{"id":6812,"date":"2020-11-30T14:00:04","date_gmt":"2020-11-30T19:00:04","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=6812"},"modified":"2020-11-30T14:00:04","modified_gmt":"2020-11-30T19:00:04","slug":"ser9-12","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/bphillips\/ser9-12\/","title":{"rendered":"BURRILL PHILLIPS COLLECTION"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1606761444038{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 9: Recordings<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 38″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1606761471546{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nCanzona III<\/em>. 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nAMF ILLINOIS UNIV.
\nWED. FEB 19th 4 to 4:30 PM
\nOriginal Canzona III<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nQuartet for Oboe and Strings<\/em>. 7\u201d audio reel, 7.5 ips.
\nRheta Smith, oboe; Patricia Lunden, violin; Jean King, viola; Martha Brons. cello.
\nRecording of dress rehearsal for the International Music Fund Benefit Concert of Contemporary American Music (Sigma Alpha Iota, Philadelphia Alumnae Chapter), Devon, PA; dated November 16, 1973.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nSonata for \u2018Cello and Piano<\/em>. 7\u201d audio reel, 7.5 ips, stereo.
\nLloyd Smith, cello; Rheta Smith, piano.
\nAnnotation on back of case:
\n2 performances by Lloyd and Rheta Smith:<\/p>\n
    \n
  1. March 14, 1971\u2014Stedman Theater, Mansfield State College, Mansfield, Pa.<\/li>\n
  2. June 9, 1971\u2014Burnham Auditorium, United Church of Christ Missions Building (not quite complete)<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nSoleriana<\/em>. 7\u201d audio reel.
\nAnnotation on back of case:
\nSoleriana\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bales
\nJuly, 1966
\nKilbourn Hall Orch.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nFantasia<\/em> for Centennial.<\/em> 7\u201d audio reel, 7.5 ips, stereo.
\nUniversity of Illinois Concert Band; Mark Hindsley, conductor.
\nAnnotation on back of case:
\nFirst Performances
\na) January 12, 1968
\nb)\u00a0 January 13, 1968
\nalso (c) combination of rehearsal taps on January 10 and 11<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nReturn of Odysseus<\/em>. 7\u201d audio reel, 7.5 ips, mono.
\nUniversity of Illinois Concert Choir; Bruce Foote, soloist; Bill Olson, narrator; D. Sanders, piano.
\nRecorded May 7, 1967.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nSerenade for Piano Four Hands<\/em>; Music for This Time of Year<\/em>. 7\u201d audio reel.
\nAnnotation on back of case:
\n\u201cSerenada\u201d\u2014
\nPiano 4 Hands\u2014Persichetti (9 min)<\/p>\n

Radio Broadcast
\n13 pieces from \u201cMusic for this Time of Year\u201d<\/p>\n<\/td>\n<\/tr>\n

item 8<\/strong><\/td>\nFour Figures in Time<\/em>. 7\u201d audio reel, 7.5 ips, mono.
\nJoyce Bottje, flute; Frances Bedford, piano.
\nRecorded July 1965, Carbondale, IL.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\n[No information.] 7\u201d audio reel.
\nAnnotation on back of case:
\nB.P.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nFourth Piano Sonata<\/em>. 7\u201d audio reel, 7.5 ips, mono.
\nClaire Richards, piano.
\nRecorded March 25, 1964 (first performance).
\nInscription on case: \u201cTo Burrill\u2014from Claire.\u201d<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nSonata for Organ<\/em>. 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nSonata for Organ\u2014Burrill Phillips
\nRecorded Aug 25, 1965
\n1st Pres. Ch. (Aeolian-Skinner)
\nW. Morgan<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nSonata for Organ<\/em>. 7\u201d audio reel.
\nAnnotation on back of case:
\nPhillips\u2014Sonata for Organ
\nSend to:
\nMr. Burrill Phillips
\nBranchport, New York<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nSonata in Two Movements<\/em>. 7\u201d audio reel, 7.5 ips, stereo.
