{"id":6683,"date":"2020-11-16T17:01:57","date_gmt":"2020-11-16T22:01:57","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=6683"},"modified":"2020-11-16T17:01:57","modified_gmt":"2020-11-16T22:01:57","slug":"ser4-6","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/afarwell\/ser4-6\/","title":{"rendered":"ARTHUR FARWELL COLLECTION"},"content":{"rendered":"

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<\/a>Series 4: Literary Works<\/h3>\n

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<\/a>Sub-series A: Works by Arthur Farwell<\/em><\/span><\/p>\n

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folder 1<\/strong><\/td>\n[Address to conductors.]
\nUntitled document (pencil); undated. 3 pp. First line: \u201cYou\u2014conductors of symphony orchestras\u2014the great symphony orchestras of America\u2014you, to whom thousands listen, day after day, year after year\u2014Do you yourselves listen?\u201d<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\n\u201cAdvice (to be taken with free discretion) from an old bird (not to be caught by chaff) to a callow American eaglet (about to take wing).\u201d
\nManuscript document (ink); dated November 1898. 3 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n\u201cAmerica\u2019s Gain from a Bayreuth Romance: The Mystery of Anton Seidl.\u201d
\nTypescript essay; undated. 18 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n\u201cApotheosis.\u201d
\nManuscript document (pencil and ink); undated. 4 pp.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cThe Artist as Man of Destiny.\u201d
\nTypescript essay, with annotations in pencil; undated. 21 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nBibliography.
\n\u201cArticles by Arthur Farwell.\u201d Typescript document, with annotations in ink. 1 p.
\n\u201cArticles by Arthur Farwell.\u201d Manuscript list (ink), with annotations in colored pencil; undated. 2 pp.
\n\u201cArticles on Arthur Farwell\u2019s work.\u201d Manuscript list (ink). 2 pp.
\n\u201cAppendix A: A Catalog of the Compositions of Arthur Farwell.\u201d Typescript document, with annotations in pencil; undated. 10 pp.
\n\u201cAddenda to Appendix A.\u201d Typescript document, with annotations in pencil; undated. 2 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\n\u201cBusiness Man and Artist.\u201d
\nManuscript document (pencil); undated. 9 pp. Accompanied by receipt from G. Schirmer Music Stores (Los Angeles, CA); dated November 8, 1926. 1 p. Copy 2 of all materials (preservation copies). 10 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n\u201cCalifornia: A Masque of Music.\u201d
\nAccompanying concert program (for <\/em>California: A Masque of Music) separated; see Box 21, Folder 1.
\n<\/em>Typescript libretto, with annotations in pencil and ink; dated 1919. 21 pp.
\n\u201cThe Zero Hour in Music.\u201d Manuscript document (pencil); undated. 1 p.
\nUntitled manuscript notes (incomplete; consists of p. 6 only) (ink); undated. 1 p.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n\u201cFinding a National Musical Life.\u201d
\nTypescript essay; undated. 5 pp. 2 copies. Copy 1 has annotations in pencil.
\nManuscript notes (incomplete; consists of p. 3 only) (pencil); undated. 1 p.
\nUntitled typescript document; undated. 1 p. First line: \u201cIt is for the people of culture and education, as leaders, to inaugurate a movement in music \u2026\u201d<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\n\u201cFreedom to Not Worship God.\u201d
\nTypescript essay, labeled \u201coriginal version\u201d; undated. 14 pp.
\nTypescript essay, labeled \u201crevised shorter version\u201d; undated. 11 pp.
\nPublished article, in Tomorrow, <\/em>vol. 4, no. 6 (February 1945), pp. 58-61. Holdings consist of full issue of journal. 96 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n\u201c\u2018Gasoline,\u2019 and Other New Music.\u201d
\nTypescript essay; undated. 9 pp. Copy 2 (preservation copy).<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nGod and the World.\u00a0<\/em>For pageant presentation in pantomime with accompaniment of chorus and orchestra. [Outline of action.]
\nTypescript outline of action, labeled \u201c1st carbon; obsolete\u201d; undated. 22 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nGod and the World. <\/em>[Outline of action, revised.]
\nTypescript outline of action, unlabeled; undated. 16 pp.
\nTypescript outline of action, bound; dated January 3, 1938. 25 pp. 2 copies.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nGod and the World. <\/em>[Details.]
\nTypescript outline of action, including diagrams, with annotations in pencil and ink, labeled \u201c2nd draft\u201d; undated. 13 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nGod and the World. <\/em>[Notes.]
\nManuscript notes and sketches (pencil); undated. 21 pp.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nGod and the World. <\/em>[Sketches.]
