{"id":7071,"date":"2021-01-12T15:52:38","date_gmt":"2021-01-12T20:52:38","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=7071"},"modified":"2025-03-06T11:38:30","modified_gmt":"2025-03-06T16:38:30","slug":"ser1-4","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/mmcpartland\/ser1-4\/","title":{"rendered":"MARIAN McPARTLAND COLLECTION"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text css=&#8221;.vc_custom_1610483697329{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<h3><a id=\"S1\"><\/a>Series 1: Sheet Music<\/h3>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1610483771794{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px;\"><a id=\"S1sA\"><\/a>Sub-series A: Compositions by Marian McPartland<\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 1&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610483708149{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Lead Sheets (Music by Marian McPartland). 7 items.<br \/>\n\u201cCastles in the Sand.\u201d Lyric by Walter Marks. Manuscript facsimile. 2 pp. Copy 2 (facsimile).<br \/>\n\u201cIn the Days of Our Love.\u201d Lyric by Peggy Lee. Manuscript facsimile (1979). 1 p.<br \/>\n\u201cMelancholy Mood.\u201d Lyric by Bernice Ross. Manuscript facsimile. 2 pp.<br \/>\n\u201cNext Time.\u201d Lyric by Loonis McGlohon. Typescript. 1 p.<br \/>\n\u201cTime and Time Again.\u201d Lyric by Judy Spencer. Manuscript facsimile. 1 p.<br \/>\n\u201cTwilight World.\u201d Lyric by Johnny Mercer. Manuscript facsimile. 2 pp.<br \/>\n\u201cWillow Creek.\u201d Lyrics by Loonis McGlohon. Manuscript facsimile. 2 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Music for Solo Piano.7 items.<br \/>\nIndividual compositions by Marian McPartland. 3 items.<br \/>\n\u201cA Delicate Balance.\u201d Manuscript facsimile (1972). 4 pp.<br \/>\n\u201cFor Dizzy.\u201d Manuscript facsimile. 1 p.<br \/>\n\u201cWith You in Mind.\u201d Facsimile of published score (New York: Mayfair Music Corp., 1957). 3 pp.<\/p>\n<p>Compilations including music by Marian McPartland and others. 4 items.<br \/>\n<em>The Artistry of Marian McPartland.<\/em> Transcriptions of recorded improvisations by Marian McPartland for solo piano by Don Sickler and John Oddo. Miami, FL: Columbia Pictures Publications, 1985. 56 pp. Contents include:<\/p>\n<ul>\n<li>\u201cEmily.\u201d Music by Johnny Mandel. Words by Johnny Mercer.<\/li>\n<li>\u201cSweet and Lovely.\u201d Words and music by Gus Arnheim, Harry Tobias, and Jules Lemare.<\/li>\n<li>\u201cLaura.\u201d Music by David Raskin. Words by Johnny Mercer.<\/li>\n<li>\u201cClose Your Eyes.\u201d Words and music by Bernice Petkere.<\/li>\n<li>\u201cIf You Could See Me Now.\u201d Music by Tad Dameron. Lyric by Carl Sigman.<\/li>\n<li>\u201cFor All We Know.\u201d Music by J. Fred Coots. Words by Sam M. Lewis.<\/li>\n<\/ul>\n<p><em>Jazz Sampler for Piano.<\/em> For solo piano. Melville, NY: Belwin Mills Publishing Corp., 1975. 20 pp. Includes: Marian McPartland, \u201cMelancholy Mood,\u201d pp. 4-5.<br \/>\n<em>Marian McPartland: Piano Jazz: Volume 1.<\/em> Selections from the Concord Jazz release <em>Marian McPartland: Live at Maybeck Recital Hall.<\/em> For solo piano [transcriptions]. Miami, FL: CPP\/Belwin, Inc., 1993. 68 pp.\u00a0 Contents include:<\/p>\n<ul>\n<li>\u201cEasy Living.\u201d By Ralph Rainger and Leo Robin.