\nAnastasia Jempelis, violin; Madaleine Ingram, harpsichord.
\nRecorded March 22, 1966, Kilbourn Hall (Rochester, NY).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 39″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1606761497123{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nPiano Concerto<\/em>. 7\u201d audio reel.
\nAnnotation on back of case:
\nPiano Concerto taken from record 10\/27\/75<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nHuntington 2\u2019s and 3\u2019s<\/em>. 7\u201d audio reel, 7.5 ips, mono.
\nThe Huntington Trio: Emily Swartley, flute; Rheta Smith, oboe; Lloyd Smith, cello.
\nRecorded April 20, 1975, Reading Museum.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nThird Piano Sonata<\/em>. 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nAmherst
\nPhillips Concert Part III, Ap. 2 \u201875
\n3rd Piano Sonata<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nCanzona V<\/em>. 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nPhillips Concert Part I, Ap. 2 75<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u201cPhillips Concert.\u201d 7\u201d audio reel, 7.5 ips, stereo.
\nAccompanying document (concert program) separated; see Box 34, Folder 10.
\n<\/em>University Chorale; Harold A. Decker, conductor; Claire Richards, pianist.
\nRecorded December 5, 1971, Krannert Center for the Performing Arts, University of Illinois Urbana-Champaign.
\nAnnotation on back of case:
\nMASTER TAPE\u2014STEREO
\nCanzona V<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nString Quartet No. 2.<\/em> 7\u201d audio reel, 7.5 ips.
\nWalden Strings.
\nAnnotation on back of case:
\n2nd Quartet Waldens
\nSend to Phillips<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nString Quartet No. 2.<\/em> 7\u201d audio reel, 7.5 ips.
\nPaganini Quartet.
\nRecorded January 29, 1960.
\nAnnotation on back of case:
\nDupe of Burrill Phillips
\nQuartet No. 2 Performed by
\nThe Paganini Quartet
\non Jan. 29, 1960
\nLWO 3063
\nWO 28517<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nSonata in Two Movements<\/em>. 7\u201d audio reel, 15 ips, stereo.
\nAccompanying document (correspondence from Wesley [Morgan]) separated; see Box 34, Folder 10.
\n<\/em>Warren [unknown], violin; Wesley [Morgan], harpsichord.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nImprovisation in Conversations<\/em>. 7\u201d audio reel.
\nAccompanying document (manuscript notes) separated; see Box 34, Folder 10.
\n<\/em>Annotation on back of case:
\nImprovisation in Conversation
\nMay 11, NYC. 1969<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\n[Unknown.] 7\u201d audio reel, 7.5 ips.
\nAnnotation on front of case:
\nPhillips
\n7 1\/2 ips
\n2 track
\n(one way only)
\nComposers Recordings, Inc.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\n\u201cFuller Explanations by Michael.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\n[track listing, in pencil; crossed out]
\nFuller explanations by Michael<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nESM Lecture. 7\u201d audio reel.
\nAnnotation on case:
\nTape of ESM lecture, \u201865<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\n[No information.] 7\u201d audio reel, 7.5 ips, mono.
\nAccompanying document (correspondence from Wesley [Morgan]) separated; see Box 34, Folder 10.
\n<\/em>[Possibly recording of Sonata in Two Movements<\/em> by \u201cWarren\u201d and Wesley Morgan]
\nAnnotation on back of case:
\n[track listing in ink, crossed out]<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nIntrada for Seven Instruments<\/em>; Music for This Time of Year<\/em>; Concentrics<\/em>. 7\u201d audio reel, 7.5 ips, stereo.
\nAccompanying document (track list) separated; see Box 34, Folder 10.
\n<\/em>Members of the San Francisco Symphony.
