{"id":17049,"date":"2022-01-14T11:20:21","date_gmt":"2022-01-14T16:20:21","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=11199"},"modified":"2022-01-14T11:20:21","modified_gmt":"2022-01-14T16:20:21","slug":"ser5-9","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/jdegaetani-ml\/ser5-9\/","title":{"rendered":"JAN DEGAETANI COLLECTION (MUSIC LIBRARY)"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1642176962642{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 5: Late 20th-century Songs, 1960s-1980s<\/h3>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1642176994719{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series A:\u00a0Works in English<\/strong><\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 22 `{`cont.`}`” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1642177017494{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n
folder 10<\/strong><\/td>\nAdler, Samuel. Ask Me. Four songs for medium voice and guitar or lute. Poems by William Stafford and Richard Eberhart.
\nScore. MS repro. 16 pp. Taped to inside front cover: texts of the poems used in the cycle.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nAdler, Samuel. Three Songs. Collection of songs for medium voice and piano.
\nScore. Chapel Hill, NC: Hinshaw Music, c1978. 15 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nAlpher, David. [Collection of six songs for voice and piano.]
\nScore. MS repro. 18 pp. Includes: \u201cShe Wears her Face\u201d; \u201cHarbingers\u201d; \u201cLoves\u201d; \u201cSomething Was Left Unsaid\u201d; \u201cLittle Box House\u201d; \u201cLast Night a Foreign Thing.\u201d<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nAmlin, Martin. Evening Meditation in a Cathedral Town. Song for mezzo-soprano and piano. Text by Charles Pratt.
\nScore. MS repro, bound. 14 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nAmlin, Martin. A Lasting Spring. Five songs for soprano and piano.
\nScore. MS repro. 19 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nArmer, Elinor. A Season of Grief. Seven songs for baritone and piano.
\nScore. MS repro. 25 pp.
\nAccompanied by an audiocassette tape of the songs, typescript program notes (1 p.), and texts (7 pp.).<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nBacon, Ernst. Tributaries Songs. Limited edition of songs for voice and piano.
\nScore. Berkeley, CA: The Musical Offering, 1978. 108 pp.
\nAccompanied by duplicate photocopy of the first page of the Afterword and three songs from the collection (\u201cThe Unseen Soul\u201d; \u201cWorld, Take Notice\u201d; \u201cLingering Last Drops\u201d).<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nBecker, John. Two Poems of Departure and Two Songs. Four songs for voice and piano.
\nScores. MS repro. 10 pp., total.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 23″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1642180365137{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nBenson, Warren. Five Lyrics of Louise Bogan. Five songs for mezzo-soprano and flute.
\nScore. Bryn Mawr, PA: Theodore Presser, c1984. 23 pp. Title page inscribed to JDG by the composer. The work was commissioned for, dedicated to, and premiered by Bonita Boyd, flute, and JDG.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBenson, Warren. The Putcha Putcha Variations. Song for solo voice with fingersnaps and handclaps. Text by John Gardner.
\nPhotocopy of score produced by notation software, bound. 7 pp. Title page inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nBenson, Warren. \u201cShylum Song\u201d and \u201cInterdependence.\u201d Two songs for voice and piano.
\nScores. MS repro. 2 + 1 pp. Both inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nBenson, Warren. Solitary Songs. Three songs for medium voice and piano.
\nScore. MS repro, bound. 6 pp. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nBarry, Wallace. [Performance copies of six works for voice and piano.]
\n\u201cThe Moment: Summer\u2019s Night.\u201d Dramatic narrative for voice and piano. Score. MS repro. 22 pp.
\n\u201cOn the Idle Hill of Summer.\u201d Score. MS repro. 4 pp.
\n\u201cLament for a Sailor.\u201d No. 1 from Three Songs from \u201cPaean from the Grave.\u201d Score. MS repro. 5 pp.
\n\u201cThe Dug-Out.\u201d No. 2 from Three Songs from \u201cPaean from the Grave.\u201d Score. MS repro. 4 pp.
\n\u201cThe Sea-Ritual.\u201d Score. MS repro. 5 pp.
\n\u201cA Forsaken Garden.\u201d Score. MS repro. 5 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nBialosky, Marshall. Three Mysteries of Emily Dickinson. Three songs for soprano and English horn.
\nScore. MS repro. 10 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nBialosky, Marshall. Two Songs to Poems of Richard Wilbur. For soprano and English horn.
\nScore. MS repro. 11 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nBiggs, Hayes. Northeast Reservation Lines. Song for soprano and piano.
\nScore. Published music produced from MS repro copy. Newton Centre, MA: Margun Music, c1987. 8 pp.
\nAccompanied by a bio of the composer on Margun Music stationery. 1 p.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nBlack, Arnold. African Plain Songs. Song cycle for SATB soloists with piano and chorus.
\nScore. MS repro, bound. 40 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nBolcom, William. Six New Cabaret Songs. Collection of songs for voice and piano.
\nScore. MS repro (at bottom of title page: Edward B. Marks, NYC) [1979\u20131983]. 29 pp.
\nAlso in folder: William Bolcom, \u201cWaitin,\u201d [from Cabaret Songs (1978)]. For voice and piano. Text by Arnold Weinstein. Score. MS repro. 2 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nBolcom, William. Three Donald Hall Songs. Collection of songs for voice and piano.
\nScore. MS repro. 20 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nBowles, Paul. Blue Mountain Ballads. Collection of songs for voice and piano. Words by Tennessee Williams.
\nScore. New York: G. Schirmer, c1979. 14 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nBrehm, Alvin. A Cycle of Six Songs set to the Poems of Frederico Garcia Lorca. Song cycle originally for soprano and ten instruments
\nPiano vocal score. New York: Edward B. Marks Music, c1976. 32 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nCadman, Charles. Four American Indian Songs. Collection of songs for voice and piano.
\nScore. [Boston]: White-Smith Music, c1909. 29 pp.
\nAccompanied by a performance copy of the second song, \u201cThe White Dawn is Stealing.\u201d 5 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nCage, John. Five Songs for Contralto. Collection of songs for voice and piano. Texts by e. e. cummings.
\nScore. New York: C. F. Peters, c1960. 22 pp.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nConvery, Robert. Night in Disguise. Cycle of ten songs for medium voice and piano. Poems by William Blake.
\nScore. MS repro, bound. 26 pp.
\nAlso in folder: resum\u00e9 for Robert Convery. Typescript. 1 p.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nCowell, Henry. \u201cFirelight and Lamp\u201d and Three Anti-Modernist Songs. Songs for voice and piano.
\n\u201cFirelight and Lamp.\u201d Score. Words by Gene Baro. New York: C. F. Peters, c1964. 4 pp.
\nThree Anti-Modernist Songs. Score. MS repro. 17 pp.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nCruft, Adrian. Songs of Good Counsel, Op. 73. Collection of songs for mezzo-soprano and piano.
\nScore. Published score produced from MS repro (facsimile of composer\u2019s manuscript?). London: Joad Press\/Chappell & Co., c1976. 40 pp. Interleaved in score: composer\u2019s bio on Joad Press stationery. 1 p.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nCruft, Adrian. Two Canadian Poems, Op. 56. Two songs for medium voice and piano.
\nScore. Published score produced from MS repro (facsimile of composer\u2019s manuscript?). London: Joad Press\/Chappell & Co., c1977. 15 pp.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nCrumb, George. Apparition. Elegiac songs and vocalises for soprano and amplified piano.
\nScore. New York: C. F. Peters, c1980. 16 pp. Dedicated to JDG and Gilbert Kalish.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nCrumb, George. Three Early Songs. Songs for voice and piano.
\nIncludes: \u201cNight\u201d; \u201cLet It Be Forgotten\u201d; \u201cWind Elegy.
\nScore. Photocopy of score produced by music notation software. 12 pp.
\nScore. MS repro. 11 pp.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nDavies, Peter Maxwell. Dark Angels<\/em>. Three songs for voice and guitar.
\nScore. MS repro. Rental score from Boosey & Hawkes Rental Department. 2 copies. 15 pp., each.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nDiamond, David. \u201cDo I Love You?\u201d and \u201cI Have Longed to Move Away.\u201d Two songs for voice and piano.
\n\u201cDo I Love You?\u201d Text by Jack Larson. New York: Southern Music Publishing Co., c1971. 15 pp.
\n\u201cI Have Longed to Move Away.\u201d Text by Dylan Thomas. New York: Southern Music Publishing Co., c1968. 5 pp.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nDiamond, David. \u201cI Shall Imagine Life,\u201d \u201cMy Papa\u2019s Waltz,\u201d and \u201cHomage to Paul Klee.\u201d Three songs for voice and piano.
\n\u201cI Shall Imagine Life.\u201d Text by e. e. cummings. New York: Southern Music Publishing Co., c1968. 3 pp.
\n\u201cMy Papa\u2019s Waltz.\u201d Text by Theodore Roethke. New York: Southern Music Publishing Co., c1968. 5 pp.
\n\u201cHomage to Paul Klee.\u201d Poem by Babette Deutsch. Bryn Mawr, PA: Elkan-Vogel, c1973. 6 pp.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nDuke, John. \u201cAcquainted With The Night.\u201d Song for voice and piano.
\nScore. New York: Southern Music Publishing Co., c1964. 5 pp.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nDuke, John. Six Poems by Emily Dickinson<\/em>. Collection of songs for soprano and piano.
\nScore. New York: Southern Music Publishing Co., c1978. 25 pp.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nDuke, John. Three Poems by Mark Van Doren<\/em>. Collection of songs for medium voice and piano.
\nScore. Published score produced from MS repro (composer\u2019s manuscript?). Northampton, MA: Smith College, New Valley Music Press, c1982. 12 pp. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nFelding, Catherine. [Songs by Catherine Boettcher Felding for Mildred Petrie. Six songs for voice and piano.]
\n\u201cSerenade.\u201d Score. MS repro. 2 pp.
\n\u201cSong.\u201d Score. MS repro. 2 pp.
\n\u201cFar in a Western Brookland.\u201d Score. MS repro. 4 pp.
\n\u201cPorto Bello Bridge.\u201d Score. MS repro. 3 pp.
\n\u201cStranger.\u201d Score. MS repro. 1 p.
\n\u201cDuet.\u201d Score. Ink MS. 3 pp.
\nOriginal envelope with addresses for Catherine Felding and Mildred Petrie.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nFine, Irving. Mutability<\/em>. Six songs based on poems by Irene Orgel. Collection of songs for mezzo-soprano and piano.
\nScore. Melville, NY: Belwin Mills, [s.d.]. 20 pp.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nFine, Vivian. \u201cThe Human Mind.\u201d Gertrude Stein\u2019s aria from the chamber opera The Women in the Garden<\/em>. Song for voice and piano.
\nScore. MS repro. 7 pp.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nFrazelle, Kenneth. Worldy Hopes<\/em>. Collection of songs for mezzo-soprano and piano.
\nScore. MS repro, bound. 51 pp.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nGach, Jay. Excerpts from Spoon River Anthology<\/em>. Songs for medium, female voice and piano.
\nFrom folder labeled \u201cGach, Jay Anthony \/ Excerpts from Spoon River Anthology.\u201d
\nTypescript note from Jay Anthony Gach (summary of contents). Typescript. 1 p.
\n\u201cEdith Conant.\u201d Photocopy of score produced by notation software. 8 pp.
\n\u201cAmanda Barker.\u201d Photocopy of score produced by notation software. 3 pp.
\n\u201cWilliam and Emily.\u201d Photocopy of score produced by notation software. 5 pp.
\n\u201cKnowlt Hoheimer.\u201d Printout of score produced by notation software, with annotations in ink. 6 pp.
\nAccompanied by duplicate photocopy. 6 pp.
\n\u201cHod Putt.\u201d Photocopy of score produced by notation software. 5 pp.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nHarbison, John. If there be nothing new<\/em>. Shakespeare Series. Sonnets 59, (123), 102. Three songs for mezzo-soprano and piano.
\nScore. MS repro. 15 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 24″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1642622424492{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nHoiby, Lee. Collected Songs, Book Three. For medium voice and piano.
\nIncludes: \u201cThe Serpent\u201d; \u201cNight\u201d; Three French Songs; O Florida (song cycle); \u201cAn Immorality\u201d; \u201cLove Love Today\u201d; \u201cShe tells her love while half asleep\u201d; \u201cLied der Liebe.\u201d
\nScore. English, French, and German texts. MS repro, bound. Printed by Aquarius Music, Long Eddy, NY. 68 pp.
\nAccompanied by a note to JDG from the composer; dated May 12, 1986. 1 p.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nHovhaness, Alan. \u201cBlack Pool of Cat,\u201d Op. 84, No. 1. Song for voice and piano. Poem by Jean Harper.