\nManuscript notes and diagrams (pencil and ink); undated. 6 pp.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\n\u201cGoddess of Truth\u2014A Fable.\u201d
\nManuscript draft (ink), with annotations in pencil and ink; undated. 4 pp.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\n\u201cGott, Rudolph Rheinwald.\u201d
\nTypescript essay, adapted by Brice Farwell from \u201cThe Story of Rudolph Gott\u201d by Arthur Farwell in Musical America,<\/em> published serially from August 14, 1915, through October 2, 1915. 8 pp.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n\u201cGreek Music.\u201d
\nManuscript draft (ink), with annotations in ink and pencil; undated. 9 pp.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\n[Harris, Clement.]
\nUntitled manuscript document (pencil); undated. 8 pp. First line: \u201cClement Harris was an incomparable specimen of that rare bird \u2026\u201d Copy 2 (preservation copy).<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n\u201cA Hidden Race.\u201d
\nTypescript essay; undated. 5 pp.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\n\u201cImprovisation.\u201d
\nFictional essay (ink); written in Berlin, 1898.\u00a0 27 pp.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\n\u201cIntroduction to the Study of Musical History.\u201d
\nLecture 1 in \u201cHistory and Appreciation of Music\u201d for the University of California. Manuscript document (pencil); dated 1918. 59 pp.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\n\u201cIshibuzzhi: An Indian Song Play in Ten Actions.\u201d
\nLibretto and performance notes (typescript, ink, pencil, and colored pencil); undated. 19 pp.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\n\u201cJazz and the Fourth Dimension.\u201d
\nTypescript essay; undated. 21 pp.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n\u201cLecture on Origin of Music.\u201d
\nManuscript lecture notes (pencil); undated. 31 pp.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\n[Lectures on Opera.] [Drafts and notes.]
\nNotes, outlines, charts, and drafts for lecture (pencil, ink, and typescript); undated. 80 pp. Includes duplicate facsimiles (preservation copies) of 6 pp. of notes.<\/p>\n
    \n
  • Oversized item (chart of American operas) separated; see Series 14 (Oversized), Sub-series C (Oversized Literary Works); item housed in Oversized Iconography, Shelf B6.<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\n[Lecture Recital on National Music.]
\nTypescript lecture notes; undated. 5 pp. Accompanied by manuscript note: \u201cThese are topics of my original lecture-recital \u2026\u201d 1 p.
\nPublicity circular announcing lecture recitals by Arthur Farwell; undated. 6 pp.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\n\u201cLet Us Play.\u201d
\nPublished article, in\u00a0Scribner\u2019s Magazine<\/em>\u00a0(September 1934), pp. 145-150. 6 pp.
\n\u201cBehind the Scenes with Scribner Authors.\u201d Includes biography of Arthur Farwell. [From\u00a0Scribner\u2019s Magazine<\/em>\u00a0(September 1934),] p. 15. 1 p.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\n\u201cMusic for the People.\u201d
\nOversized item (typescript essay) separated; see Box 47, Folder 8.<\/em><\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\n\u201cMusic for the People\u201d (1914).
\nAddress for the Canadian Club Meeting No. 24, Chateau Laurier, Ottawa, Canada (typescript); dated March 21, 1914. 14 pp.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\n\u201cThe Music Teacher and the Times.\u201d
\nTypescript essay; undated. 31 pp.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\n\u201cThe New National Movement for Community Music.\u201d
\nTypescript essay, with annotations in pencil and ink; undated. 24 pp.
\nTypescript essay, with annotations in pencil and ink; undated. 25 pp.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\n\u201cNew Teaching.\u201d
\nManuscript document (ink); undated. 2 pp.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\n[Notes on American Music.]
\nManuscript document, titled \u201cThe New\u201d; undated. 3 pp.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\n[Notes on Musical Subjects.]
\nManuscript notes, diagrams, and outlines (pencil); undated. 12 pp.
\nOversized item (manuscript document) separated; see Box 48, Folder 4.<\/em><\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\n\u201cThe Open Gate.\u201d
\nManuscript document (ink); written in Berlin, 1898. 39 pp.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\n[Osborne, Thomas Mott.] Letter to the editor of the\u00a0New York Times.
\n<\/em>Typescript letter to the editor of the\u00a0New York Times,<\/em>\u00a0pertaining to the death of Thomas Mott Osborne; undated. 6 pp. Copy 2 (duplicate facsimile). 6 pp.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\n\u201cOur Sick Musical Conscience.\u201d
\nFacsimile of typescript essay; undated. 16 pp. Annotation on first page of essay: \u201cUCLA Library\u2014Special Collections.\u201d<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\n\u201cOutline of the Principles of a New Musical Epoch.\u201d
\nTypescript essays, drafts, and outlines and manuscript notes, sketches, and drafts (pencil); dated 1926. 109 pp. Duplicate copies (preservation copies) of 12 pp. of notes.<\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\n\u00a0[Pageant (rough draft).]