<\/li>\n<li>\u201cIt\u2019s You or no One.\u201d By Jule Styne and Sammy Cahn.<\/li>\n<li>\u201cLove You Madly.\u201d By Duke Ellington.<\/li>\n<li>\u201cMy Funny Valentine.\u201d Music by Richard Rodgers.<\/li>\n<li>\u201cTurn Around.\u201d By Ornette Coleman.<\/li>\n<li>\u201cThis Time the Dream\u2019s on Me.\u201d By Harold Arlen and Johnny Mercer.<\/li>\n<li>\u201cTwilight World.\u201d Music by Marian McPartland.<\/li>\n<li>\u201cPrelude to a Kiss.\u201d By Duke Ellington, Irving Gordon, and Irving Mills.<\/li>\n<\/ul>\n<p><em>Marian McPartland: Willow Creek and Other Ballads.<\/em> Transcriptions for solo piano by Ellen Rowe. Miami, FL: CPP\/Belwin, [198-]. 43 pp. Contents include:<\/p>\n<ul>\n<li>\u201cWithout You.\u201d By Ahmad Jamal.<\/li>\n<li>\u201cWillow Creek.\u201d By Marian McPartland and Loonis McGlohon.<\/li>\n<li>\u201cThe Things We Did Last Summer.\u201d Music by Jule Styne. Words by Sammy Cahn.<\/li>\n<li>\u201cAll in Love is Fair.\u201d By Stevie Wonder.<\/li>\n<li>\u201cBlood Count.\u201d By Billy Strayhorn.<\/li>\n<li>\u201cLong Ago and Far Away.\u201d Music by Jerome Kern. Words by Ira Gershwin.<\/li>\n<li>\u201cI\u2019ve Got a Crush on You.\u201d Music by George Gershwin. Words by Ira Gershwin.<\/li>\n<li>\u201cSummer Song.\u201d By Dave Brubeck.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Music for Jazz Ensemble.<br \/>\n<em>Afterglow.<\/em> Music by Marian McPartland. Arranged for jazz ensemble by Dick Lieb. Delevan, NY: Kendor Music, 1978.<\/p>\n<ul>\n<li>Full score. 6 pp.<\/li>\n<li>Instrumental parts: piano solo, 1st flute, 2nd flute, 1st alto sax, 2nd alto sax, 1st tenor sax, 2nd tenor sax, baritone sax, 1st trumpet, 2nd trumpet, 3rd trumpet, 4th trumpet, 1st &amp; 2nd horns in F, 1st trombone, 2nd trombone, 3rd trombone, 4th trombone, tuba, drums, bass (electric), guitar (electric), solo vibes or electric guitar. 28 pp.<\/li>\n<\/ul>\n<p><em>A Delicate Balance.<\/em> Music by Marian McPartland. Arranged for jazz ensemble by John LaBarbera. Delevan, NY: Kendor Music, 1978.<\/p>\n<ul>\n<li>Full score. 8 pp.<\/li>\n<li>Instrumental parts: piano solo, 1st alto sax\/opt. flute, 2nd alto sax\/opt. flute, 1st tenor sax, 2nd tenor sax, baritone sax, 1st trumpet, 2nd trumpet, 3rd trumpet, 4th trumpet, 1st trombone, 2nd trombone, 3rd trombone, 4th trombone, bass, guitar, drums. 32 pp.<\/li>\n<\/ul>\n<p><em>Time and Time Again.<\/em> Music by Marian McPartland. Arranged for jazz ensemble by Phil Wilson. Delevan, NY: Kendor Music, 1974.<\/p>\n<ul>\n<li>Full score. 4 pp.<\/li>\n<li>Manuscript instrumental parts: flute, horn. Ink and pencil. 4 pp.<\/li>\n<li>Instrumental parts: 1st alto sax, 2nd alto sax, 1st tenor sax, baritone sax, 1st trumpet, 2nd trumpet, 3rd trumpet, 4th trumpet (flugelhorn, if possible), 1st trombone, 2nd trombone, 3rd trombone, 4th trombone (bass), bass, piano. Published parts, with performance markings in pencil. 29 pp.<\/li>\n<\/ul>\n<p><em>Twilight World.<\/em> Music by Marian McPartland. Arranged for jazz ensemble by Ernie Wilkins. Delevan, NY: Kendor Music, 1975.<\/p>\n<ul>\n<li>Conductor\u2019s guide (reduced score). Published score, with performance markings in colored pencil and ink. 4 pp.<\/li>\n<li>Instrumental parts: 1st alto sax, 2nd alto sax, 1st tenor sax, 2nd tenor sax, baritone sax, 1st trumpet, 2nd trumpet, 3rd trumpet, 4th trumpet, 1st trombone, 2nd trombone, 3rd trombone, 4th trombone, bass, guitar, drums, piano. Published parts, with performance markings in pencil. 