\nScore. New York: C. F. Peters, c1960. 8 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nJeffers, Ron. thr e e cummings & goings [sic]. Set of three songs for solo voice.
\n\u201canyone lived in a pretty how town.\u201d Score. Corvallis, OR: Earthsongs, c1987. 3 pp.
\n\u201cwherelings whenlings.\u201d Score. Corvallis, OR: Earthsongs, c1987. 3 pp.
\n\u201clet\u2019s touch the sky.\u201d Score. Corvallis, OR: Earthsongs, c1987. 3 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nJeffreys, John. A Book of Songs. Collection of songs for voice and piano.
\nScore. Private facsimile edition, hardbound. Consists of MS repro scores (composer\u2019s manuscripts) with typescript texts. [s.l.: s.n., s.d.]. 32 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nJordan, Alice. \u201cTake Joy Home.\u201d Song for medium voice and piano.
\nScore. Dayton, OH: Roger Dean Publishing Co.\/Heritage Music Press, c1983. 6 pp. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nKagen, Sergius. \u201cThe Junk Man.\u201d Song for voice and piano. Words by Carl Sandburg.
\nScore. MS repro. 2 pp.
\nAccompanied by duplicate photocopy (reduced to letter-sized paper). 2 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nKagen, Sergius. \u201cA Lullaby.\u201d Song for voice and piano. Text by James Agee.
\nScore. MS repro. 4 pp. Dedicated to JDG by the composer.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nKernis, Aaron. \u201cMornings Innocent.\u201d Song for voice and piano.
\nScore. Published score produced from MS repro (composer\u2019s manuscript?). New York: Nortlight Music\/Edition Wilhelm Hansen, c1987. 6 pp.
\nAccompanied by two duplicate photocopies. 6 pp., each.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nKernis, Aaron. Stein Times Seven. Collection of songs for five solo singers and piano or five-part mixed chorus and piano.
\nScore. Published score produced from MS repro (composer\u2019s manuscript?). [Copenhagen]: Wilhelm Hansen, [s.d.]. 25 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nLa Montaine, John. \u201cStopping by Woods on a Snowy Evening.\u201d Song for medium voice and piano.
\nScore. New York: Galaxy Music Corp., c1963. 4 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nLauridsen, Morten. A Winter Come. Two songs for voice and piano. Poems by Howard Moss.
\nScore. MS repro. \u00a9Southern Music Publishing Co., c1987. 7 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nLee, No\u00ebl. \u201cStand on the Highest Pavement.\u201d Song for mezzo-soprano and piano. Text by T. S. Eliot.
\nScore. MS repro. 6 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nLee, Thomas Oboe. Apples. Six \u201cdreams\u201d by Richard Kenney for voice and piano.
\nScore. MS repro. 26 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nLevines, Thomas. Images. Five Haiku for soprano and piano.
\nScore. MS repro. 13 pp.
\nAccompanied by composer\u2019s bio and a list of his compositions. 2 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nLiptak, David. Seven Songs. Collection of songs for voice and piano.
\nScore. MS repro, produced by American Composers Alliance, New York. 2 copies. 23 pp., each.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nLister, Rodney. As You Know. Five songs for voice and piano.
\nScore. MS repro. 16 pp.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nLister, Rodney. A Motion Not My Own. Six songs for voice and piano.
\nScore. MS repro. 25 pp.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nLister, Rodney. Song Book. Seven songs for voice and piano.
\nScore. MS repro. 24 pp.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nMackey, Steven. Two Dances from William Carlos Williams. Two songs for mezzo-soprano and piano.
\nScore. MS repro, produced by American Composers Alliance, New York. 17 pp.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nMcDaniel, William J. From Aesop\u2019s Fables. Song cycle for voice and piano.
\nScore. MS repro. 19 pp.
\nAccompanied by a letter to JDG from the composer.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nMcLennan, John. Two Songs from James Joyce. Songs for voice and piano.
\nScore. Newton Centre, MA: Margun Music, c1978. 9 pp.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nMarks Music Corp. New Vistas in Song. Collection of songs for high voice and piano.
\nContents: Milton Babbitt: \u201cSounds and words\u201d; Edward Cone: \u201cSilent Noon\u201d; Henry Cowell: \u201cThe pasture\u201d; Norman Dello Joio: \u201cUn sonetto di Petrarca\u201d; Alan Hovhaness: \u201cO lady moon\u201d; Earl Kim: \u201cLetters found near a suicide\u201d; Ernst Krenek: \u201cThe flea\u201d; Jan Meyerwitz: \u201cBright star\u201d; Gunther Schuller: \u201cMeditation\u201d; Roger Sessions: \u201cOn the beach at Fontana\u201d; Ben Weber: \u201cMourn! Mourn!\u201d
\nScore. New York: Marks Music Corp., 1964. 55 pp.
\nAccompanied by a photocopy of Earl Kim\u2019s \u201cLetters Found Near a Suicide\u201d (pp. 27\u201334). 7 pp.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nMumford, Jeffrey. Low anchored cloud. Song for voice and piano.
\nScore. MS repro. 6 pp. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nPerle, George. Thirteen Dickinson Songs, Volume II, Nos. 5\u20138. Collection of songs for soprano and piano.
\nScore. Newton Centre, MA: Gunmar Music, c1983. 21 pp.
\nAccompanied by performance photocopies of #8 (\u201cThe Heart asks Pleasure\u2014first\u2014\u201d) and #5 (\u201cBeauty\u2014be not caused\u2014It is.\u201d 7 pp.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nPlayman, Gordon. Eleven Dickinson Songs. Collection of songs for voice and piano.
\nScore. MS repro. 31 pp.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nPremru, Raymond. Songs from Seasons. Collection of songs for voice and piano.
\nScore. MS repro. 23 pp.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nQualliotine, Armand. [Two songs for voice and piano.]
\n\u201cYour Body Moves.\u201d Text by Kenneth Rexroth. Score. MS repro. 2 pp.
\n\u201cWhat potions have I drunk.\u201d Text by Shakespeare. Score. MS repro. 4 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 25″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1643644066297{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nReynolds, Verne. \u201cLetter to the World.\u201d For voice and piano. Text by Emily Dickinson.
\nScore. MS repro. 24 pp.
\nAccompanied by typed pages of the texts used for the work. 3 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nRochberg, George. \u201cEleven Songs.\u201d Collection of songs for mezzo-soprano and piano.
\nScore. Bryn Mawr, PA: Theodore Presser, c1973. 36 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nRochberg, George. Two Songs from \u201cTableaux\u201d <\/em>(\u201cBallad\u201d; \u201cNight Piece\u201d). Songs transcribed for voice and piano.
\nScore. Bryn Mawr, PA: Theodore Presser, c1971. 7 pp. Inscribed to JDG by the composer.<\/span><\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nRoy, Klaus George. Winter Death Songs<\/em>. Seven Haiku for low voice and piano.
\nScore. MS repro. 7 pp. Dedicated to JDG and inscribed to her by the composer.<\/span><\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nRuszczynski, Michael. Three Poems of Paul Blackburn<\/em>. Songs for voice and piano.
\nScore. MS repro. 10 pp. Inscribed to JDG by the composer. The last song is dedicated to JDG.<\/span><\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nSanders, Greg. Songs of Experience<\/em>. Five songs for soprano and oboe (with English horn on the 4th<\/sup> song).
\nScore. MS repro. 18 pp.
\nAccompanied by a photocopy of a review clipped from the New York Times; dated October 21, 1984.
\nAlso in folder: Audiocassette tape of Songs of Experience.<\/em><\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nSchuller, Gunther. \u201cMeditation.\u201d Song for voice and piano. Text by Gertrude Stein.
\nScore. Photocopy from published source (pp. 46\u201349). [New York]: Edward B. Marks Music Corp., c1964. Pl. no. 14611-53. 4 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nSchuman, William. \u201cOrpheus with his Lute.\u201d Song for medium voice and piano.
\nScore. New York: G. Schirmer, c1945. 3 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nSchuman, William. Time to the old<\/em>. Three song set for voice and piano. Words by Archibald MacLeish.
\nScore. Bryn Mawr, PA: Theodore Presser, c1980. 10 pp. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nShatin [probably Judith Shatin, no first name listed]. Love song to M. S. A.<\/em> Song for voice and English horn. Text by Shakespeare.
\nScore. MS repro. 5 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nSmit, Leo. The Dwarf Heart<\/em>. Cycle of six songs for mezzo-soprano and piano. Texts by Anne Sexton.
\nScore. MS repro. 40 pp. Dedicated to JDG.
\nAccompanied by note to JDG from the composer. Ink MS; dated April 4, 1988. 1 p.
\nCopy of the texts used in the cycle. Photocopies from published source, with annotations by the composer. 6 pp.<\/span><\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nSmit, Leo. \u201cIn Evening Air.\u201d Song for voice and piano. Poem by Theodore Roethke.
\nScore. MS repro. 5 pp. Interleaved in score: text of the poem used for the song (photocopy from unidentified published source). 1 p.<\/span><\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nSmit, Leo. \u201cThe Girl-Widow\u2019s Song\u201d from Magic Water<\/em>. Song for soprano and piano.
\nScore. MS repro. 4 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nSmit, Leo. \u201cPer Piano.\u201d Song for voice and piano. Words by Charles Olsen. Piano part based on Zero Hour<\/em> by Pete Johnson.
\nScore. MS repro. 16 pp. Interleaved in score: handwritten note to JDG from the composer; dated November 7, 1988. 2 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nSmit, Leo. \u201cThinngs [sic] All Over.\u201d Song for voice and piano. Poem by Carla Rodman.
\nScore. MS repro. 5 pp. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nSmit, Leo. Three Romances<\/em>. Songs for voice and piano. Poems by Alexaner Pushkin.
\nScore. MS repro. 7 pp.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nSmit, Leo. Trumpeter Swan<\/em>. Five songs for \u201ca little girl\u201d for voice and piano.
\nScore. MS repro. 13 pp.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nStarer, Robert. Transformations<\/em>. Three songs for mezzo-soprano and piano.
\nScore. MS repro. 17 pp.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nSwenson, Warren. Battle Pieces<\/em>. A Melville song cycle for voice and piano.
\nScore. MS repro. 59 pp.
\nAccompanied by a typed note from Marilyn Stephan on WQXR stationery and text of poems used in the cycle; dated October 21, 1988. 11 pp., total.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nTaggart, Mark Alan. Serenade for Mezzo-Soprano, Cello, and Piano<\/em>. Collection of songs.
\nScore. MS repro. 64 pp. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nTaylor, Bernard, comp. and ed. Contemporary American Art Songs<\/em>. Collection of songs for voice and piano.
\nContents: V. Persichetti, \u201cThou child so wise\u201d; N. Rorem, \u201cSpring and fall\u201d; E. Bacon, \u201cStars\u201d; V. Persichetti, \u201cOut of the morning\u201d; D. Diamond, \u201cBrigid’s song\u201d; J. Duke, \u201cWhen slim Sophia mounts her horse\u201d; G. Rochberg, \u201cBallad\u201d; V. Persichetti, \u201cUnquiet heart\u201d; G. Rochberg, \u201cI am baffled by this wall\u201d; H. Weisgall, \u201cI looked back suddenly\u201d; L. Calabro, \u201cIt is forbidden\u201d; E. Bacon, \u201cThe lamb\u201d; G. Rochberg, \u201cNight piece\u201d; C. Ives, \u201cThe light that is felt\u201d; W. Watts, \u201cThe poet sings\u201d; N. Rorem, \u201cThe lordly Hudson\u201d; M. Howe, \u201cGreat land of mine\u201d; S. Kagen, \u201cHow pleasant it is to have money.\u201d
\nScore. Bryn Mawr, PA: Theodore Presser, c1977. 60 pp.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nThomas, Andrew. Spring<\/em>. Five songs for tenor voice and piano.
\nScore. Published score produced from MS repro. Newton Centre, MA: Margun Music, c1978. 25 pp. Interleaved in score: bio of the composer on Margun Music stationery. 1 p.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nThorne, Francis. Nocturnes for Voice and Piano<\/em>. Four songs on poems of Robert Fitzgerald.
\nScore. Hastings-on-Hudson, NY: General Music Publishing Co., c1972. 16 pp. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nUlehla, Ludmilla. \u201cGargoyles.\u201d Song for soprano, bassoon and piano.
\nScore. MS repro. 13 pp.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nWalden, Stanley. Ruth.<\/em> Song for mezzo-soprano, oboe and piano.
\nScore. English text. MS repro. 5 pp.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nWalden, Stanley. Three Ladies<\/em>. Three songs for mezzo-soprano and piano.
