{"id":6591,"date":"2020-11-02T15:34:07","date_gmt":"2020-11-02T20:34:07","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=6591"},"modified":"2025-06-02T13:10:39","modified_gmt":"2025-06-02T17:10:39","slug":"sub2","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/malone\/sub2\/","title":{"rendered":"EILEEN MALONE COLLECTION"},"content":{"rendered":"

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SUB-GROUP II: PROFESSIONAL PAPERS<\/h3>\n

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<\/a>Series 1: Publicity<\/span><\/strong><\/span><\/p>\n

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folder 1<\/th>\nReviews, articles and publicity: Miss Malone\u2019s career, 1936-1969.<\/td>\n<\/tr>\n
folder 2<\/th>\nReviews, articles and publicity: Miss Malone\u2019s career, 1970-1973.<\/td>\n<\/tr>\n
folder 3<\/th>\nOther press material: file of press clippings.
\nContents are the following:<\/p>\n
    \n
  • article \u201cMusic school graduates in fine recital\u201d by William P. Costello, published in the Rochester press (attribution lacking)<\/li>\n
  • Section of Rochester Times-Union<\/em>, May 16, 1931, bearing a drawing (\u201cstudy\u201d) of E.M. by John C. Menihan on page 15, together with three copies of same extracted from the newspaper and filed herein<\/li>\n
  • Issue of The Rochester Herald<\/em>, May 15, 1931, featuring page-one article \u201cM. Eileen Malone to study in Paris with Marcel Tourneer [sic]\u201d<\/li>\n
  • article \u201cWeek in Music: Civic Orchestra at Eastman\u2014Opera Slated\u201d in Rochester Democrat & Chronicle<\/em>, April 25, 1943, bearing photo of Eileen Malone as featured soloist with the RCO<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 4<\/th>\nXerox Social Involvement Program<\/em> [report in the form of a promotional brochure]. Two copies.
\nOn p. 11, a color photo of several RPO members with Miss Malone in the foreground, seated at the harp. The accompanying caption cites the Xerox Corporation\u2019s support of \u201cvital institutions and programs such as . . . the
\nRochester Philharmonic Orchestra, seen here with principal harpist Eileen Malone.\u201d<\/td>\n<\/tr>\n
folder 5<\/th>\nReviews, articles and publicity: Miss Malone\u2019s career, 1980-1989; also includes undated items.<\/td>\n<\/tr>\n
folder 6<\/th>\nArticles and publicity: other musicians, 1949-1981.<\/td>\n<\/tr>\n
folder 7<\/th>\nArticles and publicity: other musicians, 1982.<\/td>\n<\/tr>\n
folder 8<\/th>\nArticles and publicity: other musicians, 1987-1989; also includes undated items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 2: The American Harp Society<\/span><\/span><\/strong><\/p>\n

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folder 9<\/th>\nProposed revised by-laws<\/td>\n<\/tr>\n
folder 10<\/th>\nMinutes of meetings of the Board of Directors, 1971-72:
\nSeventeenth Meeting, June 23, 1971 (3 pages);
\nEighteenth Meeting, June 24, 1971 (3 pages);
\nTwentieth Meeting, June 20, 1972 (3 pages);
\nTwenty-second Meeting, June 24, 1972 (3 pages).<\/td>\n<\/tr>\n
folder 11<\/th>\nMinutes of meetings of the Executive Committee, 1971-1972:
\nFifth Regular Meeting, January 5, 1971 (3 pages, appended by copy of the financial report, AHS 7th National Conference, June 1970);
\nSixth Regular Meeting, February 3, 1971 (3 pages);
\nSeventh Regular Meeting, March 9, 1971 (2 pages);
\nEighth Regular Meeting, May 3, 1971 (3 pages);
\nNinth Regular Meeting, July 29, 1971 (3 pages);
\nSpecial Meeting, June 22, 1971 (1 page);
\nTenth Regular Meeting, October 5, 1971 (3 pages; appended by a
\nmemorandum from President Balderston, October 1971);
\nEleventh Regular Meeting, November 21, 1971 (2 pages);
\nTwelfth Regular Meeting, January 4, 1972 (4 pages);
\nThirteenth Regular Meeting, February 1, 1972 (2 pages);
\nFifteenth Regular Meeting, May 2, 1972 (2 pages).
\nFirst [sic] Regular Meeting, July 18, 1972 (3 pages).<\/td>\n<\/tr>\n
folder 12<\/th>\nMinutes of the Annual Meeting of Members, 1971-72:
\nJune 22, 1972, 9:30 AM and 12 noon sessions (3 pages); June 24, 1971 (2 pages).<\/td>\n<\/tr>\n
folder 13<\/th>\nOfficial program, Second National Convention, June 25-27, 1965. Two copies.<\/td>\n<\/tr>\n
folder 14<\/th>\nOfficial program, Third National Convention, June 23-26, 1966.<\/td>\n<\/tr>\n
folder 15<\/th>\nOfficial program, Fourth National Convention, June 22-25, 1967. Two copies.<\/td>\n<\/tr>\n
folder 16<\/th>\nOfficial program, Fifth National Convention, June 26-30, 1968.<\/td>\n<\/tr>\n
folder 17<\/th>\nParticipant\u2019s folder, Eighth National Convention, June 23-26, 1971.
\nIncludes copy of official program.<\/td>\n<\/tr>\n
folder 18<\/th>\nOfficial program, Thirteenth National Conference, June 23-26, 1976.<\/td>\n<\/tr>\n
folder 19<\/th>\nParticipant\u2019s folder, Sixteenth National Conference, June 19-23, 1979.
\nIncludes copy of official program.<\/td>\n<\/tr>\n
folder 20<\/th>\nParticipant\u2019s folder, 17th National Conference, June 24-28, 1980.
\nIncludes copy of official program.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nParticipant\u2019s folder, 21st National Conference, June 20-23, 1984.
\nIncludes copy of official program.<\/td>\n<\/tr>\n
folder 2<\/th>\nParticipant\u2019s folder, 22nd National Conference, June 19-22, 1985.
\nIncludes copy of official program.<\/td>\n<\/tr>\n
folder 3<\/th>\nParticipant\u2019s folder, 23rd National Conference, June 25-28, 1986.
\nIncludes copy of official program.<\/td>\n<\/tr>\n
folder 4<\/th>\nParticipant\u2019s folder, 24th National Conference, June 17-20, 1987.
\nIncludes copy of official program.<\/td>\n<\/tr>\n
folder 5<\/th>\nPreparatory Draft Materials; and, Participant\u2019s folder, Sixth National Conference, June 26-29, 1969.
\nIncludes copy of official program.<\/td>\n<\/tr>\n
folder 6<\/th>\nMemberships Directories, January 1, 1979; and, January 1, 1985.<\/td>\n<\/tr>\n
folder 7<\/th>\nPrograms, various, 1968-1976<\/td>\n<\/tr>\n
folder 8<\/th>\nAwards and Certificates<\/td>\n<\/tr>\n
folder 9<\/th>\nPublicity and Speeches<\/td>\n<\/tr>\n
folder 10<\/th>\nCorrespondence, 1963, 1969-71, 1979, 1980, undated<\/td>\n<\/tr>\n
folder 11<\/th>\nNotes taken at harp workshops, July 8th and 9th, 1963 (ink MS; 17 pages)<\/td>\n<\/tr>\n
folder 12<\/th>\nHand-out from presentation \u201cProgramming and Presentation for Harpists\u201d by
\nLongstreth & Escosa, Workshop on June 22, 1979 at AHS Convention, San
\nFrancisco, California.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 3: Festivals, Conventions, and Competitions<\/span><\/span><\/strong><\/p>\n

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folder 13<\/th>\nParticipant\u2019s folder, Second Summer Festival of Pop Music for Harp, 1979.<\/td>\n<\/tr>\n
folder 14<\/th>\nHand-outs from presentation by Eleanor Fell at the [? Festival of Pop Music for Harp], 1982 [? at the Eastman School of Music]<\/td>\n<\/tr>\n
folder 15<\/th>\nOfficial program, Eileen Malone Celebration at the Eastman School of Music,September 23-25, 1983. Two copies.
\nAccompanied by a copy of the Beaux Arts Concerts bureau press release (3 pages).<\/td>\n<\/tr>\n
folder 16<\/th>\nOfficial brochure, Sixth International Harp Contest (Sixi\u00e8me Concours\u00a0International de Harpe), Jerusalem, Israel, September, 1976.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nParticipant\u2019s folder, Seventh International Harp Contest in Israel, September\u00a02nd-14th, 1979. Includes copy of official program.<\/td>\n<\/tr>\n
folder 2<\/th>\nParticipant\u2019s folder, Eighth International Harp Contest in Israel, September\u00a06th-15th, 1982. Includes copy of official program.<\/td>\n<\/tr>\n
folder 3<\/th>\nAdjudication notes, Seventh International Harp Contest in Israel, September\u00a02-14, 1979.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0RESTRICTED<\/span><\/td>\n<\/tr>\n
folder 4<\/th>\nPress clippings, Ninth International Harp Contest in Israel, July 9-21, 1985.<\/td>\n<\/tr>\n
folder 5<\/th>\nAdjudication notes, Tenth International Harp Contest in Israel, November 20-\u00a0December 3, 1988.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 RESTRICTED<\/span><\/td>\n<\/tr>\n
folder 6<\/th>\nPress clippings, Tenth International Harp Contest in Israel, November 20-\u00a0December 3, 1988.<\/td>\n<\/tr>\n
folder 7<\/th>\nAdjudication notes, Eighth International Harp Contest in Israel, September 5-\u00a015, 1982.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0RESTRICTED<\/span><\/td>\n<\/tr>\n
folder 8<\/th>\n\u201cIntimate Encounter with the Harp\u201d: Colloquium with composers at Eastman, October 30, 1981. A free transcript of the lecture Lucile Johnson Rosenbloom and Marcela Koz\u00edkova.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 4: Research<\/span><\/span><\/strong><\/p>\n

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folder 9<\/th>\nGoetschius, Percy. The Theory and Practice of Tone Relations<\/em>. New York: G. Schirmer, Inc., c1892. 174 pages.<\/td>\n<\/tr>\n
folder 10<\/th>\nPratt, Samuel O. Affairs of the Harp<\/em>. New York: Charles Colin, c1964. 206 pages.
