{"id":1418,"date":"2019-07-11T14:30:41","date_gmt":"2019-07-11T18:30:41","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=1418"},"modified":"2024-04-02T13:10:50","modified_gmt":"2024-04-02T17:10:50","slug":"kremenliev","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/kremenliev\/","title":{"rendered":"BORIS KREMENLIEV COMPOSITIONS COLLECTION"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<p>SC 1996.18<\/p>\n<p>Ruth T. Watanabe Special Collections<br \/>\nSibley Music Library<br \/>\nEastman School of Music<br \/>\nUniversity of Rochester<\/p>\n<p>prepared by Michael V. Pisani and Anna Hendrickson<br \/>\nFall 1996<\/p>\n<p><a name=\"Contents\"><\/a><a name=\"Contents\"><\/a><\/p>\n<h3>CONTENTS<\/h3>\n<ul>\n<li><a href=\"#Descrip\">Description of Collection<\/a><\/li>\n<li><a href=\"#Series\">Description of Series<\/a><\/li>\n<li><a href=\"#Inventory\">Inventory<\/a><\/li>\n<li>Series 1: <a href=\"#S1\">Vocal Music<\/a><\/li>\n<li>Series 2: <a href=\"#S2\">Instrumental Music<\/a><\/li>\n<li>Series 3: <a href=\"#S3\">Miscellaneous Assorted Sketches and Notes<\/a><\/li>\n<li><a href=\"#Oversize\">Oversize Boxes<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><a id=\"Descrip\" name=\"Descrip\"><\/a><\/p>\n<h3>DESCRIPTION OF COLLECTION<\/h3>\n<p>Location: M1B 8,1-4<br \/>\n10 linear feet<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;5486&#8243; img_size=&#8221;medium&#8221; add_caption=&#8221;yes&#8221; alignment=&#8221;center&#8221; style=&#8221;vc_box_outline&#8221; onclick=&#8221;link_image&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]<\/p>\n<h4>Biographical Sketch<\/h4>\n<p>Boris Kremenliev, Bulgarian-American composer and musicologist (Razlog, 23 May 1911 &#8211; Los Angeles, 25 April 1988). Kremenliev came to the United States in 1929 and received a BM and an MM from DePaul University in Chicago and a Ph.D. from the Eastman School of Music in 1942. (His doctoral thesis, titled Song Symphony, or Symphony No. 1, for contralto and orchestra was performed during the 11th Festival of American Music in 1941 by the Rochester Civic Orchestra, with Dr. Howard Hanson conducting.) During World War II, he served as a member of the Psychological Warfare Branch of the U. S. Army in Europe. From 1945-46 he conducted concerts as music director of the Frankfurt Radio. In 1947 he was appointed associate professor of music theory and composition at the University of California, Los Angeles, a position he held until 1978. In addition to writing music for orchestras, films, and chamber groups, Kremenliev did extensive research on the folk music of his native Bulgaria and on Slavic music in general. He published an important treatise, Bulgarian-Macedonian Folk Music (Los Angeles, 1952) and contributed articles on 20th-century music to various journals.<\/p>\n<p>&nbsp;<\/p>\n<h4>Provenance<\/h4>\n<p>The collection represents materials relating to the compositions of Boris Kremenliev received by the Sibley Music Library from the composer\u2019s estate. This collection was separated from Kremenliev\u2019s books and research notes relating to Balkan, slavic, and other Eastern European folk musics. These are inventoried separately as the Boris Kremenliev Folk Studies Collection.<\/p>\n<p>&nbsp;<\/p>\n<h4>Scope and Content<\/h4>\n<p>The collection represents a substantial portion of the compositions of Boris Kremenliev, most of them written in the United States between 1942 and 1985. The collection includes the composer\u2019s sketches and original drafts for many of his works. Lists of Kremenliev\u2019s compositions can be found in the New Grove and most other major research guides. Only a few of his compositions were published, however, although he was represented by several publishers (Leeds, Foster, Clayton F. Summy, Bruzzichelli). This collection is therefore all the more valuable for its breadth and inclusiveness. It contains the composer\u2019s original sketches and drafts for many works, final transparencies and copies of scores and parts, as well as in some cases composer\u2019s annotated rehearsal copies. The collection therefore affords an important overview of Kremenliev as an active 20th-century composer.<\/p>\n<p>&nbsp;<\/p>\n<h4>Restrictions and Use<\/h4>\n<p>There are no restrictions placed on the use of this collection except as regards copyright law.<\/p>\n<p>&nbsp;<\/p>\n<h4>Associations<\/h4>\n<p>The Watanabe Special Collections department holds collections of compositions of several twentieth-century American composers.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><a id=\"Series\" name=\"Series\"><\/a><\/p>\n<h3>DESCRIPTION OF SERIES<\/h3>\n<p>The sketches, manuscript scores, and printed scores have been inventoried in three series: vocal music, instrumental music, and miscellaneous assorted sketches. Sketches identified with a particular work have been inventoried with that work. Each series is divided into subseries that are usually defined by instrumention or vocal ensemble. A few subseries are delimited by genre (\u201cWorks for Film, Radio, and Theater\u201d and \u201cPedagogical Works for Piano\u201d). Works within each subseries are generally arranged alphabetically by title. One exception to this is series 2, subseries 5 (\u201cWorks for Keyboard\u201d). In this subseries, pieces were grouped first according to instrumentation (unidentified keyboard instrument, harpsichord, organ, piano) and then alphabetically within that grouping.<\/p>\n<p>&nbsp;<\/p>\n<h4>Series 1: <a href=\"#S1\">Vocal Music<\/a><\/h4>\n<p>Series One contains seven subseries:<\/p>\n<p><strong>Subseries 1: Works for Solo Voice(s) and Instruments<\/strong><br \/>\nThis series includes sketches, transparencies, and prints of works for voice with the accompaniment of multiple instruments.<\/p>\n<p><strong>Subseries 2: Works for Solo Voice(s) with Keyboard Accompaniment<\/strong><br \/>\nThis series includes sketches, transparencies, and published works for voice with the accompaniment of a single keyboard instrument.<\/p>\n<p><strong>Subseries 3: Works for Mixed Chorus Unaccompanied<\/strong><br \/>\nThis series includes transparencies and prints of two versions of a work for unaccompanied mixed chorus, Consolation (1954 and 1970).<\/p>\n<p><strong>Subseries 4: Works for Mixed Chorus with Instruments<\/strong><br \/>\nThis series includes sketches, transparencies, and prints of several works for chorus with various instruments.<\/p>\n<p><strong>Subseries 5: Works for Women\u2019s Chorus and Instruments<\/strong><br \/>\nThis series includes multiple manuscript and printed versions of two large works for women\u2019s chorus and various instruments, Song for Parting (1949) and Grapes (1951 and 1965).<\/p>\n<p><strong>Subseries 6: Works for Men\u2019s Chorus<\/strong><br \/>\nThis series includes transparencies and printed copies of two short works for men\u2019s chorus.<\/p>\n<p><strong>Subseries 7: Works for Children\u2019s Chorus<\/strong><br \/>\nThis series includes manuscripts, transparencies, and prints of several short works for children\u2019s chorus, most with piano accompaniment.<\/p>\n<h4>Series 2: <a href=\"#S2\">Instrumental Music<\/a><\/h4>\n<p>Series Two contains seven subseries:<\/p>\n<p><strong>Subseries 1: Works for Orchestra<\/strong><br \/>\nThis series includes manuscript sketches, composer\u2019s copies, transparencies of scores and parts, and professionally copied parts to several works for full orchestra.