{"id":6881,"date":"2020-12-14T10:01:32","date_gmt":"2020-12-14T15:01:32","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=6881"},"modified":"2020-12-14T10:01:32","modified_gmt":"2020-12-14T15:01:32","slug":"ser1","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/hhanson\/ser1\/","title":{"rendered":"HOWARD HANSON COLLECTION"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1607957258815{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 1: Addresses, essays, articles, and publicity<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1605034480931{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\n\u201cMusic in Adult Education.\u201d Proof copy of address to the Music Supervisors\u2019 National Conference, Cleveland, 1932.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nDedication for The Score <\/em>[Eastman School of Music yearbook],<\/em> 1932.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n\u201cPractical Needs in the Development of American Composition.\u201d Undated.
\nTypescript; 5 pages.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n\u201cConditions which have to do with the Development of American Music.\u201d Delivered before the Matinee Musical Club of Philadelphia, October 27, 1931.
\nProof copy. Typescript; 16 pages.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nPress release on his visit to Germany, undertaken at the joint request of the Oberlaender Trust and the Berlin Philharmonic Orchestra. February 16, 1933.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n\u201cMusic as Recreation,\u201d for the Alumni Bulletin<\/em>, August 1933.
\nTypescript; two copies, 7 pages and 3 pages.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nRadio address on trip to Germany, broadcast over WHEC, December 18, 1932.
\nTypescript; 6 pages.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nTalk on \u201cgood\u201d music, broadcast over WNEC, December 11, 1932.
\nTypescript; 4 pages.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n\u201cThe New School Year,\u201d for the Alumni Bulletin<\/em>, November 1932.
\nTypescript; 3 pages.
\nAccompanied by his announcement of the resignation of Professor Jane Mumford.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nPress release for the Ann Arbor premiere of Merry Mount<\/em> (concert version), March 25, 1933.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nRemarks delivered at an Eastman School Orchestra concert, broadcast from the Eastman Theater, November 30, 1932.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n\u201cMusic in a Changing World,\u201d address delivered at Potsdam, New York, June 8, 1934.
\nTypescript; 7 pages.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nRemarks after his address \u201cMusic as Recreation,\u201d for the Rochester Times-Union<\/em>, May 10, 1934.
\nTypescript; 1 page, incomplete.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nRemarks on the rebirth of music in America, for the Rochester Democrat & Chronicle<\/em>, June 7, 1934.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nRemarks delivered at Senior Class Day exercises, June 1, 1934.
\nTypescript; 9 pages.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nRemarks on the American Composers\u2019 Concerts, sent to Goddard Lieberson for the Journal<\/em> [sic], April 27, 1934.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nArticle on Merry Mount<\/em>, sent to Irving R. Templeton and Carrie E. Henry for The New York Times, <\/em>April, 1934.
\nTypescript; 6 pages.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nRemarks on opera in the United States, sent to Goddard Lieberson, February 21, 1934.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n\u201cThe Present Status of American Music\u201d: report of the Committee on American Music, delivered before the Music Teachers\u2019 National Association, Lincoln, Nebraska, December, 1933.
\nTypescript; two copies, each 3 pages.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\n\u201cSome Observations on Graduate Study in Music in the United States.\u201d Copy sent to Professor Karl W. Gehrkens, January 16, 1934.
\nTypescript with pencilled corrections; 10 pages.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nAddress delivered at the chapel of the Women\u2019s College, University of Rochester, November 15, 1933.
\nTypescript with pencilled addition (p. 9); 10 pages.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\n\u201cTendencies in American Music.\u201d Copy sent to Hazel Kinscella, July 31, 1933.
\nTypescript; 9 pages.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\n\u201cThe American Composer and the Foreign Conductor.\u201d Copy sent to Keith C. Brown, September 16, 1933.
\nTypescript; 5 pages.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nRemarks on instrumental music education in the United States; copy sent to Lyle Keith, September 18, 1933.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nAddress on the relationship of the school to the student; delivered before the Student Association, October 5, 1933.
\nTypescript; 13 pages.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n\u201cMusic in its Highest Fulfillment.\u201d Address to the Eastern Music Supervisors Conference, 14th Annual Meeting, March 12-15, 1935.
\nTypescript; 4 pages.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nOn the 36th American Composers\u2019 Concert: Tribute to Felix Lamond, broadcast over WHAM (Rochester), January 23, 1935.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nSpeech delivered before the Music Teachers\u2019 National Association, December 1934.
\nTypescript; 3 pages, numbered 3-5 (incomplete).<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nSpeech delivered in connection with the Inter-High Orchestra program, broadcast over WHAM (Rochester), October 21, 1934.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nConvocation address, Eastman School of Music, October 9, 1934.
\nTypescript, with corrections; 11 pages.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nForeword to The <\/em>Festival Bulletin commemorating the Tenth Anniversary<\/em> of the Eastman School American Composers\u2019 Concerts<\/em>, 1935.
\nTypescript; two copies, each 2 pages.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nRemarks on the Fifth Annual Festival of American Music, broadcast over WHAM (Rochester), April 1, 1935.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nRemarks on the death of George Barlow Penny, for the Rochester Democrat & Chronicle<\/em>, November 15, 1934.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nTranscript of radio interview with soprano Leonora Corona, October 23, 1935.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nRemarks on his lecture \u201cKnow Your Orchestra\u201d, WHAM (Rochester), November 16, 1935.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nLetter to Olin Downes on the American Composers\u2019 Concerts, July 29, 1935.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nRemarks introducing a performance Brahms\u2019 Quintet for String Quartet and Clarinet,<\/em> opus 115, for NBC\u2019s Music Guild Hour, May 25, 1936.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nRemarks on the 6th Annual Festival of American Music, for the Rochester Democrat & Chronicle<\/em>, April 1936.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nArticle on the first decade of the American Composers\u2019 Concerts, for Modern Music<\/em>, February 24, 1936.
\nTypescript; 11 pages.<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\nForeword to The Score,<\/em> 1936.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\nRemarks delivered before the City Club, March 7, 1936.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 42<\/strong><\/td>\nRemarks after his election to the presidency of the National Association of Schools of Music; sent to Stewart Sabin, January 14, 1936.
\nTypescript, with corrections in ink; 3 pages.<\/td>\n<\/tr>\n
folder 43<\/strong><\/td>\nArticle prepared for the Music Teachers\u2019 National Association convention, Philadelphia, December 1935, reporting on Leonard Ellinwood\u2019s research on the programming of American works by major symphony orchestras; sent to Professor Karl Gehrkens, January 18, 1937.
\nTypescript, with corrections; 8 pages.<\/td>\n<\/tr>\n
folder 44<\/strong><\/td>\nResolution presented to a meeting of the Executive Committee of the University of Rochester, December 3, 1935, on the death of Eastman School faculty member Richard T. Halliley.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 45<\/strong><\/td>\nRemarks delivered before the Fortnightly Club, Rochester, New York, November 26, 1935.
\nTypescript; 14 pages.<\/td>\n<\/tr>\n
folder 46<\/strong><\/td>\nSpeech delivered before the National Education Association, St. Louis, Missouri, February 26, 1936. Submitted to the Musical Review<\/em>, March 18, 1936.
\nTypescript, with corrections in ink and pencil; 12 pages. With addendum, 3 pages.<\/td>\n<\/tr>\n
folder 47<\/strong><\/td>\nTranscript of announcement of the 1937 Prix de Rome, with statement by composer Frederick Woltmann, broadcast via WHAM (Rochester), April 8, 1937.
\nTypescript; 6 pages.<\/td>\n<\/tr>\n
folder 48<\/strong><\/td>\nRemarks delivered by way of introducing a concert by the Eastman School Symphony Orchestra during National Music Week, broadcast via WHAM (Rochester), May 8, 1937.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 49<\/strong><\/td>\nRemarks delivered by way of introducing works performed in an Eastman School student Symposium, broadcast via WHAM (Rochester), April 22, 1937.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 50<\/strong><\/td>\nRemarks on Frederick Woltmann, winner of the 1937 Prix de Rome in musical composition; for the Rochester Times-Union<\/em>, April 9, 1937.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 51<\/strong><\/td>\nRemarks delivered by way of introducing an Eastman School performance of Palestrina\u2019s Pope Marcellus Mass,<\/em> March 23, 1937; broadcast on March 25, 1937.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 52<\/strong><\/td>\nRemarks on Gardner Read, winner of a New York Philharmonic Symphony Society award for best American symphony; for the Rochester Democrat & Chronicle<\/em>, March 20, 1937.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 53<\/strong><\/td>\n\u201cThe Status of Contemporary Music,\u201d for Musical America<\/em>, January 31, 1937.
\nTypescript; 19 pages.<\/td>\n<\/tr>\n
folder 54<\/strong><\/td>\nForeword to The Score,<\/em> March 3, 1937.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 55<\/strong><\/td>\nPaper for delivery the MTNA Convention, Philadelphia, December, 1935.
\nTypescript; 5 pages.<\/td>\n<\/tr>\n
folder 56<\/strong><\/td>\nAddress to members of NASM, February 1, 1937.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 57<\/strong><\/td>\nConvocation address, Eastman School of Music, October 19, 1936.
\nTypescript; 8 pages.<\/td>\n<\/tr>\n
folder 58<\/strong><\/td>\n\u201cScience and the Musician,\u201d address delivered at the convention of the Society of Motion Picture Engineers, October 12, 1936.
\nTypescript; 8 pages.<\/td>\n<\/tr>\n
folder 59<\/strong><\/td>\nAddress delivered before the Ontario Music Teachers\u2019 Association, October 7, 1936.
\nTypescript; 5 pages.<\/td>\n<\/tr>\n
folder 60<\/strong><\/td>\n\u201cMusic and Religion,\u201d address delivered at the dedication of the Memorial Chapel, Colgate Rochester Divinity School, October 6, 1936; also delivered at Asbury United Methodist Church, November 18, 1936, and at the Arts College, Morey Hall, March 8, 1938.
\nTypescript; 7 pages.<\/td>\n<\/tr>\n
folder 61<\/strong><\/td>\nSwedish Tercentenary Committee, May-June 1938.
\nTypescript; 5 pages.<\/td>\n<\/tr>\n
folder 62<\/strong><\/td>\nBroadcast for MENC National Youth Program, Kilbourn Hall, April 9, 1938.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 63<\/strong><\/td>\nWHAM (Rochester) broadcast, February 19, 1938.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 64<\/strong><\/td>\n\u201cFootnotes on Music.\u201d Undated.
\nTypescript; 4 pages.<\/td>\n<\/tr>\n
folder 65<\/strong><\/td>\nSuggested amendment to radio script for Sunday, December 19, 1937 at 1:30 PM.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 66<\/strong><\/td>\nResponse to an editorial in the MENC Journal, November 15, 1937.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 67<\/strong><\/td>\nOn the Symposium of American Music, for the Rochester Democrat & Chronicle<\/em>, November 7, 1937.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 68<\/strong><\/td>\nSpeech, WHEC, November 5, 1937.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 69<\/strong><\/td>\nArticle for new edition of Our American Music<\/em>, ed. John Tasker Howard, December 6, 1937.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 70<\/strong><\/td>\nComposers\u2019 Commission Project, WHEC, October 13, 1937.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 71<\/strong><\/td>\nEastman School Orchestra Program, October 25, 1937.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 72<\/strong><\/td>\nTalk on individualism, Fall, ?1937.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 73<\/strong><\/td>\n\u201cRochester Earns Prestige in World of Music Education,\u201d Rochester Commerce<\/em>, August 9, 1933.
\nTypescript; 4 pages.<\/td>\n<\/tr>\n
folder 74<\/strong><\/td>\n\u201cThe American Academy in Rome \u2014 A Community of Artists.\u201d Undated.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 75<\/strong><\/td>\n\u201cMusic as a Vocation,\u201d sent to Dr. George E. Hutcheson, University of State of New York, July 2, 1938.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1605286709577{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nConvocation address, Eastman School of Music, September 30, 1938; later published in the Alumni Bulletin<\/em>.
\nTypescript; 8 pages.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\n\u201cMusic Invades the Public School Curriculum,\u201d New York State Congress of Parents and Teachers, October, 1938.
\nTypescript; 18 pages.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n\u201cSymposium of American Music,\u201d article for the Rochester Democrat & Chronicle<\/em>, October 25, 1938.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nDraft statement on the American Composers\u2019 Concerts. Undated; internal evidence suggests 1931.
\nTypescript; 8 pages.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nAddress to the Graduate Class of the American Conservatory of Music, Chicago, Illinois, June 13, 1939. Corrected copy for the Alumni Bulletin<\/em>.
\nTypescript; 4 pages.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nSpeech, NBC broadcast from the dinner in honor of the opening of the Ninth Festival of American Music, April 24, 1939.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nAlumni Luncheon, Eastern Supervisors\u2019 Conference, March 15, 1939.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nStatement delivered on the death of Dr. Rush Rhees, March 4, 1939; submitted to the Alumni Bulletin<\/em>.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n\u201cModern Masters of Music,\u201d Fortnightly Club, Rochester, New York, February 9, 1939.
\nTypescript; 10 pages.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nLetter to the member schools of NASM, January 30, 1939.
\nTypescript; 4 pages.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nRemarks delivered in presenting Serge Koussevitzky for the honorary degree Doctor of Music, June, 1940.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nForeword for the NASM Bulletin, February 27, 1940.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nSpeech delivered at the David Hochstein Memorial Music School on the twentieth anniversary of its founding, January 22, 1940.
\nTypescript; 6 pages.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nThree Memoranda to the Rochester Times-Union<\/em>, January 20, 1940.
\nTypescript; 3 pages.
\nN.B. Bears the typescript annotation \u201c(Not sent)\u201d.<\/span><\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nAddress, \u201cListening for Beauty,\u201d delivered before the National Committee for Music Appreciation, Cincinnati, Ohio, January 15, 1940.
