{"id":1182,"date":"2019-06-25T10:36:12","date_gmt":"2019-06-25T14:36:12","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=1182"},"modified":"2019-06-25T10:36:12","modified_gmt":"2019-06-25T14:36:12","slug":"frager2","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/frager\/frager2\/","title":{"rendered":"MALCOLM FRAGER COLLECTION: Sub-Group 2"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3>SUB-GROUP 2: LIBRARY<\/h3>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p><a name=\"S1\"><\/a><strong><span style=\"font-size: 16px\">Series 1: Single Imprints<\/span><\/strong><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p>A | <a href=\"#b\">B<\/a> | <a href=\"#c\">C<\/a> | <a href=\"#d\">D<\/a> | <a href=\"#e\">E<\/a> | <a href=\"#f\">F<\/a> | <a href=\"#g\">G<\/a> | <a href=\"#h\">H<\/a> | <a href=\"#i\">I<\/a> | J | <a href=\"#k\">K<\/a> | <a href=\"#l\">L<\/a> | <a href=\"#m\">M<\/a> | N | <a href=\"#o\">O<\/a> | <a href=\"#p\">P<\/a> | Q | <a href=\"#r\">R<\/a> | <a href=\"#s\">S<\/a> | <a href=\"#t\">T<\/a> | U | <a href=\"#v\">V<\/a> | <a href=\"#w\">W<\/a> | X | Y | Z<\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 82&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659104154593{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\"><a name=\"b\"><\/a>folder 1<\/th>\n<td>Bach, C. P. E. Concerto No. 1 [WQ 43, no.4]. For piano and orchestra.<br \/>\nPublished score ([s.l.: s.n., s.d.]), Pl. no. 2999. On reverse: advertisement for scores published by Edition Cranz. 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Bach, J. S. 48 Preludes et Fugues, Book I. For solo piano.<br \/>\n<strong><em>Shelved within Rare Books collection: M22. B118 W4 1802.<br \/>\n<\/em><\/strong>Published score (Paris: Aux Adresses Ordinaires, [1802]), Pl. no. 166. 97 pp. [RISM A\/1 B 498; probable first French edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Balakirev, Mily. Concerto for Piano and Orchestra.<br \/>\nPublished two-piano reduction (Leipzig: Zimmerman, 1911), Pl. no. Z.5021. Title page in Russian. 101 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Balakirev, Mily. Deuxi\u00e8me Scherzo, B-moll. For solo piano.<br \/>\nPublished score (Leipzig: Jul. Heinr. Zimmermann, [s.d.]). 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Balakirev, Mily. \u0414\u0443\u043c\u043a\u0430 [Dumka]. Complainte. For solo piano.<br \/>\nPublished score (Leipzig: Jul. Heinr. Zimmermann, [s.d.]). 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Balakirev, Mily. Islamey: Fantasie orientale. For solo piano.<br \/>\nPublished score (Leipzig: Rahter, [s.d.]), Pl. no. 2897. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Barth, Gustave. Scherzo pour le pianoforte, Op. 14.<br \/>\nPublished score (Vienna: Mollo &amp; Witzendorf, [s.d.]), Pl. no. A.O.W. 2963. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Bargiel, Woldemar. Drittes Trio f\u00fcr Pianoforte, Violine und Violoncell, Op. 37.<br \/>\nPublished score and parts (violin, cello) (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 12081. 53 pp., 12 pp., 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Bart\u00f3k, B\u00e9la. 14 Zongoradarabja [Bagatelles], Op. 6. For solo piano.<br \/>\nPublished score (Budapest: Karl Rozsnyai, [s.d.]), Pl. no. R.K.338. 39 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Bart\u00f3k, B\u00e9la. 3 Burlesques pour le piano, Op. 8c.<br \/>\nPublished score (Budapest: R\u00f3zsav\u00f6lgyi &amp; Cie., [s.d.]), Pl. no. R. \u00e9s Tsa 3437. 21 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Bart\u00f3k, B\u00e9la. Gy\u00e1szindul\u00f3 [March fun\u00e8bre]. For solo piano.<br \/>\nPublished score (Budapest: Charles Rozsnyai, [s.d.]), Pl. no. R.K.344. 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Bart\u00f3k, B\u00e9la. Quatre Morceaux, No. 1 (Tanulm\u00e1ny Balk\u00e9zre). For solo piano.<br \/>\nPublished score (Budapest: Fran\u00e7ois B\u00e1rd et Fr\u00e8re, [s.d.]), Pl. no. B.F.T.797. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Bart\u00f3k, B\u00e9la. Quatre Morceaux, No. 2 (I. \u00c1br\u00e1nd). For solo piano.<br \/>\nPublished score (Budapest: Fran\u00e7ois B\u00e1rd et Fr\u00e8re, [s.d.]), Pl. no. B.F.T.799. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Bart\u00f3k, B\u00e9la. Quatre Morceaux, No. 3 (II. \u00c1br\u00e1nd). For solo piano.<br \/>\nPublished score (Budapest: Fran\u00e7ois B\u00e1rd et Fr\u00e8re, [s.d.]), Pl. no. B.F.T.800. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Bart\u00f3k, B\u00e9la. Quatre Morceaux, No. 4 (Scherzo). For solo piano.<br \/>\nPublished score (Budapest: Fran\u00e7ois B\u00e1rd et Fr\u00e8re, [s.d.]), Pl. no. B.F.T.801. 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Beethoven, Ludwig van. Piano Trio No. 1 in E-flat Major, Op. 1, No. 1.<br \/>\nPublished score and parts (violin, cello) ([s.l.: s.n., s.d.]), Pl. no. 523. 25 pp., 5 pp., 4 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Beethoven, Ludwig van. Piano Trio No. 1 in E-flat Major, Op. 1, No. 1.<br \/>\nPublished parts (violin, cello, piano) (Vienna: A. O. Witzendorf, [s.d.]), Pl. no. A.O.W.563. 11 pp., 8 pp., 26 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Beethoven, Ludwig van. Piano Trio No. 2 in G Major, Op. 1, No. 2.<br \/>\nPublished score and parts (violin, cello) (Offenbach a\/M: Johann Andr\u00e9, [s.d.]), Pl. no. 6102. 47 pp., 8 pp., 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Beethoven, Ludwig van. Piano Trio No. 2 in G Major, Op. 1, No. 2.<br \/>\nPublished parts (piano, violin, cello) (Vienna: A. O. Witzendorf, [s.d.]), Pl. no. A.O.W.564. 35 pp., 11 pp., 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 20<\/th>\n<td>Beethoven, Ludwig van. Piano Trio No. 3 in C Minor, Op. 1, No. 3.<br \/>\nPublished parts (piano, violin, cello) (Vienna: A. O. Witzendorf, [s.d.]), Pl. no. A. O. W. 565. 27 pp., 9 pp., 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 21<\/th>\n<td>Beethoven, Ludwig van. Three Piano Sonatas, Op. 2, Nos. 1\u20133.<br \/>\nPublished score (Bonn: Chez N. Simrock, [1798]), Pl. no. 75. 51 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 22<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata No. 2 in A, Op. 2, No. 2.<br \/>\nPublished score (Offenbach a\/M: Johann Andr\u00e9, [s.d.]), Pl. no. 1932. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 23<\/th>\n<td>Beethoven, Ludwig van. Cello (or Violin) Sonata No. 1 in F Major, Op. 5, No. 1.<br \/>\nPublished score and parts (cello, violin) (Offenbach a\/M: Johann Andr\u00e9, [s.d.]), Pl. no. 6453. 31 pp., 5 pp., 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 24<\/th>\n<td>Beethoven, Ludwig van. Cello Sonata No. 2 in G Minor, Op. 5, No. 2.<br \/>\nSolo part transcribed for the violin by Ferdinand David. Published score and part (violin) (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. B.106. 8 pp., 32 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 25<\/th>\n<td>Beethoven, Ludwig van. \u201cFavorite Polonoise.\u201d Piano four-hand arrangement of Op. 8 [String Trio No. 2 (Serenade) in D Major], movement 5.<br \/>\nPublished score (Viella: chez T. Mollo, [s.d.]), Pl. no. M.1534. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 26<\/th>\n<td>Beethoven, Ludwig van. Three Piano Sonatas, Op. 10, Nos. 1\u20133.<br \/>\nPublished score (Frankfurt: Fr. Ph. Dunst, [s.d.]), Pl. no. 92. 35 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 83&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659107623696{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata No. 6 in F Major, Op. 10, No. 2.<br \/>\nPublished score (Leipzig: Gustav Heinze, [s.d.]), Pl. no. S &amp; Co. 187. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Beethoven, Ludwig van. Piano Trio No. 4 in B-flat Major (\u201cGrand Trio\u201d), Op. 11.<br \/>\nPublished parts (piano and cello only) (Mayence: Charles Zulehner, [s.d.]), Pl. no. 43. 19 pp., 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Beethoven, Ludwig van. Three Violin Sonatas, Op. 12.<br \/>\nPublished piano part (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 2343. 45 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata No. 8 in C Minor (\u201cPathetique\u201d), Op. 13.<br \/>\nPublished score (Vienna: Tobias Halinger, [s.d.]), Pl. no. Beethoven, I. No. 7. 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata No. 8 in C Minor (\u201cPathetique\u201d), Op. 13.<br \/>\nPublished score (Berlin: Ed. Bote &amp; G. Bock, [1838\/39]), Pl. no. B. et B. 96. 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata No. 9 in E Major, Op. 14, No. 1.<br \/>\nPublished score (Offenbach a\/M: Johann Andr\u00e9, [s.d.]), Pl. no. 3059. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 7<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata No. 10 in G Major, Op. 14, No. 2.<br \/>\nPublished score (Offenbach a\/M: Johann Andr\u00e9, [s.d.]), Pl. no. 3059. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8-9<\/th>\n<td>Beethoven, Ludwig van. Piano Concerto No. 1 in C Major, Op. 15.<br \/>\nPublished two-piano reduction (Leipzig: Steingr\u00e4ber-Verlag, [s.d.]), Pl. no. 85, reduction by Franz Kullak. 2 copies. 79 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 10<\/th>\n<td>Beethoven, Ludwig van. Piano Concerto No. 1 in C Major, Op. 15.<br \/>\nPublished two-piano reduction (Vienna: Tobis Haslinger, [s.d.]), Pl. no. T.H. 7074_77. 37 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Beethoven, Ludwig van. Piano Concerto No. 1 in C Major, Op. 15.<br \/>\nPublished full score (Frankfurt: Fr. Ph. Dunst, [s.d.]), Pl. no. 359. 77 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 12<\/th>\n<td>Beethoven, Ludwig van. \u201cGrand Quartetto\u201d for Piano, Violin, Viola, and Cello, Op. 16 (arranged).<br \/>\nPublished piano part (Bonn: N. Simrock, [1802]), Pl. no. 161. 21 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Beethoven, Ludwig van. Horn Sonata in F Major, Op. 17.<br \/>\nPublished piano part (Offenbach a\/M: Jean Andr\u00e9, [s.d.]), Pl. no. 2165. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Beethoven, Ludwig van. Piano Concerto No. 2 in B-flat Major, Op. 19.<br \/>\nPublished two-piano reduction (Leipzig: Steingr\u00e4ber-Verlag, [s.d.]), Pl. no. 86, reduction by Franz Kullak. 2 copies. 46 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 15<\/th>\n<td>Beethoven, Ludwig van. Piano Concerto No. 2 in B-flat Major, Op. 19.<br \/>\nPublished full score (Frankfurt: Fr. Ph. Dunst, [s.d.], Pl. no. 370. 67 pp. [Later issue of first Partitur edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Beethoven, Ludwig van. Violin Sonata No. 5 in F, Op. 24.<br \/>\nPublished parts (piano, violin) (Vienna: Tranquillo Mollo, [1808]), Pl. no. M.1125. 23 pp., 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata No. 12 in A-flat Major, Op. 26.<br \/>\nPublished score ([s.l.: s.n., s.d.]), Pl. no. 796. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata No. 13 in E-flat Major, Op. 27, No. 1.<br \/>\nPublished score (Hambourg: Jean Aug. B\u00f6hme, [s.d.]), Pl. no. 164_1. 16 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata No. 13 in E-flat Major, Op. 27, No. 1.<br \/>\nPublished score (Offenbach a\/M: Johann Andr\u00e9, [s.d.]), Pl. no. 3061. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 20<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata No. 14 in C-sharp Minor, Op. 27, No. 2.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 5221. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 21<\/th>\n<td>Beethoven, Ludwig van. Violin Sonata No. 6 in A Major, Op. 30, No. 1.<br \/>\nPublished parts (piano, violin) (Mayence: Charles Zulehner, [s.d.]), Pl. no. 62. 15 pp., 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 22<\/th>\n<td>Beethoven, Ludwig van. Violin Sonata No. 6 in A Major, Op. 30, No. 1.<br \/>\nPublished parts (piano, violin) (Vienna: Tobias Haslinger, [s.d.]), Pl. no. V no. 15. 20 pp., 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 23<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata No. 16 in G Major, Op. 31, No. 1.<br \/>\nPublished score (Vienna: Tobias Haslinger, [ca. 1830]), Pl. no. I no. 15. 25 pp.<br \/>\n&#8211; Title page incorrectly identifies work as Op. 29, No. 1.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 24<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata No. 16 in G Major, Op. 31, No. 1.<br \/>\nPublished score (Leipzig: Gustav Heinze, [s.d.]), Pl. no. S. et Co. 198. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 25<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata No. 17 in D Minor, Op. 32, No. 2.<br \/>\nPublished score (Vienna: Tobias Haslinger, [s.d.]), Pl. no. I no. 16. 21 pp.<br \/>\n&#8211; Title page incorrectly identifies work as Op. 29, No. 2.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 26<\/th>\n<td>Beethoven, Ludwig van. Seven Bagatelles for Piano, Op. 33.<br \/>\nPublished score (Wolfenb\u00fcttel: L. Holle, [s.d.]), Pl. no. 418, revision by Franz Liszt. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 27<\/th>\n<td>Beethoven, Ludwig van. Fifteen Variations and a Fugue for Piano on an Original Theme in E-flat Major (\u201cEroica Variations\u201d), Op. 35.<br \/>\nPublished score (Frankfurt: Fr. Ph. Dunst, [s.d.]), Pl. no. 239. 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 28<\/th>\n<td>Beethoven, Ludwig van. Fifteen Variations and a Fugue for Piano on an Original Theme in E-flat Major (\u201cEroica Variations\u201d), Op. 35.<br \/>\nPublished score (Offenbach a\/M: Johann Andr\u00e9, [s.d.]), Pl. no. 5713. 21 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 84&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659110651783{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Beethoven, Ludwig van. Fifteen Variations and a Fugue for Piano on an Original Theme in E-flat Major (\u201cEroica Variations\u201d), Op. 35.<br \/>\nPublished score (Vienna: Jean Cappi, [s.d.]), Pl. no. 1061. 21 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Beethoven, Ludwig van. Piano Concerto No. 3 in C Minor, Op. 37.<br \/>\nPublished two-piano reduction (Leipzig: Steingr\u00e4ber-Verlag, [s.d.]), Pl. no. 87, reduction by Franz Kullak. 44 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 3<\/th>\n<td>Beethoven, Ludwig van. Piano Concerto No. 3 in C Minor, Op. 37.<br \/>\nInstrumental parts: violin I, cello\/bass, flute I, flute II, oboe I, oboe II, clarinet I, clarinet II, bassoon I, bassoon II, horn I, trumpet I in C. Published parts ([s.l.]: [Tobias Haslinger], [s.d.]), Pl. no. T.H. 4029. 50 pp., total.<\/p>\n<ul>\n<li>Parts inscribed \u201cClara Schumann,\u201d apparently authentic autograph.<\/li>\n<\/ul>\n<p>Instrumental parts: violin I, violin II, cello\/bass (3 copies). Published parts ([s.l.]: [Breitkopf &amp; H\u00e4rtel], [s.d.]), Pl. no. B.67. 37 pp., total.<\/p>\n<ul>\n<li>Parts inscribed \u201cClara Schumann,\u201d apparently authentic autograph.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Beethoven, Ludwig van. Piano Concerto No. 3 in C Minor, Op. 37.<br \/>\nPublished two-piano reduction ([s.l.: s.n., s.d.]), Pl. no. 289. 38 pp.<br \/>\n&#8211; Copy bears cancellans of Breitkopf &amp; H\u00e4rtel; J. Riedl cancellandum.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Beethoven, Ludwig van. Romance for Violin and Orchestra No. 1 in G Major, Op. 40.<br \/>\nPublished score for violin and piano (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 11048. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Beethoven, Ludwig van. Three Marches for Piano Four-Hands, Op. 45.<br \/>\nPublished parts (Offenbach a\/M: Jean Andr\u00e9, [s.d.]), Pl. no. 344. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 7<\/th>\n<td>Beethoven, Ludwig van. Adelaide, Op. 46. Song for voice and piano. [Text by Friedrich von Matthisson.]<br \/>\nPublished score (Leipzig: C. F. Peters, [s.d.]), Pl. no. 224. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata No. 20 in G Major, Op. 49, No. 2.<br \/>\nPublished score (Vienna: Tobias Haslinger, [s.d.]), Pl. no. 1. No 19. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Beethoven, Ludwig van. Romance for Violin and Orchestra, No. 2 in F Major, Op. 50.<br \/>\nPublished score for violin and piano (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 11049.9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Beethoven, Ludwig van. Rondo in C Major for Piano, Op. 51, No. 1.<br \/>\nPublished score (Hambourg: A. Cranz, [s.d.]). 6 pp.<br \/>\nAlso in folder: fragment from unidentified publication for piano, ([s.l.: s.n., s.d.]), Pl. no. 107, pp. 3\u20135 only. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Beethoven, Ludwig van. Triple Concerto for Violin, Cello, and Piano in C Major, Op. 56. Arranged for solo piano.<br \/>\nPublished score (Vienna: Tobias Haslinger, [1841]), Pl. no. 8497. 48 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata No. 23 in F Minor, Op. 57.<br \/>\nPublished score (Vienna: Tobias Haslinger, [s.d.]), Pl. no. I. No. 22. 29 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13-14<\/th>\n<td>Beethoven, Ludwig van. Piano Concerto No. 4 in G Major, Op. 58.<br \/>\nPublished two-piano reduction (Leipzig: Steingr\u00e4ber Verlag, [s.d.]), Pl. no. 88, reduction by Franz Kullak. 2 copies. 57 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 15<\/th>\n<td>Beethoven, Ludwig van. Piano Concerto No. 4 in G Major, Op. 58. Arranged for solo piano.<br \/>\nPublished score (Vienna: Tobias Haslinger, [s.d.]), Pl. no. T.H. 8547. 34 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Beethoven, Ludwig van. String Quartets, Op. 59, Nos. 1\u20133.<br \/>\nPublished parts (violin I, violin II, viola, cello), (Vienna: Tobias Haslinger, [s.d.]), Pl. nos. XI No. 7, XI No. 8, XI No. 9 (bound together). 33 pp., 29 pp., 28 pp., 28 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Beethoven, Ludwig van. String Quartet No. 8 in E Minor, Op. 59, No. 2.<br \/>\nPublished parts (violin I, violin II, viola, cello) (Vienna: Tobias Haslinger, [s.d.]), Pl. no. XI. No. 8. 10 pp., 9 pp., 9 pp., 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Beethoven, Ludwig van. Violin Concerto in D Major, Op. 61.<br \/>\nPublished full score (Leipzig: C. F. Peters, [s.d.]), Pl. no. 4252. 88 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Beethoven, Ludwig van. Violin Concerto in D Major, Op. 61. Arranged for solo piano.<br \/>\nPublished score (Vienna: Tobias Haslinger, [1842]), Pl. no. T.H. 8747. 35 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 20<\/th>\n<td>Beethoven, Ludwig van. Symphony No. 5 in C Minor, Op. 67. Arranged for solo piano by J. N. Hummel.<br \/>\n<span style=\"font-family: inherit\">Published score (Mayence: le fils de B. Schott, [s.d.]), Pl. no. 2625. 35 pp.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 85&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659113864183{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Beethoven, Ludwig van. Piano Trio No. 6 in E-flat Major, Op. 70, No. 2.<br \/>\nPublished parts (piano, violin, cello) (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6916 (piano and cello parts) and Pl. no. 5928 (violin part). 31 pp., 8 pp., 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Beethoven, Ludwig van.\u00a0<em>Fidelio,<\/em>\u00a0Op. 72<br \/>\nPublished piano vocal score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 4612. 130 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Beethoven, Ludwig van.\u00a0<em>Leonore,<\/em>\u00a0Op. 72b.<br \/>\nPublished piano vocal score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 8404. 205 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Beethoven, Ludwig van. Piano Concerto No. 5 in E-flat Major, Op. 73. Arranged for solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [1847]), Pl. no. 7738. 51 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 5-7<\/th>\n<td>Beethoven, Ludwig van. Piano Concerto No. 5 in E-flat Major, Op. 73.<br \/>\nPublished two-piano reduction (Leipzig: Steingr\u00e4ber Verlag, [s.d.]), Pl. no. 89, reduction by Franz Kullak. 3 copies. 53 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Beethoven, Ludwig van. Fantasia in C Minor for Piano, Chorus, and Orchestra, Op. 80.<br \/>\nPublished parts (piano, soprano, alto, tenor, bass, flute or violin, violin, viola, cello) (Vienna: J. Riedl, [s.d.]), Pl. no. 802. 74 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 9<\/th>\n<td>Beethoven, Ludwig van.\u00a0<em>Sammlung deutscher und itali\u00e4nischer Gesange mit Begleitung des Pianoforte.<\/em>\u00a0[Op. 82, Op. 83.]<br \/>\nPublished score (Bonn: N. Simrock, [s.d.]), Pl. no. 781. 22 pp.<\/p>\n<ul>\n<li>Publication information for N. Simrock pasted over original publisher information.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Beethoven, Ludwig van. Egmont Overture, Op. 84. For solo piano.<br \/>\nPublished score (Vienna: Joseph Czern\u00fd, [s.d.]), Pl. no. 2119.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Beethoven, Ludwig van. Egmont Overture, Op. 84. Arranged for piano four-hands.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 4653. 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 12<\/th>\n<td>Beethoven, Ludwig van. Piano Trio No. 7 in B-flat Major, Op. 97.<br \/>\nPublished parts (piano, violin, cello) (Vienna: Tobias Haslinger, [s.d.]), Pl. no. VII. No. 5. 55 pp., 11 pp., 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 13<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata No. 31 in A-flat Major, Op. 110.<br \/>\nPublished score (Bonn: N. Simrock, [s.d.]), Pl. no. 6557. 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Beethoven, Ludwig van. Meeresstille und gl\u00fcckliche Fahrt [Calm Sea and Prosperous Voyage], Op. 112. For chorus and piano.<br \/>\nPublished score and parts (soprano, alto, tenor, bass; 2 of each) (Vienna: Tobias Haslinger, [s.d.]), Pl. no. S:u:C:3840. 19 pp. (score), 16 pp. (parts).<\/p>\n<ul>\n<li>Manuscript note on title page of score: \u201cPrinted after 1826 with the plates of the original Steiner &amp; Co. edition of 1822.\u201d<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 86&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659116544015{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<p><strong><em>[Removed due to reorganization of materials]<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 87&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659116564856{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Beethoven, Ludwig van. Trio, Op. 116 (\u201cTremate, empi tremate\u201d).<br \/>\nPublished piano-vocal score (Vienna: Tobias Haslinger, [s.d.]), Pl. no. S:u:C:4686. 19 pp. [Printed from the plate of Steiner first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Beethoven, Ludwig van. Twelve [sic] New Bagatelles for Piano, Op. 119.<br \/>\nPublished score (Wolfenb\u00fcttel: L. Holle, [s.d.]), Pl. no. 419. 10 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Beethoven, Ludwig van. Variations on \u201cIch bin der Schneider Kakadu\u201d for Piano Trio, Op. 121a.<br \/>\nPublished score and parts (violin, cello) (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. B.87. 18 pp., 4 pp., 4 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Beethoven, Ludwig van. Six Bagatelles for Piano, Op. 126.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. B.190. 14 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Beethoven, Ludwig van. Piano Concerto No. 0 in E-flat Major, WoO 4. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. B.310. 28 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Beethoven, Ludwig van. [Twelve Minuets for Orchestra], WoO 7. For two violins and cello.<br \/>\nPublished parts (violin I, violin II, cello) (Vienne: Artaria, [s.d.]), Pl. no. 1516. 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Beethoven, Ludwig van. Seven Variations [in E\u266d major on \u201cBei M\u00e4nnern welche Liebe f\u00fchlen\u201d from Mozart\u2019s\u00a0<em>The Magic Flute<\/em>], WoO 46. For violin and piano.<br \/>\nPublished part (violin) and score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. B.111a. 4 pp., 10 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata in E-flat Major, WoO 47, No. 1.<br \/>\nPublished score (Frankfurt: Fr. Ph. Dunst, [s.d.]), Pl. no. 139. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Beethoven, Ludwig van. Piano Sonata in F Minor, WoO 47, No. 2.<br \/>\nPublished score (Leipzig: F. E. C. Leuckart, [s.d.]), Pl. no. F.E.C.L. 2168. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Beethoven, Ludwig van. Eight Variations for Piano Four-Hands on a Theme by count Waldstein, WoO 67.<br \/>\nPublished score (Frankfurt: Fr. Ph. Dunst, [ca. 1830]), Pl. no. 139. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Beethoven, Ludwig van. Six variations for piano on \u201cNel cor pi\u00f9 non mi sento\u201d from Giovanni Paisiello&#8217;s opera\u00a0<em>La Molinara,<\/em>\u00a0WoO 70.<br \/>\nPublished score (Offenbach a\/M: Jean Andr\u00e9, [s.d.]), Pl. no. 3036. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 12<\/th>\n<td>Beethoven, Ludwig van. Eight variations for piano on \u201cT\u00e4ndeln und scherzen\u201d from Franz Xaver S\u00fcssmayr&#8217;s opera\u00a0<em>Soliman II,\u00a0<\/em>WoO 76.<br \/>\nPublished score (Offenbach a\/M: Jean Andr\u00e9, [1811\/12]), Pl. 3037. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 13<\/th>\n<td>Beethoven, Ludwig van.\u00a0<em>Sonaten f\u00fcr das Pianoforte,<\/em>\u00a0Series 16, Vol. 3. Contains Op. 79, 81a, 90, 101, 106, 109, 110, 111.<br \/>\nPublished volume (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. nos. B.148\u2013B.161. 188 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Beethoven, Ludwig van.\u00a0<em>Beethovens Werke,<\/em>\u00a0<em>Series 5 [Chamber music for five or more instruments].<\/em>\u00a0Contains Op. 20, 81b, 29, 137, 4, 104.<br \/>\nPublished volume (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. nos. 32\u201336a. 160 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 15<\/th>\n<td>Beethoven, Ludwig van.\u00a0<em>Werke f\u00fcr Pianoforte solo, Vol. 5.<\/em>\u00a0Contains Op. 101, 106, 109, 110, 111, 119, 120, 126, 129.|<br \/>\nPublished volume (Stuttgart: J. G. Cotta\u2019schen Buchhandlung, [s.d.]), Pl. no. 25. 235 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Bennett, William Sterndale. Sonate f\u00fcr das Pianoforte, Op. 13.<br \/>\nPublished score (Leipzig: Fr. Kirstner, [s.d.]), Pl. no. 1160. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Bennett, William Sterndale. Allegro Grazioso for the Pianoforte, Op. 18.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1225. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Bennett, William Sterndale. Quatri\u00e9me Concerto pour le Pianoforte avec Accompagnement d\u2019Orchestre, Op. 19. For solo piano.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1226.1227.1228. 35 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Bennett, William Sterndale. Sonate f\u00fcr Pianoforte und Violoncello, Op. 32.<br \/>\nPublished part (cello) and score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1923. 10 pp., 33 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 88&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659117028614{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;width: 100%;height: 120px\">\n<tbody>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\" nowrap=\"nowrap\">folder 1<\/th>\n<td style=\"height: 24px\">Beriot, C. de. Violin Concerto No. 1, Op. 16. For violin and piano.<br \/>\nPublished part (violin) and score (Mayence: les fils de B. Schott, [s.d.]), Pl. no. 4778. 