\nAuthor\u2019s inscription on title page.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/th>\nSwift, Frederic Fay.\u00a0The Story of Musical Instruments<\/em>. Book 1: Strings [and]\u00a0Woodwinds. New York: Belwin-Mills, c1973. 64 pages.<\/td>\n<\/tr>\n
folder 2<\/th>\nTournier, Marcel.\u00a0The Harp<\/em>. A history of the harp throughout the world;\u00a0with a preface by Marcel Dupr\u00e9. Paris: Henry Lemoine & Cie, c1959. 94\u00a0pages.<\/td>\n<\/tr>\n
folder 3<\/th>\nCopy of patent no. 2,812,681. A. L. Carron, inventor. Electrically operated\u00a0key-changing harp mechanism. Filed November 13, 1953; patented\u00a0November 12, 1957.<\/td>\n<\/tr>\n
folder 4<\/th>\nJohn, Patricia.\u00a0The Gothic Harp and its Music<\/em>. Houston: The Pantile Press.\u00a0Contents are ten works of music dating from the XIII-XVI centuries;\u00a0illustrated.<\/td>\n<\/tr>\n
folder 5<\/th>\nRosen, Myor.\u00a0Manual on Writing Technique of the Harp<\/em>. Copyright 1959 by\u00a0the author.
\nAuthor\u2019s inscription on title page.<\/td>\n<\/tr>\n
folder 6<\/th>\nSuchy, Jessica.\u00a0The Baroque Harp.<\/em>\u00a0\u2014 1976
\nAuthor\u2019s inscription on title page.
\nInscribed by the author.<\/td>\n<\/tr>\n
folder 7<\/th>\nSuchy, Jessica.\u00a0Carl Philipp Emanuel Bach: A Mixture of Stylistic Traits as\u00a0Illustrated by his Sonata for Harp<\/em>. \u2014 1978<\/td>\n<\/tr>\n
folder 8<\/th>\nThe American Harp Journal<\/em>, vol. 2, no. 2 (Fall 1969).
\nLetter from Eileen Malone published on page 2.<\/td>\n<\/tr>\n
folder 9<\/th>\nThe American Harp Journal,<\/em>\u00a0vol. 7, no. 1 (Summer, 1979).
\nFeature article \u201cEileen Malone: Eastman School of Music\u201d by Sally Maxwell\u00a0on pages 3-5.<\/td>\n<\/tr>\n
folder 10<\/th>\nThe American Harp Journal,<\/em>\u00a0vol. 9, no. 3 (Summer, 1984).
\nEileen Malone appears in the photograph of the jury of the First International\u00a0Harp Competition in Israel (1959), page 40.<\/td>\n<\/tr>\n
folder 11<\/th>\nThe American Harp Journal<\/em>, vol. 10, no. 1 (Summer, 1985).
\nAn issue largely in tribute to Carlos Salzedo, whose photo appears on the\u00a0cover.<\/td>\n<\/tr>\n
folder 12<\/th>\nBulletin de L\u2019Association Internationale Des Harpistes et Amis de la Harpe <\/em>(Juin, 1964).
\nMiss Malone cited within as an honorary member of the Association.<\/td>\n<\/tr>\n
folder 13<\/th>\nNotes from Eastman,<\/em>\u00a0vol. IV, no. 1 (October, 1969).
\nMiss Malone in cover photograph (with composer Alec Wilder).<\/td>\n<\/tr>\n
folder 14<\/th>\nMalone, Eileen. Evolution (History) of the Harp [research paper]. Typescript drafts and one pencil draft.<\/td>\n<\/tr>\n
folder 15<\/th>\nMalone, Eileen. The Harp in the Time of the Bible [research paper].\u00a0Typescript draft; accompanied by MS compilation of \u201cQuotations from the\u00a0Bible on the Harp\u201d.<\/td>\n<\/tr>\n
folder 16<\/th>\nTranscript of episode of\u00a0University Open House<\/em>, April 26, 1965, featuring\u00a0Eileen Malone speaking on the harp. Typescript.<\/td>\n<\/tr>\n
folder 17<\/th>\nMalone, Eileen. Notes on the history of the harp.<\/td>\n<\/tr>\n
folder 18<\/th>\nMalone, Eileen. Reference Material for History of the Harp<\/td>\n<\/tr>\n
folder 19<\/th>\nMalone, Eileen. Similarities and Differences Between Keyboard Instruments\u00a0and the Harp. Typescript; 3 pages.<\/td>\n<\/tr>\n
folder 20<\/th>\nMalone, Eileen. Technique and Playing the Harp. Typescript; 7 pages. Two\u00a0copies.<\/td>\n<\/tr>\n
folder 21<\/th>\nNeill, Lou Anne. Report on the harp part of\u00a0Circles<\/em>\u00a0(1960) by Luciano Berio.\u00a0Presented at the salvi Summer Festival, Santa Barbara, CA, July 10, 1980.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 5: Concert Programs<\/span><\/span><\/strong><\/p>\n

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folder 1<\/th>\nRochester Philharmonic Orchestra: a sampling (7 documents)
\nNovember 6, 1941\u2014December 3, 1942\u2014December 14, 1952\u2014\u00a0December 18, 1952\u2014April 1, 1965\u2014April 5\/26 and May 10\/17,\u00a01973\u2014March 6, [without year]<\/td>\n<\/tr>\n
folder 2<\/th>\nEastman School of Music, 1935-1945 (30 documents)<\/td>\n<\/tr>\n
folder 3<\/th>\nEastman School of Music, 1946-1989 (62 documents)<\/td>\n<\/tr>\n
folder 4<\/th>\nOther, 1925-1940 (10 documents)<\/td>\n<\/tr>\n
folder 5<\/th>\nOther, 1962-1968 (34 documents)<\/td>\n<\/tr>\n
folder 6<\/th>\nOther, 1969-1972 (16 documents)<\/td>\n<\/tr>\n
folder 7<\/th>\nOther, 1980-1989, and those undated (16 documents)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 6: Correspondence<\/span><\/span><\/strong><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 26″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1604347566498{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1604433698774{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n
folder 8<\/th>\nCorrespondence, 1948-1956 (3 documents)<\/td>\n<\/tr>\n
folder 9<\/th>\nCorrespondence, 1962-1969 (9 documents)<\/td>\n<\/tr>\n
folder 10<\/th>\nCorrespondence, 1970-1973 (23 documents)<\/td>\n<\/tr>\n
folder 11<\/th>\nCorrespondence, 1978-1990 (16 documents)<\/td>\n<\/tr>\n
folder 12<\/th>\nCorrespondence, undated (9 documents)<\/td>\n<\/tr>\n
folder 13<\/th>\nESM Intra-mural Correspondence (7 documents)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 7: Photographs<\/span><\/span><\/strong><\/p>\n

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<\/a>Sub-series A: 4 x 5\u201d sleeves<\/em><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 27″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1604347778853{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1604932096243{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 2px !important;}”]<\/p>\n

The photos in box 27\/sleeves 1 – 18 were originally enclosed in a card housed in box 26\/11.<\/em><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1604698416300{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 1<\/th>\nUnidentified adult harpist in Kilbourn Hall, ESM during summer harp\u00a0institute, July 1984. Color.<\/td>\n<\/tr>\n
sleeve 2<\/th>\nAssembled harp class on-stage in Kilbourn Hall, ESM during summer harp\u00a0institute, July 1984. Color.<\/td>\n<\/tr>\n
sleeve 3<\/th>\nAssembled harp class on-stage in Kilbourn Hall, ESM during summer harp institute, July 1984, while Eileen Malone directs from the house. Color.<\/td>\n<\/tr>\n
sleeve 4<\/th>\nUnidentified adult harpist in Kilbourn Hall, ESM during summer harp\u00a0institute, July 1984. Color.<\/td>\n<\/tr>\n
sleeve 5<\/th>\nUnidentified adult harpist in Kilbourn Hall, ESM during summer harp\u00a0institute, July 1984. Color.<\/td>\n<\/tr>\n
sleeve 6<\/th>\nUnidentified harpist in Kilbourn Hall, ESM during summer harp institute, July\u00a01984. Color.<\/td>\n<\/tr>\n
sleeve 7<\/th>\nUnidentified adult harpist in Kilbourn Hall, ESM during summer harp\u00a0institute, July 1984. Color.<\/td>\n<\/tr>\n
sleeve 8<\/th>\nUnidentified adult harpist in Kilbourn Hall, ESM during summer harp\u00a0institute, July 1984. Color.<\/td>\n<\/tr>\n
sleeve 9<\/th>\nUnidentified harpists in Kilbourn Hall, ESM during summer harp institute,\u00a0July 1984. Color. Two copies.<\/td>\n<\/tr>\n
sleeve 10<\/th>\nUnidentified harpist in Kilbourn Hall, ESM during summer harp institute, July\u00a01984. Color. Two copies.<\/td>\n<\/tr>\n
sleeve 11<\/th>\nUnidentified harpist in Kilbourn Hall, ESM during summer harp institute, July\u00a01984. Color. Two copies.<\/td>\n<\/tr>\n
sleeve 12<\/th>\nUnidentified harpist in Kilbourn Hall, ESM during summer harp institute, July\u00a01984. Color. Two copies.<\/td>\n<\/tr>\n
sleeve 13<\/th>\nAssembled harp class on-stage in Kilbourn Hall, ESM during summer harp\u00a0institute, July 1984, while Eileen Malone directs from the house. Color.<\/td>\n<\/tr>\n
sleeve 14<\/th>\nUnidentified harpist in Kilbourn Hall, ESM during summer harp institute, July 1984. Color.<\/td>\n<\/tr>\n
sleeve 15<\/th>\nUnidentified adult harpist in Kilbourn Hall, ESM during summer harp\u00a0institute, July 1984. Color.<\/td>\n<\/tr>\n
sleeve 16<\/th>\nAssembled harp class on-stage in Kilbourn Hall, ESM during summer harp\u00a0institute, July 1984, while Eileen Malone directs from the house. Color.<\/td>\n<\/tr>\n
sleeve 17<\/th>\nAssembled harp class on-stage in Kilbourn Hall, ESM during summer harp\u00a0institute, July 1984, while Eileen Malone directs from the house. Color.<\/td>\n<\/tr>\n
sleeve 18<\/th>\nEileen Malone with students enjoying a restaurant gathering during the\u00a0summer harp institute at the ESM, July 1984. Color.<\/td>\n<\/tr>\n
sleeve 19<\/th>\nEileen Malone with Mr. and Mrs. Marcel Grandjany; [1970]. Color.
