{"id":6923,"date":"2020-12-15T11:46:33","date_gmt":"2020-12-15T16:46:33","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=6923"},"modified":"2020-12-15T11:46:33","modified_gmt":"2020-12-15T16:46:33","slug":"ser9-10","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/hhanson\/ser9-10\/","title":{"rendered":"HOWARD HANSON COLLECTION"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1608049720396{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 9: Sound recordings<\/h3>\n

[\/vc_column_text][vc_column_text]<\/p>\n

<\/a>Sub-series A: Magnetic reels<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 98″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1608049794981{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
HA1<\/strong><\/td>\nSymphony no. 1 (1958-1960) \/ Joonas Kokkunen.
\nModerato (7:10) \u2014 Allegretto (3:50) \u2014 Allegro; Adagio (10:10).
\nThe Finnish Radio Symphony Orchestra; Paavo Berglund, cond.
\n7\u201d reel.<\/td>\n<\/tr>\n
HA2<\/strong><\/td>\nMerry Mount <\/em>\/ Hanson. Examples (1 of 2) (Mercury, 1957).
\nEastman-Rochester Symphony Orchestra; Hanson, conductor and narrator.
\n7\u201d reel, single track, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA3<\/strong><\/td>\nMerry Mount<\/em> \/ Hanson. Examples (2 of 2) (Mercury, 1957).
\nEastman-Rochester Symphony Orchestra; Hanson, conductor and narrator.
\n7\u201d reel, single track, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA4<\/strong><\/td>\nMexican Rhapsody \/ Robert McBride.
\n[Eastman-Rochester Symphony Orchestra; Hanson, cond.]
\n(Mercury, [1956]). Annotation in Hanson\u2019s hand.
\n7\u201d reel<\/td>\n<\/tr>\n
HA5<\/strong><\/td>\nSpeech in Swedish [delivered by] Howard Hanson. Undated.
\nAnnotation in Hanson\u2019s hand.
\n7\u201d reel, 19 cm\/s.<\/td>\n<\/tr>\n
HA6<\/strong><\/td>\nHanson commentary for \u201cContrasts in Music\u201d (WHAM-TV), August 27 through September 17, 1956.
\nAccompanied by a contents list within container indicating durations and dates of broadcast; repertory represented in Hanson\u2019s commentary was: Symphony no. 1 \/ Barber \u2014 Commando March \/ Barber \u2014 Overture to The School for Scandal \/ Barber \u2014 Adagio for String Orchestra \/ Barber \u2014 First Essay for Orchestra \/ Barber \u2014 Concerto for Orchestra \/ Hovhaness \u2014 Symphony no. 2 \/ Hanson.
\n7\u201d reel<\/td>\n<\/tr>\n
HA7<\/strong><\/td>\nCompositions by John La Montaine.
\nAccompanied by a contents list: Piano Concerto [no. 1] (National Symphony Orchestra; Howard Mitchell, cond.; Jorge Bolet, pianist) \u2014 Songs of the Rose of Sharon (National Symphony Orchestra; Howard Mitchell, cond.; Leontyne Price, soprano) \u2014 Fragments from the Song of Songs, opus 29 (New Haven Symphony Orchestra; Adele Addison, soprano).
\n7\u201d reel<\/td>\n<\/tr>\n
HA8<\/strong><\/td>\nDr. Howard Hanson interviewed by Robert C. Marsh (1 of 2). Undated.
\n7\u201d reel, full track, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA9<\/strong><\/td>\nDr. Howard Hanson interviewed by Robert Marsh (2 of 2). Undated.
\n7\u201d reel, full track, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA10<\/strong><\/td>\nSymphony no. 5 \/ Hanson.
\nRochester Philharmonic Orchestra; Hanson, cond. (1 of 2). January 30th, [year not provided].
\n7\u201d reel<\/td>\n<\/tr>\n
HA11<\/strong><\/td>\nThe Pines of Rome \/ Ottorino Respighi.
\nRochester Philharmonic Orchestra; Hanson, cond. (2 of 2). January 31st, [year].
\n7\u201d reel<\/td>\n<\/tr>\n
HA12<\/strong><\/td>\nSymphony no. 5, 4th movement \/ P. I. Tchaikowsky.
\nEastman School Senior Symphony Orchestra; [Hanson, conductor].
\nPerformed at the concert honoring the centennial of the birth of George Eastman, May 20th, 1954; broadcast over the CBS network from the Eastman Theater.
\n7\u201d reel<\/td>\n<\/tr>\n
HA13<\/strong><\/td>\n\u201c5 min. tape on Eastman School of Music, Rochester, New York, by Dr. Howard
\nHanson, Director.\u201d No further details.
\n7\u201d reel<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 99″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1608049840293{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
HA14.<\/strong><\/td>\nConcerto Grosso \/ Arcangelo Corelli.
\nNBC Orchestra; Hanson, conductor. Apparently rehearsal.
\n7\u201d reel<\/td>\n<\/tr>\n
HA15.<\/strong><\/td>\n[Apparently, compositions by] Soderland [and] Hanson.
\nEastman Philharmonia; Hanson, cond. Undated.
\n7\u201d reel<\/td>\n<\/tr>\n
HA16.<\/strong><\/td>\nHoward Hanson, speaker. University of Miami Symphony Club Preview,
\nFebruary 8, 1957.
\nEdward Clarke, commentator; John Bitter; introducer; Hanson, speaker.
\nAccompanied by descriptive note within container.
\n7\u201d reel<\/td>\n<\/tr>\n
HA17.<\/strong><\/td>\nUnlabelled as to content.
\n7\u201d reel<\/td>\n<\/tr>\n
HA18.<\/strong><\/td>\nCBS interview. First movement, Ice Concerto [sic] (1 of 3). Undated.
\n7\u201d reel<\/td>\n<\/tr>\n
HA19.<\/strong><\/td>\nSecond and third movements, Ice Concerto [sic] (2 of 3). Undated.
\n7\u201d reel<\/td>\n<\/tr>\n
HA20.<\/strong><\/td>\nExcerpts from the Ice Concerto [sic] (3 of 3). Second version. Undated.
\n7\u201d reel<\/td>\n<\/tr>\n
HA21.<\/strong><\/td>\nDr. Howard Hanson: Fleetwood Interview (1 of 2). Undated.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA22.<\/strong><\/td>\nDr. Howard Hanson: Fleetwood Interview (2 of 2). Undated.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA23.<\/strong><\/td>\nSymphony for Chamber Orchestra \/ Carl Alette.
\nUniversity of Tennessee Chamber Orchestra; David Van Vactor, cond.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA24.<\/strong><\/td>\n[Composition by] Soderlund.
\nEastman Philharmonia; Hanson, cond. April 29, [year].
