{"id":6433,"date":"2020-10-20T12:01:22","date_gmt":"2020-10-20T16:01:22","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=6433"},"modified":"2020-10-20T12:01:22","modified_gmt":"2020-10-20T16:01:22","slug":"sub4","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/falcinelli\/sub4\/","title":{"rendered":"ROLANDE FALCINELLI ARCHIVE"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3>Sub-group IV: Music library<\/h3>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1625670035600{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 2px !important;}&#8221;]<\/p>\n<p><a id=\"S4S1\"><\/a><strong><span style=\"font-size: 16px\">Series 1: Published literature<\/span><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 41&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1603209405329{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 1<\/th>\n<td style=\"vertical-align: top\"><em>Triptyque pour grand orgue<\/em> \/ Dominique de Villermont.<br \/>\nParis: Henry Lemoine, 1953.<br \/>\nMovements: 1. Scherzo \u2014 2. Cantabile \u2014 3. Finale<br \/>\nPresentation copy. Inscribed on title page: \u201cA Mademoiselle Rolande Falcinelli Organiste du Grand Orgue de la Basilique de Sacr\u00e9-Coeur de Montmartre avec mes hommages. Dominique de Villermont\u201d<br \/>\nAccompanied by two copies of the promotional brochure with citation of this composer\u2019s works, published by Henry Lemoine &amp; Cie (Paris).<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 2<\/th>\n<td style=\"vertical-align: top\"><em>Dieuxi\u00e8me Triptyque pour grand orgue<\/em> \/ Dominique de Villermont.<br \/>\nParis: Henry Lemoine, 1953.<br \/>\nMovements: 1. Venez divin Messie (5 Variations) \u2014 2. Supplication \u00e0 la Vierge \u2014 3. Toccata<br \/>\nPresentation copy. Inscribed on title page: \u201cA Mademoiselle Rolande Falcinelli Organiste du Grand Orgue de la Basilique de Sacr\u00e9-Coeur de Montmartre avec mes hommages. Dominique de Villermont\u201d<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 3<\/th>\n<td style=\"vertical-align: top\"><em>Troisi\u00e8me Triptyque pour grand orgue<\/em> \/ Dominique de Villermont.<br \/>\nParis: Henry Lemoine, 1955.<br \/>\nMovements: 1. Cath\u00e9drale illumin\u00e9e \u2014 2. La contrition du solitaire \u2014 3. Nocturne (sur l\u2019hymne \u201cEn vos mains Seigneur &#8230;\u201d)<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 4<\/th>\n<td style=\"vertical-align: top\"><em>Quatri\u00e8me Triptyque pour grand orgue<\/em> \/ Dominique de Villermont.<br \/>\nParis: Henry Lemoine, 1955.<br \/>\nMovements: 1. Fresque eucharistique \u2014 2. Ame soucieuse (Choral) \u2014 3. Amen (Allegro vivace)<br \/>\nTwo copies present, of which one is a presentation copy, its title page inscribed thus: \u201cHommage respectueux \u00e0 Rolande Falcinelli \/ Dominique de Villermont\u201d.<br \/>\nAccompanied by two letters from the composer: one of 26 Octobre 1955, in which he refers to sending RF his <em>Quatri\u00e8me Triptyque<\/em>; and, one of 2 Juillet 1959, in which he refers to sending her the fourth volume of his <em>Vari\u00e9t\u00e9s <\/em><em>Pianistiques<\/em>.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 5<\/th>\n<td><em>Oeuvres pour l\u2019orgue<\/em> \/ C. Franck.<br \/>\nBinder\u2019s collection, hardbound. Previously owned (in succession) by Alexandre Guilmant, Marcel Dupr\u00e9, Rolande Falcinelli, Sylviane Falcinelli.<br \/>\nContents, in order of presentation:<\/p>\n<ul>\n<li><em>Six pi\u00e8ces d\u2019orgue<\/em> \/ C\u00e9sar Franck. Paris: Maeyens-Couvreur.<br \/>\nInscription on title page to Alex. Guilmant by C\u00e9sar Franck. Signature \u201cAlex. Guilmant\u201d also appears on title page.<br \/>\nNo. 1. Fantaisie \u2014 No. 2. Grande pi\u00e8ce symphonique \u2014 No. 3. Pr\u00e9lude, Fugue et Variation \u2014 No. 4. Pastorale \u2014 No. 5. Pri\u00e8re \u2014 No. 6. Final.<\/li>\n<li>Andantino pour grand orgue \/ C\u00e9sar Franck. Paris: Richault.<\/li>\n<li>Pi\u00e8ces pour harmonium transcrites pour grand orgue par Louis Vierne.<br \/>\nParis: A. P\u00e9r\u00e9gally &amp; Parvy, 1901.<br \/>\nI. Andante \u2014 II. Andantino \u2014 III. Andantino poco mosso \u2014 IV. Andante \u2014 V. Andantino quasi Allegretto<\/li>\n<li>Trois pi\u00e8ces pour le grand orgue par C\u00e9sar Franck. Paris: Durand &amp; Schoenewerk.<br \/>\nNo. 1. Fantaisie \u2014 No. 2. Cantabile \u2014 No. 3. Pi\u00e8ce h\u00e9ro\u00efque.<\/li>\n<li>Concert program, 15 Mars 1902, Salle de Concert de la Scola.<br \/>\n<em>Programmed repertory<\/em>: Trois Cantates d\u2019\u00e9glise de J.