<\/p>\n<p><strong>Subseries 2: Works for Symphonic Band<\/strong><br \/>\nThis series includes manuscript sketches and transparencies and printed full scores of several works for concert band.<\/p>\n<p><strong>Subseries 3: Works for Film, Radio, and Theater<\/strong><br \/>\nThis series includes manuscripts, scores, and parts to dramatic music written for radio, film, and theater.<\/p>\n<p><strong>Subseries 4: Chamber and Instrumental Music<\/strong><br \/>\nThis series includes manuscript scores, transparencies of scores and parts, and printed scores and parts to several works for small instrumental ensembles as well as sonatas for various instruments and piano. It also includes copies of the String Quartet No. 2 (1965) published in Italy.<\/p>\n<p><strong>Subseries 5: Keyboard Works<\/strong><br \/>\nThis series includes sketches, transparencies, and prints of music for harpsichord, organ, and piano.<\/p>\n<p><strong>Subseries 6: Pedagogical Works for Piano<\/strong><br \/>\nThis series contains transparencies and prints of short, simple works for piano that were most likely written for very young or beginning pianists.<\/p>\n<p><strong>Subseries 7: Arrangements of Works by Other Composers<\/strong><br \/>\nThis series includes works by Lully, Machaut, and others arranged for various instruments, all in manuscript.<\/p>\n<h4>Series 3: <a href=\"#S3\">Miscellaneous Assorted Sketches and Notes<\/a><\/h4>\n<p>Series Three contains folders of largely unidentifiable manuscript sketches, preserved in the order as received.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><a id=\"Inventory\" name=\"Inventory\"><\/a><\/p>\n<h3>INVENTORY<\/h3>\n<p><a name=\"S1\"><\/a><\/p>\n<h4>Series 1: Vocal Music<\/h4>\n<p><strong>Subseries 1: Works for Solo Voice(s) and Instruments<\/strong><\/p>\n<p><strong>Box 1<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>The Bridge (opera, 1985), notes, plot sketch<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>The Bridge, prose synopsis<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>The Bridge, sketches<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>The Bridge, Full score draft, mostly of Act I (transferred to Oversize Box A)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Koan No. 77 for contralto and chamber ensemble (flute, clarinet, timpani, percussion, and piano) on a poem by Elva Kremenliev (1979), \u201cHomage \u00e0 mon cher ami Luigi Dallapiccola,\u201d sketch<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Koan No. 77 (1979), full score transparency<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Koan No. 77, full score photocopy<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Koan No. 77, unbound copy<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Koan No. 77, bound copy 1<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Koan No. 77, bound copy 2<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Koan No. 77, bound copy 3<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Koan No. 77, bound copy 4<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Koan No. 77, voice part, transparency<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>Koan No. 77, flute\/piccolo part, transparency<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Koan No. 77, clarinet part, transparency<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>Koan No. 77, percussion part, transparency<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>Koan No. 77, voice part, copy<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 18<\/strong><\/td>\n<td>Koan No. 77, flute\/piccolo part, copy<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 19<\/strong><\/td>\n<td>Koan No. 77, clarinet part, copy<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 20<\/strong><\/td>\n<td>Koan No. 77, percussion parts, 3 copies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 21<\/strong><\/td>\n<td>Romantic Fragments, Four Songs for Soprano, Percussion, and Piano on various poets (1970), sketches<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Subseries 2: Works for Solo Voice(s) with Keyboard Accompaniment<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 22<\/strong><\/td>\n<td>The Children for soprano, piano, and mandolin\/violin (1982), pencil draft and sketches<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 23<\/strong><\/td>\n<td>The Children (&#8220;The Mary Josephine Dugaw Song&#8221;), draft manuscript, dated 8\/24\/83<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 24<\/strong><\/td>\n<td>The Children, photocopy of vocal score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 25<\/strong><\/td>\n<td>Durge [sic] for Voice and Piano, pencil draft and sketches<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 26<\/strong><\/td>\n<td>&#8220;The End of Love,&#8221; song for voice and piano, words by Elva Carson (Hollywood: Guild Publications of California, 1956), copy 1<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 27<\/strong><\/td>\n<td>&#8220;The End of Love,&#8221; copy 2<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 28<\/strong><\/td>\n<td>&#8220;The End of Love,&#8221; copy 3<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 29<\/strong><\/td>\n<td>&#8220;For Alice Flowers,&#8221; voice and keyboard, pencil sketches<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 30<\/strong><\/td>\n<td>&#8220;For Alice Flowers&#8221; (1985), words by Elva Kremenliev, composer&#8217;s holograph manuscript<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 31<\/strong><\/td>\n<td>&#8220;For Alice Flowers,&#8221; bound photocopy<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 32<\/strong><\/td>\n<td>&#8220;For Alice Flowers,&#8221; unbound photocopy 1<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 33<\/strong><\/td>\n<td>&#8220;For Alice Flowers,&#8221; unbound photocopy 2<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 34<\/strong><\/td>\n<td>&#8220;For Alice Flowers,&#8221; unbound photocopy 3<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Box 2<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Four Macedonian Folksongs, for female voice and piano, translation by Elva and Boris Kremenliev (1985), composer&#8217;s sketches<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Four Macedonian Folksongs, for high voice and piano (1985), composer&#8217;s holograph manuscript<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Four Macedonian Folksongs, bound photocopy of composer&#8217;s manuscript, copy 1<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Four Macedonian Folksongs, bound photocopy of composer&#8217;s manuscript, copy 2<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Four Macedonian Folksongs, bound photocopy of composer&#8217;s manuscript, copy 3<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Four Macedonian Folksongs, bound photocopy of composer&#8217;s manuscript, copy 4<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Two Lithuanian Folksongs, manuscript (&#8220;Dec. 1952&#8221;)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Leka Nosht, voice and piano with Bulgarian text (1955), transparency<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Leka Nosht, copy 1<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Leka Nosht, copy 2<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>&#8220;Pretty Girl Makes Fun of Young Bachelor,&#8221; from Four Macedonian