7 pp., 15 pp.<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\">folder 2<\/th>\n<td style=\"height: 24px\">Bertini, [Henri]. Estudes musicales: 25 Studien f\u00fcr das Pianoforte zu 4 H\u00e4nden, Op. 97. Book 2 (nos. 13\u201325).<br \/>\nPublished score (Vienna: Tobias Haslinger, [s.d.]), Pl. no. 8015. 59 pp.<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\">folder 3<\/th>\n<td style=\"height: 24px\">Berlioz, Hector.\u00a0<em>La Damnation de Faust,<\/em>\u00a0Op. 24. Reduced score for piano four-hands by E. Redon.<br \/>\nPublished score (Paris: Richault &amp; Co., [s.d.]), 3rd edition. 253 pp.<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\" nowrap=\"nowrap\">folder 4<\/th>\n<td style=\"height: 24px\">Brahms, Johannes. Piano Sonata No. 1 in C Major, Op. 1.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 8833. 31 pp.<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\">folder 5<\/th>\n<td style=\"height: 24px\">Brahms, Johannes. Piano Sonata No. 1 in C Major, Op. 1.<br \/>\nPublished score (Berlin: N. Simrock, [s.d.]), Pl. no. 8980. 31 pp.<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\" nowrap=\"nowrap\">folder 6<\/th>\n<td style=\"height: 24px\">Brahms, Johannes. Piano Sonata No. 2 in F-sharp Minor, Op. 2.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), P. no. 8834. 2 copies. 27 pp., each.<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\" nowrap=\"nowrap\">folder 7<\/th>\n<td style=\"height: 24px\">Brahms, Johannes. Piano Sonata No. 3 in F Minor, Op. 5.<br \/>\nPublished score (Leipzig: Verlag von Bartholf Senff, [s.d.]), Pl. no. 101.<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\" nowrap=\"nowrap\">folder 8<\/th>\n<td style=\"height: 24px\">Brahms, Johannes. Variations on a Theme by Robert Schumann in F-sharp Minor, Op. 9.<br \/>\nPublished score (Berlin: N. Simrock, [s.d.]), Pl. no. 8997. 19 pp.<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\" nowrap=\"nowrap\">folder 9<\/th>\n<td style=\"height: 24px\">Brahms, Johannes. Variations on a Theme by Robert Schumann in F-sharp Minor, Op. 9.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 9001. 19 pp. [Possible first edition.]<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\" nowrap=\"nowrap\">folder 10<\/th>\n<td style=\"height: 24px\">Brahms, Johannes. Four Ballades, Op. 10, Nos. 1\u20134.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 9226. 23 pp.<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\" nowrap=\"nowrap\">folder 11<\/th>\n<td style=\"height: 24px\">Brahms, Johannes. Ballade in D Major, Op. 10, No. 2.<br \/>\nPublished score (Berlin: Simrock, [s.d.]), Pl. no. 8998. 7 pp.<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\" nowrap=\"nowrap\">folder 12<\/th>\n<td style=\"height: 24px\">Brahms, Johannes. Ballade in B Minor, Op. 10, No. 3.<br \/>\nPublished score (Berlin: Simrock, [s.d.]), Pl. no. 8998. 5 pp.<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\" nowrap=\"nowrap\">folder 13<\/th>\n<td style=\"height: 24px\">Brahms, Johannes. Ave Maria, Op. 12. For SATB chorus and piano.<br \/>\nPublished score (Leipzig: J. Reiter-Biedermann, [s.d.]), Pl. no. 166. 9 pp.<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\" nowrap=\"nowrap\">folder 14<\/th>\n<td style=\"height: 24px\">Brahms, Johannes. Begr\u00e4bnissgesang [Funeral Song], Op. 13. For SATB chorus and piano.<br \/>\nPublished score (Leipzig: C. F. Peters, [s.d.]), Pl. no. 168. 15 pp.<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\" nowrap=\"nowrap\">folder 15<\/th>\n<td style=\"height: 24px\">Brahms, Johannes. Piano Concerto No. 1 in D Minor, Op. 15.<br \/>\nPublished two-piano reduction (Leipzig: J. Rieter-Biedermann, [s.d.]), Pl. no. 705. 2 copies. 67 pp., each.<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\" nowrap=\"nowrap\">folder 16<\/th>\n<td style=\"height: 24px\">Brahms, Johannes. Piano Concerto No. 1 in D Minor, Op. 15.<br \/>\nInstrumental parts: solo piano, violin I (4 copies), violin II (3 copies), viola (3 copies), cello\/bass (4 copies), flute I, flute II, oboe I, oboe II, clarinet I, clarinet II, bassoon I, bassoon II, horn I, horn II, horn III, horn IV, trumpet I, trumpet II, timpani. Published parts (Leipzig: J. Rieter-Biedermann, [s.d.]), Pl. no. 170. 249 pp., total.<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\" nowrap=\"nowrap\">folder 17<\/th>\n<td style=\"height: 24px\">Brahms, Johannes. [Vier] Ges\u00e4nge f\u00fcr Frauenchor, Op. 17.<br \/>\nPublished piano vocal score (Berlin: N. Simrock, [s.d.]), Pl. no. 10595. 19 pp.<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\" nowrap=\"nowrap\">folder 18<\/th>\n<td style=\"height: 24px\">Brahms, Johannes. String Sextet, Op. 18.<br \/>\nPublished score (Berlin: N. Simrock, [s.d.]), Pl. no. 6202. 91 pp.<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<th style=\"vertical-align: top;height: 24px\" nowrap=\"nowrap\">folder 19<\/th>\n<td style=\"height: 24px\">Brahms, Johannes. Variations for the Piano, Op. 21.<br \/>\nNo. 1 [11 Variations on an Original Theme in D Major]. Published score (Berlin: N. Simrock, [s.d.]), Pl. no. 6203. 2 copies. 13 pp., each.<br \/>\nNo. 2 [14 Variations on a Hungarian Melody in D Major]. Published score (Berlin: N. Simrock, [s.d.]), Pl. no. 6204. 2 copies. 11 pp., each.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 89&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659124052003{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Brahms, Johannes. Marienlieder, Op. 22, Book 1.<br \/>\nPublished piano vocal score (Leipzig: J. Reiter-Biedermann, [s.d.]), Pl. no. 216a. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Brahms, Johannes. Marienlieder, Op. 22, Book 2<br \/>\nPublished piano vocal score (Leipzig: J. Reiter-Biedermann, [s.d.]), Pl. no. 216b. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Brahms, Johannes. Variations on a Theme by Robert Schumann, Op. 23. For four-hand piano.<br \/>\nPublished score (Leipzig: J. Reiter-Biedermann, [s.d.]), Pl. no. 270. 25 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Brahms, Johannes. Variations and Fugue on a Theme by Handel, Op. 24. For four-hand piano.<br \/>\nPublished score (Berlin: Simrock, [s.d.]), Pl. no. 9006. 3 copies. 23 pp., each.<\/p>\n<ul>\n<li>Copy 1 accompanied by manuscript note: \u201c1st ed of revised version.\u201d<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Brahms, Johannes. Duet for Alto, Baritone, and Piano, Op. 28.<br \/>\nPublished score (Leipzig: Aug. Cranz, [s.d.]), Pl. no. C.S. 17.958. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Brahms, Johannes. Three Quartets, Op. 31, No. 1 (\u201cWechsellied zum Tanze\u201d). For soprano, alto, tenor, bass, and piano.<br \/>\nPublished score (Berlin: N. Simrock, [s.d.]), Pl. no. 9014. 14 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Brahms, Johannes. Sonata for Two Pianos, Op. 34.<br \/>\nPublished score (Leipzig: J. Rieter-Biedermann, [s.d.]), Pl. no. 678. 2 copies. 64 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Brahms, Johannes. Piano Quintet in F Minor, Op. 34.<br \/>\nPublished score and parts (violin I, violin II, viola, cello) (Leipzig: J. Rieter-Biedermann, [s.d.]), Pl. no. 435. 2 copies. 107 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Brahms, Johannes. Etudes for Piano: Variations on a Theme of Paganini, Op. 35, Book I.<br \/>\nPublished score (Leipzig: J. Rieter-Biedermann, [s.d.]), Pl. no. 436a. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Brahms, Johannes. Etudes for Piano: Variations on a Theme of Paganini, Op. 35, Book II.<br \/>\nPublished score (Leipzig: J. Rieter-Biedermann, [s.d.]), Pl. no. 436b. 3 copies. 19 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Brahms, Johannes. Three Sacred Choruses for Female Chorus, Op. 37.<br \/>\nPublished score (Leipzig: J. Rieter-Biedermann, [s.d.]), Pl. no. 402. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Brahms, Johannes. Waltzes for Piano Four-hands, Op. 39.<br \/>\nPublished score (Leipzig: J. Rieter-Biedermann, [s.d.]), Pl. no. 470. 33 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Brahms, Johannes. Twelve Songs and Romances for Female Chorus, Op. 44, Books 1\u20132.<br \/>\nPublished score (2 books) and parts (soprano I, soprano II, alto I, alto II; 2 copies, each) (Leipzig: J. Rieter-Biedermann, [s.d.]), Pl. no. 474a. 64 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Brahms, Johannes.\u00a0<em>Ein deutsches Requiem,<\/em>\u00a0Op. 45.<br \/>\nPublished full score (Leipzig: J. Rieter-Biedermann, [s.d.]), Pl. no. 592. 191 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Brahms, Johannes.\u00a0<em>Rinaldo,<\/em>\u00a0Op. 50. Cantata for tenor, male chorus, and orchestra.<br \/>\nPublished piano vocal score (Berlin: N. Simrock, [s.d.]), Pl. no. 7533. 86 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Brahms, Johannes.\u00a0<em>Rinaldo,<\/em>\u00a0Op. 50. Arranged for solo piano by Robert Keller.<br \/>\nPublished score (Berlin: N. Simrock, [s.d.]), Pl. no. 7407. 39 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 90&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659124060266{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Brahms, Johannes. String Quartet No. 1 in C Minor, Op. 51, No. 1.<br \/>\nPublished full score (Berlin: N. Simrock, 1873), Pl. no. 7378. 39 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Brahms, Johannes. String Quartets Nos. 1\u20133, Op. 57, Nos. 1\u20132, Op. 67. [Bound together.]<br \/>\nString Quartet No. 1 in C Minor, Op. 51, No. 1. Published full score (Berlin: N. Simrock, 1873), Pl. no. 7378. 39 pp.<br \/>\nString Quartet No. 2 in A Minor, Op. 51, No. 2. Published full score (Berlin: N. Simrock, 1873), Pl. no. 7379. 43 pp.<br \/>\nString Quartet No. 3 in B-flat Major, Op. 67. Published full score (Berlin: N. Simrock, 1876), Pl. no. 7892. 39 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Brahms, Johannes. Variations on a Theme by Joseph Haydn, Op. 56b. For two pianos.<br \/>\nPublished score (Berlin: Simrock, 1873), Pl. no. 7397. 2 copies. 29 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Brahms, Johannes. Piano Quartet No. 3 in C Minor, Op. 60.<br \/>\nPublished parts (violin, viola, cello) and score (piano) (Berlin: N. Simrock, [s.d.], Pl. no. 7702. 51 pp., 9 pp., 9 pp., 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Brahms, Johannes. Sieben Lieder, Op. 62. For mixed chorus.<br \/>\nPublished score (Berlin: N. Simrock, 1874), Pl. no. 7453. 2 copies. 24 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Brahms, Johannes. Neue Liebeslieder: Walzer, Op. 65. For SATB chorus and piano four-hands.<br \/>\nPublished score (Berlin: N. Simrock, 1875), Pl. no. 7670. 41 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Brahms, Johannes. Clavierst\u00fccke, Op. 76, Book I.<br \/>\nPublished score (Berlin: N. Simrock, 1879), Pl. no. 8090. 18 pp. [First edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Brahms, Johannes. Clavierst\u00fccke, Op. 76, Book II.<br \/>\nPublished score (Berlin: N. Simrock, 1879), Pl. no. 8091. 18 pp. [First edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Brahms, Johannes. Violin Concerto in D Major, Op. 77.<br \/>\nPublished full score (Berlin: N. Simrock, 1879), Pl. no. 8133. 208 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Brahms, Johannes. Violin Concerto in D Major, Op. 77. For violin and piano.<br \/>\nPublished violin part and score (Berlin: N. Simrock, 1879), Pl. no. 8132. 39 pp., 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Brahms, Johannes. Violin Sonata No. 1 in G Major, Op. 78.<br \/>\nPublished violin part and score (Berlin: N. Simrock, 1880), Pl. no. 8184. 11 pp., 31 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Brahms, Johannes. Two Rhapsodies for Piano, Op. 79.<br \/>\nPublished score (Berlin: N. Simrock, 1880), Pl. no. 8166. 18 pp. (incomplete, p. 19 missing). [First edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Brahms, Johannes. Academic Festival Overture, Op. 80. For orchestra.<br \/>\nPublished score (Berlin: N. Simrock, [s.d.]), Pl. no. 8187. 71 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14-16<\/th>\n<td>Brahms, Johannes. Piano Concerto No. 2 in B-flat Major, Op. 83. Arranged for solo piano.<br \/>\nPublished score (Berlin: N. Simrock, 1882), Pl. no. 8265. 3 copies. 60 pp., each.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 91&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659125223998{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Brahms, Johannes. Piano Trio No. 2 in C Major, Op. 87.<br \/>\nPublished parts (violin, cello) and score (Berlin: N. Simrock, 1883), Pl. no. 8324. 2 copies (different covers). 12 pp., 12 pp., 67 pp., each. [Possible first edition.]<br \/>\nAlso in folder: transcription of violin part for viola. Ink manuscript. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Brahms, Johannes. String Quartet No. 1 in F Major, Op. 88.<br \/>\nPublished score (Berlin: N. Simrock, 1883), Pl. no. 8314. 51 pp. [Possible first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Brahms, Johannes. Two Songs for Alto Voice with Viola and Piano, Op. 91.<br \/>\nPublished parts (voice, viola) and score (Berlin: N. Simrock, [s.d.]), Pl. no. 8474. 4 pp., 4 pp., 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Brahms, Johannes. Four Quartets, Op. 92. For mixed voices and piano.<br \/>\nPublished score and parts (soprano, alto, tenor, bass) (Berlin: N. Simrock, 1884), Pl. no. 8477. 22 pp., 7 pp., 7 pp., 7 pp., 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Brahms, Johannes. Five Songs, Op. 94. For voice and piano.<br \/>\nPublished score (Berlin: N. Simrock, 1884), Pl. no. 8488. 14 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Brahms, Johannes. Cello Sonata No. 2 in F Major, Op. 99.<br \/>\nPublished score and part (cello) (Berlin: N. Simrock, 1887), Pl. no. 8750. 30 pp., 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Brahms, Johannes. Violin Sonata No. 2 in A Major, Op. 100.<br \/>\nPublished score (Berlin: N. Simrock, 1887), Pl. no. 8751. 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Brahms, Johannes. Double Concerto in A Minor, Op. 102. Arranged for violin, cello, and piano.<br \/>\nPublished score (Berlin: N. Simrock, 1888), Pl. no. 8936. 47 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Brahms, Johannes. Zigeunerlieder, Op. 103. For SATB quartet and piano.<br \/>\nPublished score (Berlin: N. Simrock, 1888), Pl. no. 9026. 30 pp. [First edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Brahms, Johannes. Violin Sonata No. 3 in D Minor, Op. 108.<br \/>\nPublished violin part and score (Berlin: N. Simrock, 1889), Pl. no. 9196. 10 pp., 34 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Brahms, Johannes. Clarinet Trio in A Minor, Op. 114. For clarinet (or violin or viola), cello, and piano.<br \/>\nPublished parts (clarinet, violin, viola, cello) and score (Berlin: N. Simrock, 1892), Pl. no. 9709. 8 pp., 8 pp., 8 pp., 8 pp., 35 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Brahms, Johannes. Clarinet Trio in A Minor, Op. 114. For clarinet (or viola), cello, and piano.<br \/>\nPublished score and parts (clarinet, viola, cello) (Berlin: N. Simrock, 1892), Pl. no. 9709. 35 pp., 8 pp., 8 pp., 8 pp. [Possible first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Brahms, Johannes. Clarinet Quintet in B Minor, Op. 115. For clarinet, two violins, viola, and cello.|<br \/>\nPublished full score (Berlin: N. Simrock, 1892). 58 pp. [Possible first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Brahms, Johannes. Seven Fantasies for Piano, Op. 116, Book I (Nos. 1\u20133).<br \/>\nPublished score (Berlin: N. Simrock, 1892), Pl. no. 9874. 2 copies. 18 pp., each. [First edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Brahms, Johannes. Seven Fantasies for Piano, Op. 116, Book II (Nos. 4\u20137).<br \/>\nPublished score (Berlin: N. Simrock, 1892), Pl. no. 9875. 15 pp. [First edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Brahms, Johannes. Three Intermezzi for Piano, Op. 117.<br \/>\nPublished score (Berlin: N. Simrock, 1892), Pl. no. 9876. 3 copies. 15 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Brahms, Johannes. Clavierst\u00fccke, Op. 118.<br \/>\nPublished score (Berlin: N. Simrock, 1893), Pl. no. 10054. 19 pp. [First edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Brahms, Johannes. Clavierst\u00fccke, Op. 118.<br \/>\nPublished score (Berlin: N. Simrock, 1898), Pl. no. 10054. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Brahms, Johannes. Clavierst\u00fccke, Op. 119.<br \/>\nPublished score (Berlin: N. Simrock, 1893), Pl. no. 10055. 2 copies. 19 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 20<\/th>\n<td>Brahms, Johannes. Rhapsody in E-flat Major, Op. 119, No. 4.<br \/>\nPublished score (Berlin: N. Simrock, 1893), Pl. no. 10055. 10 pp. Front cover (title page) missing.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 21<\/th>\n<td>Brahms, Johannes. Two Clarinet Sonatas, Op. 120, Nos. 1\u20132.<br \/>\nPublished scores and parts (clarinet) (Berlin: N. Simrock, 1895), Pl. nos. 10408, 10409. Bound together. 30+30 pp., 8+7 pp.<br \/>\nAlso in folder: alternate viola part for Op. 120, No. 1. Published part (Berlin: N. Simrock, 1895), Pl. no. 10411. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 22<\/th>\n<td>Brahms, Johannes. Clarinet Sonata in E-flat Major, Op. 120, No. 2.<br \/>\nPublished part (clarinet) and score (Berlin: N. Simrock, 1895), Pl. no. 10409. 8 pp., 30 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 24<\/th>\n<td>Brahms, Johannes. Sonata in F Minor, Op. 120, No. 1. Arranged for violin and piano.<br \/>\nPublished score and part (violin) (Berlin: N. Simrock, 1895), Pl. no. 10433. 30 pp., 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 24<\/th>\n<td>Brahms, Johannes. Sonata in E-flat Major, Op. 120, No. 2. For violin and piano.<br \/>\nPublished score and part (violin) (Berlin: N. Simrock, 1895), Pl. no. 10434. 30 pp., 8 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 92&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659126436287{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Brahms, Johannes. Vier ernste Ges\u00e4nge, Op. 121. For bass and piano.<br \/>\nPublished score (Berlin: N. Simrock, 1896), Pl. no. 10679. 19 pp. [First edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Brahms, Johannes. Hungarian Dances, Book 2, Nos. 6\u201310. For solo piano.<br \/>\nPublished score (Berlin: N. Simrock, [s.d.]), Pl. no. 7197. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Brahms, Johannes. Hungarian Dances, Book 4, Nos. 17\u201321. For piano four-hands.<br \/>\nPublished score (Berlin: N. Simrock, 1880), Pl. no. 8168. 27 pp. [First edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Brahms, Johannes. Two Sarabandes, WoO 5. For solo piano.<br \/>\nPublished score (Berlin: Deutsche Brahms-Gesellschaft, [s.d.]), with forward by Max Friedl\u00e4nder, Pl. no. D.8 B.g. 9 pp. [First edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Brahms, Johannes. 51 Exercises, WoO 6, Book 1. For solo piano.<br \/>\nPublished score (Berlin: N. Simrock, 1893), Pl. no. 10062. 27 pp. [First edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Brahms, Johannes. 51 Exercises, WoO 6, Book 1. For solo piano.<br \/>\nPublished score (Berlin: N. Simrock, 1893), Pl. no. 10062. 27 pp. [Later issue of first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 7<\/th>\n<td>Brahms, Johannes. Sandm\u00e4nchen, WoO 31, No. 4. For voice and piano.<br \/>\nPublished score (Leipzig: J. Rieter-Biedermann, [s.d.]), Pl. no. 60. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Brahms, Johannes. Deutsche Volkslieder, WoO 33, Books 1\u20136. For voice and piano.<br \/>\nPublished scores (Berlin: N. Simrock, 1894), Pl. nos. 10212, 10213, 10208, 10215, 10216, 10217, bound together. 15 pp., 19 pp., 15 pp., 19 pp., 19 pp., 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 9<\/th>\n<td>Brahms, Johannes. Deutsche Volkslieder, WoO 34, Book 1. For mixed choir.<br \/>\nPublished scores (Leipzig: J. Rieter-Biedermann, [s.d.]), Pl. no. 395a. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Brahms, Johannes. Etude after Fr\u00e9d\u00e9ric Chopin [Etude in F Minor, Op. 25, No. 2], Anh Ia, No. 1. For solo piano.<br \/>\nPublished score (Berlin: N. Simrock, [s.d.]), Pl. no. 20884.20885. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Brahms, Johannes. Rondo after Carl Maria von Weber [Piano Sonata No. 1 in C Major, Op. 24, Finale]. Anh Ia, No. 2. For solo piano.<br \/>\nPublished score (Berlin: N. Simrock, [s.d.]), Pl. no. 20884.20886. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 12<\/th>\n<td>\u00a0Brahms, Johannes. Chaconne by J. S. Bach [Violin Partita No. 2 in D Minor, BWV 1004, Chaconne) Arranged for Left Hand Alone, Anh Ia, No. 5. For solo piano (left hand alone).<br \/>\nPublished score (Leipzig: Bartholf Senff, [s.d.]), Pl. no. 1395. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 13<\/th>\n<td>B\u00fcchner, A. Emil. Fantasiest\u00fccke f\u00fcr das Pianoforte, Op. 13.<br \/>\nPublished score (Leipzig: C. F. W. Siegel, [s.d.]), Pl. no. 633. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 14<\/th>\n<td>B\u00fcchner, A. E. \u201cIn die Ferne.\u201d Song for solo piano.<br \/>\nPublished score (Leipzig: Siegel &amp; Stoll, [s.d.]), Pl. no. 159. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 15<\/th>\n<td>B\u00fclow, Hans von, arr. Paraphrase des Quintetts aus dem dritten Akte der Oper\u00a0<em>Die Meistersinger von N\u00fcrnberg<\/em>\u00a0[Richard Wagner]. For solo piano.<br \/>\nPublished score (Mainz: B. Schott\u2019s S\u00f6hnen, [s.d.]), Pl. no 19830. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Burgm\u00fcller, Fr. Polka pour le piano.<br \/>\nPublished score (Mayence: B. Schott, [s.d.]), Pl. no. 7721. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\"><a name=\"c\"><\/a>folder 17<\/th>\n<td>Catalini, Madame. Nel cor pi\u00f9 non mi sento etc.: Varie et chant\u00e9 au Concert de Leipzig. For voice and piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 3215. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>\n<p>Chopin, Fr\u00e9d\u00e9ric. Four Mazurkas, Book 1, Op. 6. For solo piano.<br \/>\nPublished score (Leipzig: Fr. Kistner, [ca. 1842]), Pl. no. 996. 9 pp.<\/p>\n<ul>\n<li>Later corrected edition [Hoboken no. 195].<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>\n<p>Chopin, Fr\u00e9d\u00e9ric. Five Mazurkas, Book 2, Op. 7. For solo piano.<br \/>\nPublished score (Leipzig: Fr. Kistner, [after 1841]), Pl. no. 997. 9 pp.<\/p>\n<ul>\n<li>Printed from the plates of the 1832 German first edition.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 20<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Trio for Violin, Cello, and Piano in G Minor, Op. 8.<br \/>\nPublished score and parts (violin, cello) (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 999. 28 pp., 5 pp., 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 21<\/th>\n<td>\n<p>Chopin, Fr\u00e9d\u00e9ric. Three Nocturnes, Op. 9. For solo piano.<br \/>\nPublished score (Leipzig: Fr. Kistner, [after 1841]), Pl. no. 995. 13 pp.<\/p>\n<ul>\n<li>Later edition with minor corrections based on the German first edition of 1832.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 22<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Twelve Etudes, Op. 10, Book 2, Nos. 7\u201312. For solo piano.<br \/>\nPublished score (Leipzig: Fr. Kistner, [after 1841]), Pl. no. 1019. 27 pp. [Later edition based on the 1833 German first edition with minor corrections.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 23<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Piano Concerto No. 1 in E Minor, Op. 11. Arranged for solo piano.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 2340 1020.1021.1022. 47 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 24<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Variations brillantes in B-flat Major on \u201cJe vends des scapulaires,\u201d Op. 12. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1841]), Pl. no. 5495. 13 pp. [Later edition from the plates of the 1833 German first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 25<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Rondo in E-flat Major, Op. 16. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1833]), Pl. no. 5525. 20 pp. [Early reissue of 1833 German first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 26<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Grande valse brillante in E-flat Major, Op. 18. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [before 1871]), Pl. no. 9618. 11 pp. [Later edition based on the German first edition of 1834.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 27<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Ballade No. 1 in G Minor, Op. 23. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1854]), Pl. no. 5706. 17 pp. [Transfer printed; later issue of the 1836 German first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 28<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Four Mazurkas, Op. 30. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1841]), Pl. no. 5851. 15 pp. [Later issue from the plates of the 1838 German first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 29<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Scherzo No. 2 in B-flat Minor, Op. 31. For solo piano.<br \/>\nPublished score (Paris: Maurice Schlesinger, [1837]), Pl. no. M. S. 2494. 19 pp. [French first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 30<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Waltz in A-flat Major, Op. 34, No. 1. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 9620. 11 pp. [Later edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 31<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Waltz in A Minor, Op. 34, No. 2. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1857]), Pl. no. 6033. 9 pp. [Later edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 32<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Impromptu No. 2 in F-sharp Major, Op. 36. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1841]), Pl. no. 6333. 7 pp. [\u201cTitelanflage\u201d of the 1840 German first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 33<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Two Nocturnes, Op. 37. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1841]), Pl. no. 6334. 11 pp. [Later issue of the 1840 German first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 34<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Ballade No. 2 in F Major, Op. 38. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1841]), Pl. no. 6330. 11 pp. [Later issue of the 1840 German first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 35<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Two Polonaises, Op. 40. For solo piano.<br \/>\nPublished score (Cancellans: Stuttgart, G.A. Zumsteeg; Cancellandum: Leipzig, Breitkopf &amp; H\u00e4rtel, [1838]), Pl. no. 6331. 11 pp. [German first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 36<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Waltz in A-flat Major, Op. 42. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1841]), Pl. no. 6419. 11 pp. [Later edition based on the 1840 first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 37<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Tarantelle in A-flat Major, Op. 43. For solo piano.<br \/>\nPublished score (Hambourg: Schuberth &amp; Co., [1841]), Pl. no. 449. 13 pp. [German first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 38<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Prelude in C-sharp Minor, Op. 45. For solo piano.