\nTypescript; 4 pages.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nOutline for lecture \u201cMaterial of Composition\u201d.
\nTypescript; 1 page.
\nN.B. Three separate occasions of delivery indicated: Lecture before Buffalo group [sic], January 1, 1940; Lecture before Tuesday evening lecture course, Rochester Public Library, January 16, 1940; and Lecture before Alumnae Association of the College for Women, January 19, 1940.<\/span><\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\n\u201cDr. Hanson and Americanism: An Interview [with] Morris C. Hastings,\u201d December 13, 1939.
\nTypescript; 2 pages.
\nN.B. Constitutes A synthesis of the interview, rather than a transcript.<\/span><\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\n\u201cAmerican Music 1939,\u201d for delivery at the NASM-MTNA joint banquet, Kansas City, December 29, 1939.
\nTypescript; 4 pages.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nScript for The Creative Hour,<\/em> WSAY, December 1, 1939.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nAddress, \u201cMusic, A Democratic Art,\u201d delivered at the first annual dinner of the National Committee for Music Appreciation, October 10, 1939.
\nTypescript; 6 pages.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nOutline for his Convocation address, Eastman School of Music, September 1939.
\nTypescript; 4 pages.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nDraft Foreword for the Bulletin of the Annual Festival of American Music, July 6, 1939.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nAddress, Western Supervisors Conference. Undated.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\n\u201cMusic in American Life Today,\u201d article for the National Education Association Convention, July 2, 1940.
\nTypescript; 7 pages.
\nSpeech delivered at a National Education Association concert, July 2, 1940.
\nTypescript; 7 pages.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\n\u201cAmerican Music,\u201d article submitted to RCA Victor, August 16, 1940.
\nTypescript; 5 pages.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n\u201cThe Battle of the Air Waves,\u201d paper delivered at the Fortnightly Club, Rochester, New York, October 29, 1940.
\nTypescript; 12 pages.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nConvocation address, Eastman School of Music, October 17, 1940.
\nTypescript; 10 pages.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\n\u201cA Major Problem in American Music,\u201d address delivered before the joint NASM-MTNA conference, December, 1940.
\nTypescript; 8 pages.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\n\u201cDr. Hanson Asks Arbitration to End Radio \u2018Battle of Music\u2019,\u201d Rochester Democrat & Chronicle, <\/em>December 29, 1940.
\nTypescript; 6 pages.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nStatement of the Committee on Graduate Study in Music, delivered before NASM-MTNA joint conference, February, 1941.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\n\u201cAmerican Youth and the Democratization of Music,\u201d address delivered before the Southern Conference for Music Education, Charlotte, North Carolina, March 8, 1941.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nRemarks on the death of Paul K\u00e9fer, written for The Score, <\/em>May, 1941.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nAddress for delivery on the occasion of the unveiling of the bust of Stephen Collins Foster in the Hall of Fame, May 27, 1941. Revised copy.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nRemarks delivered in presenting Frederick Stock for the honorary degree Doctor of Music, June 11, 1941.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nResum\u00e9 of an extemporaneous address delivered at a joint luncheon of the National Association of Motion Picture Engineers and the American Acoustical Society, August 21, 1941.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\n\u201cThe Twentieth Anniversary Experiment in Chamber Music,\u201d submitted to The New York Times, <\/em>September 15, 1941.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nTalk for delivery on the program \u201cMeet the Composers,\u201d WQXR (New York City), October 12, 1941.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nForeword, Bulletin of Radio Programs, December 24, 1941.
\nTypescript; 2 pages.
\nN.B. Hanson\u2019s text cites \u201ca series of historical broadcasts illustrating various phases of the development of musical composition,\u201d apparently launched in 1938.<\/span><\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nReport of the Committee on American Music for MTNA, December 24, 1941.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\nAnnual Report of the President, NASM, December 1941.
\nTypescript; 6 pages.<\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\nRemarks in acknowledgement of tributes received on the occasion of the unveiling of a portrait bust at the Eastman School of Music on November 19th, 1941. Revised copy; submitted to the Alumni Bulletin.
\n<\/em>Typescript; 2 pages.
\nN.B. His remarks were published in their entirety in the issue vol. 13, no. 1 (November, 1941), pages 1-2, together with a photograph of the
\nportrait bust, \u201cexecuted by the distinguished sculptress, Guitou Knoop\u201d.\u00a0<\/span><\/td>\n<\/tr>\n
folder 42<\/strong><\/td>\n\u201cThe Past, Present and Future of The American Public School Orchestra,\u201d MENC, March 31, 1942.
\nTypescript; 8 pages.
\nN.B. Pencilled annotation indicates publication in The Musical Leader<\/em>.\u00a0 \u00a0<\/span><\/td>\n<\/tr>\n
folder 43<\/strong><\/td>\nForeword to The Score<\/em>, March 31, 1942.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 44<\/strong><\/td>\nArticle on the 12th Annual Festival of American Music, submitted to the Rochester Democrat & Chronicle<\/em>, May 12, 1942.
\nTypescript; 4 pages.
\nAccompanied by copy of article:
\n<\/em>\u201cSome Highlights of the Eastman School\u2019s Twelfth Annual Festival of American Music.\u201d Submitted to The New York Times<\/em>, May 23, 1942.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 45<\/strong><\/td>\nRemarks for Inter-High Orchestra Broadcast, WHAM (Rochester), May 19, 1942.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 46<\/strong><\/td>\nRadio talk on supporting the government in wartime, June 8, 1942.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 47<\/strong><\/td>\nCommencement address, Fredonia State Teachers\u2019 College, June 12, 1943. Condensation used for address at Macedon High School, Macedon, New York, June 22, 1943.
\nTypescript; two copies, each 8 pages.
\nAccompanied by pencil draft; 16 pages.<\/td>\n<\/tr>\n
folder 48<\/strong><\/td>\nAddress delivered at the annual breakfast, Eastern Division of the MENC, March 21, 1943 and June 8, 1943.
\nTypescript; two copies, each 5 pages.<\/td>\n<\/tr>\n
folder 49<\/strong><\/td>\nAlumni Bulletin<\/em>, May 1943.
\nTypescript; two copies, each 3 pages.
\nAccompanied by draft in ink; 2 pages.<\/td>\n<\/tr>\n
folder 50<\/strong><\/td>\nTalk on music education in a time of war, March 22, 1943.
\nTypescript; 2 pages.
\nAccompanied by draft in ink; 3 pages.<\/td>\n<\/tr>\n
folder 51<\/strong><\/td>\nSpeech, Music Educators\u2019 Wartime Institute, WHEC, March 19, 1943.
\nTypescript; two copies, each 3 pages.<\/td>\n<\/tr>\n
folder 52<\/strong><\/td>\nReport of the Graduate Committee, NASM, February 24, 1943.
\nTypescript; two copies, each 7 pages.
\nAccompanied by draft in ink; 7 pages.<\/td>\n<\/tr>\n
folder 53<\/strong><\/td>\nReport to members of NASM on a joint meeting of the Executive Committee, the Commission on Curricula, and the Committee on Graduate Study, February 27, 1943.
\nTypescript; two copies, each 3 pages.
\nAccompanied by draft in ink; 12 pages.<\/td>\n<\/tr>\n
folder 54<\/strong><\/td>\n\u201cThe American Musician and the Business of Music,\u201d article for Music Publishers\u2019 Journal<\/em>, February 19, 1943.
\nTypescript; two copies, each 3 pages.
\nAccompanied by draft in ink; 10 pages.<\/td>\n<\/tr>\n
folder 55<\/strong><\/td>\nRadio talk, \u201cA Declaration of Independence for the Listener,\u201d WQXR, February 4, 1943.
\nTypescript; two copies, each 2 pages.
\nAccompanied by draft in ink; 8 pages.<\/td>\n<\/tr>\n
folder 56<\/strong><\/td>\nPress release, Executive Committee of NASM, Rochester Democrat & Chronicle<\/em>, December 31, 1942.
\nTypescript; two copies, each 2 pages.
\nAccompanied by draft in ink; 4 pages.<\/td>\n<\/tr>\n
folder 57<\/strong><\/td>\nArticle for Modern Music<\/em>, December 30, 1942.
\nTypescript; two copies, each 8 pages.
\nAccompanied by two drafts in ink; 26 pages and 13 pages.<\/td>\n<\/tr>\n
folder 58<\/strong><\/td>\nPress release on Hanson\u2019s application to the U.S. War Department for use of the ESM as a training center for Army bandmasters, December 18, 1942.
\nTypescript; two copies, each 1 page.<\/td>\n<\/tr>\n
folder 59<\/strong><\/td>\nArticle on Serge Koussevitsky and his visit to Rochester, for the Rochester Democrat & Chronicle<\/em>, December 14, 1942.
\nTypescript; three copies, each 2 pages.<\/td>\n<\/tr>\n
folder 60<\/strong><\/td>\nArticle on the dual bans on student broadcasts and electrical transcriptions (a.k.a. the Petrillo ban), for the Rochester Democrat & Chronicle<\/em>, October 18, 1942.
\nTypescript; two copies, 3 pages.<\/td>\n<\/tr>\n
folder 61<\/strong><\/td>\nConvocation address, Eastman School of Music, September 21, 1942.
\nTypescript; 8 pages.
\nAccompanied by draft in ink; 13 pages.<\/td>\n<\/tr>\n
folder 62<\/strong><\/td>\nRemarks delivered at the National Music Council annual meeting, May 4, 1944.
\nTypescript; two copies, each 4 pages.
\nAccompanied by corrected copy for the NMC Bulletin; 5 pages.<\/td>\n<\/tr>\n
folder 63<\/strong><\/td>\nForeword to the NASM Bulletin,<\/em> June 24, 1944.
\nTypescript; two copies, each 6 pages.
\nAccompanied by draft in ink; 13 pages.<\/td>\n<\/tr>\n
folder 64<\/strong><\/td>\nAddress in recognition of the citation by the War Music Council of America of the Bausch & Lomb Chorus, Rochester, New York, for distinguished contributions to the war effort, May 28, 1944.
\nTypescript; 2 pages, incomplete.
\nAccompanied by draft in ink; 12 pages.<\/td>\n<\/tr>\n
folder 65<\/strong><\/td>\nAddress at the Koussevitsky Testimonial Dinner, May 16, 1944.
\nTypescript; 8 pages.
\nAccompanied by typescript drafts; 7 pages.<\/td>\n<\/tr>\n
folder 66<\/strong><\/td>\nTribute to Nathaniel Dett, delivered at a concert of the Eastman School Senior Symphony Orchestra and Choir, April 25, 1944.
\nTypescript; three copies, each 1 page.
\nAccompanied by 3 cue cards.<\/td>\n<\/tr>\n
folder 67<\/strong><\/td>\n\u201cThe Viewpoint of the Musician,\u201d talk delivered before MTNA, March 24, 1944.
\nTypescript; two copies, each 3 pages.
\nAccompanied by draft in ink; 4 pages.<\/td>\n<\/tr>\n
folder 68<\/strong><\/td>\nForeword to the book Voice Cultivation <\/em>by Dr. Thomas Austin-Ball, January 11, 1944.
\nTypescript; two copies, each 3 pages.
\nAccompanied by drafts in various formats; 5 pages.<\/td>\n<\/tr>\n
folder 69<\/strong><\/td>\n\u201cSchools of Music in the Post-War World,\u201d for Music Publishers\u2019 Journal<\/em>, December 18, 1943.
\nTypescript; 3 pages.
\nAccompanied by draft in ink; 6 pages.<\/td>\n<\/tr>\n
folder 70<\/strong><\/td>\n\u201cLions of the North: Gustavus Adolphus and his Predecessors,\u201d Fortnightly Club, November 9, 1943; and, Blind Alley Club, October 9, 1944.
\nTypescript; two copies, each 13 pages.<\/td>\n<\/tr>\n
folder 71<\/strong><\/td>\nConvocation Address, Eastman School of Music, September 20, 1943; published in The Score<\/em>, October 1943, and in the Alumni Bulletin<\/em>, November 10, 1943.
\nTypescript; two copies, each 28 pages.<\/td>\n<\/tr>\n
folder 72<\/strong><\/td>\nForeword to the Bulletin, ESM Festival of American Music, July 26, 1943.
\nTypescript; two copies, each 2 pages. Accompanied by draft in ink; 3 pages.<\/td>\n<\/tr>\n
folder 73<\/strong><\/td>\nEulogy for George Eastman. Undated.
\nTypescript; 3 pages.
\nAccompanied by a 2-page typescript draft of a different statement, again made in memory of George Eastman. Undated.<\/td>\n<\/tr>\n
folder 74<\/strong><\/td>\n\u201cIs Our Musical Progress a Mirage?\u201d Undated. On Office of the Director stationery.
\nTypescript; 6 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 3″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1605295122564{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nAddress, \u201cThe Affective Power of Consonance and Dissonance in Music,\u201d delivered before the American Psychological Association, March 25, 1949.
\nTypescript; two copies, each 13 pages.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nUntitled, sent to The Journal<\/em>, October 3, 1936.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nTalk given at RAUN meeting, Cutler Union, November 16, 1949.
\nN.B. The abbreviation RAUN not identified within his text; it possibly signifies the Rochester Association for the United Nations. Having previously \u201ctried to give impressions of the UNESCO conference in Paris and of the principal problems which confront UNESCO,\u201d in this talk Hanson presented his observations \u201cabout the more general problem of making all of the U.N. organizations operate effectively for world peace.\u201d
\n<\/span>Typescript draft; 4 pages.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n\u201cMusic: Progress or Retrogression.\u201d Paper delivered at the Eastern Division Music Conference, MENC, Baltimore, March 7, 1949.
\nTypescript; three copies, each 9 pages.
\nAccompanied by typescript draft; 10 pages.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cChopin, 1849-1949,\u201d June 13, 1949.