35 pp.<\/li>\n<\/ul>\n<p><em>Willow Creek.<\/em> By Marian McPartland and Loonis McGolohon. Arranged for jazz ensemble by Dick Lieb. Delevan, NY: Kendor Music, 1979. Full score. 8 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1610483862316{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px;\"><a id=\"S1sB\"><\/a>Sub-series B: Performance Scores and Library<\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 1&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610483708149{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Bernstein, Leonard. \u201cOne Hand, One Heart.\u201d From <em>West Side Story.<\/em> Lyrics by Stephen Sondheim.<br \/>\nPiano vocal score. New York: G. Schirmer, 1957. 4 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Dodd, John, arr. <em>Alec Wilder Medley.<\/em> For symphony orchestra.<br \/>\nInstrumental parts: piano, violin I, violin II, viola, cello, bass, flute I, flute II, oboe, alto I, alto II, tenor I, bari, horn I, horn II, trumpet I, trumpet II, trumpet III, trumpet IV, trombone I, trombone II, trombone III, trombone IV, tuba, harp, percussion I, percussion II, guitar, drums (trio), traps. Manuscript, ink and pencil. 129 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Dodd, John, arr. <em>Alec Wilder Medley.<\/em> For symphony orchestra.<br \/>\nInstrumental parts: \u201cMarian\u201d (piano solo), violin I (3 copies), violin II (2 copies), viola (2 copies), cello (2 copies), bass (2 copies), harp (2 copies), percussion (2 copies), drum set, bass (rhythm). Manuscript facsimile, with performance markings in pencil. 80 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Dodd, John, arr. <em>Alec Wilder Medley.<\/em> For symphony orchestra.<br \/>\nInstrumental parts: flute I (2 copies), flute II (2 copies), oboe I (2 copies), oboe II (2 copies), bassoons, clarinet I (2 copies), clarinet II (2 copies), horns 1 &amp; III (2 copies), horns II &amp; IV (2 copies), trumpet I (2 copies), trumpet II (2 copies), trumpet III (2 copies), trombone I (2 copies), trombone II (2 copies), trombone III (2 copies), tubs (2 copies). Manuscript facsimile, with performance markings in pencil. 138 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 2&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610485679759{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Moore, Michael. <em>The Wisdom of the Heart.<\/em> Arranged by John La Barbera. For jazz ensemble. Delvan, NY: Kendor Music, 1978.<br \/>\nConductor\u2019s score. 6 pp.<br \/>\nInstrumental parts: piano (solo), optional B-flat solo part, 1st alto sax, 2nd alto sax, 1st tenor sax, 2nd tenor sax, baritone sax, 1st trumpet, 2nd trumpet, 3rd trumpet, 4th trumpet, 1st trombone, 2nd trombone, 3rd trombone, 4th trombone, bass, drums, guitar. 28 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Wilder, Alec. <em>Fantasy for Piano and Wind Ensemble.<br \/>\n<\/em>Instrumental parts: solo piano (2 copies), piccolo, flute I, flute II, oboe I, oboe II, bassoon I, bassoon II, E-flat clarinet, clarinet I, clarinet II, clarinet III, bass clarinet I, bass clarinet II, contrabass clarinet, alto sax I, alto sax II, tenor I, tenor II, baritone sax, horn I &amp; II, horn III &amp; IV, trumpet I, trumpet II, trumpet III, trumpet IV, trombone I, trombone II, trombone III, trombone IV (bass trombone), euphonium, tuba, rhythm bass, drums, percussion (2 copies), timpani. Manuscript facsimile. 