Folksongs, pencil draft<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>&#8220;Pretty Girl Makes Fun of Young Bachelor,&#8221; from Four Macedonian Folksongs, photocopy (2 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>&#8220;Kara Mustafa,&#8221; for voice and piano, composer&#8217;s holograph manuscript, &#8220;Easter eve 1954&#8221;<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>&#8220;A Little Lullaby for Jimmy,&#8221; composer&#8217;s manuscript, &#8220;words by Elva, tune by Boris, L.A. 5\/18\/85&#8221;<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>&#8220;A Little Lullaby for Jimmy,&#8221; manuscript<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>&#8220;A Little Lullaby for Jimmy,&#8221; bound photocopy of above<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>&#8220;A Little Lullaby for Jimmy,&#8221; unbound photocopy of above (4 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 18<\/strong><\/td>\n<td>&#8220;Lullaby for Naiden,&#8221; for voice and keyboard, 1-page draft, dated &#8220;Aug. 5, 1971&#8221;<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 19<\/strong><\/td>\n<td>&#8220;Spendthrift,&#8221; for voice and piano (1985), pencil sketches and draft<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 20<\/strong><\/td>\n<td>&#8220;Spendthrift,&#8221; pencil draft (1985)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 21<\/strong><\/td>\n<td>&#8220;Spendthrift,&#8221; for high voice and piano (1985), bound photocopy, copy 1<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 22<\/strong><\/td>\n<td>&#8220;Spendthrift,&#8221; bound photocopy, copy 2<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 23<\/strong><\/td>\n<td>&#8220;Spendthrift,&#8221; bound photocopy, copy 3<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 24<\/strong><\/td>\n<td>&#8220;Spendthrift,&#8221; unbound photocopies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 25<\/strong><\/td>\n<td>\u201cSpendthrift,\u201d pencil sketches for a version for voice and instruments (2 pages), includes an additional page of unidentified sketches (transferred to Oversize Box A)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Subseries 3: Works for Mixed Chorus Unaccompanied<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 26<\/strong><\/td>\n<td>Consolation (after a Bulgarian folksong)(1954), score, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 27<\/strong><\/td>\n<td>Consolation, copy of score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 28<\/strong><\/td>\n<td>Consolation (after a Bulgarian folksong), later revised version (1970), score, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 29<\/strong><\/td>\n<td>Consolation (1970), copy 1<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 30<\/strong><\/td>\n<td>Consolation (1970), copy 2<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 31<\/strong><\/td>\n<td>Consolation (1970), copy 3<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 32<\/strong><\/td>\n<td>Consolation (1970), copy 4<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Subseries 4: Works for Mixed Chorus with Instruments<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 33<\/strong><\/td>\n<td>Facing West from California Shores for Mixed Chorus and Symphonic Band on a Poem by Walt Whitman (1954), holograph full score (transferred to Oversize Box A)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 34<\/strong><\/td>\n<td>Facing West from California Shores, full score, transparencies (transferred to Oversize Box A)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 35<\/strong><\/td>\n<td>Facing West from California Shores, chorus parts, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 36<\/strong><\/td>\n<td>Facing West from California Shores, chorus parts, 2 copies (one says \u201cfor Mixed Voices and Orchestra\u201d)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 37<\/strong><\/td>\n<td>Facing West from California Shores, pencil sketch (1984)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 38<\/strong><\/td>\n<td>Mass for Mixed Chorus and Organ, sketches<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 39<\/strong><\/td>\n<td>Meditation for Mixed Choir and Organ on text by Ralph Emerson Davis (1958), score, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 40<\/strong><\/td>\n<td>Meditation for Mixed Choir and Organ, score (2 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 41<\/strong><\/td>\n<td>Meditation for Mixed Choir and Organ, vocal score, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 42<\/strong><\/td>\n<td>Meditation for Mixed Choir and Organ, vocal score (3 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 43<\/strong><\/td>\n<td>Meditation for Mixed Choir and Organ, vocal score (3 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 44<\/strong><\/td>\n<td>Meditation for Mixed Choir and Organ, vocal score (3 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 45<\/strong><\/td>\n<td>Meditation for Mixed Choir and Organ, vocal score (3 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 46<\/strong><\/td>\n<td>Once to Every Man and Nation, cantata for Mixed Voices, Narrator, Soloists, Brass Quintet, and Organ adapted from poems by James Russel Lowell by Elva Kremenliev (1960), bound copy of full score, typed copy of narrator\u2019s text inserted, (transferred to Oversize Box A)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 47<\/strong><\/td>\n<td>Once to Every Man and Nation, bound copy of full score, transferred to Oversize Box A<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 48<\/strong><\/td>\n<td>Once to Every Man and Nation, copy of vocal score, with penciled corrections<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 49<\/strong><\/td>\n<td>Once to Every Man and Nation, corrected choral part to No. 2 \u201cOnce to Every Man and Nation\u201d (9 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 50<\/strong><\/td>\n<td>&#8220;They Are Slaves,&#8221; from Once to Every Man and Nation, for mixed chorus and piano or organ (Fostco Music Press, 1968) (7 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 51<\/strong><\/td>\n<td>&#8220;They Are Slaves,&#8221; from Once to Every Man and Nation, for mixed chorus and piano or organ (Fostco Music Press, 1968) (6 copies; reference copies)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Subseries 5: Works for Women&#8217;s Chorus and Instruments<\/strong><\/p>\n<p><strong>Box 3<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Song for Parting for women&#8217;s voices, English horn, and strings on text by Elva Carson (1949), sketches<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Song for Parting, vocal score (early version), transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Song for Parting, vocal score (early version), 3 copies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Song for Parting, vocal score (early version), 3 copies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Song for Parting, vocal score (early version), 3 copies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Song for Parting, vocal score (early version), 3 copies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Song for Parting (1949), full score, composer&#8217;s holograph manuscript<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Song for Parting, full score, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Song