\nTypescript; two copies, each 3 pages.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nSermon delivered at the University of Rochester Protestant Chapel, April 12, 1950.
\nMS draft in ink and pencil; 15 pages.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nReport on the UNESCO Arts and Letters Panel, comprised of Hanson\u2019s letter followed by four pages of recommendations. Undated.
\nTypescript; 6 pages.
\nAccompanied by draft in ink and pencil; 5 pages.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n\u201cA Quarter Century of American Music,\u201d Saturday Review of Literature<\/em>, July 5, 1949.
\nTypescript; four copies, each 11 pages.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n\u201cMusic in UNESCO,\u201d Encyclopedia of Musical Information<\/em>, June, 1949.
\nTypescript; two copies, each 10 pages.
\nAccompanied by cover letter.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nCommencement address, Royal Conservatory of Music, Toronto, Ontario, November 11, 1948.
\nTypescript; two copies, each 8 pages.
\nAccompanied by draft in ink; 14 pages.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n\u201cNow and Tomorrow, New Jersey\u2019s Future Opportunities and Responsibilities in Music Education.\u201d Address, New Jersey Education Association, November 13, 1948.
\nTypescript; 11 pages.
\nAccompanied by cover letter and by draft in ink; 6 pages.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nLetter to James Gleason. Undated.
\nMS draft in ink; 1 page.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nForeword to The Score<\/em>, 1949.
\nTypescript; two copies, each 1 page.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nConvocation address, Eastman School of Music, September 30, 1948.
\nTypescript; two copies, each 11 pages.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nLetter to the entering students, Eastman School of Music, September 20, 1948.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nUntitled document pertaining to MENC. Undated.
\nMS draft in ink; 9 pages.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nRemarks delivered at Tanglewood, August 3, 1948.
\nTypescript; two copies, each 2 pages.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nAddress for the McCurdy Little Symphony series, 1947-1948.
\nTypescript; two copies, each 2 pages.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nAnnouncement of the McCurdy Award Winners, WHAM (Rochester) Broadcast, May 3, 1949.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nRadio interview with Mrs. Volpe, Miami, April 16, 1949.
\nTypescript; 6 pages.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nAddress, \u201cThe Place of Music in Our Society,\u201d delivered on the occasion of the dedication of the Fine Arts Building, University of Kentucky, February 21, 1950.
\nTypescript; four copies, each 8 pages.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\n\u201cAmerican Music and \u2018International Arts\u2019,\u201d Washington Times-Herald<\/em>, July 20, 1950.
\nTypescript; 3 pages. Accompanied by pencil draft; 10 pages.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\n\u201cUNESCO and World Peace,\u201d Education Music Magazine<\/em>, 1949 or 1950.
\nTypescript; three copies, each 5 pages.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nConvocation, State of New York Symposium Panel on The Cultural Arts, January 28, 1950.
\nTypescript; two copies, each 6 pages.
\nAccompanied by pencil draft; 22 pages.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nTalk, Phi Mu Alpha, Chicago, February 16, 1950.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n\u201cThe Case for Nationalism in Art,\u201d Sigma Alpha Iota, August 29, 1950.
\nTypescript; 10 pages.
\nAccompanied by draft in ink; 4 pages.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nForeword, Bulletin of the 20th Annual Festival of American Music, August 29, 1950.
\nTypescript; 4 pages.
\nAccompanied by draft in ink; 10 pages.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nBaccalaureate address, University of Rochester, June 11, 1950.
\nTypescript; two copies, each 12 pages.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nSymposium, State University of New York, January 28, 1950.
\nTypescript; two copies, each 6 pages.
\nAccompanied by pencil draft; 7 pages.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nTo Margaret E. Mahoney, UNESCO Relations Staff, Washington, D.C., February 21, 1950.
\nTypescript; three copies, each 3 pages.
\nAccompanied by draft in ink; 4 pages.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nForeword to The Score<\/em>, 1950.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nProgram notes, WNYC Eastman School broadcast; undated.
\nTypescript; two copies, each 3 pages.
\nAccompanied by draft in ink; 6 pages.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nMcCurdy Awards, WHAM (Rochester). Undated.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nFourth General Conference of UNESCO, Paris, October 3, 1949.
\nTypescript; 4 pages.
\nAccompanied by pencil draft 5 pages.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nIntermission Broadcast, Metropolitan Opera Guild, New York, 11 March, 1950.
\nTypescript; two copies, each 4 pages.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nAddress, General Conference on UNESCO, Paris, October, 1949.
\nTypescript; 4 pages.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nProposed Radio Address, General Conference on UNESCO, Paris, October 1949.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nRemarks, Chopin Memorial Concert, Metropolitan Opera House, October 17, 1949.
\nTypescript; 3 pages.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nAddress, New York State Association of Architects, October 20, 1949.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\nAddress, dedication of the Fine Arts Building, Texas Christian University, Fort Worth, Texas, December 4, 1949.
\nTypescript; two copies, each 10 pages.
\nAccompanied by typescript draft; two copies, each 8 pages.<\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\nAddress, Eastman School Convocation, November 4, 1949.
\nTypescript; two copies, each 12 pages.
\nAccompanied by pencil draft; 20 pages.<\/td>\n<\/tr>\n
folder 42<\/strong><\/td>\n\u201cWhat is the Twentieth Century\u2019s Greatest Challenge?,\u201d talk delivered at City Club of Rochester, New York, October 29, 1949.
\nTypescript; three copies, each 7 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 4″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1605295493152{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nPress release, \u201cDr. Hanson Announces Theory of Tone Structure Analysis,\u201d November 9, 1951.
\nTypescript; two copies, each 2 pages.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nAddress, \u201cThe Significance of Stephen Foster in 1951,\u201d University of Pittsburgh, Stephens Collins Foster 24th Annual Memorial Program, February 27, 1951.
\nTypescript; two copies, each 6 pages.
\nAccompanied by pencil draft; 12 pages.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n“What is Happening to Music in America?\u201d for Etude Magazine<\/em>, January, 1951.
\nTypescript; five copies, each 5 pages.
\nAccompanied by pencil draft; 9 pages.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nAddress before the joint conference of the Music Library Association and American Musicological Society, December 1951.
\nTypescript; three copies, each 3 pages.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cJohn Alden Carpenter,\u201d for the\u00a0Saturday Review of Literature<\/em>, February 12, 1951.
\nTypescript; two copies, each 3 pages.
\nAccompanied by pencil draft; 9 pages.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nAddress, \u201cEducation for World Citizenship,\u201d Central Western Zone, New York State Teachers Association, Rochester, New York, October 27, 1950.
\nTypescript; two copies, each 9 pages.
\nAccompanied by draft in ink; 16 pages.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nMontgomery Lecture No. 1, \u201cMusic in Contemporary American Civilization: Development of the Creative Art,\u201d University of Nebraska, February 12, 1951.
\nTypescript; four copies, each 15 pages.
\nAccompanied by pencil draft; 31 pages.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nMontgomery Lecture No. 2, \u201cMusic in Contemporary American Civilization: The Decades of Maturation; Music as Emotional Expression,\u201d University of Nebraska, February 14, 1951.
\nTypescript; 15 pages.
\nAccompanied by miscellaneous draft materials.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nMontgomery Lecture No. 3, \u201cMusic in Contemporary American Civilization: Obstacles to Progress,\u201d University of Nebraska, February 16, 1951.
\nTypescript; 12 pages.
\nAccompanied by miscellaneous draft materials.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nConvocation address, Eastman School of Music, September 24, 1951.
\nTypescript; three copies, each 7 pages.
\nAccompanied by draft in ink; 20 pages.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nText of article, untitled, for\u00a0The Instrumentalist<\/em>, January 1952.
\nTypescript; two copies, each 1 page.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nScript for United Nations broadcast, WHAM (Rochester), October 23, 1951.
\nTypescript; four copies, each 3 pages.
\nAccompanied by draft in ink; 5 pages.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n\u201cThe Projection and Inter-relation of Sonorities in Equal Temperament,\u201d American Philosophical Society, General Meeting, November, 1951.
\nTypescript; three copies, each 20 pages (copy 2 lacking pp. 1-4).
\nAccompanied by a copy of the APS submission guidelines, and by a draft Abstract in ink.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nIntroduction to the International Federation of Music Schools Symposium Program, 1952.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n\u201cNationalism and the American Composer,\u201d article for Review of Records<\/em>, April 1952.
\nTypescript with pencilled annotations; two copies, each 3 pages.
\nAccompanied by pencil draft (9 pages) and by four reprint copies of the published article.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nForeword, NASM Bulletin, 1952.
\nTypescript; two copies, each 9 pages.
\nAccompanied by draft in ink and pencil; 12 pages.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nAddress, McCurdy Little Symphony Scholarship Awards broadcast announcement, April 24, 1951.
\nTypescript; 1 page.
\nAnnouncement of the McCurdy Little Symphony Scholarship Awards, April 29, 1952.
\nTypescript; two copies, each 1 page.
\nAccompanied by draft in ink; 3 pages.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nReview of Hindemith\u2019s A Composer\u2019s World<\/em>, for the Saturday Review of Literature<\/em>, March 29, 1952.
\nTypescript; two copies, each 3 pages.
\nAccompanied by draft in ink (9 pages) and by a copy of the publication.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nBroadcast script, WHAM television, January 15, 1952.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nBroadcast script, WHEC Broadcast, 125th Anniversary of the New York Philharmonic, December 9, 1951.
\nMS draft in ink with pencilled annotations; 1 page.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nConvocation address, Eastman School of Music, 1950.
\nTypescript; two copies, each 10 pages.
\nAccompanied by draft in ink with pencilled annotations; 37 pages.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nAddress, Eastman School Senior Convocation, 1950-51.
\nMS draft in ink and pencil; 3 pages.
\nAccompanied by a page of typescript notes on letterhead of the Office of the Director.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nAddress, Founders\u2019 Day Program, May 10, 1951.
\nTypescript with pencilled annotations; 1 page.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nConvocation Address, Eastman School of Music, September 25, 1950.
\nPublished copy. Alumni Bulletin<\/em>, vol. 22, nos. 1-2 (February, 1951), pages 2, 10, 11.
\nN.B. The same issue contains the text, in its entirety, of Hanson\u2019s baccalaureate address at the University of Rochester, June 11, 1950, on pages 21-23.<\/span><\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nAddress, University of Rochester Alumni Drive Dinner, March 14, 1951.
\nTypescript; two copies, each 2 pages.
\nAccompanied by draft in ink; 2 pages.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n\u201cThis is the Beginning,\u201d article for A Tempo<\/em>, October, 1950.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nBroadcast script, WHEC, University of Rochester Centennial, October 31, 1950.
\nTypescript with pencilled annotations; 1 page.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nAddress, University of Rochester Centennial Community Convocation, November 4, 1950.
\nTypescript with pencilled annotations; 4 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 5″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1605295678478{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nTranscript of broadcast by Patrick Hayes, WGMS, February 7, 1954, reporting on Hanson\u2019s address on behalf of Federal subsidy of the arts, delivered at a luncheon which launched the 23rd annual Sustaining Fund Drive of the National Symphony Orchestra
\nTypescript; two copies, each 5 pages. One copy annotated in pencil.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nPrinted program, Contemporary Music Symposium, George Peabody College for Teachers, January 27-28, 1953.
\nTwo copies, each annotated in pencil.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nScript for the George Eastman Memorial Broadcast, 1954.
\nMS draft in pencil; 4 pages.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nStatement on the appointment of Georges Miquelle, Chairman of Cello and Chamber Music, Eastman School of Music.
\nTypescript with pencilled annotations; 1 page.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nDraft Foreword for Wayne Barlow\u2019s book\u00a0Foundations of Music<\/em>. New York: Appleton-Century\u2013Crofts, 1953.
\nTypescript; three copies, each 2 pages. One copy annotated in pencil.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nBroadcast script, \u201cPainting with Sound,\u201d WHAM-TV, January 27, 1954.
\nTypescript; four copies, each 7 pages.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nAddress, National Symphony Orchestra Fund Drive, February 4, 1954.
\nTypescript; four copies, each 7 pages. One copy annotated in pencil<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nAddress, Fred Waring, July 23, 1954.
\nTypescript; three copies, each 11 pages. One copy annotated in pencil.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nAddress, Howell Bill Hearing H.R. 9111, Washington, D.C.. June 8, 1954.
\nTypescript; two copies, each 6 pages.
\nAccompanied by a draft in ink; 9 pages.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nAddress, National Association for Music Therapy Annual Banquet, October 14, 1954.
\nTypescript; two copies, each 8 pages.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nAddress, \u201cCurriculum Enrichment or Inflation.\u201d Undated.
\nTypescript; three copies, each 9 pages.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n\u201cElectronics and American Music,\u201d article for\u00a0Review of Recorded Music<\/em>, December, 1952.
\nTypescript; five copies, each 4 pages.
\nAccompanied by two copies of the publication.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nConvocation address, Eastman School of Music, September 22, 1952.
\nTypescript with pencilled annotations; two copies, each 13 pages.
\nAccompanied by draft in ink and pencil; 18 pages.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nMemorandum on the University of Rochester Community Chest\/Red Cross Campaign, 1953-1956.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nConvocation address, Eastman School of Music, September 20, 1954.
\nTypescript; two copies, each 8 pages.
\nAccompanied by typescript draft annotated in ink and pencil (11 pages), and by a pamphlet containing a transcript of the address.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nConvocation address, Eastman School of Music, September 22, 1956.
\nTypescript; two copies, 13 pages and 12 pages.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nScript for the Eastman Wind Ensemble final broadcast, NYSSMA.
\nTypescript with pencilled annotations; 1 pages.
\nAccompanied by pencil draft; 1 page.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nAddress, McCurdy Scholarship Broadcast, March 31, 1953.
