{"id":6535,"date":"2020-10-27T14:06:19","date_gmt":"2020-10-27T18:06:19","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=6535"},"modified":"2020-10-27T14:06:19","modified_gmt":"2020-10-27T18:06:19","slug":"sub1","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/malone\/sub1\/","title":{"rendered":"EILEEN MALONE COLLECTION"},"content":{"rendered":"

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SUB-GROUP I: MUSIC LIBRARY<\/h3>\n

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<\/a>Series 1: Music for the Harp<\/span><\/strong><\/span><\/p>\n

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<\/a>Sub-series A: Solo piano<\/em><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1601408683716{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nAdler, Samuel. Introduction and Capriccio<\/em>.
\nMS repro; 10 pages of music.
\nAt end: MacDowell Colony, June 1964.<\/td>\n<\/tr>\n
folder 2<\/th>\nAdler, Samuel. Introduction and Capriccio<\/em>.
\nNew York: Southern Music, c1968. 14 pages.<\/td>\n<\/tr>\n
folder 3<\/th>\nAscher, J. Alice<\/em>.
\nPublication data lacking. 9 pages of music.<\/td>\n<\/tr>\n
folder 4<\/th>\nAlexander, Josef. Three Pieces for Harp<\/em>.
\nMS repro; 19 pages of music.
\nI. Prelude \u2014 II. Interlude \u2014 III. Postlude.<\/td>\n<\/tr>\n
folder 5<\/th>\nAlvars, Parish. The Greek Pirate\u2019s Chorus<\/em>.
\nNew York: Brown and Buckwell, s.d. 7 pages.<\/td>\n<\/tr>\n
folder 6<\/th>\nAptommas. Last Rose of Summer<\/em>.
\nNew York: Brown and Buckwell, s.d. 9 pages.<\/td>\n<\/tr>\n
folder 7<\/th>\nAronowicz, Dan. La nuit sur le Mont Carmel<\/em>.
\nMS repro; 5 pages of music.<\/td>\n<\/tr>\n
folder 8<\/th>\nBach, C. Ph. Em. Sonate f\u00fcr Harfe [in] G-dur.<\/em>
\nHerausgegeben von Hans J. Zingel.
\nWiesbaden: Breitkopf u. H\u00e4rtel, 1968. Ed. Breitkopf Nr. 6593. 15 pages.<\/td>\n<\/tr>\n
folder 9<\/th>\nBach, Carl. Ph. E. Sonate pour harpe<\/em>.
\nR\u00e9alisation de Marcel Grandjany.
\nParis: Durand, c1963. Pl. no. D. & F. 13960. 18 pages.
\n\u201cPubli\u00e9e d\u2019apr\u00e8s le manuscrit du \u2018Solo pour la harpe\u2019 conserv\u00e9 \u00e0 la Biblioth\u00e8que du Conservatoire Royal de Bruxelles.\u201d<\/td>\n<\/tr>\n
folder 10<\/th>\nBenda, F. Sonata [D major]<\/em>
\n[Moskva: Sovetskii kompozitor, s.d.]. Pl. no. CK 3178. 18 pages.<\/td>\n<\/tr>\n
folder 11<\/th>\nBritten, Benjamin. Suite for Harp<\/em>, op. 83.
\nEdited by Osian Ellis.
\nLondon: Faber Music Ltd, c1970. 15 pages.
\n1. Overture \u2014 2. Toccata \u2014 3. Nocturne \u2014 4. Fugue \u2014 5. Hymn (St. Denio).<\/td>\n<\/tr>\n
folder 12<\/th>\nBusser, Henri. Ballade en la b\u00e9mol<\/em>, op. 65.
\nParis: Evette et Schaeffer, c1920. Pl. no. E. & S. 912. 10 pages.<\/td>\n<\/tr>\n
folder 13<\/th>\nCabez\u00f3n, Anonio de. Romance V<\/em>.
\nNew York: Lyra Music Company, c1970. 4 pages.
\nPresentation copy: inscribed by Nan Gullo Mann.<\/td>\n<\/tr>\n
folder 14<\/th>\nCaplet, Andr\u00e9. Divertissements pour la Harpe.
\n<\/em>Paris: Durand & Fils, c1925. 8 pages. Pl. no. D. & F. 10,726.
\nThe first of two Divertissements: I. \u00e0 la fran\u00e7aise.<\/td>\n<\/tr>\n
folder 15<\/th>\nCaplet, Andr\u00e9. Divertissements pour la Harpe.
\n<\/em>Paris: Durand & Fils, c1925. 7 pages. Pl. no. D. & F. 10,727.
\nThe second of two Divertissements: II. \u00e0 l\u2019espagnole.<\/td>\n<\/tr>\n
folder 16<\/th>\nChapuis, Auguste. Harpe \u00e9olienne<\/em>.
\nParis: Durand & Fils, c1923. 3 pages. Pl. no. D. & F. 10,336.<\/td>\n<\/tr>\n
folder 17<\/th>\nChapuis, Auguste. S\u00e9r\u00e9nade: en quatre parties<\/em>.
\nParis: Durand & Fils, c1926. 3 pages. Pl. no. D. & F., 10,916.
\nI. Entr\u00e9e cort\u00e8ge.<\/td>\n<\/tr>\n
folder 18<\/th>\nChertok, Pearl. Around the Clock<\/em>.
\nNew York: Interstate Music, c1948. 14 pages of music.
\nI. Ten part two \u2014 II. Beige nocturne \u2014 III. Harpicide at midnight \u2014 IV. The morning after.
\nOriginal verses precede each movement.<\/td>\n<\/tr>\n
folder 19<\/th>\nCheshire, John. Home Sweet Home<\/em>.
\nLondon: J. B. Cramer, s.d. 7 pages. Pl. no. J.B.C. & Co. 7489.<\/td>\n<\/tr>\n
folder 20<\/th>\nCheshire, John. \u201cUne fleur\u201d: valse mignon<\/em>.
\nLondon: Cramer & Co. Copyright 1904 by the composer. 7 pages.<\/td>\n<\/tr>\n
folder 21<\/th>\nCorniot, Ren\u00e9. Ondine: pi\u00e8ce pour harpe seule<\/em>.
\nParis: \u00c9ditions Choudens, c1959. 8 pages. Pl. no. A.C. 19,719.<\/td>\n<\/tr>\n
folder 22<\/th>\nDamase, Jean-Michel. Sarabande,<\/em> op. 8.
\nParis: Henry Lemoine & Cie, c1951. 7 pages. 23 523 HL<\/td>\n<\/tr>\n
folder 23<\/th>\nDesportes, Yvonne. Poete, prends ton Luth<\/em>… .
\nParis: \u00c9ditions Salabert, c1958. 8 pages. Pl. no. E. A. S. 16130.<\/td>\n<\/tr>\n
folder 24<\/th>\nEberhard, Dennis. \u201cEspecially<\/em>. . .\u201d.
\nMS repro; 16 pages of music.
\nAt end: May 16, 1983.<\/td>\n<\/tr>\n
folder 25<\/th>\nFarkas, Ferenc. Tre Pezzetti.<\/em>
\nMS repro; 8 pages of music.
\nI. Maestoso, poco rubato \u2014 II. Pi\u00f9 mosso \u2014 III. Allegro moderator.<\/td>\n<\/tr>\n
folder 26<\/th>\nFaur\u00e9, Gabriel. Une Ch\u00e2telaine en sa tour<\/em>…, op. 110.
\nParis: Durand & Fils, c1918. 7 pages. Pl. no. D. & F. 9577.
\nText of text attributed to Paul Verlaine.
\nAccompanied by a repro bearing E.M.\u2019s handwriting.<\/td>\n<\/tr>\n
folder 27<\/th>\nFaur\u00e9, Gabriel. Impromptu<\/em>, op. 86.
\nParis: Durand & Fils, c1904. 13 pages. Pl. no. D. & F. 6428.<\/td>\n<\/tr>\n
folder 28<\/th>\nFaur\u00e9, Gabriel. Impromptu<\/em>, op. 86.
\nParis: Durand & Fils, c1904. 13 pages. Pl. no. D. & F. 6428.
\nAnnotated in pencil; this copy markedly more worn than that in folder 23.<\/td>\n<\/tr>\n
folder 29<\/th>\nFlagello, Nicolas. Sonata for Harp<\/em>.
\nNew York: Lyra Music Co, c1963. 24 pages.<\/td>\n<\/tr>\n
folder 30<\/th>\nFlothuis, Marius. Pour le Tombeau d\u2019Orphee,<\/em> op. 37:
\ndanse \u00e9l\u00e9giaque pour harpe seul.
\nAmsterdam: Donemus, c1950. 7 pages.<\/td>\n<\/tr>\n
folder 31<\/th>\nFrackenpohl, Arthur. Five Short Pieces for Harp<\/em>.
\nMS repro; 6 pages of music.
\nAt end: Potsdam, N.Y. 12\/66.
\nAccompanied by a cover note from the composer.<\/td>\n<\/tr>\n
folder 32<\/th>\nFranck, Maurice. Suite pour Harpe<\/em>.
\nParis: \u00c9ditions Musicales Transatlantiques, c1959. 12 pages. Pl. no. E. M. T. 564.
\nI. Pr\u00e9lude \u2014 II. Scherzo \u2014 III. Improvisation \u2014 IV. Final.
\n\u201cConcours du Conservatoire National sup\u00e9rieur de Musique de Paris (ann\u00e9e 1959).\u201d\u2014on first page of music.<\/td>\n<\/tr>\n
folder 33<\/th>\nGaleotti, Cesare. Fantaisie<\/em>, op. 138.
\nPrinted in France; publisher\u2019s imprint lacking. 16 pages.
\nPages of music mounted on cardstock.<\/td>\n<\/tr>\n
folder 34<\/th>\nGaleotti, Cesare. L\u00e9gende,<\/em> op. 139.
\nParis: Enoch & Cie., 1910. 12 pages. Pl. no. E. & C. 7128.<\/td>\n<\/tr>\n
folder 35<\/th>\nGaubert, Philippe. Sarabande<\/em>.
\nParis: A. Durand & Fils, c1920. 4 pages. D. & F. 9877.<\/td>\n<\/tr>\n
folder 36<\/th>\nGlinka, M. I. Nocturne<\/em>.
\nPublisher\u2019s imprint lacking. 8 pages of music, numbered 20-27. Pl. no. 21251.
\nTitle printed in Cyrillic letters.<\/td>\n<\/tr>\n
folder 37<\/th>\nGlinka, M. I. Variations on a Theme of Mozart.<\/em>
\nNew York: Lyra Music Co, s.d. 17 pages.
\n\u201cThis version originally published about 1854. This is a more recent edition.\u201d\u2014at foot of first page of music.<\/td>\n<\/tr>\n
folder 38<\/th>\nGodefroid, F\u00e9lix. Ballade de la f\u00e9e<\/em>.
\nParis: F. Durdilly, Ch. Hayet, s.d. 7 pages. Pl. no. V. D. et Cie. 960.<\/td>\n<\/tr>\n
folder 39<\/th>\nGodefroid, F\u00e9lix. La Danse des Sylphes: rondo brillant, \u00e9tude.<\/em>
\nParis: P. Schott, s.d.. 11 pages. Pl. no. 10654.<\/td>\n<\/tr>\n
folder 40<\/th>\nGodefroid, F\u00e9lix. \u201cLe D\u00e9sir\u201d (Fr\u00fchlings Sehnsucht.)<\/em>
\nMayence: B. Schott\u2019s S\u00f6hne, s.d.. 5 pages. Pl. no. 23098.3.
\nNo. 3 in the composer\u2019s Fantaisies sur des M\u00e9lodies favorites de Fr. Schubert.<\/em>
\nIn series: \u00c9cole m\u00e9lodique pour la harpe.<\/td>\n<\/tr>\n
folder 41<\/th>\nGodefroid, F\u00e9lix. Quand tu me vois souffrir (\u201cNur wer die Sehnsucht kennt\u201d)<\/em>,op. 201.
\nMayence: B. Schott\u2019s S\u00f6hne, s.d. 5 pages. Pl. no. 23098.1.
\nNo. 1 from the composer\u2019s Fantaisies sur des m\u00e9lodies favorites de Fr. Schubert.<\/em><\/td>\n<\/tr>\n
folder 42<\/th>\nGodefroid, F\u00e9lix. La S\u00e9r\u00e9nade (\u201cDas St\u00e4ndchen\u201d),<\/em> op. 201.
\nMainz: B. Schott\u2019s S\u00f6hne, s.d.. 5 pages. Pl. no. 23098.5.
\nNo. 5 from the composer\u2019s Fantaisies sur des m\u00e9lodies favorites de Fr. Schubert<\/em>.<\/td>\n<\/tr>\n
folder 43<\/th>\nGodefroid, F\u00e9lix. Stella: romance sans paroles<\/em>.
\nParis: F. Durdilly, s.d.. 7 pages. Pl. no. D. 4019.<\/td>\n<\/tr>\n
folder 44<\/th>\nGoossens, Eugene. Two Ballades for Harp<\/em>.
\nLondon: J. Curwen & Sons, Ltd. Copyright 1924 by the composer. 13 pages. Pl. no. 94039.<\/td>\n<\/tr>\n
folder 45<\/th>\nGrandjany, Marcel. Arabesque<\/em>.
\nParis: Durand et Fils, c1912. 4 pages. Pl. no. D. & F. 8602.
\nNo. 1 from Trois Pi\u00e8ces pour le Piano.<\/td>\n<\/tr>\n
folder 46<\/th>\nGrandjany, Marcel. Arabesque<\/em>.
\nParis: Durand et Fils, c1912. 4 pages. Pl. no. D. & F. 8602.
\nNo. 1 from Trois Pi\u00e8ces pour le Piano.
\nThis copy annotated in pencil; markedly more worn than that in folder 45.<\/td>\n<\/tr>\n
folder 47<\/th>\nGrandjany, Marcel. Automne<\/em>.
\nParis: Durand & Cie, c1927. 4 pages. Pl. no. D. & F., 11,300.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder<\/th>\nGrandjany, Marcel. Children at Play (Les enfants jouent)<\/em>, op. 16.
\nParis: Durand & Fils, c1929. 11 pages. Pl. no. D. & F., 11,816.<\/td>\n<\/tr>\n
folder<\/th>\nGrandjany, Marcel. Children\u2019s Hour<\/em>: Suite, op. 25.
\nNew York: G. Schirmer, c1950. 23 pages. Pl. no. 42114C.<\/td>\n<\/tr>\n
folder<\/th>\nGrandjany, Marcel. Children\u2019s Hour: Suite<\/em>, op. 25.
\nNew York: Carl Fischer, c1966. Publisher\u2019s number O4651; pl. no. N4885.<\/td>\n<\/tr>\n
folder 4<\/th>\nGrandjany, Marcel. \u201cDans la For\u00eat du charme et de l\u2019enchantement<\/em>\u201d op. 11: conte de f\u00e9e pour harpe.
\nParis: Durand & Fils, c1923. 10 pages. D. & F. 10,326.<\/td>\n<\/tr>\n
folder 5<\/th>\nGrandjany, Marcel. Le bon petit roi d\u2019Yvet\u00f4t<\/em>.
\nParis: Durand & Fils, c1913. 4 pages. Pl. no. D. & F. 8925.
\nNo. 1 from Deux Chansons Populaires Fran\u00e7aises<\/td>\n<\/tr>\n
folder 6<\/th>\nGrandjany, Marcel. Le bon petit roi d\u2019Yvet\u00f4t<\/em>.
\nParis: Durand & Fils, c1913. 4 pages. Pl. no. D. & F. 8925.
\nNo. 1 from Deux Chansons Populaires Fran\u00e7aises.<\/td>\n<\/tr>\n
folder 7<\/th>\nGrandjany, Marcel. Le bon petit roi d\u2019Yvet\u00f4t<\/em>.
\nParis: Durand & Fils, c1913. 4 pages. Pl. no. D. & F. 8925.
\nNo. 1 from Deux Chansons Populaires Fran\u00e7aises.<\/td>\n<\/tr>\n
folder 8<\/th>\nGrandjany, Marcel. Et ron ron ron, petit patapon.<\/em>
\nParis: Durand & Fils, c1913. 4 pages. Pl. no. D. & F. 8926.
\nNo. 2 from Deux Chansons Populaires Fran\u00e7aises.<\/td>\n<\/tr>\n
folder 9<\/th>\nGrandjany, Marcel. Et ron ron ron, petit patapon.<\/em>
\nParis: Durand & Fils, c1913. 4 pages. Pl. no. D. & F. 8926.
\nNo. 2 from Deux Chansons Populaires Fran\u00e7aises.<\/td>\n<\/tr>\n
folder 10<\/th>\nGrandjany, Marcel. Divertissement<\/em>, op. 29.
\nParis: Durand & Cie, c1963. 13 pages. Pl. no. D. & F. 13959.
\nI. Canon (\u00e0 la quinte inf\u00e9rieur) \u2014 II. Fughetta \u2014 III. Final.<\/td>\n<\/tr>\n
folder 11<\/th>\nGrandjany, Marcel. Fantaisie: sur un th\u00e8me de J. Haydn<\/em>.
\nParis: Alphonse Leduc, c1958. 12 pages. Pl. no. A. L. 23,442.<\/td>\n<\/tr>\n
folder 12<\/th>\nGrandjany, Marcel. Fr\u00e8re Jacques.<\/em>
\nParis: Durand & Cie, c1957. 7 pages. Pl. no. D. & F. 13.869.<\/td>\n<\/tr>\n
folder 13<\/th>\nGrandjany, Marcel. Impromptu<\/em>, op. 33.
\nNew York: Lyra Music, c1964. 4 pages.<\/td>\n<\/tr>\n
folder 14<\/th>\nGrandjany, Marcel. Pastorale: pour harpe sans p\u00e9dales.<\/em>
\nParis: Durand, c1971. 2 pages. Pl. no. D. & C. 14048.<\/td>\n<\/tr>\n
folder 15<\/th>\nGrandjany, Marcel. Pr\u00e9ludes pour harpe.<\/em>
\nParis: \u00c9ditions Salabert, c1921. 5 pages. Pl. no. E. M. S. 4192.<\/td>\n<\/tr>\n
folder 16<\/th>\nGrandjany, Marcel. Rhapsodie.<\/em>
\nParis: Louis Rouhier, s.d. 13 pages. Pl. no. L. R. 432.
\nCopy now wanting: worn to the point of lacking viability.<\/td>\n<\/tr>\n
folder 17<\/th>\nGrandjany, Marcel. Souvenirs: po\u00e8me pour harpe<\/em>, op. 17.
\nParis: Durand & Fils, c1930. 8 pages. Pl. no. D. & F. 11,959.<\/td>\n<\/tr>\n
folder 18<\/th>\nGrandjany, Marcel. Trois Petites Pi\u00e8ces<\/em>.
\nParis: Rouhier; Gay & Cie, Successeurs, s.d. 7 pages. Pl. no. L. R. 409.
\nI. R\u00eaverie \u2014 II. Nocturne \u2014 III. Barcarolle.<\/td>\n<\/tr>\n
folder 19<\/th>\nGrandjany, Marcel. Trois Pi\u00e8ces Faciles (Three Easy Pieces).<\/em>
\nNew York: Edward B. Marks, c1943. 7 pages. Pl. no. 11930-6.
\nI. Nocturne \u2014 II. Reverie \u2014 III. Barcarolle.<\/td>\n<\/tr>\n
folder 20<\/th>\nGriffiths, Ann. Beth Yw\u2019r Haf I Mi? (What is Summer to me?): Fantasia on a Welsh Folk Song.<\/em>
\nAbergavenny: Adlais, c1973. 7 pages.
\nInscribed by the composer on title page.
\nNo. 2 from the composer\u2019s Alawon Traddodiadol Cymreig (Welsh Folksong Fantasias).<\/em>
\nComplete verse, with English translation by the composer, on page 1.<\/td>\n<\/tr>\n
folder 21<\/th>\nHandel, Darrell. Suzanne\u2019s Animal Music<\/em>. For troubadour or pedal harp.
\nMS repro; 6 pages of music.
\n1. The skunk \u2014 2. The black panther \u2014 3. An inchworm \u2014 4. In the fish bowl \u2014 5. The colt.
\nAccompanied by cover note (November 12, 1969) to Eileen Malone from the composer.<\/td>\n<\/tr>\n
folder 22<\/th>\nHasselmans, Alph. Aubade<\/em>, op. 30.
\nParis: A. Durand & Fils, s.d.. 5 pages. Pl. no. D. & F. 4581.
\nUnmarked copy.<\/td>\n<\/tr>\n
folder 23<\/th>\nHasselmans, Alph. Aubade<\/em>, op. 30.
\nParis: A. Durand & Fils, s.d.. 5 pages. Pl. no. D. & F. 4581.
\nUnmarked copy.<\/td>\n<\/tr>\n
folder 24<\/th>\nHasselmans, Alph. Au Monast\u00e8re: esquisse pour la harpe<\/em>, op. 29.
\nParis: A. Durand & Cie, s.d.. 5 pages. Pl. no. D. & F. 4580.<\/td>\n<\/tr>\n
folder 25<\/th>\nHasselmans, Alph. Ballade.<\/em>
\nParis: Alphonse Leduc, s.d.. 11 pages. Pl. no. A. L. 7860.<\/td>\n<\/tr>\n
folder 26<\/th>\nHasselmans, Alph. \u00c9tude M\u00e9lodique<\/em>, op. 35.
\nParis: A. Durand & Fil, s.d.. 5 pages. Pl. no. D. & F. 5020.<\/td>\n<\/tr>\n
folder 27<\/th>\nHasselmans, Alph. \u00c9tude M\u00e9lodique<\/em>, op. 35.
\nParis: A. Durand & Fil, s.d.. 5 pages. Pl. no. D. & F. 5020.
\nCopy annotated in pencil and rather more worn than that in folder 26.<\/td>\n<\/tr>\n
folder 28<\/th>\nHasselmans, Alph. Fileuse (Margu\u00e9rite au Rouet),<\/em> op. 27:
\n\u00e9tude caract\u00e9ristique pour la harpe.
\nParis: \u00c9ditions S. Chapelier, c1892. 10 pages. Pl. S. C. 36.
\nUnmarked copy.<\/td>\n<\/tr>\n
folder 29<\/th>\nHasselmans, Alph. Menuet<\/em>, op. 34.
\nParis: A. Durand & Fils, s.d.. 5 pages. Pl. no. D. & F. 5019.<\/td>\n<\/tr>\n
folder 30<\/th>\nHasselmans, Alph. Pr\u00e9lude<\/em>, op. 51, no. 1.
\nParis: A. Durand & Fils, s.d.. 4 pages. Pl. no. D. & F. 6185.
\nNo. 1 from Trois Pr\u00e9ludes<\/em>, op. 51.<\/td>\n<\/tr>\n
folder 31<\/th>\nHasselmans, Alph. Pr\u00e9lude<\/em>, op. 52, no. 2.
\n[New York]: Lyra Music, s.d.. 5 pages.
\nNo. 2 from Trois Pr\u00e9ludes<\/em>.<\/td>\n<\/tr>\n
folder 32<\/th>\nHasselmans, A. Pri\u00e8re<\/em>.
\nParis: \u00c9ditions Salabert, c1895. 7 pages. Pl. no. E. A. S. 7397.<\/td>\n<\/tr>\n
folder 33<\/th>\nHasselmans, A. Pri\u00e8re<\/em>. 10me \u00c9dition.
\nParis: Ulysse T. du Wast & Lacombe, c1913. 7 pages. U.T.W. 120.<\/td>\n<\/tr>\n
folder 34<\/th>\nHasselmans, Alph. S\u00e9r\u00e9nade<\/em>, op. 5.
\nParis: L. Philippo, s.d.. 7 pages. Pl. no. P. 533.<\/td>\n<\/tr>\n
folder 35<\/th>\nHasselmans, Alph. Valse de Concert<\/em>.
\nParis: L. Philippo, s.d.. 9 pages. Pl. no. P. 534.<\/td>\n<\/tr>\n
folder 36<\/th>\nHayakawa, Masaak\u00ec. Impromptu<\/em>.
\nMS repro; 6 pages of music.<\/td>\n<\/tr>\n
folder 37<\/th>\nHealey, Derek. Wake Up!<\/em>, op. 56: Variations on an Appalachian folk melody.
\nMS repro; 9 pages of music.
\nCopyright Derek Healey 1979.
\nAccompanied by cover note (August 30, 1981) from the composer.<\/td>\n<\/tr>\n
folder 38<\/th>\nHilton, Brian L. Toccata.<\/em>
\nMS repro; 5 pages of music.<\/td>\n<\/tr>\n
folder 39<\/th>\nHindemith, Paul. Sonata for Harp (1939)<\/em>.
\nNew York: Associated Music Publishers, c1940. 15 pages. Pl. no. B. S. S. 36123.
\n\u201cSole American issue of the original Schott Edition.\u201d\u2014on cover.<\/td>\n<\/tr>\n
folder 40<\/th>\nHoberg, Margaret. Country Dance<\/em>.
\nNew York: Arthur P. Schmidt, c1917. 5 pages. Pl. no. A. P. S. 11286-f.<\/td>\n<\/tr>\n
folder 41<\/th>\nHoudy, Pierick. Sonate pour harpe<\/em>.
\nParis: Alphonse Leduc, c1955. 11 pages. Pl. no. A. L. 21.596.<\/td>\n<\/tr>\n
folder 42<\/th>\nHuston, Scott. Suite of Three: for solo harp<\/em>.
\nMS repro; 10 pages of music.
\n\u201cFor Marilyn Schiewe and Eileen Malone\u201d\u2014on cover.
\nAt end of music: September 16, 1963 \/ Cincinnati, Ohio \/ Scott Huston.
\nI. Eulogy \u2014 II. Improvisation \u2014 III. Dance.<\/td>\n<\/tr>\n
folder 43<\/th>\nHuston, Scott. Suite of Three<\/em>.
\nNew York: G. Schirmer, c1967. 15 pages. Pl. no. 45997.
\n\u201cEileen \u2014 may you enjoy \u2014 with the grateful thanks of Scott Huston 1\/14\/67\u201d\u2014penned on title page.<\/td>\n<\/tr>\n
folder 44<\/th>\nJohnsen, Paul. The Tripart of Action: a solo for non-pedal or pedal harp.<\/em>
\nTuscon, Arizona: Symbolism Counts, c1991. 11 pages of music.
\nPublication is an MS repro.
\nAccompanied by a letter (November 20, 1991) from the composer.<\/td>\n<\/tr>\n
folder 45<\/th>\nJolas, Betsy. Tranche.<\/em>
\nParis: Heugel & Cie, 1968. 1 large chart of music when unfolded. Pl. no. H. 31.844.
\nExplication of notation precedes the music.<\/td>\n<\/tr>\n
folder 46<\/th>\nJolivet, Andr\u00e9. Prelude pour Harpe.<\/em>
\nLondon: Boosey and Hawkes, c1966. 4 pages. Pl. no. B. & H. 19407.<\/td>\n<\/tr>\n
folder 47<\/th>\nKaminski, Joseph. Piece for Harp Solo<\/em>.
\nMS repro; 7 pages of music.
\nTitle and composer\u2019s name also in Hebrew on first page of music.<\/td>\n<\/tr>\n
folder 48<\/th>\nKrumpholtz, J. B. Moderato<\/em>.
\nScribal MS; 3 pages of music.
\nNo. 6 from Pr\u00e9ludes<\/em>.<\/td>\n<\/tr>\n
folder 49<\/th>\nKufferath, Jeanne Andrienne. Simple histoire<\/em>.
\nParis: Maurice Senart, s.d.. 7 pages. Pl. no. E. M. S. 8244.
\nNo. 1 from Deux pi\u00e8ces pour harpe.<\/em><\/td>\n<\/tr>\n
folder 50<\/th>\nLapitino, Francis J. The Harp.<\/em>
\nNew York: International Music, s.d.. 11 pages. Pl. no. H. S. 104.
\nText of poem by Ella Wheeler Wilcox precedes the music; the text also printed throughout the music (i.e., within the systems).<\/td>\n<\/tr>\n
folder 51<\/th>\nLebano, Felix. Tristesse!!: romance sans paroles.<\/em>
\nInk MS; 5 pages of music.
\nFirst page stamped with name of Prof. F. Sevasta.<\/td>\n<\/tr>\n
folder 52<\/th>\nMacDowell, Edw[ard]. To a Wild Rose<\/em>.
\nScribal MS in ink; 1 page of music.<\/td>\n<\/tr>\n
folder 53<\/th>\nMcKay, Neil. World(s)<\/em>: three pieces for solo koto or harp.
\nDelaware Water Gap, PA: Shawnee Press, c1976.
\nTwo parts, the first accounting for the first two pieces and the second accounting for the third piece.
\nPengawit \u2014 Ai \u2014 Ver\u00e4nderungen.
\nAccompanied by cover note (Feb. 18, 1980) from the composer.
\nContains second copy of \u201cVer\u00e4nderungen\u201d.<\/td>\n<\/tr>\n
folder 54<\/th>\nMaingueneau, Louis. Sonate<\/em>.
\nParis: Durand & Cie, 1946. 21 pages. Pl. no. D. & F. 13,238.<\/td>\n<\/tr>\n
folder 55<\/th>\nMakarova, Nina. \u0424\u0440\u0435\u0441\u043a\u0430 \u201c\u0428\u0435\u0441\u0442\u0432\u0438\u0435 \u041d\u0435\u0444\u0435\u0440\u0442\u0438\u0442\u0438\u201d (Fresco \u201cNefertiti\u2019s procession\u201d); [and] \u0412\u0430\u043b\u044c\u0441: (Waltz).
\nArranged by V. Dulova.
\nMoskva: Sovetskii kompozitor, 1967. 11 pages. Pl. no. 4586.
\nAccompanied by cover note from Walter Hendl, Director, ESM.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 3″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1603812910604{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1603977617554{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nMathias, William. Improvisations,<\/em> opus 10.
\nLondon: Oxford University Press, c1964. 7 pages.<\/td>\n<\/tr>\n
folder 2<\/th>\nMaurat, Edmond. Sept Miniatures d\u2019\u00c9poque<\/em>, op. 3.
\nParis: Max Eschig, c1967. 11 pages. Pl. no. M. E. 7804.
\n…d\u2019expression: I. nostalgique \u2014 II. avenante \u2014 III. narquoise \u2014 IV. d\u00e9sinvolte \u2014 V. d\u00e9su\u00e8te \u2014 VI. composite \u2014 contrast\u00e9e,<\/td>\n<\/tr>\n
folder 3<\/th>\nMortari, Virgilio. Sonatina Prodigio.<\/em>
\nMilano: Carisch, S.p.A., c1959. 5 pages. Pl. no. 19375.
\nTitle page bears a cancellans slip citing Mills Music, Inc, New York.
\nGagliarda \u2014 Canzone \u2014 Toccata.<\/td>\n<\/tr>\n
folder 4<\/th>\nMourant, Walter. Manhattan Suite<\/em>.
\nNew York: Hendon Music, c1966. 16 pages.
\n1. Prelude \u2014 2. Intermezzo \u2014 3. Dance.
\nProvenance: Walter Mourant.<\/td>\n<\/tr>\n
folder 5<\/th>\nNadermann, F. J. Sieben Progressive Sonatinen<\/em>, opus 92. Heft I.
\nNeue revidirte Ausgabe von E. Schu\u00ebcker.
\nLeipzig: C. E. W. Siegel, s.d.. 23 pages. Pl. no. 9662.
\nHeft I contents: No. 1 \u2014 No. 2 \u2014 No. 3 \u2014 No. 4.<\/td>\n<\/tr>\n
folder 6<\/th>\nNatra, Sergiu. Prayer: for Harp.<\/em>
\nTel Aviv: Israel Music Institute, c1972. 12 pages. Pl. no. I. M. I. 181.
\nPrefatory notes precede the beginning of the music.
\nTitle, composer\u2019s name, publisher\u2019s information, and prefatory notes rendered in both Hebrew and English.
\nAccompanied by a cover letter (22nd September, 1972) from William Elias, Managing Director, Israel Music Institute.<\/td>\n<\/tr>\n
folder 7<\/th>\nNoda, Teruyuki. The Dream of Endymion<\/em>.
\nTokyo: Ongaku No Tomo Edition, c1986. 12 pages.
\nComposer\u2019s name and title in both Japanese and English on front cover; with end notes in Japanese and English inside back cover.
\nAccompanied by a cover note (May 15, 1986) from the composer.<\/td>\n<\/tr>\n
folder 8<\/th>\nNo\u00ebl, Marcel. Impromptu<\/em>.
\nParis: Louis Rouhier, c1919. 18 pages. Pl. no. L. R. 416.<\/td>\n<\/tr>\n
folder 9<\/th>\nOberth\u00fcr, Charles. The Gondolier<\/em>.
\nMayence: B. Schott\u2019s S\u00f6hne, s.d.. 5 pages. Pl. no. 1229.
\nNo. II from Three Musical Sketches for the Harp<\/em>.<\/td>\n<\/tr>\n
folder 10<\/th>\nPartos, Oedoen. Improvisation and Niggun<\/em>.
\nTel Aviv: Israeli Music Publications, c1959. 16 pages. Pl. no. I.M.P. 157.
\nTitle, composer\u2019s name, and publisher\u2019s information in both Hebrew and English.
\n\u201cCommissioned by the Israel Festival Committee for the First International Harp Contest, Israel, September 1959\u201d\u2014on title page.
\nInside front cover inscription by the composer.<\/td>\n<\/tr>\n
folder 11<\/th>\nPartos, Odoen. Mizmor<\/em>.
\nRevised and edited by W. Y. Elias.
\nTel Aviv: Israel Music Institute, c1976. 12 pages. Pl. no. IMI 370.
\n\u201cSet piece for performance by contestants in the 6th International Harp Contest, Jerusalem Sept. 1976\u201d\u2014on title page.
\nEditor\u2019s Preface on the notation conventions used precedes beginning of the music.<\/td>\n<\/tr>\n
folder 12<\/th>\nPiern\u00e9, G. Impromptu-Caprice<\/em>, op. 9.
\nParis: Alphonse Leduc, s.d.. 9 pages. Pl. no. A. L. 10.381.
\n\u201cConcours du Conservatoire 1900\u201d\u2014on title page and in caption on first page of music.<\/td>\n<\/tr>\n
folder 13<\/th>\nPratt, Samuel. Toccata for Harp<\/em>.
\nMS repro; 8 pages of music.
\n\u201cManuscript by Henry Maiben \/ S.L.C. \/ 1952\u201d\u2014on title page.<\/td>\n<\/tr>\n
folder 14<\/th>\nPresle, Jacques de la. Le Jardin Mouill\u00e9.<\/em>
\nParis: Louis Rouhier, c1913. 12 pages. Pl. no. L. R. 363.<\/td>\n<\/tr>\n
folder 15<\/th>\nPresle, Jacques de la. Le Jardin Mouill\u00e9<\/em>.
\nParis: Louis Rouhier, c1913. 12 pages. Pl. no. L. R. 363.
\nCopy significantly more worn than that in folder 23.<\/td>\n<\/tr>\n
folder 16<\/th>\nProkofiew, Serge. \u041f\u0440\u0435\u043b\u044e\u0434\u044a (Pr\u00e9lude<\/em>), op. 12, no. 7. Piano ou harpe.
\n[Publication information lacking]
\nCopy wanting: worn to the point of lacking viability.<\/td>\n<\/tr>\n
folder 17<\/th>\nQuintile, Joseph. Fuga<\/em>, op. 4.
\nNew York: International Music Pub. Co., c1917. 7 pages.
\nI. Allegro moderator \u2014 II. Moderato quasi andante \u2014 III. Allegro.
\nComposer\u2019s inscription on first page of music.<\/td>\n<\/tr>\n
folder 18<\/th>\nRavel, Maurice. Introduction and Allegro.<\/em>
\nParis: Durand & Cie, c1906. 13 pages. Pl. no. D. & F. 6738.
\nHarp part from the complete chamber version.<\/td>\n<\/tr>\n
folder 19<\/th>\nRead, Gardner. Sea-scapes<\/em>, op. 46.
\nInk MS; 7 pages of music.
\nAt end: Feb 3, 1938 \u2014 Feb 26 1940.
\nNo. 1. Sea-murmurs \u2014 No. 2. Sea-spray.<\/td>\n<\/tr>\n
folder 20<\/th>\nReid, Clement. Seascape #2<\/em>.
\nMS repro; 10 pages of music.
\nCopyright 1988 by the composer.
\nAt end: January 26, 1988 \/ Seattle, Washington.
\n\u201cSeascape #2 was commissioned and first performed by Carol Sue
\nMukhalian on March 9th, 1988, at the American Embassy in Paris.\u201d\u2014 inside front cover.
\nTwo copies.
\nAccompanied by a cover letter (Nov. 24, 1988) and by a copy of the printed program from the premiere performance (9 mars 1988).<\/td>\n<\/tr>\n
folder 21<\/th>\nReni\u00e9, H. Danse des Lutins<\/em>.
\nParis: Louis Rouhier, c1912. 10 pages. Pl. no. L. R. 331.<\/td>\n<\/tr>\n
folder 22<\/th>\nReni\u00e9, H. Esquisse. From the Feuillets d\u2019album<\/em>.
\nScribal MS in ink; 3 pages of music.<\/td>\n<\/tr>\n
folder 23<\/th>\nReni\u00e9, H. Feuillets d\u2019album<\/em>.
\nParis: \u00c9ditions Henry Lemoine, s.d.. 7 pages. Pl. no. 19302.H.
\nEsquisse \u2014 Danse d\u2019autrefois \u2014 Angelus.<\/td>\n<\/tr>\n
folder 24<\/th>\nReni\u00e9, Henriette. Grand\u2019M\u00e8re raconte une histoire<\/em>…. Petite pi\u00e8ce tr\u00e8s facile pour la harpe sans p\u00e9dales.
\nParis: Alphonse Leduc, c1940. 3 pages. Pl. no. A. L. 19,922.<\/td>\n<\/tr>\n
folder 25<\/th>\nReni\u00e9, H. L\u00e9gende<\/em>: d\u2019apr\u00e8s les Elfes de Leconte de Lisle.
\nParis: Alphonse Leduc, c1949. 17 pages. Pl. no. L. R. 146.
\nText of poem \u201cLes elfes\u201d by Leconte de Lisle precedes beginning of music.<\/td>\n<\/tr>\n
folder 26<\/th>\nReni\u00e9, H. Six Pi\u00e8ces: 1re Suite<\/em>.
\nParis: Louis Rouhier. 7 pages. Pl. no. L. R. 176.
\nMenuet \u2014 Au bord du Ruisseau \u2014 Petite valse.
\nCopy is wanting, to the point of lacking viability.<\/td>\n<\/tr>\n
folder 27<\/th>\nReni\u00e9, H. Six Pi\u00e8ces: 2e Suite<\/em>.
\nParis: Louis Rouhier. 7 pages. Pl. no. L. R. 177.
\nAir ancien \u2014 Lied \u2014 Valse m\u00e9lancolique.<\/td>\n<\/tr>\n
folder 28<\/th>\nReni\u00e9, H. Six Pi\u00e8ces: 2e Suite<\/em>.
\nParis: Alphonse Leduc, s.d.. 7 pages. Pl. no. A.L. 20.019.
\nAir ancien \u2014 Lied \u2014 Valse m\u00e9lancolique.
\nCopy annotated in pencil; markedly more worn than that in folder 35.<\/td>\n<\/tr>\n
folder 29<\/th>\nRoger-Ducasse. Barcarolle<\/em>.
\nParis: Durand & Fils, c1907. 8 pages. Pl. no. D. & F. 6951.<\/td>\n<\/tr>\n
folder 30<\/th>\nRogers, Van Veachton. Barcarole<\/em>, op. 17.
\nNew York: Carl Fischer, c1941. 1 page. Pl. no. 19647-2.<\/td>\n<\/tr>\n
folder 31<\/th>\nRogers, Van Veachton. Fleurette<\/em>.
\nBoston: C. W. Thompson, 1900. 5 pages. Pl. no. T. & Co. 831 4.<\/td>\n<\/tr>\n
folder 32<\/th>\nRogers, Van Veachton. A Jolly Tar (For the Clark Irish Harp)<\/em>.
\nNew York: International, 1923. 2 pages of music. Pl. no. H. S.-152.<\/td>\n<\/tr>\n
folder 33<\/th>\nRota, Nino. Sarabande e Toccata<\/em>.
\nMilano: G. Ricordi & C., 1955. 8 pages. Pl. no. 128870.<\/td>\n<\/tr>\n
folder 34<\/th>\nRotondi, Umberto. Cinque Episodi<\/em>.
\nRevisione di Giuliani Albisetti.
\nMilano: Edizioni Suvini Zerboni, c1966. 15 pages. Pl. no. S. 6442 Z.<\/td>\n<\/tr>\n
folder 35<\/th>\nRousseau, Marcel Samuel. Variations Pastorales sur un Vieux No\u00ebl<\/em>.
\nParis: Louis Rouhier, c1917. 16 pages. Pl. no. L. R. 408.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 36<\/th>\nRousseau, Marcel Samuel. Variations Pastorales sur un Vieux No\u00ebl<\/em>.
\nParis: Louis Rouhier, c1917. 16 pages. Pl. no. L. R. 408.
\nUnmarked copy.<\/td>\n<\/tr>\n
folder 37<\/th>\nRoussel, Albert. Impromptu<\/em>, op. 21.
\nParis: Durand & Cie, c1919. 7 pages. Pl. no. D. & F. 9788.<\/td>\n<\/tr>\n
folder 38<\/th>\nSaint-Sa\u00ebns, C. Fantaisie<\/em>, op. 95.
\nParis: Durand & Fils, s.d.. 15 pages. Pl. no. D. & F. 4661.
\nUnmarked copy.<\/td>\n<\/tr>\n
folder 39<\/th>\nSaint-Sa\u00ebns, C. Fantaisie<\/em>, op. 95.
\nParis: Durand & Fils, s.d. 15 pages. Pl. no. D. & F. 4661.
\nAnnotated in pencil; copy more worn than that housed in folder 38.<\/td>\n<\/tr>\n
folder 40<\/th>\nSalzedo, Carlos. Ballade<\/em>.
\nParis: Alphonse Leduc, c1913. 15 pages. Pl. no. A. L. 15,278.
\nNo. 1 from Trois Morceaux<\/em>.<\/td>\n<\/tr>\n
folder 41<\/th>\nSalzedo, Carlos. Rumba<\/em>.
\nNew York: G. Schirmer, c1950, 1953. 5 pages. Pl. no. 42734.
\nNo. VIII from Suite of Eight Dances<\/em>.<\/td>\n<\/tr>\n
folder 42<\/th>\nSalzedo, Carlos. Variations sur un th\u00e8me dans le style ancien<\/em>, op. 30.
\nParis: Alphonse Leduc, c1913. 16 pages. Pl. no. A. L. 15,280.
\nNo. 3 from Trois Morceaux<\/em>
\nTitle page lacking.<\/td>\n<\/tr>\n
folder 43<\/th>\nSalzedo, Carlos. Variations sur un th\u00e8me dans le style ancien<\/em>.
\nParis: Alphonse Leduc, c1913. 16 pages. Pl. no. A. L. 15,280.
\nNo. 3 from Trois Morceaux pour harpe seule<\/em>, op. 30.
\nTitle page lacking.
\nMarkedly worn.<\/td>\n<\/tr>\n
folder 44<\/th>\nSalzedo, Carlos. Whirlwind<\/em>.
\nNew York: Composers\u2019 Music Corporation, c1924. 11 pages. Pl. no. 827-9.
\nNo. IV from Five Preludes for Harp Alone (First Series)<\/em>.<\/td>\n<\/tr>\n
folder 45<\/th>\nSchifrin, Lalo. Continuum<\/em>.
\n[New York]: Associated Music, c1970. 8 pages. Pl. no. AMP-7014.
\nAccompanied by page bearing statement that copy is a \u201cpre-publication copy…prepared especially for the 1970 Conference of the American Harp Society by Associated Music Publishers, Inc., N.Y.\u201d<\/td>\n<\/tr>\n
folder 46<\/th>\nSchu\u00ebcker, Edmund. Mazurka<\/em>, op. 12.
\nLeipzig: Breikopf & H\u00e4rtel, s.d.. 7 pages. Pl. no. 18848.<\/td>\n<\/tr>\n
folder 47<\/th>\nSchuetze, Charles. In the Garden<\/em>.
\nNew York: G. Schirmer, c1911. 7 pages. Pl. no. 22946.<\/td>\n<\/tr>\n
folder 48<\/th>\nSheriff, Noam. Invention for Harp<\/em>.
\nTel Aviv: Israel Music Institute, c1969. 7 pages. Pl. no. I. M. I. 121.
\nTitle, composer\u2019s name, publisher\u2019s information, and Editor\u2019s preface in both Hebrew and English.<\/td>\n<\/tr>\n
folder 49<\/th>\nSiegmeister, Elie. American Harp<\/em>: suite for solo harp.
\nMS repro; 19 pages.
\nI. Reverie \u2014 II. Dance \u2014 III. Ballet \u2014 IV Celebration.
\n\u201cCommissioned by and dedicated to the Long Island Chapter of the American Harp Society.\u201d
\nPrinted at Circle Blue Print Co., Inc., New York, NY.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nSpohr, Louis. Fantasie [in] c-moll,<\/em> op. 35.
\nHerausgegeben von Hans Joachim Zingel.
\nKassel: B\u00e4renreiter-Verlag, c1954. 9 pages.<\/td>\n<\/tr>\n
folder 2<\/th>\nSpohr, Louis. Variations sur l\u2019air \u201cJe suis encore dans mon printemps\u201d (I am still so young)<\/em>, op. 36.
\nReviewed and corrected by W. Posse.
\nFrankfurt-am-Main: Musikverlag Wilhelm Zimmermann, c1968. 11 pages. Pl. no. Z. 5444.<\/td>\n<\/tr>\n
folder 3<\/th>\nTailleferre, Germaine. Sonate<\/em>.
\nParis: \u00c9ditions M\u00e9ridian, c1957. 13 pages. Pl. no. N.M. 1771.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 4<\/th>\nTailleferre, Germaine. Sonate.<\/em>
\nParis: \u00c9ditions M\u00e9ridian, c1957. 13 pages. Pl. no. N.M. 1771.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 5<\/th>\nTal, Josef. Intrada<\/em>.
\nTel Aviv: Israeli Music Publications Ltd., c1959. 7 pages. Pl. no. I.M.P. 158.
\nTitle, composer\u2019s name, publisher\u2019s information, and commissioning statement in both Hebrew and English.
\n\u201cCommissioned by the Israel Festival Committee for the First International Harp Contest, Israel, September 1959\u201d\u2014on title page.
\nInscription by the composer on title page.<\/td>\n<\/tr>\n
folder 6<\/th>\nThomas, John. Autumn<\/em>.
\nBoston: Percy Ashdown, s.d.. 11 pages.
\nVerse sourced from \u201cOld Play\u201d printed in caption on first page of music.28<\/td>\n<\/tr>\n
folder 7<\/th>\nToulmin, A.F. Annie Laurie<\/em>.
\nNew York: Browne and Buckwell, s.d.. 7 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Works by Marcel Tournier in this sub-series have been arranged by their opus numbers; <\/em>works without opus numbers have been placed at the end of the sequence.<\/em><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1604335016242{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 8<\/th>\nTournier, Marcel. Quatre Pr\u00e9ludes<\/em>: pour harpe, op. 16.
\nParis: L. Rouhier; Gay & Tenton, Successeurs. Copyright 1920 by Louis Rouhier. 9 pages. Pl. no. G.T. 463.<\/td>\n<\/tr>\n
folder 9<\/th>\nTournier, Marcel. Quatre Pr\u00e9ludes: pour deux harpes<\/em>, op. 16.
\nParis: L. Rouhier; Gay & Tenton, Successeurs. Copyright 1920 by Louis Rouhier. 13 pages. Pl. no. L.R. 422.
\nThis publication comprised of nos. III and IV.<\/td>\n<\/tr>\n
folder 10<\/th>\nTournier, Marcel. Trois Images (1er suite) (Three Pictures (first set))<\/em>, op. 29.
\nParis: Henry Lemoine & Cie, c1925. 12 pages. Pl. no. 21.775. HL.
\nI. Clair de lune sur l\u2019\u00e9taing du parc \u2014 II. Au seuil du temple \u2014 III. Lolita la danseuse.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 11<\/th>\nTournier, Marcel. Trois Images (1er suite) (Three Pictures (first set))<\/em>, op. 29.
\nParis: Henry Lemoine & Cie, c1925. 12 pages. Pl. no. 21.775. HL.
\nI. Clair de lune sur l\u2019\u00e9taing du parc \u2014 II. Au seuil du temple \u2014 III. Lolita la danseuse.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 12<\/th>\nTournier, Marcel. Sonatine<\/em>, op. 30.
\nParis: Henry Lemoine, c1924. 23 pages. Pl. no. 21,652. HL.
\nWorn to the point of diminished viability.<\/td>\n<\/tr>\n
folder 13<\/th>\nTournier, Marcel. Trois Images (2e suite) (Three Pictures (second set)),<\/em> op. 31.
\nParis: Henry Lemoine, c1925. 23 pages. Pl. no. 21,652. HL.
\nIV. Les enfants \u00e0 la cr\u00e8che de No\u00ebl \u2014 V. L\u2019\u00e9trange cavalier \u2014 VI. La marchande de frivolit\u00e9es.
\nFront cover and pages 1-2 lacking.<\/td>\n<\/tr>\n
folder 14<\/th>\nTournier, Marcel. Jazz-Band<\/em>, op. 33.
\nParis: Henry Lemoine, c1926. 7 pages. Pl. no. 21,907. HL.<\/td>\n<\/tr>\n
folder 15<\/th>\nTournier, Marcel. Jazz-Band,<\/em> op. 33.
\nParis: Henry Lemoine, c1926. 7 pages. Pl. no. 21,907. HL.
\nAnnotated in pencil; markedly worn.<\/td>\n<\/tr>\n
folder 16<\/th>\nTournier, Marcel. Images<\/em>, op. 35: 3me Suite<\/em>.
\nParis: Henry Lemoine, c1930. 24 pages. Pl. no. 22 354 HL.
\nVII. Les Anesses grises sur la route d\u2019El-Azib \u2014 VIII. Danseus \u00e0 la fontaine d\u2019A\u00efn-Draham \u2014 IX. Soir de f\u00eate \u00e0 Sedjane.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 17<\/th>\nTournier, Marcel. Images<\/em>, op. 35: 3me Suite<\/em>.
\nParis: Henry Lemoine, c1930. 24 pages. Pl. no. 22 354 HL.
\nVII. Les Anesses grises sur la route d\u2019El-Azib \u2014 VIII. Danseus \u00e0 la fontaine d\u2019A\u00efn-Draham \u2014 IX. Soir de f\u00eate \u00e0 Sedjane.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 18<\/th>\nTournier, Marcel. Images<\/em>, op. 35: 4me Suite<\/em>.
\nParis: Henry Lemoine, c1930. 24 pages. Pl. no. 22,528. HL. X. La voli\u00e8re magique \u2014 XI. Cloches sous la neige \u2014 XII. La danse dumoujik.<\/td>\n<\/tr>\n
folder 19<\/th>\nTournier, Marcel. Scherzo Romantique<\/em>, op. 38.
\nParis: Henry Lemoine, c1932. 13 pages. Pl. no. 22,486. HL.
\nFront and back covers lacking.<\/td>\n<\/tr>\n
folder 20<\/th>\nTournier, Marcel. Berceuse russe,<\/em> op. 40.
\nParis: Henry Lemoine, c1932. 3 pages. Pl. no. 22,529. H
\nInscription by the composer on page 1.<\/td>\n<\/tr>\n
folder 21<\/th>\nTournier, Marcel. Encore une bo\u00eete \u00e0 Musique<\/em>, op. 43.
\nParis: Henry Lemoine, c1935. 4 pages. Pl. no. 22,763. HL.<\/td>\n<\/tr>\n
folder 22<\/th>\nTournier, Marcel. 2\u00e8me Sonatine<\/em>, op. 45.
\nParis: Henry Lemoine, c1945. 24 pages. Pl. no. 23310 HL.
\nInscription by the composer on the first page of music.<\/td>\n<\/tr>\n
folder 23<\/th>\nTournier, Marcel. Fresque Marine<\/em> [opus 46].
\nParis: Henry Lemoine, c1946. 12 pages. Pl. no. 23301 HL.
\nInscription by the composer on page 2.<\/td>\n<\/tr>\n
folder 24<\/th>\nTournier, Marcel. Pastels du vieux japon<\/em>, op. 47.
\nParis: Henry Lemoine, c1948, 1947. 8 pages. Pl. no. 23 401 HL.
\nI. Berceuse du vent dans les cerisiers \u2014 II. Le Koto chante pour l\u2019absent\u2014 III. Le danseur au sabre.<\/td>\n<\/tr>\n
folder 25<\/th>\nTournier, Marcel. Ce que chante la pluie d\u2019automne<\/em>, op. 49.
\nParis: Henry Lemoine, c1947. 8 pages. Pl. no. 23 365 HL.
\nInscription by the composer on first page of music.<\/td>\n<\/tr>\n
folder 26<\/th>\nTournier, Marcel. Air \u00e0 Danser<\/em>. Petite pi\u00e8ce br\u00e8ve & facile.
\nParis: Maurice Vieu & Jane Vieu, c1913. 5 pages. Pl. no. M. V. 341 J. V.<\/td>\n<\/tr>\n
folder 27<\/th>\nTournier, Marcel. Au Matin<\/em>.
\nParis: Louis Rouhier, c1917. 8 pages. Pl. no. M. S. & Cie 3657.
\nFirst of the composer\u2019s \u00c9tudes de concert.
\nMarkedly worn; accompanied by a preservation photocopy.<\/td>\n<\/tr>\n
folder 28<\/th>\nTournier, Marcel. F\u00e9erie: pr\u00e9lude et danse.<\/em>
\nParis: L. Rouhier; Gay & Cie, Successeurs, c1912. 16 pages. Pl. no. L.R. 461.<\/td>\n<\/tr>\n
folder 29<\/th>\nTournier, Marcel. Th\u00e8me et Variations.<\/em>
\nParis: Louis Rouhier; Gay & Tenton, Successeurs. Copyright 1913 by L. Rouhier. 22 pages. Pl. no. 321.
\nFront cover lacking.<\/td>\n<\/tr>\n
folder 30<\/th>\nTournier, Marcel. Vers la source dans le bois<\/em>.
\nParis: Alphonse Leduc; copyright 1922 Louis Rouhier. 8 pages. Pl. no. A.L. 20.002.<\/td>\n<\/tr>\n
folder 31<\/th>\nTournier, Marcel. Vers la source dans le bois.<\/em>
\nParis: L. Rouhier; Gay & Tenton, Successeurs, c1922. Pl. no. L. R. 433. 8 pages.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 32<\/th>\nVerdalle, Gabriel. B\u00e9b\u00e9 dort!<\/em>…, op. 15.
\nHamburg et Leipzig: D. Rahter, c1898. 5 pages. Pl. no. 1045.<\/td>\n<\/tr>\n
folder 33<\/th>\nVerdalle, Gabriel. Canzonetta<\/em>, op. 16.
\nHamburg et Leipzig: D. Rahter, c1898. 11 pages. Pl. no. 1046.<\/td>\n<\/tr>\n
folder 34<\/th>\nVerdalle, Gabriel. Pri\u00e8re,<\/em> op. 13.
\nHamburg: D. Rahter, c1898. 5 pages. Pl. no. 1043.<\/td>\n<\/tr>\n
folder 35<\/th>\nWagenaar, Bernard. Four Vignettes<\/em>.
\nMS repro; 8 pages of music.
\nI. Prelude \u2014 II. Dance \u2014 III. The angelus \u2014 IV. Toccatina.
\nPrinted at Circle Blue Print Co., Inc., New York, NY.<\/td>\n<\/tr>\n
folder 36<\/th>\nWarner, Scott. Dreams in Color: a book for harp.<\/em>
\nMS repro; 11 pages of music.
\nAt end: 4. IV. 86 \/ Deo gratias.
\ni. The fall \u2014 ii. (secrets) \u2014 iii. Touchstone.<\/td>\n<\/tr>\n
folder 37<\/th>\nWesterhout. Ronde d\u2019amour.<\/em>
\nInk MS; 4 pages of music.<\/td>\n<\/tr>\n
folder 38<\/th>\nWilder, Alec. Dream, Dance and Frolic.<\/em>
\nMS repro; 8 pages of music.
\nScribal manuscript.<\/td>\n<\/tr>\n
folder 39<\/th>\nWilliams, David Russell. Sonata for Harp.<\/em>
\nMS repro; 10 pages of music.
\nPrinted at Circle Blue Print Co., Inc., New York, NY.<\/td>\n<\/tr>\n
folder 40<\/th>\nWood, Mrs. De Main. Falling Leaves.<\/em>
\nInk MS; 2 pages of music.
\n\u201cCompliments of Mr. and Mrs. De Main Wood.\u201d<\/td>\n<\/tr>\n
folder 41<\/th>\nYamanouchi, Tadashi. [Pour harpe].<\/em>
\n[New York:] International Music Publishers, c1965. 9 pages of music, unnumbered.
\nThis copy incomplete: comprised of two of the three movements: II. Le musicien jouant la harpe; and, III. Bahram Gur chassant avec Azad\u00e9.<\/em><\/td>\n<\/tr>\n
folder 42<\/th>\nZabel, Albert. Ballade: in drei Episoden<\/em>, op. 20.
\nLeipzig: D. Rahter, s.d.. 13 pages. Pl. no. 2540.<\/td>\n<\/tr>\n
folder 43<\/th>\nZabel, Albert. Margu\u00e9rite douleureuse au rouet (No.2)<\/em>, op. 26.
\nPetrograd: W. Bessel & Cie, s.d.. 7 pages. Pl. no. 3592.<\/td>\n<\/tr>\n
folder 44<\/th>\nZabel, Albert. La source (Am Springbrunnen)<\/em>, op. 23.
\nPetrograd: W. Bessel & Cie, s.d.. 13 pages. Pl. no. 3236.
\nAnnotated in ink.<\/td>\n<\/tr>\n
folder 45<\/th>\nZabel, Albert. La source (Am Springbrunnen)<\/em>, op. 23.
\nParis: W. Bessel & Cie, 1949. 13 pages. Pl. no. 3236.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 46<\/th>\nZabel, Albert. La Source,<\/em> op. 23.
\nParis: W. Bessel & Cie, c1949. 13 pages. Pl. no. 3236.
\nGerman title printed in caption on first page of music: Am Springbrunnen.
\nUnmarked copy<\/td>\n<\/tr>\n
folder 47<\/th>\nAnonymous. Andiam, mio tesoro.<\/em>
\nItalian, XVI Century.
\nFacsimile. 1 page of music.<\/td>\n<\/tr>\n
folder 48<\/th>\nUnattributed. Joy: solo for harp.<\/em>
\nInk MS; 2 pages of music.
\n\u201cTo my teacher, Eileen Malone.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: Solo harp\u2014arrangements and transcriptions<\/em><\/span><\/p>\n