\nRecorded at the University of California at Hayward.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 40″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1606761526593{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nConcentrics<\/em>; Eve<\/em>; Recesses of My House<\/em>. 7\u201d audio reel, 7.5 ips, stereo.
\nPro Musica Moderna; Sheila Allen, soprano; Charles Fussell, conductor.
\nRecorded November 13, 1980, Buckly Hall, Amherst College, University of Massachusetts.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\u201cBurrill Phillips\u201d [no other information]. 7\u201d audio reel, 7.5 ips, stereo.
\nAnnotation on back of case:
\n12-04-75 \/ 12-05-75
\nBurrill Phillips<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nPiano Sonata<\/em> No. 3<\/em>. 7\u201d audio reel, 7.5 ips, stereo.
\nAccompanying document (recital program) separated; see Box 34, Folder 10.
\n<\/em>Barbara Jones, piano.
\nRecorded April 25, 1975, Smith Music Hall, University of Illinois at Urbana-Champaign.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n[Unknown.] 7\u201d audio reel, 7.5 ips, stereo.
\nAnnotation on back of case:
\nHaywood #s
\nAnnotation on reel:
\nReel 2 of 2<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nEve Learns a Little<\/em>. 7\u201d audio reel, 7.5 ips, stereo.
\nAnnotation on back of case:
\n2 copies Eve Learns a Little<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nConcentrics<\/em>; Eve<\/em> [Learns a Little]<\/em>. 7\u201d audio reel, 7.5 ips, stereo.
\nPro Musica Moderna; Aheila Allen, soprano; Charles Fussell, conductor.
\nRecorded November 13, 1986, Buckly Hall, Amherst College, University of Massachusetts.
\nAnnotation on back of case:
\nPhillips Concentrics, Eve, Recesses
\nPerformance Copy<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nHuntington 2\u2019s and 3\u2019s<\/em>. 7\u201d audio reel, 7.5 ips.
\nThe Huntingdon Trio.
\nRecorded November 20, 1977.
\nAnnotation on back of case:
\nSony SC230<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nEve Learns a Little<\/em>. 7\u201d audio reel, 7.5 ips, stereo.
\nKathryn Henderson, soprano; Brian Israel, piano; Meredith McCaughey, flute; Jeff Cooper, clarinet; Mark Fassman, trumpet; Frank Jarckle, trombone; Harris Lindenfeld, conductor.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\n\u201cPeterson Birds.\u201d 7\u201d audio reel.
\nAnnotation on front of case and reel:
\nPeterson Birds<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nCanzona V<\/em>. 7\u201d audio reel, 7.5 ips, stereo.
\nSan Francisco State Concert Choir; Byron MacGilurey, director; Herbert Bielawa, pianist.
\nRecorded November 1978.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nIntrada;<\/em> Eve Learns a Little<\/em>. 7\u201d audio reel, 7.5 ips, stereo.
\nAccompanying document (track list) separated; see Box 34, Folder 10.<\/em><\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nEve Learns a Little<\/em>; Recesses of My House<\/em>; Concentrics<\/em>. 7\u201d audio reel, 7.5 ips, stereo.
\nAnnotation on back of case:
\nSyracuse Program\u2014Feb. 14, 1978
\nThe Recesses of My House
\nConcentrics
\nEve Learns a Little<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\n\u201cEurydice (copies).\u201d 7\u201d audio reel, 7.5 ips, stereo.
\nAnnotation on back of case:
\nEurydice<\/span> (copy from 2 tr.) March 19 \u201876
\nUniv. of Mass. Concert Hall
\nGroup for New Music
\nDonna Harler, soprano
\nC. Fussell, conductor
\nEurydice<\/span> (copy from 4 tr.) March 14, 76
\nRowtier Auditorium
\nU. of Mass<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 41″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1606761575002{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nPerspectives in Labyrinth<\/em>. 7\u201d audio reel, 7.5 ips, mono.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\n

The Recesses of My House<\/em>. 7\u201d audio reel, 7.5 ips, stereo.