\n7\u201d reel<\/td>\n<\/tr>\n
HA25.<\/strong><\/td>\nSong of Human Rights \/ Hanson.
\nNational Symphony Orchestra. Undated.
\nDuration indicated: 11:55.
\n5\u201d reel, stereo, 2-track, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA26.<\/strong><\/td>\nChrist Looking over Jerusalem (from Three Biblical Songs<\/em>) \/ William Pursell.
\nEastman Broadcast Orchestra [sic]; Hanson, conductor. May 10, 1953.
\n7\u201d reel, single track, 7 \u00bd ips.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 100″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1608049892888{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
HA27.<\/strong><\/td>\nComposition for Band (presumably Chorale and Alleluia) \/ Hanson.
\nRecorded on January 19, 1954.
\nDuration indicated: 5:20.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA28.<\/strong><\/td>\nDr. Wayne Gordon and Mr. David Pittman. \u201cSociology: The Greatest Challenge.\u201d
\nJanuary 31, 1954 (14:25).
\n7\u201d reel<\/td>\n<\/tr>\n
HA29.<\/strong><\/td>\nTranscribed data: \u201c2\/19 Cong. Keating 14:05\u201d with pencilled date 2-21-54.
\nN.B. Congressman Kenneth Keating (R-New York) represented a Western New York State district that included the city of Rochester (served 1947-59; later Senator, 1959-65). The box is further stamped ERASED and marked \u201cused\u201d in ink.<\/span>
\n5\u201d reel<\/td>\n<\/tr>\n
HA30.<\/strong><\/td>\nMerry Mount, <\/em>Act I, part 2 \/ Hanson. Eastman Opera Workshop rehearsal, March 28, 1955. (Reel 2)
\n7\u201d reel<\/td>\n<\/tr>\n
HA31.<\/strong><\/td>\nMerry Mount, <\/em>act II, part 1 \/ Hanson. Eastman Opera Workshop rehearsal, March 28, 1955. (Reel 3)
\n7\u201d reel<\/td>\n<\/tr>\n
HA32.<\/strong><\/td>\nMerry Mount, <\/em>act II, part 2 \/ Hanson. Eastman Opera Workshop rehearsal, March 28, 1955. (Reel 4)
\n7\u201d reel<\/td>\n<\/tr>\n
HA33.<\/strong><\/td>\nChamber Symphony \/ Walter Hartley; and, Autumn Landscapes \/ Martin Mailman [recipient of the Benjamin Award].
\nEastman-Rochester Symphony Orchestra; Hanson, conductor. Festival of American Music, May 8, 1955.
\nDurations indicated: Hartley, 15:05; Mailman, 6:00.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA34.<\/strong><\/td>\nMerry Mount \/ <\/em>Hanson. Eastman Opera Workshop rehearsal, May 12, 1955. (Reel 1 of 4)
\n7\u201d reel<\/td>\n<\/tr>\n
HA35.<\/strong><\/td>\nMerry Mount, <\/em>act I \/ Hanson. Eastman Opera Workshop rehearsal, May 12, 1955. (Reel 2 of 4)
\n7\u201d reel<\/td>\n<\/tr>\n
HA36.<\/strong><\/td>\nMerry Mount, <\/em>act I \/ Hanson. Eastman Opera Workshop rehearsal, May 12, 1955. (Reel 3 of 4)
\n7\u201d reel<\/td>\n<\/tr>\n
HA37.<\/strong><\/td>\nMerry Mount,<\/em> act III \/ Hanson. Eastman Opera Workshop rehearsal, May 12, 1955. (Reel 4 of 4)
\n7\u201d reel<\/td>\n<\/tr>\n
HA38.<\/strong><\/td>\nMerry Mount, <\/em>act I \/ Hanson. Eastman Opera Workshop rehearsal, May 15, 1955. (Reel 1 of 5)
\n7\u201d reel<\/td>\n<\/tr>\n
HA39.<\/strong><\/td>\nMerry Mount \/ <\/em>Hanson. Eastman Opera Workshop rehearsal, May 15, 1955. (Reel 2 of 5)
\n7\u201d reel<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 101″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1608049913933{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
HA40.<\/strong><\/td>\nMerry Mount \/ <\/em>Hanson. Eastman Opera Workshop rehearsal, May 15, 1955. (Reel 3 of 5)
\n7\u201d reel<\/td>\n<\/tr>\n
HA41.<\/strong><\/td>\nMerry Mount \/ <\/em>Hanson. Eastman Opera Workshop rehearsal, May 15, 1955. (Reel 4 of 5)
\n7\u201d reel<\/td>\n<\/tr>\n
HA42.<\/strong><\/td>\nMerry Mount \/ <\/em>Hanson. Eastman Opera Workshop rehearsal, May 15, 1955. (Reel 5 of 5)
\n7\u201d reel<\/td>\n<\/tr>\n
HA44.<\/strong><\/td>\nMerry Mount<\/em>, act I (through no. 120 in score) \/ Hanson. (Reel 1 of 4)
\nProvenance: WHAM-TV. Recorded May 15, 1955.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA45.<\/strong><\/td>\nMerry Mount<\/em>, last part of act I and through act II, scene 2 \/ Hanson. (Reel 2 of 4)
\nProvenance: WHAM-TV.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA46.<\/strong><\/td>\nMerry Mount,<\/em> act II, scene 2 through end of scene 3 \/ Hanson. (Reel 3 of 4)
\nProvenance: WHAM-TV.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA47.<\/strong><\/td>\nMerry Mount,<\/em> act III to end \/ Hanson. (Reel 4 of 4)
\nProvenance: WHAM-TV.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA48.<\/strong><\/td>\nElegy [in memory of Serge Koussevitzky] \/ Hanson.
\nJanuary 13, 1956. Performing forces not identified.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA49.<\/strong><\/td>\nElegy [in memory of Serge Koussevitzky] \/ Hanson.
\nBoston Symphony Orchestra, January 31, 1956. NBC broadcast.
\n5\u201d reel<\/td>\n<\/tr>\n
HA50.<\/strong><\/td>\nNeil McKay: Symphony no. 1.
\nAllegro maestoso \u2014 Larghetto \u2014 Energico.
\nEastman-Rochester Symphony Orchestra; Hanson, conductor.
\nSymposium of Student Works for Orchestra, April 4, 1956.
\nDuration indicated: 19:46.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA51.<\/strong><\/td>\nSummer Eve \/ Melvin Lukas; Adagio \/ Donn Mills; and, In memoriam \/ Robert Stern.
\nEastman-Rochester Symphony Orchestra; Hanson, conductor.
\nSymposium of Student Works for Orchestra, April 5, 1956.
\n\u201cDue to lack of time to change reels, the first few measures were not recorded.\u201d\u2014note accompanying Melvin Lukas entry.