86 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Wilder, Alec. <em>Fantasy for Piano and Wind Ensemble.<\/em> Delevan, NY: Kendor Music, 1977.<br \/>\nConductor\u2019s score (condensed). 12 pp.<br \/>\nInstrumental parts: piccolo, 1st flute (4 copies), 2nd flute (3 copies), 1st oboe, 2nd oboe, 1st bassoon, 2nd bassoon, E-flat clarinet, 1st clarinet (3 copies), 2nd clarinet (3 copies), 3rd clarinet (3 copies), E-flat alto clarinet (2 copies), bass clarinet, E-flat contra-alto clarinet, 1st alto sax, 2nd alto sax, 1st tenor sax, 2nd tenor sax, baritone sax, 1st cornet (3 copies), 2nd cornet (2 copies), 3rd cornet (2 copies), 4th cornet\/flugelhorn (2 copies), 1st &amp; 2nd horns (2 copies), 3rd &amp; 4th horns (2 copies), 1st trombone (2 copies), 2nd trombone (2 copies), 3rd trombone (2 copies), 4th trombone (bass), baritone (bass clef) (2 copies), baritone (treble clef) (2 copies), basses (5 copies), string bass (rhythm), drum set, timpani, percussion (3 copies). 67 pp.<br \/>\nConductor\u2019s score (condensed). Copy 2, with annotations in pencil. 12 pp.<br \/>\nSolo piano part, with annotations in pencil. 6 pp.<br \/>\nInstrumental parts (set 2): piccolo, 1st flute (4 copies), 2nd flute (3 copies), 1st oboe, 2nd oboe, 1st bassoon, 2nd bassoon, E-flat clarinet, 1st clarinet (4 copies), 2nd clarinet (4 copies), 3rd clarinet (4 copies), E-flat alto clarinet (2 copies), bass clarinet, E-flat contra-alto clarinet, 1st alto sax, 2nd alto sax, 1st tenor sax, 2nd tenor sax, baritone sax, 1st cornet, 2nd cornet, 3rd cornet, 4th cornet\/flugelhorn, 1st &amp; 2nd horns (2 copies), 3rd &amp; 4th horns (2 copies), 1st trombone, 2nd trombone, 3rd trombone, 4th trombone (bass), baritone (bass clef), basses, string bass (rhythm), drum set, timpani, percussion (3 copies). Published parts, with performance markings in pencil. 55 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Wilder, Alec. <em>I\u2019ll Be Around.<\/em> Arranged by Sammy Nestico. For stage band. Delevan, NY: Kendor Music, 1974.<br \/>\nConductor\u2019s guide (reduced score). 2 pp.<br \/>\nInstrumental parts: 1st alto sax, 2nd tenor sax, 3rd alto sax, 4th tenor sax, 5th baritone sax, 1st trumpet, 2nd trumpet, 3rd trumpet, 4th trumpet, 1st F horn, 2nd F horn, 1st trombone, 2nd trombone, 3rd trombone, 4th trombone, tuba, piano, guitar, drums, bass. 21 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Wilder, Alec. <em>I\u2019ll Be Around.<\/em> Arranged by Rayburn Wright. For strings, winds, and rhythm. Delevan, NY: Kendor Music, 1979.<br \/>\nInstrumental parts: 1st violin (8 copies), 2nd violin (8 copies), viola (5 copies), cello (5 copies), bass (5 copies), 1st flute, 2nd flute &amp; piccolo, oboe, English horn, 1st clarinet, 2nd clarinet, 3rd clarinet, bass clarinet, 1st bassoon, 2nd bassoon, 1st horn, 2nd horn, 3rd horn, 4th horn, 1st trumpet, 2nd trumpet, 3rd trumpet, 4th trumpet, 1st trombone, 2nd trombone, bass trombone, tuba, timpani, percussion I, percussion II, harp, piano. 91 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Wilder, Alec. <em>I\u2019ll Be Around.<\/em> Arranged by Rayburn Wright. For strings, winds, and rhythm. Delevan, NY: Kendor Music, 1979.