\nDonna Miller, soprano; John Oberbrunner, flute; Barbara Rabin, clarinet; Thomas Quirk, trumpet; William Harris, trombone; William Quick, percussion; Patricia DeAngelis, piano; Harris Lindenfeld, conductor.
\nAnnotation on back of case:
\nFeb 14 program Syracuse, 1978<\/p>\n

    \n
  1. Eve Learns a Little (reversed)<\/li>\n
  2. Concentrics<\/li>\n
  3. The Recesses of My House (reversed)<\/span><\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nMcGuffey’s Readers<\/em>. 7\u201d audio reel.
\nAnnotation on front of case:
\nNat\u2019l Gall. 5\/29\/77 Pt. 4 of 4
\nPhillips\u2014McGuffey\u2019s Reader<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nLa Pi\u00f1ata<\/em>. 7\u201d audio reel.
\nDennis Davies, conductor.
\nAnnotation on back of case:
\nLa Pi\u00f1ata
\nJuilliard Mar. 21, 1967<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\n

Triple Concerto<\/em>. 7\u201d audio reel, 7.5 ips, stereo.
\nAnnotation on back of case:
\nSide A:<\/p>\n

    \n
  1. Triple Concerto\u2014Phillips Fennell, Summer ESM orch<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u201cHawaii Festival.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\nHawaii Festival\u2014
\nBob Basart made this duplication
\n11\/18\/73 tail out<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n\u00a0Triple Concerto<\/em>. 7\u201d audio reel, 7.5 ips, stereo.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nTriple Concerto<\/em>. 7\u201d audio reel, 7.5 ips, stereo.
\nEastman Rochester Orchestra; Howard Hanson, conductor.
\nRecorded May 1961.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nFanfare<\/em>;\u00a0Music for Piano<\/em>\u00a0No. 2<\/em>. 7\u201d audio reel, 7.5 ips.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\n\u201cFestival of Music and Art of This Century.\u201d 7\u201d audio reel, 7.5 ips, stereo.
\nRecorded between April 25, 1965, and May 1, 1965.
\nContents:
\nSide A: String Quartet No. 2 (Phillips) — Soleriana Concertanit (Phillips) — Side B: Musica Nocturna (Gandini) — Impromptu on \u201cKamyonicho\u201d (Byondki Hwang) — Four Motets (Phillips) — A Bucket of Water (Phillips).<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nTriple Concerto<\/em>. 7\u201d audio reel, 7.5 ips.
\nJohn Garvey; Bud Kent; J. Winking; E. Garvey.
\nRecorded May 24, 1959.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\n\n

[Empty reel in case.]
\nAnnotation on back of case:
\n1st side\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cPiano Concerto\u201d taken from U. of I recording
\nClaire Richards\u2014Ernest Ansermet<\/p>\n

2nd side\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cReturn of Odysseus\u201d taken from U of I recording
\nRobert Shaw<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 42″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1606761581105{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nCanzona V<\/em>. 5\u201d audio reel, 7.5 ips, stereo.
\nSan Francisco State University Concert Choir; Byron McGilurey, conductor; Herbert Bielawa, pianist.
\nRecorded November 1978.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nCanzona V <\/em>(Third movement). 5\u201d audio reel, 7.5 ips, stereo.
\nUniversity Singers, CSUH; Harry Carter, conductor; Marcia Murray, piano.
\nRecorded February 1979.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nTwo Motets: Sancti Mei<\/em>; Qui vult venire<\/em>. 5\u201d audio reel, 7.5 ips, stereo.
\nAccompanying document (concert program) separated; see Box 34, Folder 10.
\n<\/em>Cornell Chamber Singers; Brian Israel, director.
\nRecorded December 6, 1974.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nCanzona III<\/em>. 5\u201d audio reel, 7.5 ips, stereo.