\nScore. MS repro. 2 copies. 36 pp., each. Written for JDG and Gilbert Kalish.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nWalden, Stanley. Two Songs for Antonia<\/em>. Song for bass-baritone and piano. Texts by George Tabori.
\nScore. MS repro. 11 pp.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nWalker, George. \u201cI went to heaven.\u201d Song for voice and piano. Text by Emily Dickinson.
\nScore. Hastings-on-Hudson, NY: General Music Publishing Co., c1971. 3 pp.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nWallach, Joelle. \u201cOf Honey and Vinegar.\u201d Four songs for mezzo-soprano and two pianos. Poems by Emily Dickinson.
\nScore. MS repro. 32 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 26″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1643646093004{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nWeber, Ben. Two Songs, <\/em>Op. 63. Songs for medium voice and piano. Texts by Jane Mayhall.
\nScore. MS repro. 11 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nWeisberg, Arthur. Dream Sequence<\/em>. For voice and piano.
\nScore. MS repro, produced by American Composers Alliance, New York. 40 pp. Written for JDG and Gilbert Kalish.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nWelcher, Dan. Five Songs on poems of e. e. cummings<\/em>. Songs for voice and piano.
\nScore. MS repro. 32 pp. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nWernick, Richard. \u201cBall of sun.\u201d Song for voice and piano.
\nScore. MS repro. 3 pp. Dedicated \u201cfor Jan and Gil.\u201d<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nWernick, Richard. Contemplations of the Tenth Muse, Book II<\/em>. Cycle of songs for soprano and piano. Text by Anne Bradstreet.
\nScore. MS repro. Label on title page for Theodore Presser Co., Bryn Mawr, PA. 22 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nWernick, Richard. \u201cI, too (a song for Jan).\u201d Song for voice and piano. Words by Charles Lee.
\nScore. MS repro. 4 pp. Dedicated to JDG.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nWernick, Richard. Oracle II<\/em>. For soprano, oboe and piano.
\nScore. English text. MS repro. 21 pp. Label on title page for Theodore Presser Co., Bryn Mawr, PA.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nWilder, Alec. \u201cPhyllis McGinley Song Cycle.\u201d For voice, bassoon and harp.
\nScore. MS repro. 18 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nWilder, Alec. \u201cSongs for Patricia.\u201d For voice and piano.
\nScore. MS repro. 22 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nZupko, Ramon. Where the Mountain Crosses<\/em>. For mezzo-soprano and piano. Based on lyrics of American Indian tribes.
\nScore. Published score produced from MS repro. New York: C. F. Peters, c1986. 45 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1643648970486{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series B: Works in Other Languages<\/strong><\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 26 `{`cont.`}`” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1643649004292{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 11<\/strong><\/td>\nBerger, Arthur. \u201cOde of Ronsard.\u201d Song for voice and piano.
\nScore. French text. MS repro. 13 pp. English translation written in the margin in JDG\u2019s hand.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nCreston, Paul. \u201cLe Lettre.\u201d Song for voice and piano.
\nScore. French text. San Diego, CA: Music Graphics Press, c1978. 4 pp. Inscibed to JDG by the composer.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nGilbert, Pia. \u201cVociano.\u201d Song for mezzo-soprano and piano.
\nScore. Text is nonsensical in the style of Viennese, Japanese, French and English languages. MS repro. 2 copies. 13 pp., each. Dedicated to JDG and Gilber Kalish.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nHalffter, Cristobal. Brecht-lieder<\/em>. For voice and two pianos.
\nScore. German text. (London]: Universal Edition, c1969. 6 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nHarbison, John. Mottetti di Montale<\/em>. Collection of songs for voice and piano. Poetry by Eugenio Montale.
\nScore. Italian text. New York: Associated Music Publishers, c1981. 87 pp.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nHawley, William. Sappho Songs<\/em>. Five songs for mezzo-soprano and piano.
\nScore. Greek text. MS repro. 9 pp.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nQualliotine, Armand. Giorno per giorno<\/em>. Song for soprano and piano. Text by Giuseppe Ungaretti.
\nScore. Italian text. MS repro. 6 pp.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nRihm, Wolfgang. Lenzfragmente<\/em>. Five songs for voice and piano.
\nScore. German text. Published score produced from MS repro. Wien: Universal Edition, c1980. 10 pp. Accompanied by an inscribed business card from Klaus Lauer.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nSchuller, Gunther. Six Early Songs<\/em>. For voice and piano.
\nScore. German text. Newton Centre, MA: Margun Music, c1976. 2 copies. 22 pp., each. Copy 1 inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nSchweinitz, Wolfgang von. Papiersterne, <\/em>Op. 20. Cycle of fifteen lieder for mezzo-soprano and piano.
\nScore. Published score produced from composer\u2019s autograph, and images of sketches interlayed before front matter and at end of imprint. Stuttgart: Deutsche Verlags-Anstalt, c1981. 71 pp.
\nAccompanied by Boosey & Hawkes folder containing (4 items): composer bio and works list, an introductory article, a photograph of the composer, and a packet containing English translations of the text and a review of the premiere of the work.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nSpinner, Leopold. Drei Lieder, <\/em>Op. 16. Three songs for soprano and piano. Text by Rainer Maria Rilke.
\nScore. German text. London: Boosey & Hawkes, c1975. 12 pp.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nSpinner, Leopold. F\u00fcnf Lieder, <\/em>Op. 8. Five songs for soprano and piano. Texts by Friedrich Nietzsche.
\nScore. German text. London: Boosey & Hawkes, c1970. 11 pp.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nVermeulen, Matthijs. \u201cLe Balcon.\u201d Song for mezzo-soprano or tenor voice and piano.
\nScore. French text. Published score produced from MS repro. Amsterdam: Donemus, c1952. 15 pp.<\/span><\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nVermeulen, Matthijs. \u201cLa Veille.\u201d Song for mezzo-soprano or alto voice and piano.
\nScore. French text. Published score produced from MS repro. Amsterdam: Donemus, c1951. 20 pp.<\/span><\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nWelcher, Dan. Abeja Blanca<\/em>. For voice, English horn, and piano.
\nScore. Spanish text. MS repro. 26 pp. Dedicated to JDG and Philip West.<\/span><\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nWolpe, Stefan. H\u00f6lderlein Lieder, <\/em>Op. 1. Five songs for alto and piano.
\nScore. German text. MS repro. 36 pp. Accompanied by duplicate copy of fifth song. 13 pp.
\nAccompanied by a handwritten note from Cheryl Seltzer on Continuum stationery regarding the songs included. 2 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1643649568740{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 6: Performance Copies as Filed<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 27″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1643649583274{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\n\u201cAmerican Group: Carter, Seeger, Schuman, Benson, Crumb.\u201d Performance photocopies of six songs for voice and piano (for recital program).
\nCarter, Elliott. \u201cDust of Snow.\u201d Text by Robert Frost. [s.l.]: Associated Music Publishers, c1947. Pl. no. AMP-7454. 3 pp.
\nCarter, Elliott. \u201cThe Rose Family.\u201d Text by Robert Frost. [s.l.]: Associated Music Publishers, c1947. Pl. no. AMP-7454. 3 pp.
\nCrawford-Seeger, Ruth. \u201cWhite Moon.\u201d Poem by Carl Sandberg. MS repro. 4 pp.
\nSchumann, William. \u201cDozing on the Lawn.\u201d [No. 3 from Time to the Old.<\/em>] Text by Archibald MacLeish. [s.l.: s.n., s.d.]. Pl. no. 441-41015. 2 pp.
\nBenson, Warren. \u201cAmerican Primitive.\u201d Text by William Jay Smith. MS repro. 2 pp.
\nCrumb, George. \u201cThe Sleeper.\u201d Text extracted from the poem by Edgar Allan Poe. MS repro. 2 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\n\u201cDuet Group: Cornelius, [Mendelssohn,] Schumann, Shostakovitch, Brahms, Tchaikovsky and Dvo\u0159\u00e1k\u2014performance copies.\u201d Performance photocopies of 17 duets in German or Russian for various voice combinations.
\nCornelius, Peter. \u201cAm Meer.\u201d Photocopy from published source (pp. 62\u201364). [s.l.: s.n., s.d.]. Pl. no. V.A.2080. 3 pp.
\nMendelssohn, Felix. \u201cGruss.\u201d Photocopy from published source (pp. 14\u201318). [s.l.]: G. Schirmer, c1896. Pl. no. 12638. 5 pp.
\nBrahms, Johannes. \u201cJ\u00e4gerlied.\u201d Photocopy from published source (pp. 40\u201342). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10469. 3 pp.
\nBrahms, Johannes. \u201cH\u00fct du dich.\u201d Photocopy from published source (pp. 43\u201346). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10469. 4 pp.
\nCornelius, Peter. \u201cIch und du.\u201d Photocopy from published source (pp. 38\u201343). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10191. 6 pp. Accompanied by incomplete copy 2 (missing p. 43). 5 pp.
\nCornelius, Peter. \u201cLiebesprobe.\u201d Photocopy from published source (pp. 3\u20135). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10191. 3 pp.
\nCornelius, Peter. \u201cDer beste Liebesbrief.\u201d Photocopy from published source (pp. 6\u20139). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10191. 4 pp.
\nCornelius, Peter. \u201cBrennende Liebe.\u201d Photocopy from published source (pp. 16\u201319). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10191. 4 pp.
\nBrahms, Johannes. \u201cKl\u00e4nge (No. I).\u201d Photocopy from published source (pp. 33\u201334). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10469. 2 pp.
\nBrahms, Johannes. \u201cKl\u00e4nge (No. II).\u201d Photocopy from published source (pp. 35\u201336). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10469. 2 pp.
\nBrahms, Johannes. \u201cAm Strande.\u201d Photocopy from published source (pp. 37\u201339). [s.l.]: Edition Peters, [s.d.]. Pl. no. 10469. 3 pp.
\nShostakowitsch, Dimitri. \u201cKlage \u00fcber den Tod eines kleinen Kindes.\u201d Photocopy from published source (pp. 3\u20135). [s.l.]: Edition Peters, c1958. Pl. no. E.P.11857. 3 pp.
\nShostakowitsch, Dimitri. \u201cDie f\u00fcrsorgliche Mutter zur Tante.\u201d Photocopy from published source (pp. 6\u201310). [s.l.: Edition Peters, c1958]. Pl. no. E.P.11857. 5 pp.
\nSchumann, Robert. \u201cTanzlied.\u201d Unpublished transposition with English translation written in JDG\u2019s hand. MS repro. 7 pp.
\nTchaikovsky, Peter. \u201cVecher.\u201d Photocopy from published source (pp. 85\u201399). [s.l.: s.n., s.d.]. 15 pp. IPA written in JDG\u2019s hand.
\nTchaikovsky, Peter. \u201cRassvet.\u201d Photocopy from published source (pp. 142\u2013149). [s.l.: s.n., s.d.]. 8 pp. IPA written in JDG\u2019s hand.
\nTchaikovsky, Peter. \u201cShotlandskaia ballada.\u201d Photocopy from published source (pp. 100\u2013110). [s.l.: s.n., s.d.]. 11 pp. IPA written in JDG\u2019s hand.
\nDvo\u0159\u00e1k, Anton. Vier Duette.<\/em> Includes: \u201cM\u00f6glichkeit\u201d; \u201cDer Apfel\u201d; \u201cKr\u00e4nzlein\u201d; \u201cSchmerz.\u201d German, Russian and English texts. London: N. Simrock, [s.d.]. Pl. no. 8136. 13 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n\u201cDvo\u0159\u00e1k duets: performance copies.\u201d Performance photocopies of five duets for soprano and alto voices and piano in Czech (with German and English texts).
\n\u201cVdobr\u00fdm sme se se\u0161li.\u201d Photocopy from published source (pp. 35\u201337). [s.l.: s.n., s.d.]. Pl. no. H. 337 II. 3 pp.
\n\u201cHolub Najavo\u0159e.\u201d Photocopy from published source (pp. 43\u201347). [s.l.: s.n., s.d.]. Pl. no. H. 337 II. 5 pp.
\n\u201cSkromn\u00e1.\u201d Photocopy from published source (pp. 50\u201352). [s.l.: s.n., s.d.]. Pl. no. H. 337 II. 3 pp.
\n\u201cPrsten.\u201d Photocopy from published source (pp. 53\u201359). [s.l.: s.n., s.d.]. Pl. no. H. 337 II. 7 pp.
\n\u201cZajat\u00e1.\u201d Photocopy from published source (pp. 70\u201373). [s.l.: s.n., s.d.]. Pl. no. H. 337 II. 4 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n[Early Music \u2013 M. Cara, C. Monteverdi, J. Mauduit, J. Dowland, G. Dufay, J. Dunstable, et al.] Works for various instrument combinations, including solo with basso continuo, discantus with tenor, and three or four part pieces.