<br \/>\nFull score, with performance markings in pencil. 26 pp.<br \/>\nInstrumental parts: 1st violin (3 copies and 3 facsimiles), 2nd violin (4 copies), viola (3 copies), cello (3 copies), bass (1 facsimile and 2 copies), 1st flute, 2nd flute &amp; piccolo, oboe, English horn, 1st clarinet, 2nd clarinet, 1st bassoon, 2nd bassoon, 1st horn, 2nd horn, 3rd horn, 4th horn, 1st trumpet, 2nd trumpet, 3rd trumpet (1 copy and 1 manuscript transcription), 4th trumpet, 1st trombone (edited), 2nd trombone (edited), bass trombone (edited), tuba, harp, piano, rhythm bass (edited), rhythm bass\/drum set (edited facsimile), timpani, percussion I, percussion II. Published parts, with performance markings in pencil.77 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Wilder, Alec, Morty Palitz, and William Engvick. <em>While We\u2019re Young.<\/em> Arranged by Manny Mendelson. For strings, winds, and rhythm. Delevan, NY: Kendor Music, 1979.<br \/>\nFull score. 20 pp. 2 copies.<br \/>\nInstrumental parts: 1st violin (8 copies), 2nd violin (8 copies), viola (5 copies), cello (5 copies), bass (5 copies), 1st flute\/piccolo, 2nd flute, oboe, bassoon, 1st clarinet, 2nd clarinet, 1st trumpet, 2nd trumpet, 3rd trumpet, 4th trumpet, 1st &amp; 2nd horns (2 copies), 3rd &amp; 4th horns (2 copies), 1st trombone, 2nd trombone, 3rd trombone, 4th (bass) trombone, tuba, rhythm bass, piano, harp, drum set, percussion I, percussion II. 60 pp<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1610484029580{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<h3><a id=\"S2\"><\/a>Series 2: Papers<\/h3>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1610484070571{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px;\"><a id=\"S2sA\"><\/a>Sub-series A: Professional Papers<\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 3&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610485728654{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>item 1<\/strong><\/td>\n<td>Biographical File.<br \/>\nSeries of index cards containing biographical information about Marian McPartland\u2019s life and career. Includes anecdotes pertaining to Marian\u2019s personal life as well as references to documents in her personal and professional papers (i.e., photographs, correspondence, press clippings and publicity materials, recordings, and other documents). Cards organized chronologically with tab dividers labeled \u201c1918\u201d through \u201c1976,\u201d 1 unlabeled. Typescript, with annotations in pencil and ink; dated 1907-1969. 1,015 cards.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 4&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610485789279{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Awards Panel Applications. 2 items.<br \/>\nApplication for Popular Awards Panel. Document consists of list of recent compositions, recent recordings, and recent performances by Marian McPartland. Typescript; dated 1996. 3 pp.<br \/>\nApplication for Popular Awards Panel. Document consists of list of recent compositions, recent recordings, and recent performances by Marian McPartland. Typescript; dated 1997. 5 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Carlson, Rachel (<em>A Portrait of Rachel Carlson<\/em>).<br \/>\nPapers. 4 items.<br \/>\n\u201cExplanation of Piece.