\nDurations indicated: Lukas, 4:05; Mills, 8:02; Stern, 5:36.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA52.<\/strong><\/td>\nSome Night Music \/ Earl George; Nocturne \/ David Gilbert; A Lyric Impression \/ Sydney Hodkinson; and, Serenade \/ Jack Jarrett.
\n[Eastman-Rochester Symphony Orchestra; Hanson, conductor]
\nSymposium of Student Works for Orchestra, April 17, 1957.
\nDurations indicated: George, 6:10; Gilbert, 5:05; Hodkinson, 7:50; Jarrett, 7:56.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA53.<\/strong><\/td>\nHoward Hanson: Song of Democracy \/ Hanson.
\nEastman School of Music Chorus. March 21, 1957.
\nDuration indicated: 11:42.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 102″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1608049920094{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
HA54.<\/strong><\/td>\nScherzo from the Symphony in G \/ Lawrence Smith; and, Con espressione (first movement) from the Symphony no. 2 \/ John Pozdro.
\nSymposium of Student Works for Orchestra, April 15, 1957.
\nEastman-Rochester Symphony Orchestra; Hanson, conductor.
\nDurations indicated: Smith, 6:10; Pozdro, 10:17.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA55.<\/strong><\/td>\nOverture \/ John Davison; Allegro \/ William Henry; Adagio cantabile \/ Joseph Scianni; and, Ralph Lewis: Rondo for small orchestra \/ Ralph Lewis.
\nEastman Chamber Orchestra; Frederick Fennell, conductor. July 30, 1957.
\n( ! a note on the box indicates \u201cSymposium\u201d –???)
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA56.<\/strong><\/td>\nCuban Overture \/ George Gershwin. Rehearsal.
\nEastman-Rochester Symphony Orchestra; Hanson, conductor. October 14, 1957.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA57.<\/strong><\/td>\nCello Concerto \/ Victor Herbert; and, Merry Mount Suite \/ Hanson.
\nEastman-Rochester Symphony Orchestra; Hanson, conductor; Georges Miquelle, soloist.
\nRehearsal, October 14, 1957.
\n7\u201d reel, single track, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA58.<\/strong><\/td>\nOrchestral demonstration.
\nEastman-Rochester Symphony Orchestra; Hanson, conductor. October 14, 1957.
\n7\u201d reel, single track, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA59.<\/strong><\/td>\nInstrumental demonstration.
\nEastman-Rochester Symphony Orchestra; Hanson, conductor. October 18, 1957.
\n7\u201d reel, single track, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA60.<\/strong><\/td>\nInstrumental demonstration; and, Children\u2019s Dance (string section).
\nEastman-Rochester Symphony Orchestra; Hanson, conductor. October 18, 1957.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA61.<\/strong><\/td>\nFirebird Suite \/ Stravinsky. Rehearsal, October 28, 1957.
\nRochester Philharmonic Orchestra; Hanson, guest conductor.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA62.<\/strong><\/td>\nFirebird Suite \/ Stravinsky; and, Symphony no. 3, first and second movements \/ Hanson. Rehearsal, October 30, 1957. (Reel 1 of 4)
\nRochester Philharmonic Orchestra; Hanson, guest conductor.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA63.<\/strong><\/td>\nSymphony no. 3 \/ Hanson. Rehearsal, October 30, 1957. (Reel 2 of 4)
\nRochester Philharmonic Orchestra; Hanson, guest conductor.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA64.<\/strong><\/td>\nSymphony no. 3 \/ Hanson; and, Song of Democracy \/ Hanson. Rehearsal, October 30, 1957. (Reel 3 of 4)
\nRochester Philharmonic Orchestra; Hanson, guest conductor.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA65.<\/strong><\/td>\nSong of Democracy \/ Hanson; and, The National Anthem. Rehearsal, October 30, 1957. (Reel 4 of 4)
\nRochester Philharmonic Orchestra; Hanson, conductor.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA66.<\/strong><\/td>\nAddress [delivered at the] University of Kansas, November 10, 1957.
\nAnnotation in Hanson\u2019s hand; no additional information.
\nN.B. Text of his November 10th, 1957 address filed in box 6\/15.<\/span>
\n7\u201d reel<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 103″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1608049926341{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
HA67.<\/strong><\/td>\nMosaics \/ Hanson. January 15, 1958. (Reel 1 of 2)
\nReading by the [Eastman School Symphony] Orchestra I; Hanson, conductor.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA68.<\/strong><\/td>\nMosaics \/ Hanson. January 15, 1958. (Reel 2 of 2)
\nReading by the [Eastman School Symphony] Orchestra I; Hanson, conductor.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA69.<\/strong><\/td>\nSong of Democracy \/ Hanson; transcribed for band. \/ Hanson.
\nReading by the Eastman Wind Ensemble; Frederick Fennell, conductor. February 7, 1958.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA70.<\/strong><\/td>\nAnnual Spring Concert by the Joliet Township High School Concert Band, May 16, 1958 (Reel 2 of 2).
\nMarch from Symphonic Suite \/ Clifton Williams \u2014 March from First Suite in E-flat \/ Gustav Holst \u2014 Tulsa: a Symphonic Portrait in Oil \/ Don Gillis \u2014 A Lincoln Portrait \/ Aaron Copland; transcribed by Walter Beeler; narration by Almond Fairfield \u2014 March, Stars and Stripes Forever \/ John Philip Sousa.
\nBruce H. Houseknecht, conductor; Almond Fairfield, narrator in the Copland.
\nAccompanied by a copy of the printed program.
\n7\u201d reel, monaural, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA71.<\/strong><\/td>\nConcertino \/ Jacques Ibert; Clarinet Concerto \/ Louis Spohr; and, Introduction and Allegro \/ Maurice Ravel. Rehearsal, February 20, 1959 (Reel 3 of a presumed set).
\nEastman-Rochester Symphony Orchestra; Hanson , conductor.
\nSoloists indicated: Donald Panhorst, saxophone (Ibert); Robert Coleman, clarinet (Spohr); Gail Barber, harp (Ravel).
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA72.<\/strong><\/td>\nConcerto Grosso no. 2 \/ Bloch. Rehearsal, May 2, 1959. (Reel 4 of a presumed set)
\nEastman Philharmonia; Hanson, conductor.
\n7\u201d reel<\/td>\n<\/tr>\n
HA73.<\/strong><\/td>\nSong of Democracy (excerpts) \/ Hanson.
\n\u201cSpecial recording in Eastman Theater. Feb. 10, 1960.\u201d
\nDuration indicated: 3:00, 4:40.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA74.<\/strong><\/td>\nEastman Philharmonia; Hanson, conductor. March 1, 1960. (Reel 1 of 2)
\nBroadcast over WROC-FM from the Eastman Theater.