\nTypescript; two copies, each 1 page.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nScript for an Eastman School Symphony Orchestra broadcast, April 13, 1953.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nScript for interview with Eliseo Pajaro, undated; broadcast to the Philippines.
\nTypescript; two copies, each 3 pages. One copy annotated in pencil.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n\u201cAt The End of Our 125th Anniversary Year,\u201d message to the congregations of Third Presbyterian Church, Rochester.
\nPublished copy. Third Church Messenger <\/em>[newsletter], vol. 15, no 27. January 2, 1953, pages 1, 4.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nAddress, Chapel Service, River Campus, February 15, 1953.
\nTypescript; four copies, variously paginated. One copy annotated in pencil.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nAnnouncement of faculty appointments. Undated.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nAddress, \u201cProfessional Music Education in the United States 1924-1954,\u201d NYSM, Los Angeles, December 28, 1954.
\nTypescript; three copies, variously paginated. One copy annotated in pencil.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nArticle on the occasion of the 100th Anniversary of George Eastman\u2019s birth, July 12, 1954; for the Alumni Bulletin.
\n<\/em>Typescript; four copies, each 4 pages.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nScript for McCurdy Broadcast, November 10, 1953.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nScript for United Nations Program, WHAM broadcast, October 20, 1952.
\nTypescript with pencilled annotations; two copies, each 8 pages.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nForeword to the Bulletin of the Festival of American Music, September 29, 1952.
\nTypescript; two copies, each 3 pages.
\nAccompanied by ink and pencil draft; 7 pages.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nAddress, Third Presbyterian Church Chamber of Commerce, November 12,1952.
\nTypescript with pencilled annotations; two copies, each 4 pages.
\nAccompanied by draft in ink, annotated in pencil; 12 pages.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nAddress, Phi Mu Alpha Convention, Cincinnati, July 12, 1952.
\nTypescript annotated in ink; two copies, each 11 pages.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nScript, Civic Music Association broadcast, WHEC, September 29, 1952.
\nTypescript with pencilled annotations; 1 page.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nScript, McCurdy broadcast, WHAM (Rochester), November 11, 1952.
\nTypescript with pencilled annotations; 2 pages.
\nAccompanied by three items: letter (December 23, 1952) from Charles S. Wilkinson to Mary Louise Creegan; typescript list of the 1952 scholarship winners; and a copy of The<\/em> Hutchins Headliner<\/em>, vol. 1, no. 7, printed by the Hutchins Advertising Co., December, 1952.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nAnnouncement of the Rice Institute Lectures, Houston, Texas, March 1953.
\nTypescript with pencilled annotations; 1 page.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 6″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1607957580746{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nProgram notes for Eastman Philharmonia concert, March 16, 1962, following the orchestra\u2019s 1961-62 tour of Europe and the Near East.
\nTypescript; two copies, each two pages.
\nAccompanied by draft in ink; 4 pages.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nAddress, Los Angeles Philharmonic Orchestra Youth Concerts, November, 1960.
\nTypescript; five copies, each 8 pages. Two copies annotated in ink; two copies annotated in pencil.
\nAccompanied by a document listing various programming possibilities, apparently received from an officer of the Los Angeles Philharmonic Association; annotated in ink and pencil by Hanson. Typescript; 3 pages.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nTranscript of article, \u201cDr. Howard Hanson,\u201d published in the Musical Courier<\/em>, vol. 161, no. 4, March 1960.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nUnidentified publicity, ca. 1961.
\nTypescript; four copies, each 1 page. (Copies 1-2 contain different text than Copies 3-4).
\nAccompanied by draft in ink; 3 pages.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nProgram, International Music Conference on the Place of Music in World Affairs, The President\u2019s Music Committee of the People to People Program, New York City, October 6, 1959.
\nTypescript; 4 pages.
\nAccompanied by three items: copy of the preliminary program; registration card with envelope; and letter (September 2, 1959) to Hanson from Jouett Shouse.
\nN.B. Hanson participated in the conference session on \u201cIn What Areas Can Organizations And Associations Participate In International Affairs In The Field Of Musical Arts?<\/span><\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nArticle, Metropolitan Opera Guild, November 21, 1961.
\nTypescript; two copies, each 6 pages. One copy annotated in ink.
\nAccompanied by draft in ink; 11 pages.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nReport on the American Composers\u2019 Concerts. Undated.
\nTypescript; two copies, each 7 pages.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n\u201cMusic in American Life,\u201d Kennecott Lecture delivered at the University of Arizona, March 21, 1956.
\nTypescript; two copies, each 22 pages.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n\n

\u201cThe Material of Music,\u201d delivered under the auspices of the Louis C. Elson Memorial Lectures, Harvard University, March 17 & 18, 1948.<\/p>\n

    \n
  • Lecture one: Typescript with pencilled annotations; two copies, each 20 pages.<\/li>\n
  • Lecture two: Typescript; two copies, each 22 pages. Each copy annotated.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nReport on Symphony Orchestras, 1959 or 1960.
\nMS draft in ink; paginated 1-5, 8-16.
\nAccompanied by two pages of a draft letter to Dr. Cornelis W. de Kiewiet, President of the University of Rochester, from which Hanson derived material to serve as pages 6 and 7 of the draft report.
\nN.B. On legal-sized sheets; separated to box 62\/8 (oversized).<\/span><\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nAddress, Arts Symposium, St. Bonaventure University, Olean, New York, September 25, 1958.
\nTypescript, each annotated; two copies, 8 pages and 9 pages.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nDraft article, Brussels World\u2019s Fair, February 26, 1958.
\nTypescript with pencilled annotations; 2 pages.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nAddress, American Acoustical Society, New York, May 24, 1957.
\nTypescript; two copies, each 6 pages. One copy annotated in ink and pencil.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nDraft article, submitted to Good Housekeeping<\/em>, 1957.
\nTypescript, annotated in ink; two copies, each 6 pages.
\nAccompanied by various items:<\/p>\n
    \n
  • ink draft of the article, annotated in pencil; 17 pages.<\/li>\n
  • working draft of the article, composed by an unidentified staffer at Good Housekeeping<\/em>. Typescript, annotated in ink and pencil; 4 pages.<\/li>\n
  • letter to Hanson from Benson Srere, July 11, 1957. Typescript; 2 pages.<\/li>\n
  • a copy of the October, 1957 issue of Good Housekeeping<\/em> (the Hanson article begins on page 96).<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nAddress, University of Kansas, November 10, 1957.
\nTypescript; two copies, each 13 pages.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nArticle on Hanson by Santomartino Pasquale for Musica,<\/em> Milan, Italy November, 1958.
\nTypescript, annotated in ink; 6 pages.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nTranscript of speech delivered in Miami, February, 1957.
\nTypescript; two copies, each 21 pages.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nAddress in salute of Stravinsky on the occasion of the latter\u2019s 75th Birthday; broadcast over Voice of America, June 17, 1957.
\nTypescript; two copies, each 1 page.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nDraft memorandum announcing the Bachelor of Music Degree with Minor in the Humanities, Eastman School of Music, 1960-61.
\nTypescript; three copies, each 2 pages.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nMemorandum on the appointment of Charles Riker as Executive Secretary of the Eastman School of Music.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nDraft article, \u201cFormation of Orchestra, Avenue to Development of a Symphony Second to None in the Country.\u201d
\nTypescript; three copies, each 1 page.
\nN.B. Published in The<\/em> Post Express<\/em>, August 26, 1922.<\/span><\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nExtract from an interview with George Eastman by A. J. Warner, Rochester Times-Union<\/em>, February 10, 1923.
\nTypescript; three copies, each 1 page.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nDraft article, \u201cEastman Announces Orchestral Changes; Self-Supporting Symphonic Band Goal of His Activities in Rochester.\u201d
\nTypescript; three copies, each 2 pages.
\nN.B. Published in The<\/em> Musical Digest<\/em>, vol. 4 , no. 9, June 19, 1923.\u00a0 \u00a0<\/span><\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nDraft statement to the Congregation of First Presbyterian Church. Undated.
\nTypescript and MS in ink; 21 pages.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nUnidentified fragments of speeches. Undated.
\nTypescript and MS; 56 pages.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nAddress, \u201cThe Arts, Education and Manpower.\u201d Undated.
\nTypescript with pencilled annotations; 11 pages.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nBroadcast script, \u201cThe Orchestral Spectrum.\u201d Undated.
\nTypescript, annotated in ink and\/or pencil; six copies, variously paginated. Accompanied by draft in ink; 14 pages.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nBroadcast script, American music selections, hosted by Hanson as commentator. Undated.
\nTypescript; 7 pages.
\nAccompanied by draft in ink, annotated in pencil; 12 pages.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nBroadcast script, program continuity for March 31, 1957.
\nTypescript; two copies, each 2 pages.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nBroadcast script, program continuity for April 7, 1957.
\nTypescript; two copies, each 2 pages.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nBroadcast script, program continuity for April 14, 1957.
\nTypescript, annotated in ink and pencil; 8 pages.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nBroadcast script, Program Continuity. Undated.
\nTypescript; two copies, each 5 pages. One copy annotated in ink.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nBroadcast scripts, various program continuities. Undated.
\nMS drafts; 27 pages.
\nN.B. On legal-sized sheets; separated to box 62\/9 (oversized).<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nBroadcasts scripts, program continuities, Early American Symphonic Music, I-VI.
\nMS drafts in ink and pencil; 23 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 7″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1607957618600{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nAddress, dedication of organ at Wooster College, November 20, 1955.
\nTypescript; 11 pages.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nAddress, NASM, St. Louis, Missouri, November, 1958.
\nTypescript; two copies, 12 pages and 16 pages. One copy annotated in ink and pencil.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nReport to NASM on the Doctorate in Music, Chicago, November, 1957.
\nTypescript; two copies, each 7 pages.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nAddress, NASM, Cleveland, November 23, 1956.
\nTypescript, annotated in ink and pencil; two copies, each 12 pages.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nAddress, NASM, Detroit, November 28, 1959.
\nTypescript; three copies, each 9 pages. One copy is lacking pages 8-9.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nConference paper, MENC, Atlantic City, March 19, 1960.
\nTypescript, annotated in pencil; two copies, each 13 pages.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\n\u201cThe Arts in an Age of Science,\u201d proof copy for publication in the MENC Journal,<\/em> September, October.
\nTypescript with pencilled annotations; 4 pages.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nAddress, MENC Eastern Conference, Buffalo, New York, January 25, 1958.
\nTypescript; 10 pages.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nConference paper, MENC, Los Angeles. Undated.
\nTypescript with pencilled annotations; 4 pages.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nAbstract, \u201cCreativity in Music,\u201d for the Symposium on Creativity in Science, History of Science Society and the Southern Society for Philosophy and Psychology. December 29, [year not cited].
\nTypescript; two copies, each 2 pages.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nAddress, Educational Policies Commission. Undated.
\nTypescript; 4 pages.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nArticle for the Alumni Review<\/em>.
\nTypescript; four copies, each 4 pages.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nStatement on the Smathers Bill before the Senate Committee. Undated.
\nN.B. Neither the bill nor the committee is explicitly cited within Hanson\u2019s text; the bill\u2019s sponsoring legislator would undoubtedly have been Senator George Smathers (1913-2007) (D-Florida; served 1951-69). Hanson\u2019s text expresses his conviction that \u201c. . . the engagement of broadcasting companies in the publishing and recording industries is inherently monopolistic and therefore a danger both to free enterprise and to the best artistic interests of the country.\u201d
\n<\/span>Typescript; 4 pages.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nBroadcast script, WHEC, January 3, 1960.
\nTypescript, annotated in ink; 1 page.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n\u201cThe Continuing Symposium,\u201d article for Pan Pipes<\/em>, December 1948.
\nTypescript with pencilled annotations; 5 pages.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nAddress, Oklahoma City Chamber of Commerce Friday Forum, Skirvin Tower Persian Room, April 7, 1950.
\nTypescript; 8 pages.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nAddress, \u201cThe New Vision of the Composer,\u201d School of Science and Arts, Michigan State College, May 20, 1955.
\nTypescript; two copies, each 13 pages. One copy annotated in pencil.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nAddress, \u201cThe New Adventure,\u201d New Citizens\u2019 Dinner, Chamber of Commerce, November 7, 1945.
\nTypescript with pencilled annotations; two copies, each 7 pages.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nAddress, University of Kansas, Kansas City, April 18, 1955.
\nTypescript; two copies, each 5 pages. One copy annotated in pencil.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nAddress, \u201cThe Great Commandment,\u201d Tenth Annual Wilkes College Baccalaureate, June 2, 1957.
\nTypescript; two copies, each 12 pages.
\nAccompanied by the first page of a third copy, annotated in ink and pencil; and by two copies of the printed program, the first of which is annotated in ink.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nAddress, American Acoustical Society, New York, May 23, 1957.
\nTypescript; 6 pages.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nForeword, Pan Pipes<\/em>, December 1959.
\nTypescript; annotated in ink; 1 page.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nAddress to friends in Sweden, ca. 1950.
\nTypescript; two copies, each 3 pages. One copy lacking page 2.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nAddress, McCurdy Broadcast, November 15, 1955.
\nTypescript; two copies, each 2 pages. One copy annotated in ink and pencil.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nAddress, McCurdy Broadcast, April 3, 1956.
\nTypescript; 2 pages.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nAddress, McCurdy Broadcast, April 26, 1960.
\nTypescript; two copies, each 1 page.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nAddress, McCurdy Symphony Broadcast, November 15, 1960.
\nTypescript; two copies, each 1 page. One copy annotated in ink and pencil.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nAddress, McCurdy Symphony Broadcast, April 28, 1959.
\nTypescript; two copies, each 1 page.
\nAccompanied by a list of the McCurdy Award recipients.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nAddress, McCurdy Broadcast, delivered by Paul White in Hanson\u2019s stead, November 14, 1961.
\nTypescript, annotated in ink and pencil; two copies, each 1 page.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nAddress, McCurdy Broadcast, 1962.