for Parting, full score, bound copy 1<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Song for Parting, full score, bound copy 2<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Song for Parting, full score, bound copy 3<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Song for Parting, vocal score, manuscript (revised version)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Song for Parting, revised vocal score, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>Song for Parting, revised vocal score, copy 1<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Song for Parting, revised vocal score, copy 2<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>Song for Parting, revised vocal score, copy 3<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>Song for Parting, English Horn transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 18<\/strong><\/td>\n<td>Song for Parting, Violin 1 part transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 19<\/strong><\/td>\n<td>Song for Parting, Violin 2 part transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 20<\/strong><\/td>\n<td>Song for Parting, Viola part transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 21<\/strong><\/td>\n<td>Song for Parting, Cello part transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 22<\/strong><\/td>\n<td>Song for Parting, Bass part transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 23<\/strong><\/td>\n<td>Song for Parting, English Horn part<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 24<\/strong><\/td>\n<td>Song for Parting, Violin 1 parts (3 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 25<\/strong><\/td>\n<td>Song for Parting, Violin 2 parts (3 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 26<\/strong><\/td>\n<td>Song for Parting, Viola parts (3 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 27<\/strong><\/td>\n<td>Song for Parting, Cello parts (3 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 28<\/strong><\/td>\n<td>Song for Parting, Bass parts (2 copies)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Box 4<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Grapes for Women&#8217;s Voices and String Quartet on a poem by Alexander Pushkin (1951), photocopy of full score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Grapes for Women&#8217;s Voices and String Quartet (rev., 1965), full score transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Grapes (1965), photocopy of full score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Grapes (1965), bound photocopy of full score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Grapes (1965), full score, copy 1<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Grapes (1965), full score, copy 2<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Grapes (1965), vocal score transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Grapes (1965), vocal score, unbound (2 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Grapes (1965), vocal score, copies 1-12<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Grapes (1965), Violin 1 transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Grapes (1965), Violin 2 transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Grapes (1965), Viola transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Grapes (1965), Cello transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>Grapes (1965), Violin 1 part (2 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Grapes (1965), Violin 2 part (2 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>Grapes (1965), Viola part (2 copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>Grapes (1965), Cello part (2 copies)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Subseries 6: Works for Men&#8217;s Chorus<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 18<\/strong><\/td>\n<td>Three Songs for Men&#8217;s Voices after Bulgarian Folksongs (1966), score transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 19<\/strong><\/td>\n<td>Three Songs for Men&#8217;s Voices, score (2 corrected copies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 20<\/strong><\/td>\n<td>Three Songs for Men&#8217;s Voices, score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 21<\/strong><\/td>\n<td>Three Songs for Men&#8217;s Voices, score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 22<\/strong><\/td>\n<td>Three Songs for Men&#8217;s Voices, score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 23<\/strong><\/td>\n<td>&#8220;UCLA Days&#8221; for Men&#8217;s Voices (1948), copy of score<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Subseries 7: Works for Children&#8217;s Chorus<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 24<\/strong><\/td>\n<td>Missa Juvenaliter (Mass for the Young) for Unison Voices, with Optional Percussion and Guitar (1969), manuscript<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 25<\/strong><\/td>\n<td>Missa Juvenaliter (Mass for the Young), transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 26<\/strong><\/td>\n<td>Missa Juvenaliter (Mass for the Young), copy 1<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 27<\/strong><\/td>\n<td>Missa Juvenaliter (Mass for the Young), copy 2<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 28<\/strong><\/td>\n<td>A Child&#8217;s Prayer for Children&#8217;s Voices and Piano on a text by Francis Thompson 1958), transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 29<\/strong><\/td>\n<td>A Child&#8217;s Prayer for Children&#8217;s Voices and Piano, copy<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 30<\/strong><\/td>\n<td>The Message of the Bells for Children&#8217;s Voices and Piano, manuscript (1967)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 31<\/strong><\/td>\n<td>The Message of the Bells, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 32<\/strong><\/td>\n<td>The Message of the Bells, copy 1<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 33<\/strong><\/td>\n<td>The Message of the Bells, copy 2<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 34<\/strong><\/td>\n<td>The Message of the Bells, copy 3<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 35<\/strong><\/td>\n<td>&#8220;Why Do the Bells of Christmas Ring,&#8221; from Three Songs for Christmas (1958), copy<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><a name=\"S2\"><\/a><a name=\"S2\"><\/a><\/p>\n<h4>Series 2: Instrumental Music<\/h4>\n<p><strong>Subseries 1: Works for Orchestra<\/strong><\/p>\n<p><strong>Box 5<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Balkan Rhapsody (also called &#8220;Bulgarian Rhapsody,&#8221; 1952), Full score, copyist&#8217;s copy, transparencies (separated to Box 9)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Balkan Rhapsody, Full score, copyist&#8217;s copy, unbound print (separated to Box 9)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Balkan Rhapsody, Orchestra scores (separated to Box 9)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Balkan Rhapsody, Two pages of typed comments excerpted and translated from European reviews of Boris Kremenliev&#8217;s Balkan Rhapsody<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Balkan Rhapsody, Orchestra parts, transparencies, Flute to French Horns<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Balkan Rhapsody, Orchestra parts, transparencies, Trumpet to