\nSelections indicated: <\/em>Concerto Grosso in D, opus 3, no. 11, first movement \/ Antonio Vivaldi \u2014 Impresario <\/em>Overture \/ W. A. Mozart \u2014 The last spring (No. 22 from Elegiac Melodies) \/ Edvard Grieg \u2014 Eight Russian folksongs \/ Anatole Liadov.
\n7\u201d reel, single track, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA75.<\/strong><\/td>\nEastman Philharmonia; Hanson, conductor. March 1, 1960. (Reel 2 of 2)
\nBroadcast over WROC-FM from the Eastman Theater.
\nSelections indicated (composers\u2019 names only): <\/em>Eight Russian folksongs (conclusion) \/ Anatole Liadov \u2014 Maurice Ravel \u2014 Howard Hanson \u2014 Jack End.
\n7\u201d reel, single track, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA76.<\/strong><\/td>\n\u201cPanoramic Survey of American Music,\u201d July 21, 1960. (Reel 1 of 4)
\nHanson, commentator. Recorded for WROC-FM broadcast.
\n7\u201d reel, single track, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA77.<\/strong><\/td>\n\u201cPanoramic Survey of American Music,\u201d July 21, 1960. (Reel 2 of 4)
\nHanson, commentator. Recorded for WROC-FM broadcast.
\n7\u201d reel, single track, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA78.<\/strong><\/td>\n\u201cPanoramic Survey of American Music,\u201d July 21, 1960. (Reel 3 of 4)
\nHanson, commentator. Recorded for WROC-FM broadcast.
\n7\u201d reel, single track, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA79.<\/strong><\/td>\n\u201cPanoramic Survey of American Music,\u201d July 21, 1960. (Reel 4 of 4)
\nHanson, commentator. Recorded for WROC-FM broadcast.
\n7\u201d reel, single track, 7 \u00bd ips.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 104″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1608049932365{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
HA80.<\/strong><\/td>\nDedication of Howard Hanson Chapel, Cutler Union, University of Rochester,
\nOctober 23, 1960.
\n7\u201d reel, single track, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA81.<\/strong><\/td>\nN[ew] Y[ork] Phil[harmonic] Int[erview] (Hanson), March 17, 1962.
\nProvenance: CBS.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA82.<\/strong><\/td>\nInterviews with Drs. Hanson and Fennell, January 25, 1962.
\nProvenance: Voice of America\/United States Information Agency.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA83.<\/strong><\/td>\nOverture to Oberon \/ <\/em>Carl Maria von Weber;<\/em> and, Symphony no. 2 (\u201cRomantic\u201d) \/ Hanson. February 3, 1963.
\nInterlochen Arts Academy Orchestra, Interlochen, Michigan.
\nProvenance: National Music Camp, Interlochen, Michigan.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA84.<\/strong><\/td>\nThe Today<\/em> Show, February 27, 1962.
\nNBC-TV broadcast.
\n5\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA85.<\/strong><\/td>\nMusic Awards Dinner, March 8, 1962.
\nWNYC-TV broadcast.
\n5\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA86.<\/strong><\/td>\n[? Graduation Concert with Orchestra], October 11, 1962. (Reel 4 of a presumed set)
\nSelections indicated:
\n<\/em>Rossini: Cavatina from The Barber of Seville <\/em>\/ Rossini \u2014 Menotti: Steal me, sweet thief \/ Menotti.
\nEastman-Rochester Symphony Orchestra; Hanson, cond.; Donald Doig, tenor (in the Rossini); Judith Coen, soprano (in the Menotti).
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA87.<\/strong><\/td>\nConvocation, State Board of Regents, October 30, 1962.
\nWPIX broadcast.
\n5\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA88.<\/strong><\/td>\nEastman Philharmonia at Carnegie Hall, November [16], 1962. (Reel 1 of 4)
\nProvenance: Voice of America\/United States Information Agency.
\nContent indicated: Mennini.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA89.<\/strong><\/td>\nEastman Philharmonia at Carnegie Hall, November [16], 1962. (Reel 2 of 4)
\nProvenance: Voice of America\/United States Information Agency.
\nContent indicated: La Montaine.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA90.<\/strong><\/td>\nEastman Philharmonia at Carnegie Hall, November [16], 1962. (Reel 3 of 4)
\nProvenance: Voice of America\/United States Information Agency.
\nContent indicated: Ward; Hanson; Guarnieri.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA91.<\/strong><\/td>\nEastman Philharmonia at Carnegie Hall, November [16], 1962. (Reel 4 of 4)
\nProvenance: Voice of America\/United States Information Agency.
\nContent indicated: Guarnieri; Kennan; Barlow; Sousa.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA92.<\/strong><\/td>\n[? Graduation Concert with Orchestra], December 11, 1962. (Reel 1 of a presumed set)
\nEastman-Rochester Symphony Orchestra; Hanson, cond.; Ernesto Lejano, piano (in the Chopin); T. Moore, violin (in the Goldmark).
\nPiano Concerto no. 2 \/ Chopin; and, Violin Concerto \/ Goldmark.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 105″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1608049939326{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
HA93.\u00a0<\/strong><\/td>\n[Mrs.] Lee Graham interviews Howard Hanson, December 20, [1962]. (Reel 2 of 2)
\nDuration 24\u2019 30\u201d.
\n7\u201d reel, second-generation copy, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA94.<\/strong><\/td>\n[Mrs.] Lee Graham interviews Howard Hanson, December 20, [1962]. (Reel 1 of 2)
\nDuration 24\u2019 25\u201d.
\n7\u201d reel, second-generation copy, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA95.<\/strong><\/td>\nEastman-Rochester Symphony Orchestra rehearsal, December 11, 1962.
\nPiano Concerto no. 2 \/ Chopin.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA96.<\/strong><\/td>\n[Content not indicated], February 21, 1963.
\nProvenance: Voice of America\/United States Information Agency.
\nNew Zealand Broadcasting Corporation also cited.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA97.<\/strong><\/td>\nKingsport Symphony Orchestra; William Boyer, conductor.
\nContent indicated: Concerto Grosso No. II \/ Bloch (March, 1963); Overture to The Magic Flute <\/em>\/ Mozart (April, 1964); and, Piano Concerto in G minor \/ Mendelssohn (Lynn Cole, soloist) (April, 1964).
\n7\u201d reel, stereophonic 2-track, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA98.<\/strong><\/td>\nMerry Mount, <\/em>act III \/ Hanson. (Reel 5 of a presumed set)
\nEastman Opera Workshop rehearsal; Hanson, conductor. Date not indicated.
\n7\u201d reel<\/td>\n<\/tr>\n
HA99.<\/strong><\/td>\nSymphony \/ Piston; and, Mosaics \/ Hanson.
