally from binder). 157 leaves. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<u>RESTRICTED<\/u><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Mae M. Whitaker International Competition (May 18\u201321, 1987).<br \/>\nCompetition booklet (Malcolm Frager on jury). 32 pp.<br \/>\nRoster of contestants, schedules, and judge\u2019s notes. 94 pp. \u00a0\u00a0\u00a0\u00a0\u00a0<u>RESTRICTED<\/u><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Illinois Young Performers Competition (June 2, 1987).<br \/>\nCompetition publicity booklet (Malcolm Frager, judge). 11 pp. 2 copies.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>X Concorso Internacional Vianna da Motta (June 25\u2013July 10, 1987).<br \/>\nCompetition booklet (Malcolm Frager on jury). 78 pp.<br \/>\nJudge\u2019s notes. 9 pp. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<u>RESTRICTED<\/u><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Concours G\u00e9za Anda (May\/June 1988).<br \/>\nCompetition publicity booklet and application.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>18a edizione Concorso Pianistico Internazionale Alessandro Casagrande (June 1988).<br \/>\nCompetition publicity booklet and application.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>8th Van Cliburn International Piano Competition (1989).<br \/>\nApplication book. 44 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Biographical\"><\/a><span style=\"font-size: 16px;\"><strong>Series 6: Biographical<\/strong><\/span><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Scrapbooks\"><\/a><strong><em>Sub-series A: Scrapbooks<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 52 `{`cont.`}`&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658520755067{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>1959.<br \/>\nScrapbook pages containing press clippings as well as some correspondence, concert programs, publicity materials, and 1 photograph related to Malcolm Frager\u2019s professional activities; dated July 1958\u2013February 1960. 86 leaves with 6 loose items.<br \/>\n&#8211; Originally housed in three-ring binder; adhesive failing on many pages.<br \/>\n&#8211; Includes photograph of Malcolm Frager [and other contestants?] in the National Society of Arts and Letters [piano contest], Los Angeles, CA, attributed to Weaver Photo Service; dated 1958. 1 b\/w photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>1960.<br \/>\nScrapbook pages containing press clippings and 1 item of correspondence related to Malcolm Frager\u2019s professional activities; dated March 1960\u2013May 1962. 106 leaves with 1 loose item.<br \/>\n&#8211; Originally housed in three-ring binder; adhesive failing on some pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 53&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658520797467{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" colspan=\"2\" nowrap=\"nowrap\"><strong><em>[Removed due to reorganization of materials]<\/em><\/strong><\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 54&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658520811234{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>1968.<br \/>\nBound scrapbook, containing press clippings and publicity materials; dated April\u2013June 1968. 7 leaves with materials with 1 loose item.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>ABC Australian Tour (1969).<br \/>\nBound scrapbook, compiled by the Australian Broadcasting Commission, containing 7 photographs with captions, 1 concert program, and press clippings; dated October 1968\u2013July 1969. 51 leaves.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>ABC Australian Tour (1973).<br \/>\nBound scrapbook, [compiled by the Australian Broadcasting Commission], containing press clippings and publicity items; dated December 1972\u2013May 1973. 20 leaves.<br \/>\nAlso in folder: compilation of press clippings titled \u201cFrager Triumphs: Tanglewood and Buenos Aires, Summer 1965.\u201d 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>History of New York City\u2014Presentation (1960).<br \/>\n<em>The Face of New York: The City as It Was and as It Is. <\/em>Photographs by Andreas Feninger. Text by Susan E. Lyman. New York: Crown Publishers, 1954.<\/p>\n<ul>\n<li>Presentation copy, enclosed in embossed leather cover. Inscription on inside front cover to Malcolm Frager from Robert F. Wagner (June 23, 1960).<\/li>\n<li>5 press clippings pertaining to the deaths of Queen Elisabeth of Belgium and Myra Hess.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 55&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658844712295{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Scrapbook file: 1960\u201361.<br \/>\nLoose press clippings; dated October 1960; 1 undated. 2 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Scrapbook file: 1962\u201363.<br \/>\nLoose press clippings; dated November 1962\u2013April 1963. 24 items.<br \/>\nAlso in folder: translations (5 pp.), accompanying correspondence (2 items), and press story (14 pp.)<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Scrapbook file: 1963\u201364.<br \/>\nLoose press clippings and translations (including duplicate copies); dated February 1963\u2013April 1964; 1 undated. 44 items.<br \/>\nAlso in folder: accompanying correspondence (4 pp), typescript document (\u201cThe Pianist Frager\u201d; 1 p.).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Scrapbook file: 1964\u201365.<br \/>\nLoose press clippings, transcriptions, and translations (including duplicate copies); dated December 1959, August 1963, April 1964\u2013December 1965; 12 undated. 75 items.<br \/>\nAlso in folder: \u201cThe Piantist [sic] Frager.\u201d Typeset document. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Scrapbook file: 1965\u201366.<br \/>\nLoose press clippings; dated February 1965\u2013January 1966 (bulk July\u2013September 1965); 6 undated. 61 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Scrapbook file: 1966\u201367.<br \/>\nLoose press clippings and facsimiles; dated October\u2013November 1966, March 1967; 3 undated. 12 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Scrapbook file: 1967\u201368.<br \/>\nLoose press clippings and facsimiles; dated September 1967\u2013March 1969. 6 items.<br \/>\nFacsimile of press clippings dated March 1969 accompanied by correspondence (1 p.) and translations of press clippings (2 pp.).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Scrapbook file: 1968\u201369.<br \/>\nLoose press clippings and facsimiles (including duplicate copies); dated June 1968\u2013March 1969; 9 undated. 60 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Scrapbook file: 1969\u201370.<br \/>\n1 loose press clipping; dated August 1969. 1 item.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Personal Documents\"><\/a><strong><em>Sub-series B: Personal Documents<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 56&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658844812272{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>\u201cMy Autobiography, by Malcolm Frager\u201d (ca. 1947).<br \/>\nTypescript document (school assignment). 11 pp. of text.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>\u00a0Frager obituary.<br \/>\nObituary for Malcolm Frager from\u00a0<em>The Berkshire Eagle<\/em>\u00a0(June 21, 1991). 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Florence Frager, \u201cThe Challenge of Talent\u201d (September 1975).<br \/>\nTypescript essay. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>\u201cPress Story for Malcolm Frager\u201d (December 1965).<br \/>\nTypescript document (biographical sketch). 4 pp. 3 copies.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td><em>The Fifty-Seven\u00a0<\/em>[Columbia University Annual].<br \/>\nYearbook for Columbia\u2019s graduating class of 1957. 48 pp.<br \/>\n&#8211; Malcolm Frager appears on p. 21.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Frager\u2014College papers.<br \/>\nUntitled paper on totalitarianism. Typescript; dated April 3, 1955. 3 pp.<br \/>\n\u201cThe Function of Wisdom.\u201d Typescript; dated February 23, 1957. 3 pp.<br \/>\n\u201cElohim.\u201d Typescript; dated March 22, 1957. 2 pp.<br \/>\n\u201cSocrates and Job.\u201d Typescript; undated. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Frager\u2014College papers [bound notebook].<br \/>\nBound notebook containing manuscript notes in Russian; dated 1953. 60 leaves.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Boston Symphony\u2014soloist list.<br \/>\nChronological list of Malcolm Frager\u2019s solo performances with the Boston Symphony, including performances at Tanglewood and the Berkshire Festival (repertoire listed for each performance). Fax of index cards held by the Boston Symphony Orchestra; fax dated October 9, 1991. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Planners, 1962\u201365.<br \/>\n3 pocket planners listing Frager\u2019s performances and other professional activities; dated June 1962\u2013September 1963, September 1963\u2013September 1964, September 1965\u2013September 1966. 16 pp., each.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 57&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658844845776{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 1<\/th>\n<td>1966\/67 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 2<\/th>\n<td>1967\/68 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 3<\/th>\n<td>1968\/69 planner distributed by Konzert-Direktion Hans Adler<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 4<\/th>\n<td>1970\/71 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 5<\/th>\n<td>1971\/72 planner distributed by Konzert-Direktion Hans Adler<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 6<\/th>\n<td>1972\/73 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 7<\/th>\n<td>1973\/74 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 8<\/th>\n<td>1974\/75 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 9<\/th>\n<td>1975\/76 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 10<\/th>\n<td>1976\/77 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 11<\/th>\n<td>1977\/78 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 12<\/th>\n<td>1978\/79 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 13<\/th>\n<td>1979\/80 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 14<\/th>\n<td>1980\/81 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 15<\/th>\n<td>1981\/82 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 16<\/th>\n<td>1982\/83 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 17<\/th>\n<td>1983\/84 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 18<\/th>\n<td>1984\/85 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 19<\/th>\n<td>1985\/86 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 20<\/th>\n<td>1986\/87 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 21<\/th>\n<td>1987\/88 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 22<\/th>\n<td>1988\/89 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 23<\/th>\n<td>1989\/90 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 24<\/th>\n<td>1990\/91 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 25<\/th>\n<td>1991\/92 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 26<\/th>\n<td>1992\/93 planner distributed by Konzert-Direktion Hans Adler.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 27<\/th>\n<td>US passport for Malcolm Frager, issued June 16, 1954.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 28<\/th>\n<td>US passport for Malcolm Frager, issued February 11, 1960.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 29<\/th>\n<td>US passport for Malcolm Frager, issued February 9, 1965.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 30<\/th>\n<td>US passport for Malcolm Frager, issued January 26, 1970.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 31<\/th>\n<td>US passport for Malcolm Frager, issued January 10, 1975.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 32<\/th>\n<td>US passport for Malcolm Frager, issued January 7, 1980.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Photographs\"><\/a><strong><em>Sub-series C: Photographs<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 58&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658844903912{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Malcolm Frager (1959\/60?).<br \/>\nPortrait, standing at Steinway &amp; Sons piano. 1 b\/w photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Frager\u2014Publicity photo for Leventritt Prize (1959).<br \/>\nMalcolm Frager seated at Steinway piano in discussion with Kenneth Amada, Frederick Steinway, and Tana Bawden, Steinway Hall, New York, NY; dated October 1959. 1 b\/w photograph, 8\u201d x 10\u201d. Caption for press release affixed to back of photo.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Frager\u2014Publicity photo for Leventritt Prize (1959).<br \/>\nMalcolm Frager seated at Steinway piano, Steinway Hall, New York, NY; dated October 1959. 1 b\/w photograph, 8\u201d x 10\u201d. Caption for press release affixed to back of photo.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Frager with Queen of Belgium (1960).<br \/>\nMalcolm Frager seated at piano with Youri Airapetian, Jerome Lowenthal (?), Queen Elisabeth of Belgium, Alice Mitchenko, and Alberto Gimenez Attenelle (?), at Queen Elisabeth Competition. 1 b\/w photograph, 8\u201d x 10\u201d. Photograph attributed to R. Kayaert.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Frager, et al., Queen Elisabeth Competition (1960).<br \/>\nJerome Loewenthal, Ronald Turini, Malcolm Frager, Walter Wamper, Gabor Gabos, and Alberto Gimenez Attenelle (finalists) at Queen Elisabeth Competition. 1 b\/w photograph, 8\u201d x 10\u201d. Photograph attributed to R. Kayaert.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 6<\/th>\n<td>Frager with Queen Elisabeth of Belgium (1960).<br \/>\n1 b\/w photograph, 8\u201d x 10\u201d. 2 prints.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 7<\/th>\n<td>Frager and winners at Belgium (1960).<br \/>\nMalcolm Frager, Ronald Turini, Lee Luvisi, and Alice Mitchenko, at Queen Elisabeth Competition. 1 b\/w photograph, 8\u201d x 10\u201d. Accompanied by typescript caption.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Frager with William Steinberg, Carnegie Hall, NYC (1960).<br \/>\n1 b\/w photograph, 7.75\u201d x 9.75\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Frager upon receipt of keys to NYC (1960).