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folder 1<\/th>\nBach, Carl Philipp Emanuel. Sonata in G Major<\/em> (Solo f\u00fcr die Harfe).
\nScholarly-performance edition with critical commentary by Jane B. Weidensaul.
\nWillow Hall Press; c1979 Jane B. Weidensaul. 16, 4 pages.
\nInscription by the editor on title page.<\/td>\n<\/tr>\n
folder 2<\/th>\nBach, Carl Ph.E. Sonata<\/em> (Berlin 1762).
\nMS repro; 23 pages of music.
\nCopyright 1963 by M. Grandjany.
\n\u201cEdited from the manuscript \u2018Solo f\u00fcr die Harfe\u2019 of the Brussels Conservatory of Music Library with the realization of the figured bass by Marcel Grandjany\u201d\u2014on front cover.<\/td>\n<\/tr>\n
folder 3<\/th>\nBach, Karl Philipp Emanuel. Solfeggietto<\/em>.
\nTranscribed for harp by Marie Miller.
\nNew York: Composers\u2019 Music Corporation, c1924. 5 pages. Pl. no. 859- 4.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 4<\/th>\nBach, Karl Philipp Emanuel. Solfeggietto<\/em>.
\nTranscribed for harp by Marie Miller.
\nNew York: Composers\u2019 Music Corporation, c1924. 5 pages. Pl. no. 859- 4.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 5<\/th>\nBach, J. S. Dix pi\u00e8ces de J. S. Bach.<\/em>
\nTranscrites pour harpe par H. Reni\u00e9.
\nParis: Louis Rouhier, c1914. 21 pages. Pl. no. L.R. 379.
\nThe respective titles of the ten works not printed in this publication.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 6<\/th>\nBach, J. S. Dix pi\u00e8ces de J. S. Bach<\/em>.
\nTranscrites pour harpe par H. Reni\u00e9.
\nParis: Alphonse Leduc, s.d.. 21 pages. Pl. no. A. L. 20,006.
\nThe respective titles of the ten works not printed in this publication.
\nUnmarked.<\/td>\n<\/tr>\n
folder 7<\/th>\nBach, J. S. Dix pr\u00e9ludes de J. S. Bach (tir\u00e9s du clavecin bien temp\u00e9r\u00e9)<\/em>. i
\n<\/em>Transcrits pour harpe par H. Reni\u00e9.
\nParis: L. Rouhier; Gay & Tenton, Successeurs. Copyright 1914 by L. Rouhier. 22 pages. Pl. no. L.R. 376.<\/td>\n<\/tr>\n
folder 8<\/th>\nBach, J. S. Andante from Sonata No. 2 for Unaccompanied Violin<\/em>.
\nTranscribed for harp by Marcel Grandjany.
\nMS repro; 2 pages of music.<\/td>\n<\/tr>\n
folder 9<\/th>\nBach, J. S. Bourr\u00e9e. Tir\u00e9e de la Suite pour vcelle, en ut majeur<\/em>.
\nTranscrite pour harpe par H. Reni\u00e9.
\nParis: Gay & Tenton, c1928. 3 pages. Pl. no. G.T. 479.
\n\u201cSignes d\u2019abr\u00e9viations employ\u00e9s\u201d on a separate leaf.<\/td>\n<\/tr>\n
folder 10<\/th>\nBach, J. S. Gavotte<\/em>.
\nBearbeitung [von] L. M. Magistretti.
\nLeipzig: Jul. Heinr. Zimmermann, c1914. 5 pages. Pl. no. Z. 10118.<\/td>\n<\/tr>\n
folder 11<\/th>\nBach, J. S. Jesu, joy of man\u2019s desiring: the chorale from Cantata No. 147<\/em>.
\nFor harp by May Hogan Cambern, ASCAP.
\nNew York: Michael Cambern, 1964; Carl Fischer, sole selling agent for the world. 4 pages.<\/td>\n<\/tr>\n
folder 12<\/th>\nBach, J. S. Jesu, joy of man\u2019s desiring: the chorale from Cantata no. 147.<\/em>
\nFor harp by May Hogan Cambern.
\nCopyright 1964 by Michael Cambern. 4 pages.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 13<\/th>\nBach, J. S.. Largo: de la 5\u00e8me Sonate de violon.<\/em>
\nAdapt\u00e9 \u00e0 la harpe d\u2019apr\u00e8s la transcription pour piano de C. Saint-Sa\u00ebns.
\nParis: Durand & Cie, c1931. 2 pages of music. Pl. no. D. & F. 12,099.<\/td>\n<\/tr>\n
folder 14<\/th>\nBach, Jean-S\u00e9bastien. Pi\u00e8ce en sol: extraite des PARTITAS<\/em>.
\nTranscription pour harpe par H. Reni\u00e9.
\nParis: Durand & Cie, c1910. 5 pages. Pl. no. D. & F. 7702.<\/td>\n<\/tr>\n
folder 15<\/th>\nBeethoven, Ludwig van. 6 Scozzesi<\/em>.
\nTrascrizione per arpa di Serena Argentin.
\nMilano: Edizioni Musicali La Melodiana, c1983. 5 pages. Pl. no. L. 2055 M.
\nInscription by the arranger on inside front cover.<\/td>\n<\/tr>\n
folder 16<\/th>\nBizet, G. Entr\u2019acte [tir\u00e9 de] L\u2019Arl\u00e9sienne: drame en 3 actes pour harpe.<\/em>
\nTranscription pour harpe par Gabriel Verdalle.
\nParis: Choudens \u00c9diteur, s.d.. 3 pages. Pl. no. A. C. 12519.<\/td>\n<\/tr>\n
folder 17<\/th>\nBond, Carrie Jacobs. I Love You Truly<\/em>.
\nMS repro; 1 page of music.
\nOn the same page: Turra-lurra-lurra.<\/td>\n<\/tr>\n
folder 18<\/th>\nBrahms, Johannes. Valses<\/em>.
\nTranscription par Alys Lautemann.
\nParis: Henry Lemoine & Cie, c1934. 8 pages. Pl. no. 22.709.H.<\/td>\n<\/tr>\n
folder 19<\/th>\nChopin, Fr\u00e9d\u00e9ric. Pr\u00e9ludes<\/em>.
\nTranscrits poru harpe par H. Reni\u00e9.
\nParis: Gay and Tenton, c1928. 3 pages. Pl. no. G. T. 470.
\nThis publication comprised solely of No. 2 in G major.<\/td>\n<\/tr>\n
folder 20<\/th>\nChopin, Fr\u00e9d\u00e9ric. C\u00e9l\u00e8bre Valse de Chopin<\/em>, op. 64, no. 1.
\nTranscrite pour la harpe par A. Hasselmans.
\nParis: Ulysse T. du Wast & Lacombe, \u00c9diteurs, s.d.. 5 pages. Pl. no. U.
\nT. W. 207.<\/td>\n<\/tr>\n
folder 21<\/th>\nCorelli, Arcangelo. Giga: for harp<\/em>.
\nTranscribed for harp by Carlos Salzedo.
\nNew York: G. Schirmer, Inc., c1923. 5 pages. Pl. no. 31386.<\/td>\n<\/tr>\n
folder 22<\/th>\nCouperin, F. Tic-Toc-Choc, ou, Les maillotins.<\/em>
\nTranscrit pour harpe par H. Reni\u00e9.
\nParis: Gay & Tenton, c1928. 3 pages. Pl. no. G.T. 480.<\/td>\n<\/tr>\n
folder 23<\/th>\nDaquin, C. La M\u00e9lodieuse<\/em>.
\nTranscrit pour harpe par H. Reni\u00e9.
\nParis: Gay & Tenton, c1928. 2 pages of music. Pl. no. G. T. 476.<\/td>\n<\/tr>\n
folder 24<\/th>\nDebussy, Claude. Premi\u00e8re Arabesque.<\/em>
\nTranscription pour harpe par H. Reni\u00e9.
\nParis: A. Durand & Fils, c1906. 7 pages. Pl. no. D. & F. 6747.
\nAnnotated in pencil; covers lacking.<\/td>\n<\/tr>\n
folder 25<\/th>\nDebussy, Claude. Premi\u00e8re Arabesque.<\/em>
\nTranscription pour harpe par H. Reni\u00e9.
\nParis: A. Durand & Fils, c1906. 7 pages. Pl. no. D. & F. 6747.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 26<\/th>\nDebussy, Claude. Deuxi\u00e8me Arabesque.<\/em>
\nTranscription pour harpe par H. Reni\u00e9.
\nParis: A. Durand & Fils, c1906. 7 pages. Pl. no. D. & F. 6748.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 27<\/th>\nDebussy, Claude. Deuxi\u00e8me Arabesque.<\/em>
\nTranscription pour harpe par H. Reni\u00e9.
\nParis: A. Durand & Fils, c1906. 7 pages. Pl. no. D. & F. 6748.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 28<\/th>\nDebussy, Claude. Clair de lune<\/em>. Extrait de la \u201cSuite bergamasque\u201d.
\nTranscription pour harpe par Victor Coeur.
\nParis: Jean Jobert, c1929. 7 pages. Pl. no. J. J. 393.
\nCopy wanting: significantly worn.<\/td>\n<\/tr>\n
folder 29<\/th>\nDebussy, Claude. En Bateau<\/em>. Extrait de la Petite Suite.
\nTranscription pour harpe par H. Reni\u00e9.
\nParis: A. Durand & Fils, c1908. 7 pages. Pl. no. D. & F. 7110.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 30<\/th>\nDebussy, Claude. En Bateau<\/em>. Extrait de la Petite Suite.
\nTranscription pour harpe par H. Reni\u00e9.
\nParis: A. Durand & Fils, c1908. 7 pages. Pl. no. D. & F. 7110.
\nUnmarked copy.<\/td>\n<\/tr>\n
folder 31<\/th>\nDebussy, Claude. Jardins sous la pluie.<\/em> Extrait des Estampes.
\nTranscrit pour harpe par Alys Lautemann.
\nParis: A. Durand & Fils, c1928. 11 pages. Pl. no. D. & F. 11.497.<\/td>\n<\/tr>\n
folder 32<\/th>\nDebussy, Claude. La Fille aux cheveux de lin<\/em>. Extrait du 1er livre des Pr\u00e9ludes pour piano.
\nTranscrit pour harpe par Marcel Grandjany.
\nParis: A. Durand & Fils, c1910. 3 pages. Pl. no. D. & F. 7687.
\nFront cover lacking.<\/td>\n<\/tr>\n
folder 33<\/th>\nDebussy, Claude. Valse Romantique<\/em>.
\nAdaptation pour harpe de Lily Laskine.
\nParis: J. Jobert, c1924. 7 pages. Pl. no. J. J. 249.<\/td>\n<\/tr>\n
folder 34<\/th>\nDe Rose, Peter. Deep Purple<\/em>.
\nHarp transcription by E. Vito.
\nMS repro; 6 pages of music.<\/td>\n<\/tr>\n
folder 35<\/th>\nDubois, Th.. Stella Matutina<\/em>.
\nTranscription pour harpe par H. Reni\u00e9.
\nParis: Alphonse Leduc. 5 pages. Pl. no. A. L. 9545.
\nNo. 18 from 20 pi\u00e8ces nouvelles<\/em>.<\/td>\n<\/tr>\n
folder 36<\/th>\nEllington\/Fell. Mozart Intro to Satin Doll<\/em>; and, Satin Doll.
\nMS repro; 5 pages of music.
\nArranger: Fell.
\nN.B. The first four measures are borrowed from Mozart\u2019s Piano Sonata no. 16 in C major, K. 545.<\/span><\/td>\n<\/tr>\n
folder 37<\/th>\nFaur\u00e9, Gabriel. Sicilienne<\/em>, op. 78.
\nTranscription pour harpe par Micheline Kahn.
\nParis: J. Hamelle, s.d. Pl. no. J. 6605. H. 5 pages.<\/td>\n<\/tr>\n
folder 38<\/th>\nFell. Memory from \u201cCats\u201d; and, Autum [sic] Leaves<\/em>.
\nMS repro; 2 pages of music (each respective title one page).
\nArranger: E. Fell.<\/td>\n<\/tr>\n
folder 39<\/th>\nFroberger, Johann Jakob. Dances and Toccata<\/em>.
\nArranged (from the original keyboard pieces) for harp solo by Ze\u2019ev W. Steinberg.
\nMS repro; 9 pages.
\nCopyright 1980 by Z. W. Steinberg.
\nTwo copies: one unmarked; the other copy bears vendor\u2019s stamp on title page indicating printed for retail sale.<\/td>\n<\/tr>\n
folder 40<\/th>\nGodard, Benjamin. Jocelyn: c\u00e9l\u00e8bre Berceuse<\/em>.
\nTranscription pour harpe par Gabriel Verdalle.
\nParis: Choudens, s.d. 4 pages. Pl. no. A. C. 12525.<\/td>\n<\/tr>\n
folder 41<\/th>\nGould, Morton. Pavanne [sic]: second movement<\/em>.
\nTrans. Edw. Vito.
\nMS repro; 4 pages of music.
\n\u201cTurning to music of our own country, Edward Vito offers us next his own transcription of a familiar favorite by Morton Gould . . . the Pavane from the American Symphonette No. 2.\u201d\u2014on first page of music.<\/td>\n<\/tr>\n
folder 42<\/th>\nGretchaninoff, A. Souvenir du Bal (Remembrance of the Ball)<\/em>, op. 168, no. 5.
\nEdited and fingered by Marcel Grandjany.
\nMS repro; 2 pages of music.<\/td>\n<\/tr>\n
folder 43<\/th>\nGr\u00fcber, Franz. Silent Night, Holy Night<\/em>.
\nArranged for harp by Maudetta Martin Joseph.
\nBoston: Boston Music Co., c1925. 3 pages. Pl. no. B.M. Co. 7055-2.<\/td>\n<\/tr>\n
folder 44<\/th>\nH\u00e4ndel, G.-F. Chaconne: en ut majeur.<\/em>
\nTranscrite pour la harpe par Henrik Boye.
\nParis: Henry Lemoine & Cie, c1950. 8 pages. Pl. no. 23 433 HL.<\/td>\n<\/tr>\n
folder 45<\/th>\nH\u00e4ndel, G.-F. Chaconne: en ut majeur<\/em>.
\nTranscrite pour la harpe par Henrik Boye.
\nParis: Henry Lemoine & Cie, c1950. 8 pages. Pl. no. 23 433 HL.<\/td>\n<\/tr>\n
folder 46<\/th>\nHandel, G.-F. Concerto en si b\u00e9mol<\/em>.
\nTranscription pour harpe seule et cadence originale de Marcel Grandjany.
\nParis: Durand & Cie, c1933. 16 pages. D. & F. 12329.
\nAnnotated in pencil; markedly worn. Front and back covers lacking.<\/td>\n<\/tr>\n
folder 47<\/th>\nHandel, G.-F. Concerto en si b\u00e9mol<\/em>.
\nTranscription pour harpe seule et cadence originale de Marcel Grandjany.
\nParis: Durand & Cie, c1933. 16 pages. D. & F. 12329.
\nAnnotated in pencil; copy less worn than that housed in folder 46.<\/td>\n<\/tr>\n
folder 48<\/th>\nH\u00e4ndel, G.-F. Passacaglia<\/em>.
\nBearbeitung [von] L. M. Magistreei.
\nLeipzig: Jul. Heinr. Zimmermann, c1914. 4 pages of music. Pl. no. Z. 10120.<\/td>\n<\/tr>\n
folder 49<\/th>\nHandel, G.-F. Passacaille<\/em>.
\nTranscription pour la harpe par Tiny B\u00e9on.
\nParis: Louis Rouhier, s.d.. 3 pages. Pl. no. L. R. 275.
\nMarkedly worn.<\/td>\n<\/tr>\n
folder 50<\/th>\nHass, Adolf. Russian Folk Melody<\/em> (Song of the Boatmen of Volga<\/em>).
\nTranscription for harp solo by Adolf Hass.
\nNew York: International Music Publishing Co., c1922. 6 pages of music. Pl. no. H. S. 41.<\/td>\n<\/tr>\n
folder 51<\/th>\nHaydn. Romance<\/em> [in D major].
\n[? Transcribed by M. Grandjany.]
\nMS repro; 2 pages of music.
\nStamped \u201cM. GRANDJANY\u201d in caption of first page of music.<\/td>\n<\/tr>\n
folder 52<\/th>\nHaydn, Josef. Theme and Variations<\/em>.
\nTranscribed for harp by Carlos Salzedo.
\nNew York: Composers\u2019 Music Corporation, c1923. 7 pages. Pl. no. 784-5.<\/td>\n<\/tr>\n
folder 53<\/th>\n[Herbert, Victor.] I\u2019m falling with love with someone<\/em>.
\nFrom the operetta Naughty Marietta<\/em>.
\nInk MS; 2 pages of music.<\/td>\n<\/tr>\n
folder 54<\/th>\nJabor, Najla. Estudo Para 3.o ,4.o e 5.o dedos, contendo um Samba<\/em>.
\nTranscri\u00e7\u00e3o para harpa de Lea Bach.
\nS\u00e3o Paolo: Ricordi Brasileira, c1974. 4 pages. Pl. no. RB 0310.<\/td>\n<\/tr>\n
folder 55<\/th>\nLoeillet, J. B. Toccata<\/em>.
\n[Transcription] par Marcel Grandjany.
\nParis: \u00c9ditions Maurice Senart, s.d.. 4 pages. Pl. no. E. M. S. 7378.
\nNo. 1 in the publisher\u2019s series Transcriptions classiques pour harpe by Marcel Grandjany.<\/td>\n<\/tr>\n
folder 56<\/th>\nMiller, Marie, trans.. Chanson de Guillot-Martin<\/em>.
\nTranscribed for harp by Marie Miller (1924); harmonized by A. P\u00e9rilhou.
\nNew York: Composers\u2019 Music Corporation, c1925. 5 pages. Pl. no. 891-4.<\/td>\n<\/tr>\n
folder 57<\/th>\nMilligan, Sam, trans.. Three Traditional Welsh Melodies.<\/em>
\nArranged for harp by Sam Milligan.
\nMS repro; 4 pages of music.
\nI. Breuddwyd y Frenhines \u2014 II. Craig y Tyle \u2014 III. Llwyn Cnn.<\/td>\n<\/tr>\n
folder 58<\/th>\nMozart, W.A.. Menuet: from \u201cDon Giovanni<\/em>\u201d (Don Juan).
\nEdited and fingered for harp by Nina S. Miller.
\nNew York: Belwin, Inc. Incomplete; only pages 3-4 prsent.<\/td>\n<\/tr>\n
folder 59<\/th>\nNevin, Ethelbert. Mighty Lak\u2019a Rose<\/em>.
\nTranscribed by Davis-Mather.
\nInk MS; 2 pages of music.<\/td>\n<\/tr>\n
folder 60<\/th>\nParet, Betty, arr.. Londonderry Air<\/em>.
\nEarly Irish air; arranged for harp or Irish harp by Betty Paret.
\nNew York: Sprague-Coleman, c1939. 1 page of music. Pl. no. 107.<\/td>\n<\/tr>\n
folder 61<\/th>\nPillois, Jacques. Deux Pi\u00e8ces<\/em>.
\nTranscription pour harpe \u00e0 p\u00e9dales par Marcel Grandjany.
\nParis: \u00c9ditions Maurice Senart, c1928. 7 pages. Pl. no. E. M. S. 7758.
\nI. Lully \u2014 II. Faur\u00e9.<\/td>\n<\/tr>\n
folder 62<\/th>\nPinto, A. Francis. Six Popular Hymns<\/em>.
\nTranscribed for the small and large harp by A. Francis Pinto.
\nNew York: International Music Publishing Co., c1902. 4 pages of music.
\nLead, kindly light \u2014 Jesus, love of my soul \u2014 Rock of ages \u2014 Holy, holy, holy \u2014 Abide with me \u2014 Onward, Christian soldiers.
\nTipped in within the above-cited publication<\/em>:
\nFreeman, James J. Nearer my God to Thee<\/em>: fantasia de concert.
\nCopyright 1902 by Richard A. Saalfield. 3 pages of music.
\n\u201cMusical Supplement to the New York Sunday Press<\/em>, Sunday, February 2d, 1902\u201d\u2014on title page.<\/td>\n<\/tr>\n
folder 63<\/th>\nRameau, J. Ph.. Musette (Indes Galantes.)<\/em>
\nTranscrit pour harpe par H. Reni\u00e9.
\nParis: Gay & Tenton, c1928. 3 pages. Pl. no. G. T. 471.
\nOne in the publisher\u2019s series of Transcriptions classiques pour harpe<\/em> by Henriette Reni\u00e9.<\/td>\n<\/tr>\n
folder 64<\/th>\nSamazeuilh, Gustave. S\u00e9r\u00e9nade<\/em>.
\nVersion pour harpe \u00e0 p\u00e9dales par l\u2019auteur.
\nParis: A. Durand & Fils, c1927. 5 pages. Pl. no. D. & F. 11,093.
\nOriginally for guitar.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nSammartini, G. B.. Allegro.
\n<\/em>Free transcription by Marcel Grandjany.
\nMS repro; 2 pages of music.
\nAt end: Taliesin \/ August 1948.<\/td>\n<\/tr>\n
folder 2<\/th>\nScarlatti. Pastorale<\/em>.
\nTranscrite pour harpe par H. Reni\u00e9.
\nParis: Gay & Tenton, c1928. 3 pages. Pl. no. G. T. 483.
\nOne in the publisher\u2019s series of Transcriptions classiques pour harpe<\/em> by Henriette Reni\u00e9.<\/td>\n<\/tr>\n
folder 3<\/th>\nScarlatti, Domenico. Sonata in Re maggiore<\/em>.
\nTrascrizione per arpa di Serena Argentin.
\nMilano: Edizioni Musicali La Melodiana, s.d.. 4 pages. Pl. no. L. 2056 M.
\nInscription by the arranger on inside front cover.<\/td>\n<\/tr>\n
folder 4<\/th>\nSchobert, Jean. Andante<\/em>.
\nTranscription pour harpe par Marcel Grandjany.
\nParis: \u00c9ditions Maurice Senart, c1930. 3 pages. Pl. no. E. M. S. 8204.
\nOne in the publisher\u2019s series of Transcriptions Classiques pour harpe<\/em> by Marcel Grandjany.<\/td>\n<\/tr>\n
folder 5<\/th>\nSchumann, R.. Tr\u00e4umerei<\/em>, op. 15, no. 7.
\nHarp solo arranged by Lewis G. Hunter.
\nNew York: Belwin, Inc., s.d.. 3 pages. Pl. no. Conc. Harp No. 10-2.<\/td>\n<\/tr>\n
folder 6<\/th>\nSuriani, Alberta. Partita<\/em>.
\nBologna: Edizioni Bongiovanni, c1953. 8 pages. Pl. no. F. 2353 B.
\n\u201cPartita da antiche danze ed arie per liuto di autori anonimi del sec. XVIIo. Elaborate e trascritte per arpa.\u201d\u2014in caption on first page of music.<\/td>\n<\/tr>\n
folder 7<\/th>\nWagner, Richard. Die Walk\u00fcre.<\/em>
\nArr. Marcel Grandjany for one harp.
\nMS repro; 3 pages of music.<\/td>\n<\/tr>\n
folder 8<\/th>\nAnonymous. Loch Lomond<\/em>.
\nMS repro; 1 page of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series C: Two harps<\/em><\/span><\/p>\n