\nEastman Philharmonia; Hanson, conductor. March 11, 1964.
\n7\u201d reel, monophonic, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA100.<\/strong><\/td>\nFor the First Time \/ Hanson.
\nEastman Philharmonia; Hanson, conductor. May 15, 1963.
\n7\u201d reel, monophonic, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA101.<\/strong><\/td>\nConcerto for Piano and Orchestra \/ Hanson; transcription by Frank Bencriscutto.
\nSeptember 10, 1963.
\n7\u201d reel, monophonic, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA103.<\/strong><\/td>\nEastman Philharmonia; Hanson, conductor. March 4, 1964.
\nClarinet Concerto \/ Mozart.
\n7\u201d reel, monophonic, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA105.<\/strong><\/td>\nEastman Philharmonia; Hanson, conductor. March 11, 1964.
\nMosaics \/ Hanson; Stars and Stripes Forever \/ Sousa; and, For the First Time \/ Hanson.
\n7\u201d reel, monophonic, single track, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA106.<\/strong><\/td>\nRochester Philharmonic Orchestra, Hanson, conductor. April 1, 1964. (Reel 1 of a presumed set)
\nThe Pines of Rome \/ Respighi.
\n7\u201d reel, monophonic, 7 \u00bd ips.<\/td>\n<\/tr>\n
HA107.<\/strong><\/td>\nRochester Philharmonic Orchestra; Hanson, conductor. April 2, 1964. (Reel 1 of a presumed set of 5)
\nThe Pines of Rome \/ Respighi.
\n7\u201d reel, 7 \u00bd ips.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 106″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1608049947055{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
HA108.<\/strong><\/td>\nRochester Philharmonic Orchestra; Hanson, conductor. April 2, 1964. (Reel 2 of a presumed set of 5)
\nPines of Rome \/ Respighi; and, Symphony no. 3 \/ Hanson.
\n7\u201d reel, 7\u00bd ips.<\/td>\n<\/tr>\n
HA109.<\/strong><\/td>\nRochester Philharmonic Orchestra; Hanson, conductor. April 2, 1964. (Reel 5 of a presumed set of 5)
\nOverture to The Impresario <\/em>\/ Mozart.
\n7\u201d reel, single track, 7\u00bd ips.<\/td>\n<\/tr>\n
HA110.<\/strong><\/td>\n[Eastman] Philharmonia; A. Clyde Roller, conductor. May 13, 1964. (Reel 1 of 2)
\nFor the First Time \/ Hanson; and, The Incredible Flutist \/ Piston.
\n7\u201d reel, monophonic, single track, 7\u00bd ips.<\/td>\n<\/tr>\n
HA111.<\/strong><\/td>\n[Eastman] Philharmonia; A. Clyde Roller, conductor. May 13, 1964. (Reel 2 of 2)
\nThe incredible flutist \/ Piston; Mosaics \/ Hanson; and, American Salute \/ Gould.
\n7\u201d reel, monophonic, single track, 7\u00bd ips.<\/td>\n<\/tr>\n
HA112.<\/strong><\/td>\n[Eastman] Wind Ensemble rehearsal, February 12, 1964.
\n7\u201d reel<\/td>\n<\/tr>\n
HA113.<\/strong><\/td>\n[Eastman] Philharmonia; Hanson, conductor. January 20, [19__]. (Reel 2)
\nMusic by [Ron] Nelson indicated.
\n7\u201d reel<\/td>\n<\/tr>\n
HA114.<\/strong><\/td>\nNew Land, New Covenant<\/em> \/ Hanson; Howard Kee. May 3, 1976.
\nBryn Mawr Presbyterian Church (Bryn Mawr, Pennsylvania)
\n7\u201d reel, stereophonic, 4 track, 7\u00bd ips.<\/td>\n<\/tr>\n
HA115.<\/strong><\/td>\nDedication of Howard Hanson Chapel, Cutler Union, University of Rochester,
\nOctober 23, 1960. Second copy.
\n7\u201d reel, single track, 7\u00bd ips.<\/td>\n<\/tr>\n
HA116.<\/strong><\/td>\nInterview with Howard Hanson, Casa Americana, Seville, Spain. Undated.
\n5\u201d reel<\/td>\n<\/tr>\n
HA117.<\/strong><\/td>\nEastman-Rochester Symphony Orchestra; Hanson, conductor.
\nAdventures in a Perambulator \/ John Alden Carpenter.
\nMercury Living Presence MDS5-2
\n7\u201d reel, stereophonic, 7\u00bd ips.<\/td>\n<\/tr>\n
HA118.<\/strong><\/td>\nEastman-Rochester Symphony Orchestra; Hanson, conductor.
\nFiesta in Hi-Fi. <\/em>Selections indicated: Mexican Rhapsody \/ McBride \u2014 Savannah River Holiday \/ Nelson \u2014 Shivaree from <\/em>Kentucky Mountain Portraits \/ Mitchell.
\nMercury Living Presence MAS5-28
\n7\u201d reel, stereophonic, 7\u00bd ips.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 107″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1608049955702{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
HA119.<\/strong><\/td>\nEastman Philharmonia; Hanson, conductor. February 16, 1962. (Reel 1 of 7)
\nConcert in the Zhovtnevy Palace of Culture.
\nIssuing agency: Respublikanskii Budinok Radiomovlennia i Zvukozapisu, Komitet po Radiomovlenniu i Telebachenniu Pri Radi Ministriv URSR (i.e., Ukrainian Soviet Socialist Republic)<\/em>.
\n38cm\/sec.<\/td>\n<\/tr>\n
HA120.<\/strong><\/td>\nEastman Philharmonia; Hanson, conductor. February 16, 1962. (Reel 2 of 7)
\nConcert in the Zhovtnevy Palace of Culture.
\nIssuing agency: Respublikanskii Budinok Radiomovlennia i Zvukozapisu, Komitet po Radiomovlenniu i Telebachenniu Pri Radi Ministriv URSR (i.e., Ukrainian Soviet Socialist Republic)<\/em>.
\n38cm\/sec.<\/td>\n<\/tr>\n
HA121.<\/strong><\/td>\nEastman Philharmonia; Hanson, conductor. February 16, 1962. (Reel 3 of 7)
\nConcert in the Zhovtnevy Palace of Culture.
\nIssuing agency: Respublikanskii Budinok Radiomovlennia i Zvukozapisu, Komitet po Radiomovlenniu i Telebachenniu Pri Radi Ministriv URSR (i.e., Ukrainian Soviet Socialist Republic)<\/em>.
\n38cm\/sec.<\/td>\n<\/tr>\n
HA122.<\/strong><\/td>\nEastman Philharmonia; Hanson, conductor. February 16, 1962. (Reel 4 of 7)
\nConcert in the Zhovtnevy Palace of Culture.