<br \/>\nRuth Laredo, unidentified man, unidentified woman, Malcolm Frager, and Rosalie Leventritt at the occasion of Frager receiving the keys to NYC, New York City. 1 b\/w photograph, 8\u201d x 10\u201d. Photograph attributed to the Department of Commerce and Public Events.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Frager receiving keys to NYC (1960).<br \/>\nUnidentifed man, Malcolm Frager, unidentified woman, unidentified man at the occasion of Frager receiving\u00a0<em>The Face of New York<\/em>\u00a0(see Box 54, Folder 4) and the keys to NYC. 1 b\/w photograph, 8\u201d x 10\u201d. Photograph attributed to the Department of Commerce and Public Events.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Frager, et al., Lewisohn Stadium (1960).<br \/>\nStuart Canin, Mayor Robert Wagner, Mrs. Minnie Guggenheimer, Sara Baum, and Malcolm Frager, at Lewisohn Stadium; dated June 27, 1960. 1 b\/w photograph, 8\u201d x 10\u201d. Photograph attributed to Dr. I. W. Schmidt.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 12<\/th>\n<td>Frager, Wagner, Guggenheimer at Lewisohn Stadium (1960).<br \/>\nMayor Robert Wagner, Mrs. Minnie Guggenheimer, and Malcolm Frager, at Lewisohn Stadium; dated June 27, 1960. 1 b\/w photograph, 8\u201d x 10\u201d. Photograph attributed to Dr. I. W. Schmidt.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 13<\/th>\n<td>Malcolm and Morag Frager, Moscow (1963).<br \/>\n1 b\/w photograph, 4.75\u201d x 7.25\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Malcolm and Morag Frager, Moscow (1963).<br \/>\n1 b\/w photograph, 4.75\u201d x 7.25\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Frager and [Vladimir] Ashkenazy during two-piano rehearsal, USSR (1963).<br \/>\n1 b\/w photograph, 8\u201d x 10\u201d. Photograph attributed to Israel Shenker.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 16<\/th>\n<td>Frager and Ashkenazy during two-piano rehearsal, USSR (1963).<br \/>\n1 b\/w photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 17<\/th>\n<td>Frager and Ashkenazy during two-piano rehearsal, USSR (1963).<br \/>\n1 b\/w photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Frager and Ashkenazy during two-piano rehearsal, USSR (1963).<br \/>\n1 b\/w photograph, 8\u201d x 10\u201d. Photograph attributed to Israel Shenker.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Frager and Ashkenazy during two-piano rehearsal, USSR (1963).<br \/>\n1 b\/w photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 20<\/th>\n<td>Frager and Ashkenazy during two-piano rehearsal, USSR (1963).<br \/>\n1 b\/w photograph, 7\u201d x 10.5\u201d. Photograph attributed to Israel Shenker.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 21<\/th>\n<td>Frager and Ashkenazy, standing on stage at two-piano concert, USSR (1963).<br \/>\n1 b\/w photograph, 8\u201d x 10\u201d. Photograph attributed to Israel Shenker.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 22<\/th>\n<td>Frager and Ashkenazy, bowing on stage at two-piano concert, USSR (1963).<br \/>\n1 b\/w photograph, 8\u201d x 10\u201d. Photograph attributed to Israel Shenker.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 23<\/th>\n<td>Frager and Ashkenazy, Moscow (1963).<br \/>\nMalcolm Frager and Vladimir Ashkenazy, after Frager debut recital in Moscow; dated spring 1963. 1 b\/w photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 24<\/th>\n<td>Ashkenazy, Frager, and Morag Frager, Moscow (June 1963).<br \/>\n1 b\/w photograph, 8\u201d x 10\u201d. Photograph attributed to Elizabeth Winston.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 25<\/th>\n<td>Frager and Ashkenazy during two-piano rehearsal, Moscow (1963).<br \/>\n1 b\/w photograph, 8\u201d x 10\u201d. 3 prints.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 26<\/th>\n<td>Frager, Leningrad (1963).<br \/>\nFrager performing on stage at Philharmonic Hall, Leningrad. 1 b\/w photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 27<\/th>\n<td>Frager and Ashkenazy, London (n.d.).<br \/>\nFrager and Ashkenazy seated at piano, labeled \u201cfor Decca Records.\u201d 1 b\/w photograph, 6.5\u201d x 7\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 28<\/th>\n<td>Frager and Ashkenazy, London (n.d.).<br \/>\nFrager and Ashkenazy during two-piano rehearsal. 1 b\/w photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 29<\/th>\n<td>Frager and Ashkenazy, London (n.d.).<br \/>\nFrager and Ashkenazy seated at one piano, labeled \u201cfor Decca Records.\u201d 1 b\/w photograph, 6.5\u201d x 7\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 30<\/th>\n<td>Frager and Ashkenazy, London (n.d.).<br \/>\nFrager and Ashkenazy seated at one Steinway piano, labeled \u201cfor Decca Records.\u201d 1 b\/w photograph, 6.5\u201d x 7\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 31<\/th>\n<td>Frager and Ashkenazy, London (n.d.).<br \/>\nFrager and Ashkenazy during two-piano rehearsal, labeled \u201cfor Decca Records.\u201d 1 b\/w photograph, 6.5\u201d x 7\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 32<\/th>\n<td>Frager and Ashkenazy, London (n.d.).<br \/>\nFrager and Ashkenazy during two-piano rehearsal, labeled \u201cfor Decca Records.\u201d 1 b\/w photograph, 6.5\u201d x 7\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 33<\/th>\n<td>Frager and Ashkenazy, London (n.d.).<br \/>\nFrager and Ashkenazy during two-piano rehearsal, labeled \u201cfor Decca Records.\u201d 1 b\/w photograph, 6.5\u201d x 7\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 34<\/th>\n<td>Frager and Ashkenazy, London (n.d.).<br \/>\nFrager and Ashkenazy at Steinway piano, labeled \u201cfor Decca Records.\u201d 1 b\/w photograph, 6.5\u201d x 7\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 35<\/th>\n<td>Frager and Ashkenazy, London (n.d.).<br \/>\nFrager and Ashkenazy at Steinway piano, labeled \u201cfor Decca Records.\u201d 1 b\/w photograph, 6.5\u201d x 7\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 36<\/th>\n<td>Frager and Ashkenazy, London (n.d.).<br \/>\nFrager and Ashkenazy during two-piano rehearsal, labeled \u201cfor Decca Records.\u201d 1 b\/w photograph, 6.5\u201d x 7\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 37<\/th>\n<td>Frager and Ashkenazy, NYC (1964\/65).<br \/>\nLabeled \u201cpreparing for North American Tour.\u201d 1 b\/w photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 38<\/th>\n<td>Malcolm and Morag Frager, NYC (1966).<br \/>\nLabeled \u201cgetting ready for a photo session.\u201d 1 b\/w photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 39<\/th>\n<td>Malcolm and Morag Frager, NYC (1966).<br \/>\nLabeled \u201cgetting ready for a photo session.\u201d 1 b\/w photograph, 8\u201d x 10\u201d. Photograph attributed to Elizabeth Malko.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 40<\/th>\n<td>Malcolm, Morag, and [infant] Andrew Frager, NYC (1968).<br \/>\n1 b\/w photograph, 7.25\u201d x 9.25\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 41<\/th>\n<td>Malcolm, Morag, and Andrew Frager, NYC (1968).<br \/>\n1 b\/w photograph, 7.5\u201d x 9.25\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 42<\/th>\n<td>Frager and Otakar Trhlik, Sydney (1969).<br \/>\nAfter performance with the Sydney Symphony Orchestra at a youth concert (July 23, 1969). 1 b\/w photograph, 8\u201d x 10\u201d. Caption affixed to back of photograph.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 43<\/th>\n<td>Frager with recording of daughter Melanie, Sydney (1969).<br \/>\nFrager holding tape recorder, containing a recording of Melanie\u2019s first cry, and photograph of Morag with newborn Melanie. 1 b\/w photograph, 6.5\u201d x 8.5\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 44<\/th>\n<td>Morag and Melanie Frager (July 1971).<br \/>\n1 color photograph, 3.5\u201d x 5\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 45<\/th>\n<td>Frager, et al., Cleveland, OH (1978).<br \/>\nFrager with three unidentified men, labeled \u201crecording Chopin disk for Telarc.\u201d 1 b\/w photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 46<\/th>\n<td>Frager, Leipzig (1978)\/<br \/>\nMr. Rosenthal, Ms. Pepal, Malcolm Frager, and Mr. Seifert, after Frager\u2019s performance of Beethoven\u2019s C-minor Concerto with the Gewandhaus Orchestra under Kurt Masur (September 9, 1978). 1 b\/w photograph, 7\u201d x 9.5\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 47<\/th>\n<td>Lina, Svyatoslav, and Sergei Prokofieff [1924].<br \/>\n1 b\/w photograph, 8\u201d x 10\u201d. Inscribed to Malcolm Frager from Lina Prokofieff, dated January 1979.<br \/>\n<em>Separated from Box 75, Folder 7 (inscribed volume of Prokofieff\u2019s Piano Concerti Nos. 1\u20133).<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 48<\/th>\n<td>Prokofieff family photograph (n.d.).<br \/>\n[Lina Prokofieff, unidentified man, Sergei Prokofieff, Igor Stravinsky?, and Prokofieff? child.] 1 b\/w photograph, 5\u201d x 7\u201d. Inscribed to Morag and Malcolm Frager from Lina Prokofieff.|<br \/>\n<em>Separated from Box 75, Folder 7 (inscribed volume of Prokofieff\u2019s Piano Concerti Nos. 1\u20133).<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 49<\/th>\n<td>Lina and Svyatoslav Prokofieff (1927).<br \/>\n1 b\/w photograph, 5\u201d x 7\u201d. Autographed by Lina Prokofieff.<br \/>\n<em>Separated from Box 75, Folder 7 (inscribed volume of Prokofieff\u2019s Piano Concerti Nos. 1\u20133).<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 50<\/th>\n<td>Frager and Gerhard Oppitz, Bonn (1980).<br \/>\nMayor Hans Daniels (?), Malcolm Frager, and Gerhard Oppitz, labeled \u201creceiving the freedom of the city of Bonn\u201d; dated September 15, 1980. 1 b\/w photograph, 7\u201d x 9.5\u201d. Photograph attributed to Wolfgang R\u00fcther.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 51<\/th>\n<td>Frager\u2014publicity still (ca. late 1980s).<br \/>\nPublicity photograph produced by Columbia Artists Management. 1 b\/w photograph, 8\u201d x 10\u201d. Photograph attributed to Jonas Dovydenas.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 52<\/th>\n<td>Frager, Curtin, Marcus (n.d.).<br \/>\nLeonard Marcus, Phyllis Curtin, and Malcolm Frager at Marcus\u2019s home near the grounds of the Berkshire Music Festival. 1 b\/w photograph, 8\u201d x 10\u201d. Accompanied by typescript caption produced by Cinema\/Sound Ltd.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 53<\/th>\n<td>Frager farm in Lenox, MA (March 1993).<br \/>\nFront view of house. 2 color photographs, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 54<\/th>\n<td>Frager farm in Lenox, MA (March 1993).<br \/>\nRear view of house. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 55<\/th>\n<td>Frager farm in Lenox, MA (March 1993).<br \/>\nStreet view, including mailbox and sign: \u201cFoothill Farm.\u201d 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 56<\/th>\n<td>Frager farm in Lenox, MA (March 1993).<br \/>\nSide view of house. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 57<\/th>\n<td>Frager farm in Lenox, MA (March 1993).<br \/>\nView of farm from Frager\u2019s studio. 1 color photograph, 4\u201d x 6\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 58<\/th>\n<td>Frager and Ashkenazy, contact prints (1963).<br \/>\nContact print containing 20 images of Frager and Ashkenazy on stage and backstage after duo-piano recital in Moscow. 1 b\/w contact print, 7\u201d x 9.5\u201d. Photographs attributed to Israel Shenker. 2 prints.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 59<\/th>\n<td>Frager and Ashkenazy, contact prints (1963).<br \/>\nContact print containing 27 images of Frager and Ashkenazy on stage at duo-piano recital. 1 b\/w contact print, 7\u201d x 9.5\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 60<\/th>\n<td>Frager and Ashkenazy, contact prints (1963).<br \/>\n2 contact prints containing 20 and 16 images of Frager and Ashkenazy during two-piano rehearsal. 2 b\/w contact prints, 5\u201d x 9.5\u201d and 6.25\u201d x 9.5\u201d<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 61<\/th>\n<td>Frager and Ashkenazy, contact prints (1963).<br \/>\n3 contact prints containing 10, 11, and 15 images of Frager and Ashkenazy during two-piano rehearsal in Moscow. 3 b\/w contact prints, sized 3.5\u201d x 8\u201d to 6\u201d x 8.25\u201d. Photographs attributed to Israel Shenker.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 62<\/th>\n<td>Frager and Ashkenazy, contact prints (1963).<br \/>\n2 contact prints containing 18 and 20 images of Frager and Ashkenazy during two-piano rehearsal in Moscow. 2 b\/w contact prints, sized 6\u201d x 8.25\u201d. Photographs attributed to Israel Shenker.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 59&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658844951146{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 1<\/th>\n<td>Negative, Frager (1959\/60?).<br \/>\nPortrait, standing at Steinway &amp; Sons piano. 1 b\/w negative, 8\u201d x 10\u201d.<br \/>\n&#8211; See Box 58, Sleeve 1, for photograph.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 2<\/th>\n<td>Negative, Concours de Piano medal (front).<br \/>\n1 b\/w negative, 8\u201d x 10\u201d.<br \/>\n&#8211; See Malcolm Frager Collection (2013 Gift), Box 19, Item 3, for medal.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 3<\/th>\n<td>Negative, Concours de Piano medal (back).<br \/>\n1 b\/w negative, 8\u201d x 10\u201d.<br \/>\n&#8211; See Malcolm Frager Collection (2013 Gift), Box 19, Item 3, for medal.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 4<\/th>\n<td>Negatives, Frager and Ashkenazy (1963).<br \/>\n6 negative album pages containing 35mm negatives containing images of Frager and Ashkenazy from rehearsals and recital [in Moscow]. 33 b\/w strips, containing 161 images. [Photographs attributed to Israel Shenker.]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Artifacts\"><\/a><strong><em>Sub-series D: Artifacts<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 60&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658845009152{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 1<\/th>\n<td>Plaster cut of Frager\u2019s hand (1943).<br \/>\nCast at the Principio, St. Louis, MO, by Evelyn Pattison; ca. 6\u201d x 9\u201d x 3\u201d.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 2<\/th>\n<td>Metal cut-out of Frager at piano (caricature).<br \/>\nSigned F. G. Becerra. 7\u201d x 9.5\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Recordings\"><\/a><span style=\"font-size: 16px;\"><strong>Series 7: Recordings<\/strong><\/span><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 61&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658845153114{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 1<\/th>\n<td>Frager\u2014Mozart K595 (1956). 7\u201d audio reel.