String Bass<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Balkan Rhapsody, Orchestra parts, Set 1 (Winds)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Balkan Rhapsody, Orchestra parts, Set 1 (Perc., Harp)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Balkan Rhapsody, Orchestra parts, Set 1 (Violin I, 9 parts)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Balkan Rhapsody, Orchestra parts, Set 1 (Violin II, 8 parts)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Box 6<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Balkan Rhapsody, Orchestra parts, Set 1 (Viola, 6 parts)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Balkan Rhapsody, Orchestra parts, Set 1 (Cello\/Bass, 6 and 5 parts)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Balkan Rhapsody, Orchestra parts, Set 2 (Winds)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Balkan Rhapsody, Orchestra parts, Set 2 (Perc., Harp)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Balkan Rhapsody, Orchestra parts, Set 2 (Violin I)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Balkan Rhapsody, Orchestra parts, Set 2 (Violin II)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Balkan Rhapsody, Orchestra parts, Set 2 (Viola)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Balkan Rhapsody, Orchestra parts, Set 2 (Cello\/Bass)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Box 7<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Crucifixion, on Paintings of Rico Lebrun (1952) for Wind Instruments, Organ, Piano, Basses, and Percussion. Suite adapted from the score to the film Crucifixion (separation sheet, transferred to box 10)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Crucifixion, Orchestra parts, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Crucifixion, Orchestra parts, Set 1 (with 4 perc., 4 string bass parts)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Crucifixion, Orchestra parts, Set 2 (with 4 perc., 4 string bass parts)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Crucifixion, Orchestra parts, Set 3 (with 4 perc., 4 string bass parts)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Elegie: June 5, 1968, Orchestra full score, transparencies (separated to box 9)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Elegie, Orchestra full scores, 10 copies, spiral separated to box 9)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Elegie, Orchestra parts, transparencies (includes a letter of Kremenliev specifying the required number of parts, 4 percussion books, and strings: 16\/14\/12\/10\/8)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Box 8<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Elegie, Orchestra parts (Winds and Perc.)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Elegie, Orchestra parts (Violin I)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Elegie, Orchestra parts (Violin II)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Elegie, Orchestra parts (Viola)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Elegie, Orchestra parts (Cello\/Bass)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Overture (5&#8217;12&#8221;) for Orchestra, Composer&#8217;s autograph full score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>&#8220;Peasant Dance&#8221; from the opera The Bridge (1983), composer&#8217;s autograph manuscript (transferred to Oversize Box B)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>&#8220;Peasant Dance&#8221; from the opera The Bridge (1983), photocopy of above (transferred to Oversize Box B)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Pr\u00e1vo Hor\u00f2 (1940), Sketches (transferred to Oversize Box B)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Pr\u00e1vo Hor\u00f2, Orchestra Score, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Pr\u00e1vo Hor\u00f2, Orchestra Score, composer&#8217;s copy, many markings, some changes<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Pr\u00e1vo Hor\u00f2, Orchestra Score, composer&#8217;s copy?, some markings<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Pr\u00e1vo Hor\u00f2, Orchestra Score, composer&#8217;s copy?, a few markings<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>Pr\u00e1vo Hor\u00f2, Orchestra Score, unmarked<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Pr\u00e1vo Hor\u00f2, Orchestra Parts (transparencies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>Symphony No. 1 (Song Symphony) for Contralto and Orchestra (1941) (separated to Box 9<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>Symphony No. 2 (unfinished) , Sketches<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Box 9<\/strong> (large)<\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Balkan Rhapsody (sometimes also titled &#8220;Bulgarian Rhapsody,&#8221; 1952), Full score, copyist&#8217;s copy, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Balkan Rhapsody, Full score, copyist&#8217;s copy, unbound print<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Balkan Rhapsody, Orchestra scores, bound copy<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Balkan Rhapsody, Orchestra scores, bound copy<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Symphony No. 1 (Song Symphony) for Contralto and Orchestra, Orchestra Score, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Elegie, Orchestra Score, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Elegie, Orchestra Score, 4 copies<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Box 10<\/strong> (large)<\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Crucifixion, on Paintings of Rico Lebrun (1952) for Wind Instruments, Organ, Piano, Basses, and Percussion. Suite adapted from the score to the film. Orchestra Score, transparencies.<br \/>\nPrologue<br \/>\n1. \u201cMassacre of Innocents\u201d<br \/>\n2. \u201cWorkmen of Death\u201d<br \/>\n3. \u201cDeposition\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Crucifixion, Score, conductor&#8217;s copy, heavily marked, pp. 1-2 missing<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Crucifixion, Score, with 1 MS. page inserted at the beginning<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Crucifixion, Score, unmarked bound copy<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Crucifixion, Score, unmarked bound copy<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Subseries 2: Works for Symphonic Band<\/strong><\/p>\n<p><strong>Box 11<\/strong> (large)<\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Concerto for Piano and Symphonic Band (1949), holograph pencil sketch<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Concerto for Piano and Symphonic Band, piano part, manuscript<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Three Village Sketches (1949), full score, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Three Village Sketches, 2 bound copies of full score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Wilderness Road (1953), bound copy of full score<br \/>\n1. \u201cThe Great Smoky Mountains\u201d<br \/>\n2. \u201cCherokee Fire Dance\u201d<br \/>\n3. \u201cDaniel Boone\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Box 11 (cont.)