-S\u00e9b. Bach. Alexandre Guilmant, principal performer.<\/li>\n<li>Trois Chorals pour grand orgue \/ par C\u00e9sar Franck. Paris: A. Durand. No. 1, E major \u2014 No. 2, B minor \u2014 No. 3, A minor.<\/li>\n<li>Th\u00e8mes de C\u00e9sar Franck: offerts au ma\u00eetre Alexandre Guilmant par Charles Tournemire. Ink manuscript; 4 pages.<br \/>\nAccompanied by Sylviane Falcinelli\u2019s handwritten comments (1 page), providing insight into the volume\u2019s provenance and markings.<\/li>\n<\/ul>\n<p><strong>SEPARATED<\/strong>. Now a catalogued holding of the Sibley Music Library\u2019s rare books collection, call no. M11 .F822 P61 1873.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1625670053190{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 2px !important;}&#8221;]<\/p>\n<p><a id=\"S4S2\"><\/a><strong><span style=\"font-size: 16px\">Series 2: Published editions of original compositions by RF<\/span><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 41&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1603209451195{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 6<\/th>\n<td style=\"vertical-align: top\"><em>Initiation \u00e0 l\u2019Orgue.<\/em><br \/>\nParis: Editions Bornemann, 1971.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 7<\/th>\n<td style=\"vertical-align: top\"><em>L\u2019Offrande Musicale = Das Musikalische Opfer = The Musical Offering<\/em> \/ J. S. Bach; transcription int\u00e9grale pour orgue par Rolande Falcinelli.<br \/>\nBruxelles; Paris: Schott Fr\u00e8res.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><a name=\"B69\"><\/a><\/p>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1625670069159{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 2px !important;}&#8221;]<\/p>\n<p><a id=\"S3S3\"><\/a><strong><span style=\"font-size: 16px\">Series 3: Published editions of works edited by RF<\/span><\/strong><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 41&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1603209492827{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse\">\n<tbody>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 8<\/th>\n<td style=\"vertical-align: top\"><em>Fugue en la b\u00e9mol mineur<\/em> \/ Johannes Brahms. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1954. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 39.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 9<\/th>\n<td style=\"vertical-align: top\"><em>Chorale Prelude et Fugue sur O Traurigkeit, O Herzeleid = O Grande Tristesse, O Grande Peine<\/em> \/ Johannes Brahms. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1954. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 40.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 10<\/th>\n<td style=\"vertical-align: top\"><em>Pr\u00e9lude et Fugue en sol majeur (\u00e0 p\u00e9dale duppio)<\/em> \/ Nikolaus Bruhns. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1954. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 41.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\" nowrap=\"nowrap\">folder 11<\/th>\n<td style=\"vertical-align: top\"><em>Pr\u00e9lude et Fugue en mi mineur (le grand)<\/em> \/ Nikolaus Bruhns. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1954. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 42.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 12<\/th>\n<td style=\"vertical-align: top\"><em>Pr\u00e9lude et Fugue en mi mineur (le petit)<\/em> \/ Nikolaus Bruhns. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1954. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 43.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 13<\/th>\n<td style=\"vertical-align: top\"><em>Choral mit Fried und Freud ich fahr\u2019 dahin \u201cEn Paix et avec Joie, je quitte ce Monde\u201d<\/em> \/ Dietrich Buxtehude. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1954. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 44.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 14<\/th>\n<td style=\"vertical-align: top\"><em>Toccata en fa majeur<\/em> \/ Dietrich Buxtehude. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1954. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 45.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 15<\/th>\n<td style=\"vertical-align: top\"><em>Toccata Cromaticha per l\u2019elevatione<\/em> \/ Girolamo Frescobaldi. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1954. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 46.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 16<\/th>\n<td><em>Recercar Cromaticho post il credo<\/em> \/ Girolamo Frescobaldi. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1954. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 47.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 17<\/th>\n<td><em>Recercar Nono con quattro sogetti<\/em> \/ Girolamo Frescobaldi. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1954. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 48.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 18<\/th>\n<td><em>Capriccio Cromatico con ligature al contrario<\/em> \/ Girolamo Frescobaldi. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1954. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 49.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 19<\/th>\n<td><em>Choral Erbarm\u2019 dich mein, O Herre Gott = Aei Piti\u00e9 de moi, O Seigneur Dieu<\/em> \/ Johann Nikolaus Hanff. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1954. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 50.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 20<\/th>\n<td style=\"vertical-align: top\">Choral auf meinen lieben Gott = En mon Dieu aim\u00e9. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1954. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 51.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 21<\/th>\n<td style=\"vertical-align: top\"><em>Choral Ach, Gott vom Himmel, sieh darein = Ah, Dieu du Ciel, jette un regard vers nous<\/em>\/ Johann Nikolaus Hanff. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1954. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 52.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 22<\/th>\n<td style=\"vertical-align: top\"><em>Choral Helft mir Gottes G\u00fcte preisen = Glorifiez avec moi la bont\u00e9 de Dieu<\/em> \/ Johann Nikolaus Hanff. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1954. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 53.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 23<\/th>\n<td style=\"vertical-align: top\"><em>Choral War\u2019 Gott nicht mit uns diese Zeit = Si Dieu n\u2019\u00e9tait pas avec nous, nous devrions d\u00e9sesp\u00e9rer<\/em> \/ Johann Nikolaus Hanff. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1954. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 54.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 24<\/th>\n<td style=\"vertical-align: top\"><em>Choral Fantasia sopra Herr Jesu Christ, Dich zu uns wend = Seigneur, J\u00e9sus Christ, tourne-toi vers nous<\/em> \/ Johann Ludwig Krebs. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1954. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 55.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 25<\/th>\n<td style=\"vertical-align: top\"><em>Choral von Gott will ich nicht lassen = De Dieu, je ne veux pas me s\u00e9parer (in organo pleno con pedale)<\/em> \/ Johann Ludwig Krebs. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1955. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 56.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 26<\/th>\n<td style=\"vertical-align: top\"><em>Toccata en ut majeur: extrait des \u201cExercises galants pour le Clavier\u201d (1699)<\/em> \/ Johann Krieger. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1955. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 57.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 27<\/th>\n<td style=\"vertical-align: top\"><em>Preludio, Ricercar, Fuga e Passagaglia<\/em> \/ Johann Krieger. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1955. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 58.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 28<\/th>\n<td style=\"vertical-align: top\"><em>Pr\u00e9lude et Fugue en sol mineur<\/em> \/ Vincent L\u00fcbeck. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1955. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 59.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 29<\/th>\n<td style=\"vertical-align: top\"><em>Pr\u00e9lude et Fugue en r\u00e9 mineur<\/em> \/ Vincent L\u00fcbeck. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 196. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 60.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 30<\/th>\n<td style=\"vertical-align: top\"><em>Pr\u00e9lude et Fugue en mi majeur<\/em> \/ Vincent L\u00fcbeck. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1955. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 61.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 31<\/th>\n<td style=\"vertical-align: top\"><em>Partite sur le choral Nun lasst uns Gott dem Herren (per omnes versus) = Maintenant, laissez-nous louer notre Dieu<\/em> \/ Vincent L\u00fcbeck. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1955. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 62.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 32<\/th>\n<td style=\"vertical-align: top\"><em>Pr\u00e9lude, Fugue et Chaconne en r\u00e9 mineur<\/em> \/ Johann Pachelbel. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1956. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 63.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 33<\/th>\n<td style=\"vertical-align: top\"><em>Chaconne en fa mineur (22 Variations)<\/em> \/ Johann Pachelbel. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1956. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 64.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 34<\/th>\n<td style=\"vertical-align: top\"><em>Choral (No\u00ebl) Vom Himmel hoch da komm ich her = Du Haut du Ciel, Je viens ici<\/em> \/ Johann Pachelbel. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1956. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 65.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 35<\/th>\n<td style=\"vertical-align: top\">Hymne O lux beata trinitas \/ Michael Praetorius. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1956. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 66.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 36<\/th>\n<td style=\"vertical-align: top\"><em>Praeambulum et Fuga en r\u00e9 mineur<\/em> \/ Heinrich Scheidemann. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1956. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 67.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 37<\/th>\n<td style=\"vertical-align: top\"><em>Praeambulum et Canzon en fa majeur<\/em> \/ Heinrich Scheidemann. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1956. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 68.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 38<\/th>\n<td style=\"vertical-align: top\"><em>Fuga Contraria: extrait de la second partie de la \u201cTabulatura Nova\u201d 1624<\/em> \/ Samuel Scheidt. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1956. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 69.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 39<\/th>\n<td style=\"vertical-align: top\"><em>Variations \u201cMein junges Leben hat ein End\u201d = \u201cLa tristesse va finir ma jeune vie\u201d<\/em> \/ Jan Pietersz Sweelinck. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1956. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 70.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 40<\/th>\n<td style=\"vertical-align: top\"><em>Fantasia<\/em> \/ Jan Pieterszn Sweelinck. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1956. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No. 71.<\/td>\n<\/tr>\n<tr>\n<th style=\"vertical-align: top\">folder 41<\/th>\n<td style=\"vertical-align: top\"><em>Hymne (Pange lingua gloria)<\/em> \/ Jean Titelouze. R\u00e9vision, annotations, doigt\u00e9s de Rolande Falcinelli.<br \/>\nParis: Bornemann, 1956. Anthologie des Ma\u00eetres Classiques de l\u2019Orgue; No.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row content_placement=&#8221;middle&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/falcinelli\/sub3\">\u2190 ROLANDE FALCINELLI ARCHIVE: Sub-group III<\/a><\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/falcinelli\/sub5\/\">ROLANDE FALCINELLI ARCHIVE: Sub-group V \u2192<\/a><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/falcinelli\">ROLANDE FALCINELLI ARCHIVE<\/a><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text] Sub-group IV: Music library [\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1625670035600{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 2px !important;}&#8221;] Series 1: Published literature [\/vc_column_text][vc_custom_heading text=&#8221;Box 41&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1603209405329{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: [&hellip;]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":6360,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-6433","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=6433"}],"version-history":[{"count":0,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6433\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6360"}],"wp:attachment":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=6433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=6433"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=6433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}