\nManuscript drafts, notes, diagrams, and sketches (pencil and ink); undated. 77 pp. Duplicate copy (preservation copy) of 1 p. of notes.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\n\u201cThe Pageant-Drama and Its Future.\u201d
\nAddress for the Convention of the California Federation of Womens Clubs, Yosemite Valley (typescript, with annotations in pencil); dated May 24, 1921. 7 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\n\u201cA People\u2019s Musical Monument.\u201d
\nManuscript document (pencil); undated. 8 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n[Poems.]
\nPoems and drafts of poems attributed to Arthur Farwell. Includes:<\/p>\n
    \n
  • \u201cAutumn.\u201d Typescript; dated 1929. 1 p.<\/li>\n
  • \u201cBirth, that gave me wonder.\u201d Untitled poem. Pencil; undated. 1 p.<\/li>\n
  • \u201cCertainty.\u201d Typescript; undated. 1 p.<\/li>\n
  • \u201cEvery individual is a new way for God to enjoy himself.\u201d Untitled poem. Pencil; undated. 1 p.<\/li>\n
  • \u201cHosanna!\u2014An Impression.\u201d Typescript, with annotations in pencil; undated. 1 p.<\/li>\n
  • \u201cO saw ye not fair Ines.\u201d Untitled poem for Curtis Mason Carter. Draft of poem. Pencil; undated. 1 p. On reverse: manuscript notes.<\/li>\n
  • \u201cRemembering.\u201d Ink, with annotations in pencil; undated. 2 pp.<\/li>\n
  • \u201cThe Sellers are the best friends that ever I struck.\u201d Untitled poem to Mr. and Mrs. Frank Sellers. Typescript; dated January 3, 1925. 1 p.<\/li>\n
  • \u201cSonnet.\u201d Ink; dated June 9, 1936. 1 p. Copy 2 (duplicate facsimile). 1 p.<\/li>\n
  • \u201cThe Symbol.\u201d Typescript; undated. 1 p. 3 copies.<\/li>\n
  • \u201cThe Symphony Orchestra.\u201d Pencil; undated. 2 pp.<\/li>\n
  • \u201cTeaching Them to Drive.\u201d Typescript; undated. 1 p.<\/li>\n
  • \u201cThere is a sea that rocks and rocks forever.\u201d Untitled poem. Pencil; dated 1927. 1 p.<\/li>\n
  • \u201cUnpreparedness.\u201d Typescript; dated January 16, 1925. 1 p. 3 copies. Copy 4 (duplicate facsimile). 1 p.<\/li>\n
  • \u201cA Vision.\u201d Ink, with annotations in pencil; dated October 4, 1899. 1 p.<\/li>\n
  • \u201cThe Waters.\u201d Typescript; dated February 5, 1925. 1 p. 3 copies.<\/li>\n
  • Collection of poems. Typescript; undated. 14 pp. Pages numbered 154-167.<\/li>\n<\/ul>\n

    Oversized items (4 typescript, manuscript, and published poems) separated; see Box 48, Folder 5.<\/em><\/p>\n<\/td>\n<\/tr>\n

folder 4<\/strong><\/td>\n\u201cPrinciples and Beliefs as a Composer.\u201d
\nTypescript document, signed in ink; dated September 1945. 1 p.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cPrinciples of Formative Creation in Music.\u201d
\nTypescript notes; undated. 3 pp.
\nManuscript notes (pencil); undated. 1 p.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n\u201cA Prophetic Musical Amphitheater.\u201d
\n\u201cA Prophetic Musical Amphitheater: Big Bear Lake to Become the Center of a New Type of Musical and Dramatic Presentation.\u201d Published article, in Fawnskin Folks,<\/em> vol. 1, no. 3 (May 1925), pp. 5-8. Holdings consist of full issue of journal. 23 pp.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\n\u201cSafe and Sane Fourth of July.\u201d
\n\u201cAppendix D: Music for the Fourth of July.\u201d Facsimile of typescript document, with annotations in colored pencil; undated. 18 pp.
\nOversized item separated; see Box 47, Folder 10.<\/em><\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n\u201cScenario for Richard Dalliver.\u201d
\nManuscript notes and sketches (pencil); undated. 4 sheets.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n\u201cShall Folksongs Enter into a National Musical Art?\u201d
\nTypescript essay, with annotations in ink; undated. 3 pp.