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folder 9<\/th>\nPoenitz, Franz. Spunkhafte Gavotte<\/em>, op. 75.
\nZu einem Gedichte von Heinrich Heine.
\nLeipzig: Jul. Heinr. Zimmermann, c1907. Pl. no. Z. 4555. Two parts present (I. Harpe, II. Harfe).<\/td>\n<\/tr>\n
folder 10<\/th>\nRogers, Van Veachton. Barcarole,<\/em> op. 17.
\nNew York: Carl Fischer, c1916. Pl. no. 19647-2.
\nTwo parts present (Solo Harp; Second Harp (or Piano)).<\/td>\n<\/tr>\n
folder 11<\/th>\nRogers, Van Veachton. Serenade<\/em>, op. 26.
\nNew York: Carl Fischer, c1916.
\nOnly the Second Harp (or Piano) part present; Solo Harp part lacking.<\/td>\n<\/tr>\n
folder 12<\/th>\nTournier, Marcel. Quatre Pr\u00e9ludes,<\/em> op. 16. Pour deux harpes.
\nParis: Gay & Tenton, s.d.. 13 pages of music. Pl. no L. R. 421.
\nThe parts for both 1\u00e8re Harpe and 2de Harpe present in one publication.
\nPr\u00e9lude No. 1. \u2014 Pr\u00e9lude No. 2.<\/td>\n<\/tr>\n
folder 13<\/th>\nTournier, Marcel. Quatre Pr\u00e9ludes<\/em>. Pour deux harpes.
\nParis: Gay & Tenton, s.d.. 13 pages. Pl. no. L. R. 422.
\nThe parts for both 1\u00e8re Harpe and 2de Harpe present in one publication.
\nPr\u00e9lude No. 3. \u2014 Pr\u00e9lude No. 4.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series D: Two harps\u2014arrangements and transcriptions<\/em><\/span><\/p>\n

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folder 14<\/th>\nBach, J. S. Gavottes I et II<\/em>: de La suite pour orchestre en r\u00e9 majeur.
\nTranscription par Pierre Bertheaume.
\nParis: Rue M. Senart, B. Roudanez & Cie, s.d.. Pl. no. S.R. et Cie. 2834.
\nTwo parts present.
\nOne in the publisher\u2019s series of Transcriptions classiques pour 2 harpes chromatiques ou 2 pianos<\/em> by Pierre Bertheaume.<\/td>\n<\/tr>\n
folder 15<\/th>\nCall, M. Harp Ensemble<\/em>.
\nArranged M. Call, March, 1968.
\nMS repro; 4 pages of music.
\nTwo parts present (for Hp I and Hp II).<\/td>\n<\/tr>\n
folder 16<\/th>\nGluck, J. Chr.. Gavotte<\/em>.
\nTranscription par Pierre Bertheaume.
\nParis: M. Senart, B. Roudanez & Cie, s.d.. Pl. no. S. R. et Cie. 2840.
\nIncomplete; only the 1e. Harpe part present.
\nOne in the publisher\u2019s series of Transcriptions classiques pour 2 harpes chromatiques ou 2 pianos<\/em> by Pierre Bertheaume.<\/td>\n<\/tr>\n
folder 17<\/th>\nGranados, Enrique. Spanish Dance No. 5<\/em>.
\nTranscribed for two or multiple harps by Carlos Salzedo. 12 pages.
\nNew York: Southern Music, c1966. Pl. no. 973-10.
\nThe parts for Harp I and Harp II printed together in one publication.<\/td>\n<\/tr>\n
folder 18<\/th>\nHaydn, Jos.. Menuet en R\u00e9: de la 14e symphonie<\/em>.
\n[Transcription pour Pierre Bertheaume.]
\nParis: M. Senart, B. Roudanez & Cie. 3 pages. Pl. no. S. R. et Cie. 2833.
\nIncomplete; only the 2de Harpe part present.
\nOne in the publisher\u2019s series of Transcriptions classiques pour 2 harpes <\/em>chromatiques ou 2 pianos<\/em> by Pierre Bertheaume.
\nAccompanied by a copy of the 1st Harpe part for this Menuetto from a different publication (bearing plate no. 5163)<\/td>\n<\/tr>\n
folder 19<\/th>\nHaydn, Jos.. Menuet en Sol: de la 6e symphonie<\/em>.
\nTranscription par Pierre Bertheaume.
\nParis: M. Senart, B. Roudanez & Cie, s.d.. Pl. no. S. R. et Cie. 2832.
\nIncomplete; only the 1e. Harpe part present.
\nOne in the publisher\u2019s series of Transcriptions classiques pour 2 harpes chromatiques ou 2 pianos<\/em> by Pierre Bertheaume.
\nAccompanied by scribal MS copies of both the 1e. Harpe part and the 2de Harpe part (presumably corresponding to the Bertheaume transcription).<\/td>\n<\/tr>\n
folder 20<\/th>\nRameau, Jean-Philippe. La Joyeuse<\/em>.
\nMS repro; two parts present (Harp I and Harp II).<\/td>\n<\/tr>\n
folder 21<\/th>\nUnknown. Pavane.<\/em>
\nTranscribed for two parts by Carlos Salzedo.
\nMS repro; 1 page of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series E: Harp and voice<\/em><\/span><\/p>\n

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folder 22<\/th>\nMourant, Walter. Cupid<\/em>.
\nMS repro; 4 pages of music. Two copies.
\nFor harp and soprano; text by William Blake.
\nMusic copyright 1977 by Walter Mourant.
\nAccompanied by a cover note (August 24, 1981) from the composer.<\/td>\n<\/tr>\n
folder 23<\/th>\nMourant, Walter. I Love Him<\/em>.
\nMS repro; 3 pages of music. Two copies.
\nCopyright 1976 by Walter Mourant.
\nText by Barry Cornwall.<\/td>\n<\/tr>\n
folder 24<\/th>\nMourant, Walter. Is my Lover on the Sea?<\/em>
\nMS repro; 3 pages of music. Two copies.
\nCopyright 1976 by Walter Mourant.
\nText by Barry Cornwall.<\/td>\n<\/tr>\n
folder 25<\/th>\nMourant, Walter. Japanese Fan<\/em>.
\nMS repro; 3 pages of music.
\nText by Margaret Veyel.
\nMusic copyright 1979 by Walter Mourant.
\n\u201cFor Ann Preston\u201d\u2014in caption on first page of music.<\/td>\n<\/tr>\n
folder 26<\/th>\nMourant, Walter. Love me if I Live<\/em>.
\nMS repro; 2 pages of music. Two copies.
\nCopyright 1976 by Walter Mourant.
\nText by Barry Cornwall.
\nAccompanied by cover letter (Oct. 13th, 1977) from the composer.<\/td>\n<\/tr>\n
folder 27<\/th>\nMourant, Walter. Love\u2019s Secret.
\nMS repro; 3 pages of music.
\nCopyright 1977 by Walter Mourant.
\nText by William Blake.<\/td>\n<\/tr>\n
folder 28<\/th>\nRickard, Jeffrey H. Afternoon on a Hill.<\/em>
\nMS repro; 5 pages of music.
\nText by Edna St. Vincent Millay.<\/td>\n<\/tr>\n
folder 29<\/th>\nRickard, Jeffrey H. The Penitent<\/em>.
\nMS repro; 7 pages of music.
\nText by Edna St. Vincent Millay.<\/td>\n<\/tr>\n
folder 30<\/th>\nRickard, Jeffrey H. Thursday<\/em>.
\nMS repro; 5 pages of music.
\nText by Edna St. Vincent Millay.<\/td>\n<\/tr>\n
folder 31<\/th>\n[Speaks, Oley] On the Road to Mandalay<\/em>.
\nCopyist\u2019s MS in ink; 3 pages of music.<\/td>\n<\/tr>\n
folder 32<\/th>\nYeh, H.D. Ariel\u2019s Song<\/em>.
\nMS repro; 4 pages of music.
\nFor soprano with piano or harp.
\nText from William Shakespeare\u2019s The Tempest<\/em>.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series F: Harp and flute<\/em><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1603992928335{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 33<\/th>\nAndr\u00e8s, Bernard. Narthex<\/em>.
\nParis: \u00c9ditions Musicales Hortensia, c1978.
\nTwo parts present.<\/td>\n<\/tr>\n
folder 34<\/th>\nBusser, Henri. Les Cygnes<\/em>.
\nParis: Alphonse Leduc, c1927. 4 pages of music. Pl. no. A. L. 17,225.
\nTwo parts present.
\nNo. 1 from Deux morceaux pour fl\u00fbte et harp ou piano.<\/em><\/td>\n<\/tr>\n
folder 35<\/th>\nCras, Jean. Suite en duo:<\/em> pour fl\u00fbte et harp, ou violon et piano.
\nParis: \u00c9ditions Maurice Senart, c1927. Pl. no. E. M. S. 7389-7390.
\nScore (harpe ou piano, et fl\u00fbte) and flute part present.<\/td>\n<\/tr>\n
folder 36<\/th>\nDamase, Jean-Michel. Sonate pour fl\u00fbte et harpe.<\/em>
\nParis: Henry Lemoine & Cie, c1964. Pl. no. 24 120 HL.
\nTwo parts present.<\/td>\n<\/tr>\n
folder 37<\/th>\nDebussy, Claude. En Bateau<\/em>.
\nCopyist\u2019s MS in pencil; two parts present.
\nFrom the Petite suite<\/em>.
\nAccompanied by a published copy of the violoncelles part from the orchestration by H. Mouton (pl. no. D & F. 7348).<\/td>\n<\/tr>\n
folder 38<\/th>\nInghelbrecht, D. E. Sonatine: en trois parties.
\n<\/em>Pour fl\u00fbte et harp ou piano. Paris: Alphonse Leduc & Cie, c1920. Pl. no. A. L. 16.052.
\nTwo parts present.
\nI. Pr\u00e9ambule \u2014 II. Sicilienne \u2014 III. Rondes.<\/td>\n<\/tr>\n
folder 39<\/th>\nInghelbrecht, D. E. Sonatine<\/em>.
\nParis: Alphonse Leduc, c1920. Pl. no. A. L. 16.052.
\nScore (harp ou piano, et fl\u00fbte) and part (fl\u00fbte) present.<\/td>\n<\/tr>\n
folder 40<\/th>\nKechley, David. Sonata for flute and harp<\/em>. \u2014 March, 1970; revised 1974
\nScore. MS repro; 39 pages.
\n\u201cWritten for Jerilee Taverniti and Motter Forman\u201d\u2014on front cover.
\nAccompanied by cover letter (December 31, 1974) from the composer.<\/td>\n<\/tr>\n
folder 41<\/th>\nMozart, W. A.. Konzert f\u00fcr Fl\u00f6te und Harfe, C dur<\/em>.
\nLeipzig: Breitkopf and H\u00e4rtel, s.d. Pl. no. Orch.B. 555.
\nSolo harp part only.<\/td>\n<\/tr>\n
folder 42<\/th>\nMozart. Konzert f\u00fcr Fl\u00f6te und Harfe mit Orchester.<\/em>
\nBearbeitung [f\u00fcr Klavier] von Karl Burchard.
\nLeipzig: Edition Breitkopf, s.d.. 35 pages. Pl. no. 16065.
\nMarkedly worn.
\nAccompanied by the following:<\/em>
\nKadenz zum ersten Satze des Konzertes f\u00fcr Fl\u00f6te und Harfe von W. A. Mozart (K.V. No. 299), componiert von Carl Reinecke.
\nEdition Breitkopf Nr. 3095a. ! Incomplete. Pl. no. 17081.
\nHarp part for the same Concerto.
\n[Leipzig:] Breitkopf u. H\u00e4rtel, s.d.
\n16 pages. Pl. no. Orch. B. 5555.<\/td>\n<\/tr>\n
folder 43<\/th>\nPersichetti, Vincent. Serenade No. 10.<\/em> For flute and harp.
\nPhiladephia: Elkan-Vogel Co., Inc., c1961.
\nTwo parts present.<\/td>\n<\/tr>\n
folder 44<\/th>\nWen-Chung, Chou. Three Folksongs for harp and flute.<\/em>
\nEdited by Carlos Salzedo.
\nComposers Facsimile Edition, copyright 1955.
\nTwo parts present.<\/td>\n<\/tr>\n
folder 45<\/th>\nWilley, James. Duo for flute and harp<\/em>. \u2014 1976
\nScore. MS repro; 25 pages of music.
\n\u201cCommissioned by the New York State Music Teachers Association\u201d\u2014on title page.
\nAt end: Completed Aug. 76 \/ Johnson, Vt.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series G: Harp and flute\u2014arrangements and transcriptions<\/em><\/span><\/p>\n

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folder 46<\/th>\nBizet, Georges. Carmen<\/em>.
\nArrang\u00e9 pour fl\u00fbte et harpe avec 2e fl\u00fbte (ad libitum) par Ch. Delsaux.
\nParis: Choudens, c1922. Pl. no. A.C. 15,723.
\nThree parts present (1\u00e8re fl\u00fbte, 2e fl\u00fbte, harpe).<\/td>\n<\/tr>\n
folder 47<\/th>\nJamet, Marie-Claire. Trois Cadences pour le Concerto pour fl\u00fbte et harpe de Mozart, KV 299.<\/em>
\nParis: Alphonse Leduc & Cie, c1981. Pl. no. A. L. 25.916.
\nTwo parts present.<\/td>\n<\/tr>\n
folder 48<\/th>\nNielsen, Carl. Taagen letter (The Fog is Lifting)<\/em>, op. 41.
\nFrom Heige Rode\u2019s play \u201cThe Mother\u201d.
\nArr. for flute and piano or harp by Edwin Nielsen. Copenhagen: Wilhelm Hansen, c1952. 2 pages. Pl. no. 27023.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series H: Harp and piano
\n(including piano reductions of harp concertos)<\/em><\/span><\/p>\n