\nFrom folder labeled \u201cMiscellaneous \/ early music \/ not<\/u> performance copies.\u201d
\nCara, Marco. \u201cO mia ciecha e dura sorte.\u201d Photocopy from published source (pp. 352\u2013353). [s.l.: s.n., s.d.]. 2 pp.
\nTromboncino, Bartolomeo. \u201cHo scoperto il tanto aperto.\u201d Photocopy from published source (pp. 336\u2013337). [s.l.: s.n., s.d.]. 2 pp.
\nTromboncino, Bartolomeo. \u201cS\u2019il dissi mai ch\u2019io venga.\u201d Photocopy from published source (pp. 320\u2013321). [s.l.: s.n., s.d.]. 2 pp.
\nCara, Marco. \u201cS\u2019io sedo a l\u2019ombra amor.\u201d Photocopy from published source (pp. 568\u2013569). [s.l.: s.n., s.d.]. 2 pp.
\nCara, Marco. \u201cIo non compro pi\u00f9 speranza.\u201d Photocopy from published source (pp. 390\u2013391). [s.l.: s.n., s.d.]. 2 pp.
\nCara, Marco. \u201cHor venduto ho la speranza.\u201d Photocopy from published source (pp. 388\u2013389). [s.l.: s.n., s.d.]. 2 pp.
\nTromboncino, Bartolomeo. \u201cScopri lingua el cieco ardore.\u201d Photocopy from published source (pp. 380\u2013381). [s.l.: s.n., s.d.]. 2 pp.
\nMonteverdi, Claudio \u201cO Primavera\u201d (2 copies).
\nWolkenstein, Oswald. #100 \u201cKum liebster man!\u201d and #101 \u201cMein herz das ist versert.\u201d Photocopy from published source (p. 193). [s.l.: s.n., s.d.]. 4 copies. 1 p.
\nWolkenstein, Oswald. #92 \u201cFreuntlicher blick\u201d and #93 \u201cFr\u00f6leich geschrai so well wir Machen.\u201d Photocopy from published source (pp. 187\u2013188). [s.l.: s.n., s.d.]. 2 pp.
\nCascia, Donato da. XXIX \u201cSovran uccello se\u2019fra tutti gli altri (Madrigale)\u201d and XXX \u201cUn bel girfalco\u201d (Madrigale).\u201d Photocopy from published source (pp. 36\u201337). [s.l.: s.n., s.d.]. Pl. no, CMM 83. 2 pp.
\nCascia, Donato da. XIX \u201cCome \u2018l potestu far (Madrigale).\u201d Photocopy from published source (pp. 24\u201325). [s.l.: s.n., s.d.]. Pl. no. CMM 83. 2 copies. 2 pp., each.
\nCascia, Donato da. XXXII \u201cFaccia chi de\u2019 se\u2019l po (Caccia)\u201d and XXXIII \u201cSenti tu d\u2019amor, donna? (Ballata).\u201d Photocopy from published source (pp. 39\u201341). Pl. no. CMM 83. [s.l.: s.n., s.d.]. 3 pp.
\nMauduit, Jacques. \u201cVous me tuez si doucement \u2013 I.\u201d Photocopy from published source (pp. 2\u20135). [s.l.]: Broude Brothers, [s.d.]. 5 pp.
\nMauduit, Jacques. \u201cVostre Tarin je voudrois ester.\u201d Chant and rechant. Photocopy from published source (pp. 33\u201335). [s.l.: s.n., s.d.]. 3 pp.
\nLe Jeune, Claude. \u201cQu\u2019est devenu ce bel oeil.\u201d Photocopy from published source (pp. 66\u201367). [s.l.: s.n., s.d.]. 2 pp.
\nLe Jeune, Claude. \u201cUn bien non debate.\u201d Photocopy from published source (p. 19). [s.l.: s.n., s.d.]. 2 pp.
\nMudarra, Alonso. \u201cTriste estaba el rey David.\u201d Photocopy from published source (pp. 149\u2013150). [s.l.: s.n., s.d.]. 2 pp.
\nLe Jeune, Claude. \u201cL\u2019un apreste la glu.\u201d Photocopy from published source (p. 18). [s.l.: s.n., s.d.]. 2 pp.
\nLuzzaschi, Luzzasco. \u201cAura soave.\u201d Photocopy from published source (pp. 32\u201333). [s.l.: s.n., s.d.]. 2 pp.
\nLuzzaschi, Luzzasco. \u201cO Primavera.\u201d Photocopy from published source (pp. 34\u201335). [s.l.: s.n., s.d.]. 2 pp.
\nGhizaghem, Hayne van. \u201cDe tous biens playne.\u201d Photocopy from published source (pp. 141\u2013142). [s.l.: s.n., s.d.]. Pl. no. CMM 18. 2 pp.
\nDowland, John. \u201cGo, crystal tears.\u201d Photocopy from published source (pp. 15\u201316). [s.l.: s.n., s.d.]. Pl. no. S.&B.5306. 2 pp.
\nDowland, John. \u201cThis merry pleasant Spring.\u201d Photocopy from published source (pp. 96\u201397). [s.l.: s.n., s.d.]. Pl. no. S.&B.5542. 2 pp.
\nDowland, John. \u201cEliza is the fairest Queen.\u201d Photocopy from published source (p. 58). [s.l.: s.n., s.d.]. Pl. no. S.&B.5542. 1 p.
\nDowland, John. \u201cCome again (Part 2).\u201d Photocopy from published source (p. 59). [s.l.: s.n., s.d.]. Pl. no. S.&B.5542. 1 p.
\nDowland, John. \u201cLike as the day.\u201d Photocopy from published source (p. 24). [s.l.: s.n., s.d.]. Pl. no. S.&B.5542. 1 p.
\nDowland, John. \u201cSorrow, come.\u201d Photocopy from published source (p. 100\u2013101). [s.l.: s.n., s.d.]. Pl. no. S.&B.5542. 2 pp.
\nJones, Robert. \u201cIte caldi sospiri \u2013 A Musicall Dreame or the Fourth Booke of Ayres, 1609.\u201d Photocopy from published source (pp. 195\u2013198). [s.l.: s.n., s.d.]. 3 leaves.
\nDufay, Guillaume. #11 \u201cResvellies vous et faites cheire lye.\u201d Photocopy from published source (pp. 25\u201326). [s.l.: s.n., s.d.]. 2 pp.
\nDufay, Guillaume. #12 \u201cLa belle se siet au piet de la tour.\u201d Photocopy from published source (p. 59). [s.l.: s.n., s.d.]. 1 p.
\nDufay, Guillaume. #39 \u201cCe moys de may soyons lies et joyeux.\u201d Photocopy from published source (pp. 25\u201326). [s.l.: s.n., s.d.]. 2 pp.
\nDufay, Guillaume. #48 \u201cPour l\u2019amour de ma doulce amye.\u201d Photocopy from published source (pp. 67\u201368). [s.l.: s.n., s.d.]. 2 pp.
\nDufay, Guillaume. #82 \u201cDu tout m\u2019estoie abandonn\u00e9\u201d and #83 \u201cVostre bruit et vostre grant fame.\u201d Photocopy from published source (pp. 96\u201397). [s.l.: s.n., s.d.]. 2 pp.
\nDufay, Guillaume. #70 \u201cDonnes l\u2019assault a la fortresse.\u201d Photocopy from published source (pp. 86\u201387). [s.l.: s.n., s.d.]. 2 pp.
\nDufay, Guillaume. #1 \u201cEn triumphant.\u201d Photocopy from published source (pp. 4\u20135). [s.l.]: Oxford University Press, c1975. 2 pp.
\nDunstable, John. #54 \u201cO Rosa Bella.\u201d Photocopy from published source (pp. 133\u2013134). [s.l.: s.n., s.d.]. Pl. no. S.&B.5308. 2 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cElizabethan performance copies \/ Program with Paul O\u2019Dette, Lute.\u201d Performance photocopies of songs for voice and lute.
\nCampion, Thomas. #27 \u201cNever love unless you can.\u201d Photocopy from published source (pp. 50\u201351). London: Stainer & Bell, c1926. Pl. no. S.&B. 3475. 2 pp.
\nCampion, Thomas. #24 \u201cFain would I wed.\u201d Photocopy from published source (pp. 44\u201347). London: Stainer & Bell, c1926. Pl. no. S.&B. 3476. 4 oo.
\nCampion, Thomas. \u201cThough thou are young.\u201d Photocopy from published source (pp. 6\u20137). London: Stainer & Bell, c1970. Pl. no. St. & B. 3204-2a. 2 pp.
\nCampion, Thomas. #16 \u201cIf thou long\u2019st so much.\u201d Photocopy from published source (pp. 30\u201331). London: Stainer & Bell, c1926. Pl. no. S.&B. 3475. 2 pp.
\nCampion, Thomas. \u201cOft have I sigh\u2019d.\u201d Photocopy from published source (pp. 17\u201318). [s.l.: s.n., s.d.]. 2 pp.
\nCampion, Thomas. #28 \u201cSo quick, so hot, so mad.\u201d Photocopy from published source (pp. 52\u201353). London: Stainer & Bell, c1926. Pl. no. S.&B. 3475. 2 pp.
\nCorkine, William. #10 \u201cGo, Heavy Thoughts.\u201d Photocopy from published source (pp. 26\u201327). [London]: Stainer & Bell, c1927. Pl. no. S.&B. 3627. 2 pp.
\nCorkine, William. \u201cSweet, let me go.\u201d Photocopy from published source (pp. 12\u201313). [s.l.: s.n., s.d.]. 2 pp.
\nDowland, John. #2 \u201cWho ever thinks or hopes of love.\u201d Photocopy from published source (pp. 4\u20135). [s.l.: s.n., s.d.]. 2 pp.
\nDowland, John. #10 \u201cThink\u2019st thou then by thy feigning?\u201d Photocopy from published source (pp. 20\u201321). [s.l.: s.n., s.d.]. 2 pp.
\nDowland, John. #3 \u201cSorrow, stay.\u201d Photocopy from published source (pp. 7\u201310). [London]: Stainer & Bell, c1922. Pl. no. St. & B. 3205-3a. 4 pp.
\nDowland, John. #17 \u201cA shepherd in a shade.\u201d Photocopy from published source (pp. 36\u201337). [London]: Stainer & Bell, c1969. Pl. no. St. & B. 3206-17a. 2 pp.|
\nAnonymous. \u201cMy true love hath my heart.\u201d Transcribed and edited by Peter Warlock. London: J. Curwen & Sons, [s.d.]. 4 pp.
\nMorley, Thomas. \u201cApril is in my mistress\u2019 face.\u201d Photocopy from published source (pp. 24\u201326). [s.l.: s.n., s.d.]. 3 pp.
\nAnonymous. \u201cWillow willow.\u201d Photocopy from published source (pp. 19\u201320). [s.l.: s.n., s.d.]. 2 pp.
\nHume, Tobias. \u201cFain would I change that note.\u201d Photocopy from published source (p. 5). [s.l.: s.n., s.d.]. 1 p.
\nJones, Robert. #18 \u201cWhat if I seek for love of thee?\u201d Photocopy from published source (pp. 36\u201337). London: Stainer & Bell, c1959. Pl. no. S.&B. 3292. 2 pp.
\nDowland, John. #4 \u201cIf my compliants could passions move.\u201d Photocopy from published source (pp. 8\u20139). [London: Stainer & Bell, s.d.] Pl. no. St. & B, 3201-4a. 2 pp.
\nCaccini, Giulio, or Anonymous. \u201cMiserere my maker.\u201d MS repro. 1 p.
\nAnonymous. \u201cO death, rock me asleep.\u201d Transcribed and edited by Peter Warlock. London: J. Curwen & Sons, [s.d.]. 4 pp.
\nMorley, Thomas. #27 \u201cNow is the month of Maying.\u201d Photocopy from published source (pp. 190\u2013191). [s.l.: s.n., s.d.]. 2 pp.
\n[No composer listed.] \u201cThe Devil is an Ass.\u201d Text by Ben Johnson. Photocopy from published source (pp. 54\u201355). [s.l.: s.n., s.d.]. 2 copies. 2 pp., each.
\nCaccini, Giulio. #8 \u201cAmarilli mia bella.\u201d Photocopy from published source (pp. 85\u201388). [s.l.: s.n., s.d.]. 4 pp.
\nCaccini, Giulio. #9 \u201cSfogava con le stele.\u201d
\nFive pages of notes on the pieces and their locations. Photocopy from published source (pp. 115\u2013119). [s.l.: s.n., s..d]. 3 copies. 5 pp., each.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n\u201cFrench Duets \/ Berlioz, Faur\u00e9, Saint-Sa\u00ebns, Chausson \/ Performance copies.\u201d Performance photocopies of ten duets in various combinations of voices, all with French texts.