\nAccompanying letter filed in box 26\/10.<\/td>\n<\/tr>\n
sleeve 20<\/th>\nEileen Malone (at harp) with an unidentified man; undated. Color.
\nAccompanying note indicates photo was taken at a conference of the\u00a0American Harp Society.<\/td>\n<\/tr>\n
sleeve 21<\/th>\nFive Kodachrome Transparency slides. Color.
\nN.B. These images comprise a sequence, apparently taken during an out-of-town (or out-of-\u00a0country) engagement.
\n<\/span>slide 15: Eileen Malone tuning a harp in a backstage setting
\nslide 17: taken in sequence with no. 15, Eileen Malone tuning (here smiling)
\nslide 27: three people (Eileen Malone at left, in sunglasses), outdoors
\nslide 29: Eileen Malone photographed outside terminal at Patrick Henry\u00a0Airport [today Newport News\/Williamsburg International Airport];\u00a0formally dressed, as was once customary for air travel; fine\u00a0weather
\nslide 32: travellers making their way onto the airport tarmac; Eileen Malone\u00a0at center, facing the camera and smiling, boarding pass in hand;\u00a0name PATRICK HENRY visible on terminal\u2019s exterior wall; tail\u00a0of an aircraft visible at far right<\/td>\n<\/tr>\n
sleeve 22<\/th>\nUnidentified woman playing the harp; undated. B&W<\/td>\n<\/tr>\n
sleeve 23<\/th>\nSandy and Bruce Grandjany with their three children, Max, Amanda, and\u00a0Blake; undated. Color<\/td>\n<\/tr>\n
sleeve 24<\/th>\nPenny Currier and Rub\u00e9n Gonz\u00e1lez on their wedding day, November 17th,\u00a01990. Color
\nN.B. Penny Currier, BM \u201975, student of Eileen Malone.<\/span><\/td>\n<\/tr>\n
sleeve 25<\/th>\nEileen Malone with an unidentified couple; undated. Color<\/td>\n<\/tr>\n
sleeve 26<\/th>\nEve and Daniel Patton on the occasion of their wedding day; Color.
\nInscription on reverse sending Christmas (1988) wishes to \u201cMiss Malone\u201d.<\/td>\n<\/tr>\n
sleeve 27<\/th>\nPortrait of Eileen Malone by John C. Menihan. Color.
\nN.B. Today the hangs on Cominsky Promenade at the Eastman School of Music.<\/span><\/td>\n<\/tr>\n
sleeve 28<\/th>\nA gathering of five harpists, identified on reverse by their first names: Billie,\u00a0Julia Louise, Eileen [Malone], Margaret, Gail; undated. Color.
\nCaption indicates taken in Lubbock [Texas].<\/td>\n<\/tr>\n
sleeve 29<\/th>\nElinor [and ?husband] with four children, Joe, Dave, Jennie, Laurie; October,1988. Color<\/td>\n<\/tr>\n
sleeve 30<\/th>\nElinor [and ?husband] with children Jennie, Laurie, Dave, and Joe; 1987.\u00a0Color<\/td>\n<\/tr>\n
sleeve 31<\/th>\nEileen Malone, Billie Walfe, and Margaret Norman, taken in Lubbock (as per\u00a0caption on reverse); undated. Color<\/td>\n<\/tr>\n
sleeve 32<\/th>\nReunion of Eastman harpists at the [?American Harp Society] conference,\u00a0Denver in June, 1988; Eileen Malone seated, flanked by seven women, all\u00a0standing. Color<\/td>\n<\/tr>\n
sleeve 33<\/th>\nDoris Scharing and Jasna Corrado at harp workshop; undated. Color. Two\u00a0copies
\nN.B. Ms. Scharing, principal harpist, Niagara Symphony Orchestra, St. Catharines, ON\u00a0Canada; Ms. Corrado (later Corrado-Merlak), a pupil of Miss Malone in the 1980s, later an\u00a0international competition winner and frequent soloist around the world<\/span><\/td>\n<\/tr>\n
sleeve 34<\/th>\nClose-up of harp with score on music stand; undated. Color<\/td>\n<\/tr>\n
sleeve 35<\/th>\nFive unidentified young women, presumably all harp students, seated in a\u00a0vehicle; undated. Color<\/td>\n<\/tr>\n
sleeve 36<\/th>\nBeth Anne Breneman and Cathy Cavenaugh standing outside the ESM [ ?on\u00a0the occasion of a master class under Eileen Malone] beneath marquee\u00a0announcing \u201cTRIBUTE TO EILEEN MALONE\u201d; September 24, 1983. Color<\/td>\n<\/tr>\n
sleeve 37<\/th>\nMaster class in Howard Hanson Hall at the ESM. Eileen Malone working with\u00a0Beth Breneman, September 24, 1983; Elizabeth Baker and Suzanne Thomas\u00a0sitting directly in front of the camera. Color<\/td>\n<\/tr>\n
sleeve 38<\/th>\nOn the occasion of the unveiling of Eileen Malone\u2019s faculty portrait, Eileen\u00a0Malone receives a congratulatory handshake from an unidentified gentleman [?the artist?], September 24, 1983. Color<\/td>\n<\/tr>\n
sleeve 39<\/th>\nEileen Malone, Beth Breneman, and Suzanne Thomas on the occasion of the\u00a0unveiling of Eileen Malone\u2019s faculty portrait; September 24, 1983. Color<\/td>\n<\/tr>\n
sleeve 40<\/th>\nEileen Malone, Donna Hawkes and \u201cDad\u201d Hawkes, December 14, 1989.\u00a0Color<\/td>\n<\/tr>\n
sleeve 41<\/th>\nEileen Malone and [ ?Cathy White] on the Isle of Man, 1983. Color<\/td>\n<\/tr>\n
sleeve 42<\/th>\nEileen Malone and Lou Anne Neill, Phoenix, June 1983. Color
\nN.B. Lou Anne Neill, principal harpist of the Los Angeles Philharmonic Orchestra.<\/span><\/td>\n<\/tr>\n
sleeve 43<\/th>\nEileen Malone appearing beside a chromatic harp, Maastricht, 1983. Color<\/td>\n<\/tr>\n
sleeve 44<\/th>\nEileen Malone and David Watkins on the Isle of Man; [1983]. Color<\/td>\n<\/tr>\n
sleeve 45<\/th>\nStephanie Pelz and Eileen Malone, summer 1980. Color
\nN.B. Stephanie Pelz (later Bennett), Los Angeles-based harpist, composer, arranger, vocalist.<\/span><\/td>\n<\/tr>\n
sleeve 46<\/th>\nPenny Currier seated at harp, December, 1980. Color<\/td>\n<\/tr>\n
sleeve 47<\/th>\nPenny Currier seated at harp, December 1981. Color. Inscription on reverse.<\/td>\n<\/tr>\n
sleeve 48<\/th>\nLinda Warren and Eileen Malone on the occasion of the latter\u2019s wedding;\u00a0undated. Color
\nN.B. Linda Warren, later Mrs. Linda K. Nash, BM \u201979, MM \u201980.<\/span><\/td>\n<\/tr>\n
sleeve 49<\/th>\nMembers of the Remsen family at wedding; undated. Color
\nN.B. Eric Remsen, percussionist, member of the St. Paul Chamber Orchestra and Los\u00a0Angeles Chamber Orchestra, and son of Dorothy Remsen, BM \u201941, former student of\u00a0Eileen Malone and harpist, Los Angeles Philharmonic Orchestra.<\/span><\/td>\n<\/tr>\n
sleeve 50<\/th>\nEileen Malone, outdoor shot; undated. Color<\/td>\n<\/tr>\n
sleeve 51<\/th>\nEileen Malone and an unidentified gentleman; undated. Color<\/td>\n<\/tr>\n
sleeve 52<\/th>\nEileen Malone and Gail Barber in Lubbock, Texas; undated. Color
\nN.B. Gail Barber (1937-2017), ESM graduate (BM\/PC, 1959), harpist, composer and\u00a0Professor at Texas Tech University in Lubbock.<\/span><\/td>\n<\/tr>\n
sleeve 53<\/th>\nEileen Malone and husband of Gail Barber in Lubbock, Texas; undated. Color<\/td>\n<\/tr>\n
sleeve 54<\/th>\nEileen Malone and others, unidentified; undated. Color<\/td>\n<\/tr>\n
sleeve 55<\/th>\nEileen Malone and others, unidentified; undated. Color<\/td>\n<\/tr>\n
sleeve 56<\/th>\nGroup of four unidentified women (two of whom appear in photo in sleeve\u00a055); undated. Color<\/td>\n<\/tr>\n
sleeve 57<\/th>\nEileen Malone and others, unidentified (one gentleman appears in photo in\u00a0sleeve 55; the woman appears in photo in sleeve 56); undated. Color<\/td>\n<\/tr>\n
sleeve 58<\/th>\nEileen Malone and others, unidentified; undated. Color<\/td>\n<\/tr>\n
sleeve 59<\/th>\nEileen Malone and others, unidentified; undated. Color<\/td>\n<\/tr>\n
sleeve 60<\/th>\nEileen Malone and others, unidentified, same function as that of photo in\u00a0sleeve 59; undated. Color<\/td>\n<\/tr>\n
sleeve 61<\/th>\nUnidentified young people (presumably harp students) on the occasion of a\u00a0Christmas recital, December 1981. Color<\/td>\n<\/tr>\n
sleeve 62<\/th>\nEileen Malone with [unidentified woman] and 1-year-old Marielle Sofia,\u00a0September, 1983. Color<\/td>\n<\/tr>\n
sleeve 63<\/th>\nUnidentified young family — man, woman and child; undated. B&W<\/td>\n<\/tr>\n