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folder 49<\/th>\nDamase, Jean-Michel. Double Concerto<\/em>: pour fl\u00fbte et harpe (ou clavecin) et orchestre \u00e0 cordes.
\nParis: Editions Musicales Transatlantiques, c1978. Pl. no. E. M. T. 1286.
\nScore (37 pages) and solo part (12 pages) present.
\n\u201cR\u00e9duction fl\u00fbte et harpe ou clavecin\u201d\u2014on front cover.<\/td>\n<\/tr>\n
folder 50<\/th>\nDebussy, Claude. Danses<\/em>. Pour harpe chromatique ou piano; avec accompt. d\u2019orchestre d\u2019instrument \u00e0 cordes.
\nParis: A. Durand & Fils, c1904. Pl. no. D. & F. 6429.
\nScore for 1er piano (principal) and 2d piano (r\u00e9duction de l\u2019orchestre).
\nI. Danse sacr\u00e9e \u2014 II. Danse profane.
\nTwo copies present.<\/td>\n<\/tr>\n
folder 51<\/th>\nDebussy, Claude. Danses<\/em>. Pour harpe chromatique ou piano; avec accompt. d\u2019orchestre d\u2019instrument \u00e0 cordes.
\nParis: A. Durand & Fils, c1904. Pl. no. D. & F. 6429.
\nScore for 1er piano (principal) and 2d piano (r\u00e9duction de l\u2019orchestre).
\nI. Danse sacr\u00e9e \u2014 II. Danse profane.
\nOne copy present, markedly more worn than those in folder 50.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nDeltour, Emile. Concertino in Jazz.
\n<\/em>For harp and piano.
\nScore and arrangement for the harp by David Bee.
\nBruxelles: Editions Bizet, c1965. 39 pages.<\/td>\n<\/tr>\n
folder 2<\/th>\nDubois, Th\u00e9odore. Fantaisie pour harpe et orchestre.<\/em>
\nR\u00e9duction pour harpe et piano par l\u2019auteur.
\nParis: Heugel et Cie, c1903. 33 pages. Pl. no. H. et Cie. 21,478.<\/td>\n<\/tr>\n
folder 3<\/th>\nInghelbrecht, D. E. Ballade dans le go\u00fbt irlandais.<\/em>
\nPour harpe et orchestre; version harpe et piano.
\nParis: \u00c9ditions Salabert, c1950. 16 pages. Pl. no. E. & S. 15.220.
\nComprised of two copies.<\/td>\n<\/tr>\n
folder 4<\/th>\nJolivet, Andr\u00e9. Concerto pour harpe et orchestre de chambre<\/em>.
\nR\u00e9duction pour harpe et piano.
\nParis: Pierre No\u00ebl, c1952. 37 pages. Pl. no. P. N. 6.152.
\n\u201cMorceau de concours du Conservatoire National, Paris 1952\u201d\u2014on front cover.<\/td>\n<\/tr>\n
folder 5<\/th>\nJolivet, Andr\u00e9. Concerto pour Harpe et Orchestre de Chambre<\/em>.
\nParis: G\u00e9rard Billaudot, c1952. 37 pages. Pl. no. P.N. 6.152.
\n\u201cR\u00e9duction pour harp et piano\u201d\u2014on front cover.
\n\u201cMorceau de concours du Conservatoire National Paris 1952\u201d\u2014on front cover.<\/td>\n<\/tr>\n
folder 6<\/th>\nMcDonald, Harl. Suite \u201cFrom Childhood.<\/em>\u201d
\nFor harp and orchestra; reduction for harp and piano.
\nPhiladelphia: Elkan-Vogel, c1942, 1941.
\nScore (58 pages) and harp part (19 pages).<\/td>\n<\/tr>\n
folder 7<\/th>\nRavel, Maurice. Introduction and Allegro.
\n<\/em>Pour harpe avec acct. de quatuor \u00e0 cordes, fl\u00fbte et clarinette.
\nTranscription \u00e0 2 pianos par l\u2019auteur.
\nParis: A. Durand and Fils, c1906. 25 pages. Pl. no. D. & F. 6811.
\nMarkedly worn.<\/td>\n<\/tr>\n
folder 8<\/th>\nReni\u00e9, Henriette. Les Pins de Charlannes<\/em>.
\nPetite pi\u00e8ce tr\u00e9s facile pour la harpe, sans p\u00e9dales, avec piano ou seconde harpe.
\nParis: Alphonse Leduc, c1940. 5 pages. Pl. no. A. L. 19,923.<\/td>\n<\/tr>\n
folder 9<\/th>\nWidor, Ch. M. Choral et Variations.
\n<\/em>Pour harpe et orchestre; r\u00e9duction pour harpe et piano.
\nParis: Heugel & Cie, c1927. Pl. no. H. et Cie. 20063.
\nScore (27 pages) and harp part (19 pages).<\/td>\n<\/tr>\n
folder 10<\/th>\nWidor, Ch. M. Choral et Variations<\/em>.
\nPour harpe et orchestre; r\u00e9duction pour harpe et piano.
\nParis: Heugel & Cie, c1927. Pl. no. H. et Cie. 20063.
\nHarp part (19 pages).
\nMarkedly worn.
\nN.B. Miss Malone was the featured soloist in a performance of this work by the Eastman School Orchestra (Samuel Belov, conductor) on April 15th, 1929.<\/span><\/td>\n<\/tr>\n
folder 11<\/th>\nWilley, James. Commentary IV.
\n<\/em>For harp and piano, on William Billings\u2019 \u201cMendon\u201d.
\nMS repro; 18 pages of music.
\n\u201cTo the memory of Dr. Eugene Selhorst\u201d\u2014on front cover.
\n\u201cWritten for Joseph and Barbara Dechario\u201d\u2014on front cover<\/td>\n<\/tr>\n
folder 12<\/th>\n\u00a0Zabel, Albert. Concerto en Do-mineur pour harpe<\/em>, op 35: avec accopagnement d\u2019orchestre ou piano.
\nLeipzig: Jul. Heinr. Zimmermann, c1904. Pl. no. Z. 3994.
\nPiano score (31 pages) and solo harp part (incomplete; only pages 13-20 present).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series I: Harp and piano\u2014arrangements and transcriptions<\/em><\/span><\/p>\n

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folder 13<\/th>\nChabrier, Emmanuel. Habanera<\/em>.
\nTranscription pour piano (ou harpe) et harpe par H. Reni\u00e9.
\nParis: Enoch & Cie, s.d.. Pl. no. E. F. & C. 2419. H.
\nTwo parts present; harp part incomplete.<\/td>\n<\/tr>\n
folder 14<\/th>\nSchaefer, Albert. Harfen-Vorspiel \u00fcber Mozart\u2019s Ave verum corpus.<\/em>
\nBerlin: Carl Simon Musikverlag, s.d.. Pl. no. C. S. 1831.
\nTwo parts present (Harfe (Klavier) and Harmonium (Klavier II)).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series J: Harp and organ<\/em><\/span><\/p>\n

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folder 15<\/th>\nGrandjany, Marcel. Aria (in classic style,)<\/em>, op. 19.
\nMS repro; 8 pages of music.
\nCopyright 1944 by Edward B. Marks Music Corp.<\/td>\n<\/tr>\n
folder 16<\/th>\nWiegand, Auguste. The harp of St. Cecilia (La Harpe de Ste. C\u00e9cile)<\/em>.
\nM\u00e9lodie r\u00e9ligieuse. Arrangement for organ and harp (or piano).
\nBirmingham, England: J. Fischer and Bro., c1904. Pl. no. J. F. & B. 2552\u20443- 4.
\nScore (9 pages) and Piano or Harp part (5 pages).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series K: Harp and electronics<\/em><\/span><\/p>\n

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folder 17<\/th>\nNelson, Peter. Shadowdance.<\/em>
\nMS repro; 10 pages of music.
\nAt end: Boston 10th-17th July \/ 1982.
\nAccompanied by copy of memorandum (April 14, 1983) from Professor Allan Schindler.
\nSEPARATED TO OVERSIZED.<\/strong><\/em><\/td>\n<\/tr>\n
folder 18<\/th>\nTal, Josef. Concerto for Harp and Electronics<\/em>.
\nTel Aviv: Israel Music Institute, c1971. 35 pages. Pl. no. I.M.I. 192.
\nHarp part, including the graphic notation of the electronics.
\nTitle, composer\u2019s name, and publisher\u2019s information printed in both Hebrew and English.<\/td>\n<\/tr>\n
folder 19<\/th>\nTal, Josef. Concerto for Harp and Electronics: New Version (1980)<\/em>.
\nIsrael: Israel Music Institute, c1980. 23 pages. Pl. no. IMI 192 rev.48Harp part, including the graphic notation of the tape\/electronics.
\nTitle, composer\u2019s name, and publisher\u2019s information printed in both Hebrew and English.
\nAccompanied by cover letter (June 20th, 1982) from William Y. Elias, Director General of the Israel Music Institute, Tel Aviv.<\/td>\n<\/tr>\n
folder 20<\/th>\nTal, Josef. Concerto for Harp and Electronics: New Version (1980).<\/em>
\nIsrael: Israel Music Institute, c1980. 23 pages. Pl. no. IMI 192 rev.
\nHarp part, including the graphic notation of the tape\/electronics.
\nTitle, composer\u2019s name, and publisher\u2019s information printed in both Hebrew and English.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series L: Harp and violin<\/em><\/span><\/p>\n

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folder 21<\/th>\nCharpentier, A. M\u00e9lodie<\/em>.
\nPour violon avec accompagnement de harpe ou piano.
\nParis: Alphonse Leduc, c1905. A. L. 11,353.
\nTwo parts present (Harpe ou Piano, and Violon).<\/td>\n<\/tr>\n
folder 22<\/th>\nP\u00e9rilhou, A. Andante<\/em>.
\nParis: Heugel & Cie, c1899. Pl. no. H. & Cie. 19863.
\nTwo parts present (Harpe, and Violon).<\/td>\n<\/tr>\n
folder 23<\/th>\nSaint-Sa\u00ebns, C. Fantaisie pour violon et harpe,<\/em> op. 124.
\nParis: Durand & Cie, c1907. Pl. no. D. & F. 6910.
\nTwo parts present (Harpe, and Violon).<\/td>\n<\/tr>\n
folder 24<\/th>\nWilm, Nicolai von. Duo, op. 156<\/em>.
\nLeipzig: Jul. Heinr. Zimmermann, c1898. Copyright by Carl Giessel junior, Bayreuth. Pl. no. Z. 5835.
\nTwo parts present (Harfe, and Violine).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series M: Harp and violoncello<\/em><\/span><\/p>\n

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folder 25<\/th>\nBantock, Granville. Hamabdil: Hebrew melody<\/em>.
\nLondon: J. & W. Chester, Ltd., c1919. Pl. no. J. & W. C. 909.
\nPiano or harp part (5 pages) present; violoncello part lacking.<\/td>\n<\/tr>\n
folder 26<\/th>\nTournier, Marcel. Nocturne<\/em>, op. 21.
\nVioloncelle et harpe ou piano ou orgue (ad libitum).
\nCopyist\u2019s MS in ink. Score (3 pages) and part (3 pages).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series N: Harp and violoncello\u2014arrangements and transcriptions<\/em><\/span><\/p>\n

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folder 27<\/th>\nH\u00e4ndel, Georg Friedr. Sarabande (g moll)<\/em>.
\nBearbeitung (f\u00fcr Violoncello und Harfe( von Heinrich Katona Gr\u00fcnecke.
\nLeipzig: Wilhelm Zimmermann, c1911. Pl. no. Z. 5029.
\nTwo parts present.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series O: Harp and viola<\/em><\/span><\/p>\n

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folder 28<\/th>\nBarlow, Wayne. Intermezzo.<\/em> \u2014 1980
\nMS repro; 11 pages of music.
\n\u201cFor the New York State Music Teachers Association 1980\u201d\u2014on first page of music.
\nAt end: Rochester, NY. 1980. Published by the composer. Rochester, c1980.
\nAccompanied by a cover note (October 21, 1980) from the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series P: Harp and oboe<\/em><\/span><\/p>\n

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folder 29<\/th>\nJolivet, Andr\u00e9. Controversia<\/em>.
\nPour hautbois et harpe.
\nParis: Editions M.R. Braun, c1969. Pl. no. M. R. 1199 B.
\nTwo parts present.
\nOne in the publisher\u2019s Collection Pierre Pierlot: oeuvres classiques & modernes pour hautbois.<\/em><\/td>\n<\/tr>\n
folder 30<\/th>\nSoulage, Marcelle. Pastorale<\/em>, op. 15.
\nParis: Buffet Crampon and Cie; copyright 1925 by Evette et Schaeffer, Successeurs. Pl. no. E. S. 1908-1.
\nTwo parts present.
\n\u201cPrim\u00e9e au Salon des Musiciens Fran\u00e7ais \/ Mention, 1920\u201d\u2014on first page of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series Q: Harp and bassoon<\/em><\/span><\/p>\n

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folder 31<\/th>\nWilliams, David R. Sonatina for Bassoon and Harp<\/em>.
\nMS repro; 12 pages of music.
\n\u201cDedicated to Jane Taylor & Elisabeth Gibson\u201d\u2014on title page.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series R: Harp and clarinet<\/em><\/span><\/p>\n

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folder 32<\/th>\nBochsa, Charles fils. Th\u00e8me et Variations (andante amabile)<\/em>.
\nExtrait de la Grande Sonate en mi b\u00e9mol pour clarinette si b\u00e9mol (ou violon) et harpe (ou piano).
\nR\u00e9vision de Fr\u00e9d\u00e9ric Robert.
\nParis: Les \u00e9ditions Ouvri\u00e8res, c1971. Pl. no. E. O. 806.
\nTwo parts present.
\nIn the publisher\u2019s series: L\u2019Astr\u00e9e: collection de musique instrumentale classique publi\u00e9e sous la direction de Max Pinchard.<\/td>\n<\/tr>\n
folder 33<\/th>\nNux, P. V. de la. Morceau de Concours<\/em>.
\nPour clarinette avec accompagnement de harpe (ou piano).
\nParis: Enoch and Cie, s.d.. Pl. no. E. & C. 6335.
\nScore (8 pages). .
\nProvenance: R. M. Arey.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series S: Harp and two strings<\/em><\/span><\/p>\n

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folder 34<\/th>\nCharpentier, A. M\u00e9lodie<\/em>.
\nPour violon avec accompagnement de harpe (ou piano).
\nParis: Alphonse Leduc, c1905. Pl. no. A. L. 11,353. bis.
\nTwo parts present..<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series T: Harp & spoken word<\/em><\/span><\/p>\n

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folder 35<\/th>\nReni\u00e9, Henriette. F\u00eates Enfantines<\/em>: trois pi\u00e8ces pour harpe et diction.
\nPo\u00e9sies de F. des Varennes.
\nParis: Alphonse Leduc, c1959. 11 pages. Pl. no. A. L. 22.726.
\nI. La Vierge \u00e0 la cr\u00eache \u2014 II. Mascarade \u2014 III. Cloches de P\u00e2ques.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series U: Harp and two flutes<\/em><\/span><\/p>\n

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folder 36<\/th>\nBerlioz, H.. Trio des jeunes Isma\u00eblites.
\nFrom L\u2019Enfance du Christ: Suite Symphonique<\/em>.
\nTranscription pour J. Cl\u00e9mandh. Paris: Costallat & Cie, s.d.. Pl. no. R. 11374.
\nScore (7 pages) and flutes part (4 pages).<\/td>\n<\/tr>\n
folder 37<\/th>\nGaubert, Ph. Divertissement Grec<\/em>.
\nPour fl\u00fbte et harpe (ou piano).
\nParis: Alphonse Leduc, c1908. Pl. no. A. L. 14.120.
\nScore (5 pages) and two flute parts present.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series V: Harp trio<\/em><\/span><\/p>\n

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folder 1<\/th>\nChertok, Pearl. Ten Past Two<\/em>.
\nFrom Around the Clock: Suite<\/em>.
\nMS repro. Score (3 pages) and three harp parts.
\nCopyright Pearl Chertok.<\/td>\n<\/tr>\n
folder 2<\/th>\nGrandjany, Marcel. Deep River Interlude.<\/em>
\nNo. 27 from The Harp Album, opus 27.
\nNew York: M. Baron Co., c1947.
\nScore and two parts present.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series W: Harp quartet<\/em><\/span><\/p>\n

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folder 3<\/th>\nYeh, Huai-Deh. Fugue in D: for four harps.<\/em>
\nMS repro score (10 pages) and four parts.
\n\u201cTo Eileen Malone\u201d\u2014on first page of score.<\/td>\n<\/tr>\n
folder 4<\/th>\nYeh, Huai-Deh. Sarabande: for four harps.
\n<\/em>Pencil MS score (9 pages) and four MS repro parts.
\n\u201cTo Eileen Malone\u201d\u2014on first page of score.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series X: Harp ensemble<\/em><\/span><\/p>\n

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folder 5<\/th>\nFeliciano, Richard. Four Poems from the Japanese<\/em>.
\nFor women\u2019s voices, five harps, celesta, glockenspiel and tam-tam.
\nMS repro score (15 pages), choral score (6 pages), and harp\/red part (4 pages).
\nAccompanied by cover letter (October 5, 1965) from the composer, and by photocopy of press article \u201cIves Second String Quartet Sparkles\u201d by Robert Finn, Cleveland Plain Dealer, February 9, 1967, which cites the work in question.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series Y: Harp ensemble\u2014arrangements and transcriptions<\/em><\/span><\/p>\n

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folder 6<\/th>\nBach, J. S. Jesu, Joy of Man\u2019s Desiring: from Cantata 147<\/em>.
\nTranscribed C. Ratcliff for harp quartet and trombone quartet.
\nDesktop-published score (9 pages) and parts.
\n\u201cFor Eileen Malone and the Eastman Harp and Trombone Choirs\u201d\u2014on first page of score.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series Z: Harp in chamber ensemble<\/em><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1603999034987{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 7<\/th>\nAdair, James. Concerto da Camera<\/em>.
\nFor flute, harp and strings. Edited by Eileen Malone.
\nMS repro harp part (11 pages).<\/td>\n<\/tr>\n
folder 8<\/th>\nBax, Arnold. Elegiac Trio<\/em>.
\nFor flute, viola and harp.
\nLondon: J. & W. Chester, Ltd., c1920. Pl. no. J. & W. C. 218. Harpist\u2019s score (18 pages) and two parts.<\/td>\n<\/tr>\n
folder 9<\/th>\nBax, Arnold. Quintet<\/em>.
\nFor harp and strings.
\nLondon: Murdoch, Murdoch & Co., c1922. Pl. no. M. M. & Co. 311.
\nHarpist\u2019s score (22 pages) and four strings parts.<\/td>\n<\/tr>\n
folder 10<\/th>\nBerio, Luciano. Circles<\/em>.
\nFor female voice, harp and 2 percussion players.
\nNew York: Universal Edition, c1960. 39 pages.
\nText from e. e. cummings: Poems 1923-1954<\/em> (published by Harcourt, Brace)
\n\u201cCommissioned by the Fromm Foundation.\u201d\u2014on title page.<\/td>\n<\/tr>\n
folder 11<\/th>\nBerres, George. Harp Quintet<\/em>.
\nFor harp and string quartet.
\nMS repro score; 53 pages of music.<\/td>\n<\/tr>\n
folder 12<\/th>\nBoisdeffre, Ren\u00e9 de. \u00c9l\u00e9gie,<\/em> op. 15, no. 2.
\nPour piano ou orgue, violon, violoncelle et harpe.
\nParis: J. Hamelle, s.d.. Pl. no. J. 3710. H.
\nScore and parts.<\/td>\n<\/tr>\n
folder 13<\/th>\nBusser, Henri. Ballade en la b\u00e9mol,<\/em> op. 65.
\nPour harpe \u00e0 p\u00e9dales avec accompagnement de quintette \u00e0 cordes.
\nParis: Evette et Schaeffer, c1920. Pl. no. E. S. 9120.0.
\nScore and parts.
\n\u201cConcours du Conservatoire national de musique de Paris \/ ann\u00e9e 1918)\u2014 on cover of score.<\/td>\n<\/tr>\n
folder 14<\/th>\nB\u00fcsser, Henri. Le Sommeil de L\u2019Enfant J\u00e9sus<\/em>, op. 3.
\nBerceuse pour la Nuit de No\u00ebl. \u00c9dition originale: violon ou violoncelle, harpe ou piano et orgue.
\nParis: Choudens, s.d.. Pl. no. A.C. 10.185.\u201410.259. \u2014 11,256.
\nScore (13 pages) and parts for: violon solo, violoncelle solo, harpe ou piano, and harmonium.<\/td>\n<\/tr>\n
folder 15<\/th>\nCaplet, Andr\u00e9. Conte fantastique: d\u2019apr\u00e8s une des Histoires extraordinaires
\n<\/em>d\u2019Ellen [sic] Edgar Po\u00eb: \u201cLe masque de la mort rouge\u201d.
\nPour harpe ou piano et quatuor \u00e0 cordes.
\nParis: Durand & Cie, c1924. Pl. no. D. & F. 10,535.
\nHarp part and four strings parts present.<\/td>\n<\/tr>\n
folder 16<\/th>\nCharpentier, Jacques. Mouvement: pour fl\u00fbte, violoncelle et harpe<\/em>.
\nParis: Alphonse Leduc, c1968. Pl. no. A. L. 23675.
\nThree parts present.<\/td>\n<\/tr>\n
folder 17<\/th>\nCras, Jean. Quintette.
\n<\/em>Pour harpe, fl\u00fbte, violon, alto et violoncelle ou piano et quatuor \u00e0 cordes.
\nParis: \u00c9ditions Maurice Senart, c1930. Pl. no. E. M. S. 7989.
\nScore (48 pages) and parts: fl\u00fbte, violon, alto (2), violoncelle (2).<\/td>\n<\/tr>\n
folder 18<\/th>\nDamase, Jean-Michel. Quintette<\/em>.
\nPour fl\u00fbte, harpe, violon, alto et violoncelle.
\nParis: Henry Lemoine & Cie, c1948. Pl. no. 23 430 HL.
\nScore and three parts present.<\/td>\n<\/tr>\n
folder 19<\/th>\nDamase, Jean-Michel. Trio<\/em>.
\nPour fl\u00fbte, harpe et violoncelle.
\nParis: Henry Lemoine & Cie, c1947. Pl. no. 23 370 HL.
\nScore and two parts present.<\/td>\n<\/tr>\n
folder 20<\/th>\nDebussy, Claude. Danses [i.e., Danse sacr\u00e9e et Danse profane]<\/em>.
\nPour harpe chromatique ou piano avec acct. d\u2019orchestre d\u2019instruments \u00e0 cordes.
\nParis: A. Durand & Fils, c1904. Pl. no. D. & F. 6419.
\nPartition d\u2019orchestre (28 pages) and parts: 1ers violons; 2ds violons; altos; violoncelles; contrebasses.<\/td>\n<\/tr>\n
folder 21<\/th>\nDebussy, Claude. Sonate.<\/em>
\nPour fl\u00fcte, alto et harpe. \u00c9dition originale.
\nParis: \u00c9ditions Durand & Cie, c1916. Pl no. D. & F. 9427.
\nScore and two parts; additional flute and alto parts also present.<\/td>\n<\/tr>\n
folder 22<\/th>\nDebussy, Claude. Sonate. i<\/em>
\nPour fl\u00fbte, alto et harpe.
\nParis: Editions Durand & Cie, c1916. Pl. no. D. & F. 9427.
\nScore; copy markedly more worn than that in folder 21.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nDebussy, Claude. Sonate<\/em>.
\nPour fl\u00fcte, alto et harpe. \u00c9dition originale.
\nParis: \u00c9ditions Durand & Cie, c1916. Pl no. D. & F. 9427.
\nScore and two parts; additional flute and alto parts also present.<\/td>\n<\/tr>\n
folder 2<\/th>\nGallon, No\u00ebl. Quintette<\/em>.
\nPour harpe, 2 violons, alto et violoncelle.
\nParis: Henry Lemoine & Cie, c1953. Pl. no. 23611 HL.
\nScore only (47 pages).<\/td>\n<\/tr>\n
folder 3<\/th>\nGoossens, Eug\u00e8ne. Suite<\/em>, op. 6.
\n[London:] J & W Chester, s.d. Pl. J. W. C. 206.
\n(a) Impromptu \u2014 (b) Serenade \u2014 (c) Divertissement.
\nIncomplete: violin part only.<\/td>\n<\/tr>\n
folder 4<\/th>\nHanson, Howard. Pastorale<\/em>, op. 38.
\nFor solo oboe, strings, and harp.
\nNew York: Carl Fischer, Inc., c1952.
\nScore and harp part; additional copies of the latter also present.
\nAccompanied by printed program, Eastman School of Music, November 30th, 1981.<\/td>\n<\/tr>\n
folder 5<\/th>\nHodkinson, Sydney. Papillons<\/em>: a serenade of songs without words.
\nFor flute (alto flute, piccono), viola and harp.
\nMS repro score; 48 pages.
\nAccompanied by letter (May 21, 1984) to Eileen Malone from the composer.
\n1. Preamble \u2014 2. Aubade \u2014 3. Arietta \u2014 4. Burlesca \u2014 5. Lament \u2014 6. Pastorale \u2014 7. Shivaree.<\/td>\n<\/tr>\n
folder 6<\/th>\nIbert, Jacques. Deux Interludes<\/em>.
\nPour fl\u00fbte, violon et clavecin (ou harpe).
\nParis: Alphonse Leduc, c1949. Pl. no. A. L. 20,630.
\nScore and two parts.<\/td>\n<\/tr>\n
folder 7<\/th>\nIbert, Jacques. Trio<\/em>.
\nPour violon, violoncelle et harpe.
\nParis: Alphonse Leduc, c1945. Pl. no. A. L. 20, 341.
\nScore; parts lacking.<\/td>\n<\/tr>\n
folder 8<\/th>\nIbert, Jacques. Trio<\/em>.
\nPour violon, violoncelle et harpe.
\nParis: Alphonse Leduc, c1945. Pl. no. A. L. 20, 341.
\nScore and two parts. Score bound into library binding. Set shows more wear than the score housed in folder 7.<\/td>\n<\/tr>\n
folder 9<\/th>\nIndy, Vincent d\u2019. Suite<\/em>, op. 91.
\nPour harpe, fl\u00fcte, violon et violoncelle.
\nParis: Heugel Editeur, c1930. Pl. no. H. 30,078.
\nI. Entr\u00e9e en Sonate \u2014 II. Air d\u00e9suet \u2014 III. Sarabande.
\nAll parts present.<\/td>\n<\/tr>\n
folder 10<\/th>\nIndy, Vincent d\u2019. Suite en parties<\/em>.
\nPour fl\u00fbte oblig\u00e9e, violon, alto, violoncelle et harpe.
\nParis: Au M\u00e9nestrel. Copyright by Heugel c1930. Pl. no. H. 30,078.
\nFive parts present.<\/td>\n<\/tr>\n
folder 11<\/th>\nJolivet, Andr\u00e9. Pastorales de No\u00ebl<\/em>.
\nPour fl\u00fbte (ou violon), basson (ou alto, ou violoncelle) et harpe.
\nParis: Heugel & Cie, c1949. Pl. no. H. 31254.
\nScore and two parts.
\nI. L\u2019\u00e9toile \u2014 II. Les mages \u2014 III. La vierge et l\u2019enfant \u2014 IV. Entr\u00e9e et danse des bergers.<\/td>\n<\/tr>\n
folder 12<\/th>\nJolivet, Andr\u00e9. Suite Liturgique<\/em>.
\nPour voix t\u00e9nor ou soprano, cor anglais (prenant le hautbois), violoncelle et harpe.
\nParis: Durand & Cie, c1947. Pl. no. D. & F. 13,303.
\nCor anglais (ou hautbois), violoncelle, and harpe parts present.<\/td>\n<\/tr>\n
folder 13<\/th>\nJongen, Jos. Concert \u00e0 cinq<\/em>, op. 71.
\nPour harpe chromatique ou diatonique, fl\u00fbte, violon, alto, violoncelle. 2me \u00e9dition.
\nBruxelles: Maison Vriamont, s.d..
\nScore and four parts (fl\u00fbte, violon, alto, violoncelle) present.<\/td>\n<\/tr>\n
folder 14<\/th>\nLajtha, L\u00e1szl\u00f3. Trio<\/em>, op. 22.
\nPour harpe, fl\u00fbte et violoncelle.
\nBudapest: R\u00f3zsav\u00f6lgyi and Co., c1937. Pl. no. R. & Co. 6095.
\nScore and two parts present.<\/td>\n<\/tr>\n
folder 15<\/th>\nLajtha, L\u00e1szl\u00f3. Deuxi\u00e8me Trio<\/em>, op. 47.
\nPour fl\u00fbte, violoncelle et harpe.
\nParis: Alphonse Leduc & Cie, c1950. Pl. no. A. L. 20620.
\nScore and two parts present.<\/td>\n<\/tr>\n
folder 16<\/th>\nLesur, Daniel. Suite M\u00e9di\u00e9vale<\/em>.
\nPour fl\u00fbte, harpe, violon, alto, violoncelle.
\nParis: Durand & Cie., c1945. Pl. no. D. & F. 13.689bis.
\nFive parts present.<\/td>\n<\/tr>\n
\u00a0***<\/th>\nLuedeke, Raymond. The Moon in the Labyrinth<\/em>.
\nPublished by the composer, c1985. (score.)
\nAccompanied by a letter from the composer.
\nSEPARATED TO OVERSIZED.<\/strong><\/em><\/td>\n<\/tr>\n
folder 17<\/th>\nLuigini, A. Aubade<\/em>.
\nPour fl\u00fbte, hautbois, clarinette, quintette \u00e0 cordes et harpe ou piano.
\nParis: L. Grus & Cie, s.d.. Pl. no. L. G. & Cie. 5951.
\nParts present: Harpe ou piano (oblig\u00e9), fl\u00fbte, hautbois, clarinette en si- bemol, 1er violon, 2d violon, alto, violoncelle, contrebasse.<\/td>\n<\/tr>\n
folder 18<\/th>\nMalipiero, G. Francesco. Sonata \u00e0 cinque<\/em>.
\nMilano: G. Ricordi and C., s.d.. Pl. no. 123628.
\nScore and five parts: flauto (o violino I); violino (o violino II); viola; violoncello; arpa (o pianoforte).
\nProvenance: G. Ricordi.<\/td>\n<\/tr>\n
folder 19<\/th>\nMaryani, Ami. 2 Madrigals<\/em>.
\nMS repro parts. Harpe, fl\u00fbte, hautbois, clarinette (si b\u00e9mol), basson.
\n1. Mod\u00e9r\u00e9 \u2014 2. Vite.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nMeulemans, Arthur. Sonate<\/em>.
\nPour fl\u00fbte, alto et harpe. Bruxelles: CeBeDeM, 1959. Pl. no. 1.
\nHarpist\u2019s score (32 pages and two parts.<\/td>\n<\/tr>\n
folder 2<\/th>\nPiern\u00e9, Gabriel. Variations libres et Finale<\/em>, op. 51.
\nPour fl\u00fbte, violon, alto, violoncelle et harpe.
\nParis: \u00c9ditions Salabert, c1933. Pl. no. E.A.S. 8182.
\nFive parts present; each in negative-polarity photographic format.<\/td>\n<\/tr>\n
folder 3<\/th>\nPiern\u00e9, Gabriel. Variations libres et Finale<\/em>, op. 51.
\nPour fl\u00fbte, violon, alto, violoncelle et harpe.
\nParis: \u00c9ditions Salabert, c1933. Pl. no. E. A. S. 8162.
\nFive parts present.<\/td>\n<\/tr>\n
folder 4<\/th>\nPierne, Gabriel. Voyage au \u201cPays du Tendre\u201d (d\u2019apr\u00e8s la Carte du Tendre)<\/em>.
\nPour fl\u00fbte, violon, alto, violoncelle et harpe.
\nParis: Alphonse Leduc, c1951. Pl. no. A. L. 20.853.
\nHarpist\u2019s score (21 pages) and four parts present.
\nTitle page of harpists score bears a facsimile of the Carte du Tendre with a quotation from the Histoire de la Litt\u00e9rature fran\u00e7aise<\/em> by Ch.-M. des Granges.<\/td>\n<\/tr>\n
folder 5<\/th>\nPiern\u00e9, Paul. Variations au Clair de Lune<\/em>.
\nPour violon, alto, violoncelle, fl\u00fbte, harpe ou piano.
\nParis: Henry Lemoine & Cie, c1935. Pl. no. 22.789. H.
\nFive parts present.<\/td>\n<\/tr>\n
folder 6<\/th>\nPillois, Jacques. cinq Ha\u00ef-Ka\u00ef: Epigrammes lyriques du Japon<\/em>.
\nPour fl\u00fbte, violon, alto, violoncelle et harpe. Paris: Durand & Cie., c1926.
\nPl. no. D. & F. 10,939.
\nFive parts present.
\nTitle page bears a quotation from Sages et Po\u00e8tes d\u2019Asie<\/em> by Paul-Louis Chouchoud.<\/td>\n<\/tr>\n
folder 7<\/th>\nRavel, Maurice. Introduction and Allegro<\/em>.
\nPour harpe avec acct. de quatuor \u00e0 cordes, fl\u00fbte et clarinette.
\nParis: A. Durand & Fils, c1906. Pl. no. D. & F. 6738.
\nSeven parts present.<\/td>\n<\/tr>\n
folder 8<\/th>\nRavel, Maurice. Introduction and Allegro<\/em>.
\nPour harpe avec acct. de quatuor \u00e0 cordes, fl\u00fbte et clarinette.
\nParis: A. Durand & Fils, c1906. Pl. no. D. & F. 6738.
\nExclusively the harp part present: markedly worn and annotated in pencil.<\/td>\n<\/tr>\n
folder 9<\/th>\nRavel, Maurice. Introduction and Allegro<\/em>.
\nPour harpe avec acct. de quatuor \u00e0 cordes, fl\u00fbte et clarinette.
\nParis: A. Durand & Cie, c1906. Without plate number.
\nMiniature score (37 pages).<\/td>\n<\/tr>\n
folder 10<\/th>\nRota, Nino. Quintetto<\/em>.
\nPer flauto, oboe, viola, violoncello et arpa.
\nMilano: G. Ricordi & C., c1937. Pl. no. 123818.
\nScore (29 pages) and five parts present.<\/td>\n<\/tr>\n
folder 11<\/th>\nRoussel, Albert. S\u00e9r\u00e9nade<\/em>, op. 30.
\nPour fl\u00fbte, violon, alto, violoncelle et harpe.
\nParis: Durand & Cie, c1925. Pl. no. D. & F. 10,838.
\nFive parts present; an additional harp part also present, markedly more worn.<\/td>\n<\/tr>\n
folder 12<\/th>\nSaint-Sa\u00ebns, C. Quatuor sur un fragment de L\u2019Oratorio de No\u00ebl<\/em>, op. 12.
\nPour piano ou harpe, violon, violoncelle et orgue-harmonium.
\nParis: A. Durand & Fils, s.d.. Pl. no. D. et F. 3048.
\nScore and parts for orgue-harmonium, violon, violoncelle present; harp part lacking.
\nMarkedly worn.<\/td>\n<\/tr>\n
folder 13<\/th>\nSaint-Sa\u00ebns, C. Quatuor<\/em>: sur un fragment de L\u2019Oratorio de No\u00ebl.
\nPour piano ou harpe, violon, violoncelle et orgue-harmonium.
\nParis: A. Durand & Fils, s.d.. Pl. no. D. et F. 3048.
\nHarpist\u2019s or pianist\u2019s score (incomplete: pages 3-10 lacking) and three parts.<\/td>\n<\/tr>\n
folder 14<\/th>\nSaint-Sa\u00ebns, C. Romance,<\/em> op. 27.
\nPour violon, piano ou harpe et orgue; partie de harpe transcrite par A. Hasselmans.
\nParis: A. Durand & Fils, s.d.. Pl. no. D. et F. 2040.
\nTwo parts present: for violon and harmonium, and for violon and harpe (incomplete; pages lacking).
\nMarkedly worn.<\/td>\n<\/tr>\n
folder 15<\/th>\nSaint-Sa\u00ebns, C. Romance<\/em>, op. 27.
\nPour violon, piano ou harpe et orgue; partie de harpe transcrite par A. Hasselmans.
\nParis: A. Durand & Fils, s.d.. Pl. no. D. et F. 2040.
\nThree parts present: for violon and harmonium, for violon and harpe; and for violin.<\/td>\n<\/tr>\n
folder 16<\/th>\nSheriff, Noam. Ma\u2019I ko\u2019 ma\u2019sh\u2019ma Ian . . . [Essay for harp and string quartet]<\/em>.
\nMS repro score; 17 pages of music.
\nTitle in Hebrew and in English in caption on first page of music.
\n\u201cThis work can be played by a small orchestra. Double-basses should then double the \u2018cello part at the conductor\u2019s discretion.\u201d\u2014on first page of music.
\nCopyright 1976 by Noam Sheriff.<\/td>\n<\/tr>\n
***<\/th>\nSheriff, Noam. Essay for Harp and String Quartet<\/em>.
\nScore: the pages mounted for performance on cardboard.
\nSEPARATED TO OVERSIZED<\/strong><\/em>.<\/td>\n<\/tr>\n
folder 17<\/th>\nSoulage, Marcelle. L\u00e9gende<\/em>, op. 13.
\nPour fl\u00fbte, hautbois et harpe.
\nParis: Evette & Schaeffer, s.d.. Pl. no. E. S. 1785-I.
\nScore and two parts present.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Works by Marcel Tournier in this sub-series are arranged by their opus numbers; works <\/em>without opus numbers have been placed at the end of the sequence.<\/em><\/p>\n