\nAnnotation on back of case:
\nPhillips Canzona III
\nwith Elinor Basescu 16\u201955\u201d<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nCanzona III<\/em> \u201c(music only <copy>).\u201d 5\u201d audio reel, 7.5 ips, stereo.
\nAnnotation on back of case:
\nPhillips\u2014Canzona III
\n-music only<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nCanzona III<\/em>. 5\u201d audio reel.
\nAnnotation on back of case:
\n\u201cCanzona III\u201d
\nfor seven instruments and poet
\nBurrill Phillips (1964)<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nQuartet for Oboe and Strings<\/em>. 5\u201d audio reel, 7.5 ips.
\nAccompanying document (correspondence from Victor Swillens) separated; see Box 34, Folder 10.
\n<\/em>The Netherlands Oboe Quartet.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nTom Paine<\/em>. 5\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nTom Paine
\nChicago Symphony<\/td>\n<\/tr>\n
item\u00a09<\/strong><\/td>\nPiano Sonata<\/em> No. 3<\/em>. 5\u201d audio reel.
\nJames Willey, piano.
\nRecorded October 17, 1976, Fall Brook Theatre, SUNY Geneseo.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nCanzona V<\/em>. 5\u201d audio reel, 7.5 ips, mono.
\nAccompanying document (track list) separated; see Box 34, Folder 10.<\/em><\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nTheater Dances<\/em>. 5\u201d audio reel, 7.5 ips, stereo.
\nHoward Hanson, conductor.
\nRecorded May 1968, Kilbourn Hall, Eastman School of Music, Rochester, NY.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nDeclaratives<\/em>; Where is Fancy Bred.<\/em> 5\u201d audio reel.
\nAccompanying document (excerpt from concert program) separated; see Box 34, Folder 10.<\/em><\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nPerspectives in a Labyrinth<\/em>. 5\u201d audio reel, 7.5 ips, stereo.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nPerspectives in a Labyrinth<\/em>. 5\u201d audio reel, 7.5 ips, stereo.<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\nFantasia<\/em>\u00a0for a Centennial.<\/em>\u00a05\u201d audio reel, 7.5 ips, stereo.
\nUniversity of Illinois Concert Band; Mark Hindsley, conductor.
\nRecorded January 1968.<\/td>\n<\/tr>\n
item 16<\/strong><\/td>\nSonata No. 2<\/em> for Piano<\/em>. 5\u201d audio reel, 7.5 ips.
\nAccompanying document (invoice for duplication services) separated; see Box 34, Folder 10.
\n<\/em>Dean Sanders, piano.<\/td>\n<\/tr>\n
item 17<\/strong><\/td>\nFor Love I\u2019ll Surely Die<\/em>. 5\u201d audio reel.
\nAnnotation on back of case:
\n\u201cFor Love I\u2019ll Surely Die\u201d
\nMiriam Stewart (Green) et al
\nKansas<\/td>\n<\/tr>\n
item 18<\/strong><\/td>\nSonata for Violin and Piano<\/em>. 5\u201d audio reel.
\nJohn Weylant; Alan Thomas.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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item 1<\/strong><\/td>\nString Quartet<\/em> (1st movement; version for piano). 5\u201d audio reel.
\nAnnotation on back of case:
\nGood take duplicated lg
\nWDLL
\nRDB
\n1st mvmt str. qt
\n(Parinen)
\nVar. for piano
\n(Tartah)<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nString Quartet<\/em>\u00a0(1st movement; version for piano). 5\u201d audio reel.
\nAnnotation on back of case:
\nRobert Basart
\n1st mov\u2019t. String Quartet
\nFour Var. for Piano<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u201cSardanas 1976 Concert.\u201d Cassette tape.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nLetters from Italy Hill<\/em>. Cassette tape.
\nNeva Pilgrim, soprano.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nThe Recesses of My House<\/em>. Cassette tape.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nThe Recesses of My House<\/em>. Cassette tape.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nLetters from Italy Hill<\/em>. Cassette tape.