sleeve 64<\/th>\nEileen Malone and unidentified woman ( ?former student); undated. Color<\/td>\n<\/tr>\n
sleeve 65<\/th>\nHarpist Lauralee [ ?last name not given], seated harp; inscribed \u201cTo my\u00a0wonderful \/ teacher 7 friend \/ Love \/ Lauralee\u201d; undated. B&W<\/td>\n<\/tr>\n
sleeve 66<\/th>\nUnidentified gentleman with horn; undated. B&W<\/td>\n<\/tr>\n
sleeve 67<\/th>\nEric and Gail Remsen, August 5, 1967. Color.<\/td>\n<\/tr>\n
sleeve 68<\/th>\nUnidentified harpist<\/td>\n<\/tr>\n
sleeve 69<\/th>\nUnidentified woman<\/td>\n<\/tr>\n
sleeve 70<\/th>\nEileen Malone<\/td>\n<\/tr>\n
sleeve 71<\/th>\nEileen Malone and harp (negative)<\/td>\n<\/tr>\n
sleeve 72<\/th>\nEileen Malone and harp (negative)<\/td>\n<\/tr>\n
sleeve 73<\/th>\nEileen Malone and harp<\/td>\n<\/tr>\n
sleeve 74<\/th>\nEileen Malone and harp (negative)<\/td>\n<\/tr>\n
sleeve 75<\/th>\nEileen Malone: senior photograph for The Score 1928<\/em>. B&W. Three copies<\/td>\n<\/tr>\n
sleeve 76<\/th>\nEileen Malone (with harp) and an unidentified man; undated. Color<\/td>\n<\/tr>\n
sleeve 77<\/th>\nUnidentified boy; undated. B&W. In commemorative photo holder<\/td>\n<\/tr>\n
sleeve 78<\/th>\nEileen Malone on the day of her ESM graduation, standing outside the ESM.\u00a0B&W.<\/td>\n<\/tr>\n
The photos in sleeves 79-89 were originally housed in a small album.<\/em><\/td>\n<\/tr>\n
sleeve 79<\/th>\nTwo young harpists seated at their instruments; undated. Color.<\/td>\n<\/tr>\n
sleeve 80<\/th>\nMelissa Mildred Reif Webster, aged one month, in her cradle; October 22,\u00a01965. Color.<\/td>\n<\/tr>\n
sleeve 81<\/th>\nTwo unidentified women (and a dog) in park near the lakeshore; undated.\u00a0Color. (Print indicates AUG 59 as date of processing.<\/td>\n<\/tr>\n
sleeve 82<\/th>\nMelissa Mildred Reif Webster in the arms of [ ?her grandmother], aged one\u00a0month, October 22, 1965. Color. Inscription to Eileen Malone on reverse.<\/td>\n<\/tr>\n
sleeve 83<\/th>\nOutdoor gathering of women and girls at luncheon or tea; date on reverse\u00a0indicates print processed in November, 1963. Color.<\/td>\n<\/tr>\n
sleeve 84<\/th>\nThe same outdoor gathering as seen in sleeve 83, here seen from a different\u00a0angle; processed in November, 1963. Color.<\/td>\n<\/tr>\n
sleeve 85<\/th>\nThe same outdoor gathering as seen in sleeves 83 and 84; in this shot, Eileen\u00a0Malone has joined the group; processed in November, 1983. Color.<\/td>\n<\/tr>\n
sleeve 86<\/th>\nGroup of three (two men and a woman) at poolside in a Southern California\u00a0backyard; the famed Hollywood sign visible in distance; processed in\u00a0December, 1959. Color.<\/td>\n<\/tr>\n
sleeve 87<\/th>\nUnidentified family of six at water\u2019s edge on a beach or shoreline; signed Joe\u00a0and Terry Martins; undated. B&W.<\/td>\n<\/tr>\n
sleeve 88<\/th>\n\u00a0Group of three (Eileen Malone and a man and woman) seated at water\u2019s edge;\u00a0undated. Color.<\/td>\n<\/tr>\n
sleeve 89<\/th>\nEileen Malone, seen outside what is apparently a church; undated; Color.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: 4 x 6\u201d sleeves<\/em><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 28″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1604348072417{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1604698890914{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 1<\/th>\nEileen Malone and an unidentified man standing in the main hall of the ESM. B&W. Photo by Louis Ouzer, Rochester NY (Ouzer Archive 4025-31, October 11, 1991).<\/td>\n<\/tr>\n
Photos in sleeves 2-4 originally enclosed with letter now in box 26\/11.<\/em><\/td>\n<\/tr>\n
sleeve 2<\/th>\nEileen Malone with unidentified women; [1990]. Color.
\nProvenance: Laurie Buchanan, July, 1990.<\/td>\n<\/tr>\n
sleeve 3<\/th>\nUnidentified group (conference attenders), all wearing badges; Eileen Malonein first row, seated; [1990]. Color.
\nProvenance: Laurie Buchanan, July, 1990.<\/td>\n<\/tr>\n
sleeve 4<\/th>\nEileen Malone seated at harp; [1990]. Color.
\nProvenance: Laurie Buchanan, July, 1990.<\/td>\n<\/tr>\n
Photos in sleeves 5 and 6 originally enclosed with letter now in box 26\/11.<\/em><\/td>\n<\/tr>\n
sleeve 5<\/th>\nEileen Malone with two unidentified women; [1990]. Color.
\nProvenance: Laura Zaerr, August, 1990.<\/td>\n<\/tr>\n
sleeve 6<\/th>\nEileen Malone with an unidentified woman; [1990]. Color.
\nProvenance: Laura Zaerr, August, 1990.<\/td>\n<\/tr>\n
sleeve 7<\/th>\nNegatives<\/td>\n<\/tr>\n
sleeve 8<\/th>\nNegatives<\/td>\n<\/tr>\n
sleeve 9<\/th>\nUnidentified man and woman, \u201cBefore the Concert\u201d, July 24, 1990. Color.<\/td>\n<\/tr>\n
sleeve 10<\/th>\nPenny Currier, 1987. Color. Inscription on reverse.<\/td>\n<\/tr>\n
sleeve 11<\/th>\nGroup of four: Eileen Malone with two women and a gentleman; undated.Color.<\/td>\n<\/tr>\n
sleeve 12<\/th>\nEileen Malone with Mariella Sofia (aged 4 and a half) and holding\u00a0Giovannino (aged 14 months); March, 1987. Color.<\/td>\n<\/tr>\n
sleeve 13<\/th>\nEileen Malone and unidentified woman; March, 1987. Color.<\/td>\n<\/tr>\n
sleeve 14<\/th>\nUnidentified girl with harp; undated. Color.<\/td>\n<\/tr>\n
sleeve 15<\/th>\nChristmas photo-card of the Edwards family (Chris, Dawn, and Mike);\u00a0undated as to year. Color.<\/td>\n<\/tr>\n
sleeve 16<\/th>\nTwo young women with harp, outdoor shot; signed Linda and Laura on\u00a0reverse; undated. Color.<\/td>\n<\/tr>\n
sleeve 17<\/th>\nMaastrieht skyline; message on reverse from Lucile Jennings; undated. Color.<\/td>\n<\/tr>\n
sleeve 18<\/th>\nMaria Banks (seated at harp) and Eileen Malone; undated. Color<\/td>\n<\/tr>\n
sleeve 19<\/th>\nMaria Banks (seated at harp) and Eileen Malone; undated. Caption on reverse\u00a0\u201clesson in my apartment\u201d. Color.<\/td>\n<\/tr>\n
sleeve 20<\/th>\nMaria Banks (seated at harp) and Eileen Malone; undated. Color.<\/td>\n<\/tr>\n
sleeve 21<\/th>\nMaria Banks, standing on the steps to no. 148 Gibbs Street, Rochester NY;\u00a0undated. Color.<\/td>\n<\/tr>\n
sleeve 22<\/th>\nMaria Banks (seated at harp) and Eileen Malone; undated. Color.<\/td>\n<\/tr>\n
sleeve 23<\/th>\nPicture postcard of Comox Bay, Vancouver Island, B.C.; handwritten message\u00a0(unsigned) on reverse; undated. Color.<\/td>\n<\/tr>\n
sleeve 24<\/th>\nPicture postcard of the Hornby Island Community Theater, Hornby Island,\u00a0B.C.; handwritten message (unsigned) on reverse; undated. Color.<\/td>\n<\/tr>\n
sleeve 25<\/th>\nUnidentified woman holding baby Mariella Sofia (aged 3 weeks) on her\u00a0Christening Day, October 24, 1982. Dolor.<\/td>\n<\/tr>\n
sleeve 26<\/th>\nHoliday photo-card from The Speros; signed on reverse \u201cBarbara L____\u00a0Spero & family\u201d; undated. Color.<\/td>\n<\/tr>\n
sleeve 27<\/th>\nEileen Malone (in her mature years) seated at harp; undated. Color.<\/td>\n<\/tr>\n
sleeve 28<\/th>\nEileen Malone (in her mature years) and harp; undated. B&W.<\/td>\n<\/tr>\n
sleeve 29<\/th>\nEileen Malone (in her mature years) and two unidentified young women\u00a0(presumably students); undated. Color.<\/td>\n<\/tr>\n
sleeve 30<\/th>\nEileen Malone (in her mature years) seated before a microphone at a gathering; undated. Color.<\/td>\n<\/tr>\n
sleeve 31<\/th>\nGroup of three: Eileen Malone, Gail Barber and one unidentified woman;\u00a0undated. Color.<\/td>\n<\/tr>\n
sleeve 32<\/th>\nFour harpists, standing with their instruments; the event not identified;\u00a0undated. Color.<\/td>\n<\/tr>\n
sleeve 33<\/th>\nEnsemble of four harpists seated at their instruments; undated. B&W.<\/td>\n<\/tr>\n