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folder 18<\/th>\n\u00a0Tournier, Marcel. Nocturne<\/em>, op. 21.
\nPour violoncelle et harpe ou piano, [et] orgue (ad lib.).
\nParis: Gay & Tenton, s.d.. Pl. no. L. R. 212.
\nScore only (11 pages).
\nMarkedly worn.<\/td>\n<\/tr>\n
folder 19<\/th>\nTournier, Marcel. Nocturne<\/em>, op. 21.
\nPour violoncelle et harpe ou piano, [et] orgue (ad lib.).
\nParis: Gay & Tenton, s.d.. Pl. no. L. R. 212.
\nScore (11 pages) and organ part.<\/td>\n<\/tr>\n
folder 20<\/th>\nTournier, Marcel. Suite<\/em>, op. 34.
\nPour fl\u00fbte, violon, alto, violoncelle et harpe (ou piano).
\nParis: Henry Lemoine & Cie, c1929. Pl. no. 22,163. H.
\n1. soir \u2014 2. danse \u2014 3. lied \u2014 f\u00eate.
\nScore only (31 pages).
\nAnnotated in pencil; markedly worn.<\/td>\n<\/tr>\n
folder 21<\/th>\nTournier, Marcel. Suite<\/em>, op. 34.
\nPour fl\u00fbte, violon, alto, violoncelle et harpe (ou piano).
\nParis: Henry Lemoine & Cie, c1929. Pl. no. 22,163. H.
\n1. soir \u2014 2. danse \u2014 3. lied \u2014 f\u00eate.
\nScore (31 pages) and parts for fl\u00fbte, violon, and violoncelle (alto lacking).<\/td>\n<\/tr>\n
folder 22<\/th>\nTournier, Marcel. Suite<\/em>, op. 34.
\nPour fl\u00fbte, violon, alto, violoncelle et harpe (ou piano).
\nParis: Henry Lemoine & Cie, c1929. Pl. no. 22,163. H.
\n1. soir \u2014 2. danse \u2014 3. lied \u2014 f\u00eate.
\nScore (31 pages) and parts for fl\u00fbte (2 copies), violon (2 copies), alto (2 copies), and violoncelle (2 copies).<\/td>\n<\/tr>\n
folder 23<\/th>\nTournier, Marcel. Les Anesses grises sur la Route d\u2019El-Azib<\/em>.
\nPour la harpe et quatuor \u00e0 cordes.
\nNo. VII from Images, 3me Suite<\/em>, opus 35.
\nParis: Henry Lemoine, c1938. Pl. no. 23 102 HL.
\nScore (13 pages) and five strings parts (1er violon, 2e violon, alto, violoncelle, contrebasse).<\/td>\n<\/tr>\n
folder 24<\/th>\nTournier, Marcel. Danseuse \u00e0 la Fontaine d\u2019A\u00efn-Draham<\/em>.
\nNo. VIII from Images, 3me Suite<\/em>, opus 35.
\nParis: Henry Lemoine, c1938. Pl. no. 23 103 HL.
\nScore (13 pages) and five strings parts (1er violon, 2e violon, alto, violoncelle, contrebasse).<\/td>\n<\/tr>\n
folder 25<\/th>\nTournier, Marcel. Images:<\/em> Soir de F\u00eate \u00e0 Sedjenane<\/em>.
\nPour la harpe et quatuor \u00e0 cordes.
\nNo. IX from Images, 3me Suite,<\/em> opus 35.
\nParis: Henry Lemoine, c1938.
\nScore (14 pages) and five strings parts (1er violon, 2e violon, alto, violoncelle, contrebasse).<\/td>\n<\/tr>\n
folder 26<\/th>\nTournier, Marcel. F\u00e9erie: Pr\u00e9lude et danse.
\n<\/em>Pour harpe et quatuor \u00e0 cordes. Paris: Louis Rouhier, c1912. Pl. no. L. R. 462.
\nFour parts for string quartet present; harp part lacking.<\/td>\n<\/tr>\n
folder 27<\/th>\nTournier, Marcel. F\u00e9erie: pr\u00e9lude et danse<\/em>.
\nPour harpe et quatuor \u00e0 cordes.
\nParis: Louis Rouhier, s.d.. Pl. no. L. R. 462 bis.
\nStudio score.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nWhite, Paul. Sea Chanty<\/em>. For harp and strings.
\nCadenzas by Edna Phillips.
\nPhiladelphia: Elkan-Vogel Co., Inc., c1944. Pl. no.
\nAlternate title appears on parts: Sea Chanty Quintet.<\/em>
\n\u201cComposed for and dedicated to Edna Phillips\u201d\u2014on first page of music.
\n1. Blow the man down \u2014 2. Tom\u2019s gone to Hilo \u2014 3. O wake her, O shake her.
\nPublished score (harp with piano\/reduction of strings) (34 pages).
\nMS repro parts: harp with piano (strings reduction); violin 1; violin 2; viola; violoncello; bass.<\/td>\n<\/tr>\n
folder 2<\/th>\nWilder, Alec. Suite for Harp, Oboe and French Horn.
\n<\/em>MS repro parts (harp, oboe, horn).
\nAccompanied by several pages of pencil MS in the composer\u2019s hand.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series AA: Harp in chamber ensemble\u2014arrangements and transcriptions<\/em><\/span><\/p>\n

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folder 3<\/th>\nBach, J. C.. Sinfonia Concerto<\/em>.
\nFor harp and strings (string trio). Edited & realized by David Watkins.
\nMS repro harp part (14 pages; page 3 lacking).
\nCopyright Salvi 1983.<\/td>\n<\/tr>\n
folder 4<\/th>\nBach, J. S.. Jesu, Joy of Man\u2019s Desiring<\/em>.
\nArr. by Bruce Houseknecht ESM \u201943 for Eileen Malone.
\nPencil MS parts.
\n1st harp \/ 2nd vl. & va extraction for 3rd harp \/ 1st trombone \/ 2nd trombone \/ 3rd trombone \/ 4th trombone.<\/td>\n<\/tr>\n
folder 5<\/th>\nBach, K. Ph. E.. Deux menuets et une polonaise<\/em>.
\nPour fl\u00fbte, alto et harpe. Adaptation de Francis Pierre.
\nParis: \u00c9ditions Musicales Transatlantiques, c1975.
\nPl. no. E. M. T. 1357.
\nThree parts present.<\/td>\n<\/tr>\n
folder 6<\/th>\n[ ? Clark]\u00a0A Strange Tune<\/em>.
\nArr. W. Boyes for two flutes, two clarinets, and harp.
\nPencil MS score; 2 pages of music.
\nSource: [? Frances Clark] [method of piano technique], book I.<\/td>\n<\/tr>\n
folder 7<\/th>\nFranck, C\u00e9sar. Pri\u00e8re<\/em>: extraite de \u201cL\u2019Organiste\u201d.
\nTranscription pour violon (& violoncelle ad lib.) avec acct. d\u2019orgue ou
\npiano et de harpe (ad lib.) par Henri Busser.
\nParis: Enoch & Cie, s.d.. Pl. no. E. & C. 4603.
\nScore and three parts present (violon, violoncelle, harpe).<\/td>\n<\/tr>\n
folder 8<\/th>\nGounod, Ch.. O Divine Redeemer<\/em>!
\nFolder contains two manifestations, each being an item of published sheet <\/em>music; one (2) was found within the other (1):<\/em>
\n(1)
\nGounod, Ch. O divine Redeemer! (\u201cRepentir\u201d)<\/em> Scena.
\nArranged from the original orchestral score by Leigh Kingsmill. Words by Alfred Phillips.
\nLondon: Phillips & Page, s.d.. Pl. no. P. & P. 423.
\nFor voice and piano. 7 pages.
\nAnnotated in pencil with respect to vocal performance; markedly worn.
\n(2)
\nGounod, Ch. O, divine Redeemer! (Repentir. = Parce domine.)<\/em>: prayer.
\nArranged for voice, violin solo (or \u2018cello), harper (or piano) and organ, by J. Delsart.
\nNew York: G. Schirmer, Inc., n.d.. Pl. no. 13105 r.
\nScore (4 pages) and two parts (violin, \u2018cello).<\/td>\n<\/tr>\n
folder 9<\/th>\nMahler, Gustav. Adagietto from Symphony No. 5<\/em>.
\nTranscribed for trombone choir by Wesley Hanson.
\nMS repro conductor\u2019s score; 13 pages of music.
\nMS repro harp part; 4 pages of music. Accompanied by post-it note bearing message to \u201cEileen\u201d from \u201cJohn M.\u201d regarding an ensemble performance.
\n10 copies of the above-cited harp part, most annotated in pencil.<\/td>\n<\/tr>\n
folder 10<\/th>\nMozart, Leopold. Bourlesq<\/em> [sic].
\nArr. W. Boyes.
\nFor harp, trumpet (muted) and trombone.
\nPencil MS score; 1 page of music.<\/td>\n<\/tr>\n
folder 11<\/th>\nPoenitz, Franz. Meditation \u00fcber das 6. Praeludium (I. Teil des wohltempe- <\/em>rierten Klaviers) von Joh. Seb. Bach<\/em>.
\nF\u00fcr Violine und Harpe (oder Klavier) mit Harmonium (oder Orgel) ad libitum.
\nBerlin: Carl Simon, Musikverlag. Pl. no. C. S. 1807.
\nScore (7 pages) with parts for Violine and Harmonium.<\/td>\n<\/tr>\n
folder 12<\/th>\nSaint-Sa\u00ebns, C.. Adagio de la Symphonie en ut mineur<\/em>.
\nTranscription par Pierre Kunc pour violon, violoncelle, harpe & orgue.
\nParis: A. Durand & Fils, c1923. Pl. no. D. & F. 10313.
\nScore (16 pages) and four parts (violon; violoncelle; contrebasse (ad lib.); harpe).<\/td>\n<\/tr>\n
folder 13<\/th>\nSamuel-Rousseau, Marcel. Variations pastorales: sur un vieux No\u00ebl<\/em>.
\nPour la harpe. Accompt. de quatuor \u00e0 cordes par Marcel Tournier.
\nParis: Gay & Tenton, s.d.. Pl. no. G. T. 489.
\nParts for four strings (1er violon, 2de violon, alto, violoncelle).<\/td>\n<\/tr>\n
folder 14<\/th>\nTenderly<\/em>, by Walter Gross.
\nArr. by Rayburn Wright for harp, vibraphone and bass.
\nMS repro double bass part; 4 pages of music.
\nAnnotated in pencil.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series BB: Harp and orchestra<\/em><\/span><\/p>\n

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folder 15<\/th>\nBarlow, Wayne. Images: for harp and orchestra.<\/em>\u20141961
\nMS repro harp part; 18 pages of music.
\nMS repro piano reduction score; 36 pages of music.
\n\u201cTo Robert Barlow\u201d\u2014on first page of music in both score and harp part.
\n\u201cCopyright 1961 by Wayne Barlow\u201d\u2014on first page of music in both score and harp part.
\nHarp part copiously annotated in pencil ( ? fingerings possibly in Robert Barlow\u2019s hand).
\nHarp part bears an explanatory note in hand of Professor Kathleen Bride.<\/td>\n<\/tr>\n
folder 16<\/th>\nBarlow, Wayne. Images: for harp and instruments<\/em>.\u20141963
\nMS repro harp part; 15 pages of music.
\nMS repro piano reduction score; 31 pages of music.
\n\u201cTo Robert Barlow\u201d\u2014on first page of music in both score and harp part.
\n\u201cCopyright 1963 by Wayne Barlow\u201d\u2014on first page of music in both score and part.
\nHarp part copiously annotated in pencil ( ? fingerings possibly in Robert Barlow\u2019s hand).<\/td>\n<\/tr>\n
folder 17<\/th>\nBen-Haim, P. The sweet Psalmist of Israel: three symphonic fragments for <\/em>orchestra and soloists.<\/em>
\nTel Aviv: Israeli Music Publications, c1953. 84 pages. Pl. no. I. M. P. 524.
\n\u201cIsraeli Prize 1957\u201d\u2014on title page.
\nNo. 24 in the publisher\u2019s series Study Scores of Orchestral Works and <\/em>Chamber Music<\/em>.
\nI. David before Saul \u2014 II. Invocation \u2014 III. A song of degrees.
\nCopyright assigned 1958 to Impero-Verlag G.m.b.H., Wiesbaden, for all countries of the world except Israel.
\nInscription by the composer inside front cover.<\/td>\n<\/tr>\n
folder 18<\/th>\nBlacher, Boris. Konzert<\/em>.
\nF\u00fcr Klarinette, Fagott, Horn, Trompete, Harfe und Streicher.
\nBerlin: Bote and Bock, c1950.
\nHarp part; 7 pages of music.<\/td>\n<\/tr>\n
folder 19<\/th>\nBo\u00efeldieu, Adrien Fran\u00e7ois. Concerto per arpa e orchestra<\/em>.
\nElaborazione di Carlo Stueber.
\nMilano: G. Ricordi. Pl. no. 124482.
\nHarp solo part; incomplete, lacking all pages past page 19.<\/td>\n<\/tr>\n
folder 20<\/th>\nBo\u00efeldieu, Fr. Adriano. Concerto in 3 Tempi.
\n<\/em>Parte per arpa solista. Elaborazione di Carlo Stueber.
\nMilano: G. Ricordi & C., c1939. Pl. no. 124482-IX.<\/td>\n<\/tr>\n
folder 21<\/th>\nCastelnuovo-Tedesco, Mario. Concertino for Harp and Chamber Orchestra.
\n<\/em>Edited by Ann Mason Stockton.
\nNew York: General Music Publishing Co., c1971.
\nSolo harp part; 29 pages.<\/td>\n<\/tr>\n
folder 22<\/th>\nDamase, Jean Michel. Concertino<\/em>.
\nPour harpe et instruments \u00e0 cordes.
\nParis: Henry Lemoine & Cie., c1951. Pl. no. 23 546 HL.
\nScore (40 pages).
\nAccompanied by one page of notes in E. Malone\u2019s hand.<\/td>\n<\/tr>\n
folder 23<\/th>\nDittersdorf, Karl Ditters von. Konzert f\u00fcr Harfe und Orchester<\/em>.
\nBearb. von Karl Herm. Pillney.
\nNew York: C. F. Peters Corporation, c1958.
\nSolo harp part; 23 pages.<\/td>\n<\/tr>\n
folder 24<\/th>\nDittersdorf, Karl Ditters von. Konzert f\u00fcr Harfe und Orchester<\/em>.
\nBearb. von Karl Herm. Pillney.
\nNew York: C. F. Peters, c1958.
\nScore (52 pages).<\/td>\n<\/tr>\n
folder 25<\/th>\nFuerstner, Carl. Concerto Conservativo<\/em>, op. 23.
\nMS repro; 21 pages of music.
\nSolo harp part.<\/td>\n<\/tr>\n
folder 26<\/th>\nGinastera, Alberto. Harp Concerto.<\/em>
\n[London]: Boosey and Hawkes, c1974.
\nHarp solo part; 28 pages.
\nAnnotated in pencil.<\/td>\n<\/tr>\n
folder 27<\/th>\nGinastera, Alberto. Harp Concerto<\/em>.
\n[London]: Boosey and Hawkes, c1974.
\nHarp solo part; 28 pages.
\nAnnotated in pencil.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nGrandjany, Marcel. Aria in Classic Style for harp and string orchestra<\/em>.
\nNew York: Associated Music Publishers, Inc., c1951.
\nScore (15 pages) and 5 parts for strings (violin 1, violin 2, viola, violoncello, bass).
\nAccompanied by one MS repro copy of the solo harp part for the harp\/organ version of this composition; 6 pages of music; copyright1944 by Edward B. Marks Music Corporation.<\/td>\n<\/tr>\n
folder 2<\/th>\nH\u00e4ndel, Georg Fr. Konzert f\u00fcr Harfe oder Orgel (Cembalo oder Klavier) und Orchester<\/em>.
\nHerausgegeben von Gustav Lenzewstisen.
\nBerlin: Chr. Friedrich Vieweg, s.d.. Pl. no. V. 1707.
\nScore; 14 pages.
\nAccompanied by cover letter (March 3, 1966) from colleague Marilyn.<\/td>\n<\/tr>\n
folder 3<\/th>\nHanson, Howard. Concerto for Organ, Strings and Harp<\/em>, op. 22, no. 3.
\nMS repro solo harp part; 6 pages of music.
\nProvenance: Eastman School of Music Orchestra Library.<\/td>\n<\/tr>\n
folder 4<\/th>\nHeilner, Irwin. Suite for Harp and Orchestra<\/em>.
\nNew York: Composers Facsimile Edition, c1952.
\nScore (96 pages), harp solo part, and Orchestral part arranged for Harp II or Piano or Harp Ensemble.
\nPrelude \u2014 Blues \u2014 Impromptu \u2014 Bagatelle.<\/td>\n<\/tr>\n
folder 5<\/th>\nHeilner, Irwin. Suite for Harp and Orchestra.
\nNew York: Composers Facsmile Edition, c1952.
\nScore (96 pages).
\n\u201cUnrevised \/ See new version\u201d\u2014in pencil on title page.<\/td>\n<\/tr>\n
folder 6<\/th>\nJolivet, Andr\u00e9. Concerto pour harpe et orchestre de chambre<\/em>.
\nParis: Pierre No\u00ebl, c1957. Pl. no. P. N. 6153.
\nCancellans slip bearing name of G\u00e9rard Billaudot pasted over Pierre No\u00ebl\u2019s name on front cover.
\nStudy score; 100 pages.<\/td>\n<\/tr>\n
folder 7<\/th>\nLegg, James. Concertino for Harp<\/em>.
\nWith accompaniment of flute, clarinet in A and string quartet.
\nMS repro score; 60 pages of music.
\nAccompanied by cover letter (February 25, 1986) from the composer.<\/td>\n<\/tr>\n
folder 8<\/th>\nLegley, Vic.. Concerto voor Harp en Orkest<\/em>.
\nBruxelles: CeBeDeM [Centre Belge de Documentation Musicale], c1967.
\nMS repro score; 75 pages.
\nMS repro solo harp part; 19 pages.
\nScore and solo part both bear the stamp of the CdBeDeM.<\/td>\n<\/tr>\n
folder 9<\/th>\nLoboda, Samuel. The Prince and the Mermaid: harp fantasie.
\n<\/em>For harp and band.
\nMS repro conductor\u2019s condensed score; 15 pages.
\nPrefatory notes affixed to inside front cover.<\/td>\n<\/tr>\n
folder 10<\/th>\nLutoslawski, Witold. Double Concerto for oboe, harp and chamber orchestra<\/em>.
\nLondon: J. and W. Chester, c1978.
\nSolo harp part; 19 pages.<\/td>\n<\/tr>\n
folder 11<\/th>\nMa\u2019ayani, Ami. Concerto for Harp and Orchestra<\/em>.
\nTel Aviv: Israel Music Institute, c1964. Pl. no. I.M.I. 046b.
\nScore for solo harp with piano reduction; 84 pages. Two copies.
\nTitle, composer\u2019s name, and publisher\u2019s name and information printed both in Hebrew and in English.
\nBiographical sketch of the composer and prefatory notes on the Concerto immediately precede the first page of music.
\n\u201cThe Concerto was included in the repertoire of the forthcoming Third International Harp Contest to be held in Israel in the autumn of 1965.\u201d\u2014from the notes on title page verso.<\/td>\n<\/tr>\n
folder 12<\/th>\nParish-Alvars, Elias. Concertino<\/em>, op. 34.
\nPour harpe avec acct. d\u2019orchestre.
\nParis: Henry Lemoine & Cie, s.d.. Pl. nos. 14995. HL. and S. 1377.
\nSolo harp part; 23 pages.<\/td>\n<\/tr>\n
folder 13<\/th>\nPiern\u00e9, Gabriel. Concertst\u00fcck pour harpe et orchestre<\/em>, op. 39.
\nParis: J. Hamelle, s.d.. Pl. no. J. 4788 H.
\nSolo harp part with piano reduction; 35 pages.<\/td>\n<\/tr>\n
folder 14<\/th>\nPiern\u00e9, Gabriel. Concertst\u00fcck pour harpe et orchestre<\/em>, op. 39.
\nParis: J. Hamelle, s.d.. Pl. no. J. 4788 H.
\nSolo harp part with piano reduction; 35 pages.
\nMarkedly more worn than the copy housed in folder 13.<\/td>\n<\/tr>\n
folder 15<\/th>\nPiern\u00e9, Gabriel. Concertst\u00fcck pour harpe et orchestre<\/em>, op. 39.
\nParis: J. Hamelle, s.d.. Pl. no. J. 4788 H.
\nSolo harp part with piano reduction; 35 pages.
\nUnmarked, apart from pencilled instrumentation notes on the front cover.<\/td>\n<\/tr>\n
folder 16<\/th>\nRodrigo, Joaquin. Sones en la Giralda<\/em>.
\nPour harpe & orchestre.
\nParis: \u00c9ditions Max Eschig, c1969. Pl. no. M.E. 7857.
\nSolo harp with piano reduction; 30 pages.<\/td>\n<\/tr>\n
folder 17<\/th>\nRoger-Ducasse. Variations Plaisantes sur un th\u00eame grave<\/em>.
\nPour harpe oblig\u00e9e et orchestre.
\nParis: A. Durand & Fils, c1909-1910. Pl. no. D. & F. 7295.
\nSolo harp with piano reduction; 25 pages.<\/td>\n<\/tr>\n
folder 18<\/th>\nSaint-Sa\u00ebns, C. Morceau de Concert<\/em>, op. 154.
\nPour harpe avec accompagnement d\u2019orchestre.
\nParis: Durand & Cie, c1919. Pl. no. D. & F. 9625.
\nSolo harp with piano reduction; 30 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nSaverino, Louis. Concerto for Harp and Orchestra<\/em>.
\nMS repro solo harp part; 7 pages of music.
\nMS repro solo harp with piano reduction; 13 pages of music.
\n\u201cTo Miss Malone with my best wishes and compliments Louis Saverino\u201d\u2014inscription on first page of solo harp part.
\nAt end of piano reduction: Louis Saverino \/ 4\/2\/44.
\nAccompanied by a printed program from a concert by the U. S. Marine
\nBand Symphony Orchestra, January 3rd, 1945 which featured a performance of this work.<\/td>\n<\/tr>\n
folder 2<\/th>\nSomers, Harry. Suite for Harp and Chamber Orchestra<\/em>.
\nMS repro solo harp part; 21 pages.67
\nAccompanied by an errata list (2 pages), printed on letterhead of the
\nAmerican Harp Society and citing the 1990 Competition.<\/td>\n<\/tr>\n
folder 3<\/th>\nWidor, C. Choral et Variations<\/em>. Pour harpe et orchestre.
\nParis: Heugel & Cie, c1900. Pl. no. H. & Cie. 20063.
\nPiano reduction score; 25 pages.
\nSolo harp part; 19 pages.
\nBoth score and solo part markedly worn; together bound in cardstock boards. The solo harp part previously repaired with copious applications of cellotape.<\/td>\n<\/tr>\n
folder 4<\/th>\nAnon. Deep River<\/em>. Arranged for harp with strings.
\nInk MS score; 2 pages of music.
\nInk MS score for harp cadenza; 3 pages of music.
\nInk MS parts for violin I (3), violin II (2), viola (2), violoncello, and bass.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series CC: Harp and orchestra\u2014arrangements and transcriptions<\/em><\/span><\/p>\n