\nDraft of essay (ink) (incomplete; consists of numbered pp. 5-8 only); undated. 4 pp.
\nManuscript notes (ink); undated. 10 sheets.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\n\u201cThe Society for Music Reform: Principles of Reform.\u201d
\nTypescript document, with annotations and insertions in pencil; undated. 8 pp.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n\u201cSpiritual Interpretation of American Musical History in the Twentieth Century.\u201d
\nManuscript document (ink); undated. 2 pp. Annotation on first page of document: \u201cA lecture never given.\u201d<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n\u201cA Spiritual Reformation of the Art of Music.\u201d
\nManuscript document (pencil); undated. 48 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n\u201cStanford.\u201d
\nManuscript document (ink and pencil); undated. 7 pp.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n\u201cState, Individual and God.\u201d
\nTypescript essay; undated. 13 pp.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n\u201cTheater of the Stars.\u201d
\nPublished article, from Fawnskin Folks<\/em> (June 1925), pp. 7-10. 4 pp.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\n\u201cThe Theater of the Stars and the Forces of Beauty.\u201d
\nPublished article, from Fawnskin Folks,<\/em> vol. 1, no. 5 (July 1925), pp. 7-9. Holdings consist of full issue of journal. 30 pp.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\n\u201cThoughts.\u201d
\nVarious notes and outlines (pencil, ink, and typescript); undated. 33 sheets.
\nManuscript document, torn in quarters; undated. 10 pp. Accompanied by envelope. 1 item.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\n\u201cToward American Music.\u201d
\nPublished brochure, printed for the American Music Society; undated. 8 pp. Reprinted from \u201cThe Boston Transcript of May 20, 1905.\u201d<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n[Untitled essay on American Indian song.]
\nTypescript essay; undated. 2 pp. First line of essay: \u201cAmerican Indian song is a much bigger and more important matter than most people are aware of.\u201d<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\n[Untitled essay on great liberation.]
\nOversized item separated; see Box 47, Folder 11. <\/em><\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n[Untitled lecture on American folk song.]
\nTypescript document, with annotations in ink; undated. 4 pp.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\n[Untitled lecture to the Guild of Organists, NYC.]
\nTypescript document, with annotations in pencil; undated. 2 pp.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\n\u201cThe Vale of the Great Breath.\u201d
\nWaldo Ladd [pseudonym for Arthur Farwell], \u201cThe Vale of the Great Breath: A Note-Book of Spiritual Adventure.\u201d Typescript essay; undated. 35 pp. Copy 2 (duplicate facsimile). 36 pp. Copy 1 missing p. 35 of essay.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\n\u201cThe Wa-Wan Press and the Wa-Wan Ceremony of the Omahas.\u201d
\nTypescript essay, with annotations in colored pencil; undated. 5 pp.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\n\u201cWhat is \u2018American Spirit\u2019 in Music.\u201d
\nTypescript essay, with annotations and insertions in ink; undated. 10 pp.
\nManuscript notes (ink); undated. 9 sheets.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n\u201cWhen Thou Makest a Feast.\u201d
\nPublished brochure; undated. 12 pp. 2 copies. Copy 1 has revisions in pencil.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\n\u201cThe Science of Intuition.\u201d [Publicity materials.]
\nLecture program; undated. 4 pp. 2 copies.
\nOversized item (flyer for lecture) separated; see Box 47, Folder 12.<\/em><\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\n[\u201cSome matters left over in revising \u2018Intuition\u2026\u2019\u201d]
\nTypescript documents and manuscript notes (pencil and ink), numbered 1-10; undated. 27 pp. Duplicate facsimile (preservation copy) of 1 p. of notes. 1 p.<\/p>\n
    \n
  • Accompanied by list of contents (ink); undated. 1 p. First line: \u201cSome matters left over in revising \u2018Intuition in the World Making.\u2019\u201d<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n\u201cIntuitive Power \u2026 Six Lectures.\u201d
\nTypescript flyer for lecture series, containing brief description of contents; dated October-November 1945. 1 p.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n\u201cScience and Intuition.\u201d
\nDraft of published article (typescript); dated April 1942. 7 pp. Annotation on first page of draft: \u201cPublished in Tomorrow<\/em> magazine, April number 1942).<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cIntuition and Science.\u201d
\nDraft of published article (typescript); undated. Annotation on first page of draft: \u201cVersion in Tomorrow.<\/em>\u201d 23 pp.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n\u201cScience and Intuition.\u201d
\nDraft of published article (typescript); dated ca. 1940. 33 pp. Annotation on cover sheet: \u201c10,000 word article on Science and Intuition. Presumably the first draft \u2026 But am not certain.\u201d Duplicate facsimile (preservation copy) of cover sheet. 1 p.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\n\u201cIntuition\u201d (notes)
\nLodge, Sir Oliver. \u201cThe New Outlook in Physics.\u201d Typescript excerpts from article published in Scientific American<\/em> (1929). 3 pp.