sleeve 34<\/th>\nMariella Sofia, aged 8 and a half months; outdoor shot; undated. Color.<\/td>\n<\/tr>\n
sleeve 35<\/th>\nChristmas photo-card showing the two Hasty children (boy and girl); reverse\u00a0signed The Hastys; undated. B&W.<\/td>\n<\/tr>\n
sleeve 36<\/th>\nGroup of six: Eileen Malone at left; five others unidentified; date of\u00a0processing on reverse \u201cJULY 90\u201d. Color.<\/td>\n<\/tr>\n
sleeve 37<\/th>\nEileen Malone with unidentified man and woman (two harps behind); date of\u00a0processing on reverse \u201cAUG 90\u201d. Color.<\/td>\n<\/tr>\n
sleeve 38<\/th>\nEileen Malone with two unidentified women; date of processing on reverse\u00a0\u201cAUG 90\u201d. Color.<\/td>\n<\/tr>\n
sleeve 39<\/th>\nEileen Malone with an unidentified woman; date of processing on reverse\u00a0\u201cAUG 90\u201d. Color. Same event as that of photo in sleeve 38.<\/em><\/td>\n<\/tr>\n
sleeve 40<\/th>\nEileen Malone with two unidentified women; date of processing on reverse\u00a0\u201cAUG 90\u201d. Color. Same event as that of photo in sleeve 38.<\/em><\/td>\n<\/tr>\n
sleeve 41<\/th>\nEileen Malone with three unidentified women; date of processing on reverse\u00a0\u201cAUG 90\u201d. Color. Same event as that of photo in sleeve 38.<\/em><\/td>\n<\/tr>\n
sleeve 42<\/th>\nEileen Malone with four unidentified women, outdoor shot; presumably an\u00a0American Harp Society meeting; date of processing on reverse \u201cAUG 90\u201d.\u00a0Color.<\/td>\n<\/tr>\n
sleeve 43<\/th>\nEileen Malone with unidentified man and woman; date of processing on\u00a0reverse \u201cJULY 90\u201d. Color. Same event as that of previous sleeves in box 28.<\/em><\/td>\n<\/tr>\n
sleeve 44<\/th>\nEileen Malone with an unidentified man; date of processing on reverse \u201cJULY\u00a090\u201d. Color. Same event as that of previous sleeves in box 28.<\/em><\/td>\n<\/tr>\n
sleeve 45<\/th>\nAssembled group; Eileen Malone seated in first row at center; date of\u00a0processing on reverse \u201cAUG 90\u201d. Color. Matches group in photo in sleeve 42.<\/em><\/td>\n<\/tr>\n
sleeve 46<\/th>\nClose-up shot of hands on harp strings; their identity uncited; undated. B&W.<\/td>\n<\/tr>\n
sleeve 47<\/th>\n\u00a0One of two shots of a formal gathering, attendees all seated at luncheon or\u00a0banquet tables; undated. B&W.<\/td>\n<\/tr>\n
sleeve 48<\/th>\nSecond of two shots of a formal gathering, attendees all seated at luncheon or\u00a0banquet tables; undated. B&W.<\/td>\n<\/tr>\n
sleeve 49<\/th>\nMarilyn Schiewe, harpist (publicity shot). Color.
\nEvidence of use: pin-holes indicating display on board.
\nN.B. Marilyn Schiewe, BM \u201964, MM \u201966, later Mrs. Marilyn Hopkins.<\/span><\/td>\n<\/tr>\n
sleeve 50<\/th>\nEileen Malone at the harp (publicity shot). B&W. Photo by Louis Ouzer,\u00a0Rochester NY.<\/td>\n<\/tr>\n
sleeve 51<\/th>\nEileen Malone (in her mature years), close-up shot of face and hands on the\u00a0harp strings; undated. B&W.<\/td>\n<\/tr>\n
sleeve 52<\/th>\nEileen Malone as a young adult (publicity shot); undated. B&W. Print bears\u00a0watermark UNRETOUCHED PROOF.
\nPhotos in sleeves 52, 53, and 54 apparently taken during one photo shoot\u00a0(based on Miss Malone\u2019s attire).<\/em><\/td>\n<\/tr>\n
sleeve 53<\/th>\nEileen Malone as a young adult (publicity shot); undated. B&W. Print bears\u00a0watermark UNRETOUCHED PROOF.
\nPhotos in sleeves 52, 53, and 54 apparently taken during one photo shoot\u00a0(based on Miss Malone\u2019s attire).<\/em><\/td>\n<\/tr>\n
sleeve 54<\/th>\nEileen Malone as a young adult (publicity shot); undated. B&W. Print bears\u00a0watermark UNRETOUCHED PROOF.
\nPhotos in sleeves 52, 53, and 54 apparently taken during one photo shoot\u00a0(based on Miss Malone\u2019s attire)<\/em>.<\/td>\n<\/tr>\n
sleeve 55<\/th>\nEileen Malone as a young adult (publicity shot); undated. B&W. Print bears\u00a0watermark UNRETOUCHED PROOF.
\nPhotos in sleeves 55 and 56 apparently taken during the same photo shoot\u00a0(based on Miss Malone\u2019s attire).<\/em><\/td>\n<\/tr>\n
sleeve 56<\/th>\nEileen Malone, as a young adult, seated at harp (publicity shot); undated.\u00a0B&W. Print bears watermark UNRETOUCHED PROOF.
\nPhotos in sleeves 55 and 56 apparently taken during the same photo shoot\u00a0(based on Miss Malone\u2019s attire).<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series C: 8 x 10\u201d sleeves<\/em><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 29″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1604348145962{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1604588122446{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 1<\/th>\nEileen Malone shaking hands with an unidentified man; others standing\u00a0nearby, indicating a reception; undated. B&W. Two copies.<\/td>\n<\/tr>\n
sleeve 2<\/th>\nEileen Malone, dressed in academic garb, on the day of her ESM\u00a0Commencement; exterior shot outside the ESM. B&W.<\/td>\n<\/tr>\n
sleeve 3<\/th>\nUnidentified woman, dressed in academic garb, outside the ESM; apparently on same day as preceding photo. B&W.<\/td>\n<\/tr>\n
sleeve 4<\/th>\nEileen Malone seated at harp (publicity shot); undated. B&W. Signed\u00a0\u201cEileen\u201d. Photo by Loulen Studio, Rochester NY.<\/td>\n<\/tr>\n
sleeve 5<\/th>\nEileen Malone seated at harp (publicity shot); undated. B&W.<\/td>\n<\/tr>\n
sleeve 6<\/th>\nEileen Malone, portrait (publicity shot); undated. B&W. Photo by Varden.<\/td>\n<\/tr>\n
sleeve 7<\/th>\nEileen Malone seated at harp (publicity shot); side view; undated. B&W.
\nPhoto by Loulen Studio, Rochester NY.<\/td>\n<\/tr>\n
sleeve 8<\/th>\nEileen Malone with harp (publicity shot). B&W. Photo by Louis Ouzer,
\nRochester NY (Ouzer Archive R452-22; November 1, 1968).<\/td>\n<\/tr>\n
sleeve 9<\/th>\nEileen Malone seated at harp (publicity shot [possibly a cropped copy of\u00a0image in Box 29\/5]); undated. B&W.<\/td>\n<\/tr>\n
sleeve 10<\/th>\nEileen Malone seated at harp (publicity shot); undated. B&W.<\/td>\n<\/tr>\n
sleeve 11<\/th>\nEileen Malone seated at harp (publicity shot); side view; undated. B&W.<\/td>\n<\/tr>\n
sleeve 12<\/th>\n\u00a0Eileen Malone and harp (publicity shot); undated. B&W.<\/td>\n<\/tr>\n
sleeve 13<\/th>\nEileen Malone and harp (publicity shot); undated. B&W. Two copies.<\/td>\n<\/tr>\n
sleeve 14<\/th>\nEileen Malone in young adulthood, portrait; undated. B&W.<\/td>\n<\/tr>\n
sleeve 15<\/th>\nEileen Malone seated at harp (publicity shot); undated. B&W. Photo by Louis\u00a0Ouzer, Rochester NY.<\/td>\n<\/tr>\n
sleeve 16<\/th>\nEnsemble of five women, each seated at a harp, assembled on-stage in a\u00a0studioistic setting; Eileen Malone second from right; undated. B&W.<\/td>\n<\/tr>\n
sleeve 17<\/th>\nEnsemble of five women (the same five harpists as in image Box 29\/16);\u00a0undated. B&W.<\/td>\n<\/tr>\n
sleeve 18<\/th>\nEileen Malone, in her youth, seated at harp (publicity shot); undated. B&W.\u00a0Photo by Byron Morgan, Rochester NY. Four copies.<\/td>\n<\/tr>\n
sleeve 19<\/th>\nEileen Malone and harp (publicity shot); undated. B&W. Five copies.<\/td>\n<\/tr>\n
sleeve 20<\/th>\nEileen Malone and harp (publicity shot); undated. B&W. Photo by Louis\u00a0Ouzer, Rochester NY. Eleven copies.<\/td>\n<\/tr>\n
sleeve 21<\/th>\nEileen Malone and harp (publicity shot); undated. B&W. Five copies.<\/td>\n<\/tr>\n
sleeve 22<\/th>\nEileen Malone, as a young adult, seated at harp (publicity shot); undated.\u00a0B&W. Photo by Loulen Studio, Rochester NY.<\/td>\n<\/tr>\n
sleeve 23<\/th>\nEileen Malone, in her youth, seated at harp (publicity shot); undated. B&W.