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folder 5<\/th>\nHandel, G. F. Sarabanda (Theme and Variations)<\/em>.
\nFor strings and harp.
\nTranscribed by Mortimer Wilson.
\nNew York: M. Witmark & Sons, c1932. Pl. no. M. W. & Sons 19258-10.
\nScore; 4 pages.
\nMS parts (copied from the published score) for 1st violin, 2nd violin, viola, \u2018cello.
\nAccompanied by (found within the above)<\/em>:
\nChopin, F. Two Preludes [in] C minor<\/em>, op. 28, no. 20.
\nFor harp and strings.
\nTranscribed by Mortimer Wilson. Pl. no. 19259-9.
\nScore; 3 pages.<\/td>\n<\/tr>\n
folder 6<\/th>\nMozart, W. A. Tre Valzer<\/em>.
\nTranscritti da Gian Luca Tocchi per arpa e orchestra d\u2019archi.
\nRoma: Edizioni de Santis, c1940. Pl. no. E. D. S. 571.
\nScore; 18 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series DD: Harp music collections<\/em><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1604337546085{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
folder 7<\/th>\nGrandjany, Marcel. Harp Album<\/em>.
\nNew York: M. Baron Co., c1947. 18 pages.
\nInscription by the composer on front cover.
\nIn series: Baron Manuscript Series.
\n1. Greetings, op. 27 \u2014 Zephyr, op. 27 \u2014 3. In dancing mood, op. 27 \u2014 4. A butterfly, op. 27 \u2014 5. Deep River interlude, op. 27 \u2014 6. The pageant begins, op. 27 \u2014 7. On a Western ranch, op. 27 \u2014 Through the meadows, op. 27.<\/td>\n<\/tr>\n
folder 8<\/th>\nJaeger, Patricia, arranger. Folk Harp with a Friend.<\/em>
\nTwelve Irish folk songs, arranged for harp accompaniment to: voice, violin, flute, piccolo, oboe, recorder, Irish pipes, melody bells, handbells, celeste, marimba, and other treble instruments.
\nIncludes harp score with melody line and text; separarte treble part for \u201ca friend\u201d.
\nVolume 1 of \u201cWith a Friend\u201d Series.<\/td>\n<\/tr>\n
folder 9<\/th>\nMilligan, Samuel, editor. Medieval to Modern Repertoire for the Lyon-Healy Troubadour Harp<\/em>, vol. I.
\nChicago: Lyon-Healy, c1962. 24 pages. Pl. no. 7716-B.
\n\u201cSelected compositions from the 12th century to the present, arranged for harp . . . easy to moderately difficult.\u201d\u2014 on front cover.<\/td>\n<\/tr>\n
folder 10<\/th>\nParet, Betty. The Harpist\u2019s Book of Christmas Music<\/em>.
\nNew York: Lyra Music Company, c1965. 25 pages.<\/td>\n<\/tr>\n
folder 11<\/th>\nQiu, Yue Ping, editor. Twelve Chinese Harp Pieces.<\/em>
\nShenyang: Shenyang Conservatory of Music, c1989. Selected and edited by Yue Ping Qiu. 57 pages.
\nEditor\u2019s Preface printed inside front cover.
\nInscription by the editor on front cover.<\/td>\n<\/tr>\n
folder 12<\/th>\nReni\u00e9, Henriette. Les Classiques de la Harpe, 2e Recueil<\/em>.
\nParis: Alphonse Leduc, c1940. 15 pages. Pl. no. A. L. 20.168.
\nL’Hirondelle \/ Daquin \u2014 Sarabande et Gigue \/ Zipoli \u2014 Pi\u00e8ce en R\u00e9 \/ Scarlatti \u2014 C\u00e9l\u00e8bre Gavotte en rondeau (Ballets du Roy) \/ Lully \u2014 Barcarolle (Romance sans parole No. 6) \/ Mendelssohn \u2014 Pr\u00e9ludes
\nNos. 20 et 23 \/ Chopin.<\/td>\n<\/tr>\n
folder 13<\/th>\nReni\u00e9, Henriette. Les Classiques de la Harpe, 4e Recueil<\/em>.
\nParis: Alphonse Leduc, c1940. 15 pages. Pl. nos. A. L. 20.130.; A. L. 20. 131.; A. L. 20.132.
\nToccata (4e Sonate pour clavecin) \/ Paradisi \u2014 Sonate facile en Ut \/ Mozart.<\/td>\n<\/tr>\n
folder 14<\/th>\nRobinson, Gertrude Ina. Original Compositions and Adaptations for the Harp<\/em>.
\nNew York: Carl Fischer, c1916. 33 pages. Pl. no. 19697-32.
\n\u201cTen agreeable, melodious numbers designed for entertainment, as well as progressive technical study for players of first year grade.\u201d \u2014 on title page.<\/td>\n<\/tr>\n
folder 15<\/th>\nSalzedo, Carlos. Tiny Tales for Harpist Beginners (Petits Contes pour la Harpe \u00e0 l\u2019usage des commen\u00e7ants)<\/em>.
\nFor harp or Irish harp. Philadelphia: Elkan-Vogal, c1936. 7 pages.
\n\u201cThere are no pedal changes in the course of these pieces.\u201d\u2014on front cover.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series EE: Harp music collections\u2014arrangements and transcriptions<\/em><\/span><\/p>\n

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folder 16<\/th>\nS\u00e9verac, D. de. En Vacances (Holiday Time = Ferien)<\/em>: petites pi\u00e8ces romantiques de moyenne difficult\u00e9 pour piano.
\nTranscrit pour harpe par H. Reni\u00e9.
\nParis: Rouart, Lerolle & Cie, c1911 and 1929. 23 pages. Pl. no. R. L.
\n11.682 & Cie.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series FF: Harp methods<\/em><\/span><\/p>\n

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folder 17<\/th>\nBochsa-Oberth\u00fcr. Universal Method for the Harp<\/em>.
\nNew York: Carl Fischer, c1912. 150 pages. Pl. no. 5872-133.<\/td>\n<\/tr>\n
folder 18<\/th>\nClark, Melville. Instructions for Playing the Harp<\/em>.
\nWith exercises and melodies arranged by VanVeachton Rogers. Fourth Edition.
\nSyracuse, N.Y.: Clark Harp Mfg. Co., c1919. 78 pages.
\nMarkedly worn.<\/td>\n<\/tr>\n
folder 19<\/th>\nDilling, Mildred, arranger. Old Tunes for New Harpists<\/em>.
\nCompiled and arranged by Mildred Dilling.
\n[Boston]: Oliver Ditson Company, c1934. 48 pages. Pl. no. 77526-48.<\/td>\n<\/tr>\n
folder 20<\/th>\nMilligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour
\nHarp, vol. I.
\nChicago: Lyon-Healy, c1962. 24 pages.
\nMarkedly worn.<\/td>\n<\/tr>\n
folder 21<\/th>\nMilligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour<\/em>
\nHarp, vol. I.
\nChicago: Lyon-Healy, c1962. 24 pages.<\/td>\n<\/tr>\n
folder 22<\/th>\nMilligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour<\/em>
\nHarp, vol. I.
\nChicago: Lyon-Healy, c1962. 24 pages.<\/td>\n<\/tr>\n
folder 23<\/th>\nMilligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour<\/em>
\nHarp, vol. II.
\nChicago: Lyon-Healy, c1962. 24 pages.<\/td>\n<\/tr>\n
folder 24<\/th>\nMilligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour<\/em>
\nHarp, vol. II.
\nChicago: Lyon-Healy, c1962. 24 pages.<\/td>\n<\/tr>\n
folder 25<\/th>\nMilligan, Samuel. Fun from the First!: with the Lyon-Healy Troubadour<\/em>
\nHarp, vol. II.
\nChicago: Lyon-Healy, c1962. 24 pages.<\/td>\n<\/tr>\n
folder 26<\/th>\nParet, Betty. First Harp Book.<\/em>
\nNew York: G. Schirmer, Inc., c1942. 37 pages. Pl. no. 39641C.
\n\u201cThis book is NOT a \u2018Method\u2019. \/ It is a book of carefully graded material which ANY teacher may use in giving a pedagogically sound and fundamentally thorough approach to playing the harp.\u201d \u2014Preface<\/td>\n<\/tr>\n
folder 27<\/th>\nParet, Betty. First Harp Book.<\/em>
\nNew York: G. Schirmer, Inc., c1942. 37 pages. Pl. no. 39641C.
\n\u201cThis book is NOT a \u2018Method\u2019. \/ It is a book of carefully graded material which ANY teacher may use in giving a pedagogically sound and fundamentally thorough approach to playing the harp.\u201d \u2014Preface<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series GG: Harp etudes and studies<\/em><\/span><\/p>\n

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folder 1<\/th>\nBinder\u2019s collection:
\ncomprised of the four books of Bochsa\u2019s 40 Progressive Studies, its pages
\nsequentially numbered (77 pages in all). The constituent parts are the
\nfollowing:
\nBochsa, N.C. 40 Progressive Studies<\/em>. In four books forming with the \u201cFirst Six Weeks\u201d a complete general course of instruction for the harp. New York: Browne & Buckwell, c1859.
\nNo. 1, 11 pages
\n*
\nNo. 2,
\nNo. 3,
\nNo. 4, 35 pages
\n* in sequence between Nos. 1 and 2 is the following:<\/em>
\nThe Harpist\u2019s Every-day Book<\/em>: a collection of exercises . . . intended as an auxiliary to the author\u2019s General Course of Instruction and Various Studies of the Harp. New York: J. F. Browne, s.d.. 7 pages.<\/td>\n<\/tr>\n
folder 2<\/th>\nBochsa, N. Ch. 40 \u00c9tudes faciles,<\/em> op. 318. [1er cahier.]
\nParis: Rouhier; Gay & Cie, Successeurs, c1906. 21 pages. Pl. no. L. R. 285.
\nThis cahier contains \u00e9tudes nos. I – XX; this copy not explicitly marked or labelled as being the first of two.
\nIn series: C\u00e9l\u00e8bres \u00c9tudes compos\u00e9es pour la harpe \u00e0 double mouvement par N. Ch. Bochsa.
\nMarkedly worn.<\/td>\n<\/tr>\n
folder 3<\/th>\n[Bochsa, N. Ch. 40 \u00c9tudes faciles<\/em>, op. 318. 2de cahier.
\nParis: Rouhier; Gay & Cie, Successeurs, c1906.] 29 pages. Pl. no. L. R. 286.
\nIncomplete copy: cover (if such there had been), title page, and pages 1-2 of text lacking; the musical notation begins in \u00e9tude XXI. This is cahier II, accounting for \u00e9tudes Nos. XXI – XXXX.
\nIn series: C\u00e9l\u00e8bres \u00c9tudes compos\u00e9es pour la harpe \u00e0 double mouvement par N. Ch. Bochsa.
\nMarkedly worn.<\/td>\n<\/tr>\n
folder 4<\/th>\nBochsa, N. Ch. Quarante \u00e9tudes faciles<\/em>, op. 318. 1er cahier.
\nParis: Alphonse Leduc, c1949. Pl. nos. A.L. 20.029 (on page 1) and L. R. 285. (on pages 3-20).
\nIncomplete copy; ends on page 20 with \u00e9tude No. XIX.
\nIn series: BOCHSA C\u00e9l\u00e8bres \u00c9tudes pour la harpe.<\/td>\n<\/tr>\n
folder 5<\/th>\nBochsa, N. Ch. Quarante \u00e9tudes faciles<\/em>, op. 318. IIe cahier.
\nParis: Alphonse Leduc, c1946. 29 pages. Pl. nos. A. L. 20.030 (on page 2) and L. R. 286. (on pages 3-29).<\/td>\n<\/tr>\n
folder 6<\/th>\nBochsa, N. Ch. 50 \u00c9tudes<\/em>, op. 34. 1er livre.
\nParis: Louis Rouhier, c1906. 75 pages. Pl. no. L. R. 206.
\nIn series: C\u00e9l\u00e8bres \u00c9tudes compos\u00e9es pour la harpe \u00e0 double mouvement par N. Ch. Bochsa.
\nMarkedly worn.<\/td>\n<\/tr>\n
folder 7<\/th>\nBochsa, N. Ch. 50 \u00c9tudes<\/em>, op. 34. 1er livre.
\nParis: Louis Rouhier, c1906. Incomplete copy. Pl. no. L. R. 206.
\nIncomplete copy; text ends with page 74.
\nIn series: C\u00e9l\u00e8bres \u00c9tudes compos\u00e9es pour la harpe \u00e0 double mouvement par N. Ch. Bochsa.
\nMarkedly worn.<\/td>\n<\/tr>\n
folder 8<\/th>\n[Bochsa, N. Ch. Vingt-cinq Exercises-\u00e9tudes<\/em>, op. 62]
\n[Paris: Alphonse Leduc, s.d.] Pl. no. L. R. 226.
\nIncomplete copy; publication should contain 63 pages, as per OCLC cataloguing; pages present are 7-60; title page, pages 1-6, and pages 61-63 lacking.
\nMarkedly worn.
\nN.B. This incomplete text was found under (disbound) cover for N. Ch. Bochsa\u2019s 50 \u00c9tudes, op. 34, 1er livre (Louis Rouhier, c1906)\u2014an erroneous juxtaposition.<\/span><\/td>\n<\/tr>\n
folder 9<\/th>\nBochsa, N. Cha\u2019s. New and Improved Method of Instruction for the Harp<\/em>.
\nBoston: Oliver Ditson Company, s.d.. 68 pages. Pl. no. 1068.<\/td>\n<\/tr>\n
folder 10<\/th>\nDiebel, Wendel. [Three Etudes<\/em>]
\nPre-publication copy, 1966.
\nEtude No. 1 (3 pages) \u2014 Etude No. 2 (3 pages) \u2014 Etude No. 3 (Toccata) (5 pages).
\nAccompanied by cover letter (August 13, 1966) from the composer.<\/td>\n<\/tr>\n
folder 11<\/th>\nDizi, F. J. 48 \u00e9tudes pour la harpe.<\/em>
\nNouvelle Edition en 2 livres. Livre I.
\nDoigt\u00e9es et corrig\u00e9es par Alph. Hasselmans.
\nParis: Mackar & No\u00ebl; A. No\u00ebl, Succr., s.d.. 61 pages. Pl. no. A. O. K. 1283 (1).<\/td>\n<\/tr>\n
folder 12<\/th>\nDizi, F. J. 48 \u00e9tudes pour la harpe.<\/em> Nouvelle Edition en 2 livres. Livre II. Doigt\u00e9e et corrig\u00e9e par A. Hasselmans.
\nParis: A. O\u2019Kelly, s.d.. Pl. no. A. O. K. 1283 (2). 74 pages.<\/td>\n<\/tr>\n
folder 13<\/th>\nGallon, No\u00ebl. Deux Etudes<\/em>.
\nParis: \u00c9ditions L. Philippo et M. Combre, c1961. 14 pages. Pl. no. P. 3024a.
\nI. Chromatisme \u2014 II. Moto perpetuo.
\n\u201cConcours du Conservatoire National Sup\u00e9rieur de Musique de Paris ann\u00e9e 1961\u201d\u2014on front cover.<\/td>\n<\/tr>\n
folder 14<\/th>\nGrandjany, M. Harp Technique: \u201cHow to Practice\u201d<\/em> #43.<\/em>
\nPublished by the composer.<\/td>\n<\/tr>\n
folder 15<\/th>\nGrossi, Maria. Metodo per Arpa.<\/em>
\nMilano: G. Ricordi and C., c1943. 154 pages. Pl. no. E.R. 2200.<\/td>\n<\/tr>\n
folder 16<\/th>\nLarivi\u00e8re, Ed. Exercices et \u00e9tudes,<\/em> op. 9.
\nR\u00e9vues et doigt\u00e9es . . . par Ralpha\u00ebl Martenot.
\nParis: Alphonse Leduc, s.d.. 30 pages. Pl. no. L.R. 320.<\/td>\n<\/tr>\n
folder 17<\/th>\nPozzoli, Ettore. Studi di media difficolt\u00e0 per arpa (Studies of moderate difficulty for harp).<\/em>
\nMilano: G. Ricordi & C., c1957. 70 pages. Pl. E.R. 2250.<\/td>\n<\/tr>\n
folder 18<\/th>\nReni\u00e9, Henriette. Complete Method for Harp. First Book: Technique.<\/em>
\nTranslated into English by Geraldine Ruegg.
\nParis: Alphonse Leduc, c1966. 125 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nReni\u00e9, Henriette. Complete Method for Harp. Second Book: I. Syntax-Appendix.<\/em>
\nParis: Alphonse Leduc, c1966. Page range 132-224.<\/td>\n<\/tr>\n
folder 2<\/th>\nRothstein, Deborah. Two Etudes for Harp.<\/em> \u2014 1973
\nMS repro; 3 pages of music.
\nCopyright 1973 Deborah Rothstein.
\nInscription by the composer on title page.<\/td>\n<\/tr>\n
folder 3<\/th>\nSalzedo, Carlos. L\u2019Etude Moderne de la Harpe (Modern Study of the Harp).<\/em>
\nNew York: G. Schirmer, c1921. 53 pages. Pl. no. 28766.
\nIn series: Schirmer\u2019s Scholastic Series; volume 55.<\/td>\n<\/tr>\n
folder 4<\/th>\nSchmidt, Eric. Six Etudes pour harpe.<\/em>
\nR\u00e9vues et doigt\u00e9es par Pierre Jamet.
\nParis: Alphonse Leduc, c1954. 16 pages. Pl. no. A.L. 21326.<\/td>\n<\/tr>\n
folder 5<\/th>\nVizthum, Heinrich \/ Berens, H[ermann]. 12 Studien im brillanten Style zur h\u00f6heren Ausbilding = 12 Studies in the Brilliant Style for attaining the higher perfection.<\/em>
\nF\u00fcr die Harfe bearbeitet und mit Fingersatz versehen von Heinrich Vizthum.
\nLeipzig: Aug, Cranz, s.d.. 21 pages. Pl. no. 36328.
\nMarkedly worn.<\/td>\n<\/tr>\n
folder 6<\/th>\nVizthum, Heinrich \/ Czerny, Carl. 20 Et\u00fcden aus Czerny\u2019s Schule der Gel\u00e4ufigkeit.<\/em>
\nF\u00fcr die Harfe bearbeitet von Heinrich Vitzthum.
\nLeipzig: Aug. Cranz, s.d.. 31 pages. Pl. no. 35447.
\nMarkedly worn.74<\/td>\n<\/tr>\n
folder 7<\/th>\nHarp Exercises<\/em>.
\nFolder contains copies of various etudes and exercises, both printed and MS repro.
\nOne of the items ( \u201cPlacing (crossing of the hands)\u201d is in the hand of Marcel Grandjany.<\/td>\n<\/tr>\n
folder 8<\/th>\nHarp etudes, various.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series HH: Harp parts from ensemble sets<\/em><\/span><\/p>\n