\nIssuing agency: Respublikanskii Budinok Radiomovlennia i Zvukozapisu, Komitet po Radiomovlenniu i Telebachenniu Pri Radi Ministriv URSR (i.e., Ukrainian Soviet Socialist Republic)<\/em>.
\n38cm\/sec.<\/td>\n<\/tr>\n
HA123.<\/strong><\/td>\nEastman Philharmonia; Hanson, conductor. February 16, 1962. (Reel 5 of 7)
\nConcert in the Zhovtnevy Palace of Culture.
\nIssuing agency: Respublikanskii Budinok Radiomovlennia i Zvukozapisu, Komitet po Radiomovlenniu i Telebachenniu Pri Radi Ministriv URSR (i.e., Ukrainian Soviet Socialist Republic)<\/em>.
\n38cm\/sec.<\/td>\n<\/tr>\n
HA124.<\/strong><\/td>\nEastman Philharmonia; Hanson, conductor. February 16, 1962. (Reel 6 of 7)
\nConcert in the Zhovtnevy Palace of Culture.
\nIssuing agency: Respublikanskii Budinok Radiomovlennia i Zvukozapisu, Komitet po Radiomovlenniu i Telebachenniu Pri Radi Ministriv URSR (i.e., Ukrainian Soviet Socialist Republic)<\/em>.
\n38cm\/sec.<\/td>\n<\/tr>\n
HA125.<\/strong><\/td>\nEastman Philharmonia; Hanson, conductor. February 16, 1962. (Reel 7 of 7)
\nConcert in the Zhovtnevy Palace of Culture.
\nIssuing agency: Respublikanskii Budinok Radiomovlennia i Zvukozapisu, Komitet po Radiomovlenniu i Telebachenniu Pri Radi Ministriv URSR (i.e., Ukrainian Soviet Socialist Republic)<\/em>.
\n38cm\/sec.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 108″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1608050000550{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
HA126<\/strong><\/td>\nCentennial Ode \/ Hanson.
\nEastman-Rochester Symphony Orchestra and Eastman School of Music Chorus;
\nHanson, conductor. December 19, 1950. (Reel 1 of 3)
\nAccompanied by recording engineer\u2019s log sheets.
\nN.B. Conflicting data: among the engineer\u2019s notes is the citation \u201cRochester Philharmonic Orchestra\u201d (demonstrably incorrect).<\/span>
\n10\u201d reel<\/td>\n<\/tr>\n
HA127<\/strong><\/td>\nCentennial Ode \/ Hanson.
\nEastman-Rochester Symphony Orchestra and Eastman School of Music Chorus;
\nHanson, conductor. December 19, 1950. (Reel 2 of 3)
\nRecording engineer\u2019s log sheets accompanying HA126 pertain to this reel.
\n10\u201d reel<\/td>\n<\/tr>\n
HA128<\/strong><\/td>\nCentennial Ode \/ Hanson.
\nEastman-Rochester Symphony Orchestra and Eastman School of Music Chorus;
\nHanson, conductor. December 19, 1950. (Reel 3 of 3)
\nRecording engineer\u2019s log sheets accompanying HA126 pertain to this reel.
\n10\u201d reel<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text]<\/p>\n

<\/a>Sub-series B: Analog discs (both 78rpm and 33 1\/3rpm)<\/span><\/em><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n
HD1<\/strong><\/td>\nHD1.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [Content not indicated]. Acetate.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 109″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1608050280793{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
HD3.<\/strong><\/td>\nSerenade for Flute, Harp and Strings \/ Hanson. December 28, 1945.
\nWQXR
\n12\u201d disc, 78rpm<\/td>\n<\/tr>\n
HD10.<\/strong><\/td>\nDr. Howard Hanson addressing the student body of the Eastman School of Music. September 16, 1957.
\nEastman School of Music
\n12\u201d disc, 33 1\/3rpm<\/td>\n<\/tr>\n
HD11.<\/strong><\/td>\nRuffles and Flourishes.
\nEastman Symphonic Wind Ensemble; Frederick Fennell, conductor.
\nMercury MG 50112. Original jacket lacking.
\n12\u201d disc, 33 1\/3rpm<\/td>\n<\/tr>\n
HD13.<\/strong><\/td>\nFall River Legend \/ Morton Gould; and, Spirituals. July 8, 1960.
\nTest pressing for release on Mercury; annotated by Frederick Fennell.
\n12\u201d disc, 33 1\/3rpm.<\/td>\n<\/tr>\n
HD14.<\/strong><\/td>\nTest pressing for [presumably Mercury] SR 90165-A. Not annotated as to specific content.
\n12\u201d disc<\/td>\n<\/tr>\n
HD15.<\/strong><\/td>\nTest pressing for [presumably Mercury] SR 90165-B. Not annotated as to specific content.
\n12\u201d disc<\/td>\n<\/tr>\n
HD17.<\/strong><\/td>\n\u201cDr. Howard Hanson: Music You Want <\/em>program no. 809\u201d (part 2).
\nRCA: CS050705.
\n12\u201d disc, 78 rpm.<\/td>\n<\/tr>\n
HD18.<\/strong><\/td>\n[Content not indicated].
\n12\u201d disc<\/td>\n<\/tr>\n
HD19.<\/strong><\/td>\nSymphony no. 2 ( \u201cRomantic\u201d ) \/ Hanson. December 1, 1951.
\nNYSSMA All-State College Orchestra.
\nFicker Recording Service (Old Greenwich, Connecticut)
\n4 discs, of which three are 12\u201d and one is 10\u201d<\/td>\n<\/tr>\n
HD20.<\/strong><\/td>\nNordic Symphony, <\/em>second movement \/ Hanson; and, The night is young \/ Aeolians. February, 1948.
\nSewanhaka High School Band. (sides 7 and 8 of a presumed set)
\n12\u201d disc<\/td>\n<\/tr>\n
HD21.<\/strong><\/td>\nThe Incredible Flutist \/ Walter Piston.
\nPresumably a test pressing for Mercury MG 50206-A.
\n12\u201d disc<\/td>\n<\/tr>\n
HD22.<\/strong><\/td>\nThe Pageant of Pages. T. Barnum \/ Douglas Moore.
\nPresumably a test pressing for Mercury MG 50206-B.
\n12\u201d disc<\/td>\n<\/tr>\n
HD23.<\/strong><\/td>\nConcerto Grosso No. 1 \/ Ernst Bloch.
\nPresumably a test pressing for Mercury SR 90223-A; annotated by Hanson.
\n12\u201d disc<\/td>\n<\/tr>\n
HD24.<\/strong><\/td>\nConcerto Grosso No. 2 \/ Ernst Bloch.