\u201d Program notes for <em>A Portrait of Rachel Carlson.<\/em> Typescript; timecode dated September 20, 2007. 3 pp.<br \/>\nUntitled poetry. Typescript, with annotated note to Shari Hutchinson (\u201cHere\u2019s what I started \u2013 M.\u201d); undated. 2 pp.<br \/>\nDraft of introduction of <em>A Portrait of Rachel Carson<\/em> by Moss Bresnahan (President and CEO, South Carolina ETV and Radio). Typescript; undated. 4 pp.<br \/>\n\u201cCelebrating Rachel Carson (1907-1964),\u201d Rachel Carson Council Inc., March 2007. Brochure. 16 pp.<br \/>\nPublicity and Press Materials. 7 items.<br \/>\n<em>Sierra Club<\/em> <em>Newsletter,<\/em> Spring 2007. Includes article titled \u201cIn Celebration of Rachel Carson.\u201d 6 pp.<br \/>\nGregory Barnes, \u201cReview: A Beautiful Symphony of the Great Outdoors,\u201d <em>The State,<\/em> November 17, 2007. Printout of news article from <em>The State<\/em> website. 1 p.<br \/>\nJeffrey Day, \u201cJazz Woman Extraordinaire: Music is Marian McPartland\u2019s Whole Life; Now She\u2019s Bringing New Sounds to Columbia,\u201d <em>The State,<\/em> November 11, 2007. Printout of news article from <em>The State<\/em> website. 4 pp.<br \/>\nJeffrey Day, \u201cWho was Rachel Carson?\u201d Article from unknown newspaper. Press clipping; undated. 1 p.<br \/>\nCarl Pope, \u201cTrashing Rachel Carson: The Pesticide Lobby Still Wants Revenge,\u201d <em>Sierra,<\/em> September\/October 2007, p. 6. (Page extracted from magazine). 1 p.<br \/>\nSusanne M. Schafer, \u201cMarian McPartland Debuts Symphonic Work,\u201d <em>SFGate.com,<\/em> November 14, 2007. Printout of news article from <em>SFGate.com<\/em> website. 2 pp.<br \/>\n\u201cRetire? Who, me? Says McPartland,\u201d <em>Democrat and Chronicle,<\/em> November 16, 2007, 2A. Facsimile of newspaper article. 1 p.<br \/>\nPoster for premiere of <em>A Portrait of Rachel Carson,<\/em> ETV; undated. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>\u201cCelebrity Signatures.\u201d 9 items.<br \/>\nHerman Chittison. 1 item.<br \/>\nFacsimile of excerpt from concert program, with inscription to Marian McPartland and autograph; undated. 1 p.<br \/>\nChick [Corea]. 1 item.<br \/>\nFacsimile of note card from Chick [Corea] to Marian McPartland; dated March 1979. 2 pp.<br \/>\nTed Easton\u2019s Jazzband. 1 item.<br \/>\nFacsimile of concert program, with autographs and inscriptions from Beryl Bryden and members of Ted Easton\u2019s Jazzband; undated. 2 pp.<br \/>\nBill Evans. 1 item.<br \/>\nFacsimile of note to Marian McPartland from Bill Evans; dated October 15, 1975, with addendum dated November 6, 1978. Note includes manuscript sketch. 1 p.<br \/>\nBud Freeman. 1 item.<br \/>\nFacsimile of concert program, with inscription to Marian McPartland and autograph from Bud Freeman and inscription from Jimmy McPartland; May 1975. 2 pp.<br \/>\nDave Garroway. 1 item.<br \/>\nDave Garroway (National Broadcasting Company) to Marian McPartland. Facsimile of 1 letter. Typescript, on professional letterhead; dated August 30, 1951. 1 p.<br \/>\nBarry Sand. 1 item.<br \/>\nBarry Sand (Producer, <em>The Mike Douglas Show<\/em>) to Marian McPartland. Facsimile of 1 letter. Typescript, on professional letterhead; dated January 24, 1973. 1 p.<br \/>\nThe White House. 2 items.<br \/>\nPierre Salinger (Press Secretary to the President) to Marian McPartland. Facsimile of 1 letter and front of envelope. Typescript, on professional letterhead; dated January 7, 1964. 