<br \/>\nPublished score (Paris: Maurice Schlesinger, [after 1841]), Pl. no. P.M.No.3594. 7 pp. [Later Paris Schlesinger issue from the plates of the 1841 German first edition by P. Mechett.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 39-40<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Ballade No. 3 in A-flat Major, Op. 47. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1841]), Pl. no.\u00a0 6652. 2 copies. 14 pp., each. [Later issue of the 1841\u201342 German first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 41<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Two Nocturnes, Op. 48. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1842]), Pl. no. 6653. 16 pp. [Later issue of the 1842 German first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 42<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Ballade No. 4 in F Minor, Op. 52. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1843]), Pl. no. 7001. 18 pp. [Later issue of the German first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 43<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Polonaise in A-flat Major, Op. 53. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [1843]), Pl. no. 7002. 19 pp. [German first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 44<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Waltz in D-flat Major, Op. 64, No. 1. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1857]), Pl. no. 9619. 7 pp. [Later edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 45<\/th>\n<td>Chopin, Fr\u00e9d\u00e9ric. Waltz in D-flat Major, Op. 64, No. 1. For solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1857]), Pl. no. 7715. 7 pp. [Possible German first edition (a variant title page).]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 93&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659365507366{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Clementi, Muzio. Toccata in B Major. For solo piano.<br \/>\nPublished score (Stuttgart: J. G. Cotta\u2019sche, 1892), Pl. no. 39. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Clementi, Muzio. VI Sonates pour le Pianoforte \u00e0 quatre mains; I Sonate pour deux Pianofortes. [Book IV of Oeuvres Complettes de Muzio Clementi.]<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]). 112 pp. [RISM A\/1 C 3155.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Clementi, Muzio. Gradus ad Parnassum ou L\u2019art de jouer le Pianoforte d\u00e9montr\u00e9 par des Exercices dans le style s\u00e9v\u00e8re et dans le style \u00e9l\u00e9gant, Vols. I\u2013II [Op. 44].<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. nos. 2580, 3040. 81 pp., 89 pp. [RISM A\/1 C 3104.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Clementi, Muzio. Gradus ad Parnassum ou L\u2019Art de joucher le Pianoforte exemplifi\u00e9 dans une s\u00e9rie d\u2019Exercises dans le Style s\u00e9v\u00e8re et libre, Vols. I\u2013II [Op. 44].<br \/>\nPublished score (Bonn: N. Simrock, [s.d.]), Pl. nos. 1358, 1736. 81 pp., 89 pp. [RISM A\/1 C 3105.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 5<\/th>\n<td><em>A Collection of Scots Songs Adapted for a Voice and Harpsichord,<\/em>\u00a0Book 3. For voice and figured bass.<br \/>\nPublished score (Edinburgh: James Johnson, [s.d.]). 28 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Cramer, Henri. Perles M\u00e9lodiques Six Fantaisies Faciles avec Variations sur des Th\u00eames favoris pour le Piano, Op. 67.<br \/>\nPublished score (Offenbach a\/M: Jean Andr\u00e9, 1850), Pl. no. 7066. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Cramer, Henri. Potpourris \u00e9l\u00e9gants sur des motifs d\u2019Op\u00e9ras favoris pour le Piano.<br \/>\nPublished score (Offenbach a\/M: Jean Andr\u00e9, [s.d.]), Pl. no. 7970. 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Cramer, Henri. Perles M\u00e9lodiques Six Fantasies Faciles avec Variations sur des Th\u00eames favoris pour le Piano, Op. 77.<br \/>\nPublished score (Offenbach a\/M: Jean Andr\u00e9, [s.d.]), Pl. no. 7145.IIII. 10 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Cramer, Henri. \u00c9l\u00e9gie de H. W. Ernst transcrite pour Piano.<br \/>\nPublished score (Offenbach a\/M: Jean Andr\u00e9, [s.d.]), Pl. no. 7097 II. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Cramer, J. B. Studio per il Forte-piano, Lib. I.<br \/>\nPublished score (Milan: Gio, Ricordi, [s.d.]), Pl. no. 463. 35 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Cramer, J. B. Trois Grandes Sonates pour le Piano Forte, Op. 29.<br \/>\nPublished score (Paris: M. Erard, [s.d.]), Pl. no. 316. 51 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 12<\/th>\n<td>Cramer J. B. Sonate Nouvelle pour le Piano Forte, Op. 63.<br \/>\nPublished score (Paris: Maurice Schlesinger, [1823]), Pl. no. 31.<em>\u00a0 <\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">\u00a0N.B.<\/th>\n<td><em>Czerny, Carlo [Carl]. Rondo Brillant per il Piano-Forte, Op. 58.<br \/>\n<\/em><em>See Box 127, Folder 6 (bound with Weber, Concert-Stueck, Op. 79).<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 13<\/th>\n<td>Czerny, Charles [Carl]. Variationen \u00fcber den beliebten Wiener Trauer-Walzer von Fr. Schubert f\u00fcr das Pianoforte, Op. 12.<br \/>\nPublished score (Vienna: Tobias Haslinger, [s.d.]), Pl. no. C.H. 3377. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Czerny, Charles [Carl]. Variations pour le Piano-Forte \u00e0 4 mains, Op. 87.<br \/>\nPublished score (Vienna: Joseph Czerny, [s.d.]), Pl. no. 43. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 15<\/th>\n<td>Czerny, Charles [Carl]. Nouvelle Galoppe Vari\u00e9e pour le Piano-forte, Op. 112.<br \/>\nPublished score (Hambourg: A. Cranz, [s.d.]). 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Czerny, Carl. Charmant-Variationen f\u00fcr das Pianoforte, Op. 249.<br \/>\nPublished score ([s.l.: s.n., s.d.]). 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 17<\/th>\n<td>Czerny, Charles [Carl]. Troisi\u00e8me D\u00e9cam\u00e9ron Musical. Recueil de Compositions amusantes pour le Piano seul, Op. 251, Book II.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 942-961. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Czerny, Charles [Carl]. Souvenir de Contemporains. Trois Rondeaux brillans et faciles sur des motifs favoris de notre tems pour le Piano-forte \u00e1 quatre mains, Op. 274, No. 2.<br \/>\nPublished score (Vienna: A. Diabelli et Co., [s.d.]), Pl. no. 135. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Czerny, Charles [Carl]. Deux Rondeaux non Difficiles pour le Pianofort\u00e9, Op. 311, Book 2.<br \/>\nPublished score (Mayence: B. Schott, [s.d.]), Pl. no. 4211. 9 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 94&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659371172982{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Czerny, Carl. Vollst\u00e4ndige theoretisch-practische Pianoforte Schule in 4 Theilen, Op. 500.<br \/>\nPublished score (Vienna: A. Diabelli &amp; Co., [s.d.]), Pl. no. D.&amp;C.No.6600 A. 168 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Czerny, Carlo [Carl]. 3 Gran Fantasie per Pianoforte, Op. 655.<br \/>\nPublished score (Milan: Francesco Lucca, [s.d.]), Pl. no. 3129. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Czerny, Joseph. Deux Quatuors de Fran\u00e7ois Schubert, Op. 125. Arranged for piano four-hands.<br \/>\nPublished score (Vienna: A. O. Witzendorf, [s.d.]), Pl. no. A.O.W.2665. 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\"><a name=\"d\"><\/a>folder 4<\/th>\n<td>Debussy, Claude. Douze \u00e9tudes pour le piano. Book 1.<br \/>\nPublished score (Paris: A. Durand &amp; Fils, 1916), Pl. no. D.&amp;F. 9406. 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Debussy, Claude. Douze \u00e9tudes pour le piano. Book 2.<br \/>\nPublished score (Paris: A. Durand &amp; Fils, 1916), Pl. no. D.&amp;F. 9407. 30 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 6<\/th>\n<td>Debussy, Claude. En blanc et noir. For piano four-hands.<br \/>\nPublished score ([Paris]: Durand &amp; Co., 1915), Pl. no. D.&amp;F. 9393. 39 pp. Missing front cover.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 7<\/th>\n<td>Debussy, Claude. Images, Series 1. For solo piano.<br \/>\nPublished score (Paris: A. Durand &amp; Fils, 1905), Pl. no. D.&amp;F. 6615. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Debussy, Claude. Images, Series 2. For solo piano.<br \/>\nPublished score (Paris: A. Durand &amp; Fils, 1908). 25 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 9<\/th>\n<td>Debussy, Claude. Nocturne pour piano.<br \/>\nPublished score (Paris: Soci\u00e9t\u00e9 d\u2019\u00e9ditions musicales, 1907), Pl. no. P.D. 1101. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 10<\/th>\n<td>Debussy, Claude. R\u00eaverie pour le piano.<br \/>\nPublished score ([Paris]: Jean Jobert, [s.d.]), Pl. no. E. 1403 F. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 11<\/th>\n<td>Debussy, Claude. Petite suite pour piano \u00e0 quatre mains.<br \/>\nPublished score (Paris: Durand &amp; Co., 1904), Pl. no. D.&amp;F. 4030. 31 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 12<\/th>\n<td>Debussy, Claude. Pr\u00e9ludes pour piano. Book 2.<br \/>\nPublished score (Paris: Durand &amp; Co., 1913). 79 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 13<\/th>\n<td>Debussy, Claude. Six \u00e9pigraphes antiques pour piano a 4 mains.<br \/>\nPublished score (Paris: A. Durand &amp; Fils, 1915), Pl. no. D.&amp;F. 9303. 30 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14-15<\/th>\n<td>Debussy, Claude. Sonate pour Violoncelle et Piano.<br \/>\nPublished part (cello) and score (Paris: Durand &amp; Co., 1915), Pl. no. D.&amp;F. 9390. 7 pp., 15 pp. 2 copies.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Diabelli, Anton. Euterpe: eine Reihe moderner und vorzu\u0308glich beleibter Tonstu\u0308cke zur Erheiterung in Stunden der Musse, Nos. 62\u201370, 113\u2013116, 119\u2013122.<br \/>\nBound volume of published arrangements for solo piano. Back cover missing. Contains:<\/p>\n<ul>\n<li>62: \u201cDrey M\u00e4rsche\u201d from Rossini\u2019s <em>La Donna del Lago<\/em> (Vienna: Cappi und Diabelli, [s.d.]), Pl. no. C.et D.no. 1008. 5 pp.<\/li>\n<li>63: \u201cCavatina\u201d from Rossini\u2019s <em>La Donna del Lago<\/em> (Vienna: Cappi und Diabelli, [s.d.]), Pl. no. C.et D.no. 1009. 5 pp.<\/li>\n<li>64: \u201cChor\u201d from Rossini\u2019s <em>La Donna del Lago<\/em> (Vienna: Cappi und Diabelli, [s.d.]), Pl. no. C.et D.No. 1010. 5 pp.<\/li>\n<li>65: \u201cDuetto\u201d from Rossini\u2019s <em>La Donna del Lago<\/em> (Vienna: Cappi und Diabelli, [s.d.]), Pl. no. C.et D.no. 1011. 5 pp.<\/li>\n<li>66: \u201cCavatina\u201d from Rossini\u2019s <em>La Donna del Lago <\/em>(Vienna: Cappi und Diabelli, [s.d.]), Pl. no. C.et D.no. 1012. 5 pp.<\/li>\n<li>67: \u201cCavatina\u201d from Rossini\u2019s <em>La Donna del Lago <\/em>(Vienna: Cappi und Diabelli, [s.d.]), Pl. no. C.et D.no. 1013. 5 pp.<\/li>\n<li>68: \u201cCavatina\u201d from Rossini\u2019s <em>La Donna del Lago <\/em>(Vienna: Cappi und Diabelli, [s.d.]), Pl. no. C.et D.no. 1014. 5 pp.<\/li>\n<li>69: \u201cSchlussgesang\u201d from Rossini\u2019s <em>La Donna del Lago <\/em>(Vienna: Cappi und Diabelli, [s.d.]), Pl. no. C.et D.no. 1015. 5 pp.<\/li>\n<li>70: \u201cDuetto\u201d from Rossini\u2019s <em>Eduard und Cristina <\/em>(Vienna: Cappi und Diabelli, [s.d.]), Pl. no. C.et D.no. 1016. 5 pp.<\/li>\n<li>113: \u201cCavatina\u201d from Rossini\u2019s <em>Cenerentola <\/em>(Vienna: Cappi und Diabelli, [s.d.]), Pl. no. C.et D.no. 1335. 5 pp.<\/li>\n<li>114: \u201cQuintetto Iste Abtheilung\u201d from Rossini\u2019a <em>Cenerentola <\/em>(Vienna: Cappi und Diabelli, [s.d.]), Pl. no. C.et D.no. 1336. 5 pp.<\/li>\n<li>115: \u201cQuintetto IIte Abtheilung\u201d from Rossini\u2019a <em>Cenerentola <\/em>(Vienna: Cappi und Diabelli, [s.d.]), Pl. no. C.et D.no. 1337. 5 pp.<\/li>\n<li>116: \u201cFinale Imo (Erste Abtheilung)\u201d from Rossini\u2019a <em>Cenerentola <\/em>(Vienna: Cappi und Diabelli, [s.d.]), Pl. no. C.et D.no. 1338. 5 pp.<\/li>\n<li>119: \u201cAria\u201d from Rossini\u2019a <em>Cenerentola <\/em>(Vienna: Cappi und Diabelli, [s.d.]), Pl. no. C.et D.no. 1341. 5 pp.<\/li>\n<li>120: \u201cDuetto\u201d from Rossini\u2019a <em>Cenerentola <\/em>(Vienna: Cappi und Diabelli, [s.d.]), Pl. no. C.et D.no. 1342. 5 pp.<\/li>\n<li>121: \u201cTemporale (Ungewitter)\u201d from Rossini\u2019a <em>Cenerentola <\/em>(Vienna: Cappi und Diabelli, [s.d.]), Pl. no. C.et D.no. 1343. 5 pp.<\/li>\n<li>122: \u201cSextetto\u201d from Rossini\u2019a <em>Cenerentola <\/em>(Vienna: Cappi und Diabelli, [s.d.]), Pl. no. C.et D.no. 1344. 5 pp.<\/li>\n<\/ul>\n<p>Also bound with:<\/p>\n<ul>\n<li>Kuhlau, F. Drei Leichte Rondos \u00fcber belielte Melodien aus der Oper Fra Diavolo von Auber, Op. 118, No. 2. For solo piano. Published score (Copenhagen: C. C. Lose, [s.d.]). 11 pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 17<\/th>\n<td>Diabelli, Anton. Lilienkr\u00e4nze. drey Sonatinen f\u00fcr das Piano-forte.<br \/>\nPublished score (Vienna: Ant. Diabelli und Comp., [s.d.]), Pl. nos. D.et C.No. 4947\u20134949. 11 pp., 11 p., 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 18<\/th>\n<td>D\u00f6hler, Theodore. Fantaisie et Variations de Bravoure pour le Pianoforte seul, Op. 17.<br \/>\nPublished score (Vienna: Ant. Diabelli, [s.d.]), Pl. no. D.et C.No. 6114. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>D\u00f6hler, Theodore. Nocturne pour piano, Op. 24.<br \/>\nPublished score (Vienna: Pietro Mechetti qm Carlo, [s.d.]), Pl. no. P.M.No.3022). 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 20<\/th>\n<td>D\u00f6hler, Theodore. Tarantelle pour le piano, Op. 39.<br \/>\nPublished score (Vienna: C. A. Spina, [s.d.]), Pl. no P.M.3598. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 21-22<\/th>\n<td>Dreyschock, Alex. Souvenir d\u2019Amiti\u00e9 pour piano, Op. 8.<br \/>\nPublished score (Hambourg: Aug. Cranz, [s.d.]). 12 pp. 2 copies (different editions).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 23-24<\/th>\n<td>Dreyschock, Alex. La Campanella Impromptu pour le pianoforte, Op. 10.<br \/>\nPublished score (Hambourg: A. Cranz, [s.d.]). 13 pp. 2 copies.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 23<\/th>\n<td>Dreyschock, Alex. Nocturne pour le piano, Op. 16.<br \/>\nPublished score (Leipzig: Fr. Hofmeister, [s.d.]), Pl. no. 3271. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 24<\/th>\n<td>Dreyschock, Alex. Le vallon idylle pour piano, Op. 26.<br \/>\nPublished score (Mayence: Fils de B. Schott, [s.d.]), Pl. no. 7375. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 25<\/th>\n<td>Dreyschock, Alex. Morceau de concert pour le piano, Op. 27.<br \/>\nPublished score (Mayence: Fills de B. Schott, [s.d.]), Pl. no. 7279. 21 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 95&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659371158402{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<p><strong><em>[Removed due to reorganization of materials]<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 96&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659466892084{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Dreyschock, Alex. Rhapsodie, Op. 40, No. 4. For solo piano.<br \/>\nPublished score (Berlin: Ed. Bote &amp; G. Bock, [s.d.]), Pl. no. B.et B. 1140. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Dreyschock, Alex. Nocturne pour le piano, Op. 71.<br \/>\nPublished score (Leipzig: Fr\u00e9deric Hofmeister, [s.d.]), Pl. no. 4269. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Dreyschock, Alex. La m\u00e9lancolie pour le piano, Op. 85.<br \/>\nPublished score (Leipzig: Fr\u00e9deric Hofmeister, [s.d.]), Pl. no. 4538. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Dreyschock, Alex. Un doux entretien: Idylle. Op. 92, No. 3. For solo piano.<br \/>\nPublished score (Vienna: C. A. Spina, [s.d.]), Pl. no. C.S.9462. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Dreyschock, Alex. Elegie, Op. 138. For solo piano.<br \/>\nPublished score ([s.l.: s.n., s.d.]), Pl. no. E.B. 341. 8 pp. Title page missing.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 6<\/th>\n<td>Dussek, J. L. La consolation: Andante pour le piano-forte, Op. 61.<br \/>\nPublished score (Vienna: Joseph Czern\u00fd, [s.d.]), Pl. no. 1372c. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 7<\/th>\n<td>\n<p>Dussek, J. L. Trois Grandes Sonates. Book 7 of <em>Oeuvres de J. L. Dussek.<\/em>\u00a0For piano four-hands.<br \/>\nBound volume [Leipzig: Breitkopf &amp; H\u00e4rtel, s.d.], containing:<\/p>\n<ul>\n<li>Grande sonate pour le pianoforte \u00e0 quatre mains, Op. 32 (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 2849. 31 pp.<\/li>\n<li>Grande sonate pour le pianoforte \u00e0 quatre mains, Op. 48 (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 334. 35 pp.<\/li>\n<li>Grande sonate pour le pianoforte \u00e0 quatre mains, Op. 74 (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 1721. 31 pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Dussek, J. L. Sonaten f\u00fcr das Pianoforte, Nos. 1\u201320.<br \/>\nPublished volume (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 11413 I. 239 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 9<\/th>\n<td>Dvor\u00e1k, Antonin. Kl\u00e4nge aus M\u00e4hren = Moravsk\u00e9 dvojzpevy = Echoes of Moravia, Op. 32. Thirteen duets for soprano, alto, and piano.<br \/>\nPublished score (Berlin: N. Simrock, 1882), Pl. no. 8258. 65 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Dvor\u00e1k, Antonin. Dumka (Elegie), Op. 35. For solo piano.<br \/>\nPublished score (Berlin: Ed. Bote &amp; G. Bock, [s.d.]), Pl. no. 12065. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Dvor\u00e1k, Antonin. Furiante (B\u00f6hmische National-T\u00e4nze) f\u00fcr Pianoforte, Op. 42, No. 1 in D Major.<br \/>\nPublished score (Berlin: Ed. Bote &amp; G. Bock, [s.d.]), Pl. no. 12067. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 12<\/th>\n<td>Dvor\u00e1k, Antonin. Furiante (B\u00f6hmische National-T\u00e4nze) f\u00fcr Pianoforte, Op. 42, No. 2 in F Major.<br \/>\nPublished score (Berlin: Ed. Bote &amp; G. Bock, [s.d.]), Pl. no. 12068. 10 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 13<\/th>\n<td>Dvor\u00e1k, Antonin. Slavische T\u00e4nze f\u00fcr Orchester, Op. 46, Book I, Nos. 1\u20134.<br \/>\nPublished volume (Berlin: N. Simrock, [s.d.]), Pl. no. 8050. 138 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Dvor\u00e1k, Antonin. Slavische T\u00e4nze f\u00fcr Orchester, Op. 46, Book 2, Nos. 5\u20138.<br \/>\nPublished volume (Berlin: N. Simrock, [s.d.]), Pl. no. 8051. 136 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 15<\/th>\n<td>Dvor\u00e1k, Antonin. Walzer f\u00fcr Clavier, Op. 54, Book 1.<br \/>\nPublished volume (Berlin: N. Simrock, 1880), Pl. no. 8162. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Dvor\u00e1k, Antonin. Neue slavische T\u00e4nze, Op. 72, Book 1, Nos. 1\u20134.<br \/>\nPublished volume (Berlin: N. Simrock, [s.d.]), Pl. no. 8786. 114 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Dvor\u00e1k, Antonin. Neue slavische T\u00e4nze, Op. 72, Book 2, Nos. 5\u20138.<br \/>\nPublished volume (Berlin: N. Simrock, [s.d.]), Pl. no. 8788. 110 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 97&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659467987693{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\"><a name=\"e\"><\/a>folder 1<\/th>\n<td>Elsnera, Jozefa. Szkola Spiewu. [Method book for singing instruction.]<br \/>\nPublished volume (Warsaw: Gustawa Sennewald, [1834]). 74 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\"><a name=\"f\"><\/a>folder 2<\/th>\n<td>Faur\u00e9, Gabriel. Trio pour piano, violon et violoncelle, Op. 120.<br \/>\nPublished parts (violin, cello) and score (Paris: Durand &amp; Co., 1923), Pl. no. D.&amp; F. 10,347. 10 pp., 10 pp., 40 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Field, John. Nocturne No. 4 in A Major. For solo piano.<br \/>\nPublished score (Leipzig: Rob. Forberg, [s.d.]), Pl. no. 65. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Field, John. Nocturne No. 5 in B-flat Major. For solo piano.<br \/>\nPublished score (Offenbach a\/M: Jean Andr\u00e9, [s.d.]), Pl. no. 4445. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Field, John. Nocturne No. 12 in G Major. For solo piano.<br \/>\nPublished score (Leipzig: Bretikopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 5570. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Field, John. Reviens, reviens: Cavatine pour le pianoforte.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 5593. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Fischer, H. Walse favorite pour Piano.<br \/>\nPublished score (Bonn: Dunst &amp; Comp., [s.d.]), Pl. no. 52. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\"><a name=\"g\"><\/a>folder 8<\/th>\n<td>Gluck, Christoph.\u00a0<em>Iphigenie en Aulide.<\/em>\u00a0Arranged for piano by Mr. Grosheim.<br \/>\nPublished piano vocal score (Bonn: N. Simrock, [s.d.]), Pl. no. 602. 149 pp.<br \/>\n&#8211; RISM A\/1 G 2753.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Gounod, C.\u00a0<em>Margarethe: Faust Oper in V. Acten.<br \/>\n<\/em>Published piano vocal score (Berlin: Ed. Bote &amp; G. Bock, [s.d.]), Pl. nos. B.&amp; B. 5201\u20135232. 243 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Graun, Carl Heinrich. Der Tod Jesu. Cantata for voices and piano.<br \/>\nPublished piano vocal score (Berlin: Gaillard &amp; Co., [s.d.]), Pl. no. G.e C. 1. 71 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Gretchaninov, A. \u0421\u0442\u0435\u043f\u044c\u044e \u0438\u0434\u0443 \u044f \u0443\u043d\u044b\u043b\u043e\u044e = Triste est le steppe = Vor mir die Steppe, Op. 5, No. 1. For voice and piano.<br \/>\nPublished score (Leipzig: M. P. Bela\u00efeff, 1912), Pl. no. 980 981. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 12<\/th>\n<td>Gretchaninov, A. \u041d\u043e\u0447\u044c = La nuit = Nacht, Op. 5, No. 2. For voice and piano.<br \/>\nPublished score (Leipzig: M. P. Bela\u00efeff, 1912), Pl. no. 980 982. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 13<\/th>\n<td>Gretchaninov, A. \u0427\u0442\u043e \u0442\u044b \u043f\u043e\u043d\u0438\u043a\u043b\u0430, \u0437\u0435\u043b\u0435\u043d\u0430\u044f \u0438\u0432\u0443\u0448\u043a\u0430? = Pourquoi se fanent tes feuilles? = Weide, was neigest, Op. 5, No. 3. For voice and piano.<br \/>\nPublished score (Leipzig: M. P. Bela\u00efeff, 1912), Pl. no. 980 983. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Gretchaninov, A. Epicedium = Chant fun\u00e8bre = Klagegesang, Op. 5, No. 4. For voice and piano.<br \/>\nPublished score (Leipzig: M. P. Bela\u00efeff, 1912), Pl. no. 980 984. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder15<\/th>\n<td>Gretry. Ouverture de l\u2019opera\u00a0<em>Richard Coeur de Lion.<\/em>\u00a0Arranged for violin and piano.<br \/>\nPublished parts (violin and piano) (Hambourg: August B\u00f6hme, [s.d.]). 3 pp., 7 pp. [RISM A\/1 G 4345.]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 98&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659467999327{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\"><a name=\"h\"><\/a>folder 1<\/th>\n<td>H\u00e4ndel, G. F.\u00a0<em>Judas Maccab\u00e4us,\u00a0<\/em>Books I\u2013III. Keyboard excerpts arranged by J. H. Clasing.<br \/>\nPublished piano-vocal score (Hambourg: A. Cranz, [1820]), Pl. no. 2. 61 pp., 69 pp., 48 pp. [RISM A\/1 H 649.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>H\u00e4ndel, G. F. Variations pour le piano.<br \/>\nPublished score (Leipzig: Bretikopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 9706. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Hauptmann, M. Trois sonates pour le pianoforte et violon, Op. 23, No. 3.<br \/>\nPublished parts (violin, piano) (Leipzig: C. F. Peters, [s.d.]), Pl. no. 2608. 6 pp., 21 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Haydn, F. J. Symphonie \u00e0 Grand Orchestre, H.I\/52.<br \/>\nOrchestral parts: violin I, violin II, viola, cello, bass, oboe I, oboe II, horn I, horn II [per Hoboken: lacks bassoon]. Published parts (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 1375. 26 pp., total. [RISM A\/1 H 3076.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Haydn, F. J. Symphonie \u00e0 Grand Orchestre, H.I\/83.<br \/>\nOrchestral parts: violin I, violin II, viola, cello\/bass, flute, oboe I, oboe II, bassoon, horn I, horn II. Published parts (Bonn: N. Simrock, [s.d.]), Pl. no. 836. [RISM A\/1 H 3036.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Haydn, F. J. Sinfonie pour deux Violons, Alto, Basse, 1 Fl\u00fbte, 2 Hautbois, 2 Bassoons &amp; 2 Cors, Oeuvre 66, Liv. 3, H.I\/91.<br \/>\nOrchestral parts: violin I, violin II, viola, bass, flute, oboe I, oboe II, bassoon, horn I, horn II. Published parts (Offenbach a\/M: Jean Andr\u00e9, [s.d.]), 2de \u00e9dition, Pl. no. 2915. 36 pp., total. [RISM A\/1 H 3172.]<br \/>\nAlso in folder: manuscript parts for violin I, viola, bass [transcriptions?]. 15 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Haydn, F. J. No. 8: Symphonie Periodique, H.I\/92.<br \/>\nOrchestral parts: violin I, violin II, viola, bass, flute, oboe I, oboe II, bassoon, horn I, horn II. Published parts (London: J. Dale, [s.d.]). 33 pp., total. [RISM A\/1 H 3172.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Haydn, F. J. Andante mit dem Pauckenschlag f\u00fcr das Clavier. Arranged for solo piano.<br \/>\nPublished score (Vienna: Cappi &amp; Comp., [s.d.]), Pl. no. 1089. 3 pp. [RISM A\/1 H 4328.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Haydn, F. J. Symphonie \u00e0 Grand Orchestre, H.I\/98.<br \/>\nOrchestral parts: violin I, violin II, viola, cello\/bass, flute, oboe I, oboe II, bassoon, horn I, horn II, clarinet I, clarinet II, timpani. Published parts (Bonn: N. Simrock, [s.d.]), Pl. no. 813. 45 pp., total. [RISM A\/1 H 2996.]<br \/>\nAlso in folder: manuscript parts for violin I, bass. 15 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Haydn, F. J. No. 1: Grande Simphonie a Plusieurs Instruments, Oeuvre 91, H.I\/100.<br \/>\nOrchestral parts: violin I, violin II, viola, cello, bass, flute, oboe I, oboe II, clarinet I, clarinet II, bassoon, horn I, horn II, trumpet I, trumpet II, timpani, triangle\/cymbals, bass drum. Published parts (Augsbourg: Gombart et Comp., [s.d.]), Pl. no. 263. 56 pp., total. [RISM A\/1 H 3208.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Haydn, F. J. Trois Quatuors pour Deux Violons, Alto, et Basse, Oeuvre 60, H.III\/60\u201362.<br \/>\nString parts: violin II, violin I, viola, cello. Published parts (Vienne: Jean Cappi, [s.d.]), Pl. no. 77. 49 pp., total. [RISM A\/1 H 3525; Cappi assumed Artaria plates (cf RISM A\/1 H 3524).]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 12<\/th>\n<td>Haydn, F. J. Trios f\u00fcr Pianoforte, Violine u. Violoncell, No. 2, H.XV\/14.<br \/>\nPublished score and parts (violin, cello) (Offenbach a\/M: Joh. Andr\u00e9, [s.d.]), new edition by C. Czerny, Pl. no. 7542. 23 pp., 6 pp., 4 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 13<\/th>\n<td>Haydn, F. J. Derni\u00e8re Sonate pour le Piano Fort\u00e9 avec Accompagnement de Violon, H.XV\/31(b).<br \/>\nPublished score (Bonn: N. Simrock, 1832), Pl. no. 1832. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Haydn, F. J. Sonate pour le Clavecin ou Fort\u00e9-Piano, Oeuvre 42, H.XVI\/34.<br \/>\nPublished score (Offenbach a\/M: J. Andr\u00e9, [1780]), Pl. no. 131. 