<br \/>\nMalcolm Frager with the Little Symphony (July 6, 1956).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 2<\/th>\n<td>Tung\/Bamberger\/Wright\u2014Beethoven Op. 5, Mozart Clarinet Trio (1956). 7\u201d audio reel.<br \/>\nYuan Tung, cello; Lotte Bamberger, viola; Harold Wright, clarinet.<br \/>\nRecorded at Marlboro (1956).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 3<\/th>\n<td>Frager [Hess?]\u2014Beethoven Concerto No. 3 (1958). 7\u201d audio reel.<br \/>\nLabel on reel: \u201cBeethoven Piano Conc #3 C Minor Myra Hess Philharmonic KMOX 3\/23\/58.\u201d<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 4<\/th>\n<td>Chattanooga Symphony\u2014Beethoven Emperor Concerto (1959). 7\u201d audio reel.<br \/>\nRecorded January 13, 1959.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 5<\/th>\n<td>Leventritt Award Concert (1959). 7\u201d audio reel.<br \/>\nRecorded September 30, 1959, Carnegie Hall.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 6<\/th>\n<td>Buffalo Philharmonic\u2014Prokofieff Concerto No. 2 (1960). 7\u201d audio reel.<br \/>\nBuffalo Philharmonic; Josef Krips, conductor.<br \/>\nRecorded February 14, 1960.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 7<\/th>\n<td>Kolner Rundfunksinfonieorch\u2014Weber Klavierkonzert No. 2 (1960). 5.75\u201d audio reel.<br \/>\nMalcolm Frager, piano; Kolner Rundfunksinfonieorch; Mario Rossi, conductor.<br \/>\nRecorded December 17, 1971.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 8<\/th>\n<td>Houston Symphony Orchestra\u2014Beethoven Concerto No. 2 (1971). 7\u201d audio reel.<br \/>\nRecorded October 25\u201326, 1971.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 9<\/th>\n<td>Orch. della Radio Suizzera Italiana\u2014Schumann Klavierkonzert. 7\u201d audio reel.<br \/>\nMalcolm Frager, piano; Orch. della Radio Suizzera Italiana; M. Andraea, conductor.<br \/>\nRecorded March 18, 1971.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 62&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658863300378{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 1<\/th>\n<td>Unidentified. 7\u201d audio reel.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 2<\/th>\n<td>Cleveland Orchestra\u2014Mozart K453. 7\u201d audio reel.<br \/>\nMalcolm Frager, piano; Cleveland Orchestra; Henry Lewis, conductor.<br \/>\nRecording from Blossom Festival, program #71-49 Cleveland Orchestra Broadcast Service.<br \/>\nAccompanied by index card listing contents. 1 item.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 3<\/th>\n<td>Jerry Ludiker\u2014Mozart Sonata in F major (1972). 7\u201d audio reel.<br \/>\nRecorded October 28, 1972.<br \/>\nAccompanying letter (from Jerry Ludiker) separated; see Box 79, Folder 5.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 4<\/th>\n<td>Ashkenazy\u2014Prokofieff No. 2 (1958). 7\u201d audio reel.<br \/>\nRecorded November 30, 1958.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 5<\/th>\n<td>John Browning\u2014Barber Piano Concerto (1962). 7\u201d audio reel.<br \/>\nJohn Browning, piano; Boston Symphony Orchestra; Erich Leinsdorf, conductor.<br \/>\nRecorded September 24, 1962.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 6<\/th>\n<td>Serkin\u2014Brahms\/Turek, Bach Concertos in D minor and G minor (1955). 7\u201d audio reel.<br \/>\nRecorded February 20, 1955.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 7<\/th>\n<td>Lanny Epstein\u2014Mozart K570, 394, 398, 485\/Sylvia Zaremba\u2014Brahms Variations &amp; Fugue on a Theme by Handel, Ravel Scarbo from Gaspard de la Nuit. 7\u201d audio reel.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 63&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658863335547{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 1<\/th>\n<td>[Identification illegible.] 5\u201d audio reel.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 2<\/th>\n<td>\u201cQuartet at Somet\u201d (?). 5\u201d audio reel.<br \/>\nContents.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 3<\/th>\n<td>Gordon Smith, Frager\u2014WAMU-FM (1962). 5\u201d audio reel.<br \/>\n\u201cMusicians face the music.\u201d Radio program with Gordon Smith and Malcolm Frager.<br \/>\nRecorded February 28, 1962, at American University, Washington, DC, for WAMU-FM.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 4<\/th>\n<td>Unidentified. 5\u201d audio reel.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 5<\/th>\n<td>Frager, Boston Pops\u2014Tchaikovsky First Concerto (undated). 5\u201d audio reel.<br \/>\nMalcolm Frager, piano; Boston Pops Orchestra; Arthur Fiedler, conductor.<br \/>\nRecorded at Royal Albert Hall (undated).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 6<\/th>\n<td>\u201cDame Myra\u2014Mozart\u201d (undated). 5\u201d audio reel.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 7<\/th>\n<td>Myra Hess\u2014Brahms, 3rd movement (1955). 5\u201d audio reel.<br \/>\nRecorded February 13, 1955.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 8<\/th>\n<td>Myra Hess\u2014Brahms, 1st &amp; 2nd movements (1955). 5\u201d audio reel.<br \/>\nRecorded February 13, 1955.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 9<\/th>\n<td>Erica Morini, NY Philharmonic (1957).<br \/>\nRecorded March 3, 1957.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 10<\/th>\n<td>Unidentified. 5\u201d audio reel.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 11<\/th>\n<td>Meister, Piano Concerto, 2nd movement. Audiocassette tape.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 12<\/th>\n<td>Barber\/Redcay\u2014Sonata for Violin and Piano, Five Dialogues for Violin and Piano (Willis). Audiocassette tape.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 13<\/th>\n<td>Richard Wilson\u2014Sour Flowers, Ecologue. Audiocassette tape.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 14<\/th>\n<td>\u201cAn afternoon with Malcolm Frager\u201d\u2014KWMU Radio, St. Louis (ca. 1980), sides 1 &amp; 2. Audiocassette tape.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 15<\/th>\n<td>\u201cAn afternoon with Malcolm Frager\u201d\u2014KWMU Radio, St. Louis (ca. 1980), sides 3 &amp; 4. Audiocassette tape.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 16<\/th>\n<td>\u201cAn afternoon with Malcolm Frager\u201d\u2014private recording, sides 1 &amp; 2. Audiocassette tape.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 17<\/th>\n<td>\u201cAn afternoon with Malcolm Frager\u201d\u2014private recording, sides 3 &amp; 4. Audiocassette tape.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 18<\/th>\n<td>\u201cAn afternoon with Malcolm Frager\u201d\u2014private recording, side 5. Audiocassette tape.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 19<\/th>\n<td>Carl Friedberg. 3\u201d audio reel.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">item 20<\/th>\n<td>Tibor Sz\u00e1sz lectures on Beethoven and Mozart (1988). Audiocassette tape.<br \/>\n<em>Separated from Box 48, Folder 1.<br \/>\n<\/em>Contents: [Side A] \u201cContinuo in the \u2018Emperor\u2019 Concerto by Beethoven,\u201d lecture for the American Musicological Society Southeast Chapter (March 19, 1988 &#8212; [Side B] \u201cContinuo in Mozart,\u201d lecture for the Southeastern Historical Keyboard Society (March 22, 1988).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Research\"><\/a><span style=\"font-size: 16px;\"><strong>Series 8: Research Papers<\/strong><\/span><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Articles\"><\/a><strong><em>Sub-series A: Articles<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 64&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658863568678{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Barshai, Rudolf. \u201cDivisi or non divisi: That is the Question.\u201d [Translated by Malcolm Frager.]<br \/>\n3 drafts of English translation of article, manuscript notes, 2 facsimiles of original article (in Russian), and 4 items of correspondence related to planned publication of the English translation in\u00a0<em>Journal of the Conductors\u2019 Guild.<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Dadelsen, Georg von. \u201cDie \u2018Fassung letzter Hand\u2019 in der Musik.\u201d\u00a0<em>Acta Musicologica,<\/em>\u00a0vol. 23, no. 1 (January\u2013March 1961), pp. 1\u201314.<br \/>\nFacsimile of article.<br \/>\n<em>Accompanying letter (Michael Steinberg to Malcolm Frager) separated; see Box 47, Folder 49.<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Fischer, Edwin.\u00a0<em>Johann Sebastian Bach: Eine Studie.<\/em>\u00a0Potsdam: Stichnote, [1945]).<br \/>\nPublished essay. 42 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Flothuis, Marius. \u201cFranz Schubert, der Neuerer.\u201d In <em>Zur Auff\u00fchrungspraxis der Werke Franz Schubert, <\/em>ed. Vera Schwarzt and Roswitha Karpfl [proceedings of international symposium held in Vienna, January 28\u2013February 2, 1974] (Munich: Katzbichler, 1981), pp. 63\u201376. 14 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Frager, Malcom. \u201cThe Manuscript of the Schumann Piano Concerto.\u201d\u00a0<em>Current Musicology,\u00a0<\/em>No. 15 (1973): pp. 83\u201387.<br \/>\n3 reprints of article. 5 pp., each.<br \/>\n<em>See also Box 68, Folder 15, for correspondence with\u00a0<\/em>Current Musicology<em>\u00a0editors and previous drafts of article.<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Frager, Malcolm. \u201cWeber\u2019s Music is Full of Surprises.\u201d\u00a0<em>New York Times\u00a0<\/em>(June 22, 1986), p. 34.<br \/>\nFacsimile of article. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Gelfand, Yakov. \u201cOn Tempo Indications: Based on Beethoven\u2019s Music.\u201d\u00a0<em>College Music Symposium,<\/em>\u00a0vol. 25 (1985), pp. 92\u2013129.<br \/>\nFacsimile of article. 40 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Haenken, Hartmut. \u201cVorbereitende Ueberlegungen f\u00fcr eine interpretation: Dargestellt aus auff\u00fchrungspraktischen Ueberiegungen zu Mozarts <em>Le Nozze di Figaro<\/em>.\u201d<br \/>\nUnpublished article. 22 pp.<br \/>\nAlso in folder (2 items):<br \/>\n&#8211; \u201cZu Frage der Vorschl\u00e4ge bei Mozart (Zusammenfassung).\u201d Unpublished article. 7 pp.<br \/>\n&#8211; Harmut Haenchen to Malcolm Frager. 1 letter; undated. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>\u00a0Jacobson, Bernard. \u201cOnce More with Feeling: A Polemic on Repeats.\u201d [<em>Musical Newsletter,<\/em>\u00a0vol. 7 (1977)], pp. 3\u20137.<br \/>\nFacsimile of article. 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>K\u00fcthen, Hans-Werner. \u201cBeethovens \u2018wirklich ganz neue Manier\u2019\u2014eine Persiflage.\u201d In\u00a0<em>Ver\u00f6ffentlichungen des Beethovenhauses in Bonn,\u00a0<\/em>vol. 4 (Schriften zur Beethovenforschung) (Munich: G. Henle, 1987), pp. 216\u2013224.<br \/>\n[From the proceedings of the international symposium \u201cBeitr\u00e4ge zu Beethovens Kammermusik. Symposion\u201d (Bonn, 1984).]<br \/>\nFacsimile of article. 6 leaves.<br \/>\nAlso in folder: facsimiles of unidentified manuscripts. 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Larsen, Jens Peter. \u201cHandelian Tempo Problems and\u00a0<em>Messiah.<\/em>\u201d\u00a0<em>American Choral Review,\u00a0<\/em>vol. 31 (1989), pp. 31\u201341.<br \/>\nFacsimile of article. 11 pp.<br \/>\n<em>Accompanying letter (Alfred Mann to Malcolm Frager) separated; see Box 47, Folder 22.<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 12<\/th>\n<td>Orlov, G. \u201c\u0412\u043e\u0435\u043d\u043d\u044b\u0439 \u0420\u0435\u043a\u0432\u0438\u0435\u043c \u0411\u0440\u0438\u0442\u0442\u0435\u043d\u0430 [Britten\u2019s War Requiem],\u201d [<em>Vopros\u00ef teorii i \u0117stetiki muz\u00efki<\/em>\u00a0(1966)], pp. 65\u201399.<br \/>\nFacsimile of article. 35 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 13<\/th>\n<td>Rappoport (Gelfand), Lidia. \u201cSonorism: Problems of Style and Form in Modern Polish Music.\u201d\u00a0<em>Journal of Musicological Research,\u00a0<\/em>vol. 4 (1983), pp. 399\u2013416.<br \/>\nReprint of article. 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 14<\/th>\n<td><em>Cambridge Review,\u00a0<\/em>vol. 96, no. 2227 (May 30, 1975). Full issue. 32 pp.<br \/>\nArticles included: Ruth Cigman, \u201cThe Concept of Musical Literacy\u201d; Patrick Carnegy, \u201cThomas Mann and the Ghost of Old Klingsor\u201d; Kevin Barry, \u201cThe Notion of Music in the 18th Century\u201d; Steven E. Paul, \u201cThe Musical Surprise\u201d; Nieves Mathews, \u201cThe Eye of the Storm\u201d; Peter Holland, \u201cTheatre in Cambridge.\u201d<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 15<\/th>\n<td><em>Canadian Composer,\u00a0<\/em>no. 178 (February 1983). Full issue. 48 pp.<br \/>\nArticles included: \u201cUzeb: Quebec\u2019s hottest jazz name\u201d; \u201cLegal battles clarify copyright law\u201d; \u201cProfile: S. C. Ekhardt-Gramatte\u201d; \u201cInterview: Andr\u00e9 Perry\u201d; \u201cEducational efforts continue.\u201d<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 16<\/th>\n<td><em>International Piano Library Bulletin,\u00a0<\/em>vol. 2, nos. 2\u20133 (September 1968) [John Field special issue].<br \/>\nFull issue. 36 pp., with manuscript facsimiles (5 pp.).<br \/>\nMain article: David Doscher, \u201cJohn Field, the Pianoforte\u2019s First Modern Composer.\u201d<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 17<\/th>\n<td><em>Keyboard Classics,\u00a0<\/em>vol. 5, no. 4 (July\/August 1985).<br \/>\nFull issue. 53 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 18<\/th>\n<td><em>Musical America,<\/em>\u00a0vol. 108, no. 3 (July 1988).<br \/>\nFull issue. 96 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 19<\/th>\n<td><em>Musical America,<\/em>\u00a0vol. 108, no. 4 (September 1988).<br \/>\nFull issue. 96 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 20<\/th>\n<td><em>Musical America,\u00a0<\/em>vol. 108, no. 5 (November 1988).<br \/>\nFull issue. 96 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 21<\/th>\n<td><em>Musical America,<\/em>\u00a0vol. 109, no. 1 (January 1989).<br \/>\nFull issue. 96 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 22<\/th>\n<td><em>Musical America,<\/em>\u00a0vol. 109, no. 4 (July 1989).<br \/>\nFull issue. 96 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 65&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658863716879{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td><em>Musical America,<\/em>\u00a0vol. 109, no. 6 (November 1989).<br \/>\nFull issue. 96 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td><em>Musical America,<\/em>\u00a0vol. 110, no. 1 (January 1990).<br \/>\nFull issue. 