\nTypescript documents and manuscript notes (pencil and ink); undated. 12 pp. Duplicate facsimiles (preservation copies) of 9 pp. of notes.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n\u201cIntuition\u201d (notes)
\n\u201cAdventure with the Sixth Sense, presenting a technic for describing and directing the intuition faculty.\u201d Draft outline and notes for lecture (pencil and colored pencil). 6 pp.
\nTypescript notes and quotations; undated. 3 pp.
\n\u201cChapter XVI. Aphorisms of Intuition.\u201d Draft of chapter (typescript); undated. 4 pp.
\nManuscript note (pencil); undated. 1 p.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n\u201cIntuition\u201d (notes)
\nManuscript notes (pencil); undated. 12 pp. Duplicate facsimiles (preservation copies) of notes. 12 pp.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\n\u201cIntuition\u201d (clippings & notes)
\nPress clippings and articles; dated between September 1942 and December 1951; 2 undated. 8 items. Includes:<\/p>\n
    \n
  • \u201cIntuitive Knowledge,\u201d The Aryan Path<\/em> (September 1942), p. 441. 1 p. Article summarizes the article \u201cScience and Intuition\u201d by Arthur Farwell (Tomorrow,<\/em> April 1942).<\/li>\n
  • Farwell, Arthur, \u201cObserver Denounces \u2018Unbelievable Outrage,\u2019\u201d World-Telegram and Sun<\/em> (January 23, 1951). 1 p.<\/li>\n
  • Jinarajadasa, C., \u201cConcerning Intuition,\u201d The American Theosophist<\/em> [vol. 34, no. 3 (March 1946)], pp. 51, 66. 2 pp.<\/li>\n<\/ul>\n

    Assorted notes and papers (pencil, ink, and typescript); undated. 72 sheets. Duplicate facsimiles (preservation copies) of 14 sheets of notes. 8 pp.
    \nAccompanying correspondence (letter from Sidney T. Cooke; dated October 28, 1946) separated; see Series 7 (Correspondence), Box 33, Folder 29.<\/em><\/p>\n<\/td>\n<\/tr>\n

folder 11<\/strong><\/td>\n\u201cIntuition\u201d (notes)
\nAssorted notes and papers (pencil and ink); undated. 39 sheets. Duplicate facsimiles (preservation copies) of notes. 10 pp.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n\u201cThe criteria and law of intuition\u201d
\n\u201cThe Criteria and Law of Intuition.\u201d Typescript essay; undated. 15 pp.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n\u201cThe science of intuition\u201d (review of lecture, 8\/1\/1940)
\n\u201cIntuition\u2019s Role in Solving Problems.\u201d Reprint of article, reprinted from The Villager<\/em> (August 1, 1940). 1 p. Copy 2 (duplicate facsimile\/preservation copy). 1 p.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n\u00a0\u201cThe science of intuition\u201d (note about first draft)
\nManuscript note (\u201cThis is the first draft of my lecture \u2018The Science of Intuition\u2019 (with a few matters cut out \u2026)\u201d (pencil); undated. 1 p.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n\u201cThe science of intuition\u201d (lecture) holograph draft
\n\u201cThe Science of Intuition.\u201d Draft of lecture (pencil), with annotations in colored pencil and insertions; undated. 94 pp.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\n\u201cScience and intuition\u201d\u2014Tomorrow Magazine,<\/em> April 1942
\nManuscript note (ink); undated. 1 p.
\nArthur Farwell, \u201cScience and Intuition.\u201d Facsimile of article (Photostat negative). 5 pp.
\nArthur Farwell, \u201cScience and Intuition,\u201d Tomorrow,<\/em> vol. 1, no. 8 (April 1942), pp. 20-24. Holdings comprise full issue of magazine.<\/p>\n
    \n
  • Item previously filed in Box 24, Folder 6 (\u201cScience and Intuition\u201d).<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\n\u201cHitler\u2019s intuitions\u201d
\n\u201cHitler\u2019s Intuitions.\u201d Typescript essay; undated. 10 pp.
\nArthur Farwell, \u201cHitler\u2019s Intuitions,\u201d Tomorrow,<\/em> vol. 4, no. 1 (September 1944), pp. 72-74. Holdings comprise full issue of magazine.<\/p>\n