10 pp. [RISM A\/1 H 3885.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Haydn, F. J. Sonate f\u00fcr das Pianoforte, No. 2, H.XVI\/36.<br \/>\nPublished score (Stuttgart: Eduard Hallberger, [s.d.]), Pl. no. H.II. 10 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>\u00a0Haydn, F. J. Sonate f\u00fcr das Pianoforte, No. 1, H.XVI\/37.<br \/>\nPublished score (Stuttgart: Eduard Hallberger, [s.d.]), Pl. no. H.I. 10 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Haydn, F. J. Sonate f\u00fcr das Pianoforte, No. 7, H.XVI\/49.<br \/>\nPublished score (Stuttgart: Eduard Hallberger, [s.d.]), Pl. no. H.VII. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Haydn, F. J. Sonate f\u00fcr das Pianoforte, No. 5, H.XVI\/52.<br \/>\nPublished score (Stuttgart: Eduard Hallberger, [s.d.]), Pl. no. H.V. 19 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 99&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659534050526{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Haydn, F. J. Variationen No. 20 F moll f\u00fcr das Pianoforte, H.XVII\/6.<br \/>\nPublished score (Stuttgart: J. G. Cotta\u2019sche, 1892), Pl. no. 38. 11 pp\/<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Haydn, F. J. Die Jahreszeiten [The Seasons], H.XXI\/3.<br \/>\nPublished piano vocal score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. Haydn\u2019s J.Z. 176 pp. [RISM A\/1 H 4691.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Haydn, F. J. Konzert D dur f\u00fcr Pianoforte, Op. 21, H.XVIII\/11.<br \/>\nPublished two piano reduction (Leipzig: Steingr\u00e4ber, [s.d.]), piano reduction by Ed. Martke, Pl. no. 463. 31 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Haydn, F. J. Oeuvres Complettes, Cahier I (VIII Sonates pour le Pianoforte).<br \/>\nFragment of published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]). Consists of front cover and title page only. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Haydn, F. J. Oeuvres Complettes, Cahier II (XI Pi\u00e8ces pour le Pianoforte).<br \/>\nPublished volume (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. Haydn II. 96 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 6<\/th>\n<td>Haydn, F. J. Oeuvres Complettes, Cahier III (VI Sonates pour le Pianoforte avec l\u2019accompagnement d\u2019un Violon et Violoncelle).<br \/>\nPublished volume (piano part only) (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. Haydn III, hard bound. 72 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 7<\/th>\n<td>Haydn, F. J. Oeuvres Complettes, Cahier III (VI Sonates pour le Pianoforte avec l\u2019accompagnement d\u2019un Violon et Violoncelle).<br \/>\nPublished parts (piano, violin, cello) (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. Haydn III. 72 pp., 22 pp., 16 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Haydn, F. J. Oeuvres Complettes, Cahier IV (VIII Pi\u00e8ces pour le Pianoforte).<br \/>\nPublished volume (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. Haydn IV. 89 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 9<\/th>\n<td>Haydn, F. J. Oeuvres Complettes, Cahier VIII (XV Airs et Chansons et Arianne \u00e0 Naxos).<br \/>\nPublished piano vocal score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. Haydn VIII. 80 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 101&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659541884107{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Haydn, F. J. Oeuvres Complettes, Cahier X (VIII Sonates pour le Pianoforte).<br \/>\nPublished parts (piano, violin, cello) (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. Haydn X. 74 pp., 22 pp., 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Haydn, F. J. Oeuvres Complettes, Cahier XI (XII Sonates pour le Pianoforte).<br \/>\nPublished volume (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. Haydn XI. 102 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Haydn, F. J. Oeuvres Complettes, Cahiers I\u2013XII.<br \/>\n<strong><em>Shelved within Rare Books collection: M3 .H415BH 1800z.<br \/>\n<\/em><\/strong>12 published volumes, bound as Vols. 1\u20134, 5\u20138, 9\u201312 (Leipzig: Breitkopf &amp; H\u00e4rtel, [1800\u20131806]). Piano parts only.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Haydn, F. J. Sinfonies de J. Haydn pour le Piano, Nos. 4, 6, 8, 9, 11, 12, 13, 16, 17, 18, 19, 22, 23, 24.<br \/>\n14 published volumes (Bonn: N. Simrock, [s.d.]), piano arrangements by C. D. Stegmann, Pl. nos. 1004, 1006, 1008\u20131009, 1011\u20131013, 1016\u2013101-, 1022\u20131024. 241 pp., total.<br \/>\n&#8211; Contains: H.I\/69, 63, 75, 82, 71, 90, 47, 92, 70, 67, 91, 65, 87, 61.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Herd\u00ff, Ferencz. Losonczi Indul\u00f3 (Honv\u00e9d) [= Losonczy March (Defender of the Homeland)]. For solo piano.<br \/>\nPublished score (Pesten: R\u00f3zsav\u00f6lgyi\u00e8s T\u00e1rs\u00e0n\u00e1l, [s.d.]), Pl. no. R&amp;C.No.634. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Heller, Stephen. \u201cHorch, horch die Lerch\u2019im Aeter Blau.\u201d St\u00e4ndchen von Franz Schubert f\u00fcr Piano, Op. 68.<br \/>\nPublished score (Berlin: Ed. Bote &amp; G. Bock, [s.d.]), Pl. no. B.&amp; B. 1318. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 7<\/th>\n<td>Heller, Stephen. 5me Tarantelle pour le Piano, Op. 87.<br \/>\nPublished score (Leipzig: Bartholf Senff, [s.d.]), Pl. no. 140. 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Heller, Stephen. Deux Valses pour le Piano, Op. 93, No. 2.<br \/>\nPublished score (Leipzig: J. Rieter-Biedermann, [s.d.]), Pl. no. 90b. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 9<\/th>\n<td>Heller, Stephen. Improvisata \u00fcber die Romanza: \u201cFluthenreicher Ebro\u201d aus R. Schumann\u2019s Spanischen Liebesliedern, Op. 98. For solo piano.<br \/>\nPublished score (Leipzig: J. Rieter-Biedermann, [s.d.]), Pl. no. 190. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Henselt, Adolphe. Po\u00ebme D\u2019Amour. Andante et Allegro concertante pour le Piano, Op. 3.<br \/>\nPublished score (Berlin: Ad. Mt. Schlesinger, [s.d.]), 2nd ed., Pl. no. S.2176a. 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Henselt, Adolphe. Douze \u00c9tudes de Salon pour le Pianoforte, Deuxi\u00e9me Suite, Op. 5, Cah. I [Nos. 1\u20136].<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 9922 (5926). 37 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 12<\/th>\n<td>Henselt, Adolphe. Douze \u00c9tudes de Salon pour le Pianoforte (Deuxi\u00e9me Suite), Op. 5, [Nos. 1\u201312].<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), new edition, Pl. no. V.A.315. 63 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Henselt, Adolphe. Pens\u00e9e Fugitive pour le Piano, Oeuv. 8.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6110. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Henselt, Adolphe. Romance pour le Piano, Oeuv. 10.<br \/>\nPublished score (Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6113. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 15<\/th>\n<td>Henselt, Adolphe. La Gondola: \u00c9tude pour le Piano, Op. 13, No. 2.<br \/>\nPublished score (Berlin: Ad. Mt. Schlesinger, [s.d.]), Pl. no. 2575. 2 copies. 6 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Henselt, Adolphe. Deux petites Valses pour le Piano, Op. 28, No. 1.<br \/>\nPublished score (Leipzig: C. F. W. Siegel, [s.d.]), Pl. no. 603. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Herz, Henri. La Folie, Op. 7, No. 3. For solo piano.<br \/>\nPublished score (Mayence: B. Schott, [s.d.]), Pl. no. 3935. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Herz, Henri. Fantaisie pour le Piano-Forte, Oeuvre 5.<br \/>\nPublished score (Vienna: J. Trentsensky, [s.d.]), Pl. no. j.Cz.No616. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Herz, Henri. Introduction, Variations &amp; Finale concertants pour le Piano-Forte &amp; Violoncelle ou Violon, Oeuvre 7.<br \/>\nPublished parts (piano, cello, violin) (Vienna: Joseph Czern\u00fd, [s.d.]), Pl. no. C.u.Cz.603. 19 pp., 4 pp., 4 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 20<\/th>\n<td>Herz, Henri. Fantasie et Rondeau pour le Piano-Fort\u00e9 sr la Cavatine \u201cCara deh attendimi\u201d de l\u2019Op\u00e9ra Zelmire de Rossini, Op. 12.<br \/>\nPublished score (Leipzig: Fr. Hofmeister, [s.d.]), Pl. no. 1290. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 21<\/th>\n<td>Herz, Henri. Variations de Bravoure pour le Piano-Forte, Oeuvre 20.<br \/>\nPublished score (Vienna: Joseph Trentsensky, [s.d.]), Pl. no. C.u.Cz.606.607. 18 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 22<\/th>\n<td>Herz, Henri. Variations Brillantes pour Piano Forte seul sur le Chant favori d\u2019il Crocciatio de Meyerbeer, Op. 23.<br \/>\nPublished score (Vienna: A. Pennauer, [s.d.]), Pl. no. 308. 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 23<\/th>\n<td>Herz, Henri. Introduction et Variations Brillantes pour le Piano-Forte sur la Chansonnette favorite de l\u2019Enfant du R\u00e9giment, Op. 24.<br \/>\nPublished score (Bronsvic: G. M. Meyer Jr., [s.d.]), Pl. no. 249. 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 24<\/th>\n<td>Herz, Henri. Grandes Variations pour le Pianoforte sur le Choeur des Grecs du Si\u00e8ge de Corinthe, op. 36.<br \/>\nPublished score (Leipzig: Fr\u00e9deric Hofmeister, [s.d.]), Pl. no. 1512. 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 25-26<\/th>\n<td>Herz, Henri. Variations de Concert pour le Piano Forte avec accompt. d\u2019orchestre sur une Marche favorite de Guillaume Tell de Rossini, Op. 57.<br \/>\nSolo piano arrangement. Published score (Mayence: Fils de B. Schott, [s.d.]), Pl. no. 3423. 2 copies. 23 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 27<\/th>\n<td>Herz, Henri. \u00c0 l\u2019allemande. No. 3 in Trois Rondeaux Caract\u00e9ristiques pour le Piano Forte, Op. 61.<br \/>\nPublished score (Bonn: N. Simrock, [s.d.]), Pl. no. 2957<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 28<\/th>\n<td>Herz, Henri. Cavatine de Zampa Vari\u00e9e pour le Piano-Fort\u00e9, Opus 66.<br \/>\nPublished score (Anvers: fils de B. Schott, [s.d.]), Pl. no. 4066. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 29<\/th>\n<td>Herz, Henri. Variations Brillantes di Bravura pour le Piano Forte avec Accompagnement de Grand Orchestre, Oeuvre 76.<br \/>\nSolo piano arrangement. Published score (Mayence: B. Schott, [s.d.]), Pl. no. 4066. 22 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 102&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659542371345{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Herz, Henri. Second Th\u00eame Original avec Introduction et Variations pour le Piano-Forte, Op. 81.<br \/>\nPublished score (Mayence: B. Schott, [s.d.]), Pl. no. 4227. 16 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Herz, Henri. Genre Italien, Op. 88, No. 1. For solo piano.<br \/>\nPublished score (Mayence: B. Schott, [s.d.]), Pl. no. 4505.1. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Herz, Jacques. Grande Fantaisie et Variations Brillantes pour le Piano, Op. 32.<br \/>\nPublished score (Mayence: B. Schott, [s.d.]), Pl. no. 5315. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Hiller, Ferdinand. Concert f\u00fcr das Pianoforte mit Begleitung des Orchesters, Op.69.<br \/>\nSolo piano arrangement. Published score (Hambourg: Aug. Cranz, [s.d.]), Pl. no. A.C.32885. 35 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Hindemith, Paul. Sonaten f\u00fcr Klavier.<br \/>\nBound volume containing Hindemith\u2019s three piano sonatas. Published score (Mainz: B. Schott\u2019s S\u00f6hne, 1936), Pl. nos. B.S.S. 34790, B.S.S. 34811, B.S.S. 34856. 30 pp., 18 pp., 27 pp.<br \/>\n&#8211; Autographed by composer (Paul Hindemith) on title page.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Hummel, J. N. 13 Variationen \u00fcber ein \u00d6streichisches National Lied f\u00fcr Pianoforte, Op. 8.<br \/>\nPublished score (Offenbach a\/M: Johann Andr\u00e9, [s.d.]), Pl. no. 5302. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Hummel, J. N. Rondeau Favori (Es dur) pour le Piano-Fort\u00e9, Op. 11.<br \/>\nPublished score (Offenbach a\/M: Joh. Andr\u00e9, [s.d.]), Pl. no. Andr\u00e9 4397. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Hummel, J. N. 1tes Trio f\u00fcr Pianoforte, Violine und Violoncello, 12tes Werk.<br \/>\nPublished parts (piano, violin, cello) (Vienna: Tobias Haslinger, [s.d.]), Pl. no. C.H.4246. 27 pp., 7 pp., 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Hummel, J. N. Sonate No. 1 pour le Piano, Op. 13.<br \/>\nPublished score (Offenbach a\/M: Jean Andr\u00e9, [s.d.]), Pl. no. 9538. 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Hummel, J. N. Sonate No. 2 pour le Piano, Op. 20.<br \/>\nPublished score (Offenbach a\/M: Jean Andr\u00e9, [s.d.]), Pl. no. 9542. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Hummel, J. N. Drei variirte Themen, Op. 34, Heft 11. For solo piano.<br \/>\nPublished score (Wolfenb\u00fcttel: L. Holle, [s.d.]), Pl. no. 1155. 20 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Hummel, J. N. Caprice in F, Op. 48 [recte Op. 49], Heft 15. For solo piano.<br \/>\nPublished score (Wolfenb\u00fcttel: L. Holle, [s.d.]), Pl. no. 1159. 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Hummel, J. N. Rondoletto pour le Piano, Op. 52.<br \/>\nPublished score (Offenbach a\/M: Jean Andr\u00e9, [s.d.]), Pl. no. 7642. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Hummel, J. N. La Bella Capricciosa pour le Piano-Forte, Op. 55.<br \/>\nPublished score (Berlin: Ed. Bote &amp; G. Bock, [s.d.]), Pl. no. B.et B. 112. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Hummel, J. N. La bella capricciosa, Op. 55. For solo piano.<br \/>\nPublished score (Hambourg: Aug. Cranz, [s.d.]), Pl. no. C.25011. 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Hummel, J. N. Rondo brillant pour le Piano Forte, Op. 56.<br \/>\nPublished score (Berlin: F. S. Lischke, [s.d.]), Pl. no. 1644. 21 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Hummel, J. N. Grand Quintuor pour le Piano, Violon, Alto, Violoncelle et Contrabasse, Oeuvre 74.<br \/>\nPublished piano part (Vienne: Artaria et Comp, [s.d.]), Pl. no. 2451. 53 pp. First edition.<br \/>\nString parts: violin, viola, cello, bass. Published parts (Vienne: Artaria et Comp, [s.d.]), Pl. no. 2452. 8 pp., 7 pp., 7 pp., 5 pp. Later edition of quintet version.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Hummel, J. N. Adagio, Variationen und Rondo \u00fcber ein beliebtes engl. Lied: \u201cThe pretty Polly,\u201d Op. 75, Heft 23. For solo piano.<br \/>\nPublished score (Wolfenb\u00fcttel: L. Holle, [s.d.]), Pl. no. 1167. 18 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Hummel, J. N. Adagio, Variazionen und Rondo \u00fcber ein russisches Thema f\u00fcr Piano-Forte, Fl\u00f6te und Violonzell, 78tes Werk.<br \/>\nPublished piano part (Wien: S. A. Steiner und Comp, [s.d.]), Pl. no. S:u:C:283; flute and cello parts missing. 17 pp. First edition.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 20<\/th>\n<td>Hummel, J. N. Sonate No. 5, Op. 81. For solo piano.<br \/>\nPublished score (Braunschweig: Henry Litolff, [s.d.]), Pl. no. Collection Litolff Band 171 No. 5.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 21<\/th>\n<td>Hummel, J. N. Grand Trio per il Pianoforte, Violino e Violoncello, Op. 83.<br \/>\nPublished parts (piano, violin, cello) (Lipsia: C. F. Peters, [s.d.]), [first edition?], Pl. no. 1499. 31 pp., 6 pp., 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 22<\/th>\n<td>Hummel, J. N. Grosses Concert f\u00fcr das Piano-Forte, 85tes Werk.<br \/>\nPublished score (Wien: Tobias Haslinger, [s.d.]), Pl. no. T.H.3007-3221. 48 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 23<\/th>\n<td>Hummel, J. N. Grand Concerto pour le Piano-Forte avec Accompagnement de grand Orchestre, Oeuv. 89.<br \/>\nArrangement for solo piano. Published score (Leipzig: C. F. Peters, [s.d.]), [first edition], Pl. no. 1594. 57 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 24<\/th>\n<td>Hummel, J. N. Rondeau Brillant pour le Pianoforte, Oeuvre 98.<br \/>\nPublished score (Vienne: Joseph Czern\u00fd, [s.d.]), Pl. no. 2552. 25 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 25<\/th>\n<td>Hummel, J. N. Rondeau Brillant pour le Pianoforte avec accompagnement de l\u2019orchestre, Oeuvre 98.<br \/>\nOrchestral parts: piano, violin I, violin II, viola, cello\/bass, flute, clarinet I, clarinet II, bassoon I, bassoon II, horn I, horn II, timpani, oboe I, oboe II, trumpet I, trumpet II. Published parts (Vienne: Joseph Czerny, [s.d.]), Pl. nos. 2552 (piano), 2551 (orchestral parts). 66 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 26<\/th>\n<td>Hummel, J. N. Nocturne \u00e0 quatre mains pour le Piano-Forte, Oeuv. 99.<br \/>\nPublished score (Leipzig: C.F. Peters, [s.d.]), [first edition], Pl. no. 1764. 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 27<\/th>\n<td>Hummel, J. N. Grosser Walzer in Form eines Rondo, Op. 103, No. 1, Heft 27. For solo piano.<br \/>\nPublished score (Wolfenb\u00fcttel: L. Holle, [s.d.]), Pl. no. 1171. 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 28<\/th>\n<td>Hummel, J. N. Grande Sonate pour Pianoforte et Violoncelle, Oeuv. 104.<br \/>\nPublished parts (piano, cello) (Leipzig: C.F. Peters, [1827]), [first edition], Pl. no. 1907. 21 pp., 6 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 103&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659542404408{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Hummel, J. N. \u201c\u00c0 la Suisse.\u201d No. 1 in Trois Amusements en forme des Caprices pour le Piano, Oeuvre 105.<br \/>\nPublished score (Vienne: Joseph Czerny, [s.d.]), Pl. no. No. 9. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Hummel, J. N. \u201c\u00c0 la Antrichienne.\u201d No. 2 in Trois Amusements en forme des Caprices pour le Piano, Oeuvre 105.<br \/>\nPublished score (Vienne: Joseph Czerny, [s.d.]), Pl. no. No. 10. 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Hummel, J. N. \u201c\u00c0 la Styrienne.\u201d No. 3 in Trois Amusements en forme des Caprices pour le Piano, Oeuvre 105.<br \/>\nPublished score (Vienne: Joseph Czerny, [s.d.]), Pl. no. No. 11. 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Hummel, J. N. Grande Sonate. For solo piano.<br \/>\nPublished score [s.l.: s.n., s.d.], [possible first edition from Diabelli]), Pl. no. D.et C.No. 1595. 37 pp. Title page lacking.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Hummel, J. N. Sonate No. 6, Op. 106. For solo piano.<br \/>\nPublished score (Braunschweig: Henry Litolff, [s.d.]), Pl. no. Collection Litolff Band 171 No. 6. 29 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Hummel, J. N. Bagatelles, Op. 107.<br \/>\nPublished score (Berlin: Ed. Bote &amp; G. Bock, [s.d.]), Pl. no. 6946. 39 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Hummel, J. N. Bagatellen f\u00fcr das Piano-Forte, 107s Werk, I Abteilung. [Op. 107, Nos. 1\u20133.]<br \/>\nPublished score (Wien: Joseph Czerny, [s.d.]), Pl. no. C.u.C.148., 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Hummel, J. N. Bagatellen f\u00fcr das Piano-Forte, 107s Werk, II Abteilung. [Op. 107, Nos. 4\u20136.]<br \/>\nPublished score (Wien: Joseph Czerny, [s.d.]), Pl. no. C.u.C.149. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Hummel, J. N. Grand Concerto pour le Pianoforte avec Accompagnement de l\u2019Orchestre, Oeuv.110.<br \/>\nSolo piano arrangement. Published score (Leipzig: C.F. Peters, [1830]), Pl. no. 1895. 45 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Hummel, J. N. La Galante Rondo agr\u00e9able et brillant pour Piano, Op. 120.<br \/>\nPublished score (Offenbach a\/M: Jean Andr\u00e9, [s.d.]), Pl. no. 9902. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Hummel, J. N. La Galante Rondo, Op. 120. For solo piano.<br \/>\nPublished score (Braunschweig: Henry Litolff, 1891), new edition by R. R\u00f6ssier, Pl. no. Litolff\u2019s Akademische Ausgabe No. 39. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Hummel, J. N. Dernier Concerto pour le Piano avec accompagnement d\u2019Orchestre, Oeuvres posthumes No. 1.<br \/>\nSolo piano part with orchestral cues. Published score (Leipsic: Breitkopf &amp; H\u00e4rtel, [s.d.]), [first edition], Pl. no. 6095.a. 41 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Hummel, J. N. Sonate No. 8. In \u201cSonates pour Piano \u00e0 2 mains,\u201d Band 171. [No opus number listed.]<br \/>\nPublished score (Braunschweig: Henry Litolff, [s.d.]), Pl. no. Collection Litolff Band 171 No. 8. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>H\u00fcnten, Fran\u00e7. Polonaise pour Piano-Forte et Violon, Oeuvre 22.<br \/>\nPublished parts (piano, violin) (Vienne: Jos. Trentsensky, [s.d.], Pl. no. J.Cz.660. 2 copies. 9 pp., 2 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 15<\/th>\n<td>H\u00fcnten, Fran\u00e7. Les \u00c9meraudes pour le Piano, Op. 128, No. 1.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 7006. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\"><a id=\"i\"><\/a>folder 16<\/th>\n<td>Isouard, Nicolo. Ouverture aus der grossen romantishen Oper Cendrillon = Aschenbr\u00f6del. Arranged for solo piano by J. N. Hummel.<br \/>\nPublished score (Wien: Thad\u00e9 Weigl, [s.d.]), Pl. no. 1195. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\"><a id=\"k\"><\/a>folder 17<\/th>\n<td>Kalliwoda, J. W. Duo III. No. 3 from \u201cTrois Duos Faciles et Brillants pour deux Violons,\u201d Op. 243.<br \/>\nPublished part (violin II part only) (Leipzig: C.F.W. Siegel, [s.d.]), Pl. no. 2753. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Kalkbrenner, Fr\u00e9d. Piano Sonata, Op. 1, No. 1.<br \/>\nPublished score (Leipzig: H.A. Probst, [s.d.]), new edition, Pl. no. 311. 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Kalkbrenner, Fr\u00e9d. Introduction et Rondeau pour le Pianoforte, Oeuv. 52.<br \/>\nPublished score (Bronsvic: G.M. Meyer Jr, [s.d.]), Pl. no. 103. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 20<\/th>\n<td>Kalkbrenner, Fr\u00e9d. No. 1 Grand Concerto pour le Piano-forte sans accompagnement de l\u2019Orchestre, Oeuvre 61.<br \/>\nSolo piano part with orchestral cues. Published score (Leipsic: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 4031. 39 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 21<\/th>\n<td>Kalkbrenner, Fr\u00e9d. Le R\u00eave Grand Fantasie pour le Pianoforte avec Accompagnement d\u2019Orchestre ad libitum, Oeuvre 113.<br \/>\nSolo piano version. Published score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 985.988. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 22<\/th>\n<td>Kalkbrenner, Fr\u00e9d. La Femme du Marin: Pens\u00e9e Fugitive pour le Piano, [Op. 139].<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 7135. 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 23<\/th>\n<td>Kalkbrenner, Fr\u00e9d. Grande Fantasie pour le Piano \u00e0 quatre mains, Op. 147.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6577. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 24<\/th>\n<td>Kiel, Friedrich. Trio f\u00fcr Pianoforte, Violine und Violoncello, Op. 33.<br \/>\nPublished score and parts (violin, cello) (Leipzig: C. F. Peters, [s.d.]), Pl. no. 4494. 45 pp., 11 pp., 10 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 25<\/th>\n<td>Kirmair. \u201cEin M\u00e4dchen oder Weibchen w\u00fcnscht Pagageno sich.\u201d No. 4 in VIII Variations sur l\u2019air de la Fl\u00fbte magique de Mozart\u2026pour le Piano Forte.<br \/>\nPublished score (Bonn: N. Simrock, [s.d.]), Pl. no. 1029. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 26<\/th>\n<td>Kreutzer, R. Dixhuiti\u00e8me Concerto pour le Violon accompagn\u00e9 de 2 Violons, Alto, Basse, Fl\u00fbte, 2 Hautbois, 2 Cors, 2 Bassons, Trombone et Timbales.<br \/>\nOrchestral parts (incomplete): principal violin, violin I, violin II, viola, bass, flute. Published parts (Offenbach a\/M: Jean Andr\u00e9, [s.d.]), Pl. no. 2930. 35 pp., total.<br \/>\n&#8211; RISM A\/1 K 2237.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 27<\/th>\n<td>Krug, D. Hommage \u00e0 Jenny Lind. Fantasie, Oeuv. 26. For solo piano.<br \/>\nPublished score (Hambourg Schuberth &amp; Co, 1849), Pl. no. 1266. 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 28<\/th>\n<td>K\u00fccken, Fr. \u201cMein Herz ich will dich fragen, was ist denn Liebe!\u201d\u2026f\u00fcr Gesang und Pianoforte, 40tes Werk.<br \/>\nPublished score (Wien: Pietro Mechetti qm. Carlo, [s.d.]), Pl. no. P.M.No. 3684. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 29<\/th>\n<td>Kuhlau, Fred. Quatre Sonatines faciles et doigt\u00e9es pour le Pianoforte, Oeuvre 88, [Nos. 1\u20134].<br \/>\n4 separate imprints with sequential pagination; bound together. Published scores (Copenhague: C. C. Lose, [s.d.]). 25 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 30<\/th>\n<td>Kuhlau, Fred. Grande Sonate pour le Piano Forte avec accomp. d\u2019un Violon oblig\u00e9, Op. 33.<br \/>\nPublished parts (piano, violin) (Bonn: N. Simrock, [s.d.]), Pl. no. 1880. 23 pp., 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 31<\/th>\n<td>Kuhlau, Fred. Sonata No. 2, from \u201cTrois Sonates pour le Piano Forte,\u201d Op. 46.<br \/>\nPublished score (Hambourg A. Cranz, [s.d.]). 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 32<\/th>\n<td>Kuhlau, Fred. Six Th\u00eames favoris tir\u00e9s de l\u2019Opera Der Freisch\u00fctz\u2026pour le Piano-Forte, Oeuv. 49, Nos. 1\u20132, 4, 6.<br \/>\n4 separate imprints, bound together (nos. 3 and 5 missing). Published scores (Copenhague: C. C. Lose, [s.d.]). 14 pp., 7 pp., 13 pp., 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 33<\/th>\n<td>Kuhlau, Fred. 6 Sonatines fac. prog. et doigt., Op. 55 Nos. 1-3, Hefte 1. For solo piano.<br \/>\nPublished score ([Copenhague]: C. C. Lose [F. Borchorst]). 15 pp.<br \/>\n<em><u>N.B.<\/u><\/em><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kuhlau, F. Drei Leichte Rondos \u00fcber belielte Melodien aus der Oper Fra Diavolo von Auber, Op. 118, No. 2.<br \/>\n<\/em><em>See Box 94, Folder 16 (bound with Diabelli, Euterpe).<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 34<\/th>\n<td>Kullak, Th. La Gazelle, piece caract\u00e9ristique pour le Piano, Oeuvre 28 [?].<br \/>\nPublished score (Berlin: T. Trautwein [M. Bahn], [s.d.]), Pl. no. 72. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 35<\/th>\n<td>Kullak, Th. \u201cAu bord du ruisseau.\u201d No. 4 in Pastorales: Cinq Idylles pour le Piano, Op. 75.<br \/>\nPublished score (Berlin: M. Bahn, [s.d.]), Pl. no. 363. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\"><a id=\"l\"><\/a>folder 36<\/th>\n<td>Lambert, G. L\u2019\u00c9g\u00e9rie. For solo piano.<br \/>\nPublished score (Paris: Frey, [s.d.]). 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 37<\/th>\n<td>Laub, Ferdinand. Troix morceaux pour Alto (ou Violon ad libitum) avec Accompagnement de Piano, Op. 14 (oeuv. posth.).<br \/>\nPublished parts (viola, violin) and score (Moscou: P. Jurgenson, [between 1832\u20131875]), Pl. no. 5264. 5 pp., 5 pp., 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 38<\/th>\n<td>Leoncavallo, R. Pantins Vivants. Danse de caract\u00e8re. For solo piano.<br \/>\nPublished score (St. P\u00e9tersbourg: A. Johansen, [s.d.]), Pl. no. 2455. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 39<\/th>\n<td>Lewinsky, Iguaz. Variationen \u00fcber ein beliebtes Thema von 6. Kreutzer, aus Raimund\u2019s Zauberspiel: Der Verschwender f\u00fcr das Pianoforte, 8tes.