96 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td><em>Musical Quarterly,<\/em>\u00a0vol. 67, no. 3 (July 1981).<br \/>\nFull issue. 164 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td><em>Opus,\u00a0<\/em>vol. 2, no. 6 (October 1986).<br \/>\nFull issue. 64 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td><em>Opus,\u00a0<\/em>vol. 3, no. 2 (February 1987).<br \/>\nFull issue. 64 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td><em>Opus,<\/em>\u00a0vol. 3, no. 2 (April 1987).<br \/>\nFull issue. 64 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td><em>Opus,\u00a0<\/em>vol. 3, no. 4 (June 1987).<br \/>\nFull issue. 64 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td><em>Opus,\u00a0<\/em>vol. 3, no. 5 (August 1987).<br \/>\nFull issue. 64 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td><em>Opus,\u00a0<\/em>vol. 3, no. 6 (October 1987).<br \/>\nFull issue. 64 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td><em>Opus,\u00a0<\/em>vol. 4, no. 1 (December 1987).<br \/>\nFull issue. 64 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 12<\/th>\n<td><em>Opus,\u00a0<\/em>vol. 4, no. 2 (February 1987).<br \/>\nFull issue. 64 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 13<\/th>\n<td><em>Opus,\u00a0<\/em>vol. 4, no. 3 (April 1988).<br \/>\nFull issue. 64 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 15<\/th>\n<td><em>Ovation,\u00a0<\/em>vol. 3, no. 3 (April 1982) [Leopold Stokowski Centenary Tribute issue].<br \/>\nFull issue. 46 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 16<\/th>\n<td><em>Performance Practice Review,<\/em>\u00a0vol. 1, nos. 1\u20132 (Spring\/Fall 1988).<br \/>\nFull issue. 174 pp.<br \/>\nArticles included: Albert Cohen, \u201cThe Performance of French Baroque Music\u201d; Malcolm Cole, \u201c\u2018Back to the Land\u2019: Performance Practice and the Classic Period\u201d; Hendrik van der Werf, \u201cThe \u2018Not-so-precisely Measured\u2019 Music of the Middle Ages\u201d; Erica Heisler Buxbaum, \u201cStravinsky, Tempo, and\u00a0<em>Le sacre<\/em>\u201d; Frederick Neumann, \u201cInterpretation Problems of Ornament Symbols and Two Recent Case Histories\u201d; Mark Lindley, \u201cA Suggested Improvement for the Fisk Organ at Stanford.\u201d<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 18<\/th>\n<td><em>Time,\u00a0<\/em>vol. 46, no. 21 (November 19, 1945).<br \/>\nFull issue. 106 pp. [Music section features article on Sergei Prokofiev, pp. 57\u201362.]<br \/>\nAlso in folder: 3 press clippings pertaining to Prokofiev; 3 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Schumann Research\"><\/a><strong><em>Sub-series B: Schumann Research<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 66&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658863800239{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Schumann, Robert. Piano Concerto in A minor, Op. 54.<br \/>\nFacsimile of holograph manuscript (reproduction from Photostats). 193 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Schumann, Robert. Piano Concerto in A minor, Op. 54.<br \/>\nFacsimile of first edition of full orchestral score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), with annotations by Frager. 78 leaves.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Schumann, Robert. Piano Concerto in A minor, Op. 54.<br \/>\nFacsimile of piano part from first edition (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]). 42 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Schumann, Robert. Piano Concerto in A minor, Op. 54.<br \/>\nColor facsimile of full orchestral score (New York: Kalmus, [s.d.]), with performance markings and annotations. 93 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Schumann, Robert. Piano Concerto in A minor, Op. 54.<br \/>\nOrchestral parts: piano, violin I, violin II, viola, violoncello\/bass (facsimile), flute I, flute II, oboe I, oboe II, clarinet I, clarinet II, bassoon I, bassoon II, horn I, horn II, trombone I, trombone II, timpani. Published parts (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), [F. Hiller ed.?], with performance markings in pencil. 135 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\"><em>folder 6<\/em><\/th>\n<td><em>Schumann Concerto Op.54\u2014B&amp;H orch. parts, annotated for original version by Frager.<br \/>\n<\/em>Item removed.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Schumann, Robert. Piano Concerto in A minor, Op. 54.<br \/>\nString parts: violin I, violin II (4 copies), viola (4 copies), cello. Published parts (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), with annotations in ink. 101 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Schumann, Robert. Piano Concerto in A minor, Op. 54.<br \/>\nString parts: violin I, violin II, viola, cello, bass. Facsimiles of published parts [Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]], Pl. no. Orch. B. 441; annotated to original version. 47 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Schumann, Robert. Piano Concerto in A minor, Op. 54.<br \/>\nString parts: violin I, violin II, viola, cello, bass. Facsimiles of published parts [Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]], Pl. no. Orch. B. 441; annotated to original version. 47 pp., total.<br \/>\n<em>Accompanying letter (Malcolm Frager to John Perkel) separated; see Box 68, Folder 5.<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Schumann, Robert. Piano Concerto in A minor, Op. 54.<br \/>\nString parts: violin I (6 copies), violin II (5 copies), viola (5 copies), cello (6 copies), bass (4 copies). Facsimiles of published parts (m. 1 to Intermezzo only) from Breitkopf &amp; H\u00e4rtel (violin I, cello, bass) and Kalmus (violin II, viola); annotated to original version. 135 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Schumann, Robert. Piano Concerto in A minor, Op. 54.<br \/>\nClarinet in A part, alteration for original version. Ink manuscript (incomplete). 3 pp.<br \/>\nFacsimile of p. 3 of manuscript clarinet part. 1 p. 5 copies.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 67&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658863865599{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Schumann, Robert. Piano Concerto in A minor, Op. 54.<br \/>\nString parts: violin I (7 copies), violin II (6 copies), viola (5 copies), cello (4 copies), bass (2 copies, incomplete: pp. 1\u20133 only). Published parts and facsimiles (New York: Kalmus, [s.d.]); annotated to original version. 229 pp., total.<br \/>\nString parts: violin I, violin II, viola, cello (2 copies), bass (4 copies). Facsimiles of published parts (m. 1 to Intermezzo only) [Leipzig: Breitkopf &amp; H\u00e4rtel, s.d.], Pl. no. Orch. B. 441. 42 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Schumann, Robert. Piano Concerto in A minor, Op. 54.<br \/>\nString parts: violin I, violin II, viola, cello, bass. Published parts (New York: Kalmus, [s.d.]), with performance markings in pencil. 47 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Schumann, Robert. Piano Concerto in A minor, Op. 54.<br \/>\nFacsimile reproduction of the first edition (solo part) with preface and footnotes by Harold Bauer; includes second piano part (orchestral reduction) edited by Harold Bauer. Published parts (New York: Carl Fischer, [s.d.]). 82 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Schumann, Robert. Piano Concerto in A minor, Op. 54.<br \/>\nTwo-piano arrangement, edited by Hans Bischoff. Published score (Leipzig: Steingr\u00e4ber Verlag, [s.d.]). 60 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>\u00a0Schumann, Robert. Piano Concerto in A minor, Op. 54.<br \/>\nTwo-piano arrangement, edited by Hans Bischoff. Published score (Leipzig: Steingr\u00e4ber Verlag, 1921), with performance markings in the hand of Carl Friedberg. 60 pp.<br \/>\nAnnotation on front cover: \u201cThis score belonged to Carl Friedberg, and the markings are in his handwriting. M. F.\u201d<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Schumann, Robert. Piano Concerto in A minor, Op. 54.<br \/>\nPublished miniature score, with introduction and analysis by Egon Voss (Mainz: B. Schott\u2019s S\u00f6hne, 1979). 224 pp.<br \/>\nInscription on inside front cover from Peter [illegible].<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Schumann, Robert. Piano Concerto in A minor, Op. 54.<br \/>\nFacsimile of published solo piano part (Leipzig: J. Schuberth &amp; Co., [ca. 1862]). 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Schumann, Robert. Sonata in F minor, Op. 14.<br \/>\nFacsimile of first page of holograph manuscript, photocopy from unidentified publication. 1 p.<br \/>\nFacsimile of manuscript transcription of Sonata, Op. 14, with annotations in ink. 70 pp.<br \/>\n<em>Accompanying letter (Fritz Zeigler to Malcolm Frager) separated; see Box 68, Folder 12.<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Schumann, Robert. [Unidentified manuscript for solo piano.]<br \/>\nFacsimile of manuscript score, from unidentified source. 16 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Schumann, Robert.\u00a0<em>Robert Schumann\u2019s Klavier-Werke,<\/em>\u00a0Vol. 2.<br \/>\nEdited by Clara Schumann. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]). 103 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Schumann, Robert.\u00a0<em>Robert Schumann\u2019s Klavier-Werke,<\/em>\u00a0Vol. 4.<br \/>\nEdited by Clara Schumann. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]). 163 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 12<\/th>\n<td>Schumann, Robert.\u00a0<em>Robert Schumann\u2019s Klavier-Werke,<\/em>\u00a0Vol. 6.<br \/>\nEdited by Clara Schumann. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]). 121 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Schumann, Robert.\u00a0<em>Robert Schumann\u2019s Klavier-Werke,<\/em>\u00a0Koncerte, Op. 54, 92, 134.<br \/>\nEdited by Clara Schumann. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]). 93 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Schumann, Robert.\u00a0<em>Robert Schumann\u2019s Klavier-Werke,<\/em>\u00a0Anhang, Op. 13, 14, 22.<br \/>\nEdited by Clara Schumann. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]). 35 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 68&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658863892327{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Schumann, Robert.\u00a0<em>Klavierwerke<\/em>\u00a0[for Four-Hand Piano].<br \/>\nEdited by Clara Schumann. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.], hard-bound. 157 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Schumann, Robert.\u00a0<em>Complete Works for Piano Solo,\u00a0<\/em>Vol. I.<br \/>\nEdited by Clara Schumann. Published score (New York: Kalmus, [s.d.].). 180 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 3<\/th>\n<td>Schumann, Robert.\u00a0<em>Complete Works for Piano Solo,\u00a0<\/em>Vol. IV.<br \/>\nEdited by Clara Schumann. Published score (New York: Kalmus, [s.d.].). 184 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Letter: George Eismann to Malcolm Frager.<br \/>\n1 note (ink on back of business card); dated December 20, 1967. 1 p.<br \/>\nAccompanied by facsimile of Schumann\u2019s Humoresque (first two pages of holograph manuscript), printed on photographic paper. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Letter: Malcolm Frager to John Perkel (NY Philharmonic).<br \/>\n1 letter; dated November 28, 1988.<br \/>\n<em>Separated from Box 66, Folder 9 (string parts for Concerto, Op. 54).<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 6<\/th>\n<td>Letter: Malcolm Frager to [Lucerne students].<br \/>\nFacsimile of 1 letter; dated August 28, 1987. 2 copies. 1 p., each.<br \/>\n<em>Original letter and additional copies housed in Box 51, Folder 5 (Internationale Musikfestwochen Luzern).<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Letter: Malcolm Frager to [Lucerne] students.<br \/>\n1 letter, summarizing main discussion points from class on Schumann\u2019s piano works; dated October 30, 1987. 2 copies. 3 pp., each.<br \/>\n<em>Additional copies housed in Box 51, Folder 5 (Internationale Musikfestwochen Luzern).<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Letter: Hans Joachim K\u00f6hler to Malcolm Frager.<br \/>\n1 letter; dated March 23, 1991. 2 pp.<br \/>\nAccompanied by facsimile of title page to Schumann\u2019s String Quartet, Op. 41, No. 1 (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]). 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Letter: Hans Joachim K\u00f6hler to Malcolm Frager.<br \/>\n1 letter; dated May 8, 1987. 4 pp.<br \/>\n<em>Separated from Box 68, Folder 13 (articles by Boettlicher).<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Letter: John Tibbetts to Malcolm Frager.<br \/>\n1 letter, pertaining to Tibbett\u2019s radio series \u201cThe World of Robert Schumann\u201d; dated August 19, 1986. 2 pp.<br \/>\nAccompanied by publicity flyer and typescript overview of series schedule. 3 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Letter: John Tibbetts to Malcolm Frager.<br \/>\n1 letter, pertaining to Tibbett\u2019s radio series \u201cThe World of Robert Schumann\u201d [request for help locating Marc Andrae for interview]; dated June 19, 1989. 1 p.<br \/>\nAccompanied by typescript prospectus for the series. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 12<\/th>\n<td>Letter: Fritz Zeigler (Princeton University) to Malcolm Frager.<br \/>\n3 letters; dated May\u2013November 1979.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Boetticher, Wolfgang. [2 articles.]<br \/>\n\u201cDie Fr\u00fchfassung des ersten Satzes von Robert Schumanns Klavierkonzert op. 54 und das Problem seiner Durchf\u00fchrung.\u201d In\u00a0<em>Festschrift Arno Forchert zum 60. Geburtstag am 29. Dezember 1985,\u00a0<\/em>ed. Gerhard Allroggen and Detlef Altenburg (Basel: B\u00e4renreiter Kassel, 1986), pp. 216\u2013221. Facsimile of article. 7 pp.<br \/>\n\u201cDas Entstehen von R. Schumanns Klavierkonzert op. 54.\u201d In\u00a0<em>Festschrift Prof. Dr. Martin Ruhnke zum 65. Geburtstag, Stuttgart 1986\u00a0<\/em>(H\u00e4nssler: Neuhausen-Stuttgart, 1986), pp. 45\u201355. 10 pp.<br \/>\n<em>Accompanying letter (from H. J. K\u00f6hler to Malcolm Frager) separated; see Box 68, Folder 9.<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Frager, Malcolm. \u201cManuscript of Schumann Piano Concerto.\u201d<br \/>\nTypescript draft of remarks for performance of Op. 54 with original orchestration. 2 copies. 1 p., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Frager, \u201cManuscript of Schumann Piano Concerto.