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N.B. Such designations as \u201cArpa I\u201d or \u201cArpa II\u201d or \u201cFirst harp\u201d or \u201cSecond harp\u201d are cited below only when such designations appear on the part in question.<\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1604338544238{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 9<\/th>\nArgento, Dominick. In Praise of Music.<\/em>
\nBoosey & Hawkes. 11 pages of music.<\/td>\n<\/tr>\n
folder 10<\/th>\nArnold, Malcolm. Four Scottish Dances,<\/em> op. 59.
\nTranscribed for symphonic band by John Paynter.
\nPaterson\u2019s Publications. 5 pages of music.<\/td>\n<\/tr>\n
folder 11<\/th>\nBach, J. S. Passio Secundum Joannem.<\/em>
\nBreitkopf & H\u00e4rtel. 2 pages of music.
\nNos. 30 (Recit.) and 31 (Arioso) only.<\/td>\n<\/tr>\n
folder 12<\/th>\nBarber, Samuel. Overture to \u201cThe School for Scandal\u201d.<\/em>
\nArranged for concert band by Frank M. Hudson.
\nG. Schirmer. 3 pages of music. Two copies.<\/td>\n<\/tr>\n
folder 13<\/th>\nBartok. Concerto for Orchestra.<\/em>
\nSeveral cues indicated. Pencil MS; 2 pages of music.
\nAccompanied by:<\/em>
\nThomas, Ambroise. Minon<\/em>.
\nPencil MS; 2 pages of music. Rehearsal letter \u201cA\u201d indicated.<\/td>\n<\/tr>\n
folder 14<\/th>\nBart\u00f3k, B\u00e9la. Der Wunderbare Mandarin<\/em>, op. 19.
\nUniversal-Edition. 13 pages of music.<\/td>\n<\/tr>\n
folder 15<\/th>\nBart\u00f3k, B\u00e9la. Der Wunderbare Mandarin<\/em>, op. 19.
\nUniversal-Edition. 15 pages of music.<\/td>\n<\/tr>\n
folder 16<\/th>\nBart\u00f3k, B\u00e9la. Musik f\u00fcr Saiteninstrumente, Schlagzeung und Celesta<\/em>.
\nUniversal-Edition. 8 pages of music.<\/td>\n<\/tr>\n
folder 17<\/th>\nBart\u00f3k, B\u00e9la. Second Suite<\/em>, op. 4. Revised edition, 1943.
\nUniversal-Edition. 26 pages of music.75<\/td>\n<\/tr>\n
folder 18<\/th>\nBart\u00f3k, B\u00e9la. Violin Concerto no. 2<\/em>.
\nHawkes & Son, Ltd. 11 pages of music.<\/td>\n<\/tr>\n
folder 19<\/th>\nBart\u00f3k, B\u00e9la. Violin Concerto no. 2
\n<\/em>Hawkes & Son, Ltd. 20 pages of music.<\/td>\n<\/tr>\n
folder 20<\/th>\nBerg, Alban. Lulu<\/em>.
\nUniversal-Edition. 59 pages of music.<\/td>\n<\/tr>\n
folder 21<\/th>\nBerg, Alban. Sieben fr\u00fche Lieder.<\/em>
\nUniversal-Edition. 13 pages of music.<\/td>\n<\/tr>\n
folder 22<\/th>\nBerlioz, Hector. Harold in Italien (Harold en Italie) (Harold in Italy)<\/em>, op. 16.
\nEdwin F. Kalmus. 2 pages of music.<\/td>\n<\/tr>\n
folder 23<\/th>\nBerlioz, Hector. Romeo und Julie (Rom\u00e9eo et Juliette) (Romeo and Juliet)<\/em>,op. 17.
\nEdwin F. Kalmus. 12 pages of music. Arpa I.<\/td>\n<\/tr>\n
folder 24<\/th>\nBerlioz, Hector. Romeo und Julie (Rom\u00e9eo et Juliette) (Romeo and Juliet)<\/em>,op. 17.
\nEdwin F. Kalmus. 12 pages of music. Arpa I..<\/td>\n<\/tr>\n
folder 25<\/th>\nBerlioz, Hector. Romeo and Juliet<\/em>, op. 17.
\nEdwin F. Kalmus. 7 pages of music. Arpa II.<\/td>\n<\/tr>\n
folder 26<\/th>\nBerlioz, Hector. Symphonie Fantastique<\/em>: Episode in the Life of an Artist<\/em>.(Movements No. II and No. IV.)
\nArranged by J. H. Foulds.
\nHawkes & Son. 6 pages of music.<\/td>\n<\/tr>\n
folder 27<\/th>\nBizet. Carmen Suite I<\/em>. II. Entr\u2019acte and III. Entr\u2019acte.
\n[Choudens] 3 pages of music.<\/td>\n<\/tr>\n
folder 28<\/th>\nBloch, Ernest. [Schelomo<\/em>]
\nG. Schirmer. 14 pages of music. Arpa I.<\/td>\n<\/tr>\n
folder 29<\/th>\nBloch, Ernest. Suite pour alto solo et Orchestre<\/em>.
\nG. Schirmer. 35 pages of music. Harp I.<\/td>\n<\/tr>\n
folder 30<\/th>\nBritten, Benjamin. The Burning Fiery Furnace<\/em>, op. 77.
\nFaber Music. 53 pages of music.<\/td>\n<\/tr>\n
folder 31<\/th>\nBritten, Benjamin. The Rape of Lucretia<\/em>, op. 37.
\nBoosey & Hawkes. 50 pages of music.<\/td>\n<\/tr>\n
folder 32<\/th>\nBritten, Benjamin. War Requiem<\/em>.
\nBoosey and Hawkes, c1962. 23 pages of music.<\/td>\n<\/tr>\n
folder 33<\/th>\nBritten, Benjamin. War Requiem<\/em>.
\nBoosey and Hawkes, c1962. 23 pages of music.<\/td>\n<\/tr>\n
folder 34<\/th>\nBritten, Benjamin. The Young Person\u2019s Guide to the Orchestra<\/em>.
\nLondon: Hawkes and Son, c1947.
\nComplete part. 11 pages of music.
\nProvenance: Eastman School Orchestra Library.<\/td>\n<\/tr>\n
folder 35<\/th>\nBritten, Benjamin. The Young Person\u2019s Guide to the Orchestra.<\/em>
\nLondon: Hawkes and Son, c1947.
\nVariations I through M. 6 pages of music.<\/td>\n<\/tr>\n
folder 36<\/th>\nBritten, Benjamin. The Young Person\u2019s Guide to the Orchestra.<\/em>
\nVariations I through M. Pencil MS; 8 pages of music.<\/td>\n<\/tr>\n
folder 37<\/th>\nBritten, Benjamin. The Young Person\u2019s Guide to the Orchestra.<\/em>
\nLondon: Hawkes and Son, c1947.
\nVariations I through M (incomplete). 4 pages of music.<\/td>\n<\/tr>\n
folder 38<\/th>\nBritten, Benjamin. The Young Person\u2019s Guide to the Orchestra.<\/em>
\nLondon: Hawkes and Son, c1947.
\nVariations I through M (incomplete). 4 pages of music.<\/td>\n<\/tr>\n
folder 39<\/th>\nBritten, Benjamin. The Young Person\u2019s Guide to the Orchestra.<\/em>
\nLondon: Hawkes and Son, c1947.
\nVariations I through M (incomplete). 4 pages of music.<\/td>\n<\/tr>\n
folder 40<\/th>\nBritten, Benjamin. The Young Person\u2019s Guide to the Orchestra.<\/em>
\nLondon: Hawkes and Son, c1947.
\nVariations I through M (incomplete). 4 pages of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1603813025508{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1604339803205{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nBruch, Max. Fantasie<\/em>, op. 16.
\n[ publisher ] 10 pages of music.
\nProvenance: facsimile of Janet Remington\u2019s copy<\/td>\n<\/tr>\n
folder 2<\/th>\nCanning, Thomas. Music for Eastertide.<\/em>
\nMS repro; 7 pages of music.<\/td>\n<\/tr>\n
folder 3<\/th>\nCassler, Winston. The Turtle Dove.<\/em>
\nSchmitt Publications. 2 pages of music.77<\/td>\n<\/tr>\n
folder 4<\/th>\nCouperin, Francois. Overture and Allegro: from La Sultane Suite.<\/em>
\nOrchestrated by Darius Milhaud.
\nElkan-Vogel. Incomplete; first page only.
\nProvenance: facsimile of Everett Gates\u2019 copy.<\/td>\n<\/tr>\n
folder 5<\/th>\nCouperin, Fran\u00e7ois. Overture and Allegro: from La Sultane Suite.<\/em>
\nOrchestrated by Darius Milhaud.
\nElkan-Vogel.<\/td>\n<\/tr>\n
folder 6<\/th>\nDebussy, Claude. Jeux<\/em>.
\nDurand & Cie. 16 pages of music.<\/td>\n<\/tr>\n
folder 7<\/th>\nDebussy, Claude. La Mer.<\/em>
\nDurand & Fils. 17 pages of music.<\/td>\n<\/tr>\n
folder 8<\/th>\nDebussy, Claude. Pell\u00e9as et M\u00e9lisande.<\/em>
\nEdwin F. Kalmus. 22 pages of music.<\/td>\n<\/tr>\n
folder 9<\/th>\nDebussy, Claude. Petite Suite.<\/em>
\nOrchestr\u00e9e par Henri B\u00fcsser.
\n[? Edwin F. Kalmus] 10 pages of music.<\/td>\n<\/tr>\n
folder 10<\/th>\nDebussy, Claude. Pr\u00e9lude \u00e0 l\u2019apr\u00e8s-midi d\u2019un faune.<\/em>
\nEdwin F. Kalmus. 4 pages of music. 1re harpe.<\/td>\n<\/tr>\n
folder 11<\/th>\nDebussy, Claude. Pr\u00e9lude \u00e0 l\u2019apr\u00e8s-midi d\u2019un faune.<\/em>
\nPencil MS; 4 pages of music.<\/td>\n<\/tr>\n
folder 12<\/th>\nDebussy, Claude. Rondes de Printemps<\/em>.
\nDurand & Fils. 14 pages of music.<\/td>\n<\/tr>\n
folder 13<\/th>\nDukas, Paul. L\u2019Apprenti Sorcier.<\/em>
\nDurand & Fils. 8 pages of music.<\/td>\n<\/tr>\n
folder 14<\/th>\nDutilleux, Henri. Cinq Metaboles.<\/em>
\nHeugel & Cie. 12 pages of music.<\/td>\n<\/tr>\n
folder 15<\/th>\nEnesco, Georges. 1re Rhapsodie Roumaine,<\/em> op. 11, no. 1.
\n[Enoch & Cie] 8 pages of music. 2e harpe.
\nAccompanied by (tipped in between pages 6 and 7):<\/em>
\nDelius, Frederick. The Walk to the Paradise Garden<\/em>: Intermezzo from the opera A Village Romeo and Juliet<\/em>.
\nArranged by Sir Thomas Beecham.
\nHawkes & Son. 2 pages of music.78<\/td>\n<\/tr>\n
folder 16<\/th>\nEnesco, Georges. 1re Rhapsodie Roumaine<\/em>, Op. 11, No. 1.
\nInk MS. 1 page of music.<\/td>\n<\/tr>\n
folder 17<\/th>\nFalla, Manuel de. El Sombrero de Tres Picos<\/em>.
\nFacsim. of rental copy; agency not cited. 34 pages of music.<\/td>\n<\/tr>\n
folder 18<\/th>\nFalla, Manuel de. El Sombrero de Tres Picos<\/em>.
\nJ. & W. Chester Ltd. 13 pages of music (numbered 1-12, 14; page 13
\nlacking).<\/td>\n<\/tr>\n
folder 19<\/th>\nFaur\u00e9, Gabriel. Fantasie for Flute and Orchestra<\/em>, op. 79.
\nOrch. James Galway.
\nMS repro. 7 pages of music.<\/td>\n<\/tr>\n
folder 20<\/th>\nFoss, Lukas. Time-Cycle.
\n<\/em>Carl Fischer. 13 pages of music.<\/td>\n<\/tr>\n
folder 21<\/th>\nGinastera, Alberto. Variaciones Concertantes para orquesta de c\u00e1mara<\/em>.
\nBarry & Cia. 9 pages of music.<\/td>\n<\/tr>\n
folder 22<\/th>\nGinastera, Alberto. Variaciones Concertantes.<\/em>
\nBoosey & Hawkes. 9 pages of music.<\/td>\n<\/tr>\n
folder 23<\/th>\nGlazounow, Alexandre. Valse de Concert.<\/em>
\nPencil MS. 2 pages of music.<\/td>\n<\/tr>\n
folder 24<\/th>\nGossec, F. Symphonie Concertante.<\/em>
\nEdited by B. Brook & M. Alterman.
\nMS repro. Harp I, 15 pages of music; Harp II, 14 pages of music.<\/td>\n<\/tr>\n
folder 25<\/th>\nGounod, Ch. Faust: Ballet.<\/em>
\nChoudens. 5 pages of music.<\/td>\n<\/tr>\n
folder 26<\/th>\nGrieg, Edvard. Drei Orchesterst\u00fccke aus der Musik zu: \u201cSigurd Jorsalfar<\/em>\u201d,op. 56.
\n[C. F. Peters] 1 page of music.<\/td>\n<\/tr>\n
folder 27<\/th>\nHandel, G. F. Esther<\/em>. No. 9: [Air, \u201cPraise the Lord\u201d]
\nMS repro. 5 pages of music<\/td>\n<\/tr>\n
folder 28<\/th>\nHanson, Howard. Love Duet: from the Opera Merry Mount (act II, scene 3)<\/em>.
\nHarms, Inc. 1 page of music.
\nProvenance: facsimile of Everett Gates\u2019 copy.<\/td>\n<\/tr>\n
folder 29<\/th>\n[Hanson, Howard] Merry Mount.<\/em>
\nPencil MS. 11 pages of music; appended by one page of pencil MS bearing title \u201cLove Duet\u201d.
\nThe 11 pages in an unknown hand; the \u201cLove Duet\u201d in E. Malone\u2019s hand.<\/td>\n<\/tr>\n
folder 30<\/th>\nHindemith, Paul. Concerto for Woodwinds, Harp, and Orchestra<\/em>.
\nSchott and Co., Ltd. 14 pages of music. Harp Solo.<\/td>\n<\/tr>\n
folder 31<\/th>\nHumperdinck, E. [Hansel und Gretel<\/em>] Rehearsal numbers 68 through 127.
\n[B. Schott\u2019s S\u00f6hne] 13 pages of music.<\/td>\n<\/tr>\n
folder 32<\/th>\nIves, Charles. Symphony No. 4.<\/em>
\nAssociated Music Publishers. 7 pages of music, numbered 2-8 (several pages comprised of 2 letter-sized segments to achieve large format).<\/td>\n<\/tr>\n
folder 33<\/th>\nLa Montaine, John. The Marshes of Glynn<\/em>, opus 53.
\nInk MS; 2 pages of music.<\/td>\n<\/tr>\n
folder 34<\/th>\nLiszt, F. Les Pr\u00e9ludes.<\/em>
\nBreitkopf & H\u00e4rtel. 4 pages of music.<\/td>\n<\/tr>\n
folder 35<\/th>\nLuigini, A. Ballet Egyptien.<\/em> Arr. by Theo Moses-Tobani.
\nCarl Fischer. 5 pages of music.<\/td>\n<\/tr>\n
folder 36<\/th>\nLutoslawski, Witold. Jeux Venitiens<\/em>.
\n[Moeck Verlag] 5 pages of music.<\/td>\n<\/tr>\n
folder 37<\/th>\nMahler, Gustav. Lieder eines fahrenden Gesellen.<\/em>
\nJosef Weinberger. 6 pages of music.<\/td>\n<\/tr>\n
folder 38<\/th>\nMahler, Gustav. Lieder eines fahrenden Gesellen.<\/em>
\nJosef Weinberger. 6 pages of music.<\/td>\n<\/tr>\n
folder 39<\/th>\nMahler, Gustav. Symphonie No. 1.<\/em>
\n[publisher\u2019s name lacking] 7 pages of music.<\/td>\n<\/tr>\n
folder 40<\/th>\nMahler, Gustav. Symphonie No. 2.<\/em>
\nEdwin F. Kalmus. Two parts present: 1. Harfe, 12 pages of music; 2. Harfe, 12 pages of music.<\/td>\n<\/tr>\n
folder 41<\/th>\nMahler, Gustav. Symphonie No. 5.<\/em>
\nEdwin F. Kalmus. 4 pages of music.<\/td>\n<\/tr>\n
folder 42<\/th>\nMahler, Gustav. [Symphonie No. 5<\/em> ] 4. Adagietto.
\nC. F. Peters. 2 pages of music.<\/td>\n<\/tr>\n
folder 43<\/th>\nMahler, Gustav. Achte Symphonie.<\/em>
\nUniversal-Edition. Two parts present: 1. Harfe, 14 pages of music; 2.
\nHarfe, 10 pages of music.<\/td>\n<\/tr>\n
folder 44<\/th>\nMahler, Gustav. Neunte Symphonie.<\/em>
\nUniversal Edition. Two parts present: 1. Harfe, 8 pages of music; 2.
\nHarfe, 5 pages of music.<\/td>\n<\/tr>\n
folder 45<\/th>\nMascagni, Pietro. Cavalleria Rusticana.<\/em>
\nMilano: E. Sonzogno.
\n! two separate parts present: apparently from different works.<\/em><\/td>\n<\/tr>\n
folder 46<\/th>\nMenotti, Gian-Carlo. Amahl and the Night Visitors.<\/em>
\nG. Schirmer. 23 pages of music.<\/td>\n<\/tr>\n
folder 47<\/th>\nMenotti, Gian-Carlo. Amahl and the Night Visitors.<\/em>
\nG. Schirmer. 23 pages of music.<\/td>\n<\/tr>\n
folder 48<\/th>\nMonteverdi. L\u2019Orfeo.<\/em>
\n[Publisher\u2019s name lacking] 2 pages of music. Arpa dopia.<\/td>\n<\/tr>\n
folder 49<\/th>\nMoussorgsky, Modest. [Pictures at an Exhibition<\/em>]
\nOrchestration de Maurice Ravel.
\n[Publisher\u2019s name lacking] 6 pages of music.
\nProvenance: Boosey & Hawkes.<\/td>\n<\/tr>\n
folder 50<\/th>\nNelson, Ron. Jubilee.<\/em>
\nTr. Wesley Hanson.
\nMS repro; 4 pages of music.<\/td>\n<\/tr>\n
folder 51<\/th>\nPetrassi, Goffredo. Concerto per flauto e orchestra.<\/em>
\nEdizioni Suvini Zerboni. 11 pages of music.<\/td>\n<\/tr>\n
folder 52<\/th>\nPiston, Walter. [6th Symphony<\/em> ]
\n[Publisher\u2019s name lacking] Selected pages: [2], 3, 4, 6, 7, 10, 12.
\nHarp I.<\/td>\n<\/tr>\n
folder 53<\/th>\nPonchielli, A. [La Gioconda<\/em> ] No. 18, Recitativo e Danze.
\n[Publisher\u2019s name lacking] 2 pages of music.<\/td>\n<\/tr>\n
folder 54<\/th>\nPoulenc, Francis. The Story of Babar the Little Elephant.<\/em>
\nOrchestration de Jean Fran\u00e7aix.
\nJ and W Chester Ltd. 10 pages of music.<\/td>\n<\/tr>\n
folder 55<\/th>\nProkofieff, S. Lieutenant Kije: Suite Symphonique, Op. 60.<\/em>
\n[Publisher\u2019s name lacking] 6 pages of music.<\/td>\n<\/tr>\n
folder 56<\/th>\nProkofiev, Sergei. \u0420\u041e\u041c\u0415\u041e \u0418 \u0414\u0416\u0423\u041b\u042c\u0415\u0422\u0422\u0410: \u043f\u0435\u0440\u0432\u0430\u044f \u0441\u044e\u0438\u0442\u0430<\/em>
\n(Romeo and Juliet: First Suite).<\/em>
\n[Publisher\u2019s name lacking] 10 pages of music.<\/td>\n<\/tr>\n
folder 57<\/th>\nProkofiev, Serge. \u0420\u041e\u041c\u0415\u041e \u0418 \u0414\u0416\u0423\u041b\u042c\u0415\u0422\u0422\u0410: 2\u044f \u0441\u044e\u0438\u0442\u0430<\/em>
\n(Rom\u00e9o et Juliette: 2me Suite).<\/em>
\n[Publisher\u2019s name lacking] 12 pages of music.<\/td>\n<\/tr>\n
folder 58<\/th>\n[Prokofiev, Serge. Symphony No. 6.<\/em> ]
\n[Publisher\u2019s name lacking] Pages 5 and 6 only.<\/td>\n<\/tr>\n
folder 59<\/th>\nPuccini, Giacomo. Gianni Schicchi: Solo di Lauretta (S.) \u201cO mio babbino caro…<\/em>\u201d
\nG. Ricordi and C. 2 pages of music.<\/td>\n<\/tr>\n
folder 60<\/th>\nPuccini, Giacomo. La Boh\u00e8me.<\/em>
\nEdwin F. Kalmus. 63 pages of music.<\/td>\n<\/tr>\n
folder 61<\/th>\n[Puccini, Giacomo] Intermezzo [from Manon Lescaut ]<\/em>
\nMS repro; 3 pages of music (numbered 34-36).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 17″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1603813034325{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1604340468072{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nPuccini, Giacomo. [selected passages from Tosca: act II, rehearsal numbers 52-54; and, act III, rehearsal numbers 1-8]
\n[Publisher\u2019s name lacking] 4 pages of music.<\/td>\n<\/tr>\n
folder 2<\/th>\nRavel, Maurice. Alborada del Gracioso.<\/em>
\nMax Eschig and Cie. Two parts present: 1\u00e8re Harpe, 6 pages of music; 2\u00e8me Harpe, 4 pages of music.<\/td>\n<\/tr>\n
folder 3<\/th>\nRavel, Maurice. Daphnis and Chlo\u00eb: Suite No. 2.<\/em>
\nPencil MS. Rehearsal numbers 155 through 221; 16 pages of music.
\nHarps 1 and 2.<\/td>\n<\/tr>\n
folder 4<\/th>\nRavel, Maurice. La Valse: po\u00e8me chor\u00e9ographique pour orchestre.<\/em>
\nDurand & Cie. Two parts present: 1re Harpe, 11 pages; 2de Harpe, 7 pages.<\/td>\n<\/tr>\n
folder 5<\/th>\nRavel, Maurice. La Valse.<\/em>
\nPencil MS. 11 pages of music.<\/td>\n<\/tr>\n
folder 6<\/th>\nRavel, Maurice. Ma M\u00e8re l\u2019Oye: 5 pi\u00e8ces enfantines.<\/em>
\nDurand & Cie. 10 pages.<\/td>\n<\/tr>\n
folder 7<\/th>\nRavel, Maurice. Ma M\u00e8re l\u2019Oye: 5 pi\u00e8ces enfantines.<\/em>
\nDurand & Cie. 10 pages.
\nAppended by one page from the harp part for the complete ballet,
\npublished by Durand & Cie (pl. no. D. & F. 8444), page 11, showing the harpist\u2019s cadenza.<\/td>\n<\/tr>\n
folder 8<\/th>\nRavel, Maurice. Piano Concerto [in G major]<\/em>.
\nPencil MS. Rehearsal no. 22; 1 page of music.<\/td>\n<\/tr>\n
folder 9<\/th>\nRavel, Maurice. Tzigane.<\/em>
\nDurand and Cie. 8 pages.<\/td>\n<\/tr>\n
folder 10<\/th>\nRavel, Maurice. Tzigane<\/em>.
\nDurand and Cie. 8 pages.
\nProvenance: Jacques Gordon.<\/td>\n<\/tr>\n
folder 11<\/th>\nRavel, Maurice. Valses Nobles et Sentimentales.<\/em>
\nDurand and Cie. 16 pages. Harpes 1 et 2.<\/td>\n<\/tr>\n
folder 12<\/th>\nRespighi, O. Antiche Danze ed Arie (IIa Suite).<\/em>
\nG. Ricordi and C. Various pages from, as per handwritten annotations, both the harp part and the cembalo part.<\/td>\n<\/tr>\n
folder 13<\/th>\nRespighi, O. Fontane di Roma.<\/em>
\nG. Ricordi & C.. Arpa 1a, 7 pages; Arpa 2a, 7 pages.<\/td>\n<\/tr>\n
folder 14<\/th>\nRespighi, O. Pini di Roma.<\/em>
\nG. Ricordi & C.. 7 pages of music.<\/td>\n<\/tr>\n
folder 15<\/th>\nRespighi, O. Trittico Botticelliano.<\/em>
\nG. Ricordi & C.. 8 pages of music.<\/td>\n<\/tr>\n
folder 16<\/th>\nReznicek, E. N. von. Donna Diana: Ouverture.<\/em>
\nEdwin F. Kalmus. 1 page.<\/td>\n<\/tr>\n
folder 17<\/th>\nRimsky-Korsakov, N. A. Capriccio Espagnol<\/em>, op. 34.
\nM. P. Belaieff. 6 pages.<\/td>\n<\/tr>\n
folder 18<\/th>\nRimsky-Korsakov, N. A. Caprice Espagnol.<\/em>
\nCadenza, transcribed by Carlos Salzedo (1931).
\nInk MS; 1 page of music.<\/td>\n<\/tr>\n
folder 19<\/th>\nRimsky-Korsakov, N. Fandango Asturiano<\/em> [from Capriccio Espagnole<\/em>].
\nPencil MS; 4 pages of music.<\/td>\n<\/tr>\n
folder 20<\/th>\nRimsky-Korsakov, N. Ouverture \u201cLa grande P\u00e2que Russe<\/em>\u201d op. 36.
\nM. P. Belaieff. 6 pages of music.<\/td>\n<\/tr>\n
folder 21<\/th>\nRimsky-Korsakov, N. Ouverture \u201cLa grande P\u00e2que Russe<\/em>\u201d op. 36.
\nM. P. Belaieff. 6 pages of music; accompanied by 2 pages of pencil MS.<\/td>\n<\/tr>\n
folder 22<\/th>\nRimsky-Korsakov, N. Scheherazade: Suite Symphonique,<\/em> op. 35.
\nM. P. Belaieff. 8 pages of music.<\/td>\n<\/tr>\n
folder 23<\/th>\nRimsky-Korsakov, N. Scheherazade: Suite Symphonique<\/em>, op. 35.
\nEdwin F. Kalmus. 3 pages of music.<\/td>\n<\/tr>\n
folder 24<\/th>\nRossini, G. \u201cAssisa a pie\u2019 d\u2019un salice<\/em>\u201d: canzone di Desdemona from Otello, atto III.
\nG. Ricordi & C.. 3 pages of music.<\/td>\n<\/tr>\n
folder 25<\/th>\n[Roussel, Albert. Bacchus and Ariane<\/em>: second suite, act II]
\nDurand & Fils.. 7 pages of music.<\/td>\n<\/tr>\n
folder 26<\/th>\n[Saint-Sa\u00ebns, C.] Danse Bacchanale<\/em> [from Samson and Dalila<\/em>]
\n[Publisher\u2019s name lacking; plate no. illegible] 2 pages of music.<\/td>\n<\/tr>\n
folder 27<\/th>\n[Schmidt, Harvey] The Fantasticks<\/em>.
\nRepro of copyist\u2019s part; agency not cited. ___ pages of music.
\nTitle \u201cFantasticks\u201d added in caption of page in E. Malone\u2019s hand.<\/td>\n<\/tr>\n
folder 28<\/th>\n[Schuller, Gunther. Seven Studies on Themes of Paul Klee<\/em>]
\nMS repro; 3 pages of music.<\/td>\n<\/tr>\n
folder 29<\/th>\n[Schuller, Gunther] Violin Concerto.<\/em>
\nMS repro; 4 pages of music.<\/td>\n<\/tr>\n
folder 30<\/th>\nSibelius, Jean. Symphonie No. 1<\/em>.
\nBreitkopf und H\u00e4rtel. 13 pages.<\/td>\n<\/tr>\n
folder 31<\/th>\nSmetana, Bed\u0159ich. [Vysehrad (High Castle)<\/em> from Ma Vlast<\/em> ].
\nEditio Supraphon. Arpe I\/II. 4 pages.<\/td>\n<\/tr>\n
folder 32<\/th>\nStrauss, Richard. \u201cAlso sprach Zarathustra<\/em>!\u201d: Tondichtung (frei nach Friedr. Niezsche), op. 30.
\n[Publisher\u2019s name lacking] Harfe I, 12 pages; Harfe II, 11 pages.<\/td>\n<\/tr>\n
folder 33<\/th>\nStrauss, Richard. Ariadne auf Naxos.<\/em>
\nNeue Bearbeitung. Adolph F\u00fcrstner. c1916. Arpa I, 42 pages.
\nAccompanied by selected pages from Arpa II (rehearsal numbers 274 through 334).<\/td>\n<\/tr>\n
folder 34<\/th>\nStrauss, Richard. Suite from the Opera Der Rosenkavalier,<\/em> op. 59.
\nBoosey & Hawkes. 1st Harp, 5 pages of music; 2nd Harp, 5 pages of music.<\/td>\n<\/tr>\n
folder 35<\/th>\nStrauss, Richard. Ein Heldenleben<\/em>, op. 40.
\nF. K. C. Leuckart. Erste Harfe, 11 pages; Zweite Harfe, 2 copies, each 12 pages.<\/td>\n<\/tr>\n
folder 36<\/th>\nStrauss, Richard. Ein Heldenleben.<\/em>
\nPencil MS; 12 pages of music. 1st Harp.<\/td>\n<\/tr>\n
folder 37<\/th>\nOrchesterstudien aus Richard Strauss\u2019 B\u00fchnenwerken.<\/em> [F\u00fcr] Harfe. Ausgew\u00e4hlt und bezeichnet von Franz Poenitz.
\nBerlin: Adolph F\u00fcrstner, c1912. Pl. no. A. 6434 F (II)
\nHarfe II [aus] Guntram,<\/em> op. 25 \u2014 Harfe I [aus] Guntram<\/em>, op. 25 \u2014 Elektra<\/em>, op. 58 \u2014 0<\/td>\n<\/tr>\n
folder 38<\/th>\nStrauss, Richard. Salomes Tanz aus dem Musikdrama Salome<\/em>.
\nAdolph F\u00fcrstner. 8 pages.<\/td>\n<\/tr>\n
folder 39<\/th>\nStrauss, Richard. Salome\u2019s Dance.<\/em>
\nBoosey & Hawkes. 8 pages.<\/td>\n<\/tr>\n
folder 40<\/th>\nStrauss, Richard. Symphonia Domestica<\/em>, op. 53.
\nEdwin F. Kalmus. 11 pages. Harfe II.<\/td>\n<\/tr>\n
folder 41<\/th>\nStrauss, Richard. Tod und Verkl\u00e4rung<\/em>, op. 24.
\nEdwin F. Kalmus. 5 pages. 2. Harfe.<\/td>\n<\/tr>\n
folder 42<\/th>\nStravinsky, Igor. Agon<\/em>: ballet for twelve dancers.
\nBoosey & Hawkes. 8 pages.<\/td>\n<\/tr>\n
folder 43<\/th>\nStravinsky, Igor. Berceuse (from \u201cFirebird Suite\u201d<\/em>). arr. by Dick O. Wilson.
\nTheodore Presser. 1 pages.<\/td>\n<\/tr>\n
folder 44<\/th>\nStravinsky, Igor. Chant du Rossignol.<\/em>
\nBoosey & Hawkes. Arpa I, 12 pages; Arpa II, 12 pages.<\/td>\n<\/tr>\n
folder 45<\/th>\nStravinsky, Igor. Berceuse<\/em> [from Firebird Suite].
\nEdwin F. Kalmus. 2 pages.<\/td>\n<\/tr>\n
folder 46<\/th>\nStravinsky, Igor. Symphony in Three Movements.<\/em>
\n[Publisher\u2019s name lacking] 10 pages of music.<\/td>\n<\/tr>\n
folder 47<\/th>\nThomas, Ambroise. Ouverture [from] Mignon:<\/em> op\u00e9ra en 3 actes.
\n[Publisher\u2019s name lacking; plate no. illegible] 2 pages of music.<\/td>\n<\/tr>\n
folder 48<\/th>\nThompson, Randall. A Feast of Praise.<\/em>
\nE. C. Schirmer. 8 pages of music.<\/td>\n<\/tr>\n
folder 49<\/th>\nTschaikowsky, P. Le Lac Des Cygnes<\/em>: No. 4 Sc\u00e8ne.
\nPencil MS; 2 pages of music.<\/td>\n<\/tr>\n
folder 50<\/th>\nTschaikowsky, P. Nutcracker<\/em> (I, II, III only).
\nEdwin F. Kalmus. 1 page of music.<\/td>\n<\/tr>\n
folder 51<\/th>\nTschaikowsky, P. Romeo et Juliette<\/em>: Overture-Fantaisie.
\nInternational Music Service. 3 pages of music.<\/td>\n<\/tr>\n
folder 52<\/th>\nTschaikowsky, P. [Various pages from the harp parts of Tchaikovsky\u2019s ballets]
\nNo single harp part within this folder is complete.<\/td>\n<\/tr>\n
folder 53<\/th>\nVaughan Williams, R. Variation III from Variants of Dives and Lazarus.<\/em>
\nPencil MS; 2 pages of music.<\/td>\n<\/tr>\n
folder 54<\/th>\nVerdi, G. Gran scena e duetto, atto II; and, Morte di Rodrigo e Sommossa, atto III from Don Carlo<\/em>.
\nG. Ricordi & C. 5 pages of music.<\/td>\n<\/tr>\n
folder 55<\/th>\nVerdi, G. Scena, romanza e terzetto, atto primo from Il Travatore<\/em>.
\nG. Ricordi & C. 3 pages of music.<\/td>\n<\/tr>\n
folder 56<\/th>\nVerdi, G. Melodia Eleonora from La Forza del Destino.<\/em>
\n2 pages of music. Arpa Ia.<\/td>\n<\/tr>\n
folder 57<\/th>\nVerdi, G. Overture to the Opera: \u201cLa Forza del Destino.<\/em>\u201d
\nArr. by Ross Jungnickel.
\nPublished by the composer. 1 page of music.<\/td>\n<\/tr>\n
folder 58<\/th>\nVerdi, G. [Various pages from Otello<\/em>]
\n[Publisher\u2019s name lacking] 7 pages of music.<\/td>\n<\/tr>\n
folder 59<\/th>\nVerdi, G. Un Ballo in Maschera<\/em> [rehearsal numbers 16 through 76].
\nG. Ricordi & C. 8 pages of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nWagner, R. Feuerzauber (Fire music) from Die Walk\u00fcre.<\/em>
\nPencil MS; 2 pages of music.<\/td>\n<\/tr>\n
folder 2<\/th>\nWagner, R. The Flying Dutchman Overture.<\/em>
\nInk MS; 2 pages of music.<\/td>\n<\/tr>\n
folder 3<\/th>\nWagner, Richard. Ouvert\u00fcre zu der Oper Der Fleigende Holl\u00e4nder (Overture to the opera The Flying Dutchman).<\/em>
\nBreitkopf und H\u00e4rtel. 2 pages of music.<\/td>\n<\/tr>\n
folder 4<\/th>\nWagner, R. Gotterdamerung: Closing Scene.<\/em>
\n[Publisher\u2019s name lacking] 9 pages.<\/td>\n<\/tr>\n
folder 5<\/th>\nWagner, R. Gotterdamarung: Closing Scene.<\/em>
\nMS repro; 6 pages of music.<\/td>\n<\/tr>\n
folder 6<\/th>\nWagner, R. Lohengrin<\/em>.
\n[Publisher\u2019s name lacking] 2 pages of music.<\/td>\n<\/tr>\n
folder 7<\/th>\nWagner, R. II. Scene from Die Meistersinger von N\u00fcrnberg.<\/em>
\n[Publisher\u2019s name lacking] 8 pages of music.<\/td>\n<\/tr>\n
folder 8<\/th>\nWagner, R. Siegfried: Act III.<\/em>
\nMS repro; 5 pages of music. Harps 1-6. Three copies.
\nProvenance: Eugene Goossens.<\/td>\n<\/tr>\n
folder 9<\/th>\nWagner, Richard. Einleitung: Tannh\u00e4users Pilgerfahrt [aus der Oper Tannh\u00e4user]<\/em>, act III.
\n[Publisher\u2019s name lacking ] 3 pages of music.<\/td>\n<\/tr>\n
folder 10<\/th>\nWagner, R. [Excerpts from various works]
\n36 pages of music.
\nWorks represented<\/em>:
\nSiegfrieds Tod under Trauer-Marsch aus G\u00fctterd\u00e4mmerung \u2014 Der Venusberg [aus] Tannh\u00e4user \u2014 Liebeslied aus \u201cDie Walk\u00fcre\u201d \u2014 Vorspiel und Isoldes Liebestod \u2014 Einzug der G\u00f6tter in Wallhall aus Das Rheingold
\n\u2014 Walthers Preislied aus Die Meistersinger von N\u00fcrnberg \u2014 Tonbild aus \u201cDas Rheingold\u201d \u2014 Elsas Traum aus Lohengrin. Siegfrieds Rheinfahrt.<\/td>\n<\/tr>\n
folder 11<\/th>\nWalton, William. Violin Concerto.<\/em>
\nMS repro; 17 pages of music.<\/td>\n<\/tr>\n
folder 12<\/th>\nWebern, Anton. Passacaglia f\u00fcr Orchester<\/em>, op. 1.
\nUniversal Edition. 2 pages of music.<\/td>\n<\/tr>\n
folder 13<\/th>\n[Harp parts, various]
\nMS facsimile.
\nWorks represented:<\/em>
\nCapriccio Espagnole; Nutcracker Suite; Mignon; Swan Lake.<\/td>\n<\/tr>\n
folder 14<\/th>\n[Harp parts, various]
\nPencil MS in spiral-bound MS book.
\nWorks represented<\/em>:
\nLondon Symphony \u2014 Piston\u2019s 3rd Symphony \u2014 Faur\u00e9\u2019s Requiem \u2014 Roussel\u2019s Bacchus and Ariane \u2014 Bartok\u2019s Concerto for Orchestra \u2014 Strauss\u2019 Der Burger als Edelmann \u2014 Faur\u00e9\u2019s Shylock \u2014 Strauss\u2019 Der Rosenkavalier \u2014 Prokofiev\u2019s 5th Symphony \u2014 Mahler\u2019s 2nd Symphony\u2014 Bruch\u2019s Schelomo \u2014 Bloch\u2019s Sinfonia Breve \u2014 Bizet\u2019s Carmen \u2014Strauss\u2019 Ein Heldenleben \u2014 Shostakovich\u2019s 5th Symphony \u2014 Falla\u2019s The Three-cornered Hat 1 Tchaikovsky\u2019s Nutcracker Suite \u2014 Strauss\u2019 Salome\u2019s Song \u2014 Janacek\u2019s Sinfonietta \u2014 Pinto\u2019s Kathleen Mavourmeen.<\/td>\n<\/tr>\n
folder 15<\/th>\n[Harp parts, various: from large ensemble works]
\nPencil MS in Miss Malone\u2019s hand.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series II: Harp and chorus<\/em><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1604341760864{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n
folder 16<\/th>\nBrahms, Johannes. \u201cI Hear a Harp<\/em>\u201d op. 17, no. 1.
\nFor three-part women\u2019s voices, horn and harp.
\nPoem by Ruperti; English version by Natalia Macfarren.
\n[New York]: G. Schirmer, s.d.<\/td>\n<\/tr>\n
folder 17<\/th>\nBrahms, Johannes. I Hear a Harp<\/em>, op. 17, no. 1.
\nFor 3-part chorus of women\u2019s voices, with accompaniment of horn (in low C) and harp (or piano).
\nText by Ruperti; English version by Natalia Macfarren. Edited by H. Clough-Leighter.
\nBoston: E. C. Schirmer, c1928. Pl. no. E. C. S. No. 353.
\nVocal score (14 pages).
\nIn series: Commonwealth Series; no. 494.<\/td>\n<\/tr>\n
folder 18<\/th>\nBritten, Benjamin. A Ceremony of Carols<\/em>, op. 28.
\n[London]: Boosey & Co. Ltd., c1943.
\nPart for Harp (or piano).88<\/td>\n<\/tr>\n
folder 19<\/th>\nHolst, Gustav. Choral Hymns from the Rig Veda.<\/em> Third group.
\nSurrey: Stainer and Bell Ltd., c1912. 23 pages.<\/td>\n<\/tr>\n
folder 20<\/th>\nLa Montaine, John. Wonder Tidings: a cycle of Christmas carols for mixed voices<\/em>.
\nWith soprano, alto, tenor and baritone soli. New York: H. W. Gray, c1964.<\/td>\n<\/tr>\n
folder 21<\/th>\nRichardson, Edna. In the Time of Roses<\/em>.
\nInk MS; 4 pages of music.
\nFor SSA with piano accompaniment.<\/td>\n<\/tr>\n
folder 22<\/th>\nWhite, Louie L. Prayer of St. Francis of Assisi<\/em>.
\nFor treble voices SSAA, \u2018cello and harp (or keyboard).
\nNew York: Belwin-Mills, c1971.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 2: Music for other Instruments<\/span><\/span><\/strong><\/p>\n

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<\/a>Sub-series A: Solo piano<\/em><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1604341823902{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n
folder 23<\/th>\nAlbeniz, I. Tango<\/em>: in D. Original version.
\nEdited by Hugo Ries.
\nBoston: G. Schirmer, c1911. 2 pages of music.<\/td>\n<\/tr>\n
folder 24<\/th>\nBach, Karl Philipp Emanuel. Solfeggietto<\/em>.
\nRevised and fingered, with exact pedal signs, and arranged for left hand solo ad libit. by A. R. Parsons.
\n[New York]: G. Schirmer, c1885. 4 pages of music. Two copies.<\/td>\n<\/tr>\n
folder 25<\/th>\nBach, J. S. Inventionen.<\/em>
\nNeu revidirte Ausgabe. Herausgegeben von Czerny, Griepenkerl und Adolf Ruthardt.
\nLeipzig: C. F. Peters, s.d. 63 pages.<\/td>\n<\/tr>\n
folder 26<\/th>\nBach, J. S. Fifteen Three-Part Inventions.<\/em>
\nEdited and fingered by Dr. Wm. Mason.
\nNew York: G. Schirmer, c1894. 33 pages.<\/td>\n<\/tr>\n
folder 27<\/th>\nBeethoven, Ludwig van. Sonatas<\/em>, vol. I.
\nEdited by J. Jir\u00e1nek, H. Trne\u010dek and Hans Semper.
\nBoston: B. F. Wood, c1923.<\/td>\n<\/tr>\n
folder 28<\/th>\nBeethoven, Ludwig van. Sonatas<\/em>, vol. I.
\n[New York: G. Schirmer c1894)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 19″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1603813180471{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1604341977962{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/th>\nBeethoven, Ludwig van. Sonata,<\/em> op. 31, no. 3.
\nNew York: G. Schirmer, c1894.<\/td>\n<\/tr>\n
folder 2<\/th>\nBeethoven, Ludwig van. Sonata quasi una Fantasia<\/em>, op. 27, no. 2.
\nRevised and fingered by Dr. Hans von B\u00fclow and Dr. Sigmund Lebert.
\nNew York: G. Schirmer, c1894.<\/td>\n<\/tr>\n
folder 3<\/th>\nBrahms, Johannes. Waltz in A-flat<\/em>, opus 39, no. 15.
\nBoston: B. F. Wood Music, s.d.. Pl. no. B.F.W. 6707-2.<\/td>\n<\/tr>\n
folder 4<\/th>\nBrown, A.L. Anita: Spanish Dance,<\/em> op. 21, no. 6.
\nFrom Souvenirs du voyage: ten sketches for piano<\/em>.
\nBoston: B. F. Wood, c1902.<\/td>\n<\/tr>\n
folder 5<\/th>\nChopin, Fr. Etude<\/em>, op. 10, no. 12.
\nEdited and fingered by Paolo Gallico.
\nNew York: Jos. W. Stern and Co., c1910.<\/td>\n<\/tr>\n
folder 6<\/th>\nCoit, Lottie and Ruth Bampton. Doll\u2019s Lullaby<\/em>.
\nNew York: J. Fischer and Bro., c1944.
\nPresentation copy: bears inscription by Lottie E. Coit.<\/td>\n<\/tr>\n
folder 7<\/th>\nDebussy, Claude. La Cath\u00e9drale engloutie<\/em>: extrait du Ier Livre de Pr\u00e9ludes.
\nParis: A. Durand & Fils, c1910
\nProvenance: Zillah Halstead<\/td>\n<\/tr>\n
folder 8<\/th>\nGarnett, Bonnie. [Untitled]
\nPencil MS; 6 pages of music.<\/td>\n<\/tr>\n
folder 9<\/th>\nHartmann, Arthur. Hungarian Melodies for the pianofort<\/em>e.
\nHarmonized by Arthur Hartmann.
\nPhiladelphia: Theodore Presser Co., c1918.
\nInscription by the composer to Zillah Halstead on title page, with correction in his hand to read \u201cFreely and idiomatically transcribed\u201d in place of \u201charmonized\u201d.
\nAccompanied by press clipping (concert review, \u201cHartmann proves his art in concert at Wesleyan\u201d).<\/td>\n<\/tr>\n
folder 10<\/th>\nLeschetizky, Th. Intermezzo in Octaves<\/em>, op. 44, no. 4.
\nNew York: G. Schirmer, c1914.<\/td>\n<\/tr>\n
folder 11<\/th>\nMacDowell, Edward. Woodland Sketches<\/em>.
\nBoston: Arthur P. Schmidt Co., c1924.<\/td>\n<\/tr>\n
folder 12<\/th>\nPinto, A. Francis. Festival of the Pickannies.<\/em>
\nNew York: International Music Publishing Co., c1911.<\/td>\n<\/tr>\n
folder 13<\/th>\nPoldini, Ed. Oiseaux de passage (Birds of passage)<\/em>.
\nEdited and fingered by Louis Oesterle.
\nNew York: G. Schirmer, c1907.<\/td>\n<\/tr>\n
folder 14<\/th>\nWagner, Richard. Wedding March from \u201cLohengrin<\/em>\u201d.
\nArranged by E. Pauer.
\nNew York: G. Schirmer, s.d.. Two copies.<\/td>\n<\/tr>\n
folder 15<\/th>\nZeller, Ada. Reflections on the Water<\/em>.
\nNew York: Brancado Publishing Co., c1933.
\nInscribed by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: Piano studies and methods<\/em><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1604342087674{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n
folder 16<\/th>\nCramer, J. B. Fifty Studies for the Piano.<\/em>
\nSelected and fingered by Hans von B\u00fclow.
\nNew York: G. Schirmer, Inc., c1904.<\/td>\n<\/tr>\n
folder 17<\/th>\nHeller, Stephen. Twenty-Four Piano Studies<\/em>, op. 125.
\nNew York: G. Schirmer, Inc., c1893.<\/td>\n<\/tr>\n
folder 18<\/th>\nMason, Dr. William. Touch and Technic: for artistic piano playing<\/em>, op. 44.
\nPhiladelphia: Theodore Presser, c1897.<\/td>\n<\/tr>\n
folder 19<\/th>\nRobyn, Louis. Technic Tales<\/em>, book two.
\nBoston: Oliver Ditson, c1930.<\/td>\n<\/tr>\n
folder 20<\/th>\nThe School Credit Piano Course<\/em>. First Year, Book Four.
\nBoston: Oliver Ditson Co., c1918.<\/td>\n<\/tr>\n
folder 21<\/th>\nThe School Credit Piano Course<\/em>. Second Year, Book One.
\nBoston: Oliver Ditson Co., c1918.
\nAccompanied by: The School Credit Piano Course: Supplementary Pieces,<\/em> book one. Boston: Oliver Ditson, c1919.<\/td>\n<\/tr>\n
folder 22<\/th>\nWagner, Bernard. Piano Course,<\/em> book one.
\nBoston: Oliver Ditson, c1938.
\nInscribed by the composer.
\nProvenance: Zillah Halstead<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series C: Two pianos<\/em><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1604342219677{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n
folder 23<\/th>\nDebussy, Claude. Danses<\/em>: pour HARPE chromatique ou PIANO avecaccompt. d\u2019orchestre d\u2019instruments \u00e0 cordes.
\nParis: A. Durand & Fils., c1904. 22 pages. Pl. no. D. & F. 6429.
\nScore for 1er piano (principal) and 2d piano (r\u00e9duction de l\u2019orchestre).
\nTwo copies.
\nI. Danse sacr\u00e9e \u2014 II. Danse profane.<\/td>\n<\/tr>\n
folder 24<\/th>\nDebussy, Claude. Danses<\/em>: pour HARPE chromatique ou PIANO avecaccompt. d\u2019orchestre d\u2019instruments \u00e0 cordes.
\nParis: A. Durand & Fils., c1904. 22 pages. Pl. no. D. & F. 6429.
\nScore for 1er piano (principal) and 2d piano (r\u00e9duction de l\u2019orchestre).
\nI. Danse sacr\u00e9e \u2014 II. Danse profane.<\/td>\n<\/tr>\n
folder 25<\/th>\nDebussy, Claude. Danses<\/em>: pour HARPE chromatique ou PIANO avecaccompt. d\u2019orchestre d\u2019instruments \u00e0 cordes.
\nParis: A. Durand & Fils., c1904. 22 pages. Pl. no. D. & F. 6429.
\nScore for 1er piano (principal) and 2d piano (r\u00e9duction de l\u2019orchestre).
\nMarkedly more worn than the copies in folders 23 and 24.
\nI. Danse sacr\u00e9e \u2014 II. Danse profane.<\/td>\n<\/tr>\n
folder 26<\/th>\nLecuona, Ernesto. Andalucia<\/em>: from the Spanish suite \u201cAndalucia\u201d.
\nArranged for two pianos by Grace Helen Nash.
\n[New York]: Edward B. Marks, c1932.<\/td>\n<\/tr>\n
folder 27<\/th>\nYeh, H. D. Menuet: from Concerto Grosso in F major.
\n<\/em>For two pianos.
\nMS repro; 3 pages of music.<\/td>\n<\/tr>\n
folder 28<\/th>\nUnnamed. Turkey in the Straw<\/em>.
\nInk MS; 4 pages of music.
\nPiano I.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series D: Vocal duet and string quartet<\/em><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n
folder 29<\/th>\nYeh, Huai-Deh. Ariel\u2019s Song: a vocal duet with string quartet (in Chinese style.)<\/em>
\nMS repro; score (5 pages) and 5 parts.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series E: Choir and organ<\/em><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n
folder 30<\/th>\nYeh, H. D. \u201cGlory to God in the Highest and on Earth Peace, Good Will toward Men.\u201d
\n<\/em>Published by the composer. MS repro; 12 pages of music.
\nInscribed by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series F: String orchestra<\/em><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n
folder 31<\/th>\nRebikoff, V. Cradle Song<\/em>.
\nTranscribed for string orchestra by Quinto Maganini.
\nNew York: Edition Musicus, c1942.
\nScore (3 pages) and harp part.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series G: Viola and piano<\/em><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n
folder 32<\/th>\nMoffat, A. Old Masters for Young Players<\/em>. 12 easy Classical pieces arranged after the originals for viola and piano.
\nLondon: Schott and Co., Ltd., c1930.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series H: Strings and piano<\/em><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1604003469495{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n
folder 33<\/th>\nApplebaum, Samuel. Classical Pieces<\/em>.
\nArranged for two violins and piano (in the first and third positions.)
\nNew York: G. Schirmer, c1955.<\/td>\n<\/tr>\n
folder 34<\/th>\nCowles, Eugene; arr. Karl Rissland. Forgotten<\/em>.
\nArranged for violin, cello and piano by Karl Rissland.
\nBoston: Oliver Ditson Co., c1922.
\nScore and two parts.<\/td>\n<\/tr>\n
folder 35<\/th>\nSchubert, Franz. Theme: from Impromptu in B-flat<\/em>.
\n4 pages of music.<\/td>\n<\/tr>\n
folder 36<\/th>\nYeh, Huai-deh. Echoes from the Great Wall<\/em>.
\nThree two-part Ricercars in Chinese style using the Pentatonic scale. For one, two or more instruments.
\nCopyright 1974 by Walter Huai-deh Yeh.
\nInscribed by Walter Yeh.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series I: Solo violin<\/em><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n
folder 37<\/th>\nBach, J. S. 6 Sonatas and Partitas<\/em>. For solo violin.
\nWith facsimile of the autograph manuscript. Edited by Ivan Galamian.
\nNew York: International Music Company, c1971.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series J: Violin and piano<\/em><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1604003703051{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n
folder 38<\/th>\nDebussy, Claude. La fille aux cheveux de lin<\/em>.
\nTranscription pour violon et piano par Arthur Hartmann.
\nParis: A. Durand & Fils, c1910.
\nScore and violin part.<\/td>\n<\/tr>\n
folder 39<\/th>\n\n