\nAnnotation on tape:
\n[A] Burrill Phillips; Letters from Italy Hill (Or)
\n[B] James Willey; Hart Crane Settings<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nThe Recesses of My House<\/em>. Cassette tape.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nFantasia<\/em>;\u00a0Oboe Quartet<\/em>;\u00a0Theater Dances<\/em>;\u00a0Canzona V<\/em>. Cassette tape.
\nAnnotation on tape:
\n[Side 1] Sax Sounds\u2014Part II
\n[Side 2] Band Fantasia from T9, 1st mov\u2019t; Oboe Quartet, Movts 3-4 Theater Dances, Movt. 2-3 \/ Canzona V.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nPartita for Piano Quartet<\/em>. Cassette tape.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nLetters from Italy Hill<\/em>. Cassette tape.
\nAnnotation on tape:
\n[A] Phillips: Letters from Italy Hill
\n[B] Willey: Hart Crane Settings<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nScena<\/em> de Camera.<\/em> Cassette tape.
\nAnnotation on tape:
\nPhillips\u2014Scena da Camera
\nTaylor & White<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nTrumpet Trio<\/em>. Cassette tape.
\nAnnotation on insert in case:
\nB. Phillips\u2014Trio
\n5\/27\/82 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (I + III)
\nTrumpet Trio
\nsend by Jack Gallagher<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\n“Burrill Phillips Memorial Concert.\u201d Cassette tape.
\nAccompanied by manuscript note: \u201c11\/14\/90; Gift of Ruth Watanabe.\u201d
\nRecorded April 30, 1990, at the Eastman School of Music, Rochester, NY.
\nContents: Three nostalgic songs (1961) \/ Burrill Phillips (6:41) (Richard Sherman, flute ; David Liptak, piano) — Sonata for violin and piano (1962) \/ Bernard Rogers (21:31) (Charles Castleman, violin ; David Liptak, piano) — Music for this time of year (1954) \/ Burrill Phillips (10:52) (Quintessence: Kirsten Larsen, flute ; Keve Wilson, oboe ; Caroline Agria, clarinet ; Susan Loegering, bassoon ; Jill Bobo, horn) — Sonata for violoncello and piano (1948) \/ Burrill Phillips (22:51) (Steven Doane, cello ; David Liptak, piano)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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item 1<\/strong><\/td>\nPartita for Piano Quartet<\/em>. 10.5\u201d audio reel, 15 ips, stereo.<\/td>\n<\/tr>\n
item 2-3<\/strong><\/td>\nSigma Alpha Iota: American Music Awards Banquet, National Convention 1950.<\/em> 2 phonograph discs (12\u201d discs).
\nCombined chapter choral groups from the Cincinnati Conservatory of Music, Drake University, Eastman School of Music, Illinois Wesleyan University, and University of Wisconsin; Rose Marie Grentzer, conductor; Johana Harris, piano soloist.
\nContents: \u00a0 [Disc 1, Side 1] What will love do \/ Burrill Phillips — The hag \/ Burrill Phillips — [Disc 1, Side 2] Bought locks \/ Peter Mennin — Tumbling-hair \/ Peter Mennin — [Disc 2, Side 3] Toccata \/ Roy Harris — [Disc 2, Side 4] Huswifery \/ Richard Winslow.<\/td>\n<\/tr>\n
item 4-6<\/strong><\/td>\n\n

Sonata for Cello and Piano.<\/em> 3 phonograph discs (12\u201d discs, 78 RPM).
\nCarl Stern, cello; Aube Tzerko, piano.
\nRecorded February 15, 1950, Town Hall.
\nRecordings housed in case for American Music for Orchestra <\/em>(Camden, NJ, RCA Victor).
\nTypescript note affixed to first sleeve from Burrill Phillips.1 page.<\/p>\n