\u201d<br \/>\nCorrespondence between\u00a0<em>Current Musicology\u00a0<\/em>and Malcolm Frager regarding publication of article. 3 letters; dated March 1971\u2013June 1972. 4 pp.<br \/>\nDraft of article, edited copy, and publisher\u2019s proof of final version. 15 pp., total.<br \/>\n<em>See also Box 64, Folder 5, for additional reprints of article.<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Kang, Mahn-Hee. \u201cRobert Schumann\u2019s Piano Concerto in A Minor, Op. 54: A Stemmatic Analysis of the Sources.\u201d Ph.D. diss., The Ohio State University, 1992.<br \/>\nBound copy of dissertation. (Dedicated to Malcolm Frager.) 193 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 17<\/th>\n<td>de Vries, Claudia. \u201cTechnik und Interpretation in Clara Wieck-Schumanns Pianistik.\u201d Paper submitted to musicology seminar, University of Zurich, 1987.<br \/>\nBound copy of paper, with inscription to Malcolm Frager (p. 1). 182 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Young, Stewart. \u201cSchumann Piano Concerto in A Minor.\u201d Program notes.<br \/>\nDraft 1 (2 pp.). 2 copies. Draft 2 (1 p.). 2 copies.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 19<\/th>\n<td>\u201cRobert Schumann: Autograph Manuscript of the Piano Concerto in A Minor, Op. 54.\u201d Sotheby\u2019s sale catalogue (London: Grillford Ltd., 1989). 16 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 20<\/th>\n<td>[Articles on Clara Schumann and her pupils.]<br \/>\nLetter: Claudio de Vries to Malcolm Frager. 1 letter; dated April 27, 1986. Accompanied by (4 items):<\/p>\n<ol>\n<li>Fanny Davies, \u201cOn Schumann\u2014And Reading Between the Lines,\u201d<em> Music and Letters, <\/em> 6 (1925), pp. 214\u2013223. Facsimile of article. 6 leaves.<\/li>\n<li>Fanny Davies, \u201cThe Pianoforte Concertos,\u201d <em>Music and Letters, <\/em> 8 (1927), pp. 224\u2013227. Facsimile of article. 3 leaves.<\/li>\n<li>Adelina de Lara, \u201cClara Schumann\u2019s Teaching,\u201d <em>Music and Letters,<\/em> 26 (1945), pp. 143\u2013147. Facsimile of article. 4 leaves.<\/li>\n<li>Harry Plunket Greene, \u201cLeonard Borwick: Some Personal Recollections,\u201d <em>Music and Letters, <\/em> 7 (1926), pp. 17\u201324. Facsimile of article. 6 pp.<\/li>\n<\/ol>\n<p>Also in folder (6 items):<\/p>\n<ol>\n<li>Dietrich K\u00e4mper, \u201cZur Frage der Metronombezeichnungen Robert Schumanns,\u201d in <em>Archiv f\u00fcr Musikwissenschaft,<\/em> Hans Heinrich Eggebrecht (Leipzig: Breitkopf &amp; H\u00e4rtel, 1964), pp. 141\u2013155. Facsimile of article. 9 pp.<\/li>\n<li>Ernst Lichtenhahn, \u201cDoch wenn ich Dir alles enth\u00fcllte,\u201d <em>Neue Z\u00fcrcher Zeitung <\/em>(February 2\/3, 1985), p. 65. Facsimile of article. 2 pp.<\/li>\n<li>Tim Page, \u201cClara Schumann and Her Pupils,\u201d <em>New York Times <\/em>[April 26, 1987], [H32]. Clipping of article. 1 p.<\/li>\n<li>Jeffrey Pulver, \u201cFanny Davies and her Contemporaries,\u201d <em>Monthly Musical Record<\/em> (October 1984), pp. 174\u2013175. Facsimile of article. 1 p.<\/li>\n<li>Rudolf Salberg, \u201cVirtuosit\u00e4t und Treue: Zum 150. Geburtstag. Clara Schumanns,\u201d <em>Frankfurter Allgemeine Zeitung<\/em> (September 13, 1969), p. 212. Facsimile of article. 4 pp.<\/li>\n<li>Mary Wurm, \u201cTwo Years with Madame Clara Schumann,\u201d <em>Musical Opinion<\/em> (February 1926), pp. 492\u2013493, and continuation of article <em>Musical Opinion<\/em> (March 1926), pp. 607\u2013608. Facsimile of article. 4 pp.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 21<\/th>\n<td>\u201cItems formerly in the Wiede Collection.\u201d<br \/>\nTypescript document. 2 pp.<br \/>\nAlso in folder: manuscript notes. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 22<\/th>\n<td>Schumann cartoon.<br \/>\nFacsimile of cartoon illustrating bedroom quarrel between Clara and Robert Schumann over clarinet arpeggios. Unattributed. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 23<\/th>\n<td>\u00a0Clippings re: Schumann Concerto.<br \/>\n2 press clippings and facsimiles (including duplicate copies) pertaining to Frager\u2019s performance of Schumann\u2019s Piano Concerto, Op. 54; dated July and August 1968. 4 items.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 24<\/th>\n<td>Aspen Festival Orchestra (July 1980).<br \/>\nConcert program from Aspen Music Festival; dated July 6, 1980. On program: Schumann\u2019s Piano Concerto, Op. 54, with Malcolm Frager, piano. Excerpt from concert program (program and program notes). 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 25<\/th>\n<td>Bayerische Landesjugendorchester Augsburg (January 1981).<br \/>\nPress and publicity pertaining to Malcolm Frager\u2019s performance with the Bavarian State Youth Orchestra, Augsburg (January 1981):<br \/>\n&#8211; Concert program; dated January 6, 1981.<br \/>\n&#8211; Facsimiles of 4 press clippings; dated January 8\u20139, 1981. 4 pp.<br \/>\n&#8211; Letter: Hans Timm to Malcolm Frager. 1 letter; dated January 22, 1981. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 26<\/th>\n<td>Hartford Symphony (January 1988).<br \/>\n<em>Capriccio, <\/em>vol. 2, no. 4 (January 1988). Newsletter containing publicity for Malcolm Frager\u2019s performance with the Hartford Symphony<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 27<\/th>\n<td>Philadelphia Orchestra (May 1989).<br \/>\nConcert program; dated May 4\u20139, 1989. On program: Schumann\u2019s Piano Concerto, Op. 54, with Malcolm Frager, piano.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Mozart Research\"><\/a><strong><em>Sub-series C: Mozart Research<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 69&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658863963880{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Mozart, Wolfgang Amadeus. Larghetto und Allegro in Es, K=0.<br \/>\nTwo-piano score, ed. Robert D. Levin. Consists of facsimile of published score from the\u00a0<em>Neue Mozart-Ausgabe,<\/em>\u00a0with annotations and insertions. 16 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>\u00a0Mozart, Wolfgang Amadeus. Piano Concerto [No. 5 in D Major], K. 175.<br \/>\nOrchestral parts: oboe I-II, horn I-II in D. Manuscript facsimile, with performance markings in pencil. 16 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto No. 5 in D Major, K. 175.<br \/>\nFull score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), with performance markings in pencil and 2 inserted manuscript notes. 36 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Sonata, K. 189d.<br \/>\nFacsimile of published score ([s.l.]: Theodore Presser Co., 1956), Pl. no. 410-41056-332, with annotations in pencil. 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Mozart, Wolfgang Amadeus. Violin Concerto, K. 207.<br \/>\nFacsimile (reproduction) of holograph manuscript. 76 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Mozart, Wolfgang Amadeus. Violin Concerto, K. 216.<br \/>\nFacsimile (reproduction) of holograph manuscript. 81 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Mozart, Wolfgang Amadeus. Violin Concerto, K. 219.<br \/>\nFacsimile (reproduction) of holograph manuscript. 92 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto No. 6 in B-flat Major, K. 238.<br \/>\nPublished orchestral score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), with performance markings in pencil. 30 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto No. 7 for Three Pianos, K. 242.<br \/>\nPublished orchestral score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]). 80 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto No. 9 in E-flat, K. 271.<br \/>\nReproduction (from negative film microfilm) of holograph manuscript. 133 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Mozart, Wolfgang Amadeus. Fantasie in C Minor, K. 396.<br \/>\nReproduction (photocopy) of published score (Berlin: Ullstein, [s.d.]). 14 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 12<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto in C Major, K. 415.<br \/>\nPublished orchestral score (Leipzig: Edition Peters, 1956), edited by Hinze Reinhold. 67 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Mozart, Wolfgang Amadeus. Sinfonie in C, K. 425.Reproduction (photocopy) of published score (Leipzig: Deutscher Verlag f\u00fcr Musik), edited by Friedrich Schnapp. Title page and foreword only. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto No. 15 in B-flat, K. 450.<br \/>\nFacsimile (reproduction) of cadenza for K. 450 from holograph manuscript. 2 copies. 1 p., each.<br \/>\nAlso in folder:<\/p>\n<ul>\n<li>Facsimile (reproduction) of cadenza for K. 415 from holograph manuscript. 3 copies. 1 p., each.<\/li>\n<li>Facsimile (photocopy) of cadenza for Concerto No. 27 in B-flat Major, K. 595, from unidentified published score (Pl. no. 923). 1 p.<\/li>\n<li>3 facsimiles of cadenzas for unidentified works from holograph manuscripts. 3 pp., total.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto No. 14, K. 449.<br \/>\nString parts: violin I, violin II, viola, cello\/bass. Published parts (Miami: Edwin F. Kalmus &amp; Co., [s.d.]), with performance markings in pencil. 27 pp.<br \/>\nOrchestral parts: violin I (6 copies), violin II (5 copies), viola (4 copies), cello (3 copies), bass, oboe I, oboe II, horn I, horn II. Published parts (Miami: Edwin F. Kalmus &amp; Co., [s.d.].), with performance markings in pencil. 141 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto No. 16 in D Major, K. 451.<br \/>\nPublished orchestral score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), with performance markings in pencil and colored pencil. 52 pp.<br \/>\nOrchestral parts: flute, oboe I, oboe II, bassoon I, bassoon II, horn I, horn II, trumpet I, trumpet II, timpani, violin I (6 copies), violin II (4 copies), viola (4 copies), cello (3 copies), bass (3 copies). Published parts (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), with performance markings in pencil. 163 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 70&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658863982000{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto No. 17 in G Major, K. 453.<br \/>\nPublished two-piano reduction (New York: International Music Co., 1947), piano reduction by A. Gretchaninoff. 51 pp.<br \/>\nManuscript sketches of cadenzas for K. 453 movements 1 and 2 by Malcolm Frager. 6 pp.<br \/>\nManuscript notes. 8 leaves.<br \/>\nCadenza for K. 503 by Oliver Fritz. Ink manuscript; dated May1989 (Lucerne). 4 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto in C Major, K. 467.<br \/>\nPublished orchestral score (Leipsiz, Steingr\u00e4ber Verlad, [s.d.].), edited by Hans Bischoff. 44 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto in A Major, K. 488.<br \/>\nPublished two-piano reduction (New York: C. F. Peters Corp., [s.d.]), edited by Edwin Fischer and Kurt Soldan. 49 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 4<\/th>\n<td>Mozart, Wolfgang Amadeus.\u00a0<em>36 Kadenzen zu seinem Klavierkonzerten, K. 624.<br \/>\n<\/em>Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.].). 41 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Badura-Skoda, Paul.\u00a0<em>Kadenzen, Eing\u00e4nge und Auszierungen zu Klavierkonzerten von Wolfgang Amadeus Mozart.<br \/>\n<\/em>Published score (Basel: B\u00e4renreiter Kassel, 1967). 52 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 6<\/th>\n<td>Britten, Benjamin.\u00a0<em>Cadenzas to Mozart\u2019s Piano Concerto in E-flay, K. 482.<br \/>\n<\/em>Facsimile of published score (London: Faber Music, 1967). 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 7<\/th>\n<td>Busoni, Ferruccio.\u00a0<em>Kadenzen zu W. A. Mozarts Klavierkonzerten.\u00a0<\/em>Vol. III (D Minor, K. 466).<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, 1907). 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 8<\/th>\n<td>Busoni, Ferruccio.\u00a0<em>Kadenzen zu W. A. Mozarts Klavierkonzerten.\u00a0<\/em>Vol. IV (C Major, K. 467).<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, 1922) and duplicate facsimile. 11 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 9<\/th>\n<td>Flothuis, Marius.\u00a0<em>Cadensen voor de pianoconcerten in D (K. 466) en C (K. 491).<br \/>\n<\/em>Published score (Amsterdam: Broekmans &amp; Van Poppel, 1959). 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 10<\/th>\n<td>Flothuis, Marius.\u00a0<em>Cadenzas for the Concertos in C Major, K. 467, and in C Major, K. 503.<br \/>\n<\/em>Published score (Amsterdam: Broekmans &amp; Van Poppel, 1964). 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 11<\/th>\n<td>Flothuis, Marius.\u00a0<em>Cadenzas for the Concertos in E-flat Major, K. 482, and in D Major, K. 537 (\u201cCoronation Concerto\u201d).<br \/>\n<\/em>Published score (Amsterdam: Broekmans &amp; Van Poppel, 1964). 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 12<\/th>\n<td>H\u00f6xter, Daniel.\u00a0<em>Kadenz zu W. A. Mozart: Klavierkonzert C-Dur (K. 503).<br \/>\n<\/em>Published score (Karlsruhe: Musica Vera, 1987). 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 13<\/th>\n<td>Kirchner, Leon. [Cadenza for Mozart K. 491.]<br \/>\n<em>Oversized item separated; see Box 79, Folder 6.<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 14<\/th>\n<td>K\u00f6hler, L.\u00a0<em>35 Cadenzen (Points d\u2019Orgue) zu den Clavier-Concerten componirt von W. A. Mozart.<br \/>\n<\/em>Published score (Offenbach a\/M: Joh. Andr\u00e9, [s.d.]). 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Reinecke, Carl.\u00a0<em>Cadenzen zu Classischen Pianoforte-Concerten<\/em>. No. 13 (Mozart, Concerto No. 10 for Two Pianos, K. 316a).<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.].). 2 editions. 7 pp. and 6 pp., respectively. Copy 2 missing p. 7 of score.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 16<\/th>\n<td>Richter-Haaser, Hans.\u00a0<em>[Cadenzas for] W. A. Mozart C-Moll Konzert KV 491.<br \/>\n<\/em>Facsimile of manuscript score. 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 17<\/th>\n<td>Schumann, Clara.\u00a0<em>F\u00fcnf Kadenzen zu Konzerten von Beethoven und Mozart, Klavier zu 2 H\u00e4nden.<br \/>\n<\/em>Published score (New York: C. F. Peters, 1952). 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 18<\/th>\n<td>Stravinsky, Soulima.\u00a0<em>18 Cadenzas and 4 Fermatas to Mozart\u2019s Piano Concerti.<br \/>\n<\/em>Published score (New York: C. F. Peters, 1957). 39 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 19<\/th>\n<td>Sz\u00e1sz, Tibor. \u201cContinuo Realization of Ornaments to K. 503, 2nd movement.\u201d<br \/>\nManuscript score. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 20<\/th>\n<td>Zilcher, Hermann.