\nBerlioz, Hector. \u201cLe Tr\u00e9buchet.\u201d No. 3 from Fleurs des lands<\/em>. Photocopy from published source (pp. 190\u2013197). [s.l.: s.n., s.d.]. Pl. no. 13682 R. 8 pp.
\nBerlioz, Hector. \u201cH\u00e9l\u00e8ne.\u201d No. 2 from 9 m\u00e9lodies<\/em>. Photocopy from published source (pp. 45\u201350). [s.l.: s.n., s.d.]. 6 pp.
\nSaint-Sa\u00ebns, Camille. \u201cViens!\u201d New York: G. Schirmer, c1889. 7 pp.
\nBerlioz, Hector. \u201cSara la Baigneuse.\u201d Photocopy from published source (pp. 141\u2013161). [s.l.: s.n., s.d.]. Pl. no. 13682.R. 21 pp.
\nChausson, Ernest. \u201cLa Nuit.\u201d Paris: J. Hamelle, [s.d.]. 5 pp.
\nFaur\u00e9, Gabriel. \u201cPleurs d\u2019Or.\u201d [s.l.: s.n., s.d.]. 5 pp.
\nFaur\u00e9, Gabriel. \u201cAve verum.\u201d [s.l.: s.n., s.d.]. 5 pp.
\nChausson, Ernest. \u201cR\u00e9veil.\u201d [s.l.: s.n., s.d.]. 8 pp.
\nSaint-Sa\u00ebns, Camille. \u201cPastoral.\u201d [New York]: G. Schirmer, c1889. 6 pp.
\nSaint-Sa\u00ebns, Camille. \u201cEl Desdichado.\u201d [New York]: G. Schirmer, c1887. 20 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\n\u201cItalian Duets \/ Clari, Colonna, Lotti, Durante \/ performance copies.\u201d Performance photocopies of four duets for various combinations of voices, all with Italian texts.
\nClari, Giovanni. \u201cIl giocator sfortunato.\u201d Photocopy from published source (pp. 9\u201322). [s.l.: s.n., s.d.]. Pl. no. 46014. 14 pp.
\nColonna, Giovanni. \u201cO splendida dies.\u201d Photocopy from published source (pp. 84\u201388). [s.l.: s.n., s.d.]. Pl. no. 46014. 5 pp.
\nLotti, Antonio. \u201cCapriccio.\u201d Photocopy from published source (pp. 31\u201341). [s.l.: s.n., s.d.]. Pl. no. 46014. 11 pp.
\nDurante, Francesco. \u201cAndante, o miei spospiri.\u201d Photocopy from published source (pp. 53\u201358). [s.l.: s.n., s.d.]. Pl. no. 46014. 6 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n\u201cMiscellaneous Duets \/ Albert, Purcell, Schubert \/ performance copies.\u201d Performance photocopies of three duets (two in German, one in English) for various voice combinations.
\nAlbert, Heinrich. \u201cPhyllis und Myrtillus.\u201d [s.l.]: Edition Peters, [s.d.]. Pl. no. 10535. 3 pp.
\nPurcell, Henry. \u201cNo, Resistance is but vain.\u201d Photocopy from published source (pp. 23\u201331). [s.l.: s.n., s.d.]. 9 pp.
\nSchubert, Franz. \u201cNur wer die Sehnsucht kennt.\u201d Unpublished transposition. MS repro. 6 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n\u201cRecording Project Maybe.\u201d Group of 22 songs for voice and piano.
\nAccompanied by note: \u201c(Recording) Songs \u2013 keep together \/ many composers.\u201d
\nDavidovsky, Mario. \u201cSong.\u201d Poem by Carl Sandburg. MS repro. 5 pp. Dedicated to JDG and Gil Kalish.
\nKernis, Aaron Jay. No. 6 [from Six Fragments of Gertrude Stein.]<\/em> MS repro. 3 pp.
\nBabbitt, Milton. \u201cThe Widow\u2019s Lament in Springtime.\u201d Hillsdale, NY: Boelke-Bomart, c1959. 6 pp.
\nRorem, Ned. [\u201cInterlude\u201d from Poems of Love and the Rain.] <\/em>Photocopy of published score. [s.l.]: Boosey & Hawkes, c1965. 1 p.
\n[Fine, Irving.] \u201cMy Father\u201d [from Mutability.]<\/em> Photocopy from published score (pp. 6\u20137). [s.l.: s.n., s.d.]. 2 pp.
\nWalden, S. \u201cGrandma (Millie).\u201d No. 2 from unidentified collection. MS repro. 8 pp.
\nAdler, Samuel. \u201cTime You Old Gypsy Man.\u201d Photocopy of published score. Chapel Hill, NC: Hinshaw Music, c1978. 6 pp.
\nIves, Charles. \u201cThe All-Enduring.\u201d MS repro. 6 pp.
\nIves, Charles. \u201cSong.\u201d Text by Hartley Coleridge. MS repro. 2 pp.
\nCage, John. \u201cLittle Four Paws.\u201d No. 1 from Five Songs for Contralto.<\/em> Photocopy of published score. New York: C. F. Peters, c1960. 3 pp.
\nJacobs-Bond, Carrie. \u201cHer Greatest Charm.\u201d Photocopy of published score. [s.l.]: Carrie Jacobs-Bond, c1901. 1 p.
\nJacobs-Bond, Carrie. \u201cI Love You Truly.\u201d Photocopy of published score. [s.l.]: Carrie Jacobs-Bond, c1906. 2 pp.
\nJacobs-Bond, Carrie. \u201cNothin\u2019 but love!\u201d Photocopy of published score. [s.l.]: Carrie Jacobs-Bond, c1912. 2 pp.
\nClarke, Rebecca. \u201cLethe.\u201d Score. MS repro. 4 pp.
\nCrawford-Seeger, Ruth. \u201cJoy.\u201d Score. MS repro. 4 pp.
\nCrawford-Seeger, Ruth. \u201cHome Thoughts.\u201d Score. MS repro. 4 pp.
\nCrawford-Seeger, Ruth. \u201cWhite Moon!\u201d Score. MS repro. 4 pp.
\nCopland, Aaron. \u201cThere came a wind like a bugle.\u201d Photocopy of published score. New York: Boosey & Hawkes, c1951. 4 pp.
\nWakefield, Charles Cadman. \u201cThe Moon Drops Low.\u201d Photocopy of published score (pp. 24\u201329). [s.l.]: White Smith Music Publishing Co., c1909. 6 pp.
\n[Foster, Stephen.] \u201cBeautiful Child of Song.\u201d Photocopy of score from published source (pp. 63\u201364). [s.l.: s.n., s.d.]. 2 pp.
\nBolcolm, William. \u201cWaitin.\u201d Photocopy of score from published source (p. 22). [s.l.: s.n., s.d.]. 1 p.
\nBolcolm, William. \u201cWaitin.\u201d Score. MS repro. 2 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nRenaissance program with Calliope (A Renaissance Band). Performance photocopies of songs for voice and Middle Age or Renaissance instruments.
\nAlso in folder: 2 concert programs for performances by JDG with Calliope. (1) program from Kilbourn Concert Series (JDG with Calliope); dated October 3, 1979; (2) program from Mohawk Trail Concerts, New York Benefit program; dated May 15, 1980.
\nMorley, Thomas. \u201cIt was a lover and his lasse\u201d from The First Booke of Ayres 1600<\/em>. Photocopy of score from published source (pp. 204\u2013207). [s.l.: s.n., s.d.]. 2 leaves.
\nByrd, William. \u201cYe sacred Muses.\u201d Photocopy from published source (pp. 114\u2013118). [s.l.]: Stainer & Bell, c1970. Pl. no. S.&B. 5732. 5 pp.
\nDowland, John. \u201cThe lowest trees have tops.\u201d Photocopy from published source (pp. 76\u201377). [s.l.: s.n., s.d.]. 2 pp.
\nHenry VIII. #64 \u201cWithout discord.\u201d Printed with: Anonymous. #65 \u201cI am a jolly foster.\u201d Photocopy from published source (pp. 50\u201351). [s.l.: s.n., s.d.]. 2 pp.
\nCornish, [William]. #35 \u201cBlow thy horn, hunter.\u201d Photocopy from published source. [s.l.: s.n., s.d.]. 1 p.
\nCornish, [William]. #8 \u201cAdieu mes amours.\u201d Printed with: Henry VIII, #9 \u201cAdieu madame et ma maistresse.\u201d Photocopy from published source (pp. 12\u201313). [s.l.: s.n., s.d.]. 2 pp.
\nAnonymous. #103 \u201cWhat remedy, what remedy?\u201d Printed with: Anonymous. #104 \u201cWhere be ye, my love?\u201d Photocopy from published source (pp. 80\u201381). [s.l.: s.n., s.d.]. 2 pp.
\nDufay, Guillaume. \u201cVergene bella, che di sol vestita.\u201d Photocopy from published source (pp. 7\u20139). [s.l.: s.n., s.d.]. Pl. no. CMM 1 C. 3 pp.
\nExtract of tenor line from Dufay\u2019s \u201cLamentatio sanctae matris ecclesiae constantinopolitanae.\u201d Ink MS. 1 p.
\nDufay, Guillaume. \u201cLamentatio sanctae matris ecclesiae constantinopolitanae.\u201d Photocopy from published source (pp. 19\u201321). [s.l.: s.n., s.d.]. 3 pp.
\nDufay, Guillaume. #39 \u201cCe moys de may soyons lies et joyeux.\u201d Photocopy from published source. [s.l.: s.n., s.d.]. 1 p.
\nCampion, Thomas. \u201cSo quicke, so hot, so mad.\u201d Photocopy from published source (pp. 58\u201359). [s.l.: s.n., s.d.]. 1 leaf.
\nCampion, Thomas. \u201cFaire, if you expect admiring.\u201d Photocopy from published source (pp. 26\u201327). [s.l.: s.n., s.d.]. 1 leaf.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n\u201cSchumann duets and soli \/ program\/recording with L. Guinn \/ performance copies.\u201d Performance photocopies of 12 works for one or two voices and piano.
\n\u201cWiegenlied,\u201d Op. 78, No. 4. Transposed duet. MS repro. 4 pp.
\n\u201cIch denke dein,\u201d Op. 78, No. 3. Transposed duet. MS repro. 5 pp.
\n\u201cIn der Nacht,\u201d Op. 74, No. 4. Transposed duet. MS repro. 7 pp.
\n\u201cLiebhabers St\u00e4ndchen,\u201d Op. 34, No. 2. Transposed duet. MS repro. 7 pp.
\n\u201cWiegenlied,\u201d Op. 98, No. 2. Solo. Photocopy from published source (pp. 194\u2013195). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 2 pp. English translation written above staves in JDG\u2019s hand.
\n\u201cFamilien-Gem\u00e4lde,\u201d Op. 34, No. 4. Transposed duet. MS repro, with English translation in JDG\u2019s hand. 6 pp.
\n\u201cMignon,\u201d Op. 79, No. 29. Solo. Photocopy from published source (pp. 212\u2013215). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 4 pp.
\n\u201cNur wer die Sehnsucht kennt,\u201d Op. 98a, No. 3. Solo. Photocopy from published source (pp. 84\u201385). [s.l.]: Edition Peters, [s.d.]. Pl. no. 7097. 2 pp.
\n\u201cHeiss\u2019 mich nicht reden, heiss\u2019 mich schweigen,\u201d Op. 98a, No. 5. Solo. Photocopy from published source (pp. 89\u201391). [s.l.]: Edition Peters, [s.d.]. Pl. no. 7097. 3 pp. English translation written above staves in JDG\u2019s hand.
\n\u201cSchon ist das Fest des Lenzes,\u201d Op. 37, No. 7. Transposed duet. MS repro, with English translation in JDG\u2019s hand. 2 pp.
\n\u201cSinget nicht in Trauert\u00f6nen,\u201d Op. 98a, No. 7. Solo. Photocopy from published source (pp. 94\u201397). [s.l.]: Edition Peters, [s.d.]. Pl. no. 7097. 4 pp.
\n\u201cSo lasst mich scheinen, bis ich werde,\u201d Op. 98a, No. 9. Solo. Photocopy from published source (pp. 99\u2013101). [s.l.]: Edition Peters, [s.d.]. Pl. no. 7097. 3 pp. English translation written above staves in JDG\u2019s hand.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n\u201cSephardic \/ Ars Nova \/ Trecento \/ performance copies.\u201d Performance photocopies and MS repros of early music for a variety of voice and early instrument combinations. Many songs have no composer listed.
\nJosquin des Prez. \u201cUna Musque de Buscqaya.\u201d MS repro. 2 pp.