<br \/>\nPublished score (Wien: Trentsensky et Vieweg, [1832]), Pl. no. T.et V.No. 2761. 7 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 104&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659542523841{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<p><strong><em>[Removed due to reorganization of materials]<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 105&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659542535553{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Liszt, Franz. Concerto No. 1, S124\/R455.<br \/>\nPublished two piano reduction (fragment) ([Wien: Carl Haslinger quondam Tobias. 1857]), Pl. no. C.H.11,934. Title page and pp. 3\u20134 of score missing; consists of pp. 5\u201347 only.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Liszt, Franz. Etudes pour le Piano en douze Exercices, Oeuvre 1, Liv. I, S136\/R1.<br \/>\nPublished score (Leipzig: Fr. Hofmeister, [s.d.]), Pl. no. 2340. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Liszt, Franz. Ann\u00e9es de P\u00e9lerinage Suite de Compositions pour Piano, 3me Ann\u00e9e No. 4, S163\/R10e.<br \/>\nPublished score (Published score (Mayence: B. Schott, [s.d.]), Pl. no. 23557.4. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Liszt, Franz. Impromptu pour Piano, S191\/R59.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 14685. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Liszt, Franz. Festvorspiel-Prelude, S226\/R47. For solo piano.<br \/>\nPublished score (Stuttgart: Eduard Hallberger, [s.d.]), Pl. no. Liszt, Pianoforte I.5. 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 6<\/th>\n<td>Liszt, Franz. Seconde Marche Hongroise: Ungarischer Sturm-Marsch f\u00fcr das Pianoforte, S232\/R54a.<br \/>\nPublished score (Berlin: Ad. Mt. Schlesinger, [s.d.]), Pl. no. S.2778. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 7<\/th>\n<td>Liszt, Franz. Seconde Marche Hongroise: Ungarischer Sturm-Marsch f\u00fcr das Pianoforte, S232\/R54a. [Copy 2]<br \/>\nPublished score (Berlin: Ad.Mt. Schlesinger, [s.d.]), Pl. no. S.2778. Fragment: missing p. 13 of score. 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 8<\/th>\n<td>Liszt, Franz. Rapsodies Hongroises pour le Piano No. 6, S244\/R106.<br \/>\nPublished score (Vienne: Charles Haslinger, [s.d.]), Pl. no. 11,558. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 9<\/th>\n<td>Liszt, Franz. \u201cLe Rossignol.\u201d No. 1 in M\u00e9lodies russes. Deux Arabesques, S250\/R102. For solo piano.<br \/>\nPublished score (Leipzig: Aug. Cranz, [s.d.]), Pl. no. A.C.31944. 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Liszt, Franz. Reminiscences de Lucia de Lammermoor. Fantaisie Dramatique pour le Piano, Oeuvre 13, S397\/R151.<br \/>\nPublished score (Leipzig: Fr\u00e9d\u00e9ric Hofmeister, [s.d.]), Pl. no. 2441. 10 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td><span style=\"font-family: inherit\">Liszt, Franz. Reminiscences de Lucrezia Borgia. Grande Fantaisie, 2de Partie\u2026pour Piano, S400\/R154.<br \/>\n<\/span>Published score (Vienne: Pietro Mechetti Qm.Carlo, [s.d.]), Pl. no. P.M.No. 4304. 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Liszt, Franz. Hochzeitmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum von Felix Mendelssohn Bartholdy f\u00fcr das Pianoforte \u00fcbertragen, S410\/R219.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 8271. 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Liszt, Franz. Reminiscences des Huguenots. Grande Fantaisie dramatique pour le Pianoforte, Op. 11, S412\/R221.<br \/>\nPublished score (Leipzig: Fred Hofmeister, [s.d.]), Pl. no. 2269. 31 pp. Accompanied by duplicate photocopy.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Liszt, Franz. R\u00e9miniscences de Robert le Diable. Fantaisie pour Piano, S413\/R222.<br \/>\nPublished score (Berlin: Ad.Mt. Schlesinger, [s.d.]), Pl. no. S.2598. 24 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Liszt, Franz. Illustrations du Proph\u00e8te de G. Meyerbeer pour le Piano No. 2 (Les Patineurs), S414\/R222.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 8089. 35 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Liszt, Franz. Soir\u00e8es de Vienne. Valses-Caprices Cahier 6, S427\/R252. For solo piano.<br \/>\nPublished score (Vienne: C.A. Spina, [s.d.]), Pl. no. C.S.9305. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Liszt, Franz. Spinnerlied f\u00fcr das Pianoforte, S440\/R273.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 10395. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Liszt, Franz. Einsam bin ich, nicht allein. Volkslied von Weber f\u00fcr das Pianoforte, S453\/R286.<br \/>\nPublished score (Hambourg Schuberth &amp; Co, [s.d.]), Pl. no. 1233. 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Liszt, Franz. Bunte Reihe. 24 St\u00fccke f\u00fcr Pianoforte, Books 1\u20134, S484\/R149.<br \/>\nPublished volume (Leipzig: Fr. Kistner, [s.d.]), Pl. nos. 1784.1785\u20131784.1788. 115 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 20<\/th>\n<td>Liszt, Franz. Ungarischer Sturm-Marsch f\u00fcr das Pianoforte, S524\/R54b.<br \/>\nPublished score (Berlin: Schlesinger, 1876), new edition, Pl. no. S.6980. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 21<\/th>\n<td>Liszt, Franz. \u201cZongor\u00e1ra k\u00e9t k\u00e9zre.\u201d No. 1 in Magyar Kir\u00e1ly-dal, S544\/R215. For solo piano.<br \/>\nPublished score (Budapest: T\u00e1borszky \u00e9s Parsch, [1873\u20131879]), Pl. no. T.\u00e9s P.930. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 22<\/th>\n<td>Liszt, Franz. Lob der Thr\u00e4nen f\u00fcr das Pianoforte, S557\/R242.<br \/>\nPublished score (Wien: Tobias Haslinger, [s.d.]), Pl. no. C.H.7775. 7 pp.<br \/>\nBound with:<br \/>\n&#8211; Liszt, Franz. Am Meer. No. 4 in \u201cLied au Fr. Schuberts Schwanengesang f\u00fcr das Piano-Forte \u00fcbertragen,\u201d S560\/R245. Published score (Wien: Tobias Haslinger, [s.d.]), Pl. no. C.H.7754. 7 pp.<br \/>\n<em>\u00a0&#8211; See also Box 105, Folder 24, for duplicate.<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 23<\/th>\n<td>Liszt, Franz. Lieder von F. Schubert f\u00fcr das Piano-Forte \u00fcbertragen, S558\/R243 Nos. 4-6, 9, 10, 12.<br \/>\n6 separate imprints, bound together. Contains (in order):<br \/>\n&#8211; 4: Erlk\u00f6nig. Published score (Wien: Ant. Diabelli &amp; Comp, [s.d.]), Pl. no. D.et C.No. 6534. 15 pp.<br \/>\n&#8211; 9: St\u00e4ndchen. Published score (Wien: Ant. Diabelli &amp; Comp., [s.d.]), Pl. no. D.et C.No.6539. 11 pp.<br \/>\n&#8211; 12: Ave Maria. Published score (Wien: Ant. Diabelli &amp; Comp., [s.d.]), Pl. no. D.et C.No.6542. 15 pp.<br \/>\n&#8211; 5: Meeresstille. Published score (Wien: Ant. Diabelli &amp; Comp., [s.d.]), Pl. no. D.et C.No.6535. 7 pp.<br \/>\n&#8211; 6: Die junge Nonne. Published score (Wien: Ant. Diabelli &amp; Comp., [s.d.]), Pl. no. D.et C.No.6536. 15 pp.<br \/>\n&#8211; 10: Rastlose Liebe. Published score (Wien: Ant. Diabelli &amp; Comp., [s.d.]), Pl. no. D.et C.No.6540. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 24<\/th>\n<td>Liszt, Franz. Am Meer. No. 4 in \u201cLied au Fr. Schuberts Schwanengesang f\u00fcr das Piano-Forte \u00fcbertragen,\u201d S560\/R245.<br \/>\nPublished score (Wien: Tobias Haslinger, [s.d.]), Pl. no. C.H.7754. 7 pp.<br \/>\n<em>\u00a0&#8211; See also Box 105, Folder 22, for duplicate (bound with Liszt, Lob der Thr\u00e4nen f\u00fcr das Pianoforte, S557\/R242).<\/em><\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 25<\/th>\n<td><a id=\"m\"><\/a>MacDowell, E. A. Erstes Konzert f\u00fcr das Pianoforte mit Begleitung des Orchesters, Op. 15.<br \/>\nPublished two piano reduction (Leipzig: Breitkopf &amp; H\u00e4rtel, 1884), Pl. no. 16506. 53 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 26<\/th>\n<td>MacDowell, E. A. \u201cHexentanz = Witches dance.\u201d No. 2 in Zwei Fantasiest\u00fccke f\u00fcr das Pianoforte zum Concertgebrauch, Op. 17.<br \/>\nPublished score (Breslau: Julius Hainauer, 1898), Pl. no. J.2649H. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 27<\/th>\n<td>MacDowell, E. A. \u201cBarcarolle.\u201d No. 1 in Zwei St\u00fccke f\u00fcr Pianoforte, Op. 18.<br \/>\nPublished score (Breslau: Julius Hainauer, 1898), Pl. no. J.2650H. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 28<\/th>\n<td>MacDowell, E. A. Sechs Gedichte nach Heinrich Heine f\u00fcr das Pianoforte, Opus 31, No. 1.<br \/>\nPublished score (Breslau: Julius Hainauer, 1898), Pl. no. J.3040H. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 29<\/th>\n<td>MacDowell, E. A. Woodland Sketches, [Op. 51]. For solo piano.<br \/>\nPublished score (Leipzig: Arthur P. Schmidt, [s.d.]), Pl. no. P.L.J.403c. 47 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 30<\/th>\n<td>MacDowell, E. A. New England Idyls, Opus 62. For solo piano.<br \/>\nPublished score (Boston: Arthur P. Schmidt, 1902), [first edition], Pl. no. A.P.S.5862d-32. 34 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 106&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659542639995{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>MacFarren, C. A. Quintuor pour Piano, Violon, Alto, Violoncelle et Contrabasse (ou 2d Violoncelle).<br \/>\nInstrumental parts: piano, violin, viola, cello, bass\/cello 2. Published parts (Mayence: B. Schott, [s.d.]), Pl. no. 13374. 34 pp., 9 pp., 9 pp., 9 pp., 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Marks, G. W. Collection de Potpourris etc. des Meilleurs Operas pour le Piano \u00e0 quatre mains, [Op. 175].<br \/>\nPublished score (Hambourg: Aug. Cranz, [s.d.]), Pl. no. 2515. 33 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Marschner, Henri. Grand Trio pour Piano, Violon et Violoncelle, Op. 138.<br \/>\nPublished parts (piano, violin, cello) (Leipzig: Fr\u00e9deric Hofmeister, [s.d.]), Pl. no. 4046. 37 pp., 12 pp., 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Mayseder, J. Rondino pour Piano &amp; Violon, Oeuv. 36.<br \/>\nPublished parts (piano, violin) (Paris: Richault, [s.d.]), Pl. no. 733.R. 5 pp., 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Mayseder, J. Second Grand Trio concertant pour Piano, Violon &amp; Violoncelle, Oeuvre 52.<br \/>\nPublished parts (piano, violin, cello) (Vienne: Artaria &amp; Comp, [1835]), Pl. no. 3090. 24 pp., 9 pp., 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Medtner, N. Sonate (H-moll) pour Violon et Piano, Op. 21.<br \/>\nPublished score (Berlin: Russischer Musikverlag, [s.d.]), Pl. no. R.M.V.84. 30 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Drittes Quartett f\u00fcr Fortepiano, Violine, Viola, Violoncell, Op. 3.<br \/>\nPublished parts (piano, violin, viola, cello) (Leipzig: Friedr. Hofmeister, [s.d.]), Pl. no. 1724. 39 pp., 11 pp., 10 pp., 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Sonate f\u00fcr Forte-Piano und Violine, Op. 4.<br \/>\nPublished piano part (Leipzig: Friedrich Hofmeister, [s.d.]), Pl. no. 1729. 14 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Zw\u00f6lf Gesange mit Begleitung des Pianoforte, Op. 8, Heft I\u2013II.<br \/>\nHelt I (containing Nos. 1\u20136). Published score (Berlin: Schlesinger, [s.d.]), Pl. no. S.1422. 15 pp.<br \/>\nHelt II (containing Nos. 7\u201312). Published score (Berlin: Schlesinger, [s.d.]), Pl. no. S.1422b. Incomplete: consists of title page and pp. 3\u201314 only.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Fantaisie sur une Chanson irlandaise pour le Pianoforte, Oeuvre 15.<br \/>\nPublished score (Vienne: Pietro Mechetti qm. Carlo, [s.d.]), Pl. no. P.M.No. 2134. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Trois Fantaisies ou Caprices pour Piano, Oeuvre 16.<br \/>\nPublished score (Vienne: Pietro Mechetti, [s.d.]), Pl. no. P.M.No. 2135. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Variations pour Piano et Violoncelle \u2026 Arrangement pour Piano et Violon par Ch. Czerny, Oeuvre 17.<br \/>\nPublished score and part (violin) (Vienne: Pietro Mechetti, [s.d.]), Pl. no. P.M.No. 2136. 17 pp., 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Sechs Ges\u00e4nge mit Begleitung des Pianoforte, Op. 19.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 5281. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Capriccio Brillant pour le Pianoforte, Oeuv. 22.<br \/>\nSolo piano arrangement. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 5286. 17 pp.<br \/>\nSolo piano arrangement [later edition?]. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 5286. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Phantasie, Op. 28. For solo piano.<br \/>\nPublished score (Wien: Carl Haslinger, [s.d.]), Pl. no. M.9. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Rondo brilliant f\u00fcr Pianoforte, Op. 29. Arranged for two pianos by Ed. Mertke.<br \/>\nPublished score (Leipzig: Steingr\u00e4ber, [s.d.]), Pl. no. 461. 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Caprice No. 2 from Trois Caprices pour le Pianoforte, Op. 33.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 5668b. 25 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Paulus, Op. 36.<br \/>\nPublished piano vocal score (Bonn: N. Simrock, [s.d.]), Pl. no. 3281. 197 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 108&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659542648131{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Serenade und Allegro Giojoso f\u00fcr das Pianoforte, Op. 43.<br \/>\nPublished score (Bonn: N. Simrock, [s.d.]), Pl. no. 3540. 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Sonate f\u00fcr das Pianoforte und Violoncell, Op. 45.<br \/>\nPublished part (cello) and score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. M.B.45. 8 pp., 32 pp. Title page of score missing.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Sonate f\u00fcr Pianoforte u. Violoncello, Op. 45.<br \/>\nPublished part (cello) and score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1215.1229. 9 pp., 35 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Sechs Lieder f\u00fcr vierstimmigen M\u00e4nnerchor, Op. 50.<br \/>\nPublished parts (tenor I, tenor II, bass I, bass II, horns I-IV, trombone) and score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1277. 12 pp., 11 pp., 12 pp., 11 pp., 3 pp., 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Mendelssohn-Bartholdy, Felix. 17 Variations s\u00e9reuses pour le Piano, Oeuvre 54.<br \/>\nPublished score (Londres: J. J. Ewer &amp; Cie, [s.d.]), Pl. no. Pietro Mechetti. No. 3604. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Antigone, [Op. 55].<br \/>\nPublished piano vocal score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1360. 85 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7-8<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Sonate f\u00fcr Pianoforte u. Violoncello, Op. 58.<br \/>\nPublished part (cello) and score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1395. 2 copies. 12 pp., 43 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Sonate f\u00fcr Pianoforte u. Violoncello, Op. 58.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1395.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Sechs Zweistimmige Lieder mit Begleitung des Pianoforte, Op. 63.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1431. 25 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Andante, with Variations, Composed for Two Performers on the Pianoforte, Op. 83a.<br \/>\nPublished score (London: Ewer &amp; Co, [ca. 1850]), Pl. no. Mendelssohn Op:83 A. 31 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Der Mond, von Giebel, Op. 86, No. 5. For voice and piano.<br \/>\nFragment of published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 8319. Consists of front cover and pp. 2 and 13 only.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 12<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Allegro Brillant f\u00fcr das Pianoforte zu vier H\u00e4nden, Op. 92.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 8391. 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 13<\/th>\n<td>Mendelssohn-Bartholdy, Felix. 3 Pr\u00e4ludien, Op. 104, Heft I. For solo piano.<br \/>\nPublished score (Leipzig: Aug. Cranz, [s.d.]), Pl. no. 38155. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Scherzo \u00e0 Capriccio.<br \/>\nPublished score (Bonn: N. Simrock, [s.d.]), Pl. no. 3261. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 15<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Zwei Ges\u00e4nge von Eichendorff [Das Waldschloss; Dagenlied], [WoO 17].<br \/>\nPublished score (Elberfeld: F.W. Arnold, [s.d.]), Pl. no. 307. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16-17<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Zwei Ges\u00e4nge [Ich h\u00f6r\u2019 ein V\u00f6glein; Todeslied der Bojaren], [WoO 18].<br \/>\nPublished score and part (voice) (Leipzig: C. A. Klemm, [s.d.]), Pl. no. 590. 2 copies. 8 pp., 2 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Mendelssohn-Bartholdy, Felix. Felix Mendelssohn Bartholdy\u2019s Werke\u2026Seri 11. f\u00fcr Pianoforte allein, Dritter Band.<br \/>\nPublished volume (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. nos. M.B.67\u2013M.B.74. 91 pp.<br \/>\n&#8211; Contains: Op. 104, Op. 105, Op. 106, Op. 117, Op. 118, op. 119, Pr\u00e4ludium und Fuge [WoO 13], Zwei Clavier-St\u00fccke [WoO 19].<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Meyerbeer, Charles. Schiller-Marsch, Arrangement [for solo piano] von Th. Kullak.<br \/>\nPublished score (Berlin: Sclesinger, [s.d.]), Pl. no. S.4886. 10 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 20<\/th>\n<td>Mikuli, Charles. Douze airs nationaux roumains\u2026pour le Piano.<br \/>\nPublished score (L\u00e9opol: H.W. Kallenbach, [s.d.]), Pl. no. 2. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 21<\/th>\n<td>Milhaud, Darius. Suite pour le Piano.<br \/>\nPublished score (Paris: A. Durand &amp; Fils, 1914), Pl. no. D.&amp;F.9170. 18 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 22<\/th>\n<td>Moscheles, J. Polonaise pour le Pianoforte, Oeuv. 3.<br \/>\nPublished score (Hambourg Jean Aug. B\u00f6hme, [s.d.]). 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 23<\/th>\n<td>Moscheles, J. Deux Rondeaux sur Motifs du Ballet: Les Portraits pour le Pianoforte, [Op. 11].<br \/>\nPublished score (Vienne: Cappi et Czerny, [s.d.]), Pl. no. C.u.C.No. 111. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 24<\/th>\n<td>Moscheles, J. Grandes Variations pour le Pianoforte avec accompagnement de deux Violons, Alto, Violoncelle, et Contrabasse (:ad libitum:), Oeuvre 42.<br \/>\nPublished piano part (Vienne: Artaria et Comp, [s.d.]), Pl. no. 2565. 16 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 25<\/th>\n<td>Moscheles, Ignace. Sonate M\u00e9lancolique pour le Piano-forte, Oeuvre 49.<br \/>\nPublished score (Vienne: A.O. Witzendorf, [s.d.]), Pl. no. 2490. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 26<\/th>\n<td>Moscheles, J. Les Charmes de Published score (Paris: Rondeau Brillant\u2026pour le Piano-forte, Oeuvre 54.<br \/>\nPublished score (Mayence: B. Schott, [s.d.]), Pl. no. 1958. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 27<\/th>\n<td>Moscheles, J. Les Charmes de Paris: Introduction et Rondeau pour le Piano-Forte, Oeuvre 54.<br \/>\nPublished score (Offenbach a\/M: Jean Andr\u00e9, [s.d.]), Pl. no. 4699. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 28<\/th>\n<td>Moscheles, J. Drittes Concert (in G moll) f\u00fcr das Pianoforte, Op. 58.<br \/>\nPublished score (Leipzig: C. A. Klemm, [s.d.]), Pl. no. 685. 43 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 110&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1659542656627{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1-2<\/th>\n<td>Moscheles, J. Funfzig Pr\u00e4ludien in den verschiedenen Dur-und Moll-Tonarten f\u00fcr das Pianoforte, 73tes Werk.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 385. 2 copies. 31 pp., each. Copy 2 hard bound.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Moscheles, J. Sonate f\u00fcr Pianoforte &amp; Violoncello, Op. 121.<br \/>\nPublished score and part (cello) (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1815.1835. 47 pp., 12 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Moscheles, J. Fantaisie Dramatique pour le Piano-Forte sur des Motifs des Airs les plus favoris chant\u00e9s par Mlle. Sonntag, [no opus no.].<br \/>\nPublished score (Vienne: Joseph Czerny, [s.d.]), Pl. no. J.Cz.No. 823. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Mozart, Wolfgang. Sonate \u00e0 quatre mains pour le Forte-Piano, K. 123a (381).<br \/>\nPublished score (Hambourg Jean Aug. B\u00f6hme, [s.d.]). 13 pp. [RISM A\/1 M 6683.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 6<\/th>\n<td>Mozart, Wolfgang. Sonate in B dur f\u00fcr das Piano-forte zu 4 H\u00e4nden, 25tes Werk No. 2, K. 186c (358).<br \/>\nPublished score (Hannover: Adolph Nagel, [s.d.]), Pl. no. 1063. 13 pp. [Later Nagel issue from Bachmann plates (see RISM A\/1 M 6670).]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 7<\/th>\n<td>Mozart, Wolfgang. Sonates pour le Piano-Forte, No. 11, K. 205b (284).<br \/>\nPublished score (Berlin: Charles Paez, [s.d.]), Pl. no. 2026. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 8<\/th>\n<td>Mozart, Wolfgang. 3 Sonaten f\u00fcr das Piano-Forte, Zweytes Heft [Nos. 5\u20137], K. 284b (309), 189 (280), 284c (311).<br \/>\nPublished score (Wien: Tobias Haslinger, [s.d.]), Pl. no. S:u:C:2702. 43 pp. [RISM A\/1 M 7394.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 9<\/th>\n<td>Mozart, Wolfgang. Tre Sonate Per Clavicembalo o Forte-Piano con l\u2019accompagnement d\u2019un Violino, Opera 30, K. 293d (305), 293c (303), 300l (306).<br \/>\nPublished parts (piano, violin) (Vienna: Artaria Comp, [1794]), Pl. no. 461. 33 pp., 10 pp. [RISM A\/1 M 6487.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 10<\/th>\n<td>Mozart, Wolfgang. S\u00e4mmtliche Werke f\u00fcr das Clavier mit und ohne Begleitung, 5tes Heft, K. 300d (310), 576, 533\/494.<br \/>\nPublished score (Wien: Tobias Haslinger, [s.d.]), Pl. no. S:u:C:2705. 49 pp. [RISM A\/1 M 7399.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 11<\/th>\n<td>Mozart, Wolfgang. Idomeneus K\u00f6nig von Creta, K. 366.<br \/>\nPublished piano vocal score (Braunschweig: G.M. Meyer, [s.d.]), Pl. no. 142. 159 pp. [RISM A\/1 M 4194.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 12<\/th>\n<td>Mozart, Wolfgang. Grande Serenade, K. 370a (361).<br \/>\n<strong><em>Shelved within Rare Books collection: M957 .M939 K.361 1803.<br \/>\n<\/em><\/strong>Wind parts: oboe I, oboe II, clarinet I, clarinet II, basset horn I, basset horn II, bassoon I, bassoon II, horn I, horn II, horn III, horn IV, double bass. Published parts (Vienne: au Bureau d\u2019Arts et d\u2019Industrie, [1803]). [RISM A\/1 M 5887.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 13<\/th>\n<td>Mozart, Wolfgang. Trio pour le Clavecin ou Piano Forte avec accompagnement d\u2019un Violon &amp; Violoncelle oblig\u00e9e [arr.], Oeuv. 77, K. 375.<br \/>\nPublished parts (harpsichord, violin, cello) (Mayence: Charles Zulehner, [s.d.]), Pl. no. 1. 12 pp., 4 pp., 3 pp. [RISM A\/1 M 5913.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Mozart, Wolfgang. Phantasie und Fuge, C dur, K. 383a (394).<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. W.A.M.394. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 15<\/th>\n<td>Mozart, Wolfgang. Die Entf\u00fchrung aus dem Serail, K. 384.<br \/>\nPublished piano vocal score (Braunschweig: G.M. Meyer, [s.d.]), Pl. no. 138. 112 pp. [RISM A\/1 M 4257.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 16<\/th>\n<td>Mozart, Wolfgang. Rondo d\u2019une Execution facile d\u2019apr\u00e8s le Duo, \u201cVivat Bachus, Bachus lebe!\u201d [from\u00a0<em>Die Entfuhrung<\/em>], K. 384\/14. Arrang\u00e9 pour le Piano Forte by J. H. Clasing, Op. 13, No. 1.<br \/>\nPublished score (Hambourg A. Cranz, [s.d.]). 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 17<\/th>\n<td>Mozart, Wolfgang. Concert pour le Pianoforte avec Accompagnement de 2 Violons, 2 Hautbois, 2 Cors, Alto et Basse, No. 10, K. 385p (414).<br \/>\nInstrumental parts: piano solo, violin I, violin II, oboe I, oboe II, horn I, horn II, viola, bass. Published parts (Leipsic: Breitkopf et H\u00e4rtel, [s.d.]), Pl. no. Moz. C. No.X. 48 pp., total. [RISM A\/1 M 7353.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 18<\/th>\n<td>Mozart, Wolfgang. Concert pour le Pianoforte avec Accompagnement de 2 Violons, Alto et Basse, 2 Hautbois, 2 Cors No. 14, K. 449.<br \/>\nInstrumental parts: piano solo, violin I, violin II, viola, bass, oboe I, oboe II, horn I, horn II. Published parts (Leipsic: Breitkopf et H\u00e4rtel, [s.d.]), Pl. no. Moz. C. No.XIV. 54 pp., total. [RISM A\/1 M 7357.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 19<\/th>\n<td>Mozart, Wolfgang. Quatour pour Le Clavecin ou Piano Forte Violon Altoviola, Violoncelle No. 3 [arr.], K. 452.<br \/>\nPublished piano part (Maience: Schott, [s.d.]), Pl. no. 180. 13 pp. [RISM A\/1 M 6427.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 20<\/th>\n<td>Mozart, Wolfgang. Fantasie et Sonate, Op. 11. No. 13 in Sonates pour Piano. K. 457 with 475.<br \/>\nPublished score (Mayence: B. Schott, [s.d.]), Pl. no. 6812. 21 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 111&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1660051716253{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Mozart, Wolfgang. Klavier-Conzerte in Partitur\u2026Nos. 10-12, K. 459, 316a (365), 242.<br \/>\n3 imprints, bound as one volume. Published orchestral scores (Offenbach a\/M: Joh. Andr\u00e9, [s.d.]), Pl. nos. 7341, 8476, 8477. 69 pp., 62 pp., 43 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Mozart, Wolfgang. Concert pour le Pianoforte avec Accompagnement de 2 Violons, Alto et Basso, Flute, 2 Hautbois, s Bassons, 2 Cors, 2 Trumpettes et Timballes No. 8, K. 466.<br \/>\nPublished solo piano part (Leipsic: Breitkopf et H\u00e4rtel, [s.d.]), Pl. no. Moz. C. No.VIII. 31 pp. [RISM A\/1 M 7351.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Mozart, Wolfgang. Konzert D moll f\u00fcr Pianoforte [arr.], K. 466.<br \/>\nPublished two piano reduction (Leipzig: Steingr\u00e4ber-Vaerlag, [s.d.]), Pl. no. 200. 52 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Mozart, Wolfgang. Klavier-Conzerte in Partitur\u2026No. 3, K. 466.<br \/>\nPublished orchestral score (Offenbach a\/M: Joh. Andr\u00e9, [s.d.]), Pl. no. III. 76 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Mozart, Wolfgang. Sonaten f\u00fcr das Pianoforte allein und zu vier H\u00e4nden, 1ter Band. Contains: K. 475\/457, C25.04 (Anh.136), 300h (330), 300i (331), 300d (310), 545.<br \/>\nPublished volume (Offenbach a\/M: Joh. Andr\u00e9, [s.d.]), Pl. nos. 6421\u20136426. 98 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 6<\/th>\n<td>Mozart, Wolfgang. Rondeau pour le piano forte\u2026No. I, K. 485.<br \/>\nPublished score (Stuttgart: Zumsteeg, [s.d.]), Pl. no. 293. 7 pp. [RISM A\/1 M 6830; late issue from same plates.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 7<\/th>\n<td>Mozart, Wolfgang. Le Nozze de Figaro = Figaro\u2019s Hochzeit, K. 492.<br \/>\nPublished piano vocal score (Leipzig: Breitkopf &amp; H\u00e4rtel, [1819]), Pl. no. 3030. 228 pp. [RISM A\/1 M 4350.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Mozart, Wolfgang. Figaro\u2019s Hochzeit, K. 492.<br \/>\nPublished piano vocal score (Berlin: F. Weidle, [s.d.]), stereotype ausgabe. 233 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 9<\/th>\n<td>Mozart, Wolfgang. Trio No. 6 in G dur f\u00fcr Pianoforte, Violine &amp; Violoncell, K. 496.