\nPhoto by Byron Morgan, Rochester NY.<\/td>\n<\/tr>\n
sleeve 24<\/th>\nWoman (not identified in full) seated at harp; undated. B&W. Photo bears\u00a0inscription to \u201cMiss Malone\u201d from \u201cLaurie\u201d. Photo by James J. Kriegsmann.
\nEvidence of wear; several pin-holes as though displayed on a board.<\/td>\n<\/tr>\n
sleeve 25<\/th>\nFour young children, each seated at a harp, on-stage in Kilbourn Hall at the\u00a0ESM; undated. B&W.<\/td>\n<\/tr>\n
sleeve 26<\/th>\nGroup of fourteen women assembled in a pose between two harps; Eileen\u00a0Malone seated in first row at left; details as to purpose of the gathering are\u00a0lacking; undated. B&W. Photo by Louis Ouzer [attribution on accompanying\u00a0sleeve, no longer extant]. Two copies.<\/td>\n<\/tr>\n
sleeve 27<\/th>\nClose-up shot of row of harps with harpists\u2019 hands; caption \u201cXmas 1963\u201d on\u00a0reverse. B&W. Markings on print indicate pre-publication copy.
\nEvidence of wear; several pin-holes as though displayed on a board.<\/td>\n<\/tr>\n
sleeve 28<\/th>\nG\u00e9rard Hekking, violoncellist. B&W. Inscribed to \u201cMiss Aline Malone\u201d with\u00a0date 1933.<\/td>\n<\/tr>\n
sleeve 29<\/th>\nErich Leinsdorf, conductor. B&W. Inscribed \u201cTo Miss Eileen Malone with\u00a0many good wishes Erich Leinsdorf\u201d. [Photo by Alexander Leventon,\u00a0Rochester NY.]<\/td>\n<\/tr>\n
sleeve 30<\/th>\nRibert A. Kidera (President, Nazareth College) congratulates three recipients\u00a0of the honorary Doctor of Laws degree at Nazareth College\u2019s 55th annual\u00a0commencement, May 16th, 1982. From left to right, Dr. Allan Kuusisto,\u00a0Edward Villella, Eileen Malone, President Kidera. B&W. Excerpt from\u00a0publication under caption \u201cNews at Nazareth\u201d.<\/td>\n<\/tr>\n
sleeve 31<\/th>\nEileen Malone with two unidentified woman; outdoor shot; undated. Color.<\/td>\n<\/tr>\n
sleeve 32<\/th>\nUnidentified woman seated at harp; undated. B&W. Photo by The Buffalo\u00a0Evening News.
\nEvidence of wear; several pin-holes as though displayed on a board.<\/td>\n<\/tr>\n
sleeve 33<\/th>\nUnidentified woman; undated. B&W. Caption on reverse cites \u201cp. 31 Score\u201d\u00a0[ESM yearbook photo?].
\nEvidence of wear; several pin-holes as though displayed on a board.<\/td>\n<\/tr>\n
sleeve 34<\/th>\nEileen Malone as a young adult; portrait; undated. B&W.<\/td>\n<\/tr>\n
sleeve 35<\/th>\nThe Rochester Civic Orchestra, assembled on-stage; conductor Guy Fraser\u00a0Harrison on podium; his back to the house; ESM faculty members in the shot\u00a0include John Celentano (at left in second row of violinists) and Eileen Malone\u00a0(at far right); undated. B&W.<\/td>\n<\/tr>\n
sleeve 36<\/th>\nChamber group (possibly ESM students), three members seated and two\u00a0standing; Eileen Malone (with harp) at center; undated. B&W.<\/td>\n<\/tr>\n
sleeve 37<\/th>\nEileen Malone, smiling, tuning harp; undated. B&W.<\/td>\n<\/tr>\n
sleeve 38<\/th>\nPierre Monteux, conductor, in jovial pose. B&W. Inscribed by Monteux to\u00a0Eileen Malone.
\nEvidence of wear; several pin-holes as though displayed on a board.<\/td>\n<\/tr>\n
sleeve 39<\/th>\nFrederick Fennell, conductor. B&W. Inscribed \u201cTo Eileen with love and best\u00a0wishes FF 1 August 62\u201d.
\nEvidence of wear; several pin-holes as though displayed on a board.
\nN.B. Photo is a portrait of FF, smiling and with cigarette in hand, that was taken during the\u00a01961-62 overseas tour by the Eastman Philharmonia.<\/span><\/td>\n<\/tr>\n
sleeve 40<\/th>\nUnidentified man playing harp; undated. B&W.<\/td>\n<\/tr>\n
sleeve 41<\/th>\nMildred Dilling seated at harp. B&W. Inscribed \u201cTo lovely Eileen \/ with\u00a0admiration \/ and affection \/ Mildred\u201d.<\/td>\n<\/tr>\n
sleeve 42<\/th>\nUnidentified young woman seated at harp; undated. B&W.
\nEvidence of wear; several pin-holes as though displayed on a board.<\/td>\n<\/tr>\n
sleeve 43<\/th>\nEileen Malone and Alec Wilder. B&W. Photo by Louis Ouzer, Rochester NY\u00a0(Ouzer Archive R691-16, July 3, 1969).<\/td>\n<\/tr>\n
sleeve 44<\/th>\nNine young women, each with harp (four standing, five seated); possibly\u00a0Eileen Malone\u2019s harp class at the ESM; undated. B&W.
\nEvidence of wear; several pin-holes as though displayed on a board.<\/td>\n<\/tr>\n
sleeve 45<\/th>\nRobert Barlow playing the harp. B&W. Inscribed \u201cIn deep gratitude \/ and\u00a0appreciation to \/ my wonderful teacher \/ and friend, Eileen Malone — \/ Robert\u00a0Barlow.\u201d Photo by Louis Ouzer, Rochester NY.
\nEvidence of wear; several pin-holes as though displayed on a board.
\nN.B. Published in The Score 1961<\/em> as Mr. Barlow\u2019s senior picture.<\/span><\/td>\n<\/tr>\n
sleeve 46<\/th>\nEileen Malone as a young woman, seated at harp; undated. B&W.<\/td>\n<\/tr>\n
sleeve 47<\/th>\nMarcel Grandjany playing the harp; close-up shot. B&W. Inscribed \u201cTo my\u00a0dear Eileen \/ with affectionate wishes \/ Marcel Grandjany Septembre 1957\u201d.
\nEvidence of wear; several pin-holes as though displayed on a board.<\/td>\n<\/tr>\n
sleeve 48<\/th>\nGeorges Enesco, composer; portrait shot. B&W. Inscribed \u201cA Mademoiselle\u00a0Eileen Malone, \/ respectueusement Georges Enesco 1946\u201d.
\nEvidence of wear; several pin-holes as though displayed on a board.<\/td>\n<\/tr>\n
sleeve 49<\/th>\nHands of Marcel Grandjany; close-up shot at the harp; undated. B&W.
\nEvidence of wear; several pin-holes as though displayed on a board.<\/td>\n<\/tr>\n
sleeve 50<\/th>\nJos\u00e9 Iturbi, conductor. B&W. [Photo by Alexander Leventon.]
\nEvidence of wear; several pin-holes as though displayed on a board.<\/td>\n<\/tr>\n
sleeve 51<\/th>\nMildred Dilling, harpist (publicity shot). B&W. Inscribed \u201cFor my dear\u00a0colleague Eileen — for her rogue\u2019s \/ gallery or history of the Harp Class.\u00a0Fondly Mildred\u201d.
\nEvidence of wear; corners worn by tape, as though displayed.<\/td>\n<\/tr>\n
sleeve 52<\/th>\nEnsemble of six harpists on-stage; Eileen Malone (her back to the camera)\u00a0visible in capacity as director or conductor. B&W. Photo by Louis Ouzer,
\nRochester NY (Ouzer Archive R1539-16A, May 3, 1972).<\/td>\n<\/tr>\n
sleeve 53<\/th>\nEileen Malone with an unidentified harp student, a young girl; undated. B&W.
\nN.B. Their respective ages (based on their appearances) indicate that Miss Malone was at this\u00a0time a young faculty member working with a student of the ESM\u2019s Preparatory Department.<\/span><\/td>\n<\/tr>\n
sleeve 54<\/th>\nEileen Malone with an unidentified harp student, a young boy; undated.\u00a0B&W.
\nN.B. Their respective ages (based on their appearances) indicate that Miss Malone was at this\u00a0<\/span>time a young faculty member working with a student of the ESM\u2019s Preparatory Department.<\/span><\/td>\n<\/tr>\n
sleeve 55<\/th>\nUnidentified woman with harp; undated. B&W.
\nEvidence of wear; several pin-holes as though displayed on a board.<\/td>\n<\/tr>\n
sleeve 56<\/th>\nEileen Malone as a young woman, seated at harp; undated. B&W.