\nMS draft in ink; two copies, 1 page and 2 pages.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\n\n

Address and script, McCurdy Broadcast, January 11, 1963.<\/p>\n

    \n
  • Address: Typescript; two copies, each 1 page. Accompanied by draft in ink; 3 pages.<\/li>\n
  • Script: Typescript on Hutchins Advertising Company letterhead; 5 pages.<\/li>\n<\/ul>\n

    Also accompanied by information on Bedii Aran, the 1963 McCurdy Scholarship winner.<\/p>\n<\/td>\n<\/tr>\n

folder 32<\/strong><\/td>\nAddress, McCurdy Broadcast, April 26, 1963.
\nMS draft in ink with pencilled annotations; 3 pages.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nConvocation address, Eastman School of Music, October 3, 1955.
\nTypescript; two copies, each 8 pages.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nConvocation address, Eastman School of Music, Summer Session, 1956.
\nTypescript; two copies, each 7 pages.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nConvocation address, Eastman School of Music, September 16, 1957.
\nTypescript; two copies, each 7 pages.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nConvocation address, Eastman School of Music, September 15, 1958.
\nTypescript; three copies, variously paginated. Two copies annotated, either in ink or in pencil.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nConvocation address, Eastman School of Music, September 21, 1959.
\nTypescript; two copies, each 9 pages. One copy annotated in pencil.
\nAccompanied by ink MS \u201cInsert 1\u201d (6 pages) to be incorporated into the text, and by additional copies of the first page, page 2, and last page of the typescript text.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nConvocation address, University of Rochester, June 12, 1960.
\nTypescript, annotated in pencil and ink; two copies, each 10 pages.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nConvocation address, Eastman School of Music, September 19, 1960.
\nTypescript; two copies, each 8 pages.<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\nConvocation address, Eastman School of Music, September 18, 1961.
\nTypescript; two copies, each 7 pages. One copy annotated in pencil.
\nAccompanied by draft in ink; 19 pages.<\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\nConvocation address, Eastman School of Music, September 17, 1962.
\nTypescript; two copies, each 9 pages. One copy annotated in ink and pencil.
\nAccompanied by draft in ink (10 pages) and by a program from the University of Rochester All-College Convocation, September 16, 1962.<\/td>\n<\/tr>\n
folder 42<\/strong><\/td>\nConvocation address, University of Rochester, 1966.
\nTypescript; three copies, each 6 pages. One copy annotated in ink.
\nAccompanied by draft in ink; 15 pages.<\/td>\n<\/tr>\n
folder 43<\/strong><\/td>\nConvocation address, Eastman School of Music, September 16, 1963.
\nTypescript, annotated in ink; 12 pages.
\nAccompanied by various items: reproduction (12 pages); MS agenda (1 page); MS draft in ink (43 pages).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 8″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1607957675792{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nAddress on the occasion of the Eastman School\u2019s 40th Anniversary, 1961.
\nTypescript; two copies, each 5 pages.
\nAccompanied by draft in ink; 16 pages.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nAddress, New York State Teachers Association, Central Western Zone, Rochester, October 19, 1962.
\nTypescript, comprised of a carbon copy plus one MS page; 9 pages.
\nAccompanied by draft in ink, within which is a 2-page typescript insert bearing the title \u201cThe Stars and Stripes in Russia\u201d; 24 pages.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nAddress to the Congregation of First Presbyterian Church, Rochester, May 27, 1962.
\nTypescript; two copies, each 8 pages.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nAddress to the members of the Eastman Philharmonia on being Musical Ambassadors, November 25, 1962.
\nTypescript, annotated in ink and pencil; 9 pages.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nAddress to the Congregation of First Presbyterian Church, Rochester, January 13, 1963.
\nTypescript; two copies, each 7 pages. One copy annotated in ink.
\nAccompanied by draft in ink; 18 pages.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nForum address, Dedication of Temple B\u2019rith Kodesh, Rochester, March 30, 1963.
\nTypescript; two copies, each 3 pages. Accompanied by draft in ink; 10 pages.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nAddress, Rotary Club, 1963.
\nTypescript, annotated in ink and pencil; two copies, each 7 pages.
\nAccompanied by draft in ink and pencil; 17 pages.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nAddress, National Press Club, Washington, September 20, 1963.
\nTypescript; 6 pages. Accompanied by draft in ink; 15 pages.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nAddress, Editorial Writers Conference, Rochester, October 4, 1963.
\nTypescript; three copies, each 4 pages. (One copy annotated in pencil and lacking page 3.)
\nAccompanied by draft in ink; 11 pages.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nCommencement address, St. John Fisher College, Rochester, New York, June 3, 1962.
\nMS draft in ink; 14 pages.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nAddress, White House program honoring Mischa Elman, Washington, D.C., June 1, 1964.
\nTypescript, annotated in ink; 4 pages.
\nAccompanied by a typescript letter to Hanson (June 1, 1964) from Frances Lewine.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n\u201cAn Analysis of Certain Orchestral Problems in the City of Rochester,\u201d report to the Rochester Civic Music Association, March 17, 1964.
\nTypescript; 10 pages.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nCommencement Address, College of Wooster, June 7, 1965.
\nTypescript; two copies, each 9 pages.
\nAccompanied by draft in ink; 20 pages.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nSummary of remarks delivered at the National Arts Club, New York, March 4, 1962.
\nTypescript; two copies, each 3 pages.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nAddress, \u201cFaith in Education,\u201d May 23, 1964.
\nTypescript; two copies, each 5 pages.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nAddress, WHEC broadcast, December, 1959.
\nTypescript; two copies, each 1 page.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nAddress, United States National Commission for UNESCO, Denver, Colorado, September, 1959.
\nTypescript; 5 copies, each 8 pages. (Copy 1 annotated in pencil; Copy 5 annotated in ink, missing pages 3-8).
\nAccompanied by draft in ink and pencil (12 pages) and by a copy of the typescript agenda.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nAddress, North Eastern Ohio Teachers Association, Cleveland, October 31, 1959.
\nTypescript with penciled annotations; two copies, each 8 pages.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nAddress, MTNA Conference, Kansas City, February 27, 1959.
\nTypescript; four copies, each 4 pages. One copy annotated in ink.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nAddress, \u201cPainting the Sound,\u201d American Association of School Administrators, Atlantic City, February 15, 1959.
\nTypescript with pencilled annotations; two copies, each 10 pages.
\nAccompanied by cover sheet.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nNotes for an address delivered at a meeting of Banking Association, Rochester, June, 1959.
\nMS draft in ink with pencilled annotations; 2 pages.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nAddress, Howard Hanson Day, 1960.
\nN.B. By proclamation of Rochester Mayor Peter Barry, April 26th, 1960\u2014coinciding with the opening of the 35th annual Festival of American Music\u2014was celebrated as Howard Hanson Day, as reported in the Rochester Democrat & Chronicle, <\/em>April 25, 1960.
\n<\/span>Typescript; two copies, each 1 page. One copy annotated in ink.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nConvocation address, \u201cThe Creative Arts in the Space Age,\u201d 37th Annual Honors Convocation, University of Michigan, May 13, 1960.
\nTypescript; two copies, each 12 pages.
\nAccompanied by draft comprised of ink MS and typescript, annotated in pencil (16 pages); and by pages extracted from The Michigan Alumnus Quarterly Review<\/em>, featuring a transcript of Hanson\u2019s address; two copies, each 6 pages.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nAddress, National Association of Editorial Writers, Virginia Museum of Fine Arts, Richmond, Virginia, November 18, 1960.
\nTypescript with pencilled annotations; two copies, each 11 pages.
\nAccompanied by draft in ink; 34 pages.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nBroadcast address, Radio Human Relations Week, February 2, 1961.
\nTypescript; two copies, each 1 page.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n\u201cWhat is Good Music?\u201d editorial for The<\/em> New York Herald-Tribune<\/em>, January 18, 1961.
\nTypescript; two copies, each 3 pages.
\nAccompanied by draft in ink and pencil; 7 pages.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nAddress, NBC broadcast on Interlochen. Undated.
\nTypescript; two copies, each 2 pages.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nArticle, \u201cCreativity in the Arts,\u201d January 3, 1960.
\nTypescript, annotated in ink; two copies, each 2 pages.
\nAccompanied by draft in ink; 7 pages.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nAddress, \u201cThe Written Note,\u201d Williamsburg, Virginia, June 13, 1961.
\nTypescript; two copies, each 6 pages.
\nAccompanied by draft in ink and pencil; 15 pages.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nSummary of remarks, MENC, March 16-20, 1962.
\nTypescript; two copies, each 3 pages.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nAddress, National Arts Club Medal of Honor Presentation, March 8, 1962.
\nTypescript; two copies, each 3 pages. One copy annotated in ink.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 9″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1607957708953{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\n\u201cMusic Invades the Public School Curriculum.\u201d
\nPublished copy.\u00a0The Torch<\/em>, vol. 12, no. 1, January, 1939, pages 7-9.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\n\u201cMusic and Religion.\u201d
\nPublished copy.\u00a0Colgate-Rochester Divinity School Bulletin<\/em>, vol. 9, no. 1, November, 1936, pages 51-55. Two copies.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n\u201cOf Critics, Publishers and Patrons.\u201d
\nPublished copy.\u00a0Modern Music,\u00a0<\/em>vol. 4, no. 2, January\u2013February, 1927, pages 28-31.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nAddress, annual breakfast, Eastern Division of MENC, March 21, 1943.
\nTypescript; two copies, each 5 pages.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cMusic Camps in America.\u201d
\nPublished copy.\u00a0Education<\/em>, vol. LIV, no. 2, October, 1933, pages 99-100. Two copies.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n\u201cAmerican Music of the Future.\u201d
\nPublished copy.\u00a0Rochester Civic Music News<\/em>, vol. 12, no. 2, September 9, 1940, pages 6-7. Two copies.
\nN.B. Reprinted from the August, 1940 issue of\u00a0The Musician.<\/em><\/span><\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nAddress, \u201cThe Relationship of the School to the Student,\u201d delivered at the opening of his tenth year as Director of the Eastman School, [1933].
\nPublished copy. Printed by the Eastman School of Music of the University of Rochester. 8 pages. Two copies.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nAddress, \u201cA Forward Look in American Composition,\u201d delivered before the Music Teachers National Association at Dayton, Ohio on December 30, 1925.
\nPublished copy. Printed by the Eastman School of Music of the University of Rochester. Two copies, one of which Hanson annotated with an outline of his agenda.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n\u201cSerge Koussevitzky: An Appreciation.\u201d
\nPublished copy.\u00a0The Atlantic<\/em>, May, 1945, pages 47-51. Two copies.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\n\u201cMusic, A Democratic Art.\u201d
\nPublished copy. World Affairs<\/em>, vol. 102, no. 4, December, 1939, pages 214-216.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n\u201cThe American Academy in Rome: A Community of Artists.\u201d Written by five professionals, of whom Hanson was one.
\nPublished copy. L\u00e9gion d\u2019honneur Magazine<\/em>, vol. 9, no. 3, January, 1939, pages 265-288; Hanson\u2019s contribution (\u201cThe Musician\u201d) appears on pages 286-288. Two copies.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n\u201cResum\u00e9 of an Extemporaneous Address by Howard Hanson,\u201d delivered at the joint meeting of the Society of Motion Picture Engineers and the Acoustical Society of America, Rochester, New York, May 5, 1941.
\nPublished copy. Journal of the Society of Motion Picture Engineers<\/em>, vol. 37, November 1941, pages 449-451. Two copies.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n\u201cMusic Invades the Public School Curriculum.\u201d
\nPublished copy, in two parts: Musical Review, <\/em>May, 1936, pages 6-8; and, Music Teachers\u2019 Review<\/em>, September, 1936, pages 15, 16, 22. Two copies of each issue.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n\u201cThe Director\u2019s Convocation Address\u201d, delivered in Kilbourn Hall, Eastman School of Music, 1938.
\nPublished copy. Reprint from the Alumni Bulletin,<\/em> November, 1938. Two copies.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n\u201cDr. Hanson Asks Arbitration to End Radio \u2018Battle of Music\u2019,\u201d transcription of article from the Rochester Democrat & Chronicle<\/em>, December 29, 1940.
\nTypescript; two copies, each 6 pages.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\n\u201cA Musician\u2019s Point of View Toward Emotional Expression.\u201d
\nPublished copy. Reprinted from the American Journal of Psychiatry<\/em>, vol. 99, no. 3, November, 1942. Two copies.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\n\u201cHanson Has Carried On Great American Music Revival.\u201d
\nPublished copy. NBC Educational Bulletin, <\/em>vol. 8, no. 9, May, 1938. Two copies.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\n\u201cRochester Earns Prestige in Music Education\u201d [promotional article].
\nPublished copy. Rochester Commerce<\/em>, August 15, 1938, pages 5, 10.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n\u201cInspiration Not Purchasable\u201d [interview with Hanson].
\nPublished copy. Pacific Coast Musician<\/em>, vol. 26, no. 15, August 7, 1937, page 10. Two copies.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\n\u201cHoward Hanson\u201d [cover feature in the issue\u2019s \u201cLoose Leaves\u201d section].
\nPublished copy. Northwestern University Alumni News<\/em>, April, 1938. Two copies.
\nPhotograph of Hanson by Byron Dorgan graces the issue\u2019s cover.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n\u201cBuilding a Library of Records,\u201d by Edward B. Benjamin. (Hanson cited among the recommended composers.)
\nPublished copy. The Etude,<\/em> May, 1946. Two copies.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\n\u201cScoring A Success,\u201d by Blanche Lemmon. (The ESM prominently cited; Hanson and composition students in accompanying photograph.)
\nPublished copy. The Etude<\/em>, November, 1940, pages 724, 776. Two copies.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\n\u201cHoward H. Hanson, New Director\u201d [profile].