2 pp.<br \/>\nThe Social Secretary [for] the White House to Marian McPartland. Facsimile of 1 telegram (invitation to April 29, 1969, dinner in honor of Duke Ellington). Typescript; dated April 22, [1969]. 1 p,<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Contracts and Agreements, 1954-1969. 32 items.<br \/>\nContract with Capitol Records, Inc. Typescript contract, signed; dated April 29, 1954. 2 pp.<br \/>\nContract with the Brass Rail, Milwaukee, WI. Facsimile of typescript contract, signed; dated August 5, 1958. 1 p.<br \/>\nContract with Baker\u2019s Keyboard, Detroit, MI. Typescript contract, signed; dated November 28, 1960. 1 p.<br \/>\nContract with the Grandview Inn, Columbus, OH. Typescript contract, signed; dated December 5, 1960. 1 p.<br \/>\nContract with Chary\u2019s Restaurant and Lounge, Miami, FL. Typescript contract, signed; dated January 11, 1961. 1 p.<br \/>\nContract with Market Square Lounge, LaFayette, IN. Typescript contract, signed; dated January 27, 1961. 2 pp.<br \/>\nContract with Harold Davison Ltd., operator for the British Broadcasting Corp., London, England. Typescript contract, signed; dated January 27, 1961. 1 p. Accompanied by typescript rider, signed. 1 p.<br \/>\nContract with the Roundtable, New York, NY. Typescript contract, signed; dated April 5, 1961. 2 pp.<br \/>\nContract with the London House, Chicago, IL. Typescript contract, signed; dated May 8, 1961. 2 pp.<br \/>\nContract with Huddie-Embers, Indianapolis, IN. Typescript contract, signed; dated July 12, 1961. 2 pp.<br \/>\nContract with the Padded Cell, Minneapolis, MN. Typescript contract, signed; dated June 28m 1961. 2 pp.<br \/>\nContract with Jazz Central, St. Louis, MO. Typescript contract, signed; dated June 30, 1961. 1 p.<br \/>\nContract with the Wurlitzer Company. Typescript contract, signed; dated July 16, 1961.<br \/>\nContract with the Town Tavern, Toronto, Canada. Typescript contract, signed; dated July 28, 1961. 1 p.<br \/>\nContract with the Market Square Lounge, LaFayette, IN. Typescript contract, signed; dated February 5, 1962. 2 pp.<br \/>\nContract with the Hickory House, New York, NY. Typescript contract, signed; dated May 3, 1962. 1 p.<br \/>\nContract with Huddie-Embers, Indianapolis, IN. Typescript contract, signed; dated March 16, 1965. 2 pp.<br \/>\nContract with the Blue Spruce Inn, Long Island, NY. Typescript contract, signed; dated March 31, 1965. 1 p.<br \/>\nContract with the Showboat Club, Detroit, MI. Typescript contract, signed; dated October 9, 1965. 1 p.<br \/>\nContract with Les Champs, New York, NY. Typescript contract, signed; dated December 28, 1965. 1 p.<br \/>\nContract with the Long Meadow Country Club, Springfield, MA. Typescript contract, signed; dated March 17, 1966. 1 p.<br \/>\nContract between Jimmy McPartland and the Longmeadow Country Club, Springfield, MA. Typescript contract, signed; dated July 21, 1966.\u00a0 2 pp. 2 copies.<br \/>\nContract with the Park Plaza Hotel, Toronto, Canada. Typescript contract, signed; dated July 25, 1966. 2 pp.<br \/>\nContract with the Apartment, New York, NY. Typescript contract, signed; dated August 11, 1966. 1 p.<br \/>\nContract with the Jazz Suite, Beverly Hills, CA. Typescript contract, signed; dated August 8, 1968. 1 p.