\n\u201cRegina pretiosa.\u201d Chant. Photocopy from unidentified source (p. 144). 1 p.
\n\u201cComo poden per sas culpas.\u201d No. 166 from Cantigas de Santa Maria. <\/em>Photocopy from unidentified source. MS repro. 1 p.
\n\u201cGran dereit\u2019\u00e9 de seier.\u201d No. 56 from Cantigas de Santa Maria. <\/em>Photocopy from unidentified source. MS repro. 1 p.
\nBernard de Ventadour. \u201cCan par la flor jostal vert fohl.\u201d MS repro. 2 pp.
\nMoniot d\u2019Arras. \u201cCe fu en mai.\u201d Printed with: Moniot de Paris. \u201cLonc tens ai mon tens us\u00e9.\u201d Nos. 11\u201312 from unidentified source. [s.l.: s.n., s.d.]. 1 p.
\nGuillaume d\u2019Amiens. \u201cPrend\u00e9s I garde\u201d and \u201cC\u2019est la fins.\u201d Nos. 23a\u201323b from unidentified source (p. 38). [s.l.: s.n., s.d.]. 1 p.
\nMachaut, Guillaume. \u201cDouce dame jolie.\u201d Vocal melody. MS repro. 1 p.
\nMachaut, Guillaume. \u201cComment qu\u2019a moy.\u201d Vocal melody. MS repro. 1 p.
\n\u201cUna hija tiene el rey.\u201d MS repro. 2 copies. 1 p., each.
\n\u201cUna matica de ruda.\u201d MS repro. 2 copies. 1 p., each.
\n\u201cComo la rosa.\u201d MS repro. 2 copies. 1 p., each.
\n\u201cAh, el novio le quiere dinero.\u201d MS repro. 2 copies. 1 p., each.
\nGaucelm Faidit. \u201cFort chos\u2019oiatz.\u201d Photocopy of vocal line and text from unidentified source (pp. 18\u201319). [s.l.: s.n., s.d.]. 2 pp. Accompanied by 2 pencil MS pages with settings of verses 2, 3, 5, and 6.
\nTranslation page with English texts for: Vaillant: \u201cPar maintes foys\u201d; Jacopo da Bologna: \u201cOselleto salvazo\u201d; Landini: \u201cEcco la primavera.\u201d 1 p.
\nMachaut, Guillaume. \u201cQuant je sui mis.\u201d Two versions (transpositions). 1 p.
\nTranslation page with English texts for Machaut\u2019s \u201cRose, liz, printemps,\u201d \u201cSe j\u2019aim mon loyal ami,\u201d \u201cJe sui aussi,\u201d and \u201cQuant je sui mis.\u201d 1 p.
\nLandini. \u201cEcco la primavera.\u201d MS repro. 1 p.
\nCooper, Robert. \u201cGloria in excelsis.\u201d MS repro. 2 pp.
\nJaffee, Michael, arr. \u201cO Death Rock Me Asleep.\u201d MS repro. 2 pp.
\nPurcell, Henry. \u201cOf all the instruments.\u201d Photocopy from published source (p. 34). [s.l.]: Galliard, c1972. 1 p.
\nAnonymous. #62 \u201cThis merry pleasant Spring.\u201d Photocopy from published source (pp. 96\u201397). [s.l.: s.n., s.d.]. Pl. no. S.&B. 5542. 2 pp.
\nAnonymous. #23 \u201cWhen May is in his prime.\u201d Photocopy from published source (pp. 40\u201342). [s.l.: s.n., s.d.]. 3 pp.
\nBennet, John. #48 \u201cVenus\u2019 birds.\u201d Photocopy from published source (p. 77). [s.l.: s.n., s.d.]. Pl. no. S.&B. 5542. 1 p.
\nDowland, John. #65 \u201cSorrow, come.\u201d Arranged by William Wigthorpe. Photocopy from published source (pp. 100\u2013101). [s.l.: s.n., s.d.]. Pl. no. S.&B. 5542. 2 pp.
\nGuillaume D\u2019Amiens. \u201cPrend\u00e9s I garde.\u201d Printed with Adam de la Halle. \u201cRobins m\u2019aime.\u201d Vocal lines. Photocopied from two different sources. 1 p.
\nAnonymous. \u201cAdieu mes amours.\u201d MS repro. 1 p.
\nRa\u00efmbaut de Vaqueiras. #8 \u201cKalenda maya Ni fuelas de faya.\u201d Photocopy from published source (p. 17). [s.l.: s.n., s.d.]. 1 p.
\nBernard de Ventadour. \u201cQuan l\u2019erba fresq\u2019.\u201d Photocopy from published source (pp. 8\u20139). Nice: Georges Delrieu & Cie, c1967. 1 leaf.
\nAnonymous. \u201cA l\u2019entrada del tens clar.\u201d Photocopy from published source (pp. 42\u201343). Nice: Georges Delrieu & Cie, c1967. 1 leaf. Accompanied by transcription with different rhythmic values. MS repro. 1 p.
\nPhotocopied pages from book on medieval song (pp. 236\u2013243) (section on music of the troubadours and trouv\u00e8res). Includes melodies and text by and about Bernard de Ventadour, Gautier d\u2019\u00c9pinal, and Colin Muset. 4 leaves.
\n\u201cO que pola Virgen leixa.\u201d [No. 124] from Cantigas de Santa Maria. <\/em>MS repro. 1 p.
\nPhotocopied pages from book on medieval song (pp. 254\u2013257) (section on music of the Minnesinger). Includes melodies and text by and about Vogelweide, Wizlav von R\u00fcgen, Neidhart von Reuental. 2 leaves.
\n\u201cDiu s\u00fcezen wort hant mir getan.\u201d MS repro. 1 p.
\n\u201cChrist ist erstanden von der Marter alle.\u201d MS repro. 1 p.
\nVon Reuental. \u201cIhn ghesach die hayde nie batz ghestalt.\u201d MS repro. 1 p.
\nRudel, Jaufre. \u201cQuan lo rossinhols el folhos.\u201d MS repro. 1 p. Accompanied by typescript text and translation. 2 pp.
\n#3A \u201cI have loved.\u201d Printed with: #4A \u201cNowell, nowell: Tidings true.\u201d Photocopy from published source. [s.l.: s.n., s.d.]. Pl. no. S.&B. 5304. 1 p.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n\u201cTwo Recital Programs with Gil [Gilbert Kalish] (mixed groups) \/ German \/ performance copies.\u201d Performance photocopies of songs for voice and piano in German.
\nDraft of concert program titled \u201cSongs of Love and Death\u201d to be perfomed at the University of Pennsylvania on October 11, 1987. Typescript. 1 p.
\nList of song sets apparently put together for a program of all German music. Typescript. 1 p.
\nMozart, W. A. \u201cAn Chloe.\u201d Photocopy from published source (pp. 24\u201328). [s.l.: s.n., s.d.]. Pl. no. 9461. 5 pp.
\nSchumann, Robert. \u201cIntermezzo.\u201d Photocopy from published source (pp. 60\u201361). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8714. 2 pp.
\nSchubert, Franz. \u201cDu liebst mich nicht.\u201d Photocopy from published source (pp. 120\u2013121). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9309. 2 pp.
\nSchubert, Franz. \u201cSt\u00e4ndchen.\u201d Photocopy from published source (pp. 135\u2013137). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 3 pp.
\nSchubert, Franz. \u201cGeheimes.\u201d Photocopy from published source (pp. 232\u2013233). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 2 pp.
\nMozart, W. A. \u201cDas Veilchen.\u201d Photocopy from published source (pp. 4\u20137). [s.l.: s.n., s.d.] Pl. no. 9461. 4 pp.
\nSchubert, Franz. \u201cRastlose Liebe.\u201d Photocopy from published source (pp. 222\u2013224). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8846. 3 pp.
\nSchumann, Robert. \u201cSch\u00f6ne Wiege meiner Leiden.\u201d Photocopy from published source (pp. 9\u201313). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9310. 5 pp.
\nSchumann, Robert. \u201cFr\u00fchlingsnacht.\u201d Photocopy from published source (pp. 82\u201383). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9307. 2 pp.
\nBrahms, Johannes. \u201cMeine Liebe ist gr\u00fcn.\u201d Photocopy from published source (pp. 48\u201381). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9313. 4 pp.
\nWolf, Hugo. \u201cNimmersatte Liebe.\u201d Photocopy from published source (pp. 32\u201334). [s.l.]: Edition Peters, [s.d.]. Pl. no. 8962. 3 pp.
\nBerg, Alban. \u201cSchilflied.\u201d [s.l.: Universal Edition, s.d.]. Pl. no. U.E. 8853. 4 pp.
\nWolf, Hugo. \u201cAlle gingen, Herz zur Ruh.\u201d Photocopy from published source (pp. 40\u201341). [s.l.: s.n., s.d.]. Pl. no. 480. 2 pp.
\nStrauss, Richard. \u201cAll mein Gedanken.\u201d Photocopy from published source (pp. 12\u201313). [s.l.: s.n., s.d.]. 2 pp.
\nWebern, Anton von. \u201cSommerabend.\u201d Edited by Rudolph Ganz. New York: Carl Fischer, c1965. 3 pp.
\nSch\u00f6nberg, Arnold. \u201cSaget mir, auf welchem Pfade.\u201d [s.l.: Universal Edition, s.d.]. Pl. no. U.E. 5338. 2 pp.
\nSch\u00f6nberg, Arnold. \u201cJedem Werke bin ich f\u00fcrder tot.\u201d [s.l.: Universal Edition, s.d.]. Pl. no. U.E. 5338. 2 pp.
\nZemlinsky, Alexander. \u201cUnd kehrt er einst heim.\u201d Photocopy from published source (pp. 12\u201313). [s.l.: Universal Edition, s.d.]. Pl. no. U.E. 5540. 2 pp.
\nStrauss, Richard. \u201cIch, trage meine Minne.\u201d Photocopy from published source (pp. 34\u201336), [s.l.: s.n., s.d.]. 3 pp.
\nBrahms, Johannes. \u201cVerzagen.\u201d Photocopy from published source (pp. 10[72]\u201314[76]). [s.l.: s.n., s.d.]. 5 pp.
\nSch\u00f6nberg, Arnold. \u201cDu lehnest wider eine Silberweide am Ufer.\u201d [s.l.: Universal Edition, s.d.]. Pl. no. U.E. 5338. 2 pp.
\nWebern, Anton von. \u201cDer Tod.\u201d Edited by Rudolph Ganz. New York: Carl Fischer, c1965. 1 p.
\nZemlinsky, Alexander. \u201cAls ihr Geliebter schied.\u201d Photocopy from published source (pp. 10\u201311). [s.l.: Universal Edition, s.d.]. Pl. no. U.E. 5540. 2 pp.
\nBerg, Alban. \u201cIm Zimmer.\u201d Photocopy from published source (pp. 22\u201323). [s.l.: Universal Edition, s.d.]. Pl. no. U.E. 8853. 2 pp.
\nWolf, Hugo. \u201cBedeckt mich mit Blumen.\u201d Photocopy from published source (pp. 11\u201313). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9273. 3 pp.
\nWolf, Hugo. \u201cDu denkst mit einem F\u00e4dchen.\u201d Photocopy from published source (pp. 22\u201323). [s.l.: s.n., s.d.]. 2 pp.
\nBerg, Alban. \u201cSommertage.\u201d [s.l.: Universal Edition, s.d.]. Pl. no. U.E. 8853. 5 pp.
\nMahler, Gustav. Selections from R\u00fcckert Lieder.<\/em> Includes: \u201cIch atmet\u2019 einen linden Duft\u201d; \u201cLiebst du um Sch\u00f6nheit\u201d; \u201cBlicke mir nicht in die Lieder\u201d; \u201cIch bin der Welt abhanden gekommen.\u201d [s.l.]: C. F. Kahnt, [s.d.]. Pl. no. C.F.K. 7614. 13 pp.
\nStrauss, Richard. \u201cZueignung.\u201d Photocopy from published source (pp. 78\u201379). [s.l.: s.n., s.d.]. 2 pp.
\nStrauss, Richard. \u201cIch trage meine Minne.\u201d Photocopy from published source (pp. 34\u201336). [s.l.: s.n., s.d.]. 3 pp.
\nStrauss, Richard. \u201cRuhe, meine Seele.\u201d Photocopy from published source (pp. 52\u201353). [s.l.: s.n., s.d.]. 2 pp.
\nStrauss, Richard. \u201cAll mein Gedanken.\u201d Photocopy from published source (pp. 12\u201313). [s.l.: s.n., s.d.]. 2 pp.
\nStrauss, Richard. \u201cMorgen!\u201d Photocopy from published source (pp. 49\u201347). [s.l.: s.n., s.d.]. 2 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n[Unlabeled binder of songs.] Performance photocopies of 15 songs for voice(s) and piano, originally housed in blue three-ring binder.