\nPublished copy. The Note Book<\/em>, vol. 3, no. 16, June 9, 1924, pages 1, 7. Two copies.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\n\u201cMusic in Contemporary American Civilization,\u201d delivered under the auspices of the Montgomery Lectures on Contemporary Civilization.
\nPublished copy. Printed by the University of Nebraska at Lincoln, 1951. 50 pages.
\nContents: 1. Development of the Creative Art. \u2014 2. The Decades of Maturation. \u2014 3. Obstacles to Progress.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\n\u201cThe Challenge of Music Therapy\u201d [lecture].
\nPublished copy. Reprinted from Music Therapy 1954,<\/em> pages 8-14. Two copies.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n\u201cMusic as a Vocation.\u201d The 17th address of a series of radio talks on choosing a vocation.
\nPublished copy. Printed by the University of the State of New York State Education Department, June 18, 1930. Two copies.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 10″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1607957760361{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\n\u201cA Foreword for the Alumni Bulletin<\/em>\u201d by Dr. Hanson.
\nPublished copy. Alumni Bulletin,<\/em> vol. 1, no. 1, November, 1929, pages 3-5. Two copies.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\n\u201cPresident-Elect of M.T.N.A. Makes First Statement.\u201d
\nPublished copy. Alumni Bulletin, <\/em>vol. 1, no. 2, February, 1930, page 7.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n\u201cMusic as a Vocation\u201d by Howard Hanson. Address broadcast from Station WGY in series on Choosing a Vocation.
\nPublished copy. Alumni Bulletin,<\/em> vol. 1, no. 4, August, 1930, pages 12-15.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n\u201cWith Dr. Hanson in Rome\u201d by Theodore F. Fitch, President, ESM Alumni Association.
\ncopy. Alumni Bulletin, <\/em>vol. 2, no. 2, February, 1931, pages 9-10. Two copies.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cDr. Hanson Writes of Interlochen.\u201d
\nPublished copy.\u00a0Alumni Bulletin,<\/em>\u00a0vol. 2, no. 4, August, 1931, pages 15-16.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n\u201cDr. Hanson\u2019s M.T.N.A. Concert,\u201d presenting Dr. Earl V. Moore\u2019s comments on the American music program performed by the Detroit Symphony Orchestra, December, 1931.
\nPublished copy. Alumni Bulletin,<\/em> vol. 3, no. 2, February 1932, pages 8, 13. Two copies.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\n\u201cGeorge Eastman and Music\u201d by Howard Hanson.
\nPublished copy. Alumni Bulletin,<\/em> vol. 3, no. 3, May, 1932, pages 3-4. Two copies.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n\u201cFrom the Director\u2019s Report\u201d [excerpts from Hanson\u2019s report to President Rush Rhees].
\nPublished copy.\u00a0Alumni Bulletin,<\/em>\u00a0vol. 3, no. 4, August 1932, p. 8. Two copies.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n\u201cThe New School Year\u201d by Dr. Hanson.
\nPublished copy. Alumni Bulletin,<\/em> vol. 4, no. 1, November, 1932, pages 3-4.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\n\u201cDr. Hanson in Germany\u201d [brief article containing a portion of Hanson\u2019s radio address via station WHEC before his departure for Europe].
\nPublished copy. Alumni Bulletin,<\/em> vol. 4, no. 2, February, 1933, pages 3-4.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n\u201cEchoes from Dr. Hanson\u2019s German Tour\u201d [article cites at length Hanson\u2019s interview with the press on the day of his return from Europe].
\nPublished copy. Alumni Bulletin,<\/em> vol. 4, no. 3, May, 1933, pages 13-14. Two copies.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\n\u201cMusic as Recreation\u201d by Hanson. Address delivered over radio under sponsorship of the Chautauqua Association, carried by the NBC national networks.
\nPublished copy. Alumni Bulletin,<\/em> vol. 4, no. 4, August, 1933, pages 10-13. Two copies.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n\u201cThe Director\u2019s Convocation Address. Beginning his 10th year as Director of the Eastman School, Dr. Hanson speaks to students on \u2018The Relationship of the School to the Student.\u2019\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 5, no. 1, November, 1933, pages 1, 2, 10-13. Two copies.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n\u201cThe Operatic Premiere of Merry Mount<\/em>\u201d [accompanied by a photo of Hanson that was printed in the Rochester Democrat & Chronicle<\/em> ].
\nPublished copy. Alumni Bulletin,<\/em> vol. 5, no. 2, February, 1934, pages 1-2. Two copies.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n\u201cDr. Hanson Speaks at Potsdam Normal: in address at commemoration of inauguration of public school music teaching in this country, he discusses \u2018Music in a Changing World\u2019.\u201d
\nPublished copy. Alumni Bulletin, <\/em>vol. 5, no. 4, August, 1934, pages 1, 2, 10.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\n\u201cPre-View of Eastman School Year: school director includes data concerning student body with plans for school public music projects,\u201d by Hanson.
\nPublished copy. Alumni Bulletin,<\/em> vol. 7, no. 1, November, 1935, pages 1-2. Two copies.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\n\u201cDr. Hanson Writes as President of NASM: article contributed on request to Rochester Democrat & Chronicle <\/em>at time of his election is here reprinted by permission,\u201d by Hanson.
\nPublished copy. Alumni Bulletin,<\/em> vol. 7, no. 2, February, 1936, pages 5, 11. Two copies.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\n\u201cMusic Invades the Public School Curriculum: excerpts from an address delivered before the Department of Superintendence [sic] in St. Louis by Dr. Howard Hanson.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 7, no. 3, May, 1936, pages 16, 17, 20. Two copies.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n\u201cDr. Hanson\u2019s July Engagements: serves as guest conductor at Chautauqua and Interlochen and closes year\u2019s work in Eastman School Office.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 7, no. 4, August, 1936, page 7. Two copies.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\n\u201cThe Director\u2019s Convocation Address: Dr. Hanson speaks on \u2018What Is Music\u2019 with Foreword about the entering class of this year.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 8, no. 1, November, 1936, pages 1-4. Two copies.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n\u201cGraduate Music Study: Dr. Hanson as President of NASM discusses this in a message to members of the Association.\u201d
\nPublished copy. Alumni Bulletin, <\/em>vol. 8, no. 2, February, 1937, page 2. Two copies.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\n\u201cSeventh Annual Eastman School Festival Accredited with Particular Significance.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 8, no. 3, May, 1937, pages 1-4. Two copies.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nAlumni Bulletin,<\/em> vol. 8, no. 4, August, 1937. [Issue of only limited relevance to Hanson\u2019s own activities.] Two copies.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\n\u201cHanson\u2019s 3rd Symphony Broadcast\u201d [Hanson cited in the manner of elaborating on the Symphony\u2019s programmatic aspects].
\nPublished copy. Alumni Bulletin,<\/em> vol. 9, no. 1, November, 1937, page 4. Two copies.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\n\u201cAppreciation of Eastman School Broadcasts: letters from the whole country and various types of hearers bear witness to warm reception of \u2018Music of the Past\u2019 series.\u201d [On the page facing page 1, the article is preceded by a photograph of Hanson reading letters at his desk.]
\nPublished copy. Alumni Bulletin, v<\/em>ol. 9, no. 2, February, 1938, pages 1-2. Two copies.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\n\u201cDr. Hanson\u2019s Swedish Tercentenary Hymn to be Broadcast to Sweden: his Third Symphony also part of program for international broadcast from Rochester on June 10.\u201d [This item includes a statement by Hanson that had previously been published in the Rochester Democrat & Chronicle. <\/em>]
\nPublished copy. Alumni Bulletin,<\/em> vol. 9, no. 3, May, 1938, page 6. Two copies.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\n\u201cDr. Hanson Honored in Sweden: notification of his election to membership in Royal Swedish Academy of Music comes on Commencement Day.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 9, no. 4, August, 1938, page 7. Two copies.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\n\u201cThe Director\u2019s Convocation Address: delivered in Kilbourn Hall before the first student Convocation of present school year.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 10, no. 1, August, 1938, pages 1-4. Two copies.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\n\u201cIn Memoriam\u2014Rush Rhees: distinguished executive known to colleagues as sympathetic friend, of wide understanding and pervasive kindliness,\u201d by Hanson.
\nPublished copy. Alumni Bulletin,<\/em> vol. 10, no. 2, February, 1939, page 1. Two copies.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\n\u201cVictor Records of American Music Made at Eastman School: Dr. Hanson accedes to request from RCA Victor to record series of American orchestral works with Rochester Philharmonic players.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 10, no. 3, May, 1939, page 1. Two copies.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\n\u201cDr. Hanson\u2019s Commencement Address: awarded Doctor of Music degree by American Conservatory of Music of Chicago, Dr. Hanson is speaker at Commencement exercises.\u201d
\nPublished copy. Alumni Bulletin, <\/em>vol. 10, no. 4, August, 1939, pages 5-6. Two copies.
\nN.B. The same issue reports on the presentation of an honorary degree to Deems Taylor (page 1), with the remarks of both Dr. Hanson and President Valentine cited in their entirety.<\/span><\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\n\u201cBoston Premiere of Hanson\u2019s Third Symphony: composer accepts Koussevitsky\u2019s invitation to conduct work in Boston concerts.\u201d
\nPublished copy. Alumni Bulletin, <\/em>vol. 11, no. 1, November, 1939, pages 6, 9. Two copies.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\n\u201cDr. Hanson Speaker at Hochstein Memorial Music School: delivers address at celebration of twentieth anniversary of the founding of the David Hochstein Memorial Music School.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 11, no. 2, February, 1940, 4-6, 11. Two copies.
\nN.B. Hanson\u2019s address published in its entirety.<\/span><\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\n\u201cEastman School Festival\u2019s Tenth Anniversary: significant evidence of motive of American Composers\u2019 project found in number of first performances given in this year\u2019s Festival.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 11, no. 3, May, 1940, pages 1-3. Two copies.
\nN.B. The article reproduces a portion of Hanson\u2019s Foreword to the year\u2019s Festival Bulletin.<\/span><\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\n\u201c\u2019Music in American Life Today\u2019: address delivered by Dr. Howard Hanson before the Music Section of the National Education Association in Milwaukee on July 1.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 11, no. 4, August, 1940, pages 8-11. Two copies.
\nN.B. His address published in its entirety.\u00a0<\/span><\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\n\u201cDr. Hanson\u2019s Convocation Address: the following is a condensation of an informal address to the students by Dr. Hanson at the opening Convocation.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 12, no. 1, November, 1940, pages 10-14. Two copies.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\n\u201cDr. Hanson\u2019s Message to N.A.S.M.: Eastman School Director presides at Association\u2019s meeting in Cleveland\u2014is re-elected President of Association.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 12, no. 2, February, 1941, pages 4-5. Two copies.
\nN.B. Hanson\u2019s Foreword to the Association\u2019s Bulletin also published therein.<\/span><\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\n\u201cDr. Hanson Sums up Eleventh Annual Music Festival for New York Times: <\/em>Director writes of new works performed in article requested and printed by that paper.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 12, no. 3, May, 1941, pages 1-2. Two copies.
\nN.B. Preceding Hanson\u2019s statement, on the page facing page 1, is a photograph of Hanson with colleagues Burrill Phillips, Thelma Biracree, and Bernard Rogers.<\/span><\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\n\u201cYear Activities and Accomplishments Summarized by Doctor Hanson: excerpts from Eastman School Director\u2019s Annual Report to President Valentine, University of Rochester.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 12, no. 4, August, 1941, pages 9-10.
\n\u201cFoster\u2019s Influence in American Music and Folklore: address by Dr. Howard Hanson read at unveiling of Foster memorial bust in Hall of Fame.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 12, no. 4, August, 1941, pages 12-13. Two copies.
\nN.B. His address published herein in its entirety. <\/span><\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\n\u201cBust of Dr. Hanson Presented to School: President Valentine and Board of Directors join in informal ceremony at unveiling of commissioned tribute to School\u2019s Director.\u201d
\nPublished copy. Alumni Bulletin, <\/em>vol. 13, no. 1, November, 1941, pages 1-2. Two copies.
\nN.B. Within the article are published Hanson\u2019s remarks in reply to the tributes paid hm.<\/span><\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\n\u201cDr. Hanson Re-Elected President of N.A.S.M: Convention in Minneapolis overruled his publicly stated desire to retire after six-year term.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 13, no. 2, February, 1942, page 8. Two copies.<\/td>\n<\/tr>\n
folder 42<\/strong><\/td>\n\u201cDr. Hanson Discusses Music Festival: article requested for publication in the Rochester Democrat & Chronicle <\/em>is here republished by permission.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 13, no. 3, May, 1942, pages 4-6. Two copies.
\nN.B. The issue opens with an item on the University\u2019s 92nd Commencement exercises, at which Ernest Hutcheson was presented with an honorary Doctor of Music degree. Hanson\u2019s remarks in presenting Hutcheson are herein published, together with President Valentine\u2019s response.\u00a0<\/span><\/td>\n<\/tr>\n
folder 43<\/strong><\/td>\n\u201cDr. Hanson\u2019s Convocation Address: delivered in Kilbourn Hall Sept. 21 before students and faculty of the Eastman School of Music.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 14, no. 1, February, 1943, pages 1-3, 10. Two copies.<\/td>\n<\/tr>\n
folder 44<\/strong><\/td>\n\u201cTimely Counsel for Young Students: war in transitory\u2014music\u2019s essential service now widely recognized\u2014post-War need for competent musicians unprecedented\u201d by Hanson.
\nPublished copy. Alumni Bulletin,<\/em> vol. 14, no. 3, May, 1943, page 1. Two copies.