<br \/>\nPublished parts (violin, cello, piano) (Offenbach a\/M: Andr\u00e9, [s.d.]), Pl. no. 6985. 6 pp., 4 pp., 24 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 112&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1660051772124{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Mozart, Wolfgang. Grande Sonate \u00e0 quatre mains pour le Piano-Forte\u2026Oeuvre 12, K. 497.<br \/>\nPublished score (Offenbach a\/M: Andr\u00e9, [s.d.]), Pl. No. 2959. 31 pp. [RISM A\/1 M 6698.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Mozart, Wolfgang. Trio pour le Piano-forte, Clarinette our Violon &amp; Alto\u2026Oeuvre 14, No. 2, K. 498.<br \/>\nPublished piano part (Bonn: Simrock, [s.d.]), Pl. no. 286. 14 pp. [RISM A\/1 M 6372.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Mozart, Wolfgang. Trio pour Le Forte-Piano, Clarinette our Violon &amp; Alto\u2026Oeuvre 14, No. 2, K. 498.<br \/>\nPublished piano part (Hambourg Jean Auguste B\u00f6hme, [s.d.]). 14 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Mozart, Wolfgang. Grande Symphonie\u2026arrang\u00e9e pour le Piano-Forte par J. N. Hummel, K. 504.<br \/>\nPublished score (Leipsic: Hofmeister, [s.d.]), Pl. no. 1008. 21 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Mozart, Wolfgang. Quintetto III from \u201cLes cinq principaux Quintetti pour deux Violons, 2 Altos &amp; Violoncelle,\u201d K. 516.<br \/>\nInstrumental parts: violin I, violin II, viola I, viola II, cello. Published parts (Offenbach a\/M: Andr\u00e9, [s.d.]), Pl. no. 4946. 36 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Mozart, Wolfgang. Recitativ et Arie \u201cIn quali eccessi, o Numi!\u201d\u2026aus der Oper Don Juan, K. 527\/23 &amp; K. 540c.<br \/>\nPublished piano vocal score (Hamburg: Ioh. Aug. B\u00f6hme, [s.d.]). 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Mozart, Wolfgang. Don Juan: Oper in zwei Aufz\u00fcgen\u2026zweite verbesserte Auflage, K. 527.<br \/>\nPublished piano vocal score (Braunschweig: Meyer, [s.d.]), Pl. no. 116.\u00a0 183 pp. [RISM A\/1 M 4523.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Mozart, Wolfgang. Sonata No. 3 from \u201cTrios pour le Pianoforte, Violon et Violoncelle,\u201d K. 542.<br \/>\nPublished parts (piano, violin, cello) (Vienne: Au Magasin de l\u2019imprimerie chimique, [s.d.]), Pl. no. 1175. 10 pp., 4 pp., 2 pp. [RISM A\/1 M 6388; poorly executed lithograph.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Mozart, Wolfgang. Cos\u00ec fan Tutte = Weibertreue oder die M\u00e4dchen sind von Flandern, K. 588.<br \/>\nPublished piano vocal score (Leipzig: Breitkopf und H\u00e4rtel, [s.d.]), Pl. no. 2906. 192 pp. [RISM A\/1 M 4700.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Mozart, Wolfgang. Oeuvres Complettes de Wolfgang Amadeus Mozart. IV Sonates pour le Piano Forte \u00e0 quatre mains. Contains: K. 594, 497 381 (123a), 358 (186c).<br \/>\nPublished volume (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 4211. 71 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Mozart, Wolfgang. Die Zauberfl\u00f6te: Grosse Oper in zwei Aufz\u00fcgen, K. 620.<br \/>\nPublished piano vocal score (Braunschweig: Meyer, [s.d.]), Pl. no. 134. 125 pp. [RISM A\/1 4795.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 12<\/th>\n<td>Mozart, Wolfgang. La Clemenza di Tito: Titus, Oper in zwei Akten, K. 621.<br \/>\nPublished piano vocal score (Hannover: C. Bachmann, [s.d.]), Pl. no. 350. 103 pp. [RISM A\/1 M 5115.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 13<\/th>\n<td>Mozart, Wolfgang [mistaken attribution]. Vergiss mein nicht, Anh. C8.06 (Anh. 246). [Composed by Lorenz Schneider.] For voice and piano.<br \/>\nPublished score (Mainz: B. Schott, [s.d.]), Pl. no. 26. 5 pp. [RISM A\/1 M 5428.]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 113&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1660053709908{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td><a id=\"o\"><\/a>Onslow, G. Sextuor pour Pianoforte, Flute, Clarinette, Cor, Basson et Contrebasse, Op. 30. [Arrang\u00e9es par l\u2019Auteur pour 2 Violons, Alto &amp; Violoncelle.]<br \/>\nInstrumental parts: piano, violin I\/flute, violin II\/clarinet, viola\/horn, cello\/bassoon, bass. Published parts (Leipsic: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 4366. 88 pp., total.<br \/>\n&#8211;\u00a0 Parts arranged for strings bound with corresponding wind parts.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td><a id=\"p\"><\/a>P\u00e4r, F. Ouverture de l\u2019Opera: I Fuoruscitia: Die Wegelagerer arrang\u00e9 pour Forte-Piano &amp; Violon.<br \/>\nPublished parts (violin, piano) (Hambourg: B\u00f6hme, [s.d.]). 2 pp., 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Pixis, J. P. Concertino pour le Piano-Forte, Op. 68.<br \/>\nInstrumental parts: solo piano, violin I, violin II, viola, cello\/bass, flute I\/II, clarinet I\/II, oboe I\/II, bassoon I\/II, horn I\/II, trumpet I\/II, timpani. Published orchestral parts (Leipzig: H.A. Probst, [s.d.]), Pl. no. 198. 68 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Promberger, Jean. 6 Morceaux Brillants, Op. 13-18. For solo piano.<br \/>\n6 imprints, bound together. Published volume (Vienne: F. Gl\u00f6ggl et Fils, [s.d.]). Contains:<br \/>\n&#8211; Impromptu sur un air favori finois. Published score (Vienne: F. Gl\u00f6ggl et Fils, [s.d.]), Pl. no. F.G.1456. 11 pp.<br \/>\n&#8211; Premi\u00e8re Rhapsodie: Presto agitato. Published score (Vienne: A. O. Witzendorf, [s.d.]), A.O.W.3583. 10 pp.<br \/>\n&#8211; Premi\u00e8re Valse brillante. Published score (Vienne: A. O. Witzendorf, [s.d.]), A.O.W.3613. 7 pp.<br \/>\n&#8211; La complainte: Romance Russe de Nicolas D\u2019Ogareff vari\u00e9e pour le Piano. Published score (Vienne: F. Gl\u00f6ggl et Fils, [s.d.]), [no Pl. no.]. 4 pp.<br \/>\n&#8211; Agla\u00efa, Imprompt\u00fb-caprice. Published score (Vienne: C. A. Spina, [s.d.]), Pl. no. C.S.10,878. 11 pp.<br \/>\n&#8211; Polka-Caprice. Published score (Vienne: C. A. Spina, [s.d.]), Pl. no. C.S.15,999. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Prokofieff, Serge. D\u00e9sespoire, Op. 4, No. 3. For solo piano.<br \/>\nPublished score (Leipzig: Jurgenson, [s.d.]), Pl. no. 36811. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Prokofieff, Serge. Marche, Op. 12, Nos. 1, 2, 6, 7, 8. For solo piano.<br \/>\nNo. 1: Marche. Published score (Moscou: Edition de Musique de l\u2019etat R.S.F.S.R., 1933), Pl. no. 37322. 4 pp.<br \/>\nNo. 2: Gavotte. Published score (Moscou: Edition de Musique de l\u2019etat R.S.F.S.R., 1937), Pl. no. 37323. 5 pp.<br \/>\nNo. 6: L\u00e9gende. Published score (Moscou: Edition de Musique de l\u2019etat R.S.F.S.R., 1933), Pl. no. 37327. 3 pp.<br \/>\nNo. 7: Pr\u00e9lude. Published score (Moscou: Edition de Musique de l\u2019etat R.S.F.S.R., 1933), Pl. no. 37328. 6 pp.<br \/>\nNo. 8: Allemande. Published score (Moscou: Edition de Musique de l\u2019etat R.S.F.S.R., 1935), Pl. no. 37329. 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Prokofieff, Serge. Deuxieme Sonate (d-moll), Op. 14. For solo piano.<br \/>\nPublished score (Moscou: Edition de Musique de l\u2019Etat R.S.F.S.R, 1935), Pl. no. 36673. 31 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Prokofieff, Serge. Le Vilain Petit Canard, Op. 18. For voice and piano.<br \/>\nPublished score (Moscou: Gutheil, 1922), Pl. no. A.10315 G. 29 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Prokofieff, Serge. Vision Fugitives, Op. 22. For solo piano.<br \/>\nPublished score (Moscou: Edition de Musique de l\u2019Etat R.S.F.S.R, 1933), Pl. no. 10074. 28 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Prokofieff, Serge. Gavotta, Op. 32, No. 3. For solo piano.<br \/>\nPublished score (Leipsig: Gutheil, 1922), Pl. no. A.10306 G. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Prokofieff, Serge. Marche de l\u2019opera L\u2019Amour des Trois Oranges, Op. 33. Transcription for solo piano.<br \/>\nPublished score (Leipzig: Gutheil, 1922), Pl. no. A.10317 G. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Prokofieff, Serge. Pierre et le Loup = Peter and the Wolf, Op. 67. Piano reduction by the composer.<br \/>\nPublished score (Mockba: Am-Rus Music, 1937), Pl. no. 15277. 44 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Prokofieff, Serge. Romeo et Juliette: dix pi\u00e8ces pour piano, Op. 75.<br \/>\nPublished score (Moscou: Editions de l\u2019Art de L\u2019URSS, 1938), Pl. no. 16100. 49 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Prume, Fran\u00e7ois. Six Grandes Etudes pour le Violon, Op. 2.<br \/>\nPublished score (Berlin: Schlesinger, [s.d.]), Pl. no. S.2589. 25 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 15<\/th>\n<td><a id=\"r\"><\/a>Rachmaninoff, S. 1er Concert, Op. 1.<br \/>\nPublished two piano reduction (Leipzig: Gutheil, 1919), Pl. no. A.10301 G. 46 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folders 16-17<\/th>\n<td>Rachmaninoff, S. Second-Concerto pour le Piano, Op. 18.<br \/>\nPublished two piano reduction (Leipzig: Gutheil, [s.d.]), Pl. no. A.8104 G. 2 copies. 63 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Ravel, Maurice. Menuet Antique pour piano.<br \/>\nPublished score (Paris: Enoch, 1898), Pl. no. E&amp;C 5616. 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Ravel, Maurice. Pavane pour une Infante D\u00e9funte. For solo piano.<br \/>\nPublished score (Paris: Eschig, 1921), Pl. no. E. 62 D. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 20<\/th>\n<td>Ravel, Maurice. Le Tombeau de Couperin: Suite pour le Piano.<br \/>\nPublished score (Paris: Durand, 1946), Pl. no. D&amp;F 9569. 32 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 21<\/th>\n<td>Ravel, Maurice. Trio pour Piano, Violon et Violoncelle.<br \/>\nPublished part (violin, cello) and score (Paris: Durand, 1915), Pl. no. D&amp;F 9346. 11 pp., 12 pp., 35 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 22<\/th>\n<td>Ravel, Maurice. Valses nobles et sentimentales. For solo piano.<br \/>\nPublished score (Paris: Durand, 1949), Pl. no. D&amp;F 8247. 25 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 23<\/th>\n<td>Rebikoff, Wl. Tristesse. For solo piano.<br \/>\nPublished score (Moscou: Jurgenson, [s.d.]), Pl. no. 28370. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 24<\/th>\n<td>Reger, Max. Fr\u00fchlingsmorgen, Op. 51, No. 11. For voice and piano.<br \/>\nPublished score (Leipzig: Universal-Edition, [s.d.]), Pl. no. 29881. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 25<\/th>\n<td>Reger, Max. Die Glocke des Gl\u00fccks, Op. 79c3. For voice and piano.<br \/>\nPublished score (Langensalza: Hermann Beyer &amp; S\u00f6hne, 1901), Pl. no. 877. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 26<\/th>\n<td>Ries, Ferd. Grand Concerto pour Piano-Forte, Op. 115.<br \/>\nSolo piano part with orchestral cues. Published score (Leipzig: Probst, [s.d.]), Pl. no. 22. 41 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 27<\/th>\n<td>Ries, Ferdinand. Rondo pastoral und Rondoletto, Op. 54.<br \/>\nPublished score (Hamburg: Schuberth &amp; Niemeyer, [s.d.]), Nos. 10 and 11 in Neue Bibliothek f\u00fcr Pianoforte-Spieler, Pl. no. H.X u.XI B.29. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 28<\/th>\n<td>Rimsky-Korsakow, N. Concerto pour Piano, Op. 30. Reduction for two pianos by the composer.<br \/>\nPublished two piano reduction (Leipzig: Belaieff, [s.d.]), Pl. no. 28. 35 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 29<\/th>\n<td>Rode, P. Air Vari\u00e9 pour le Violon avec\u2026second Violon, Alto et Violoncelle, Op. 10.<br \/>\nPublished part (violin I only) (Offenbach a\/M: Andr\u00e9, [s.d.]), Pl. no. 2708. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 30<\/th>\n<td>Romberg, Bernard. Concertino pour Violoncelle avec Accompagnement de Quatuor ou d\u2019Orchestre.<br \/>\nPublished parts (solo cello, violin I, violin II, viola, bass) (Vienne: A. Pennauer, [s.d.]), Pl. no. 165. 16 pp., total. [RISM A\/1 R2353.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 31<\/th>\n<td>Rossini, G. Ouvertura dell\u2019Opera: L\u2019Italiana in Algeri. For solo piano.<br \/>\nPublished score (Vienna: Joseph Czerny, [s.d.]), Pl. no. 2266. 9 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 114&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1660053770268{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Rubinstein, Antoine. [Sonatas Nos. 1\u20133 for Violin and Piano.] Piano scores.<br \/>\n3 separate imprints, bound together in performing volume. Contains:<br \/>\n&#8211; Premi\u00e8re Sonate pour Piano et Violon, Op. 13 (Paris: J. Hamelle, [s.d.]), Pl. no. J.733.M. 43 pp.<br \/>\n&#8211; Deuxi\u00e8me Sonate pour Piano et Violon, Op. 19 (Paris: J. Hamelle, [s.d.]), Pl no. 15943. 57 pp.<br \/>\n&#8211; 3me Sonate (H moll) pour Piano et Violon, Op. 98 (Leipzig: Bartholf Senff, [s.d.]), Pl. no.1350. 51 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Rubinstein, Antoine. [Sonatas Nos. 1\u20133 for Violin and Piano.] Violin parts.<br \/>\n3 separate imprints, bound together in performing volume. Contains:<br \/>\n&#8211;\u00a0 Premi\u00e8re Sonate pour Piano et Violon, Op. 13 (Paris: J. Hamelle, [s.d.]), Pl. no. J.733.M. 12 pp.<br \/>\n&#8211; Deuxi\u00e8me Sonate pour Piano et Violon, Op. 19 (Paris: J. Hamelle, [s.d.]), Pl no. 15943. 13 pp.<br \/>\n&#8211; 3me Sonate (H moll) pour Piano et Violon, Op. 98 (Leipzig: Bartholf Senff, [s.d.]), Pl. no.1350. 16 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Rubinstein, A. Deuxi\u00e8me Concerto pour le Piano avec accompagnement d\u2019Orchestre, Oeuv. 35.<br \/>\nPublished two piano reduction (Hambourg Aug. Cranz, [s.d.]), Pl. no. C.S. 22,076. 68 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Rubinstein, Ant. 4i\u00e8me Concerto (D moll) pour Piano avec Accompagnement d\u2019Orchestre, Op. 70.<br \/>\nPublished two piano reduction (Leipzig: Bartholf Senff, [s.d.]), Pl. no. 467.468. 63 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td><a id=\"s\"><\/a>Saint-Sa\u00ebns, Camillo. Trio No. 1 in F dur f\u00fcr Pianoforte, Violine und Violoncell, Op. 18.<br \/>\nPublished score and parts (violin, cello) (Leipzig: F. E. C. Leuckart, [s.d.]), Pl. no. F.E.C.L.730. 51 pp., 8 pp., 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Saint-Sa\u00ebns, C. 2me Concerto pour Piano Principal avec l\u2019accompt. d\u2019Orchestre, Op. 22.<br \/>\nPublished two piano reduction (Paris: Durand, Schoenewerk &amp; Cie, [s.d.]), [possible first edition], Pl. no. D.S. et Cie 2037. 65 pp.<br \/>\n&#8211; Previously in possession of Carl Friedberg.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Saint-Sa\u00ebns, C. Deuxi\u00e8me Concerto pour Piano avec Accompt. d\u2019Orchestre, Op. 22.<br \/>\nPublished full score (Paris: Durand &amp; Schoenewerk, [s.d.]), Pl. no. D.S. &amp; Cie 2120. 111 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Saint-Sa\u00ebns, C. 3me Concerto pour Piano avec accompagnement d\u2019Orchestre, Op. 29.<br \/>\nPublished two piano reduction (Paris: Durand, Schoenwerk &amp; Cie, [s.d.]), [possible first edition], Pl. no. D.S. &amp; Cie 2134. 59 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Saint-Sa\u00ebns, C. Sonate pour Piano &amp; Violoncelle, Op. 32.<br \/>\nPublished score and part (cello) (Paris: Durand, Schoenewerk &amp; Cie, [s.d.]), Pl. no. D.S.et Cie 1548. 35 pp., 10 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Saint-Sa\u00ebns, C. Variations pour deux Pianos un Th\u00eame de Beethoven, Op. 35.<br \/>\nPublished score (Paris: Durand, Schoenewerk &amp; Cie, [s.d.]), Pl. no. D.S.et Cie 1951. 35 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Saint-Sa\u00ebns, C. 4e Concerto pour Piano Avec Accompagnement d\u2019Orchestre, Op. 44. Piano reduction by G. Faur\u00e9.<br \/>\nPublished two piano reduction (Paris: Durand, Schoenewerk &amp; Cie, [s.d.]), Pl. no. D.S. &amp; Cie 2280. 58 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 12<\/th>\n<td>Saint-Sa\u00ebns, C. Scherzo pour 2 Pianos 4 Mains, Op. 87.<br \/>\nPublished parts (piano I, piano II) (Paris: A. Durand &amp; Fils, [s.d.]), Pl. no. D.S.4170. 22 pp., 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 13<\/th>\n<td>Saint-Sa\u00ebns, C. 2\u00e8me Trio (en Mi mineur) pour Piano, Violon et Violoncelle, Op. 92.<br \/>\nPublished score and parts (violin, piano) (Paris: A. Durand &amp; Fils, [s.d.]), Pl. no. D.&amp; F.4552. 60 pp., 15 pp., 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Saint-Sa\u00ebns, C. Caprice Arabe pour 2 Pianos (4 Mains), Op. 96.<br \/>\nPublished parts (piano I, piano II) (Paris: A. Durand &amp; Fils, 1894), Pl. no. D.&amp;F.4804. 16 pp., 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 15<\/th>\n<td>Saint-Sa\u00ebns, Camille. Caprice pour le Piano Sur les Airs de Ballet \u201cd\u2019Alceste de Gluck.\u201d<br \/>\nPublished score (New York: G. Schirmer, [s.d.]), Pl. no. D.S.&amp;Cie 2636. 21 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Scarlatti, [Domenico]. Sonata con Fuga per il Clavicembalo o Forte-Piano [K. 113 and K. 30].<br \/>\nPublished score (Vienna: Cappi et Czerny, [s.d.]), Pl. no. 901. 8 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 115&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1660053842716{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Schubert, Franz. Nachgelassene, D119. For voice and piano.<br \/>\nPublished score (Wien: Ant. Diabelli &amp; Comp, [s.d.]), Pl. no. D. &amp;C.No. 8836. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Schubert, Franz. Gedichte von Goethe, Op. 19, Nos. 1\u20133 (An Schwager Kronos; An Mignon; Ganymed), D161, D369, D544.<br \/>\nPublished score (Wien: A. Diabelli u. Comp, [s.d.]), new edition, Pl. no. D. &amp; C.No. 1800. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Schubert, Franz. Gedichte von J. Mayerhofer, Op. 21, Nos. 1\u20133 (Auf der Donau. Der Schiffer. Wie Ulfru Fischt), D525, 536, 553. For alto or bass and piano.<br \/>\nPublished score (Wien: A. Diabelli et Comp, [s.d.]), Pl. no. D.&amp;C.No. 3521. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Schubert, Franz. Gruppe aus dem Tartarus; Schlummerlied, Op. 24, Nos. 1\u20132, D583, D527. For voice and piano.<br \/>\nPublished score (Wien: A. Diabelli et Comp, [s.d.]), Pl. no. D.&amp;C.No. 3524. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Schubert, Franz. Gott in der Natur. F\u00fcr 2 Sopran und 2 Alt mit begleitung des Piano-Forte, 133tes Werk, D757.<br \/>\nPublished score (Wien: Ant. Diabelli, [s.d.]), Pl. no. D.&amp;C.No. 6264. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Schubert, Franz. Fantasie f\u00fcr Pianoforte, Opus 15, D760. Arranged for two pianos by Franz Liszt.<br \/>\nPublished parts (piano I, piano II) (Leipzig: Aug. Cranz, [s.d.]), Pl. no. C.S.17,233.I. 35 pp., 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Schubert, Franz. Der Zwerg. Wehmuth, 22tes Werk, D771, 772. For voice and piano.<br \/>\nPublished score (Wien: A. Diabelli et Comp, [s.d.]), Pl. no. D.&amp;C.No. 3522. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 8<\/th>\n<td>Schubert, Franz. Momens Musicals pour le Piano Forte, Oeuvre 94, Cahier I &amp; II, D780.<br \/>\nCahier I [copy 1]. Published score (Vienne: Ant. Diabelli &amp; Comp, [s.d.]), Pl. no. C.S.3544. 9 pp.<br \/>\nCahier I [copy 2]. Published score (Vienne: Ant. Diabelli &amp; Comp, [s.d.]), Pl. no. D.&amp;C.No. 3544. 9 pp.<br \/>\nCahier II. Published score (Vienne: Ant. Diabelli &amp; Comp, [s.d.]), D.&amp;C.No. 3545. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Schubert, Franz. Grand Quatour pour deux Violons, Alto et Violoncelle, Oeuv. posth, D810.<br \/>\nPublished parts (violin I, violin II, viola, cello) (Vienne: A.O. Witzendorf, [s.d.]), Pl. no. A.O.W.2686. 18 pp., 11 pp., 11 pp., 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Schubert, Franz. Variations sur la th\u00eame original pour le Piano \u00e0 quatre mains, Oeuvre 35, D813.<br \/>\nPublished score (Vienne: A. Diabelli et Comp, [s.d.]), Pl. no. D.&amp;C.No. 3538. 31 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Schubert, Franz. Gebeth\u2026f\u00fcr Sopran, Alt, Tenor und Bass mit Begleitung des Pianoforte, 139tes Werk, D815.<br \/>\nPublished full score (Wien: Ant. Diabelli, [s.d.]), Pl. no. D.&amp;C.No. 6268. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Schubert, Franz. Lied der Anne Lyle; Gesang der Norna\u2026Eine Singstimme mit Begleitung des Pianoforte, Op. 85, D830, D831.<br \/>\nPublished score (Wien: A. Diabelli et Comp, [s.d.]), Pl. no. D.&amp;C.No. 2877. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Schubert, Franz. Grande Marche Funebre\u2026pour le Pianoforte, Op. 55, D859. Arranged for piano four hands.<br \/>\nPublished score (Vienne: A. Diabelli a Comp, [s.d.]), Pl. no. D.et C.No. 5212. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Schubert, Franz. 4 Impromptus pour le Piano, Op. 142, Cahiers I\u2013II, D935.<br \/>\nPublished scores (2 volumes) (Vienne: Ant. Diabelli et Co, [s.d.]), Pl. nos. D.&amp;C.No. 6526\u20136527. 19 pp., 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Schubert, Franz. Sinfonie f\u00fcr Orchester f\u00fcr das Pianoforte zu 4 H\u00e4nden arrangirt, D944.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6204. 81 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Schubert, Franz. Kriegers Ahnung, No. 2 in Schwanengesang, D957. For voice and piano.<br \/>\nPublished score (Wien: Tobias Haslinger, [s.d.]), Pl. no. T.H.8702. 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Schubert, Franz. Das Fischerm\u00e4dchen. No. 10 in Schwanengesang, D957. For voice and piano.<br \/>\nPublished score (Wien: Tobias Haslinger, [s.d.]), Pl. no. T.H.8710. 4 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Schumann, Clara. Sechs Lieder mit Begleitung des Pianoforte, Op. 13.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6996. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Schumann, Robert. Th\u00e8me sur le nom Abegg vari\u00e9 pour le Pianoforte, Op. 1.<br \/>\nPublished score (Leipzig: F. Kistner, [s.d.]), Pl. no. 974. 11 pp. [Later issue from the plates of the 1831 first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folders 20-21<\/th>\n<td>Schumann, Robert. Papillons pour le Pianoforte seul, Op. 2.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 979. 3 copies. 13 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 22<\/th>\n<td>Schumann, Robert. Etudes pour le Pianoforte d\u2019apr\u00e8s les Caprices de Paganini, Op. 3, Lief 1.<br \/>\nPublished score (Leipzig: Friedrich Hofmeister, [ca. 1842]), [second edition], Pl. no. 1617. 25 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 23<\/th>\n<td>Schumann, Robert. Intermezzi per il Pianoforte, Opera IV, Part I &amp; II.<br \/>\nPublished scores (part I, part II) (Lipsia: Fr. Hofmeister, [ca. 1842]), Pl. no. 1903. 13 pp., 14 pp. [Later issue from the plates of the 1833 first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 24<\/th>\n<td>Schumann, Robert. Impromptus \u00fcber ein Thema von Clara Wieck, Op. 5.<br \/>\nPublished score (Leipzig: Friedrich Hofmeister, [after 1863]), Pl. no. 4272. 23 pp. [Later issue of the 1863 \u201cthird\u201d edition, reconciling the two previous editions with Anhang.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 25<\/th>\n<td>Schumann, Robert. Toccata pour le Pianoforte, Oeuv. 7.<br \/>\nPublished score (Leipzig: Fr\u00e9d\u00e9ric Hofmeister, [ca. 1842]), Pl. no. 1969. 2 copies. 11 pp., each. [Later issue from the plates of the 1834 first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 26<\/th>\n<td>Schumann, Robert. Allegro pour le Pianoforte, Oeuvre 8.<br \/>\nPublished score (Leipzig: Robert Friese, [s.d.]), Pl. no. 2. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folders 27-28<\/th>\n<td>Schumann, Robert. Carnaval Sc\u00e8nes mignonnes compos\u00e9es pour le Pianoforte, Oeuv.9.<br \/>\nPublished score (Leipsic: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 5813. 2 copies. 31 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 29<\/th>\n<td>Schumann, Robert. VI Etudes de Concert pour le Pianoforte, Oeuvre X.<br \/>\nPublished score (Leipzig: Fr\u00e9d\u00e9ric Hofmeister, [ca. 1842]), Pl. no. 2059. 21 pp. [Later issue from the plates of the 1835 first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folders 30-31<\/th>\n<td>Schumann, Robert. Grande Sonate pour le Pianoforte, Oeuv. 11.<br \/>\nPublished score (Leipsic: Fr. Kistner, [s.d.]), new edition, Pl. no. 1123. 2 copies. 33 pp., each.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 116&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1660053913789{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Schumann, Robert. Phantasiest\u00fccke f\u00fcr das Pianoforte, Op. 12, Heft I &amp; II.<br \/>\nHeft I (Des Abends, Aufschwung, Warum, Grillen). Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1841]), Pl. no. 5835 a. 15 pp.<br \/>\nHeft II (In der Nacht, Fabel, Traumeswirren, Ende vom Lied). Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1841]), Pl. no. 5835 b. 19 pp. [Later issue of the 1838 first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Schumann, Robert. Phantasiest\u00fccke f\u00fcr das Pianoforte, Op. 12, Heft I.<br \/>\nHeft I. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 5835 a. 2 copies, different editions. 15 pp., 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Schumann, Robert. Phantasiest\u00fccke f\u00fcr das Pianoforte, Op. 12, Heft II.<br \/>\nHeft II. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 5835 b. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Schumann, Robert. Phantasiest\u00fccke, Op. 12, H. 1.<br \/>\nPublished score. (Kj\u00f8benhavn: E. Hornemans [s.d.]). 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Schumann, Robert. Etudes en forme de Variations pour le Pianoforte, Oeuvre 13.<br \/>\nPublished score (Hambourg Schuberth &amp; Comp, [s.d.]), Pl. no. 1525. 31 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Schumann, Robert. Kinderscenen. Leichte St\u00fccke f\u00fcr das Pianoforte, Op. 15.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1848]), Pl. no. 6016. 3 copies. 20 pp., each. [Later issue of the \u201cZweite neue revidiente Auflage.\u201d]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Schumann, Robert. Fantasie f\u00fcr das Pianoforte, Op. 17.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6053. 31 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Schumann, Robert. Arabeske. F\u00fcr das Pianoforte, 18tes Werk.<br \/>\nPublished score (Wien: C. A. Spina\u2019s Nachfolger, [after 1855]), Pl. no. P.M.3130. [Later issue of the Mechett second edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Schumann, Robert. Arabeske. F\u00fcr das Pianoforte, 18tes Werk.<br \/>\nPublished score (Wien: Pietro Mechetti qm Carlo, [before 1850]), Pl. no. P.M.3130. 2 copies. 9 pp., each. [Second edition, with same Pl. no. as 1st ed.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Schumann, Robert. Blumenst\u00fcck F\u00fcr das Piano-Forte, 19tes Werk.<br \/>\nPublished score (Wien: Pietro Mechetti qm Carlo, [s.d.]), [first edition], Pl. no. P.M.No. 3131. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Schumann, Robert. Blumenst\u00fcck F\u00fcr das Piano-Forte, 19tes Werk.<br \/>\nPublished score (Wien: Pietro Mechetti qm Carlo, [before 1850]), [second edition], Pl. no. P.M.3131. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Schumann, Robert. Humereske. F\u00fcr das Piano-Forte, 20tes Werk<br \/>\nPublished score (Wien: Pietro Mechetti qm Carlo, [before 1850]), Pl. no. P.M.3132. 31 pp. [Second edition, with same Pl. no. as 1st ed.