\nPresumably a test pressing for Mercury SR 90223-B; annotated by Hanson.
\n12\u201d disc<\/td>\n<\/tr>\n
HD27.<\/strong><\/td>\nAmerican Works for Solo Wind Instruments and String Orchestra.
\nEastman-Rochester Symphony Orchestra; Hanson, conductor.
\nVictor 18101-18102; in Musical Masterpiece Series.
\n2 discs.<\/td>\n<\/tr>\n
HD28.<\/strong><\/td>\nMusic for the Theater \/ Aaron Copland.
\nEastman-Rochester Symphony Orchestra; Hanson, conductor.
\nRCA Victor: 17694 – 17696.
\n3 discs, 78rpm<\/td>\n<\/tr>\n
HD29.<\/strong><\/td>\nMerry Mount Suite for Orchestra \/ Hanson.
\nEastman – Rochester Symphonic Orchestra, Hanson.
\nRCA Victor 17995-17997.<\/td>\n<\/tr>\n
HD30.<\/strong><\/td>\nThe Lament for Beowulf \/ Hanson.
\nEastman-Rochester Symphony Orchestra and Eastman School Chorus; Hanson, conductor.
\nRCA Victor 11-8114 – 11-8116.<\/td>\n<\/tr>\n
HD32.<\/strong><\/td>\nSymphony No. 3 \/ Hanson.
\nBoston Symphony Orchestra; Serge Koussevitzky, conductor.
\nTest pressings; annotated as to Koussevitzky\u2019s approval.
\n9 discs, each 12\u201d<\/td>\n<\/tr>\n
HD34.<\/strong><\/td>\nSymphony No. 2 \/ Hanson.
\nEastman-Rochester Symphony Orchestra; Hanson, conductor. (Discs erroneously labelled \u201cAmerican Composers Orch[estra]\u201d.)
\nTest pressings; annotated as to Hanson\u2019s approval.
\n8 12\u201d discs<\/td>\n<\/tr>\n
HD35.<\/strong><\/td>\nSymphony No. 4 \/ Hanson. February 26, 1944.
\nNBC Symphony Orchestra; Stokowski, conductor.
\nOffice of War Information
\n4 12\u201d discs, 78 rpm
\n[copy of same]
\nEastman School of Music Recording [Services]
\n3 12\u201d discs, 78rpm<\/td>\n<\/tr>\n
HD36.<\/strong><\/td>\nSymphony No. 1 ( \u201cNordic\u201d ) \/ Hanson.
\nEastman-Rochester Symphony Orchestra; Hanson, conductor.
\nTest pressings, presumably for RCA Victor release; annotated by Hanson as to his approval.
\n9 12\u201d discs
\nAnd:
\n<\/em>Suite of Fairy Tales \/ [composer not cited].
\nEastman-Rochester Symphony Orchestra; Hanson, conductor.
\nTest pressings, presumably for RCA Victor release; annotated by Hanson as to his approval.
\n3 12\u201d discs<\/td>\n<\/tr>\n
HD37.<\/strong><\/td>\nThe Lament for Beowulf \/ Hanson.
\nEastman-Rochester Symphony Orchestra; Hanson, conductor.
\nTest pressings, presumably for RCA Victor release; discs initialled by Hanson.
\n9 12\u201d discs.
\nAccompanied by:
\n<\/em>Prologue from Dance Suite \/ Spencer Norton.Eastman-Rochester Symphony Orchestra; Hanson, conductor.
\nTest pressings, presumably for RCA Victor release; discs initialled by Hanson.
\n2 12\u201d discs.<\/td>\n<\/tr>\n
HD38.<\/strong><\/td>\nA Pagan Poem \/ Charles Martin Loeffler.
\nEastman-Rochester Symphony Orchestra; Hanson, conductor.
\nTest pressings, presumably for RCA Victor release; discs initialled by Hanson.
\n12 12\u201d discs.<\/td>\n<\/tr>\n
HD40.<\/strong><\/td>\nLament for a Fallen Leader \/ Perry W. Beach.
\nThe La Sierra College Choir, Moses Chalmers.
\nCriston Enterprises S102
\nOn side B: President Kennedy\u2019s Favorite Scripture (Ecclesiastes chapter 3). Gordon Biez, reader.
\n7\u201d disc, 33 1\/3 rpm<\/td>\n<\/tr>\n
HD41.<\/strong><\/td>\nSymphony No. 2 in A major \/ Daniel Gregory Mason. April 11, 1948.
\nNew York Philharmonic Orchestra; Bruno Walter, conductor.
\n3 discs (of 4), 78rpm; one disc lacking.<\/td>\n<\/tr>\n
HD53.<\/strong><\/td>\nSymphony no. 1 in E minor \/ Jean Sibelius.
\nNational High School Symphony Orchestra; Howard Hanson, conductor.
\nNational Music Camp (Interlochen, Michigan) NMC 1963-19
\n12\u201d disc, 33 1\/3 rpm<\/td>\n<\/tr>\n
HD54.<\/strong><\/td>\nSymphony no. 1, opus 9 \/ Samuel Barber; and, Symphony no. 2, opus 30 ( \u201cRomantic\u201d ) \/ Howard Hanson.
\nNational High School Symphony Orchestra; Howard Hanson George C. Wilson, conductors.
\nNational Music Camp (Interlochen, Michigan) NMC 1963-21
\n12\u201d disc, 33 1\/3 rpm.<\/td>\n<\/tr>\n
HD57.<\/strong><\/td>\nSerenade for Solo Flute, Harp, and String Orchestra, opus 35; and, Symphony no. 1 in E minor ( \u201cNordic\u201d ), opus 21 \/ Hanson.
\nNational High School Philharmonic Orchestra; Hanson, conductor.
\nNational Music Camp (Interlochen, Michigan). Crest Records NMC 1961-20. Original jacket lacking.
\n12\u201d disc, 33 1\/3 rpm.<\/td>\n<\/tr>\n
HD58.<\/strong><\/td>\nSymphony No. 2, opus 30 \/ Hanson.
\nNational High School Orchestra; Hanson, conductor.
\nNational Music Camp (Interlochen, Michigan) NMC 1959-24.
\n12\u201d disc, 33 1\/3 rpm<\/td>\n<\/tr>\n
HD60.<\/strong><\/td>\nMusic Educators National Conference, March, 1958.
\nSelections include: Song of Democracy \/ Hanson.
\nSouthern California Chorus; Charles C. Hirt and Howard Hanson, conductors.
\nSierra Records (Sierra Madre, California). Original jacket lacking.
\n12 disc, 33 1\/3 rpm.<\/td>\n<\/tr>\n
HD69.<\/strong><\/td>\nContemporary American Symphonic Classics.