\nEvidence of wear; several pin-holes as though displayed on a board.<\/td>\n<\/tr>\n
sleeve 57<\/th>\nEileen Malone as a young woman (publicity shot); undated. B&W. Photo by\u00a0Byron Morgan, Rochester NY. Three copies.
\nEvidence of wear; one copy with pin-holes as though displayed on a board.<\/td>\n<\/tr>\n
sleeve 58<\/th>\nEileen Malone and harp (publicity shot). B&W. [Photo by Josef Schiff.]
\nN.B. Attribution appeared on previous accompanying sleeve, no longer extant.<\/span><\/td>\n<\/tr>\n
sleeve 59<\/th>\nEileen Malone and harp (publicity shot). B&W. Photo by Josef Schiff,\u00a0Rochester NY. Four copies.<\/td>\n<\/tr>\n
sleeve 60<\/th>\nEileen Malone and harp (publicity shot). B&W. [Photo by Josef Schiff.]<\/td>\n<\/tr>\n
sleeve 61<\/th>\nEileen Malone and harp (publicity shot). B&W. [Photo by Josef Schiff.]<\/td>\n<\/tr>\n
sleeve 62<\/th>\nEileen Malone and harp (publicity shot). B&W. [Photo by Josef Schiff.] Two\u00a0copies.<\/td>\n<\/tr>\n
sleeve 63<\/th>\nEileen Malone as a young woman (publicity shot). B&W. Photo by Byron\u00a0Morgan.<\/td>\n<\/tr>\n
sleeve 64<\/th>\nEileen Malone as a young woman with a harpist colleague; undated. B&W.<\/td>\n<\/tr>\n
sleeve 65<\/th>\nEileen Malone as a young woman, with an unidentified percussionist;\u00a0undated. B&W.<\/td>\n<\/tr>\n
sleeve 66<\/th>\nEileen Malone as a young woman with harp; undated. B&W.
\nEvidence of wear; several pin-holes as though displayed on a board.<\/td>\n<\/tr>\n
sleeve 67<\/th>\nEileen Malone as a young woman with a harpist colleague; undated. B&W.<\/td>\n<\/tr>\n
sleeve 68<\/th>\nEileen Malone as a young woman, seated at harp; undated. B&W.
\nEvidence of wear; several pin-holes as though displayed on a board.<\/td>\n<\/tr>\n
sleeve 69<\/th>\nEileen Malone sharing a convivial moment with a gentleman at a reception;\u00a0each in formal dress and with a martini glass in hand. B&W.
\nInscribed on reverse \u201cTo Eileen \/ With great affection & admiration \/ from\u00a0Wanda & Fred Geib \/ Taken at Wanda debut party Sept. 1958\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series D: 11 x 14\u201d sleeves<\/em><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 30″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1604348230682{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1748884229660{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 1<\/th>\nHarpist, apparently Eileen Malone in period wig and costume, at the harp; undated. B&W.<\/td>\n<\/tr>\n
sleeve 2<\/th>\n? Eileen Malone and harp; undated. B&W.<\/td>\n<\/tr>\n
sleeve 3<\/th>\nHelen Esselstyn; undated. Bears inscription \u201cWith love from your\u00a0housemother\u201d. B&W. Photo by Moser Studio, Rochester NY. Mounted in\u00a0photo holder.<\/td>\n<\/tr>\n
sleeve 4<\/th>\nChild standing at the harp; adult seated beyond; undated. Inscribed \u201cLove\u00a0Polly\u201d. Color. Mounted in photo holder.<\/td>\n<\/tr>\n
sleeve 5<\/th>\nEileen Malone seated at the harp; Kilbourn Hall, ESM; undated. B&W.\u00a0Mounted on cardstock.<\/td>\n<\/tr>\n
sleeve 6<\/th>\nUnidentified woman at the harp; close-up shot of face and hands; August 27,\u00a01974. Inscription on reverse. B&W. Mounted in matte holder.<\/td>\n<\/tr>\n
sleeve 7<\/th>\nUnidentified; close-up shot; undated. Color. Photo by Peter Frosig. Mounted\u00a0on cardstock.<\/td>\n<\/tr>\n
sleeve 8<\/th>\nUnidentified woman, seated; undated. B&W.<\/td>\n<\/tr>\n
sleeve 9<\/th>\nPage extracted from yearbook profiling Private John Patrick Malone [brother of E.M.] in ROTC uniform. B&W with text.<\/td>\n<\/tr>\n
sleeve 10<\/th>\nEileen Malone in young adulthood, seated at harp; close-up of hands on strings; undated. B&W. Two copies.
\nEvidence of use: pin-holds indicate was displayed on board.<\/td>\n<\/tr>\n
sleeve 11<\/th>\nEileen Malone in young adulthood, seated at harp; close-up of hands on strings; undated. B&W. Two copies.
\nEvidence of use: pin-holds indicate was displayed on board.<\/td>\n<\/tr>\n
sleeve 12<\/th>\nChamber orchestra; E.M. (and harp) at far right; undated. B&W.
\nN.B. Possibly members of the Rochester Civic Orchestra; E.M. a young adult in this shot.<\/span><\/td>\n<\/tr>\n
sleeve 13<\/th>\nE.M. as a young adult; undated. B&W. Photo by White Studio, New York.
\nThree copies, each mounted in a folder.<\/td>\n<\/tr>\n
sleeve 14<\/th>\nE.M. as a young adult; undated. B&W. Photo by White Studio, New York.
\nMounted in folder.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series E: Photo albums<\/em><\/span><\/p>\n

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album 1<\/th>\nPhoto album no. 1
\nBrand: MB Keep \u2018n Touch Self Adhesive Magnetic Album, 13 x 11\u201d.
\nPages 1-17 bear photographs; the bulk of them (pages 1-12) depict scenes in Israel, presumably during one of the international harp competitions.
\nOther identified shots:<\/em>
\npage 14, a group photo of E.M.\u2019s 1981-82 class (also published in The Score<\/em> 1982, page 37)
\npage 15, a group photo of E.M. with Professor and Mrs. Abram Loft and an unidentified gentleman
\npage 16, a group photo of E.M. with Marcel Grandjany and, presumably, a mother and daughter (the latter seated at harp)<\/td>\n<\/tr>\n
album 2<\/th>\nPhoto album no. 2
\nBrand: MB Keep \u2018n Touch Self Adhesive Magnetic Album, 13 x 11\u201d
\nPhotographs (pages 1-9) include shots of Malone family members in and around their Victor, NY home; Eileen Malone with Marcel Grandjany and Mrs. Grandjany; and students of Eileen Malone, photographed either with or without her.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series F: Framed prints<\/em><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 31″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1604348452587{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1604423576973{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n
item 1<\/th>\nAnn Nisbet; undated. B&W.
\nInscribed \u201cWith sincere appreciation\u201d.
\nPhoto by Barker, Rochester NY; framed by Frank L. Powers, Rochester, NY.
\nAltogether 5.5 x 7.5\u201d<\/td>\n<\/tr>\n
item 2<\/th>\nConnie Harding; undated. B&W.
\nInscribed with message.
\nAltogether 8 x 10\u201d<\/td>\n<\/tr>\n
item 3<\/th>\nEmory Remington; 1929. B&W.
\nInscribed with message.
\nPhoto by Alexander Leventon, Rochester NY; framed by Frank L. Powers,\u00a0Rochester NY.
\nAltogether 9 x 12\u201d<\/td>\n<\/tr>\n
item 4<\/th>\nDoris [last name not provided]; undated. B&W
\nInscribed with message.
\nPhoto by Zamsky Studios, Philadelphia & New Haven; framed by Frank L.\u00a0Powers, Rochester NY.
\nAltogether 7.25 x 10.25\u201d<\/td>\n<\/tr>\n
item 5<\/th>\nJanet [Remington]; undated. B&W
\nInscribed with message.
\nPhoto by Bruno & Hollywood, New York City.
\nAltogether 8 x 9.75\u201d<\/td>\n<\/tr>\n
item 6<\/th>\nFive young harpist seated at their instruments, not identified; presumably at\u00a0the Eastman School of Music; undated. B&W
\nNot inscribed.
\nPhotographer not cited.
\nAltogether 10.25 x 8.5\u201d<\/td>\n<\/tr>\n
item 7<\/th>\nEugene Goossens. B&W
\nInscribed with message \u201cFor my friend \/ Eileen Malone \/ souvenir of an artist. . . \/ and a charming personality \/ from her s[ illegible<\/em>] \/ Eugene Goossens \/ Rochester 1931\u201d.
\nPhoto by Byron Morgan, Rochester NY; framed by Frank L. Powers, Rochester NY.
\nAltogether 9 x 12\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 8: Ephemera<\/span><\/span><\/strong><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 30″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1604348778438{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1604423272114{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n
folder 15<\/th>\nHarp cartoon by Glen Morley.
\nN.B. Glen Morley (1912-1996), composer, conductor, and arranger; violoncellist and music\u00a0librarian with the Rochester Philharmonic Orchestra.<\/span><\/td>\n<\/tr>\n
folder 16<\/th>\n[Sergiu Natra], conductor: ink drawing by Herbert Sondant. Mounted on\u00a0cardstock.<\/td>\n<\/tr>\n
folder 17<\/th>\nPedagogical chart showing hand positions in 13 Figures. Extracted from\u00a0publication\u00a040 Studies<\/em>\u00a0[no further bibliographic information provided], in\u00a0which this chart is Plate III. Mounted on cardstock.<\/td>\n<\/tr>\n
folder 18<\/th>\nHandbills promoting concerts. Two items:<\/p>\n
    \n
  1. Phi Mu Alpha Sinfonia honors Dr. Howard Hanson, January 24, Kilbourn Hall; and,<\/li>\n
  2. \u00a0Rochester Chamber Orchestra, season 1964-1965, three concerts [Eileen Malone, harp soloist, December 6, 1964].<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
folder 19<\/th>\nHarp cartoon by Potto. Copyright 1973 Clef House.<\/td>\n<\/tr>\n
folder 20<\/th>\nCharcoal drawing of a harp. Artist\u2019s signature visible but difficult to discern.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 9: Audio-Visual Media<\/span><\/span><\/strong><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 32″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1604348724093{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1604422920434{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n
item 1<\/th>\nHarp Music of the New World<\/em>. Jennifer Sayre, harpist.