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Schumann, Robert. Novelletten f\u00fcr das Pianoforte, Op. 21, No. 4.<br \/>\nPublished score (Leipzig: Breitkopf und H\u00e4rtel, [s.d.]), Pl. no. 6127. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Schumann, Robert. Novelletten f\u00fcr das Pianoforte, Op. 21, Heft II (Nos. 3\u20134).<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1855]), Pl. no. 6127. 13 pp. [Later issue of the 1839 first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Schumann, Robert. Novelletten f\u00fcr das Pianoforte, Op. 21, Heft III (Nos. 5\u20136).<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1848]), Pl. no. 6128. 14 pp. [Later issue of the 1839 first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>\u00a0Schumann, Robert. Novelletten f\u00fcr das Pianoforte, Op. 21, Heft IV (Nos. 7\u20138).<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [after 1851]), Pl. no. 6129. 17 pp. [Later issue of the 1839 first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Schumann, Robert. Sonate (No. 2) f\u00fcr Pianoforte, Op. 22.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6177. 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Schumann, Robert. 2\u00e8me Sonate pour le Piano, Op. 22.<br \/>\nPublished score (Paris: G. Flaxland, [ca. 1864?]), Pl. no. G.F. 753. 25 pp. [Later edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19-20<\/th>\n<td>Schumann, Robert. Nachtst\u00fccke f\u00fcr das Pianoforte, 23tes Werk.<br \/>\nPublished score (Wien: Pietro Mechetti qm Carlo, [1840]), Pl. no. P.M.3288. 2 copies. 19 pp., each. [Copy 1 (Folder 19) first edition; copy 2 (Folder 20) later edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 21<\/th>\n<td>Schumann, Robert. Morgens steh ich auf und frage, Op. 24, No. 1.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6343. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 22<\/th>\n<td>Schumann, Robert. Ich wandelte unter den B\u00e4umen, Op. 24, No. 3.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6343. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 23<\/th>\n<td>Schumann, Robert. Myrthen\u2026f\u00fcr Gesang und Pianoforte, Op. 25 (complete Ausgabe).<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 3825. 63 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 24<\/th>\n<td>Schumann, Robert. Myrthen\u2026f\u00fcr Gesang und Pianoforte, Op. 25 [complete].<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. nos. 1290.4680\u20131294.4680. 55 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 25<\/th>\n<td>Schumann, Robert. Widmung von R\u00fcckert. No. 1 from Myrthen, Op. 25.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1290.4680. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 26<\/th>\n<td>Schumann, Robert. Freisinn von G\u00f6the, No. 2 from Myrthen, Op. 25.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 2748. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 27<\/th>\n<td>Schumann, Robert. Der Nussbaum von Mosen, No. 3 from Myrthen, Op. 25.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1290. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 28<\/th>\n<td>Schumann, Robert. Myrthen\u2026f\u00fcr Gesang und Pianoforte, Op. 25, Heft II (Nos. 7\u201312).<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1291. 14 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 29<\/th>\n<td>Schumann, Robert. Faschingsschwank aus Wien. Fantasiebilder f\u00fcr das Piano-Forte, 26tes Werk.<br \/>\nPublished score (Wien: Pietro Mechetti qm Carlo, [s.d.]), Pl. no. P.M.3485. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 30<\/th>\n<td>Schumann, Robert. Drei Romanzen f\u00fcr Pianoforte, Op. 28.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [1871\u201374]), Pl. no. 6397. 19 pp. [Later issue of the 1840 first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 31<\/th>\n<td>Schumann, Robert. 3 Gedichte von Emanuel Geibel f\u00fcr mehrstimmigen Gesang, Op. 29, Nos.1-3.<br \/>\nL\u00e4ndliches Lied. For two sopranos and piano. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6502. 7 pp.<br \/>\nLied. For three sopranos and piano. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6503. 5 pp.<br \/>\nZigeunerleben. For SATB chorus and piano. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6504. 2 copies. 11 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 32<\/th>\n<td>Schumann, Robert. [3 Ges\u00e4nge, Op. 31]: Die L\u00f6wenbraut, Die Karten Legerin, und Die Rothe Hanne von Adalbert von Chamisso f\u00fcr eine Sinstimme mit Begleitung des Pianoforte.<br \/>\nPublished score (Hamburg: A. Cranz, [s.d.]). 21 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 33<\/th>\n<td>Schumann, Robert. Die Kartenlegerin, Op. 31, No. 2.<br \/>\nPublished score (Leipzig: J. Schuberth &amp; Comp, [s.d.]), Pl. no. 2585. 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 34<\/th>\n<td>Schumann, Robert. Die Rothe Hanne, Op. 31, No. 3.<br \/>\nPublished score (Leipzig: J. Schuberth &amp; Comp, [s.d.]), Pl. no. 2585. 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 35<\/th>\n<td>Schumann, Robert. Fr\u00fchlingsglocken &amp; Die Lotosblume f\u00fcr zwei Sopranstimmen mit Piano, Opus 33, No. 6. Arranged by C. Reinecke.<br \/>\nPublished score (Leipzig: Schuberth &amp; Comp, [s.d.]), Pl. no. 1330. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 36<\/th>\n<td>Schumann, Robert. Zw\u00f6lf Gedichte von Justinus Kerner. Eine Liederreihe f\u00fcr eine Singstimme mit Begleitung des Piano, Op. 35.<br \/>\nPublished score (Leipzig: C. A. Klemm, [s.d.]), Pl. no. 900. 35 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 37<\/th>\n<td>Schumann, Robert. Sechs Gedichte\u2026von Renick f\u00fcr eine Sopran-oder Tenorstimme mit Begleitung des Pianoforte, Op. 36.<br \/>\nPublished score (Hamburg: Schuberth &amp; Co, [s.d.]), Pl. no. 2464. 23 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 117&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1660053921844{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Schumann, Robert. Zw\u00f6lf Gedichte aus F. R\u00fcckert\u2019s Liebesfr\u00fchling f\u00fcr Gesang und Pianoforte, Op. 37, Heft I (Nos. 1\u20137).<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6596. 14 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Schumann, Robert. Zw\u00f6lf Gedichte aus F. R\u00fcckert\u2019s Liebesfr\u00fchling f\u00fcr Gesang und Pianoforte, Op. 37, Heft II (Nos. 8\u201312).<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6597. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Schumann, Robert. Ich hab\u2019 in mich gesogen, Op. 37, No. 5.<br \/>\nPublished score (Leipzig: Breitkopf und H\u00e4rtel, [s.d.]), Pl. no. 6596. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Schumann, Robert. Sch\u00f6n ist das Fest des Lenzes, Op. 37, No. 7.<br \/>\nPublished score (Leipzig: Breitkopf und H\u00e4rtel, [s.d.]), Pl. no. 6596. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Schumann, Robert. Liederkreis von Joseph Freiherrn von Eichendorff f\u00fcr eine Singstimme mit Begleitung des Pianoforte, Op. 39.<br \/>\nPublished score (Leipzig: F. Whistling, [s.d.]), Pl. nos. 540.541\u2013540.551. [Later issue of 1st edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Schumann, Robert. Fr\u00fchlingsnacht. No. 12 from Liederkreis v. Eichendorff, Op. 39. For voice and piano.<br \/>\nPublished score (Leipzig: Gustav Heinze, [s.d.]), new edition, Pl. no. 19. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Schumann, Robert. F\u00fcnf Lieder f\u00fcr eine Singstimme mit Pianoforte, Op. 40f. For low voice and piano.<br \/>\nPublished score (Leipzig: J. Schuberth &amp; Co, [s.d.]), Pl. no. 2531. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Schumann, Robert. Drei Quartette f\u00fcr 2 Violinen, Viola und Violoncell, Op. 41, No. 1.<br \/>\nPublished parts (violin I, violin II, viola, cello) (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6836. 41 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Schumann, Robert. Drei Quartette f\u00fcr 2 Violonen, Viola und Violoncell, Op. 41, Nos. 1\u20133.<br \/>\nPublished parts (violin I, violin II, viola, cello) (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. nos. 6836\u20136838. 114 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Schumann, Robert. Drei Zweistimmige Lieder mit Begleitung des Pianoforte, Op. 43.<br \/>\nPublished score (Bonn: N. Simrock, [s.d.]), [first edition], Pl. no. 4333. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Schumann, Robert. Quintett f\u00fcr Pianoforte, 2 Violonen, Viola und Violoncello, Op. 44.<br \/>\nPublished score and parts (violin I, violin II, viola, cello) (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 12424. 97 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Schumann, Robert. Fr\u00fchlingsfahrt: Es zogen zwei r\u00fcst\u2019ge, Op. 45, No. 2. For voice and piano.<br \/>\nPublished score (Leipzig: F. Whistling, [s.d.]), Pl. no. 310.312. 4 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Schumann, Robert. Andante und Variationen f\u00fcr zwei Pianofortes, Op. 46.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6978. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Schumann, Robert. Quartett in Es f\u00fcr Pianoforte, Violine, Viola und Violoncell, Op. 47.<br \/>\nPublished parts (violin, viola, cello) and score (Leipzig: Gustav Heinze, [s.d.]), Pl. no. G.H.21. 80 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Schumann, Robert. Dichterliebe\u2026f\u00fcr eine Singstimme mit Begleitung des Pianoforte, Op. 48, Heft I (Nos. 1\u20138).<br \/>\nPublished score (Leipzig: C. F. Peters, [s.d.]), Pl. no. 2867a. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Schumann, Robert. Dichterliebe\u2026f\u00fcr eine Singstimme mit Begleitung des Pianoforte, Op. 48, Heft II (Nos. 9\u201316).<br \/>\nPublished score (Leipzig: C. F. Peters, [s.d.]), Pl. no. 4352b; 2867b; 4253b. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folders 17-18<\/th>\n<td>Schumann, Robert. Das Paradies und die Peri\u2026f\u00fcr Solostimmen, Chor und Orchester, Op. 50. [Copies 1\u20132.]<br \/>\nPublished piano vocal score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 7069. 2 copies. 133 pp., each.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 118&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1660053937077{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<p><strong><em>[Removed due to reorganization of materials]<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 119&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1660054047558{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th nowrap=\"nowrap\">folder 1<\/th>\n<td>Schumann, Robert. Das Paradies und die Peri\u2026f\u00fcr Solostimmen, Chor und Orchester, Op. 50. [Copy 3.]<br \/>\nPublished piano vocal score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 7069. 133 pp.<\/td>\n<\/tr>\n<tr>\n<th>folder 2<\/th>\n<td>Schumann, Robert. Volkslied: Wenn ich fr\u00fch in den Garten, Op. 51, No. 2. For voice and piano.<br \/>\nPublished score (Leipzig: F. Whistling, [s.d.]), Pl. no. 553.555.<\/td>\n<\/tr>\n<tr>\n<th>folder 3<\/th>\n<td>Schumann, Robert. Ich wandre nicht: Warum soll ich denn, Op. 51, No. 3. For voice and piano.<br \/>\nPublished score (Leipzig: F. Whistling, [s.d.]), Pl. no. 553.556. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th nowrap=\"nowrap\">folder 4<\/th>\n<td>Schumann, Robert. Abendlied, Op. 51b, No. 4. For voice and piano.<br \/>\nPublished score (Leipzig: J. Schuberth &amp; Co, [s.d.]), Pl. no. 3613. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th>folder 5<\/th>\n<td>Schumann, Robert. Belsatzar\u2026f\u00fcr eine Singstimme mit Begleitung des Pianoforte, Op. 57. For soprano or tenor and piano.<br \/>\nPublished score (Leipzig: Edm. Stoll, [s.d.]), Pl. no. 311. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th nowrap=\"nowrap\">folder 6<\/th>\n<td>Schumann, Robert. Belsatzar\u2026f\u00fcr eine Singstimme mit Begleitung des Pianoforte, Op. 57. For alto or bass and piano.<br \/>\nPublished score (Leipzig: Edm. Stoll, [s.d.]), 13 pp.<\/td>\n<\/tr>\n<tr>\n<th nowrap=\"nowrap\">folder 7<\/th>\n<td>Schumann, Robert. Skizzen f\u00fcr den Pedal-Fl\u00fcgel, Op. 58.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1489. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th nowrap=\"nowrap\">folder 8<\/th>\n<td>Schumann, Robert. Skizzen f\u00fcr den Pedal-Fl\u00fcgel, Op. 58.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 3390. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th nowrap=\"nowrap\">folder 9<\/th>\n<td>Schumann, Robert. Trios f\u00fcr Pianoforte, Violine und Violoncell, Op. 63 and 110.<br \/>\n2 separate imprints, bound together as score and part (cello part only). Includes:<br \/>\n&#8211; Trio, Op. 63. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 7785. 51 pp., 15 pp.<br \/>\n&#8211; Drittes Trio (G-moll), Op. 110. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 8509. 43 pp., 11 pp.<\/td>\n<\/tr>\n<tr>\n<th nowrap=\"nowrap\">folder 10<\/th>\n<td>Schumann, Robert. 6 Impromptus f\u00fcr das Pianoforte zu vier H\u00e4nden, Op. 66.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. nos. 1665.1666\u20131665.1667. 29 pp. [Later edition of first edition.]<\/td>\n<\/tr>\n<tr>\n<th nowrap=\"nowrap\">folders 11-12<\/th>\n<td>Schumann, Robert. 43 Clavierst\u00fccke f\u00fcr die Jugend, Op. 68.<br \/>\nPublished score (Leipzig: Schuberth &amp; Comp, [ca. 1851]), Pl. no. 1232. 2 copies. 66 pp., each.<br \/>\n&#8211; Copy 1 (Folder 11) second issue from plates of the 1848 first edition.<\/td>\n<\/tr>\n<tr>\n<th nowrap=\"nowrap\">folder 13<\/th>\n<td>Schumann, Robert. \u201cErinnerung,\u201d [No. 28 in Album f\u00fcr die Jugend, Op. 68].<br \/>\nExcerpt from unidentified volume of piano works (\u201cKlavieralbum III<span style=\"line-height: 1;height: 0px;vertical-align: baseline;font-size: 10px\">6<\/span>\u201d); accompanied by Wilhelm Kienzl, \u201cUnverloren,\u201d Op. 62, Heft 1, No. 3. Published score ([s.l.: s.n., s.d.]), \u201cAusgabe Musikwoche,\u201d Pl. no. 308. 6 pp. [pages numbered 185\u2013190].<\/td>\n<\/tr>\n<tr>\n<th nowrap=\"nowrap\">folder 14<\/th>\n<td>Schumann, Robert. Adventlied von Friedrich R\u00fcckert f\u00fcr Sopran Solo und Chor mit Begleitung des Orchesters, Op. 71.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 7970. 35 pp.<\/td>\n<\/tr>\n<tr>\n<th nowrap=\"nowrap\">folder 15<\/th>\n<td>Schumann, Robert. Vier Fugen f\u00fcr das Piano-Forte, Op. 72.<br \/>\nPublished score (Leipzig: F. Whistling, [s.d.]), Pl. no. 577. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th nowrap=\"nowrap\">folder 16<\/th>\n<td>Schumann, Robert. \u201cMelancholie: Quien viese aquel dia.\u201d No. 6 in Spanisches Liederspiel. Ein Cyclus ein-und mehrstimmiger Ges\u00e4nge aus dem Spanischen mit Begleitung des Pianoforte, Op. 74.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1678.1684. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th nowrap=\"nowrap\">folders 17-18<\/th>\n<td>Schumann, Robert. Spanisches Liederspiel. Ein Cyclus von Ges\u00e4ngen aus dem Spanischen f\u00fcr eine und mehrere Singstimmen (Sopran, Alt, Tenor &amp; Bass) mit Begleitung des Pianoforte, Op. 74, Nos. 1\u20139, Anhang.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1678. 2 copies. 61 pp., each. [Copy 1 (Folder 17) later issue of 1st edition.]<\/td>\n<\/tr>\n<tr>\n<th nowrap=\"nowrap\">folder 19<\/th>\n<td>Schumann, Robert. IV M\u00e4rsche f\u00fcr das Pianoforte, Op. 76.<br \/>\nPublished score (Leipzig: F. Whistling, [s.d.]), Pl. no. 528. 25 pp.<\/td>\n<\/tr>\n<tr>\n<th nowrap=\"nowrap\">folder 20<\/th>\n<td>Schumann, Robert. Vier Duette f\u00fcr Sopran und Tenor mit Begleitung des Pianoforte, Op. 78.<br \/>\nPublished score (Cassel: Carl Luckhardt, [s.d.]), Pl. no. 146. 21 pp.<\/td>\n<\/tr>\n<tr>\n<th nowrap=\"nowrap\">folder 21<\/th>\n<td>Schumann, Robert. Lieder f\u00fcr die Jugend, Op. 79.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 8062. 57 pp.<\/td>\n<\/tr>\n<tr>\n<th nowrap=\"nowrap\">folder 22<\/th>\n<td>Schumann, Robert. Lieder f\u00fcr die Jugend, Op. 79, Erste Abtheilung [Nos. 1\u201315].<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 8062a. 18 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 120&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1660054081413{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Schumann, Robert. Genoveva Oper in vier Acten, 81tes Werk.<br \/>\nPublished piano vocal score (Leipzig: C. F. Peters, [s.d.]), Pl. no. 3388. 184 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Schumann, Robert. Genoveva, Op. 81. [Copy 2.]<br \/>\nPublished piano vocal score (Leipzig: C. F. Peters, [s.d.]), Pl. no. 3388. 184 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Schumann, Robert. Ouverture. From Genoveva, Op. 81. Arranged for two pianos eight hands.<br \/>\nPublished parts ([piano I], right\/left; [piano II], right, left) (Leipzig: C. F. Peters, [s.d.]), Pl. nos. 4202.I; 4202.II. 19 pp., 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folders 4-5<\/th>\n<td>Schumann, Robert. Waldscenen: Neun Clavierst\u00fccke, Op. 82.<br \/>\nPublished score (Leipzig: Bartholf Senff, [s.d.]), Pl. no. 12. 2 copies. 23 pp., each. [Copy 1 (Folder 4) first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Schumann, Robert. \u201cVogel als Prophet,\u201d No. 7 from Waldscene, Op. 82.<br \/>\nPublished score (Leipzig: Bartholf Senff, [s.d.]), Pl. no. 12.576. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Schumann, Robert. \u201cJaglied. fur Piano Forte,\u201d [No. 8 from Waldscene], Op. 82.<br \/>\nPublished score (London: Ashdown &amp; Parry, [s.d.]), Pl. no. A.&amp;P.No. 713. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Schumann, Robert. Drei ges\u00e4nge f\u00fcr eine Singstimme mir Begleitung des Pianoforte, Op. 83.<br \/>\nPublished score (Hamburg: Schuberth &amp; Comp, [s.d.]), Pl. no. 1339. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Schumann, Robert. Beim Abschied zu singen. Lied\u2026f\u00fcr eine Singstimme mit Begleitung des Pianoforte, Op. 84.<br \/>\nPublished score (Leipzig: F. Whistling, [s.d.]), Pl. no. 950. 5 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Schumann, Robert. [12 vierh\u00e4ndige Clavier-st\u00fccke, Op. 85. Arrangement for solo piano (2 hands)].<br \/>\nPublished score ([s.l.: s.n., s.d.]), Pl. no. 1662. 26 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Schumann, Robert. Concertst\u00fccke f\u00fcr vier H\u00f6rner und grosses Orchester, Op. 86. Solo piano arrangement.<br \/>\nPublished score (Hamburg: Schuberth &amp; Comp, [s.d.]), Pl. no. 1384. 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Schumann, Robert. Sechs Ges\u00e4nge\u2026f\u00fcr eine Singstimme mit Begleitung des Pianoforte, Opus 89.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1744. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Schumann, Robert. Sechs Gedichte von N. Lenau und Requiem\u2026f\u00fcr eine Singstimme mit Begleitung Pianoforte, Op. 90.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1760. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Schumann, Robert. Romanzen f\u00fcr Frauenstimmen mit willk\u00fchrlicher Begleitung des Pianoforte, Op. 91.<br \/>\nPublished parts (soprano I, soprano II, alto I, alto II) (Bonn: N. Simrock, [s.d.]), Pl. no. 4871. 8 pp., 7 pp., 8 pp., 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Schumann, Robert. Drei Romanzen f\u00fcr Hoboe ad libitum Violine oder Clarinette mit Begleitung des Pianoforte, Op. 94.<br \/>\nPublished score and part (oboe) (Bonn: N. Simrock, [s.d.]), Pl. no. 4957. 13 pp., 3 pp. [First edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Schumann, Robert. Dritte Symphonie (Es dur) f\u00fcr grosses Orchester, Op. 97.<br \/>\nPublished orchestral score (Berlin: N. Simrock, [s.d.]), Pl. no. 5019. 211 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Schumann, Robert. Lieder, Ges\u00e4nge und Requiem f\u00fcr Mignon\u2026f\u00fcr Gesang und Pianoforte, Op. 98.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 12139. 29 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Schumann, Robert. Abendmusik f\u00fcr das Pianoforte, Op. 99, No. 12.<br \/>\nPublished score (Elberfeld: F.W. Arnold, [s.d.]), Pl. no. A336. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Schumann, Robert. Scherzo f\u00fcr das Pianoforte, Op. 99, No. 13.<br \/>\nPublished score (Leipzig: Paez\u2019schen Officin, [s.d.]), Pl. no. A337. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 20<\/th>\n<td>Schumann, Robert. Minnespiel\u2026f\u00fcr eine und mehrere Singstimmen (Sopran, Alt, Tenor und Bass) mit Begleitung des Pianoforte, Op. 101.<br \/>\nPublished score (Leipzig: F. Whistling, [s.d.]), Pl. nos. 670-671 through 670-678. 47 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 21<\/th>\n<td>Schumann, Robert. \u201cIch bin dein Baum, o G\u00e4rtner,\u201d No. 3 in Minnespiel, Op. 101. For alto, bass, and piano.<br \/>\nPublished score (Leipzig: F. Whistling, [s.d.]), Pl. no. 670.673. 6 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 22<\/th>\n<td>Schumann, Robert. M\u00e4dchenlieder\u2026f\u00fcr zwei Sopran=Stimmen (oder Sopran und Alt) mit Begleitung des Pianoforte, Op. 103.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 3651.1817. 11 pp. [Later edition of 1st edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 23<\/th>\n<td>Schumann, Robert. Sch\u00f6n Hedwig\u2026f\u00fcr Declamation mit Begleitung des Pianoforte, Op. 106.<br \/>\nPublished score (Leipzig: Bartholf Senff, [s.d.]), Pl. no. 77. 9 pp. [Later edition of 1st edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 24<\/th>\n<td>Schumann, Robert. Sechs Ges\u00e4nge f\u00fcr eine Singstimme mit Begleitung des Pianoforte, Op. 107.<br \/>\nPublished score (Cassel: Carl Luckhardt, [s.d.]), Pl. no. 277. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 25<\/th>\n<td>Schumann, Robert. Drei Fantasiest\u00fccke f\u00fcr Pianoforte, Op. 111.<br \/>\nPublished score (Leipzig: C. F. Peters, [s.d.]), Pl. no. 3525. 13 pp. [Later edition of 1st edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 26<\/th>\n<td>Schumann, Robert. M\u00e4rchenbilder. Vier St\u00fccke f\u00fcr Pianoforte und Viola, Op. 113.<br \/>\nPublished score and part (viola) (Cassel: Carl Luckhardt, [s.d.]), Pl. no. 273. 13 pp., 4 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 27<\/th>\n<td>Schumann, Robert. M\u00e4rchenbilder f\u00fcr Pianoforte und Violine, Op. 113.<br \/>\nPublished score [incomplete; consists of title page only] (Bremen: Schweers &amp; Haake, [s.d.]), Pl. no. 663. S.&amp;H.664. 1 p.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 121&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1660054089269{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Schumann, Robert. Drei Lieder f\u00fcr Drei Frauenstimmen mit Begleitung des Pianoforte, Op. 114.<br \/>\nPublished score (Berlin: N. Simrock, [s.d.]), Pl. no. 5352. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Schumann, Robert. Manfred. Dramatisches Gedicht in drei Abtheilungen\u2026mit Musik, Op. 115.<br \/>\nPublished piano vocal score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 8600. 12 pp. of text, 53 pp. of music.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Schumann, Robert. Oeuverture f\u00fcr grosses Orchester zu Manfred, Op. 115.<br \/>\nPublished orchestral score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 8570. 71 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Schumann, Robert. Vier Husarenlieder\u2026f\u00fcr eine Bariton=Stimme mit Begleitung des Pianoforte, Op. 117.<br \/>\nPublished score (Leipzig: Bartholf Senff, [s.d.]), Pl. no. 61. 13 pp. [First edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Schumann, Robert. Sieben Clavierst\u00fccke in Fughettenform, Op. 126, Nos. 1\u20137.<br \/>\nPublished score (Elberfeld, F. W. Arnold, [s.d.]), Pl. no. A387. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Schumann, Robert. Drei Clavier Sonaten f\u00fcr die Jugend, Op. 118, Nos. 1\u20133.<br \/>\nPublished score (Leipzig: Schuberth &amp; Co, [s.d.]), Pl. nos. 2001; 2002; 2003. 47 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Schumann, Robert. Symphonie No. IV. D moll\u2026f\u00fcr grosses Orchester, Op. 120.<br \/>\nPublished orchestral score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 8795. 165 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Schumann, Robert. 2te Grosses Sonate f\u00fcr Violine und Pianoforte, Op. 121.<br \/>\nPublished score and part (violin) (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 8761. 43 pp., 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folders 9-10<\/th>\n<td>Schumann, Robert. Ballade vom Haideknaben\u2026f\u00fcr Declamation mit Begleitung des Pianoforte, Op. 122, No. 1.<br \/>\nPublished score (Leipzig: Bartholf Senff, [s.d.]), Pl. no. 92. 2 copies. 9 pp., each. [Copy 1 (Folder 9) 1st edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Schumann, Robert. Die Fl\u00fcchtlinge\u2026f\u00fcr Declamation mit Begleitung des Pianoforte, Op. 122, No. 2.<br \/>\nPublished score (Leipzig: Bartholf Senff, [s.d.]), Pl. no. 93. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Schumann, Robert. Albumbl\u00e4tter: 20 Clavierst\u00fccke, Op. 124.<br \/>\nPublished score (Elberfeld: F. W. Arnold, [s.d.]), Pl. nos. A.355\u2013A.358. 47 pp. [Early reissue of first edition [ca. 1854].]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Schumann, Robert. Albumbl\u00e4tter. 20 Clavierst\u00fccke, Op. 124, Nos. 16\u201320.<br \/>\nPublished score (Elberfeld: F. W. Arnold, [s.d.]), Pl. no. 358. 17 pp. [Single-volume reissue of the 1854 first edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Schumann, Robert. F\u00fcnf heitere Ges\u00e4nge f\u00fcr eine Singstimme mit Begleitung des Pianoforte, Op. 125.<br \/>\nPublished score (Leipzig: J. Schuberth &amp; Co, [s.d.]), Pl. no. 2577. 16 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Schumann, Robert. \u201cSchlusslied des Narren aus \u2018Was ihr wollt,\u2019\u201d No. 5 in Lieder und Ges\u00e4nge\u2026f\u00fcr eine Singstimme mit Begleitung des Pianoforte, Op. 127.<br \/>\nPublished score (Dresden: Bernhard Friedel, [s.d.]), Pl. no. 462. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Schumann, Robert. Concert (A moll) f\u00fcr Violoncell mit Begleitung des Orchesters, Op. 129.<br \/>\nPublished part (cello) and score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 8865. 15 pp., 27 pp. [1st edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Schumann, Robert. M\u00e4hrchenerz\u00e4ghlungen. Vier St\u00fccke f\u00fcr Clarinette, (ad libitum Violine), Viola und Pianoforte, Op. 132.<br \/>\nPublished parts (viola, violin) and score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 8841. 4 pp., 4 pp., 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Schumann, Robert. Ges\u00e4nge der Fr\u00fche. 5 Klavierst\u00fccke, Op. 133.<br \/>\nPublished score (Dresden: F. W. Arnold, [s.d.]), Pl. no. A.390. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folders 19-20<\/th>\n<td>Schumann, Robert. Concert-Allegro mit Introduction f\u00fcr das Pianoforte, Op. 134.<br \/>\nPublished score (Leipzig: Bartholf Senff, [s.d.]), Pl. no. 127-128. 2 copies. 23 pp., each. [Copy 1 (Folder 18) 1st edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 21<\/th>\n<td>Schumann, Robert. Spanische Liebes Lieder. Ein Cyclus von Ges\u00e4ngen aus dem Spanischen f\u00fcr eine u. mehrere Stimmen mit Begleitung des Pianoforte, Op. 138.<br \/>\nPublished score (Winterthur: J. Rieter-Biedermann, [s.d.]), Pl. no. 150. 