\u00a0<em>Kadenzen zu Klavierkonzerten von W. A. Mozart.<br \/>\n<\/em>Published score (W\u00fcrzburg: Holm P\u00e4lz, 1933). 16 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 21<\/th>\n<td>Mozart incipit list.<br \/>\nManuscript facsimile, bound. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 22<\/th>\n<td>Letter: Uri Toeplitz to Malcolm Frager.<br \/>\n<em>Separated to Series 4 (Correspondence); see Box 48, Folder 4.<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 23<\/th>\n<td>Freeman, Robert. \u201cMozart\u2019s Cadenzas for the Piano Concertos.\u201d Paper presented at the national meeting of the American Musicological Society, New Haven, CT (December 28, 1968).<br \/>\nFacsimile of typescript transcript of paper. 16 pp. Accompanied by facsimiles of handouts for presentation. 7 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 24<\/th>\n<td>Levin, Robert D. \u201cImprovisation and Embellishment in Mozart Piano Concertos.\u201d [<em>Musical Newsletter,<\/em>\u00a0vol. 5, no. 2 (1975)], pp. 3\u201314.<br \/>\nFacsimile of article. 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 25<\/th>\n<td>Pincus, Andrew L. \u201cThe Lenox Musician and the Missing Mozart Script.\u201d\u00a0<em>The Berkshire Eagle\u00a0<\/em>(March 17, 1991).<br \/>\nNewspaper clipping and duplicate facsimile. 2 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 26<\/th>\n<td>Miscellaneous notes (Frager).<br \/>\nManuscript notes. 8 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Tchaikovsky Research\"><\/a><strong><em>Sub-series D: Tchaikovsky Research<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 70 `{`cont.`}`&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658864046130{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 27<\/th>\n<td>Tchaikovsky, Pyotr Ilyich. Piano Concerto No. 1, Op. 23.<br \/>\nPublished orchestral score (Moscow: State Music Publishing House, 1955), edited by A. Goldenweiser; vol. 28 in series \u201cPolnoe sobranie soc\u030cinenij.\u201d 161 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 28<\/th>\n<td>Tchaikovsky, Pyotr Ilyich. Piano Concerto No. 1, Op. 23.<br \/>\nAlterations to orchestral parts (inserts and revisions): various instrumental parts and excerpt of full score. Ink and pencil manuscript, manuscript facsimile, and fair copies. 61 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 29<\/th>\n<td>Tchaikovsky, Pyotr Ilyich. Piano Concerto No. 1, Op. 23.<br \/>\nAlterations to orchestral parts (inserts and revisions): various instrumental parts. Ink and pencil manuscript and manuscript facsimile. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 30<\/th>\n<td>Tchaikovsky, Pyotr Ilyich. Piano Concerto No. 1, Op. 23.<br \/>\nAlterations to orchestral parts (insert for mm. 109\u2013125): full orchestral set of inserts. Manuscript facsimile and fair copy, with performance markings in pencil and colored pencil. 29 pp.<br \/>\nAlso in folder: manuscript note (contact information). 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 31<\/th>\n<td>Tchaikovsky, Pyotr Ilyich. Piano Concerto No. 1, Op. 23.<br \/>\nAlterations to orchestral parts (insert for mm. 109\u2013125): full orchestral set of inserts. Fair copies and facsimiles. 18 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 32<\/th>\n<td>Tchaikovsky, Pyotr Ilyich. Piano Concerto No. 1, Op. 23.<br \/>\nAlterations to orchestral parts (insert for mm. 109\u2013125): full orchestral set of inserts. Facsimiles of enlarged fair copies, with performance markings in pencil. 54 pp.<br \/>\nFacsimile of excerpt from published orchestral score (mm. 109\u2013125), with performance markings in pencil. 4 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 71&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658864077209{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Tchaikovsky, Pyotr Ilyich. Piano Concerto No. 1, Op. 23.<br \/>\nAlterations to orchestral parts (inserts and revisions): various instrumental parts. Ink and pencil manuscript and manuscript facsimile. 47 pp.<br \/>\nAlso in folder: letter from Malcolm Frager to Mr. Bromberg pertaining to orchestral part alterations; dated October 6, 1975. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Tchaikovsky, Pyotr Ilyich. Piano Concerto No. 1, Op. 23.<br \/>\nFacsimile of excerpt from published orchestral score (mm. 109\u2013125), with performance markings in colored pencil and pencil. 3 copies. 4 pp., each. Copy 4 of last page of excerpt. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Concertgebouw Amsterdam concert programs featuring Tchaikovsky\u2019s Piano Concerto No. 1, Op. 23.<br \/>\n14 concert programs; dated November 1968\u2013March 1976.<br \/>\nAccompanied by letter from Hans Beckhoff (?) (Omroepvereniging Vara) December 14, 1977. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Boston Symphony Orchestra concert program (December 15\u201316, 1950).<br \/>\nOn program: Tchaikovsky\u2019s Concerto for Pianoforte No. 1, Op. 23, performed by Aldo Ciccolini, solo piano.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Unidentified program notes pertaining to Tchaikovsky\u2019s Piano Concerto No. 1, Op. 23.<br \/>\nFacsimile of pages from unidentified concert program. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Notes in Russian on Tchaikovsky\u2019s Piano Concerto No. 1, Op. 23.<br \/>\nInk (in the hand of Malcolm Frager). 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Letter: X. Dawydowa to Malcolm Frager.<br \/>\n<em>Separated to Series 4 (Correspondence); see Box 46, Folder 10.<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Letter: Malcolm Frager from unidentified correspondent (Leningrad), in Russian; undated (October 14).<br \/>\n<em>Separated to Series 4 (Correspondence); see Box 48, Folder 19.<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Letter: Guy Taylor to Malcolm Frager.<br \/>\n1 letter pertaining to score alterations; dated July 24, 1968. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Letter: Malcolm Frager to Leigh [Gerdine].<br \/>\nFacsimile of 1 letter; dated September 18, 1966. 3 pp.<br \/>\nAccompanied by letter from Leigh Gerdine to \u201cElmar\u201d; undated. 1 p.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Weber Research\"><\/a><strong><em>Sub-series E: Weber Research<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 71 `{`cont.`}`&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658864115043{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Weber, Carl Maria von. Piano Concerto No. 2 in E-flat Major, Op. 32.<br \/>\nFacsimile of holograph manuscript, bound. 74 pp. Annotations and press clippings affixed to inside front cover and inside back cover.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 12<\/th>\n<td>Weber, Carl Maria von. Piano Concerto No. 2 in E-flat Major, Op. 32.<br \/>\nPublished two-piano reduction (Leipzig: Steingr\u00e4ber Verlag, 1936), edited by Ed. Mertke, with annotations in ink and colored pencil by Malcolm Frager. 39 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Weber, Carl Maria von. Variazioni per l\u2019alto viola e orchestra.<br \/>\nFacsimile of holograph manuscript. 18 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Weber, Carl Maria von. [Various compositions, photocopies.]<br \/>\nLes adieux. For solo piano. Facsimile of published score ([s.l.: s.n., s.d.]), Pl. no. Collection Litolef No. 1492. 1 p.<br \/>\nAufforderung zum Tanz. For solo piano. Facsimile of published score ([s.l.]: Peters, [s.d.]), Pl. no. 8731. 17 pp.<br \/>\nIntroduction, Theme and Variations. For clarinet and piano. Facsimile of published score (New York: international Music Co., 1959). 9 pp.<br \/>\nVariations, Op. 33. For clarinet and piano. Facsimile of published score (New York: Carl Fischer, 1894). 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Jahns, Friedrich Wilhelm. Excerpts from\u00a0<em>Carl Maria von Weber in seinen Werken. Chronologisch-thematisches Verzeichniss seiner sammtlichen Compositionen,<\/em>\u00a0([s.l.: s.n., s.d.]).<br \/>\nFacsimile of selected pages, bound. 74 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Notebook on Weber Concerto.<br \/>\nBound notebook with manuscript notes in pencil, in the hand of Malcolm Frager. 15 leaves with notations; 28 leaves total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 17<\/th>\n<td>K\u00f6hler, Karl-Heinz. \u201cCarl Maria von Webers Beziehungen zu Berlin. Studien am Berliner Weber-Nachla\u00df.\u201d In\u00a0<em>Festschrift Heinrich Besseler<\/em>, [edited by E. Klemm (Leipzig: Deutscher Verl. f\u00fcr Musik, 1961)].<br \/>\nReprint of article. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Photocopies of articles about Weber\u2019s music and published songs.<br \/>\nFacsimiles of articles from unidentified sources. 16 pp.<br \/>\n3 facsimiles of Lieder by Weber, from unidentified source (Edition Peters). 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Portrait of Weber by Ferdinand Schimon.<br \/>\nReproduction of portrait, 33 cm x 26 cm.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 20<\/th>\n<td>Press clippings pertaining to Weber and his music.<br \/>\n10 newspaper clippings and facsimiles (including duplicate copies); dated November 1976\u2013March 1987; 1 undated.<br \/>\n&#8211; Includes 6 copies of Malcolm Frager\u2019s\u00a0<em>New York Times<\/em>\u00a0article \u201cWeber\u2019s Music Is Full of Surprises.\u201d<br \/>\nAlso in folder: 1 manuscript note, 1 receipt. 2 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 21<\/th>\n<td>Commemorative stamps and envelopes for 150th anniversary of Weber\u2019s death.<br \/>\n2 unused commemorative stamps, 1 unused commemorative envelope, with commemorative postmarks honoring Carl Maria von Weber (1976).<br \/>\n2 postmarked commemorative envelopes with Weber stamps.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 22<\/th>\n<td>Postcards: Brigitte Euler to Malcolm Frager.<br \/>\n1 letter, written on two souvenir postcards from Dresden; dated March 22, 1987. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 23<\/th>\n<td>Concert program: Carl Maria von Weber Tage (November 15\u201322, 1986).<br \/>\nProgram booklet (Schauspielhaus Berlin). 46 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 24<\/th>\n<td>Brochure for Weber Gedenkst\u00e4te [Weber Memorial], Dresden.<br \/>\n1 brochure. 48 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 25<\/th>\n<td>Weber 200th Anniversary photos.<br \/>\n2 photographs depicting memorial flowers and outdoor choral performance in celebration of 200th anniversary of Weber\u2019s birth; dated November 17, 1986. 2 color photographs, 3.5\u201d x 5.25\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"L. van Beethoven Research\"><\/a><strong><em>Sub-series F: L. van Beethoven Research<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 71 `{`cont.`}`&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658864115043{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\">folder 26<\/th>\n<td>Beethoven, Ludwig van. Kadenzen zu Klavierkonzerten.<br \/>\nPublished score (Munich: G. Henle, 1967), vol. 7 of Beethoven Werke, ed. Joseph Schmidt-G\u00f6rg. 47 pp.<br \/>\n&#8211; Tipped in pp. 12\u201313: transcription (SV 359) and suggested performing version of cadenza (2 copies) by Willem Dreesmann. Manuscript facsimile. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 27<\/th>\n<td>B\u00fclow, Hans von.\u00a0<em>Cadenzen zum vierten Clavierconcert (C dur) von Ludwig van Beethoven.<br \/>\n<\/em>Published score (Leipzig: F. E. C. Leuckart, [s.d.]). 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 28<\/th>\n<td>Friedman, Ignaz.\u00a0<em>Cadenzas for Beethoven\u2019s Four Piano Concertos.<br \/>\n<\/em>Published score (New York: G. Schirmer, 1936). 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 29<\/th>\n<td>Reinecke, Carl. <em>Kadenzen zu klassichen Pianoforte-Konzerten, Op. 87.<\/em> No. 3 (Beethoven, L. van, Konzert Nr. 3, C moll, Op. 37).<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]). 3 copies. 7 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 30<\/th>\n<td>Beethoven clippings.<br \/>\nTheo Muller, \u201cHandschrift van Beethoven unicum voor Nederland,\u201d <em>NRC Handelsblad <\/em>(November 21, 1983). Press clipping and duplicate facsimile. 4 copies, total.<br \/>\n\u201cNederlander ontdekt cadens van Beethoven,\u201d <em>NRC Handelsblad <\/em>(November 21, 1983).<br \/>\n&#8211; Pertains to Malcolm Frager\u2019s performance of newly discovered cadenza by Beethoven with the Netherlands Chamber Orchestra.<br \/>\nAlso in folder: manuscript note (\u201carticle on Beethoven cadenza sent to\u201d). 1 p.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"C. P. E. Bach Research\"><\/a><strong><em>Sub-series G: C. P. E. Bach Research<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 71 `{`cont.`}`&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658864115043{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 31<\/th>\n<td>Bach, C. P. E. [Sonata in F Minor], Wq 62\/6.<br \/>\nFacsimile of published score ([s.l.: s.n., s.d.]), Pl. no. T. d. P. (11) 4. 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 32<\/th>\n<td>Bach, C. P. E. [Sonata in E-flat Major], Wq 65\/7.<br \/>\nFacsimile of manuscript score from unidentified source. 4 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 33<\/th>\n<td>Bach, C. P. E. Sonata [in G Major], Wq 65\/12.<br \/>\nFacsimile of modern transcription of score. Manuscript facsimile. 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 34<\/th>\n<td>Bach, C. P. E. Sonata [in B Minor], Wq 65\/13.<br \/>\nFacsimile of published score ([s.l.: s.n., s.d.]). 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 35<\/th>\n<td>Bach, C. P. E. Sonata [in D Minor], Wq 65\/24.<br \/>\nFacsimile of holograph manuscript, from negative microfilm. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 36<\/th>\n<td>Bach, C. P. E. Sonata [in D Minor], Wq 65\/24.<br \/>\nFacsimile of published score ([s.l.: s.n., s.d.]), Pl. no. T. d. P. (11) 8. 4 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 37<\/th>\n<td>Bach, C. P. E. Sonata [in C Minor], Wq 65\/31.<br \/>\nFacsimile of published score ([s.l.: s.n., s.d.]). 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 38<\/th>\n<td>Bach, C. P. E. [Sonata in A Major], Wq 65\/32.<br \/>\nFacsimile of manuscript score from unidentified source. 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 39<\/th>\n<td>Bach, C. P. E. [Sonata in C Major], Wq 65\/35.<br \/>\nFacsimile of manuscript score from unidentified source. 22 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 40<\/th>\n<td>Bach, C. P. E. [Sonata in B-flat Major], Wq 65\/44.