\nN.B. Immediately preceding the item, on the page facing page 1, is a photograph of Hanson with colleagues Jacques Gordon, Bernard Rogers, Paul White, Herman Genhart, Burrill Phillips, William Bergsma, and Frederick Fennell.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 11″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1607957801721{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\n\u201cMan\u2019s Need for Beauty Paramount: education in technic of music as preparation for art of living\u2014effect of War on School\u2014sense of spiritual values will be revived.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 15, nos. 1-2, December, 1943, pages 1-2, 17. Two copies.
\nN.B. The report both paraphrases, and quotes directly from, Hanson\u2019s Convocation address of September 20, 1943.<\/span><\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\n\u201cEastman School Year in Retrospect: Dr. Hanson in report to University President stresses maintenance of standards despite War conditions\u2014registration is higher\u2014student groups function.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 15, nos. 3-4, May, 1944, pages 1-2.
\n\u201cFourteenth Eastman School Native Music Festival: six new works given premieres\u2014Founder\u2019s Day dedicated to George Eastman and R. Nathaniel Dett\u2014varied programs enlist seven organizations.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 15, nos. 3-4, May, 1944, pages 3-4.
\nN.B. Hanson\u2019s remarks in tribute to George Eastman and to R. Nathaniel Dett published herein.
\n<\/span>\u201cUniversity of Rochester 94th Commencement: four honorary degrees conferred\u2014Joseph Warren Barker delivers Commencement address.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 15, nos. 3-4, May, 1944, page 7. Two copies.
\nN.B. Within the issue are Hanson\u2019s remarks in presenting Quincy Porter for the honorary degree Doctor of Music.<\/span><\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n“Balanced Point of View Urged: Dr. Howard Hanson, in Convocation Address, urges students to develop sense of personal values and proportion\u2014defines education as opportunity for self-analysis, offers voice of conscience as guide.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 16, nos. 1-2, January, 1945, pages 1-5, 15. Two copies.
\nN.B. Full text of Hanson\u2019s address published herein.<\/span><\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n\u201cThe Twentieth Anniversary of the American Composers\u2019 Concerts of the Eastman School of Music: a personal Foreword by the Director.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 16, nos. 3-4, June, 1945, pages 4-8. Two copies.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cCreative Attitude Important: Dr. Howard Hanson, in Convocation Address, stresses broad concept of music education\u2014art of music demands best thought and most intense endeavor\u2014urges students learn essential technics of living.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 17, nos. 1-2, November, 1945, pages 1-4, 14-16. Two copies.
\nN.B. Hanson\u2019s text published herein.<\/span><\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n\u201cRetrospect of Eastman School Year: Dr. Hanson\u2019s report to University President reveals efforts to care for returning servicemen\u2014student body represents 47 states\u201425th anniversary of founding due in fall.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 17, nos. 3-4, June, 1946, pages 5-6.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\n\u201cRegistration Presents Difficulties: Dr. Howard Hanson, in fall Convocation Address, welcomes returning veterans\u2014pays tribute to George Eastman and Rush Rhees as School observes 25th anniversary\u2014place of music in general education.\u201d
\nPublished copy. Alumni Bulletin,<\/em> vol. 18, nos. 1-2, November, 1946, pages 1-4, 10-11. Two copies.
\nN.B. Text of Hanson\u2019s address published herein.<\/span><\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\n\u201cHoward Hanson\u201d [off-print] by Burnet C. Tuthill.
\nPublished copy. Reprinted from Musical Quarterly<\/em>, vol. XXII, no. 2, April, 1936, pages 140-153. Two copies.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n\u201cThe American Sibelius.\u201d Article accompanied by a photo by Byron Morgan with caption \u201cHanson at work\u201d.
\nPublished copy. Newsweek<\/em>, May 7, 1945, pages 95-96. Two copies.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\n\u201cHoward Hanson,\u201d appearing in the series Makers of Rochester <\/em>in two separate publications:
\nMuseum Service: Bulletin of the Rochester Museum of Arts and Sciences, <\/em>September, 1938, page 152. Two copies.
\nMakers of Rochester: Brief biographies of prominent citizens of Rochester, <\/em>book I. Reprinted from Museum Service: Bulletin of Rochester Museum of Arts and Sciences 1937-1939. <\/em>Rochester Museum Press, 1940. Hanson\u2019s biography appears on page 6. Two copies.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n\u201cSymphony No. 1 in E Minor, op. 21 (Nordic): Eastman-Rochester Symphony Orchestra plays youthful work of Howard Hanson.\u201d
\nPublished copy. Victor Record Review<\/em>, October, 1944, pages 6, 11. Two copies.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nMasters of Our Day: <\/em>Educational Series for Piano [promotional brochure], published by Carl Fischer, Inc.. Series edited by Lazare Saminsky and Isador Freed.
\nN.B. The brochure cites Hanson\u2019s Dance of the Warriors <\/em>among the music included in Group A; a brief biographical sketch of Hanson appears elsewhere in the brochure. Two copies.<\/span><\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n\u201cHanson, Howard (Harold)\u201d [biographical entry].
\nPublished copy. Current Biography<\/em>, vol. 2, no. 10, October, 1941, pages 26-28. Accompanied by a photograph; appended by bibliographical references.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nCommencement Address to Graduating Class 1946 [by] Doctor Howard Hanson.
\nPublished copy. The Peabody Notes,<\/em> number 13, Spring, 1946. Published by Peabody conservatory of Music, Baltimore, Maryland.
\nAccompanied by two copies of the printed program for the Fifth Exhibition Concert, June 1, 1946, at which Dr. Hanson delivered this Commencement Address.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n\u201cWhy American Music Needs Pioneers\u201d by Hanson.
\nPublished copy. Saturday Review of Recordings<\/em>, October, 1947, pages 3-4.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nColumbia University. One Hundred and Ninety-Second Annual Commencement, June 4, 1946. 80 pages. Two copies.
\nN.B. Hanson cited as a recipient of the honorary degree Doctor of Music (page 59).\u00a0<\/span><\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nFisher, William Arms. \u201cMusic Festivals in the United States: An Historical Sketch.\u201d Published by the American Choral and Festival Alliance, Inc. 86 pages.
\nN.B. The ESM\u2019s Festival of American Music is profiled on pages 55-56.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 12″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1607957862666{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nRemarks on the death of Frederick Stock, December 29, 1942.
\nTypescript, annotated in ink; two copies, each 1 page.
\nAccompanied by a typescript note, annotated in pencil.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nOutline of speech, Rochester Museum of Arts and Science, October 23, 1942.
\nMS draft in ink with pencilled annotations; 1 page.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nLecture, \u201cThe Material of Contemporary Music,\u201d October 9, 1942.
\nTypescript, annotated in pencil and colored pencil; 9 pages.
\nAccompanied by MS repro containing examples of chordal material discussed in the lecture; 1 page.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nLecture No. 2, \u201cThe Objective Study of Sonorities,\u201d October 16, 1942.
\nTypescript, annotated in pencil and colored pencil; 9 pages.
\nAccompanied by MS repro containing examples of chordal material discussed in the lecture; 1 page.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nLecture No. 3, \u201cThe Historical Approach to the Study of Sonority,\u201d October 23, 1942.
\nTypescript, annotated in pencil; 12 pages.
\nAccompanied by MS repro containing examples of chordal material discussed in the lecture; 1 page.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nLecture No. 4, \u201cThe Multiple Significance of Sonorities and the Principle of Chord Relationship,\u201d November 11, 1942.
\nTypescript, annotated in pencil and colored pencil; 9 pages.
\nAccompanied by a typescript outline; and by MS repro containing examples of chordal material discussed in the lecture; 1 page.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nDraft foreword to K. D. Van Hoesen\u2019s book\u00a0Music of Our Time<\/em>:\u00a0Twelve Orchestral Compositions by American Contemporaries<\/em>. New York: Carl Fischer, 1943. Written December 28, 1942.
\nTypescript, annotated in pencil; two copies, each 1 page.
\nAccompanied by cover note dated January 19, 1943.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nNotes for an address, Brockport State Teachers\u2019 College, January 7, 1943.
\nMS draft in ink on Office of the Director letterhead, annotated in pencil; 1 page.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nAgenda for speech, \u201cMusic and People, Art for Art\u2019s Sake,\u201d ca. 1942.
\nMS draft in pencil; 1 page.
\nN.B. Written on the verso of a letter of July 22, 1942 addressed to the men enrolled at the Eastman School of Music regarding wartime modifications of the curriculum.<\/span><\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nDraft announcement on the death of aviation cadet Marvin Lee, for the\u00a0Alumni Bulletin,<\/em>\u00a0January 8, 1943.
\nTypescript, annotated in colored pencil; 1 page.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nOutline of address delivered to the New York State Federation of Women\u2019s Clubs, May 20, 1943.
\nMS draft in ink, annotated in pencil; 3 pages.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nAddress to students, delivered in Kilbourn Hall, Eastman School of Music, May 25, 1943.
\nMS draft in ink, annotated in pencil; 6 pages.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n\u201cHomage to Edvard Grieg,\u201d article for the Royal Norwegian Information Service, June 7, 1943.
\nTypescript, annotated in ink and pencil; 1 page.
\nAccompanied by pencil draft; 2 pages.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nDraft announcement on the American Composers\u2019 Concerts, October 9, 1943.
\nTypescript, annotated in colored pencil; 1 page.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nPress release on Frederick Fennell\u2019s departure to assume a position as music director for the United Service Organizations, November 4, 1943.
\nTypescript, annotated in pencil; 1 page.
\nAccompanied by draft in ink and pencil; 2 pages.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nLetter to\u00a0Musical Courier<\/em>, December 18, 1943.
\nMS draft in ink, annotated in colored pencil; 3 pages.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nAddress, First McCurdy Broadcast, WHAM (Rochester), February 1, 1944.
\nTypescript; two copies, each 1 page.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nOutline of address, Rotary Club, February 15, 1944.
\nMS draft in pencil, annotated in colored pencil; 2 pages.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nOutline of address before the NASM-MTNA joint meeting, 1944.
\nMS draft in ink, annotated in colored pencil; 1 page.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nRemarks delivered in presenting Quincy Porter for the honorary degree Doctor of Music, May 26, 1944.
\nTypescript, annotated in ink and colored pencil; 1 page.
\nAccompanied by pencil draft, and by a typescript copy containing both Hanson\u2019s remarks and those of President Alan Valentine; two copies, each 1 page. One copy annotated in pencil.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nLetter to K. D. Van Hoesen, Rochester Public Schools, April 26, 1944.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nEastman School, Enrollment Report, June 6, 1944.
\nTypescript, annotated in pencil; 1 page.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nBroadcast address, National Music Camp, Interlochen, ca. 1944.
\nMS draft in pencil; 2 pages.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nConvocation address, Eastman School of Music, September 18, 1944.
\nTypescript; five copies, each 11 pages. Each of the five copies variously annotated in ink, pencil, and\/or colored pencil.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nDraft announcement, American Composers\u2019 Concerts, October 6, 1944.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nDraft announcement on the appointment of Jos\u00e9 Ech\u00e1niz to the Eastman School faculty, September 16, 1944.
\nTypescript, annotated in pencil; two copies, each 1 page.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nForeword to: G. F. Soderlund\u2019s book Direct Approach to Counterpoint in Sixteenth Century Style<\/em>. New York: F.S. Crofts, 1947. Written October 12, 1944.
\nTypescript, annotated in pencil and colored pencil; 1 page.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nDraft announcement, Emotional Expressionism in Music, Civic Music Association \u2013 Women\u2019s Committee, October 31, 1944.
\nTypescript, annotated in pencil; 1 page.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nBroadcast script, McCurdy Symphonic Hour, November 14, 1944.
\nTypescript, annotated in pencil; 2 pages.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\n\u201cObjections to Conscription,\u201d address delivered at Cutler Union, University of Rochester, January 7, 1945.
\nMS draft in ink, annotated in pencil; 5 pages.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nOutline of address, \u201cThe Man With The Stick: Conductors I Have Known,\u201d Women\u2019s Rotary Club, January 15, 1945.
\nMS draft in ink, annotated in pencil.
\nAccompanied by typescript agenda for his address on two 3\u201d x 5\u201d cards.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\n\u201cSerge Koussevitsky and the Boston Symphony Orchestra, An Appreciation of Twenty Years of Significant Accomplishment,\u201d Fortnightly Club, Rochester, New York, February 20, 1945.
\nN.B. Published in the Atlantic Monthly<\/em>, February 21, 1945.
\n<\/span>Typescript; two copies, 15 pages and 14 pages. One copy annotated in ink and the other in pencil.
\nAccompanied by a page bearing typescript corrections to the article proof.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nDraft article, \u201cMusic of Bernard Rogers\u201d, Modern Music<\/em>, vol. 22, no. 3, pages 170-175. Written February 28, 1945.
\nTypescript; two copies, each 5 pages. One copy annotated in pencil\u00a0<\/span>.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nDraft Foreword, American Composers\u2019 Concerts, 20th Anniversary, April 11, 1945.
\nTypescript, annotated in pencil; two copies, each 6 pages. One copy annotated in pencil and colored pencil.
\nAccompanied by a copy of the printed foreword; 5 pages.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nAddress, President Franklin D. Roosevelt Memorial, April 13, 1945.
\nTypescript; four copies, each 2 pages. Variously annotated in ink and\/or pencil.
\nAccompanied by pencil draft; 2 pages.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nAddress, McCurdy Broadcast, May 8, 1945.
\nTypescript, annotated in pencil; 2 pages.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nAddress, Office of War Information, Foreign Broadcast, June 12, 1945.
\nTypescript, annotated in pencil; two copies, each 4 pages.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nAddress, V-E Day Convocation, Eastman School of Music, May 8, 1945.
\nTypescript, annotated in pencil; two copies, each 1 page.
\nAccompanied by a draft in ink; by a memorandum listing those ESM students who were killed in action or else were reported MIA during World War II; and by a press clipping with headline \u201cTruman\u2019s Proclamation on Victory.\u201d<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nOutline of address, Zonta Club, May 22, 1945.