41 pp. [Later issue of 1st edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 22<\/th>\n<td>Schumann, Robert. Des S\u00e4ngers Fluch\u2026f\u00fcr Solostimmen, Chor u. Orchester, Op. 139.<br \/>\nPublished piano vocal score (Elberfeld: F. W. Arnold, [s.d.]), Pl. no. A.500. 91 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 23<\/th>\n<td>Schumann, Robert. Vier Doppelch\u00f6rige Ges\u00e4nge f\u00fcr gr\u00f6ssere Gesangvereine, Op. 141.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 2287. 25 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 24<\/th>\n<td>Schumann, Robert. Requiem f\u00fcr Chor u. Orchester, Op. 148.<br \/>\nPublished piano vocal score (Leipzig: Winterthur: J. Rieter-Biedermann, [s.d.]), Pl. no. 313. 71 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 122&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1660054096685{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Schumann, Robert. Oeuvres Compl\u00e8tes pour le Piano seul, Vol. 5.<br \/>\nPublished score (Moscou: P.J. J\u00fcrgenson, [s.d.]), Pl. no. 411. 127 pp (incomplete; consists of pp. 550 [start of volume]\u2013678 only).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Schumann, Robert. [Binder\u2019s collection of piano compositions, Op. 21 Heft I, III, IV; Op. 16, Op. 12.<br \/>\nBound volume, cover embossed \u201cM. Ellissen,\u201d containing (7 items):<\/p>\n<ul>\n<li>Novelletten f\u00fcr das Pianoforte, Op. 21, Heft I. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6126. 14 pp. [Later issue of the 1839 first edition.]<\/li>\n<li>Novelletten f\u00fcr das Pianoforte, Op. 21, Heft III. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6128. 14 pp. [Later issue of the 1839 first edition.]<\/li>\n<li>Noveletten f\u00fcr das Pianoforte, Op. 21, Heft III. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6129. 17 pp. [Later issue of the 1839 first edition.]<\/li>\n<li>Kreisleriana Fantasieen f\u00fcr das Pianoforte, Op. 16. Published score (Leipzig: C. F. Peters, [s.d.]), Pl. no. G.H.18. 39 pp.<\/li>\n<li>Brahms, Johannes, arr. Gavotte von C.W. Gluck f\u00fcr das Pianoforte. Published score (Leipzig: Bartholf Senff, [s.d.]), Pl. no. 1105. 5 pp.<\/li>\n<li>Phantasiest\u00fccke f\u00fcr das Pianoforte, Op. 12, Heft I. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 5835a. 13 pp. [Later issue of the 1838 first edition.]<\/li>\n<li>Phantasiest\u00fccke f\u00fcr das Pianoforte, Op. 12, Heft II. Published score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 5835b. 19 pp. [Later issue of the 1838 first edition.]<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Schumann, Robert. Romanzen u. Balladen, Op. 45, 49, 53, 64.<br \/>\nPublished score (Leipzig: C. F. Peters, [s.d.]), Pl. no. F.3W.; G 865 H. 53 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Schumann, Robert. Compositionen f\u00fcr Pianoforte [binder\u2019s collection], Op. 99, 124.<br \/>\nBound volume (Elberfeld: F.W. Arnold, [s.d.]), containing:<\/p>\n<ul>\n<li>Bunte Bl\u00e4tter: 14 St\u00fccke, Op. 99, Nos. 1\u201314. Published scores (in 8 vols.) (Elberfeld, F. W. Arnold, [s.d.]), Pl. nos. A331\u2013A338. 57 pp., total.<\/li>\n<li>Albumbl\u00e4tter: 20 Clavierst\u00fccke, Op. 124. Published score (printed as one volume) (Dresden: F. W. Arnold, [s.d.]), Pl. nos. A355-A358. 47 pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Sch\u00f6nberg, Arnold. 6 Kleine Klavierst\u00fccke, Op. 19.<br \/>\nPublished score (Wien: Universal-Edition A.G, [s.d.]), Pl. no. U.E.5069. 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Smetana, Fr\u00e9d. Six Morceaux Caract\u00e9ristiques pour Piano, Oeuv. 1, Cah.1.<br \/>\nPublished score (Leipzig: Fr. Kistner, [s.d.]), Pl. no. 1790. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Smetana, B. B\u00f6hmische T\u00e4nze F\u00fcr Piano zu zwei H\u00e4nden.<br \/>\nPublished score (Prague: Fr.A. Urb\u00e1nek, [s.d.]), Pl. no. U.50a. 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Solf\u00e9ges D\u2019Italie avec la Basse chiffr\u00e9e. For one or two voices and continuo.<br \/>\nIn four parts, bound together; part IV with separate pagination. Published score (Paris: P. Porro, [ca. 1797\u20131804], fourth ed., no Pl. no. 218+68 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Spiedel, Wilhelm. Sonate f\u00fcr Pianoforte und Violoncell, Op. 10.<br \/>\nPublished score and part (cello) (Leipzig: C. F. Peters, [1854\/5]), Pl. no. 3831. 35 pp., 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Sphor, Louis. Sonate Concertante pour Harpe ou Pianoforte, O. 113.<br \/>\nPublished score (Hambourg Schuberth &amp; Comp, [s.d.]), Pl. no. 273.274. 26 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Spohr, Louis. Deuxi\u00e8me Trio Concertant pour Piano, Violon et Violoncelle, Op. 123.<br \/>\nPublished parts (violin, cello) and score (Hambourg: Schuberth &amp; Comp, [s.d.]), Pl. no. 547. 11 pp., 11 pp., 51 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Strauss, Johann. Erinnerung an Ernst\u2026f\u00fcr das Pianoforte, 126tes Werk.<br \/>\nPublished score (Wien: Tobias Haslinger, [s.d.]), Pl. no. C.H.8355. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Strauss, Johann. Zigeunerin-Quadrille f\u00fcr das Piano-Forte, 191tes Werk.<br \/>\nPublished score (Wien: Tobias Haslinger, [s.d.]), Pl. no. T.H.10,171. 7 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 123&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1660054104038{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<p><strong><em>[Removed due to reorganization of materials]<\/em><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 124&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1660054126405{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Strauss, Richard. Concert (Es dur) f\u00fcr das Waldhorn mit Orchester-oder Klavierbegleitung, Op. 11.<br \/>\nPublished piano reduction (M\u00fcnchen: Jos. Aibl, [s.d.]), Pl. no. R.2540d. 24 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Strauss, Richard. Sonate (Es dur) f\u00fcr Violine und Klavier, Op. 18.<br \/>\nPublished score and part (violin) (Leipzig: Jos. Aibl, [s.d.]), Pl. no. U.E.1047. 51 pp., 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Strauss, Richard. Burleske (D moll) f\u00fcr Pianoforte und Orchester.<br \/>\nPublished two piano reduction (Leipzig: Steingr\u00e4ber, [s.d.]), Pl. no. 515a. 2 copies. 36 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td><a id=\"t\"><\/a>Thalberg, Sigismond. Fantaisie pour le Piano-Forte, Oeuvre 6.<br \/>\nPublished score (Vienne: Artaria et Compagie, [s.d.]), Pl. no. 3071. 21 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Thalberg, Sig. Fantaisie pour le Piano-Forte, Ouvre 9.<br \/>\nPublished score (Vienne: Ant. Diabelli et Comp, [s.d.]), Pl. no. D.et C.No. 4663. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Thalberg, S. 2 Airs Russes Vari\u00e8s pour le Piano, Oeuvre 17.<br \/>\nPublished score (Vienne: Veuve Haslinger &amp; Fils, [s.d.]), Pl. no. T.H.6929. 21 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Thalberg, S. Fantaisie pour le Piano, Oeuvre 20.<br \/>\nPublished score (Leipsic: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 5726. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Thalberg, Sig. Fantaisie, Oeuvre 20. For solo piano.<br \/>\nPublished score [s.l.: s.n., s.d.]), [s.d.]), Pl. no. 6457. 23 pp. Title page missing.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Thalberg, S. Douze Etudes pour le Piano, Op. 26.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. V.A.354. 60 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Thalberg, Sigismond. Grande Fantaisie\u2026pour le Pianoforte, Op. 27.<br \/>\nPublished score (Mayence: B. Schott, [s.d.]), Pl. no. 4838. 21 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Thalberg, S. Nocturne pour le Piano, Oeuvre 28.<br \/>\nPublished score (Vienne: Pietro Mechetti qm Carlo, [s.d.]), Pl. no. P.M.No. 3048. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Thalberg, S. Fantaisie pour le Piano, Oeuvre 33.<br \/>\nPublished score (Leipsic: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 6050. 23 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>\u00a0Thalberg, S. Deux Romances sans Paroles pour le Piano, Oeuvre 41.<br \/>\nPublished score (Vienne: Pietro Mechetti qm Carlo, [s.d.]), Pl. no. P.M.No. 3556. 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Thalberg, S. Grande Fantaisie pour le Piano, Op. 42.<br \/>\nPublished score (Mayence: Schott, [s.d.]), Pl. no. 6480. 25 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Thalberg, S. Grand Caprice pour Piano, Op. 46.<br \/>\nPublished score (Mayence: B. Schott, [s.d.]), Pl. no. 6838. 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Thalberg, S. Grandes Valses Brillantes pour le Piano, Oeuv.47.<br \/>\nPublished score (Leipsic: Fr. Kistner, [s.d.]), Pl. no. 1388. 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Thalberg, S. Fantaisie pour le Piano, Op. 57, No. 2.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 7219. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Thalberg, S. \u201cIl mio Tesoro,\u201d No. 3 in L\u2019art du chant appliqu\u00e9 au piano, Op. 70. Transcription for solo piano.<br \/>\nPublished score (Leipzig: Breitkopf &amp; H\u00e4rtel, [s.d.]), Pl. no. 8777. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Thalberg, S. Romance Vari\u00e9e pour le Piano.<br \/>\nPublished score (Mayence: B. Schott, [s.d.]), Pl. no. 6493.5. 3 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 20<\/th>\n<td>Tomaschek, W. J. Six Eglogues pour le Pianoforte, Oeuv.47.<br \/>\nPublished score (Leipzig: C. F. Peters, [s.d.]), Pl. no. 1232. 17 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folders 21-22<\/th>\n<td>Tomaschek, W. J. Eglogues pour le Piano, Op. 63. (Liv. 5 des Eglogues.)<br \/>\nPublished score (Leipzig: Fr\u00e9deric Hofmeister, [s.d.]), Pl. no. 816. 2 copies. 21 pp, each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 2<\/th>\n<td>Tomaschek, W. J. Six Eglogues\u2026pour le Pianoforte, Oeuvre 83. (7me Liv. des Eglogues.)<br \/>\nPublished score (Prague: Jean Hoffmann, [s.d.]), Pl. no. 50. 10 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 24<\/th>\n<td>Tschaikowsky, P. Concert (No. 1, B moll) f\u00fcr Pianoforte mit Begleitung des Orchesters, Op. 23.<br \/>\nPublished orchestral score (Leipzig: D. Rahter, [s.d.]), Pl. no. 528. 153 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 25<\/th>\n<td>Tschaikowsky, P. Concert (No. 1, B moll) f\u00fcr Pianoforte mit Begleitung des Orchesters, Op. 23.<br \/>\nOrchestral parts: violin I (3 copies), violin II (3 copies), viola (2 copies), cello (2 copies), bass (3 copies), flute I, flute II, oboe I, oboe II, clarinet I, clarinet II, bassoon I, bassoon II, horn I, horn II, horn III\/IV, trumpet I\/II, trombone, bass trombone, timpani. Published parts (Leipzig: D. Rahter, [s.d.]), Pl. no. 529. 142 pp., total.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 125&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1660054152367{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Tschaikowsky, P. Variations\u2026pour le Violoncelle avec accompagnement d\u2019orchestre ou de Piano, Op. 33.<br \/>\nPublished piano score and part (cello) (Moscou: P. Jurgenson, [s.d.]), Pl. no. 3331. 23 pp., 7 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Tschaikowsky, P. Trio F\u00fcr Pianoforte, Violone und Violoncell, Op. 50.<br \/>\nPublished parts (violin, cello) and score (Leipzig: D. Rahter, [s.d.]), Pl. no. 2864. 21 pp., 21 pp., 91 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folders 3-4<\/th>\n<td>Tschaikowsky, P. Concerto No. 3 pour Piano avec accompagnement d\u2019Orchestre, Op. 75.<br \/>\nPublished two piano reduction (Hambourg D. Rahter, [s.d.]). 2 copies. 51 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Tschaikowsky, P. Lieder und Ges\u00e4nge f\u00fcr Soprano, Vol. 1 [Op. 6, 27, 28, 38].<br \/>\nPublished volume, hardbound with Russian text on front cover (Moscau: P. Jurgenson, [s.d.]), song texts in Russian and German. 74 pp., total. Contains:<\/p>\n<ul>\n<li>[Six Romances], Op. 6, Nos. 1\u20136 (Pl. nos. 17577 T.442; 17578 T.442; 6411 T.442; 6414 T.442; 17581 T.442; 6417 T.442).<\/li>\n<li>[Six Romances and Songs], Op. 27, Nos. 1, 3\u20136 (Pl. nos. 6419 T.442; 6422 T.442; 6424 T.442; 6426 T.442; 6428 T.442).<\/li>\n<li>[Six Romances], Op. 28, Nos. 1\u20136 (Pl. nos. 2743 T.442; 2744 T.442; 2745 T.442; 2746 T.442; 6438 T.442; 2248 T.442).<\/li>\n<li>\u201c\u0417\u0430\u0431\u044b\u0442\u044c \u0442\u0430\u043a \u0441\u043a\u043e\u0440\u043e = Schnell vergessen!\u201d (Pl. no. 2218 T.442).<\/li>\n<li>[Six Romances], Op. 38, No. 1 (Pl. no. 6446 T.442).<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Tschaikowsky, P. Lieder und Ges\u00e4nge f\u00fcr Soprano, Vol. 2 [Op. 38, 47, 57].<br \/>\nPublished volume, hardbound with Russian text on front cover (Moscau: P. Jurgenson, [s.d.]), song texts in Russian and German. 70 pp., total. Contains:<\/p>\n<ul>\n<li>[Six Romances], Op. 38, Nos. 2\u20136 (Pl. nos. 443 3342; 6449 T.443; 6451 T.443; 6453 T.443; 6455 T.443).<\/li>\n<li>[Seven Romances], Op. 47 (Pl. nos. T.443 4252; 4253 T.443; 4254 T.443; 6463 T.443; 6465 T.443; 4257 T.443; 4258 T.443).<\/li>\n<li>[Six Romances], Op. 57, No. 1 (Pl. no. 6579 T.443).<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Tschaikowsky, P. Lieder und Ges\u00e4nge f\u00fcr Soprano, Vol. 3 [Op. 57, 60].<br \/>\nPublished volume, hardbound with Russian text on front cover (Moscau: P. Jurgenson, [s.d.]), song texts in Russian and German. 72 pp., total. Contains:<\/p>\n<ul>\n<li>[Six Romances], Op. 57, Nos. 2\u20136 (Pl. nos. 6633 T.444; 6636 T.444; 6639 T.444; 6641 T.444; 6645 T.444).<\/li>\n<li>\u201c\u0423\u043d\u043e\u0441\u0438 \u043c\u043e\u0435 \u0441\u0435\u0440\u0434\u0442\u0441\u0435 = Meine Seele entf\u00fchre\u201d (Pl no. 14882 T.444).<\/li>\n<li>\u201c\u0413\u043b\u0430\u0437\u043a\u0438 \u0432\u0435\u0441\u043d\u044b \u0433\u043e\u043b\u044b\u0431\u044b\u0435 = Aeuglein so blau\u201d (Pl. no. 14884 T.444).<\/li>\n<li>\u201c\u0425\u043e\u0442\u0435\u043b \u0431\u044b \u0432 \u0435\u0434\u0438\u043d\u043e\u0435 \u0441\u043b\u043e\u0432\u043e = Ich wollt\u2019 meine lieb\u2019 erg\u00f6sse\u201d (Pl. no. 444; 14373).<\/li>\n<li>\u201c\u041d\u0435 \u0434\u043e\u043b\u0433\u043e \u043d\u0430\u043c \u0433\u0443\u043b\u044f\u0442 = Nicht lang noch w\u00e4hrt\u2019s\u201d (Pl. no. 14888 T.444).<\/li>\n<li>[Twelve Romances], Op. 60, Nos. 1\u20137 (Pl. nos. 13525 T.444; 13526 T.444; 13527 T.444; 13528 T.444; 14749 T.444; 13530 T.444; 13531 T.444).<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Tschaikowsky, P. Lieder und Ges\u00e4nge f\u00fcr Soprano, Vol. 4 [Op. 60, 63, 65].<br \/>\nPublished volume, hardbound with Russian text on front cover (Moscau: P. Jurgenson, [s.d.]), song texts in Russian and German. 70 pp., total. Contains:<br \/>\n&#8211; [Twelve Romances], Op. 60, Nos. 8\u201312 (Pl. nos. 13532 T.461; 13533 T.461; 13534 T.461; 14761 T.461; 14763 T.461).<br \/>\n&#8211; [Six Romances], Op. 63, Nos. 1\u20136 (Pl. nos. 13738 T.461; 14869 T.461; 14871 T.461; 13741 T.461; 13742 T.461; 13743 T.461).<br \/>\n&#8211; [Six M\u00e9lodies], Op. 65, Nos. 1\u20136 (Pl. nos. 15749 T.461; 15751 T.461; 15753 T.461; 15755 T.461; 15757 T.461; 15759 T.461).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td><a id=\"v\"><\/a>Verdi, Giuseppe. Potpourris aus den neuesten und beliebtesten Opern f\u00fcr das Piano-Forte, 42tes Heft (Ernani von Guiseppe Verdi). Four poutpourri arrangements by Anton Diabelli.<br \/>\nPublished volume, containing four arrangements (Wien: Ant. Diabelli und Comp, [s.d.]), Pl. nos. D.&amp;C.No. 7954\u2013D.&amp;C.No.7957. Incomplete; Fourth Potpourri missing p. 13 of score. 47 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Vieuxtemps, H. Six \u00c9tudes de Concert pour le Violon avec accompagnement de Piano, Op. 16.<br \/>\nPublished parts (piano, violin) (Hambourg Schuberth &amp; Comp, [s.d.]), Pl. no. 768. 16 pp., 17 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 126&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1660054159726{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Voss, Charles. La Pluie de Perles\u2026pour le Piano, Op. 95.<br \/>\nPublished score (Leipzig: C. F. Peters, [s.d.]), 2nd ed., Pl. no. 3230. 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>Voss, Charles. Cavatine de Casilda\u2026pour Piano, [Op. 133].<br \/>\nPublished score (Vienne: F. Gl\u00f6ggl, [s.d.]), Pl. no. F.G.432. 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td><a id=\"w\"><\/a>Wagner, Richard. Die Meistersinger von N\u00fcrnberg.<br \/>\nPublished piano vocal score (Mainz: B. Schott, [s.d.]), Pl. no. 18975. 402 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Weber, C. M. de. Six Pieces Faciles Pour le Piano \u00e0 quatre mains, Liv 1 [Op. 3, Nos. 1\u20136].<br \/>\nPublished score (Hambourg A. Cranz, [s.d.]). 15 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 5<\/th>\n<td>Weber, Carl Maria von. Sechs Variationen ein Thema von Samori f\u00fcr das Pianoforte mit Begleitung der Violine und des Violoncelle ad libitum, Op. 2 [<em>recte\u00a0<\/em>Op. 6].<br \/>\nPublished score and parts (violin, cello) (Braunschweig: Henry Litolff, [s.d.]), Pl. no. 1400. 7 pp., 1 p., 1 p.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td>Weber, C. Mar. de. Sept Variations pour le Piano Forte, [Op. 7].<br \/>\nPublished score (Berlin: E. H. Christiani, [s.d.]). 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 7<\/th>\n<td>Weber, C. M de. Variations sur l\u2019Air Italien: Vien qu\u00e1 Dorina bella, pour le Pianoforte, Oeuv 12.<br \/>\nPublished score (Hambourg A. Cranz, [s.d.]). 13 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td>Weber, Carl Maria von. Sieben Variationen \u00fcber ein italienisches Thema: \u201cVien qua Dorina bella\u201d f\u00fcr das Pianoforte, Op. 7.<br \/>\nPublished score (Braunschweig: Henry Litolff, [s.d.]), Pl. no. 1403. 10 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 9<\/th>\n<td>Weber, Carlo Maria di. Capriccio per il Piano-Forte, [Op. 12].<br \/>\nPublished score (Vienna: Diabelli ed Comp, [1825]), Pl. no. D.et C.No. 2089. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 10<\/th>\n<td>Weber, C. M. de. Grande Polonoise pour le Piano-Forte, [Op. 21].<br \/>\nPublished score (Hambourg A. Cranz, [s.d.]). 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Weber, Charl. Mar. B de. Grande Polonoise pour le Piano-Forte, [Op. 21].<br \/>\nPublished score (Bonn: N. Simrock, [s.d.]), Pl. no. 1149. 11 pp. [First edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 12<\/th>\n<td>Weber, Charles Maria de. Grande Sonate en ut majeur (C dur) pour le Pianoforte, Op. 24.<br \/>\nPublished score (Berlin: Ad.Mt. Schlesinger, [s.d.]), Pl. no. 52. 30 pp. [Later issue of 1st edition].<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 13<\/th>\n<td>Weber, C. M. de. Grande Sonate pour le Piano Forte No. 1, Op. 24.<br \/>\nPublished score (Amsterdam: Theune &amp; Co, [s.d.]), Pl. no. T.C.385. 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Weber, Carl Maria von. Sonaten f\u00fcr das Pianoforte, Op. 24, 39, 49, 70.<br \/>\nPublished volume (Leipzig: Breitkopf &amp; H\u00e4rtel, [1870]), Pl. no. 11590. 106 pp., total.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 15<\/th>\n<td>Weber, Charles Marie de. Romance\u2026pour le Piano-Forte, Oe. 28.<br \/>\nPublished score (Leipzig: C. F. Peters, [s.d.]), Pl. no. 1035. 11 pp. [Later issue of 1st edition].<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 16<\/th>\n<td>Weber, Charles Marie de. Romance\u2026pour le Piano Forte, Oeuv. 28.<br \/>\nPublished score (Berlin: J.F.A. Westphal, [s.d.]), Pl. no. 19. 9 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Weber, Charles Marie de. Grande Sonate pour le Pianoforte, Op. 49.<br \/>\nPublished score (Berlin: Adolphe Martin Schlesinger, [s.d.]). 29 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>Weber, C. M. de. Jubel-Ouverture. For orchestra.<br \/>\nPublished full score (London: B. Schott, [s.d.]), Pl. no. 19819. 49 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Weber, C. M. di. Rondo Brillante per il Pianoforte, Op. 62.<br \/>\nPublished score (Brunswich: G.M. Meyer Jr, [s.d.]), Pl. no. 98. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 20<\/th>\n<td>Weber, Carl Maria von. Trio f\u00fcr Piano-Forte, Fl\u00f6te und Violoncelle, Op. 63.<br \/>\nPublished parts (flute, cello, piano) (Berlin: Schlesinger, [1820]), Pl. no. 1053. 8 pp., 7 pp., 22 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 21<\/th>\n<td>Weber, Carl Maria von. Aufforderung zum Tanze Rondo Brillant f\u00fcr das Piano-Forte, 65tes Werk.<br \/>\nPublished score (Wien: A. Diabelli et Comp, [1822]), Pl. no. C.et D.No. 1025. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 22<\/th>\n<td>Weber, Ch. M. de. Rondeau Brillant pour le Piano-Forte, Oeuvre 65.<br \/>\nPublished score (Vienne: M.J. Leidesdorf, [1828]), Pl. no. M.I.L.1060. 9 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 127&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1660054166575{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td>Weber, Carl Maria von. Sonate f\u00fcr das Piano-forte, Op. 70.<br \/>\nPublished score (Berlin: Schlesinger, [1822]), Pl. no. 1164. 30 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td>[Weber, C. M.] \u201cEinsam bin ich nicht alleine,\u201d [from\u00a0<em>Preciosa,\u00a0<\/em>Op. 78, Act II, No. 7]. For voice and piano.<br \/>\nPublished score ([s.l.: s.n., s.d.]), Pl. no. 1869. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td>Weber, Carl Maria von. Preciosa, [Op. 78].<br \/>\nPublished piano vocal score (Wolfenb\u00fcttel: L. Holle, [s.d.]), Pl. no. 392. 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 4<\/th>\n<td>Weber, C. M. von. Precosia. Romantisches Schauspiel mit Ch\u00f6ren und T\u00e4nzen f\u00fcr das Pianoforte allein, [Op. 78].<br \/>\nPublished score (Wien: Ant. Diabelli, [s.d.]), Pl. nos. C.et D.No. 1063; D.et C.No. 2088; D.et C.No. 2039\u2013D.et C.No.2043. 21 pp<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td>Weber, C. M. v. Zigeuner-Walzer aus dem romantischen Schauspiel: Precosia, [Op. 78].<br \/>\nPublished score (Hamburg: Joh. Aug. B\u00f6hme, [s.d.]). 2 copies. 2 pp., each.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 6<\/th>\n<td>Weber, Carl Mar. v. Concert-Stueck\u2026f\u00fcr das Piano-Forte mit Begleitung des Orchesters, 79tes Werk.<br \/>\nPublished solo piano part (Leipzig: C. F. Peters, [s.d.]), Pl. no. 1754. 27 pp.<br \/>\nBound with:<br \/>\n&#8211; Czerny, Carlo. Leggerezza e Bravura Rondo Brillante per il Piano-Forte, Oeuv. 58. Published score (Lipsia: C. F. Peters, [s.d.]), Pl. no. 1804. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 7<\/th>\n<td>Weber, Carl Maria von. Concert-St\u00fcck\u2026f\u00fcr das Pianoforte mit Begleitung des Orchesters, Op. 79.<br \/>\nPublished solo piano part (Leipzig: C. F. Peters, [s.d.]), Pl. no. 1754 2817. 27 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 8<\/th>\n<td>Weber, C. M. de. Concerto, Op. 79.<br \/>\nOrchestral parts: violin I (2 copies), violin II, viola (2 copies), cello\/bass (2 copies), flute I, flute II, oboe I, oboe II, clarinet I, clarinet II, bassoon I, bassoon II, horn I, horn II, trumpet I, trumpet II, trombone, timpani. Published parts ([Leipzig: C. F. Peters, 1825?]), Pl. no. 1754. 46 pp. [First issue of final edition.]<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 9<\/th>\n<td>Weber, C. M. v. Concerte No. 3 in F moll f\u00fcr das Klavier mit Begleitung des Orchesters, Op. 79.<br \/>\nPublished orchestral score (Leipzig: [s.n.], [s.d.]), Pl. no. S.5595. 70 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 10<\/th>\n<td>Weber, C. M. de. Les Adieux. Fantaisie pour le Pianoforte, Oeuvre Posthume [Posth. Op. 81].<br \/>\nPublished score (Hambourg: Schuberth &amp; Comp, [s.d.]), Pl. no. H.XXVIII u.XXIX. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td>Weber, Charles Marie de. Grand Quatuor pour le Piano-Forte, Violon, Alto &amp; Violoncelle, [J. 76].<br \/>\nPublished piano part (Bonn: N. Simrock, [s.d.]), Pl. no. 771. 19 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 12<\/th>\n<td>Weber, Carl Maria von. Oberon\u2026mit leichter Pianoforte-Begleitung, [J. 306].<br \/>\nPublished piano vocal score (Berlin: Schlesinger, [s.d.]), Pl. no. 1438. 158 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 13<\/th>\n<td>Weber, C. M. v. [Ouverture to] Oberon, [J. 306]. For solo piano.<br \/>\nPublished score (Wolfenb\u00fcttel: L. Holle, [s.d.]), Pl. no. 395. 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 14<\/th>\n<td>Weber, C. M. de. Derni\u00e8re Valse pour le Piano-Forte.<br \/>\nPublished score (Francfort: A. Fischer, [s.d.]), Pl. no. 407. 2 pp.<br \/>\nBound with:<br \/>\n&#8211; Freysch\u00fctz Walzer f\u00fcr das Piano-Forte. Published score (Mainz: B. Schott, [s.d.]), Pl. no. 1752. 2 pp.<br \/>\n&#8211; Mainlust Walzer f\u00fcr das Piano-Forte. Published score (Frankfurt: Fr.Ph. Dunst, [s.d.]), Pl. no. 394. 2 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 15-16<\/th>\n<td>Weber, C. M. von. Weber-Album.<br \/>\nPublished volume (Dresden: Allgemeinen deutschen National-Lotterie, [s.d.]). 2 copies. 33 pp., each. Copy 1 hardbound.<br \/>\n&#8211; Contents: Duettino f\u00fcr sopran und Tenor; R\u00fcckblick; Normanns Gesang; Fr\u00fchlingsjubel; Lied im Volkston: \u201cO weine nicht!\u201d; Ein geistlich Abendlied; Mirza-Schaffy an Suleika; Duettino f\u00fcr zwei Sopranstimmen; Verlust; Dithyrambe.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 17<\/th>\n<td>Wichern, Caroline. Capricci f\u00fcr das Piano-Forte, Heft I.<br \/>\nPublished score ([s.l.: s.n., s.d.]). 8 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 18<\/th>\n<td>\u00a0Wieniawski, Joseph. Valse de Concert pour le Piano, Op. 3.<br \/>\nPublished score (Berlin: Ed. Bote &amp; G. Bock, [s.d.]), Pl. no. B.&amp;B.2861. 11 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 19<\/th>\n<td>Wieniawski, Joseph. Concerto pour Piano avec accompagnement d\u2019Orchestre, Op. 20.<br \/>\nPublished two piano reduction (Bruxelles: A. Cranz, [s.d.]), Pl. no. 36183. 49 pp.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 20<\/th>\n<td>Unidentified Passion service, possibly of Slavic origin. Mainly monophonic chant with some unison chorus.<br \/>\nPublished volume, printed in Dubna (near Moscow) in 1721. 48 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/frager\/frager1\">\u2190 MALCOLM FRAGER COLLECTION: Sub-Group 1<\/a><\/p>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/frager3\/\">MALCOLM FRAGER COLLECTION: Binders Collection&#8217;s &amp; Manuscripts \u2192<\/a><\/p>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text] SUB-GROUP 2: LIBRARY [\/vc_column_text][vc_column_text] Series 1: Single Imprints [\/vc_column_text][vc_column_text] A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W [&hellip;]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":1174,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Special_collections.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-1182","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=1182"}],"version-history":[{"count":0,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1182\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1174"}],"wp:attachment":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=1182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=1182"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=1182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}