\nPioneers: A symphonic saga \/ Charles Haubiel \u2014 American Suite \/ Charles Wakefield Cadman \u2014 Portraits \/ Charles Haubiel \u2014 Medieval Suite \/ Louis Edgar Johns.
\nPresentation copy. Inscribed to Howard Hanson by Charles Haubiel, November 7th, 1962.
\nDorian Records LP 1008
\n12\u201d disc, 33 1\/3 rpm<\/td>\n<\/tr>\n
HD78.<\/strong><\/td>\nMass [in G] \/ [Wayne] Barlow.
\n[Presumably the premiere performance in the Eastman Theater on May 10th, 1951, the composer conducting.]
\nEastman School of Music.
\nTwo 12\u201d discs, 78rpm<\/td>\n<\/tr>\n
HD80.<\/strong><\/td>\nArizona All-State Festival Concert, 1963.
\nArizona All-State Orchestra; Howard Hanson, guest conductor.
\nSelections include the following Hanson works: Love Duet from Merry Mount <\/em>\u2014 Symphony no. 1 in E minor ( \u201cNordic\u201d ), 2nd movement \u2014 Symphony no. 2 ( \u201cRomantic\u201d ), Finale.
\nCentury Records (Saugus, California) 10678. Original jacket lacking.
\n12\u201d disc, stereo, 33 1\/3 rpm.<\/td>\n<\/tr>\n
HD81.<\/strong><\/td>\nMusic Educators National Conference, March, 1958.
\nSouthern California Orchestra; Howard Hanson, conductor.
\nSelections include four original works by Hanson.
\nSierra Records (Sierra Madre, California). Original jacket lacking.
\n12\u201d disc, 33 1\/3 rpm.<\/td>\n<\/tr>\n
HD82.<\/strong><\/td>\nPenfield Music Week, 1963.
\nPenfield High School Girls\u2019 Choir and Penfield High School Senior Choir; various conductors, including Hanson, guest conductor.
\nSelections include Hanson\u2019s Song of Democracy, followed by a speech by Hanson.
\n12\u201d disc, 33 1\/3 rpm<\/td>\n<\/tr>\n
HD83.<\/strong><\/td>\nThe Composer and His Orchestra, volume III.
\nFor the First Time \/ Howard Hanson.
\nThe Eastman Philharmonia; Hanson, conductor and narrator.
\nMercury MG50357 Promotional Record (not for broadcast)
\n12\u201d disc, 33 1\/3 rpm<\/td>\n<\/tr>\n
HD84.<\/strong><\/td>\n\u201cIs America\u2019s Taste in Music Declining?\u201d. December 5, 1955.
\nRecorded by station KMOX (St. Louis).
\nTwo 12\u201d discs, 33 1\/3 rpm. (parts 1 and 3; 2 and 4, respectively)<\/td>\n<\/tr>\n
HD85.<\/strong><\/td>\nFestival Fanfare \/ Howard Hanson. Undated.
\nForces not identified.
\n10\u201d disc, 78rpm<\/td>\n<\/tr>\n
HD86.<\/strong><\/td>\nHigh School Symphonic Band; various conductors.
\nSelections include: Suite no. 1 in E-flat \/ Holst; Frederick Fennell, conductor.
\nNational Music Camp (Interlochen, Michigan) NMC 1963-18.
\n12\u201d disc, 33 1\/3 rpm.<\/td>\n<\/tr>\n
HD87.<\/strong><\/td>\nNational High School Symphony Orchestra.
\nSelections include: \u201cThe last spring\u201d from Two Melodies for String Orchestra, <\/em>opus 84 \/ Grieg (Hanson, conductor).
\nNational Music Camp (Interlochen, Michigan) NMC 1963-20
\n12\u201d disc, 33 1\/3 rpm.<\/td>\n<\/tr>\n
HD88.<\/strong><\/td>\nGreece Olympia Wind Ensemble; Roy S. Thrall, conductor.
\nSelections include: Chorale & Alleluia \/ Hanson (Hanson, guest conductor).
\nCentury Records (Saugus, California) 17258. Recorded in concert by Charles Burgess.
\n12\u201d disc, 33 1\/3 rpm.<\/td>\n<\/tr>\n
HD89.<\/strong><\/td>\nRip Van Winkle Overture \/ George Whitefield Chadwick. [April 16, 1943]
\n[Eastman School Junior Symphony Orchestra; Paul White, conductor. Performed at the 13th Annual Festival of American Music.]
\nEastman School of Music 126.13 (two sides); service copy
\n12\u201d disc, 78rpm<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1608050379548{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 10: Awards<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 110″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1608050350658{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nCertificate, from the American Society of Composers, Authors and Publishers on the occasion of HH\u2019s 75th birthday, recognizing HH\u2019s outstanding contributions (1971)<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nCertificate, from St. John Fisher College, conferring on HH the degree of Doctor of Humane Letters (1976)<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nCertificate, from the National Band Association, certifying HH\u2019s election as a Fellow of the Academy of Wind and Percussion Arts, 1977 (two copies)<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nPlaque, from the Phi Beta Award for excellent in music arts (1937)<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nPlaque, from the Sinfonia chapter of Phi Mu Alpha, conferring the Charles E. Lutton Award on HH (1953)<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nfrom the Mu Phi Epsilon Memorial Foundation, admitting HH as a Distinguished Member (1963)<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nfrom the New York State Music Teachers Association, recognizing the ESM on its 50th anniversary (1971)<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nTrophy, from the National Band Association Academy of Wind and Percussive Arts (1977)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 111″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1608050392369{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nPaperweight, from Drury College (Springfield, Missouri) on the occasion of its Centennial (1973)<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nPaperweight, from the National Music Camp (Interlochen, Michigan), recognizing 50 years of service to gifted youth (1978)<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nPaperweight, from Philips Classics, commemorating HH\u2019s Symphony no. 2 on compact disc (1990)<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nMedallion, honoring WHAM \u201cAmerica\u2019s Composers\u201d for outstanding achievement in bringing about a better understanding of the American way of life (1955)<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nMedallion, from the National Arts Club, recognizing HH\u2019 for distinguished service to music (1962)<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nMedallion, from The Hall of Fame for Great Americans at New York University (1972)<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nMedallion (on ribbon), from the County of Monroe (New York State). Without date<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

\u2190 HOWARD HANSON COLLECTION: Series 7-8<\/a><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

HOWARD HANSON COLLECTION\u2192<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1608049720396{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Series 9: Sound recordings [\/vc_column_text][vc_column_text] Sub-series A: Magnetic reels [\/vc_column_text][vc_custom_heading text=”Box 98″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1608049794981{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":6867,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-6923","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6923","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=6923"}],"version-history":[{"count":0,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6923\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/6867"}],"wp:attachment":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=6923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=6923"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=6923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}