\nMS draft in ink, annotated in pencil; 2 pages.<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\nCommencement address, \u201cA Musician Looks at Education,\u201d Keuka College, Keuka Park, New York, June 17, 1945; S.S. Luncheon \u2013 Eastman Dorm, July 12, 1945.
\nTypescript; two copies, each 10 pages. One copy annotated in pencil.
\nAccompanied by a copy of the typescript agenda for his address, annotated in pencil; 2 pages.<\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\nDraft Foreword to William Bergsma\u2019s composition Three Fantasies for Piano<\/em>. New York: Hargail Music Press, 1945. Written January 30, 1945.
\nTypescript; 1 page.<\/td>\n<\/tr>\n
folder 42<\/strong><\/td>\nBiographical Sketch of Howard Hanson, June 7, 1945.
\nTypescript; two copies, each 1 page.<\/td>\n<\/tr>\n
folder 43<\/strong><\/td>\nAddress, \u201cProblems of American Music,\u201d American Matthay Society, December 29, 1944.
\nTypescript; two copies, each 5 pages. One copy annotated in ink and the other in pencil.
\nAccompanied by draft in ink; 13 pages.<\/td>\n<\/tr>\n
folder 44<\/strong><\/td>\nAddress, \u201cMusical Pioneering in the Twentieth Century,\u201d City Club, Rochester, New York, March, 1946.
\nTypescript, annotated in ink and pencil; two copies, each 19 pages.<\/td>\n<\/tr>\n
folder 45<\/strong><\/td>\nCommencement address, Peabody Conservatory, June 1, 1946.
\nTypescript; two copies, each 9 pages. One copy annotated in pencil.<\/td>\n<\/tr>\n
folder 46<\/strong><\/td>\nRemarks delivered in presenting Roy Harris for the honorary degree Doctor of Music, University of Rochester, June 9, 1946.
\nTypescript; two copies, each 1 page. One copy annotated in pencil.
\nAccompanied by draft of the third and fourth paragraphs; and by three 3\u201d x 5\u201d index cards bearing two different versions of the address.<\/td>\n<\/tr>\n
folder 47<\/strong><\/td>\nArticle on the Eastman School\u2019s problems of registration; for the Alumni Bulletin, <\/em>May 10, 1946.
\nTypescript with pencilled annotations; two copies, each 2 pages.<\/td>\n<\/tr>\n
folder 48<\/strong><\/td>\nResponse to Mr. Steinberg\u2019s Defense of the Formal Symphony Concert, March 12, 1946.
\nTypescript, annotated in pencil; 1 page.
\nAccompanied by pencil draft; 5 pages.<\/td>\n<\/tr>\n
folder 49<\/strong><\/td>\nAddress delivered before the so-called \u201cProgram of Concert Music in the Jazz Idiom\u201d at the 16th Annual Festival of American Music, April 16, 1946.
\nTypescript; two copies, each 2 pages. Variously annotated in ink and\/or pencil.
\nAccompanied by a copy of the concert program.<\/td>\n<\/tr>\n
folder 50<\/strong><\/td>\nAddress, MTNA, February 22, 1946.
\nTypescript; two copies, each 4 pages. One copy annotated in pencil.<\/td>\n<\/tr>\n
folder 51<\/strong><\/td>\nExcerpt from the minutes of the Graduate Commission of NASM, February 28, 1946.
\nTypescript, annotated in pencil; 1 page.<\/td>\n<\/tr>\n
folder 52<\/strong><\/td>\nExtracts from articles, American Music Concerts \u2013 New York Philharmonic, excerpts of reviews from The New York Herald Tribune <\/em>and The New York Times<\/em>, January 22, 1946.
\nTypescript, annotated in ink and pencil; 2 pages.
\nN.B. Some of the material appeared in \u201cHanson\u2019s Work Given Initial Performance\u201d by Norman Nairn, Rochester Democrat & Chronicle<\/em>, January 23, 1946.<\/span><\/td>\n<\/tr>\n
folder 53<\/strong><\/td>\nOutline of address, College for Women, University of Rochester Chapel, December 5, 1945.
\nMS draft in ink, annotated in pencil; 2 pages.<\/td>\n<\/tr>\n
folder 54<\/strong><\/td>\nAddress, American Music Concerts \u2013 New York Philharmonic, Article to Olin Downes, January 8, 1946.
\nTypescript, annotated in ink; two copies, each 5 pages.
\nAccompanied by MS draft in ink.<\/td>\n<\/tr>\n
folder 55<\/strong><\/td>\nArticle, National Music Council, Educational Music Magazine, December 5, 1945.
\nTypescript, annotated in ink and pencil; 5 pages.
\nAccompanied by draft in ink, annotated in pencil and colored pencil; 6 pages.<\/td>\n<\/tr>\n
folder 56<\/strong><\/td>\nAddress, opening broadcast of the Eastman School Series 1945-1946, November 19, 1945.
\nMS draft in ink; two copies, each 2 pages. Penned on Office of the Director stationery; one copy annotated in colored pencil and the other annotated in pencil.<\/td>\n<\/tr>\n
folder 57<\/strong><\/td>\nAddress, Citizens\u2019 Radio Anniversary Luncheon, New York, November 10, 1945.
\nTypescript, annotated in pencil and colored pencil; 3 pages.
\nAccompanied by draft in ink, annotated in pencil; 2 pages.<\/td>\n<\/tr>\n
folder 58<\/strong><\/td>\nArticle, Eastman School, Registration Limitation, October 19, 1945.
\nTypescript, annotated in pencil and colored pencil; 1 page.<\/td>\n<\/tr>\n
folder 59<\/strong><\/td>\nOutline of address, \u201cMusic in Education,\u201d delivered before the Eastman School of Music Student Association, October 12, 1945.
\nMS draft in pencil; 2 pages.
\nAccompanied by two 3\u201d x 5\u201d index cards bearing a typescript version of the outline; annotated in pencil.<\/td>\n<\/tr>\n
folder 60<\/strong><\/td>\nConvocation address, Eastman School of Music, September 17, 1945.
\nTypescript; two copies, each 14 pages. Each copy variously annotated in ink and pencil or colored pencil.<\/td>\n<\/tr>\n
folder 61<\/strong><\/td>\nArticle, \u201cMusic for Everybody, Stadium Concerts Review,\u201d July 3, 1945.
\nTypescript; two copies, each 3 pages. One copy annotated in ink.
\nAccompanied by pencil draft; 10 pages.<\/td>\n<\/tr>\n
folder 62<\/strong><\/td>\nAddress, \u201cA Musician Looks at Modern Acoustics,\u201d Acoustical Society of America, May 8, 1947.
\nTypescript, annotated in pencil; two copies, each 8 pages.
\nAccompanied by a business card for one Mr. John C. Patterson.<\/td>\n<\/tr>\n
folder 63<\/strong><\/td>\nAddress, Graduate Seminar, George Eastman House, April 16, 1947.
\nTypescript, annotated in ink and pencil; two copies, each 13 pages.<\/td>\n<\/tr>\n
folder 64<\/strong><\/td>\nAddress, American Music at the Crossroads, NASM, February 23\u201326, 1947.
\nTypescript; two copies, each 13 pages.<\/td>\n<\/tr>\n
folder 65<\/strong><\/td>\nForeword, 22nd Anniversary of American Composers\u2019 Concerts during the 17th Annual Festival of American Music, 1947.
\nTypescript, annotated in pencil; 3 pages.<\/td>\n<\/tr>\n
folder 66<\/strong><\/td>\nChristmas Letter for \u201cUndertone,\u201d December 6, 1946.
\nTypescript; two copies, each 1 page.<\/td>\n<\/tr>\n
folder 67<\/strong><\/td>\nAddress, McCurdy Little Symphony Broadcast, WHAM (Rochester), November 12, 1946.
\nTypescript, annotated in ink; 3 pages.<\/td>\n<\/tr>\n
folder 68<\/strong><\/td>\nConvocation address, Eastman School of Music, September 24, 1946.
\nTypescript, annotated in ink and pencil; two copies, each 12 pages.
\nAccompanied by draft comprised of ink MS (31 pages) and typescript (3 pages).<\/td>\n<\/tr>\n
folder 69<\/strong><\/td>\nAddress, United Nations broadcast, WHAM (Rochester), July 10, 1946.
\nMS draft in pencil, annotated in ink; 4 pages.<\/td>\n<\/tr>\n
folder 70<\/strong><\/td>\nAddress, National Music Council, December 27, 1946.
\nTypescript; two copies, each 11 pages.<\/td>\n<\/tr>\n
folder 71<\/strong><\/td>\nNational Music Council Report, May 13, 1947.
\nMS draft in ink, annotated in pencil; 7 pages.
\nAccompanied by typescript agenda, annotated in ink; and by four 3\u201d x 5\u201d index cards bearing an outline for the address.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 13″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1607957929196{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nAddress, National Student Association, Regional Conference, December 13, 1947.
\nTypescript; two copies, each 5 pages. One copy annotated in pencil.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nDraft article, \u201cThree Steps Forward in Music Education,\u201d January, 1948.
\nTypescript with pencilled annotations; 11 pages.
\nN.B. Published in Musical America<\/em>, 68 (3), February 1948.<\/span><\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nChristmas Editorial, ESM Students\u2019 Paper, December, 1947.
\nTypescript with pencilled annotations; 2 pages.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nLetter to the Rochester Democrat & Chronicle <\/em>and to the Rochester Times Union<\/em>, December 15, 1947.
\nTypescript; two copies, each 1 page; each copy addressed to the editor of either newspaper.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nEditorial, Rochester Times-Union<\/em>, December 15, 1947.
\nTypescript; four copies, each 2 pages. One copy annotated in colored pencil.
\nAccompanied by cover sheet addressed to Margaret Witmer Maxwell, and by letter (December 8, 1947) to Hanson from Margaret Witmer Maxwell.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nLetter to Olin Downes, October 2, 1947.
\nTypescript with annotations in ink; 2 pages.
\nAccompanied by typescript draft (4 pages) and MS draft in ink (2 pages).<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nForeword, ESM Festival of Chamber Music, ca. 1947.
\nTypescript; 2 pages.
\nAccompanied by draft in ink; 7 pages.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nConvocation address, Eastman School of Music, September 22, 1947.
\nTypescript with pencilled annotations; two copies, each 22 pages.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nCommencement Address, Monroe High School, Rochester, New York, June 28, 1949.
\nTypescript with annotations in ink; 7 pages.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nAddress, \u201cThe American College and Conservatory as a Potential Center of Creative Development in Music,\u201d NASM, December, 1947.
\nTypescript; 11 pages.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nArticle for International Musician<\/em>, June, 1948.
\nTypescript with pencilled annotations; two copies, each 2 pages.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nAddress, WHAM (Rochester), McCurdy Little Symphony Concert, May 4, 1948.
\nTypescript; two copies, each 3 pages.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nArticle on the Festival of American Music for A Tempo<\/em>, June, 1948.
\nTypescript with pencilled annotations; 3 pages.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nAddress, Rochester Club, February 13, 1948.
\nTypescript; three copies, each 7 pages. One copy annotated in pencil; the other copies annotated in ink.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nPublicity release on the UNESCO meetings for Rochester Democrat & Chronicle<\/em> and Rochester Times-Union<\/em>, February 16\u201320, 1948.
\nTypescript; two copies, each 1 page.
\nAccompanied by a memorandum from the United States National Commission for UNESCO.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nAddress, Dedication of radio station WRUR, University of Rochester, February 10, 1948.
\nTypescript; four copies, each 1 page. One copy annotated in ink and pencil.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nArticle for the Critical Review of Biographies,<\/em> ca. 1947-48.
\nMS draft in ink; 16 pages.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nCondensation of Harvard Report, NASM, February 19-20, 1946.
\nTypescript with pencilled annotations; 28 pages.
\nAccompanied by draft in ink with pencilled annotations; 7 pages.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\n\n

Two press releases on the Harvard Lectures, March 18-19, 1948; on Harvard University News Office letterhead.<\/p>\n

    \n
  • March 18, 1948: Typescript; 8 pages.<\/li>\n
  • March 19, 1948: Typescript; 5 pages.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\n\u201cDr. Howard Hanson, His Contributions to America,\u201d signed by Keith Stott, Freshman, Todd Union, University of Rochester River Campus.
\nTypescript with pencilled annotations; 10 pages.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n\u201cAn American Sibelius.\u201d
\nPublished copy. The Econograph <\/em>[\u201cpublished periodically by the Rochester Savings Bank to encourage thrift in the school and home\u201d], March, 1946. The article on Hanson appears on pages 1 and 7; author attribution lacking.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nNicolas Slonimsky, \u201cThe American Sibelius.\u201d
\nPublished copy; extract from The Christian Science Monitor<\/em>, October 14, 1944. Two copies.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nTranslation of article \u201cNorth American Impressions\u201d by Professor Luiz Heitor Corr\u00eaa de Azevedo of Rio de Janeiro, Brazil. Translated from the Portuguese by Gustave Fredric Soderlund of the ESM faculty.
\nTypescript; 3 pages.
\nAccompanied by a carbon copy of the translation; by a copy of the publication in which the article was published, Resenha Musical, <\/em>February, 1942, and by Professor Azevedo\u2019s business card, apparently sent as cover to the magazine.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nCitation of Howard Hanson in the Field of Creative Music, Convocation of Associated Museum Councils held at Bausch Hall, Rochester Museum of Arts and Sciences, 1943.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

\u2190 HOWARD HANSON COLLECTION<\/a><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

HOWARD HANSON COLLECTION: Series 2 \u2192<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1607957258815{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Series 1: Addresses, essays, articles, and publicity [\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1605034480931{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":6867,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-6881","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=6881"}],"version-history":[{"count":0,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6881\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6867"}],"wp:attachment":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=6881"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=6881"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=6881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}