Two publications in folder<\/em>:<\/p>\n

    \n
  • Massenet, J.. Meditation from Tha\u00efs<\/em>.
    \n<\/span>Transcription pour violon et piano par M. P. Marsick.
    \nParis: Heugel et Cie., c1894.
    \nScore and two parts.
    \nMarkedly worn.<\/li>\n
  • Massenet, J.. Meditation from Tha\u00efs<\/em>.
    \n<\/span>Transcription pour violon et piano par M. P. Marsick.
    \nParis: Heugel et Cie., c1894. Pl. no. H. et Cie. 9625(1d).
    \nPiano score only; violin part lacking.
    \nMarkedly worn.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 40<\/th>\nRoberts, Chas. J. Carl Fischer Favorite Concert Album<\/em>. Volume I.
\nCompiled and arranged by Chas. J. Roberts.
\nNew York: Carl Fischer, c1909.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nSchubert, Fr.. Ave Maria<\/em>.
\nTranscribed by August Wilhelmj.
\nNew York: Carl Fischer, Inc., c1909.
\nPiano score only; violin part lacking.<\/td>\n<\/tr>\n
folder 2<\/th>\nWier, Albert E. Violin Pieces the Whole World Plays.
\n<\/em>Selected and edited by Albert E. Wier.
\nNew York: D. Appleton and Company, c1928.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series K: Flute and piano<\/em><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1604343580209{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n
folder 3<\/th>\nBeethoven, L. Romance<\/em>.
\n[Boston: Boston Music Co., s.d.] 2 pages of music.<\/td>\n<\/tr>\n
folder 4<\/th>\nBizet, G. Minuet.<\/em>
\n[Boston: Boston Music Co., s.d.] 3 pages of music.<\/td>\n<\/tr>\n
folder 5<\/th>\nGarnett, Bonnie. Morning Glory Dance.<\/em> \u2014 1970
\nFor solo flute and dancer, accompanied by four flutes.
\nInk MS. 5 parts.
\nAccompanied by one hardbound copy of the same composition as published by the composer, c1970.<\/td>\n<\/tr>\n
folder 6<\/th>\nHalphen, Fernand. Sicilienne.<\/em> Pour fl\u00fbte (ou violon) et piano.
\nParis: Enoch & Cie, c1898.
\nScore and solo part.<\/td>\n<\/tr>\n
folder 7<\/th>\nHerbert, V. Gypsy Love Song<\/em>. For flute and piano.
\n[Boston: Boston Music Co., s.d.] 3 pages of music.<\/td>\n<\/tr>\n
folder 8<\/th>\nRavel, Maurice. Pi\u00e8ce en forme de Habanera.<\/em>
\nTranscription pour fl\u00fbte ou hautbois ou violon avec accompagnement de piano par Th Doney.
\nParis: Alphonse Leduc & Cie., 1921. Score and solo part.<\/td>\n<\/tr>\n
folder 9<\/th>\nRavel, Maurice. Pi\u00e8ce en forme de Habanera<\/em>.
\nTranscrit pour fl\u00fbte par Louis Fleury.
\nParis: Alphonse Leduc & Cie., 1926.
\nScore and solo part.
\nMarkedly worn.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series L: Voice and piano<\/em><\/span><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1604343841498{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 10<\/th>\nCastelnuovo-Tedesco, Mario. Three Sephardic Songs (Trois m\u00e9lodies Sephardiques).<\/em>
\nFor medium voice and piano (or harp).
\nTel Aviv: Israeli Music Publications, c1959. Pl. no. I. M. P. 205.
\nTitle, composer\u2019s name, and publisher\u2019s name in both English and Hebrew.<\/td>\n<\/tr>\n
folder 11<\/th>\nDvor\u00e1k, Anton [sic]. Goin\u2019 Home<\/em>. From the Largo of the symphony From the New World<\/em>, op. 95.
\nWords and adaptation by William Arms Fisher.
\nBoston: Oliver Ditson, c1922.<\/td>\n<\/tr>\n
folder 12<\/th>\nFranck, C\u00e9sar. O Lord Most Holy<\/em> (Panis Angelicus<\/em>.)
\nEdited by Arthur H. Ryder.
\nBoston: Boston Music Company, c1908.<\/td>\n<\/tr>\n
folder 13<\/th>\nGlinka, M.I. To Molly<\/em>.
\nSt. Petersburg: Edition du Magasin de Musique \u201cAu Monde Musical\u201d s.d..
\nMarkedly worn.95<\/td>\n<\/tr>\n
folder 14<\/th>\nLeoncavallo, R. Ave Maria<\/em>.
\nChicago: Chas K. Harris, c1906. 11 pages.
\nScored for voice, harmonium, and harp.
\nDedicated to His Holiness Pope Pius X. Facsimile of letter from Pope Pius to R. Leoncavallo on back cover (together with translation into English).<\/td>\n<\/tr>\n
folder 15<\/th>\nMascagni, Pietro. Ave Maria<\/em>: adaption from the celebrated \u201cIntermezzo\u201dfrom Cavalleria Rusticana<\/em>.
\nItalian words by P. Mazzoni\/ English words by Fred. E. Weatherly.
\nNew York: G. Schirmer, s.d.. 5 pages.<\/td>\n<\/tr>\n
folder 16<\/th>\nSieber, F. Thirty-Six Eight-Measure Vocalises for Soprano<\/em>, op. 92.
\nVolume III.
\nNew York: G. Schirmer, 1899. 19 pages.<\/td>\n<\/tr>\n
folder 17<\/th>\nStrauss, Richard. Lieder f\u00fcr hohe Stimme (Songs for High Voice)<\/em>.
\nThe English words by John Bernhoff.
\nLeipzig: Jos. Aibl Verlag, c1906.
\nMorgen! op. 27, no. 4 \u2014 \u201cDu meines Herzens Kr\u00f6nelein\u201d op. 21, no. 2 \u2014 Meinem Kinde, op. 37, no. 3 \u2014 Wozu noch, M\u00e4dchen, soll es frommen, op. 19, no. 1 \u2014 Zueignung, op. 10, no. 1 \u2014 Die Nacht, op.10, no. 3 \u2014 Fr\u00fchlingsdegr\u00e4nge, op. 26, no. 1 \u2014 F\u00fcr funfzehn Pfennige, op. 36, no. 2.<\/td>\n<\/tr>\n
folder 18<\/th>\nTate, Arthur F. [\u201cSomewhere a] voice is calling<\/em>\u201d.
\n[Words by Eileen Newton]
\nCopyright 1911 by J. H. Larway. 4 pages.
\nCopy wanting; segment torn out with partial loss of text and musical notation.<\/td>\n<\/tr>\n
folder 19<\/th>\nVerdi, Giuseppe. Di Provenza il mar, il suol (Is the memory erased)<\/em>: from the opera La Traviata<\/em>.
\nEnglish version of text by R. Lorfin.
\nNew York: G. Schirmer, Inc., c1944. 7 pages..<\/td>\n<\/tr>\n
folder 20<\/th>\nWeaver, Fred R. Dawn<\/em>. With violin and cello obbligato.
\nLyric by Roscow Gilmore Stoff.
\nChicago: Pallma Music Publishers, c1925.
\nScore (4 pages) and two parts.<\/td>\n<\/tr>\n
folder 21<\/th>\nWhite, C. A. Marguerite<\/em>. Duet for soprano and alto.
\nBoston: White-Smith Music Pub. Co., c1916. 7 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series M: Popular songs for voice and piano<\/em><\/span><\/p>\n

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folder 22<\/th>\n\n

Ahlert\u2013Berlin<\/p>\n

    \n
  • Ahlert, Fred E. Take my heard. <\/em>Lyric by Joe Young. New York: Crawford Music Corporation, c1936. 5 pages.<\/li>\n
  • Akst, Harry. Dinah<\/em>. Song with ukulele arrangement. Words by Sam M. Lewis & Joe Young. New York: Henry Waterson, c1925. 5 pages.<\/li>\n
  • Atkinson, John. Ireland, Killarney and You. <\/em>[Detroit: Jerome H. Remick, c1918] 3 pages. Markedly worn.<\/li>\n
  • Ball, Ernest R. In the Garden of My Heart. <\/em>Lyric by Caro Roma. New York: M. Witmark & Sons, 1908. 6 pages; incomplete.<\/li>\n
  • Berlin, Irving. New York: Irving Berlin, Inc., c1925. 5 pages.<\/li>\n
  • Berlin, Irving. They say it\u2019s wonderful. <\/em>New York: Irving Berlin Music Company, c1946. 5 pages.<\/li>\n
  • Berlin, Irving. White Christmas. <\/em>From the Paramount Picture Irving Berlin\u2019s Holiday Inn, <\/em>a Mark Sandrich Production. New York: Irving Berlin, Inc., c1942. 4 pages.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 23<\/th>\n\n

Bestor\u2013Brown<\/p>\n

    \n
  • Bestor, Don, with Roger Lewis and Walter Donovan. Down by the Winegar Woiks. <\/em>New York: Shapiro, Bernstein & Co., c1925. 5 pages.<\/li>\n
  • Blaufuss, Walter. Your Eyes have told me so. <\/em>Lyric by Gustave Kahn and Egbert van Alstyne. Detroit: Jerome H. Remick, c1919. 5 pages.<\/li>\n
  • Breil, Joseph Carl. The Perfect Song. <\/em>Musical theme of \u201cThe Pepsodent Hour\u201d. Words by Clarence Lucas. New York: Chappell-Harms, Inc., cc1915. 5 pages.<\/li>\n
  • Brown, George, with Willie Raskin and Edward Eliscu. They cut down the old pine tree. <\/em>New York: Miller Music, Inc., c1929. 5 pages.<\/li>\n
  • Brown, Nacio Herb. Would You. <\/em>Featured in the M-G-M production \u201cSan Francisco\u201d. Lyric by Arthur Freed. New York: Robbins Music Corp., c1936. 5 pages.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 24<\/th>\n\n

Bryan\u2013di Capua<\/p>\n

    \n
  • Bryan & Edwards. What\u2019s the use of Knocking, when a man is down. <\/em>New York: Vincent Bryan Music Co., c1906. 5 pages.<\/li>\n
  • Carlo, Monte, with Alma M. Sanders. Little Town in the Ould County Down. <\/em>Lyric by Richard W. Pascoe. New York: Fred Fisher, Inc., c1920. 5 pages.<\/li>\n
  • Carlo and Sanders. My Irish Rosary. <\/em>New York: Jack Mills, 1923. 5 pages.<\/li>\n
  • Clinton, Larry, with Buddy Bernier and Bob Emmerich. Our Love. <\/em>Based on Tschaikowsky\u2019s Romeo and Juliet. <\/em>New York: Chappell & Co., c1939. 5 pages.<\/li>\n
  • Di Capua, E. O sole mio (Just like the sunrise)<\/em>. Revised and edited by F. Henri Klickmann; Ukulele arr. by M. Kalua. Italian words by G. Capurro; English words by Al. Dubin. New York: Jack Mills, Inc., c1924. 3 pages.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 25<\/th>\n\n

Coots\u2013Gershwin<\/p>\n

    \n
  • Coots, J. Fred. For All We Know. <\/em>Fox trot song (with diagrams for guitar acc.) Lyric by Sam M. Lewis. New York: Leo. Feist, Inc., c1934. 5 pages.<\/li>\n
  • Denni, Lucien. Memory\u2019s Garden. <\/em>Lyric by Gwynne Denni. Kansas City, Mo.: J. W. Jenkins Sons, c1923. 5 pages.<\/li>\n
  • Foote, Arthur. An Irish Folk-song<\/em>. Poem by Gilbert Parker; set to music by Arthur Foote. London: Boosey & Co., c1902. 5 pages.<\/li>\n
  • Freedman, Max C., and Jimmy De Knight. (We\u2019re Gonna) Rock around the Clock. <\/em>Philadelphia: Myers Music, c1953. 2 pages of music. Photo of Billy Haley and his Comets (Decca Records) on cover.<\/li>\n
  • Gershwin, George. Lyric by Du Bose Hayward. New York: Gershwin Publishing Corp., c1935. 5 pages.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 26<\/th>\n\n

Gordon\u2013Handy<\/p>\n

    \n
  • Gordon, Mack, and Harry Revel. Wake up and Live. <\/em>New York: Robbins Music Corporation, c1937. 5 pages.<\/li>\n
  • Gottler, Archie. America, I love you. <\/em>Words by Edgar Leslie. [s.l.:] Kalmar & Pick, c1915. 5 pages. Cover lacking. Markedly worn; leaves discolored and detached at the fold.<\/li>\n
  • Griffin, Gerald, with Herman Kahn & Tommy Lyman. Mother in Ireland. <\/em>New York: Waterson, Berlin & Snyder, c1922. 5 pages.<\/li>\n
  • Hanley, James F. Just a Cottage Small. <\/em>Words by B. G. De Sylva; ukulele arr. by May Singhi Breen. 5 pages. New York: Harms, Inc., c1925.<\/li>\n
  • Handy, W. C. Louis Blues. <\/em>New York: Handy Bros. Music Co., c1914. 5 pages.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 27<\/th>\n\n

Herbert\u2013Hill<\/p>\n

    \n
  • Herbert, Victor. Ah! Sweet Mystery of Life (The Dream Melody). <\/em>From Naughty Marietta. <\/em>Lyric by Rida Johnson Young. New York: M. Witmark & Sons, c1910. 3 pages of music.<\/li>\n
  • Herbert, Victor. Gypsy Love Song (Slumber on, my little gypsy sweetheart). <\/em>From The Fortune Teller. <\/em>Lyric by Harry B. Smith. New York: M. Witmark & Sons, c1898. 3 pages of music.<\/li>\n
  • Herbert, Victor. Thine Alone. <\/em>From Lyric by Henry Blossom. New York: M. Witmark & Sons, c1929. 5 pages.<\/li>\n
  • Hill, Billy. Empty Saddles<\/em>. From the Paramount Picture Rhythm on the Range. <\/em>Words by Billy Hill from a poem by J. Keirn Brennan. New York: Shapiro, Bernstein & Co., c1936. 5 pages.<\/li>\n
  • Hill, Billy. The Last Round-up. <\/em>From the new Ziegfeld Follies. With uke and guitar diagrams. New York: Shapiro, Bernstein & Co., c1933. 5 pages.<\/li>\n
  • Hill, Billy. The Old Spinning Wheel. <\/em>New York: Shapiro, Bernstein & Co., c1933. 5 pages. Photo montage of Little Jack Little on cover.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 28<\/th>\n\n

Hudson\u2013Kern<\/p>\n

    \n
  • Hudson, Will. Words and music by Will Hudson. New York: Mills Music, Inc., c1936. 3 pages. \u201cFeatured by Ina Ray Hutton and her Melodears\u201d\u2014on cover.<\/li>\n
  • Hupfeld, Herman. As Time Goes By. <\/em>From the Warner Bros. picture \u201cCasablanca\u201d. Words and music by Herman Hupfeld. New York: Harms, Inc., c1931. 7 pages. Photo montage of Humphrey Bogart, Ingrid Bergman, and Paul Henreid on cover.<\/li>\n
  • K\u00e1lm\u00e1n, Emmerich. Play Gypsies – Dance Gypsies. <\/em>From Countess Maritza. <\/em>Words by Harry B. Smith. Ukulele arr. by May Singhi Breen. New York: Harms, Inc., c1926. 5 pages.<\/li>\n
  • Kern, Jerome. Dearly Beloved. <\/em>[From] the new Columbia musical production \u201cYou Were Never Lovelier\u201d. Words by Johnny Mercer. New York: Chappell & Co., Inc., c1942. 5 pages.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 29<\/th>\n\n

Lang\u2013Lieurance<\/p>\n

    \n
  • Lang, Margaret Ruthven. An Irish Love Song, <\/em> 22. Boston: Arthur P. Schmidt, c1895. 6 pages.<\/li>\n
  • Lee, Dorothy. Out of the Dusk to You. <\/em>Song with violin and cello obbligato. Words by Arthur J. Lamb. Cleveland: Sam Fox Pub. Co., c1922. 4 pages of music; with separate violin obbligato and cello obbligato parts.<\/li>\n
  • Leslie, Edgar, and Joe Burke. It Looks Like Rain in Cherry Blossom Lane. <\/em>New York: Joe Morris Music Co., c1937. 5 pages. Photo of Emery Deutsch on cover.<\/li>\n
  • Liddle, Samuel. The Garden where the Praties Grow. <\/em>Old Irish melody, arranged by Samuel Liddle. London: Stainer & Bell Ltd., c1929. 7 pages.<\/li>\n
  • Lieurance, Thurlow. By the Waters of Minnetonka. <\/em>[Lyric by] J. M. Cavanass. An Indian love song. Philadelphia: Theodore Presser Co., c1917. 7 pages.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 30<\/th>\n\n

L\u00f6hr\u2013McGill<\/p>\n

    \n
  • L\u00f6hr, Hermann. The Little Irish Girl. <\/em>Words by Edward Teschemacher. New York: Chappell & Co. Ltd., c1903. 5 pages.<\/li>\n
  • Long, Jimmie, and Gene Autry. \u201cThat Silver-haired Daddy of Mine\u201d<\/em>. Arr. by Nick Manoloff. Chicago: M. M. Cole, c1932. 5 pages.<\/li>\n
  • Luders, Gustav. The Message of the Violet.<\/em> From The Prince of Pilsen. <\/em>Lyric by Frank Pixley. New York: M. Witmark & Sons, c1902. 3 pages of music. Page with text precedes beginning of music. Markedly worn.<\/li>\n
  • MacMurrough, Dermot. Macushla<\/em>. Words by Josephine V. Rowe. New York: Boosey & Co. Ltd., c1910. 4 pages.<\/li>\n
  • Marshall, Charles. I Hear You Calling Me. <\/em>Words by Harold Harford. New York: Boosey & Co. Ltd., c1908. 5 pages. Page with text precedes beginning of music.<\/li>\n
  • McCarthy, Joe, with Howard Johnson and Fred Fischer. Ireland Must be Heaven, for My Mother came from there. <\/em>New York: Leo Feist, c1916. 3 pages.<\/li>\n
  • McGill, Josephine. Duna<\/em>. Words by Marjorie Pickthall. New York: Boosey & Co. Ltd., c1914. 5 pages. Page with text precedes beginning of music.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 31<\/th>\n\n

Meyer\u2013Homis-Doda<\/p>\n

    \n
  • Meyer, Joseph. This is No Dream: fox trot. <\/em> by Jack Mason. Lyric by Billy Moll. New York: Remick Music Corp., c1932. 4 pages.<\/li>\n
  • Molloy, James L. The Kerry Dance. <\/em>Words and music by Molloy. New York: G. Schirmer, Inc., s.d.. 7 pages.<\/li>\n
  • Monaco, James V. We Mustn\u2019t Say Goodbye. <\/em>From Sol Lesser\u2019s production STAGE DOOR CANTEEN. Lyric by Al Dubin. New York: Edwin H. Morris & Co., c1943. 3 pages.<\/li>\n
  • Nevin, Ethelbert. Mighty Lak\u2019 a Rose. <\/em>Words by Frank L. Stanton. Cincinnati: John Church, c1901. 3 pages.<\/li>\n
  • Nomis-Doda. This Blue Forgetmenot. <\/em>Words by George Allen. New York: International Music., c1923. 3 pages.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 32<\/th>\n\n

O\u2019Hara\u2013Penn<\/p>\n

    \n
  • O\u2019Hara, Geoffrey. In the Wee Little Home I Love. <\/em>For low voice. Words by Gordon Johnstone. New York: G. Ricordi & Co., c1920. 6 pages.<\/li>\n
  • O\u2019Hara, Geoffrey. There is No Death! <\/em>For high voice. Words by Gordon Johnstone. New York: Chappell & Co. Ltd., c1919. 4 pages. Page with text precedes beginning of music.<\/li>\n
  • O\u2019Keefe, Walter. The Man on the Flying Trapeze. <\/em>New York: Robbins Music Corp., c1933. 3 pages.<\/li>\n
  • Penn, Arthur A. Smilin\u2019 Through. <\/em>Lyric and music by Penn. New York: M. Witmark & Sons, c1919. 5 pages. Photo of Norma Shearer on cover.<\/li>\n
  • Penn, Arthur A. Sunrise and You. <\/em>Lyric and music by Penn. New York: M. Witmark & Sons, c1918. 4 pages of music. Markedly worn<\/span><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 33<\/th>\n\n

Perkins\u2013Rodgers<\/p>\n

    \n
  • Perkins, Frank. Stars Fell on Alabama. <\/em>Words by Mitchell Parish. New York: Mills Music, c1934. 3 pages. Photo of Guy Lombardo on cover.<\/li>\n
  • Perkins, Frank. Smiling Irish Eyes. <\/em>Theme song from Colleen Moore\u2019s first national Vitaphone picture Smiling Irish Eyes. <\/em>Lyric by Herman Ruby. New York: M. Witmark & Sons, c1929. 5 pages.<\/li>\n
  • Robin, Leo, with Ralph Rainger. The Hills of Old Wyomin\u2019. <\/em>From the Paramount Picture \u201cPalm Springs\u201d. <\/em>New York: Paramount Productions Corp., c1936. 7 pages.<\/li>\n
  • Rodgers, Richard. Do-Re-Mi. <\/em>Words by Oscar Hammerstein 2nd. New York: Richard Rogers and Oscar Hammerstein II, c1959. 7 pages. Publicity illustration from the Robert Wise film production of The Sound of Music <\/em>on cover.<\/li>\n
  • Rodgers, Richard. If I Loved You. <\/em>Words by Oscar Hammerstein 2nd. New York: Williamson Music, c1945. 5 pages. Publicity illustration from the Theatre Guild stage production of <\/span>Carousel <\/em>on cover<\/span><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 34<\/th>\n\n

Rodgers\u2013Schneider<\/p>\n

    \n
  • Rodgers, Richard. Some Enchanted Evening. <\/em>Words by Oscar Hammerstein II. New York: Williamson Music, c1949. 7 pages. Publicity photo from the Magna film production of South Pacific <\/em>on cover.<\/li>\n
  • Rodgers, Richard. There\u2019s a Small Hotel. <\/em>New York: Chappell & Co., c1936. 5 pages. Publicity illustration from the Dwight Deere Wiman stage production of On Your Toes <\/em>on cover.<\/li>\n
  • Romberg, Sigmund. Song of Love. <\/em>Music adapted from melodies of Franz Schubert and Heinrich Bert\u00e9 by Sigmund Romberg. Lyric by Dorothy Donnelly. New York: Karczag Publishing, c1921. 5 pages. Publicity illustration from the stage production of Blossom Time<\/em>.<\/li>\n
  • Samuels, Walter G., with Leonard Whitcup and Teddy Powell. Take Me Back to My Boots and Saddle. <\/em>New York: Schuster and Miller, c1935. 5 pages. Photo of Baby Rose Marie on cover.<\/li>\n
  • Schneider, Edwin. Thine Eyes Still Shined. <\/em>Words by Ralph Waldo Emerson. New York: G. Ricordi & Co., c1918. 6 pages<\/span><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 35<\/th>\n\n

Scotto\u2013Smith<\/p>\n

    \n
  • Scotto, Vincent. J\u2019ai deux amours. <\/em>Fox-trot: chant\u00e9 par Jos\u00e9phine Baker dans la revue du Casino de Paris \u201cParis qui Remue\u201d. Paroles de G\u00e9o Koger et H. Varna. Paris: Editions Francis Salabert, c1925. 2 pages of music.<\/li>\n
  • Seitz, Ernest. The World is Waiting for the Sunrise. <\/em>Words by Eugene Lockhart. [s.l.]: Chappell & Co., c1919. 4 pages. Cover lacking.<\/li>\n
  • Shields, Vincent. I Dream of San Marino. <\/em>New York: Crawford Music Corporation, c1936. 5 pages. Photo of Eddie Varzos on cover.<\/li>\n
  • Smith, H. Wakefield. These Songs My Mother Used to Sing. <\/em>[New York]: M. Witmark & Sons, c1914. 4 pages of music. Cover lacking.<\/li>\n
  • Smith, Kate, with Harry Woods and Howard Johnson. When the Moon Comes over the Mountain. <\/em>New York: Metro-Goldwyn-Mayer Corp., c1931. 5 pages. Photo of Kate Smith on cover.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 36<\/th>\n\n

Sousa\u2013Stothart<\/p>\n

    \n
  • Sousa, John Philip. Blue Ridge! I\u2019m Coming Back to You. <\/em>Words and music by John Philip Sosua. New York: T. B. Harms & Francis, Day & Hunter, c1917. 5 pages. Cover autographed by John Philip Sousa.<\/li>\n
  • Speaks, Oley. For high voice. Words by Clinton Scollard. New York: G. Schirmer, c1914. 5 pages.<\/li>\n
  • Stothart, Herbert. Featured in Metro-Goldwyn-Mayer\u2019s production \u201cDevil May Care\u201d. <\/em>Words by Clifford Grey. New York: Metro-Goldwyn-Mayer Corp., c1929. 5 pages.<\/li>\n
  • Stothart, Herbert. The Shepherd\u2019s Serenade (Do You Hear Me Calling You). <\/em>Featured in Metro-Goldwyn-Mayer\u2019s production \u201cDevil May Care\u201d. <\/em>Words by Clifford Grey. New York: Metro-Goldwyn-Mayer Corp., c1929. 5 pages.<\/li>\n
  • Stothart, Herbert. When I\u2019m Looking at You. <\/em>Featured in Metro-Goldwyn-Mayer\u2019s operetta \u201cThe Rogue Song\u201d. <\/em>Words by Clifford Grey. New York: Metro-Goldwyn-Mayer Corp., c1929. 5 pages.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 37<\/th>\n\n

Strachey\u2013Styne<\/p>\n

    \n
  • Strachey, Jack, and Harry Link. These Foolish Things (Remind Me of You). <\/em>From William Walker\u2019s revue \u201cSpread It Abroad\u201d. <\/em>London: Boosey & Co., c1935. 5 pages.<\/li>\n
  • Stults, R. M. A Little Song for You. <\/em>Copyright 1904 by Julie V. Stults. 3 pages of music. Extracted from a larger collection (the pages numbered 42-44). Markedly worn, with manuscript annotations and pasted-in emendations.<\/li>\n
  • Styne, Jule. I\u2019ll Walk Alone. <\/em>Lyric by Sammy Cahn. New York: Mayfair Music Corporation, c1944. 5 pages. \u201cFeatured by Dinah Shore in the Universal film \u201cFollow the Boys\u201d.<\/em>\u2014on cover.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 38<\/th>\n\n

Tilzer\u2013White; Anonymous<\/p>\n