<br \/>\nFacsimile of published score ([s.l.: s.n., s.d.]), Pl. no. T. d. P. (11) 8. 10 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 41<\/th>\n<td>Bach, C. P. E. [Sonata in B-flat Major], Wq 65\/44.<br \/>\nFacsimile of manuscript score, from negative microfilm. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 42<\/th>\n<td>Bach, C. P. E. [Sonata in C Major], Wq 65\/47.<br \/>\nFacsimile of manuscript score from unidentified source. 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 43<\/th>\n<td>Bach, C. P. E. Sonata [in D Minor], Wq 65\/24.<br \/>\nFacsimile of modern transcription of score. Manuscript facsimile. 19 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 72&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658864320572{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Frager notes on C. P. E. Bach.<br \/>\nBound notebook, containing manuscript notes in Frager\u2019s hand. 7 leaves with writing; 32 leaves, total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Berg, Darrell. \u201cC. P. E. Bach and the\u00a0<em>empfindsame Weise<\/em>.\u201d Paper presented at the annual meeting of the American Musicological Society, Baltimore (1988).<br \/>\nHandout for presentation. 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Berg, Darrell. \u201cC. P. E. Bach\u2019s Character Pieces and his Friendship Circle.\u201d In <em>C. P. E. Bach Studies, <\/em>ed. Stephen L. Clark (Oxford: Clarendon Press, 1988).<br \/>\nOffprint of article. 31 pp.<br \/>\nAccompanied by letter from Darrell Berg to Malcolm Frager; dated June 8, 1989. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Berg, Darrell. \u201cC. P. E. Bach\u2019s \u2018Variations\u2019 and \u2018Embellishments\u2019 for his Keyboard Sonatas.\u201d\u00a0<em>Journal of Musicology,<\/em>\u00a0vol. 3, no. 2 (1983), pp. 151\u2013173.<br \/>\nOffprint of article. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Berg, Darrell. \u201cTowards a Catalogue of the Keyboard Sonatas of C. P. E. Bach.\u201d\u00a0<em>Journal of the American Musicological Society<\/em>, vol. 32, no. 2 (1979), pp. 276\u2013303.<br \/>\nReprint of article. 28 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Berg, Darrell. \u201cC. P. E. Bach Bibliography.\u201d<br \/>\nTypescript document. 10 pp.<br \/>\nAccompanied by letter from Darrell Berg to Malcolm Frager; dated November, 10, 1987. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Berg, Darrell. Research notes and letter.<br \/>\nLetter from Darrell Berg to Malcolm Frager; dated July 9, 1982. 2 pp.<br \/>\nAccompanied by typescript research notes about C. P. E. Bach. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Wade, Rachel. [Table from untitled presentation handout.] Paper presented at the annual meeting of the American Musicological Society (November 4, 1988).<br \/>\n\u201cTable 1. Works by C. P. E. Bach in Berlin collections\u2026\u201d Handout for presentation. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Wiemer, Wolfgang. \u201cCarl Philipp Emanuel Bachs Fantasie in c-Moll\u2014ein Lamento auf den Tod des Vaters?\u201d\u00a0<em>Bach-Jahrbuch,<\/em>\u00a0vol. 47 (1988), pp. 163\u201377.<br \/>\nFacsimile of article. 16 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>C. P. E. Bach edition.<br \/>\nCorrespondence and accompanying materials pertaining to the publication of the C. P. E. Bach edition (Oxford University Press). 2 letters; dated November 1987 and December 1989. Accompanied by publicity material relating to the edition. 6 items, total.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Carl Friedberg Research\"><\/a><strong><em>Sub-series H: Carl Friedberg Research<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 72 `{`cont.`}`&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658864388612{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Beethoven, Ludwig van. Sonata in A Major for Cello and Piano, Op. 69.<br \/>\nPublished score and 2 copies of cello part (New York: Universal Edition, [s.d.]). 51 pp., total.<br \/>\n&#8211; Score (piano part) has performance markings in pencil and colored pencil.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 12<\/th>\n<td>Beethoven, Ludwig van. Piano Sonatas, Nos. 1\u201315. Vol. I in\u00a0<em>L. Van Beethoven Klavier-Werke.<\/em>\u00a0New edition by Karl Friedberg.<br \/>\nPublished score (Leipzig: B. Schott\u2019s S\u00f6hne, [s.d.]), hard bound. 281 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 13<\/th>\n<td>Beethoven, Ludwig van. Piano Sonatas, Nos. 16\u201332. Vol. II in <em>L. Van Beethoven Klavier-Werke.<\/em> New edition by Karl Friedberg.<br \/>\nPublished score (Leipzig: B. Schott\u2019s S\u00f6hne, [s.d.]), hard bound. 309 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Beethoven, Ludwig van. Trio for Piano, Violin, and Violoncello, Op. 70, No. 1.<br \/>\nPublished score and parts (violin, cello) (New York: G. Schirmer, 1921), ed. Joseph Adamowski. 63 pp., total.<br \/>\n&#8211; Score (piano part) has performance markings in pencil and colored pencil.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Bloch, Ernest.\u00a0<em>In the Night.\u00a0<\/em>A love-poem for pianoforte.<br \/>\nPublished score (New York: G. Schirmer, 1923). 7 pp. Accompanied by manuscript note. 1 p.<br \/>\n&#8211; Inscription on front cover to Carl Friedberg from Ernest Bloch.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Brahms, Johannes.\u00a0<em>Complete Works for Piano Solo in Three Volumes.\u00a0<\/em>Vols. I\u2013II.<br \/>\nVol. I. Published score (New York: G. Schirmer, 1949). 178 pp.<br \/>\nVol. II. Published score (New York: G. Schirmer, 1949). 180 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 73&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658864409252{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Brahms, Johannes. Piano Concerto No. 2 in B-flat Major, Op. 83.<br \/>\nPublished score (Berlin: N. Simrock, [1882]), Pl. no. 8263. 159 pp.<br \/>\nAccompanied by manuscript note: [performance markings] \u201cfrom Carl Friedburg\u2019s score of Brahms Op. 83.\u201d 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Brahms, Johannes. Piano Concerto No. 2 in B-flat Major, Op. 83.<br \/>\nOrchestral parts: violin I (5 copies), violin II (4 copies), viola (3 copies), cello\/bass (7 copies), flute I, flute II, oboe I, oboe II, clarinet I, clarinet II, bassoon I, bassoon II, horn I, horn II, horn III, horn IV, trumpet I, trumpet II, timpani. Published parts ([Berlin: N. Simrock, s.d.]), Pl. no. 8264. 333 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Brahms, Johannes. Piano Trio in B Major, Op. 8.<br \/>\nPublished score (Leipzig: N. Simrock, 1927), with performance markings in pencil and colored pencil. 71 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Dvo\u0159\u00e1k, Anton\u00edn. Piano Quintet [No. 2], Op. 81.<br \/>\nPublished score and string parts (Berlin: N. Simrock, [s.d.]). 107 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Faur\u00e9, Gabriel. Piano Quartet No. 1, Op. 15.<br \/>\nPublished score and parts (violin, viola, and cello) (Paris: J. Hamelle, [s.d.]), with performance markings in pencil and colored pencil. 111 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Friedberg, Carl.\u00a0<em>Stimmungen.\u00a0<\/em>A cycle of twelve piano pieces, vol. I.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, 1893). 21 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Haydn, Joseph. Piano Trio No. 1 in G Major.<br \/>\nPublished score and parts (violin and cello) (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), with performance markings in pencil. 24 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Trios, Nos. 1\u20137.<br \/>\nPublished score and parts (violin and cello\/viola) (Leipzig: C. F. Peters, [s.d.]), with performance markings in pencil and colored pencil. 250 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Schubert, Franz. Piano Trio in E-flat Major, Op. 100.<br \/>\nPublished score and parts (violin and cello) (Leipzig: Universal Edition, [s.d.]). 95 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 10<\/th>\n<td>Schubert, Franz. Piano Quintet in A Major, Op. 114 (\u201cThe Trout\u201d).<br \/>\nPublished score and parts (viola, cello I, cello II, bass) (Leipzig: C. F. Peters, [s.d.]), with performance markings in colored pencil. 97 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Scriabin, Alexander. Po\u00e8me, Op. 32, No. 1.<br \/>\nPublished score (New York: Carl Fischer, 1924), revised by A. Siloti.<br \/>\n&#8211; On first page of score: inscription to Carl Friedberg from \u201cA. S.\u201d [A. Siloti?].<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 12<\/th>\n<td>Tchaikovsky, Pyotr Ilyich. Concerto No. 1 in B-flat Minor, Op. 23.<br \/>\nPublished two-piano reduction (New York: G. Schirmer, 1932), with performance markings in pencil. 97 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Carl Friedberg Materials.<br \/>\n3 notebooks, compiled by Malcolm Frager during classes with Friedberg. 7 leaves; 2 leaves; 35 leaves.<br \/>\n\u201cThoughts on Dr. Friedberg.\u201d Typescript essay by Malcolm Frager. 3 pp.<br \/>\nDraft of article [\u201cFriedberg Remembered\u201d] published in <em>Opus <\/em>(December 1986). 3 pp.<br \/>\n<em>Opus, <\/em>vol. 3, no. 1 (December 1986). Full issue. 64 pp.<br \/>\n&#8211; Includes short essay \u201cFriedberg Remembered\u201d by Malcolm Frager (p. 35) and review article of album <em>Carl Friedberg: Piano Performances<\/em> (International Piano Archives).<br \/>\nPublicity flyer and newsletter for the International Piano Archives at Maryland. 2 items. 14 pp., total.<br \/>\n\u201cConversations with Carl Friedberg from lessons of Bruce Hungerford.\u201d Facsimiles of typescript transcriptions of archival recordings housed at the International Piano Archives. 13 pp.<br \/>\n4 publicity brochures and circulars for Carl Friedberg.<br \/>\nPortrait of Carl Friedberg, used in publicity brochure. 1 B\/W photograph, 8\u201d x 10\u201d. Photograph attributed to Anna Friedberg.<br \/>\nPress clippings and facsimiles pertaining to Carl Friedberg; dated 1949, [1955 (obituary)], and 1986. 3 items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 74&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658864525253{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" colspan=\"2\" nowrap=\"nowrap\"><strong><em>[Removed due to reorganization of materials]<\/em><\/strong><\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Inscribed Music\"><\/a><strong><em>Sub-series I: Inscribed Music<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 75&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658934645553{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Bauer, Jerzy. Miniatures. For solo piano.<br \/>\nPublished score (Krakow: Polskie Wydawnictwo Muzyczne, 1980). 29 pp.<br \/>\n&#8211; Inscription on title page from Jerzy Bauer; dated March 30, 1990.<br \/>\nAlso in folder:<br \/>\n&#8211; Bauer, Jerzy. Passacaglia. For solo piano. Manuscript facsimile. 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Chumbley, Robert. Homage to John Keats. For solo piano.<br \/>\nScore. Manuscript facsimile, bound. 15 pp.<br \/>\n&#8211; Inscription, including dedication to Malcolm Frager, on inside front cover from Robert Chumbley; dated December 15, 1984.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Faur\u00e9, Gabriel. Nocturne, No. 13. For solo piano.<br \/>\nPublished score (Paris; Durand &amp; Co., 1922). 11 pp.<br \/>\n&#8211; Inscription on dedication page from Nadia Boulanger; dated August 1952.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Fran\u00e7aix, Jean. Eloge de la danse: Six \u00e9pigraphes de Paul Val\u00e9ry. For solo piano.<br \/>\nPublished score (Mainz: B. Schott\u2019s S\u00f6hne, 1950). 19 pp.<br \/>\n&#8211; Inscription on title page from Nadia Boulanger; dated August 1952.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Poulenc, Francis. Improvisations pour le piano.<br \/>\n1er recueil des six. Published score (Paris: Rouart Lerolle et Cie., 1933). 23 pp.<br \/>\n&#8211; Gift of Rouart Lerolle et Cie. Inscription on title page from Nadia Boulanger; dated August 1952.<br \/>\n2me recueil des six. Published score (Paris: Rouart Lerolle et Cie., 1934). 22 pp.<br \/>\n&#8211; Gift of Rouart Lerolle et Cie.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Prokofieff, Sergei. Ballade, Op. 15. For violoncello and piano.<br \/>\nPublished score and cello part (Leipzig: Breitkopf &amp; H\u00e4rtel, 1923). 22 pp.<br \/>\n&#8211; Autograph on front cover and first page of cello part from S[illegible] Pellissier(?).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Prokofieff, Sergei. Piano Concertos Nos. 1\u20133.<br \/>\nPublished score (Moscow: State Music Publishing House, 1957). 427 pp.<br \/>\n&#8211; Inscription on title page \u201cTo first prize of first prize \u2026\u201d from illegible; dated 1960.<br \/>\n<em>Accompanying photographs (3 photographs signed by Lina Prokofieff) separated; see Box 58, Folders 47\u201349.<br \/>\n<\/em><em>Accompanying correspondence (1 letter concerning Prokofieff Concerto, 1 postcard in German) separated; see Box 47, Folder 19.<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>[Unidentified.] Koncert Fortepianowy.<br \/>\nTwo-piano reduction. Manuscript facsimile, bound. 77 pp.<br \/>\n&#8211; Inscription on title page from illegible; dated March 2, 1982.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Reproductions\"><\/a><strong><em>Sub-series J: Reproductions<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 76&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658934593097{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Brahms, Johannes. Vier Klavierst\u00fccke, Op. 119\/1\u20133. For solo piano.<br \/>\nFacsimile of manuscript. 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 2<\/th>\n<td>Brahms, Johannes. Trio in A, [no opus no.]. For violin, cello, and piano.<br \/>\nFacsimile of published score (Leipzig: Bretikopf &amp; H\u00e4rtel, [s.d.]), edited by Ernst B\u00fccken and Karl Hasse. 18 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 3<\/th>\n<td>Bruckner, Anton. Erinnerung. For solo piano.<br \/>\nFacsimile of published score (Vienna: Ludwig Doblinger, 1953), edited by Erwin Christian Scholz. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Buttstedt, F. Vollrath. Two Sonatas. For solo piano.<br \/>\nFacsimile of published score ([s.l.: s.n., s.d.], Pl. no. T.d.P.(5)G. 22 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Czern\u00ff, Charles. Fantaisie, Op. 27. For solo piano.<br \/>\nFacsimile of published score (Vienna: S. A. Steiner, [s.d.]), from the Gesellschaft der Musikfreunde, Vienna. 