\nMendelssohn, Felix. \u201cGru\u00df,\u201d Op. 63, No. 3. Photocopy from published source (pp. 10\u201312). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9237. 3 pp.
\nMendelssohn, Felix. \u201cAbschiedslied der Zugv\u00f6gel,\u201d Op. 63, No. 2. Photocopy from published source (pp. 7\u20139). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9237. 3 pp.
\nMendelssohn, Felix. \u201cHerbstlied,\u201d Op. 63, No. 2. Photocopy from published source (pp. 13\u201316). [s.l.]: Edition Peters, [s.d.]. Pl. no. 9237. 4 pp.
\nEnglish translations of \u201cLa Nuit\u201d and \u201cR\u00ebveil,\u201d set by Chausson. MS repro. 1 p.
\nShostakovich, Dmitri. \u201cWiegenlied,\u201d Op. 79, No. 3. Photocopy from published source (pp. 11\u201313). [s.l.: Edition Peters, s.d.]. Pl. no. E.P.11857. 3 pp.
\nMozart, W. A. Cos\u00ec fan tutte, <\/em>Act II, Scene 2 (\u201cPrender\u00f2 quell brunettino\u201d). Photocopy from piano vocal score (pp. 211\u2013219). [s.l.: s.n., s.d.]. 9 pp.
\n[Black, Arnold?] \u201cRussian Larks.\u201d MS repro. 2 copies. 9 + 5 pp.
\nBrahms, Johannes. \u201cLes boh\u00e9miennes.\u201d Arranged by P. Viardot. [New York]: G. Schirmer, c1883. Pl. no. 3014. 10 pp.
\nPorter, Cole. \u201cYou Don\u2019t Remind Me.\u201d Photocopy from published source (pp. 230\u2013234). [New York]: Chappell & Co., c1950. 5 pp.
\nPorter, Cole. \u201cIt\u2019s Bad for Me.\u201d Photocopy from published source (pp. 30\u201333). New Yrk: Harms Inc., c1933. 4 pp.
\nPorter, Cole. \u201cJust One of Those Things.\u201d Photocopy from published source (pp. 38\u201341). [s.l.]: Harms Inc., c1935. 4 pp.
\nPorter, Cole. \u201cRed, Hot and Blue.\u201d [s.l.]: Chappell & Co., c1936. 5 pp.
\nPorter, Cole. \u201cUse Your Imagination.\u201d Photocopy from published source (pp. 207\u2013211). [New York]: Chappell & Co., c1950. 5 pp.
\nPorter, Cole. \u201cFind Me a Primitive Man.\u201d Photocopy from published source (pp. 72\u201375). [New York]: Harms Inc., c1929. 4 pp.
\nSchubert, Franz. \u201cLiebe ist ein s\u00fc\u00dfes Licht.\u201d Excerpt (last page only). [s.l.]: Edition Peters, [s.d.]. Pl. no. 6886. 1 p.
\n[Unidentified cycle of five songs for mezzo-soprano, horn, and piano.] Texts by Algernon Swinburne (from The Garden of Prosperine<\/em>). Score. MS repro. 25 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1643651489134{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 7: Chamber and Symphonic Scores<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 28″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1643651506829{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nAdler, Samuel. Nuptial Scene<\/em>. Scene for mezzo-soprano and eight instrumentalists.
\nFull score. Hebrew text. MS repro. Rental score from Carl Fischer Rental Library. 39 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nAdler, Samuel. Sixth String Quartet (A Whitman Serenade<\/em>). For medium voice and string quartet. Poems by Walt Whitman.
\nFull score. English text. New York: Carl Fischer, c1977. 54 pp. Inscribed by the composer to JDG. Dedicated to JDG and the Fine Arts Quartet.
\nFull score. English text. MS repro. 53 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nAdler, Samuel. Symphony No. 5: We Are The Echoes<\/em>. For mezzo-soprano and orchestra.
\nFull score. English text. New York: Boosey & Hawkes, c1986. 77 pp. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nAmlin, Martin. Passions of Singleness: Five Poems by Charles Pratt<\/em>. For mezzo-soprano, viola, vibraphone, and harp.
\nFull score. English text. MS repro. 31 pp. Written for JDG.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nArmer, Elinor. Lockerbones\/Airbones<\/em>. Song cycle for mezzo soprano, flute, violin, piano, and percussion. Text by Ursula K. Le Guin.
\nFull score. Berkeley, CA: Fallen Leaf Press, c1985. 24 pp. Interleaved in score: the composer\u2019s business card, program notes, and a photocopy of song II (\u201cThe Child on the Shore\u201d).<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nBarraqu\u00e9, Jean. Sequence<\/em>. For voice with percussion, piano, harp, violin and cello.
\nFull score. French text. Firenze: Aldo Bruzzichelli, c1962. 89 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nBenson, Warren. Nara<\/em>. For soprano, flute, piano and two percussion.
\nFull score. English text. MS repro. Rental score from Carl Fischer, Inc. 10 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nBenson, Warren. Songs for the End of the World<\/em>. For mezzo-soprano, English horn, horn in F, cello, and marimba. Texts by John Gardner.
\nFull score. English text. MS repro. 2 copies. 44 pp., each.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nBirtwistle, Harrison. Nenia: The Death of Orpheus<\/em>. For soprano, crotales, two pianos (one prepared), and three bass clarinets (one doubling B-flat clarinet).
\nFull score. English text. London: Universal Edition, c1974. 36 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nBoulez, Pierre. Le marteau sans maitre<\/em>. For alto voice and six instruments.
\nFull score. French text. London: Universal Edition, c1957. 98 pp. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nCarter, Elliott. Syringa<\/em>. For mezzo-soprano and bass (voice), guitar, and ten instrumentalists.
\nFull score. Classical Greek and English texts. New York: Associated Music Publishers, c1980. 141 pp. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nCarter, Elliott. Syringa<\/em>. For mezzo-soprano, bass (voice), guitar, and ten instrumentalists.
\nFull score. Classical Greek and English texts. MS repro. 116 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nCarter, Elliott. Syringa<\/em>. For mezzo-soprano, bass (voice), guitar, and ten instrumentalists.
\nFull score. Classical Greek and English texts. MS repro. 116 pp. Written on the title page in Red pencil: \u201cComposer\u2019s copy \u2013 Please return.\u201d<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nCopland, Aaron. Eight Poems of Emily Dickinson<\/em>. For voice and chamber orchestra.
\nFull score. English text. New York: Boosey & Hawkes, c1978. 101 pp. Inscribed: \u201cFor Jan, with many special memories. \u2013Lee\u201d<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nCrumb, George. Three Madrigals. Book I<\/em>. For soprano, vibraphone, and contrabass.
\nFull score. Spanish text. MS repro. Rental score from Mills Music, Inc. 6 pp.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nCrumb, George. Night Music I<\/em>. For soprano, keyboard, and percussion. Texts by Federico Garc\u00eda Lorca.
\nFull score. Spanish text. Published score from MS repro. Melville, NY: Belwin Mills, c1967. 16 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 29″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1643651535261{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nDavidovsky, Mario. Romancero<\/em>. For soprano, flute, clarinet, violin, and cello.
\nFull score. Spanish text. MS repro. 24 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nDavidovsky, Mario. Scenes from Shir Ha-Shirim<\/em>. For soprano, two tenors, bass (voice), flute, oboe, clarinet\/bass clarinet, string quartet, and percussion.
\nFull score. Hebrew text. MS repro. Rental score from Belwin-Mills Publ. Corp. 89 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nDavies, Peter Maxwell. Black Pentecost<\/em>. For mezzo-soprano and baritone (voice) with orchestra.
\nFull score. English text. London: J. &W. Chester, c1981. Rental score. 165 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nDavies, Peter Maxwell. Fiddlers at the Wedding<\/em>. For voice, alto flute, mandolin, guitar, and percussion.
\nFull score. English text. MS repro (at bottom of first page of score: \u00a9 1976 by Boosey & Hawkes Music Publishers Ltd.). 23 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nDavies, Peter Maxwell. Stone Litany<\/em>. For mezzo-soprano and orchestra. Runic text from a \u201chouse of the dead.\u201d
\nMiniature score. London: Boosey & Hawkes, c1983. 75 pp. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nDavies, Peter Maxwell. Stone Litany<\/em>. For mezzo-soprano and orchestra. Runic text from a \u201chouse of the dead.\u201d
\nFull score. Published score produced from MS repro. London: Boosey & Hawkes, c1975. 64 pp. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nDruckman, Jacob. Dark Upon the Harp<\/em>. Psalms for mezzo-soprano, brass, and percussion.
\nFull score. English text. MS repro. 68 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nDruckman, Jacob. Lamia<\/em>. For soprano and orchestra.
\nMiniature score. Various languages. London: Boosey & Hawkes, 1981. 2 copies. 65 pp. Copy 1 inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nFaur\u00e9, Gabriel. La Bonne Chanson<\/em>. For voice with string quartet.
\nScore. French text. MS repro (stamp at bottom of first page for Hamelle & Co.). 48 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nFetler, Paul. The Garden of Love<\/em>. Six songs for mezzo-soprano and orchestra.
\nFull score. English text. MS repro. 100 pp. Dedicated to JDG. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nFetler, Paul. The Garden of Love<\/em>. Six songs for mezzo-soprano and orchestra.
\nPiano reduction. English text. MS repro. 33 pp. Dedicated to JDG.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nFlippo, David. Four Songs of Man<\/em>. For mezzo-soprano, English horn, cello, and two percussionists.
\nFull score. English text. MS repro. 34 pp. Dedicated to JDG.
\nFour instrumental parts. MS repro. 26 pp., total.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nGaburo, Kenneth. \u201cTwo.\u201d Song for mezzo-soprano, alto flute, and double bass. Poem by Virginia Hommel.
\nScore. English text. Bryn Mawr, PA: Theodore Presser, c1971. 8 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nHarbison, John. Elegiac Songs<\/em>. For mezzo-soprano and chamber orchestra.
\nFull score. English text. MS repro. 105 pp. Commissioned for JDG and dedicated to her and Paul Fromm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 30″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1643651545277{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nHodkinson, Sydney. Alte Liebeslieder<\/em>. Book IV: \u201cFingertip Words.\u201d Six songs for medium voice, oboe, cello, and piano with optional percussion. Poems by Saint Geraud.
\nFull score. English text. MS repro. 70 pp. Commissioned by JDG and Philip West.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nHodkinson, Sydney. Roethke Lieder<\/em>. Book 2. For voice (soprano\/tenor), flute doubling piccolo, and harpsichord (piano).
\nFull score. English text. MS repro. 43 pp.
\nFlute\/piccolo part. MS repro. 12 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nHodkinson, Sydney. Roethke Lieder<\/em>. Book 3. For high voice (soprano\/tenor), flute (alto flute\/piccolo), and harpsichord (piano).
\nFull score. English text. MS repro. 31 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nKernis, Aaron. American (Day) Dreams<\/em>. Full score of five scenes and an epilogue for mezzo-soprano and chamber ensemble. Texts by May Swenson.
\nScore. Published score produced from MS repro. [Copenhagen]: Wilhelm Hansen, c1987. Accompanied by two photocopied pages of texts used in the work.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nMartin, Frank. Quatre Sonnets (\u00e0 Cassandre)<\/em>. Collection of songs for mezzo-soprano, flute, viola, and cello.
\nFull score and parts (3 parts). French text. Z\u00fcrich: Hug & Co., [s.d.]. 15 + 6 pp.
\nPiano vocal score. French text. Z\u00fcrich: Hug & Co., [s.d.]. 11 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nPenderecki, Krzysztof. Strophen<\/em>. For soprano, speaker (baritone), flute, percussion, piano, violin, viola, and contrabass.
\nFull score. Polish text. MS repro. Rental score from Theodore Presser Co. 38 pp. Interleaved in score: rental perusal note from Theodore Presser Co., Bryn Mawr, PA. 1 p.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nPicker, Tobias. Symphony<\/em>. For soprano and orchestra.
\nFull score. German text. Photocopy of published score. [s.l.: s.n., s.d.]. 29 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nSchuman, William. In Sweet Music<\/em>. For flute, viola, voice, and harp.
\nPart for voice and harp. English text. MS repro. Rental part from Theodore Presser Co. 49 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nThorne, Nicholas. Songs from the Mountain, <\/em>Op. 23. For high voice, flute, clarinet, percussion, piano, violin, and cello.
\nFull score. English text. Published score produced from MS repro. New York: Nortlight Music\/Edition Wilhelm Hansen, c1986. 91 pp.