<\/strong><\/p>\n<p><strong>Subseries 3: Works for Film, Radio, and Theater<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Crucifixion, pencil sketch (2 pages)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>The First Chance (1952), radio score, composer&#8217;s manuscript score and parts<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>The Ghetto Story, film score (1958), composer&#8217;s autograph manuscript (transferred to Box 12)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Box 12<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>The Ghetto Story, orchestra parts<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>The Ghetto Story, chorus parts, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>The Ghetto Story, chorus parts, assorted cues<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>The Ghetto Story, chorus parts, assorted cues<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Canned Magic, Music for a Training Film<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Incidental music to A Radio Production of Oscar Wilde&#8217;s An Ideal Husband (1953), instrumental ensemble, full score, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Music to An Ideal Husband, full score, bound copy of above<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Waltz from An Ideal Husband, arr. for full orchestra, composer&#8217;s autograph manuscript<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Waltz from An Ideal Husband, arr. for piano solo, 4 copies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Music for Christmas, Radio Luxenbourg, 1944, holograph manuscipt<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Unidentified music for film, radio, or theater, orchestra parts<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Sketches, film- or theater-related<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Composer&#8217;s copy of a list of sequences and timings that relate to the film Crucifixion and the score written to accompany it. (See the three-movement symphonic suite that Kremenliev prepared from the film score. Crucifixion, box 10.)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>The Return of Ulysses, plot summary, notes, etc.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Modern Music (TV program), idea and script, assorted cues for orchestra. Dated 1959.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>The Tell-Tale Heart, film score (1953), assorted cues<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Subseries 4: Chamber and Instrumental Music<\/strong><\/p>\n<p><strong>Box 13<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Adagio for Unaccompanied Flute (1950). Printed score.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Chamber Piece for Flute and String Quartet. Ms.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Divertimento for Violin and Cello. Bound print from transparencies. Dated 1965.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Divertimento for Violin and Cello. Transparencies of score. 2 copies.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Divertimento for Violin and Cello. Printed scores. Copies 1 and 2.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Divertimento for Violin and Cello. Printed scores. Copies 3 and 4.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Horo No. 3 for Violin and Piano. Ms. score and part.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Horo No. 3 for Violin and Piano. Transparencies score and part.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>March for Flute and Drum (1953). 1-page ms.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Poem for Unaccompanied Clarinet (1948). Transparency.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Pr\u00e1vo Hor\u00f2 for Violin and Piano. Ms. score.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Quartet for Oboe Violin, Viola, and Cello (1950). Transparencies of score.<br \/>\n1. \u201cThe Green Hills\u201d<br \/>\n2. \u201cChildren at Play\u201d<br \/>\n3. \u201cTarantella\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Quartet for Oboe, Violin, Viola, and Cello. Printed score. Copy 1.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>Quartet for Oboe, Violin, Viola, and Cello. Printed score. Copy 2.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Quartet for Oboe, Violin, Viola, and Cello. Printed score. Copy 3.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>Quartet for Saxophones, score, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>Quartet for Saxophones, copy of score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 18<\/strong><\/td>\n<td>Quartet for Saxophones, parts, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 19<\/strong><\/td>\n<td>Quartet for Saxophones, parts<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 20<\/strong><\/td>\n<td>Romance (1956) for unidentified melodic instrument and piano, transparencies and copy of score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 21<\/strong><\/td>\n<td>Sonata for Flute and Piano. Copy 1 and 2 (2 printed sets of score and part). Folder includes an additional printed part.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 22<\/strong><\/td>\n<td>Sonata for Flute and Piano. Transparencies of score.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 23<\/strong><\/td>\n<td>Sonata for Horn and Piano. Transparencies of score and part.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 24<\/strong><\/td>\n<td>Sonata for Oboe. 1-page sketch.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 25<\/strong><\/td>\n<td>Sonata for String Bass and Piano (1966), photocopy of manuscript score and transparencies of score and part.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 26<\/strong><\/td>\n<td>Sonata for String Bass and Piano. Transparencies and copy of 1st mov.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 27<\/strong><\/td>\n<td>Sonata for String Bass and Piano. Transparencies of Bass part, movs. 1 and 2.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 28<\/strong><\/td>\n<td>Sonata for String Bass and Piano. Two incomplete scores.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 29<\/strong><\/td>\n<td>Sonata for String Bass and Piano. Score, copy 1 (ring-bound).<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 30<\/strong><\/td>\n<td>Sonata for String Bass and Piano. Part, copy 1 (ring-bound).<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 31<\/strong><\/td>\n<td>Sonata for String Bass and Piano. Score, copy 2 (ring-bound).<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 32<\/strong><\/td>\n<td>Sonata for String Bass and Piano. Part, copy 2 (ring-bound).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Box 14<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Sonata for String Bass and Piano. Score, copy 3 (ring-bound).<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Sonata for String Bass and Piano. Part, copy 3 (ring-bound).<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Sonata for Trumpet and Piano, Sketches<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Sonata for Trumpet and Piano. Sketches.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Sonata for Trumpet and Piano (1956). Printed score with corrections.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Sonata for Viola and Piano. Sketches.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Sonata for Viola and Piano. Draft.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Sonata for Viola and Piano. Holograph of 1st mov. (rev. 1965)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Sonata for Viola and Piano. Transparencies of score. Incomplete.