26 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Czern\u00ff, Charles. Fantaisie, Op. 27. For solo piano.<br \/>\nFacsimile of published score (Vienna: S. A. Steiner, [s.d.]), [from unidentified library or archive]. 26 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Eberl, Antoine. Grande Sonate Caracteristique, Op. 12. For solo piano.<br \/>\nFacsimile of published score (Leipzig: A. K\u00fchnel, [s.d.]). 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Foerster, Adolphe Martin. On the Sea. For solo piano.<br \/>\nFacsimile of published score ([s.l.]: J. B. Millet Co., 1894). 4 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Foote, Arthur. Drei Clavierst\u00fccke, Op. 37. For solo piano.<br \/>\nFacsimile of published score (Boston: Arthur P. Schmidt, 1897). 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Gilbert, Henry F. Mazurka. For solo piano.<br \/>\nFacsimile of published score ([s.l.]: Wa-Wan Press, 1902). 2 copies. 3 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Haydn, Franz Joseph. Partita per il Cembalo. For solo harpsichord.<br \/>\nFacsimile of manuscript score, printed on photographic paper. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Huss, Henry Holden. Prelude II, Op. 17, No. 2. For solo piano.<br \/>\nFacsimile of published score ([New York]: G. Schirmer, 1901). 2 copies. 4 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 13<\/th>\n<td>MacDowell, Edward A. Twelve Virtuoso Studies, Op. 46. For solo piano.<br \/>\nFacsimile of published score (New York: Breitkopf Publications, 1918). 50 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 14<\/th>\n<td>MacDowell, Edward A. Polonaise, Op. 46, No. 12. For solo piano.<br \/>\nFacsimile of published score ([s.l.]: Breitkopf &amp; H\u00e4rtel, 1894). 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Mendelssohn, Felix. Violin Concerto, Op. 64.<br \/>\nFacsimile of manuscript score. 77 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 78&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658934045692{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">item 5<\/th>\n<td>Mendelssohn, Felix. Violin Concerto, Op. 64.<br \/>\nMicrofilm of manuscript score. 35 mm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 76 `{`cont.`}`&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658865984625{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Mendelssohn, Felix. Variations in E-flat Major, Op. 82. For solo piano.<br \/>\nFacsimile of publishes score ([s.l.: s.n., s.d.]). 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 17<\/th>\n<td>Mozart, Wolfgang Amadeus. Violin Concerto No. 4 in D Major, K. 218.<br \/>\nFacsimile of manuscript score. 76 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 18<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto No. 8 in C Major, K. 246.<br \/>\nFacsimile of manuscript score. 88 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto No. 9 in E-flat Major, K. 271.<br \/>\nFacsimile of manuscript score. 137 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 20<\/th>\n<td>Nevin, Ethelbert. Etude, Op. 18, No. 2. For solo piano.<br \/>\nFacsimile of published score ([New York]: G. Schirmer, 1892). 2 copies. 11 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 21<\/th>\n<td>Paganini, Nicol\u00f2. Ventiquattro Capricci, Op. 1a (M.S. 25). For solo violin.<br \/>\nFacsimile of manuscript score. 42 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 22<\/th>\n<td>Paine, John Knowles. Romance, Op. 12. For solo piano.<br \/>\nFacsimile of published score (Boston: Koppitz, Pr\u00fcfer &amp; Co., 1859). 2 copies. 7 pp. of music, each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 23<\/th>\n<td>Paine, John Knowles. Fuga Giocosa, Op. 41, No. 3. For solo piano.<br \/>\nFacsimile of published score (Boston: Arthur P. Schmidt, 1884). 2 copies. 6 pp. of music, each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 24<\/th>\n<td>Parker, Horatio W. Valse Gracile, op. 49, No. 3. For solo piano.<br \/>\nFacsimile of published score (Cincinnati: John Church Co., 1899). 2 copies. 5 pp. of music, each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 25<\/th>\n<td>Pinto, George Frederic. Piano Sonata in C Minor.<br \/>\nFacsimile of transcription of score (edited by Nicholas Temperley) copied from original edition by J. McC. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 26<\/th>\n<td>Wrightson, Herbert J. Love\u2019s Springtime. For solo piano.<br \/>\nFacsimile of published score ([s.l.]: W. H. Willis &amp; Co., 1906). 6 pp.<br \/>\nAlso in folder: review of Wrightson\u2019s Love\u2019s Springtime, from\u00a0<em>The Musical Monitor,\u00a0<\/em>unknown volume, p. 437. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 27<\/th>\n<td>Schubert, Franz. Hungarian Melody, D. 817. For solo piano.<br \/>\nFacsimile of manuscript score. 4 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 28<\/th>\n<td>Schumann, Clara. Vier St\u00fccke aus Soir\u00e9es Musicales, Op. 6. For solo piano.<br \/>\nFacsimile of published score ([s.l.: s.n., s.d.]). 16 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 29<\/th>\n<td>Unidentified.<br \/>\nFacsimiles of unidentified manuscripts. 23 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Dealers Catalogues\"><\/a><span style=\"font-size: 16px;\"><strong>Series 9: Dealer&#8217;s Catalogues<\/strong><\/span><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 77&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658865692800{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>J. &amp; J. Lubrano, Catalogue No. 1 (1979). 61 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>\u00a0J. &amp; J. Lubrano, Catalogue No. 2. 60 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 3<\/th>\n<td>\u00a0J. &amp; J. Lubrano, Catalogue No. 3. 40 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>\u00a0J. &amp; J. Lubrano, Catalogue No. 4. 72 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 5<\/th>\n<td>\u00a0 J. &amp; J. Lubrano, Catalogue No. 5. 63 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>\u00a0J. &amp; J. Lubrano, Catalogue Nos. 6\u20139. 32 pp., 32 pp., 32 pp., 60 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>\u00a0J. &amp; J. Lubrano, Catalogue Nos. 10 (Spring 1983), 13\u201314 (Spring 1984). 56 pp., 44 pp., 48 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>\u00a0J. &amp; J. Lubrano, Catalogue Nos. 15 (Spring 1985) and 16 (Autumn 1985). 121 pp., 55 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>J. &amp; J. Lubrano, Catalogue Nos. 18 (Winter 1986), 20 (Autumn 1986), 22\u201324 (Autumn 1986). 32 pp., 32 pp., 36 pp., 40 pp., 44 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>J. &amp; J. Lubrano, Catalogue Nos. 25\u201330 (Winter 1986\/87\u2013Spring 1987). 39 pp., 39 pp., 40 pp., 52 pp., 48 pp., 27 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 78&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658865683936{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>J. &amp; J. Lubrano, Catalogue Nos. 31\u201334 (Autumn 1988\u2013Autumn 1989). 57 pp., 58 pp., 27 pp., 65 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>J. &amp; J. Lubrano, Catalogue Nos. 35 (Spring 1990), 36\u201338, 39. 52 pp., 61 pp., 73 pp., 56 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Old Manuscripts and Incunabla (OMI), 1987 Catalogue. 71 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Facsimiles of pages from unidentified dealer\u2019s catalogue. 7 pp.<br \/>\nPages describe manuscripts by Clara Schumann and Robert Schumann.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"Oversized\"><\/a><span style=\"font-size: 16px;\"><strong>Series 10: Oversized<\/strong><\/span><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 79&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658864745704{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Oversized Programs.<br \/>\n<em>Items separated from Sub-group I (Papers), Series 1 (Programs).<br \/>\n<\/em>5 concert programs and publicity items; dated June 13, 1972; January 28, 1976; July 13, 1979 (2 copies); 1 undated [1984\/85 season].<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Webber, Robert. Sonata No. 1 in B-flat Major. For solo piano.<br \/>\n<em>Separated from Sub-group I, Series 4 (Correspondence), Box 48, Folder 6 (Webber, Robert).<br \/>\n<\/em>Facsimile of manuscript score. 43 pp.<br \/>\n\u201cA Brief Structural Guide\u201d [for Webber\u2019s Sonata No. 1]. Typescript document. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Bach, J. S. Concerto for Four Pianos.<br \/>\n<em>Separated from Sub-group I, Series 4 (Correspondence), Box 49, Folder 16 (New York Philharmonic).<br \/>\n<\/em>Piano IV part. Published part ([s.l.: s.n., s.d.]), Pl. no. 4520. 2 copies. 8 pp., each.<br \/>\nLetter: Joan Bonime (New York Philharmonic) to Malcolm Frager. 1 letter; dated September 5, 1962. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Newspaper clippings pertaining to Carlo G. Garofalo.<br \/>\n<em>Separated from Sub-group I, Series 4 (Correspondence), Box47, Folder 1 (Garofalo, Marcello).<br \/>\n<\/em>Facsimiles of press clippings and typescript transcriptions; dated February 1915\u2013June 1950. 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>Ludiker, Jerry.<br \/>\n<em>Separated from Sub-group I, Series 7 (Recordings), Box 62, Item 3 (Jerry Ludiker\u2014Mozart Sonata in F major [1972]. 7\u201d audio reel).<br \/>\n<\/em>1 letter (from Jerry Ludiker to Malcolm Frager), pertaining to recording of Mozart Sonata; dated November 15, 1972. 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Kirchner, Leon.\u00a0<em>Cadenzas for Mozart Piano Concerto, K. 491.<br \/>\n<\/em><em>Separated from Sub-group I, Series 8 (Research Papers), Sub-series I (Mozart Research).<br \/>\n<\/em>Facsimile of manuscript score. 4 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 7<\/th>\n<td>[Brahms]. Busoni, Ferruccio.\u00a0<em>Cadenza for Brahms\u2019s Violin Concerto, Op. 77.<br \/>\n<\/em><em>Separated from Sub-group I, Series 8, Sub-series J (Reproductions).<br \/>\n<\/em>Facsimile of manuscript score. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Mozart, Wolfgang Amadeus. Concerto for Three Pianos in F, K. 242.<br \/>\n<em>Separated from Sub-group I, Series 8, Sub-series J (Reproductions).<br \/>\n<\/em>Facsimile of manuscript score. 74 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Mozart, Wolfgang Amadeus. Concerto No. 10 in E-flat Major for Two Pianos, K. 316a.<br \/>\n<em>Separated from Sub-group I, Series 8, Sub-series J (Reproductions).<br \/>\n<\/em>Facsimile of manuscript score. 86 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Mozart, Wolfgang Amadeus. Rondo in D Major for Piano and Orchestra, K. 382.<br \/>\n<em>Separated from Sub-group I, Series 8, Sub-series J (Reproductions).<br \/>\n<\/em>Facsimile of manuscript score. 25 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto No. 11 in F Major, K. 387a.<br \/>\n<em>Separated from Sub-group I, Series 8, Sub-series J (Reproductions).<br \/>\n<\/em>Facsimile of manuscript score. 76 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 80&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658864778063{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto No. 13 in C, K. 387b.<br \/>\n<em>Separated from Sub-group I, Series 8, Sub-series J (Reproductions).<br \/>\n<\/em>Facsimile of manuscript score. 77 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 2<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto No. 14 in E-flat Major, K. 449.<br \/>\n<em>Separated from Sub-group I, Series 8, Sub-series J (Reproductions).<br \/>\n<\/em>Facsimile of manuscript score. 76 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 3<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto No. 16 in D Major, K. 451.<br \/>\n<em>Separated from Sub-group I, Series 8, Sub-series J (Reproductions).<br \/>\n<\/em>Facsimile of manuscript score. 79 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto No. 17 in G Major, K. 453.<br \/>\n<em>Separated from Sub-group I, Series 8, Sub-series J (Reproductions).<br \/>\n<\/em>Facsimile of manuscript score. 87 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 5<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto No. 18 in B-flat Major, K. 456.<br \/>\n<em>Separated from Sub-group I, Series 8, Sub-series J (Reproductions).<br \/>\n<\/em>Facsimile of manuscript score (from microfilm held at the Berlin State Library, Music Department). 100 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top;\">folder 6<\/th>\n<td>Mozart, Wolfgang Amadeus. Piano Concerto No. 27 in B-flat, K. 595.<br \/>\n<em>Separated from Sub-group I, Series 8, Sub-series J (Reproductions).<br \/>\n<\/em>Instrumental parts: solo piano, violin I, violin II, viola, cello, flute, oboe I, oboe II, bassoon I, bassoon II, horn I, horn II. Facsimile of published parts (Berlin: J. J. Hummel, [s.d.]). 47 pp<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 81&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658864794560{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top;\" colspan=\"2\" nowrap=\"nowrap\"><strong><em>[Removed due to reorganization of materials]<\/em><\/strong><\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row content_placement=&#8221;middle&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/frager\/\">\u2190 MALCOLM FRAGER COLLECTION<\/a><\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/frager\/frager2\/\">MALCOLM FRAGER COLLECTION: Sub-Group 2 \u2192<\/a><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text] SUB-GROUP 1: PERSONAL PAPERS [\/vc_column_text][vc_column_text] Series 1: Programs [\/vc_column_text][vc_custom_heading text=&#8221;Box 1&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1658150776395{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text] [&hellip;]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":1174,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-1178","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1178","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=1178"}],"version-history":[{"count":2,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1178\/revisions"}],"predecessor-version":[{"id":22564,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1178\/revisions\/22564"}],"up":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1174"}],"wp:attachment":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=1178"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=1178"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=1178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}