\nAccompanied by a promotional pamphlet for the composer including bio and descriptions of several works.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nVar\u00e8se, Edgard. Offrandes<\/em>. For soprano and chamber orchestra.
\nFull score. French text. New York: Franco Colombo, c1960. 31 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nWalden, Stanley. Coronach; a Kaddish<\/em>. For mezzo-soprano, English horn, and chant.
\nFull score. The syllabic notation in the mezzo-soprano part is left to the discretion of the singer. The chanted part is the Kaddish (which is in Aramaic). MS repro. 3 copies. 13 pp., each. Written for JDG and Philip West. Copies 1\u20132 inscribed by the composer.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nWalden, Stanley. Fandangle<\/em>. A tomfoolery for actors, dancers, voices, and chamber orchestra.
\nLibretto. Typescript. 21 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nWalden, Stanley. Some Changes<\/em>. \u201cSong theatres for mezzo (or soprano) and electric clarinet\u201d (also includes percussion instruments). Texts by June Jordan.
\nFull score. English text. MS repro. 29 pp. Written for JDG.
\nPerformance score. English text. MS repro, with insertions in pencil and photocopies of pages to facilitate page turns. 28 pp., total.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nWebern, Anton. Vier Lieder f\u00fcr Gesang und Orchester, <\/em>Op. 13.
\nFull score. German text. [Wien]: Universal Edition, c1954. 23 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nWernick, Richard. A Prayer for Jerusalem. (Verses from Psalm cxxii)<\/em>. For mezzo-soprano and percussion.
\nFull score. Hebrew text (phonetic realization.) MS repro. Rental score from Theodore Presser. 13 pp. Written for JDG.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nWernick, Richard. Songs of Remembrance<\/em>. For mezzo-soprano and shawm\/English horn\/oboe (one player for the winds).
\nFull score. Greek, Latin, and English texts. MS repro. 13 pp. Written for Philip West.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nWilkinson, Marc. Voices. <\/em>For contralto voice, flute, E-flat clarinet, bass clarinet, and cello. Text from the play Waiting for Godot <\/em>by Samuel Beckett.
\nFull score. English and German texts. London: Universal Edition, c1960. 24 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1643651789898{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 8: Instrumental Works<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 30 `{`cont.`}`” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1643651806566{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
folder 18<\/strong><\/td>\nDavies, Peter Maxwell. Farewell to Stromness and Yesnaby Ground.<\/em> For solo piano.
\nScore. New York: Boosey & Hawkes, c1980. 5 pp. Inscribed to Phil [West] and JDG by the composer.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nShackelford, Rudy. Epitaffio. <\/em>For solo guitar.
\nScore. Milano: Edizioni Suvini Zerboni, c1979. 3 pp. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1643651860314{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 9: Oversized Scores<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 33″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1643651933632{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nArgento, Dominick. Casa Guidi<\/em>. Five songs for mezzo-soprano and orchestra.
\nFull score. English text. MS repro. Rental score, from Boosey and Hawkes Rental Library. 66 pp.<\/td>\n<\/tr>\n
items 2-3<\/strong><\/td>\nBenson, Warren. Five Lyrics of Louise Bogan<\/em>. For mezzo-soprano and flute.
\nScore. English text. MS repro. 2 copies. 19 pp., each. Dedicated to Bonita Boyd and JDG by the composer. Copy 1 inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nClarke, Rebecca. \u201cGod Made a Tree\u201d and \u201cThe Donkey.\u201d Two songs for voice and piano.
\nScores. MS repro. 8 pp., total.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nCrumb, George. Apparition.<\/em> Elegiac songs and vocalizes for soprano and amplified piano. Texts from Walt Whitman\u2019s When Lilacs Last in the Dooryard Bloom\u2019d.
\n<\/em>Score. MS repro. 16 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nCrumb, George. Lux Aeterna<\/em>. For five masked musicians (soprano, bass flute doubling soprano recorder, sitar, and two percussionists).
\nFull score. Latin text. MS repro. 7 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nCrumb, George. Three Madrigals (Book II)<\/em>. For soprano, alto flute (doubling flute in C and piccolo), and percussion.
\nFull score. Spanish texts. MS repro. 7 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nCrumb, George. Madrigals (Book III)<\/em>. For soprano, harp, and percussion.
\nFull score. Spanish texts. MS repro. 6 pp.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nCrumb, George. Madrigals (Book IV)<\/em>. For soprano, flute (doubling piccolo and alto flute), harp, contrabass, and percussion.
\nFull score. Spanish texts. MS repro. 6 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nDallapiccola, Luigi. Divertimento in Quatro Esercizi<\/em>. For flute, oboe, clarinet, soprano, viola, and cello.
\nInstrumental and vocal parts. Six performance parts, created from strips extracted from the full score (photocopies) pasted on file folders. 20 leaves.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nDavies, Peter Maxwell. Stone Litany<\/em>. For mezzo-soprano and orchestra. Runic text from a \u201chouse of the dead.\u201d
\nFull score. Published score produced from MS repro. London: Boosey & Hawkes, c1973. 68 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nFine, Vivian. Canticles for Jerusalem<\/em>. For voice and piano.
\nScore. English and Hebrew texts. MS repro. 23 pp.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nFine, Vivian. The Confession from Phaedra<\/em>. For voice, alto flute (doubling C flute), violin, viola, cello, and piano.
\nScore. French text. MS repro. 25 pp. Housed in file folder with text affixed to inside front cover.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nHarbison, John. Elegiac Songs<\/em>. For mezzo-soprano and chamber orchestra.
\nFull score. English text. MS repro. 105 pp. Commissioned for JDG. Typescript text affixed to inside front cover. 4 pp.<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\nHarvey, Jonathan. Nachtlied<\/em>. For soprano, piano, and tape.
\nFull score. German text. MS repro. Rental score, from Faber Music Ltd. Hire Library. 23 pp.<\/td>\n<\/tr>\n
item 16<\/strong><\/td>\nHarvey, Jonathan. Song Offerings<\/em>. For soprano and eight instrumentalists.
\nFull score. English text. MS repro. Perusal score from Faber Music Ltd. Hire Library. 62 pp.<\/td>\n<\/tr>\n
item 17<\/strong><\/td>\nLevinson, Gerald. Black Magic\/White Magic<\/em>. Song cycle for soprano and seven players.
\nFull score. English text. MS repro. 49 pp. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 34″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1643651960831{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nLewin, Frank. Variations of Greek Themes<\/em>. Song cycle for contralto (or mezzo-soprano), flute, viola, harp, and piano.
\nNotes. Typescript packet containing program notes, performance notes, and texts. 17 pp.
\nInstrumental parts (3 parts: flute, viola, harp). MS repro.<\/td>\n<\/tr>\n
items 2-3<\/strong><\/td>\nLewin, Frank. Variations of Greek Themes<\/em>. Song cycle for contralto (or mezzo-soprano), flute, viola, harp, and piano.
\nFull score. English text. MS repro, bound. Produced by American Composers Alliance, New York. 2 copies. 71 pp., each.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nMatthews, Colin. Night\u2019s Mask<\/em>. For voice and seven instrumentalists.
\nFull score. English text. MS repro. Rental score from Faber Music Hire Library. 41 pp.<\/td>\n<\/tr>\n
items 5- 7<\/strong><\/td>\nOsborne, William. Rockaby<\/em>. A setting of Samuel Beckett\u2019s play for woman\u2019s voice, four trombones, and piano.
\nFull score. English text. MS repro. 3 copies. 15 pp., each. Copy 1 accompanied by letter to JDG from the composer (dated November 17, 1986), reviews, a program of the work, and a publicity booklet for the Wasteland Company Music Theater.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nPeaslee, Richard. Three Songs<\/em>. Songs for voice and piano.
\nScore. MS repro. 8 pp. Accompanied by a handwritten letter to JDG from the composer; dated February 21, 1980.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nPenderecki, Krzysztof. Passio et mors domini nostri Iesu Christi secundum Lucam<\/em>. For soprano, baritone, bass and spoken soli, three SATB choruses, SA children\u2019s chorus, and orchestra.
\nFull score. Latin text. Krak\u00f3w: Moeck, c1967. 114 pp. Inscribed by the composer.<\/td>\n<\/tr>\n
items 10-11<\/strong><\/td>\nPowell, Mel. Strand Settings: Darker<\/em>. Song cycle for mezzo-soprano with electronic-music accompaniment.
\nScore. English text. MS repro, bound (copyright MKS Music Co., 1983). 2 copies. 15 pp., each. Commissioned for and dedicated to JDG.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nRouse, Christopher. Mitternachtlieder<\/em>. For baritone voice and eleven instrumentalists.
\nFull score. In English. MS repro. No imprint.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nStalvey, Dorrance. Pound Songs<\/em>. For soprano, flute, clarinet, percussion, piano, violin, and cello.
\nFull score. English text. MS repro. 47 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nWernick, Richard. Kaddish \u2013Requiem<\/em>. A secular service for the victims of Indo-china. For seven instrumentalists, mezzo-soprano, and tape.
\nFull score. German and Latin texts. (The tape is of the Hebrew Kaddish.) MS repro. 19 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nWernick, Richard. A Prayer for Jerusalem<\/em>. For mezzo-soprano and percussion.
\nFull score. English text. MS repro. 13 pp. Inscribed to JDG by the composer.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\n[Two songs for solo voice, composer unidentified.]
\n\u201cOh Rosa Bella.\u201d Vocal part. Ink MS. 2 pp.
\n\u201cSong of the Basket Dancers.\u201d Vocal part. Ink MS. 2 pp.
\nTexts for \u201cOh Rosa Bella\u201d and \u201cSong of the Basket Dancers.\u201d Typescript. 1 p.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 35″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1643651968992{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nAdler, Samuel. We Are the Echoes: Symphony No. 5<\/em>. For mezzo-soprano and orchestra.
\nFull score. English text. MS repro. 78 pp<\/span><\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nBirtwistle, Harrison. Nenia: The Death of Orpheus<\/em>. For soprano, three bass clarinets, and crotales.
\nFull score. English text. MS repro. 26 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nCrumb, George. Ancient Voices of Children<\/em>. Song cycle for soprano, boy soprano, oboe, mandolin, harp, electric piano, and percussion.
\nFull score (incomplete). Spanish text. MS repro. 6 pp. Missing pp. 7\u20138.
\nExcerpts from full score (duplicates\/photocopies). Spanish text. MS repro. Includs pp. 3\u20134, p. 1, and p. 4. 4 pp., total.
\nFull score. Spanish text. New York: Peters, c1970. 2 copies. 8 pp. Copy 2 incomplete; missing pp. 7\u20138. Dedicated to JDG.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nCrumb, George. Night of the Four Moons<\/em>. For alto, alto flute (doubling piccolo), banjo, electric cello, and percussion.
\nFull score. Spanish text. Published score produced from MS repro copy. New York: Peters, c1971. 10 pp.<\/span><\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nDavies, Peter Maxwell. Black Pentecost<\/em>. For mezzo-soprano and baritone with orchestra.
\nFull score. English text. MS repro. Rental score from J. & W. Chester Orchestral Hire Library. 189 pp.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nDruckman, Jacob. Lamia. <\/em>Version for soprano and chamber orchestra.
\nFull score (chamber orchestra). In various languages. Published music produced from MS repro copy. New York: Boosey & Hawkes, [s.d.]. Rental score. 64 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nDruckman, Jacob. Lamia. <\/em>For soprano and orchestra.
\nFull score (full orchestra). In various languages. Published music produced from MS repro copy. New York: Boosey & Hawkes, [s.d.]. 63 pp.
\nExcerpts from full score (photocopies): pp. 23\u201326 and pp. 29\u201351. MS repro. 27 pp., total.<\/span><\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nMarshall, James. Five Songs<\/em>. For soprano, flute, violin, cello, percussion, and piano.
\nFull score. English text. MS repro, produced by American Composers Alliance, New York. 61 pp.<\/span><\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nWernick, Richard. Visions of Terror and Wonder<\/em>. For mezzo-soprano and orchestra.
\nFull score. Hebrew text. MS repro. Rental score from Theodore Presser Co. 104 pp.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

\u2190 JAN DEGAETANI COLLECTION : Series 1 to 4 <\/a><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

JAN DEGAETANI COLLECTION: Papers \u2192<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1642176962642{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Series 5: Late 20th-century Songs, 1960s-1980s [\/vc_column_text][vc_column_text css=”.vc_custom_1642176994719{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Sub-series A:\u00a0Works in English [\/vc_column_text][vc_custom_heading text=”Box 22 `{`cont.`}`” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1642177017494{margin-top: 0px !important;margin-right: […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":17046,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-17049","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/17049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=17049"}],"version-history":[{"count":0,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/17049\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/17046"}],"wp:attachment":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=17049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=17049"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=17049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}