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>String Quartet No. 1 (1934). Composer&#8217;s holograph ms. of first 3 movs.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>String Quartet No. 2 (1965). Printed score (Florence, Italy: Aldo Bruzzichelli, 1970). Composer&#8217;s &#8220;corrected copy.&#8221;<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>String Quartet No. 2 (1965). Printed score (Florence, Italy: Aldo Bruzzichelli, 1970). 3 copies.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>String Quartet No. 2 (1965). Transparencies of parts.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>String Quartet No. 2 (1965). 1 complete set of parts, and 1 set of parts (mvts. 3 and 4 only).<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>String Quartet No. 2 (1965). 2 complete sets of published parts (Florence, Italy: Aldo Bruzzichelli, 1970).<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>String Quartet No. 2 (1965). 3 sets of parts.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>String Quartet No. 3 (&#8220;England, 1977&#8221;). 2-page sketch.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 18<\/strong><\/td>\n<td>Three Rhythmic Sketches for E-flat Alto Sax and Piano (1983). Sketches.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 19<\/strong><\/td>\n<td>Three Rhythmic Sketches for E-flat Alto Sax and Piano (1983). Composer&#8217;s holograph draft ms.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 20<\/strong><\/td>\n<td>Three Rhythmic Sketches for E-flat Alto Sax and Piano (1983). Composer&#8217;s pencil ms.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 21<\/strong><\/td>\n<td>Three Rhythmic Sketches for E-flat Alto Sax and Piano (1983). Transparencies of score.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 22<\/strong><\/td>\n<td>Three Rhythmic Sketches for E-flat Alto Sax and Piano (1983). Score and part.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 23<\/strong><\/td>\n<td>Trio for Flute, Clarinet, and Bassoon. Ms. and sketches.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 24<\/strong><\/td>\n<td>Trio for Flute, Clarinet, and Bassoon. Parts.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 25<\/strong><\/td>\n<td>Tune for Saxophone, Horn, and Strings, manuscript full score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 26<\/strong><\/td>\n<td>Tune for Saxophone, Horn, and Strings, parts (transparencies)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 27<\/strong><\/td>\n<td>Variations on a Greek Folksong. Brass Quartet. Sketches.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 28<\/strong><\/td>\n<td>Variations on a Macedonian Folksong for Cello and Piano. Pencil sketches.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 29<\/strong><\/td>\n<td>Variations on a Macedonian Folksong for Cello and Piano (first version, 1984). Holograph pencil score.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 30<\/strong><\/td>\n<td>Variations on a Macedonian Folksong for Cello and Piano (second version, 1985). Holograph pencil score.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Subseries 5: Works for Keyboard (unidentified, harpsichord, organ, and piano)<\/strong><\/p>\n<p><strong>Box 15<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Sketches, mostly unidentified<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Sketches, mostly unidentified<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>\u201cRomance,\u201d for unidentified keyboard instrument (1960), copy<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>\u201cTango Pathetique,\u201d sketch of a work for unidentified keyboard instrument<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Suite for Harpsichord: Prelude, Aria, Dance (1951), transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Suite for Harpsichord, III (rev. 1966), pencil draft of third movement<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Suite for Harpsichord: Prelude, Aria, Dance (rev. 1966), transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Suite for Harpsichord (rev. 1966), copy of above<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>\u201cWedding March\u201d for Organ, transparencies and copy<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>\u201cWedding March\u201d for Organ, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Prelude and Toccata for Organ, transparencies and copy<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Six Organ Pieces, holograph manuscript<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Six Organ Pieces (1985), two bound copies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>Prelude No. 2 for Organ (1963), holograph pencil manuscript<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Sketches (for an organ work)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>Prelude for Piano, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>Piano Sonata (1962), reverse transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 18<\/strong><\/td>\n<td>Piano Sonata (1962), 2 copies of the 2nd and 3rd movs. only, and 1 copy of the 3rd mov. with penciled corrections<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 19<\/strong><\/td>\n<td>\u201cAsymmetric III\u201d for Piano, sketches<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 20<\/strong><\/td>\n<td>\u201cAsymmetric III\u201d for Piano (1962), bound copy. On title page also called \u201cSonata.\u201d See also 3rd mov. of Piano Sonata (1962).<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 21<\/strong><\/td>\n<td>Five Piano Compositions in Asymmetric Meters, 1st Mov., transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 22<\/strong><\/td>\n<td>Three Preludes for Piano, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 23<\/strong><\/td>\n<td>Little Etude for Piano (1954), transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 24<\/strong><\/td>\n<td>Piano works, individual movements from untitled work, transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 25<\/strong><\/td>\n<td>\u201cImprovisation I\u201d (1984), transcription for piano of the fourth of Six Organ Pieces, manuscript<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 26<\/strong><\/td>\n<td>\u201cImprovisation I,\u201d photocopies of above<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Subseries 6: Pedagogical Works for Piano<\/strong><\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 27<\/strong><\/td>\n<td>Individually named character pieces (Prelude; Improvisation; Indian War Dance; Oriental Melody; Canon; Friends; Funny, Funny, Mr. Beethoven), pencil manuscripts<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 28<\/strong><\/td>\n<td>Individually named character pieces (7), transparencies of above<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 29<\/strong><\/td>\n<td>Individually named character pieces (7), copies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 30<\/strong><\/td>\n<td>Seven pedagogical pieces (1. After School; 2. Evening Song; 3. Holyday in Italy; 4. Dialogue; 5. Sunset; 6. Canon; 7. Irish Jig), pencil manuscripts and copies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 31<\/strong><\/td>\n<td>\u201cCherokee Fire Dance\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 32<\/strong><\/td>\n<td>Five Short Pieces for Young Pianists, 3 copies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 