\nMusic by Ruiz de Ribayaz, Vargas y Guzm\u00e1n, Houdy, Grandjany, Halffter,\u00a0and Schifrin.
\nAMR 440 Amphion Musical Recordings, c1988
\naudio-cassette<\/em><\/td>\n<\/tr>\n
item 2<\/th>\nThe Moon in the Labyrinth<\/em>\u00a0\/ Luedeke. Judy Loman, harp.
\nNo other information provided.
\naudio-cassette<\/em><\/td>\n<\/tr>\n
item 3<\/th>\nSeascape no. 2<\/em>\u00a0\/ Clement Reid. Carol Sue Mukhalian, harp. 3\/9\/88
\nNo other information provided.
\naudio-cassette<\/em><\/td>\n<\/tr>\n
item 4<\/th>\nThe Song of the Lark<\/em>\u00a0\/ Charles Rochester Young.
\nNo other information provided.
\naudio-cassette<\/em><\/td>\n<\/tr>\n
item 5<\/th>\nThe Gods Amused<\/em>\u00a0\/ Eliot Feld.
\nDanses sacr\u00e9e et profanes<\/em>\u00a0\/ Debussy.
\nNo other information provided.
\n5\u201d magnetic reel<\/em><\/td>\n<\/tr>\n
item 6<\/th>\nDuo for Flute and Harp<\/em>\u00a0\/ James Willey (1976)
\nCarl Adams, flute; Mario Falcao, harp.
\nNo other information provided.
\n5\u201d magnetic reel<\/em><\/td>\n<\/tr>\n
item 7<\/th>\nPierre Jamet: \u201cUn Si\u00e8cle de Harpe.\u201d
\n<\/em>Duration: 30:00.
\nNo other information provided.
\nVHS video-cassette<\/em><\/td>\n<\/tr>\n
item 8<\/th>\nBinder\u2019s collection of 78rpm discs.
\nSEPARATED:<\/em> shelved free-standing as Box 35 at C3B 1,3.\u00a0<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 10: Oversized Material<\/span><\/span><\/strong><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 33″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1604348757901{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1604420593085{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n
item 1<\/th>\nPhoto of the assembled members of the Rochester Philharmonic Orchestra;
\nEugene Goossens, conductor; undated. B&W<\/td>\n<\/tr>\n
item 2<\/th>\nMortarboard with tassel<\/td>\n<\/tr>\n
item 3<\/th>\nPhoto of the assembled members of either the Rochester Philharmonic\u00a0Orchestra or the Rochester Civic Orchestra; Eileen Malone at far right;\u00a0undated. B&W.
\nFramed; altogether 14 x 6\u201d<\/td>\n<\/tr>\n
item 4<\/th>\nPhoto of E.M. at the harp [enlargement of a photo filed previously]; undated.
\nColor.
\nFramed; altogether 14.5 x 11.5\u201d<\/td>\n<\/tr>\n
item 5<\/th>\nCitation in recognition of E.M.\u2019s 59 years of teaching. June, 1990.
\nFramed; altogether 11.5 x 15\u201d<\/td>\n<\/tr>\n
item 6<\/th>\nCitation by Rochester Alumnae Chapter of Mu Phi Epsilon. Undated.
\nFramed; altogether 18.75 x 12.75\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 34″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1604348907079{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1604420368118{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n
item 1<\/th>\nLuedeke, Raymond. The Moon in the Labyrinth<\/em>. \u2014 1985
\nFor harp and string quartet or string orchestra.
\nHarp part. MS facsim; 35 pages.
\nPerformance notes immediately preceding the first page of music.
\nAccompanied by letter (undated) from the composer E.M.<\/td>\n<\/tr>\n
item 2<\/th>\nSheriff, Noam.\u00a0Essay for Harp and String<\/em>\u00a0Quartet. \u2014 1976
\nFull score. MS facsim.; 12 pages of music.
\nThe lines of music pasted onto cardboard, presumably for ease of reading in\u00a0performance.<\/td>\n<\/tr>\n
item 3<\/th>\nPhoto of E.M. seated at the harp; undated. B&W
\nPhoto by Peggy Stewart, Canandaigua NY.
\nMounted in a matte folder.<\/td>\n<\/tr>\n
item 4<\/th>\nPhoto of E.M. seated at the harp; an unidentified gentleman (her father?) in\u00a0black tie stands behind her, looking into the camera; undated. B&W
\nPhoto by Peggy Stewart, Canandaigua NY.
\nMounted in a matte folder.<\/td>\n<\/tr>\n
item 5<\/th>\nCommemorative album presented to E.M., June, 1990
\nContains letters, photographs, and other documents constituting altogether a celebration of E.M.\u2019s pedagogical service.
\n50 pages.
\nThe full citation reads thus:
\nThe Memory Book: \/ recollections from students of \/ Eileen Malone, \/ Professor Emerita of Harp \/ Eastman School of Music \/ of the \/ University of Rochester \/ 1930-1989 \/ Compiled by the \/ Rochester Chapter of the American Harp Society \/ Rochester, New York \/ Presented at the \/ Annual Conference \/ of the \/ American Harp Society \/ Trinity University \/ San Antonio, Texas \/ June, 1990.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 35″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1604348980976{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1604349009617{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 2px !important;}”]Binder\u2019s collection of 78rpm discs. Separated from Series 9.[\/vc_column_text][vc_column_text css=”.vc_custom_1604419365565{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
disc 1<\/th>\nCarlos Salzedo, harp solo.
\nA side: Memories of a clock \u2014 2. Pirouetting Music Box \u2014 3. Behind the Barracks
\nB side: 1. Rocking Horse \u2014 2. On Donkey Back \u2014 3. Rain Drops.
\nRCA Victor Red Seal Record 14871
\nDiscs 2, 3, and 4 form a discographic unity.<\/em><\/td>\n<\/tr>\n
disc 2<\/th>\nConcerto for Flute and Harp in C major, K.V. 299 (Mozart).
\nMarcel Moyse & Mlle. Lily Laskine and Orchestra (M. Piero Coppola, conductor).
\n[side] no. 1: Allegro (1st record)
\n[side] no. 6: Rondo cadence de Graener (2nd record)
\nHis Master\u2019s Voice C7219<\/td>\n<\/tr>\n
disc 3<\/th>\nConcerto for Flute and Harp in C major, K.V. 299 (Mozart)
\nSame artists as on discs 2 and 3.
\n[side] no. 2: Allegro (2nd record)
\n[side] no. 5: Rondo (1st record)
\nHis Master\u2019s Voice C7220<\/td>\n<\/tr>\n
disc 4<\/th>\nConcerto for Flute and Harp in C major, K.V. 299 (Mozart)
\nSame artists as on disc 2.
\n[side] no. 3: Andantino (1st record)
\n[side] no. 4: Andantino (2nd record)
\nHis Master\u2019s Voice C7221<\/td>\n<\/tr>\n
disc 5<\/th>\nDebussy: Nuages (Clouds): No. 1 from \u201cNocturnes\u201d. In two parts.
\nside A: Part One.
\nside B: Part Two.
\nWorld\u2019s Greatest Music SR-18-A and SR-18-B. Copyright 1938<\/td>\n<\/tr>\n
disc 6<\/th>\nDebussy: F\u00eates (Festivals): No. 2 from \u201cThree Nocturnes\u201d. In two parts.
\nside A: Part One
\nside B: Part Two.
\nPerforming forces not identified.
\nWorld\u2019s Greatest Music SR-19-A and SR-19-B. Copyright 1938<\/td>\n<\/tr>\n
disc 7<\/th>\nDebussy: Prelude to the Afternoon of a Faun. In two parts.
\nside A: Part One
\nside B: Part Two.
\nPerforming forces not identified.
\nWorld\u2019s Greatest Music SR-17-A and SR-17-B. Copyright 1938<\/td>\n<\/tr>\n
disc 8<\/th>\nRapsodie (for the harp) (Marcel Grandjany).
\nMarcel Grandjany, harp solo.
\nside A: Part One
\nside B: Part Two.
\nPerforming forces not identified.
\nVictor Red Seal Record 2060-A and 2060-B.<\/td>\n<\/tr>\n
disc 9<\/th>\n[Two works performed by Marcel Grandjany, harp solo]
\nside A: Toccata (Jean Baptist Loeillet; transcribed by Grandjany).
\nside B: Largo (from Violin Sonata no. 3) (Bach; adapted for harp from a transcription for piano by Saint-Sa\u00ebns).
\nVictor Red Seal Record 2153-A and 2153-B.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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\u2190 EILEEN MALONE COLLECTION: Sub-group I <\/a><\/p>\n

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EILEEN MALONE COLLECTION \u2192<\/a><\/p>\n

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[vc_row][vc_column][vc_column_text css=”.vc_custom_1604346708287{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”] SUB-GROUP II: PROFESSIONAL PAPERS [\/vc_column_text][vc_column_text css=”.vc_custom_1604346799133{margin-bottom: 5px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”] Series 1: Publicity [\/vc_column_text][vc_custom_heading text=”Box 22″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1604346824646{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":6522,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-6591","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=6591"}],"version-history":[{"count":0,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6591\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6522"}],"wp:attachment":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=6591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=6591"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=6591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}