33<\/strong><\/td>\n<td>\u201cFour Dances (I. Balkan Dance; II. Courante; III. Norwegian Dance; IV. Welsh Country Dance), Pencil manuscripts<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 34<\/strong><\/td>\n<td>\u201cGrandfather\u2019s Dance\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 35<\/strong><\/td>\n<td>\u201cHoliday in Naples\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 36<\/strong><\/td>\n<td>\u201cIn a Gypsy Camp\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 37<\/strong><\/td>\n<td>\u201cIndian War Dance\u201d (a different piece from that above)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 38<\/strong><\/td>\n<td>\u201cIrish Dance\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 39<\/strong><\/td>\n<td>\u201cIrish Jig\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 40<\/strong><\/td>\n<td>\u201cLittle Etudes\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 41<\/strong><\/td>\n<td>National Guild of Piano Teachers. Pages from Guild Repertoire: Piano Music Appropriate for the Auditions of the NGPT (Summy-Birchard, 1961). Four of the pieces \u201carranged by Boris Kremenliev.\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 42<\/strong><\/td>\n<td>\u201cPolka: Bohemian Folk Dance\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 43<\/strong><\/td>\n<td>\u201cShadows on the River\u201d for piano, transparencies and copy<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 44<\/strong><\/td>\n<td>\u201cSierra Sunset\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 45<\/strong><\/td>\n<td>\u201cSunset: An Old French Folksong,\u201d 2 copies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 46<\/strong><\/td>\n<td>Six Miniatures (Leeds Music Corp., 1955), 3 copies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 47<\/strong><\/td>\n<td>\u201cSong of the Mountaineer\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 48<\/strong><\/td>\n<td>\u201cThree Preludes,\u201d No. 1<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 49<\/strong><\/td>\n<td>\u201cTwo Folk Dances\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 50<\/strong><\/td>\n<td>\u201cTwo Folksongs for Evening\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 51<\/strong><\/td>\n<td>\u201cYugoslavian Dances\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 52<\/strong><\/td>\n<td>\u201cRound and Round,\u201d 3 copies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 53<\/strong><\/td>\n<td>[Two Bulgarian Dances] &#8220;\u041a\u0430\u043a\u0432\u0430 \u043c\u043e\u043c\u0430 \u0432\u0438\u0434e\u0445\u044c M\u0430\u043c\u043e&#8221;; &#8220;\u041e\u0432\u0447\u0440\u044c \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0435\u0446\u044a&#8221;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Subseries 7: Arrangements of Works by Other Composers<\/strong><\/p>\n<p><strong>Box 16<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>J. S. Bach, Inventio 1 from Inventionen und Sinfonien, arr. for keyboard<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Lully, Courante, transcribed for violin , cello, and piano (1956), transparencies of score and parts<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Lully, Courante, copy of score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Machaut, La Messe de Nostre Dame<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Ravel, La Vall\u00e9e des cloches from Miroirs Suite, adapted for orchestra, holograph pencil score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Scriabine [sic], Prelude for the Left Hand, Op. 9, no. 1, transcribed for English Horn and String Orchestra (1948), holograph pencil score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Friedrich Wilhelm Zachow (1663-1712), Chorale-Prelude, transcribed for Brass Quartet (1956), transparencies of score and parts<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Zachow, Chorale-Prelude, copy of score and parts<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><a name=\"S3\"><\/a><a name=\"S3\"><\/a><\/p>\n<h4>Series 3: Miscellaneous Assorted Sketches and Notes<\/h4>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>unidentified ms.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Sketches, unidentified<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Sketches, unidentified<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Sketches, unidentified<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Sketches, unidentified<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>Sketches, unidentified<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Sketches, unidentified (large size, transferred to Oversize Box B)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><a name=\"Oversize\"><\/a><strong>OVERSIZE BOX A (Box 17)<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>The Bridge (opera, 1983), draft full score (incomplete)<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>\u201cSpendthrift,\u201d 2-page sketch for an orchestral version of the song \u201cSpendthrift\u201d for voice and piano, includes an additional page of unidentified sketches<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Facing West from California Shores, holograph full score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Facing West from California Shores, Full score transparencies<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Once to Every Man and Nation, bound full score, copy 1<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Once to Every Man and Nation, bound full score, copy 2<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>OVERSIZE BOX B (Box 18)<\/strong><\/p>\n<table>\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>III. H\u00fayilkum, unfinished orchestral draft<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>\u201cPeasant Dance\u201d from The Bridge, orchestra, composer&#8217;s autograph full score<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>\u201cPeasant Dance\u201d from The Bridge, photocopy of above<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Pr\u00e1vo Hor\u00f2, Sketches<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Sketches, unidentified<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text] SC 1996.18 Ruth T. Watanabe Special Collections Sibley Music Library Eastman School of Music University of Rochester prepared by Michael V. Pisani and Anna Hendrickson Fall 1996 CONTENTS Description of Collection Description of Series Inventory Series 1: Vocal Music Series 2: Instrumental Music Series 3: Miscellaneous Assorted Sketches and Notes Oversize Boxes &nbsp; [&hellip;]<\/p>\n","protected":false},"author":276,"featured_media":5486,"parent":400,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"finding-aid","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[3],"class_list":["post-1418","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/276"}],"replies":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=1418"}],"version-history":[{"count":0,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1418\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/400"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media\/5486"}],"wp:attachment":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=1418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=1418"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=1418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}