<br \/>\nContract with the Board of Cooperative Educational Services of Suffolk County. Typescript contract, signed; dated September 18, 1968. 1 p.<br \/>\nContract with the Board of Cooperative Educational Services of Suffolk County. Typescript contract, signed; dated September 18, 1969. 1 p.<br \/>\nContract with the Apartment, New York, NY. Typescript contract, signed; dated October 4, 1968. 2 pp.<br \/>\nContract with Doug Dukes, Rochester, NY. Typescript contract, signed; undated (date of engagement: November 15-16, 1968). 1 p.<br \/>\nContract with the University of Utah, Salt Lake City, UT. Typescript contract, signed; dated October 10, 1969. 2 pp. 2 copies.<br \/>\nContract with the Theatrical Rest, Cleveland, OH. Typescript contract, signed; dated October 21, 1969. 1 p.<br \/>\nContract with the University of North Carolina, Charlotte, NC. Typescript contract, signed; dated November 1, 1969. 1 p. Accompanied by typescript rider. 2 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Contracts and Agreements, 1970-1972. 22 items.<br \/>\nContract with Downbeat, New York, NY. Typescript contract, signed; dated January 25, 1970. 2 pp.<br \/>\nContract with the Four Seasons, Aspen, CO. Typescript contract, signed; dated May 5, 1970. 1 p.<br \/>\nContract with the Four Seasons, Aspen, CO. Typescript contract, signed; dated June 30, 1970. 1 p. 2 copies.<br \/>\nContract with the Four Seasons, Aspen, CO. Typescript contract, signed; dated August 4, 1970. 1 p.<br \/>\nContract with the Monticello Restaurant, Rochester, NY. Typescript contract, signed; dated October 6, 1970. 1 p.<br \/>\nContract with the Senate Lounge, Denver, CO. Typescript contract, signed; dated October 13, 1970. 1 p.<br \/>\nContract with the Westchester Symphony Orchestra, Whiteplains, NY. Typescript contract, signed; dated October 15, 1970.<br \/>\nContract with the British Broadcasting Corporation. Typescript contract, signed; dated September 18, 1970. 6 pp.<br \/>\nContract with the Frog and Nightgown, Raleigh, NC. Typescript contract, signed; dated November 2, 1970. 1 p.<br \/>\nContract with the Sky Club, New York, NY. Typescript contract, signed; dated February 26, 1971.<br \/>\nContract with Junior Academy, Canandaigua, NY. Typescript contract, signed; dated March 3, 1971. 1 p.<br \/>\nContract with Chautauqua, NY. Typescript contract, signed; dated May 1, 1971. 1 p. 2 copies.<br \/>\nContract with Community Concerts, Columbia Artists Management, for performance in Park Ridge, IL. Typescript contract, signed; dated June 3, 1971. 1 p.<br \/>\nContract with Willis Henderson for performance at private party, Charlotte, NC. Typescript contract, signed; dated June 9, 1971. 1 p.<br \/>\nDating order form (request for biographical story or circular) from Columbia Artists Management. 1 typescript form; dated June 10, 1971. 1 p.<br \/>\nContract with Frog and Nightgown, Raleigh, NC. Typescript contract, signed; dated July 21, 1971. 1 p.<br \/>\nContract with Dinkler\u2019s Motor Inn, Syracuse, NY. Typescript contract, signed; dated August 11, 1971. 1 p.<br \/>\nContract with New York State University\u2014Newing College, Binghamton, NY. Typescript contract, signed; dated September 16, 1971. 1 p.<br \/>\nContract with the Blues Alley, Washington, DC. Typescript contract, signed; dated January 13, 1972. 1 p.<br \/>\nContract with the Foxes Music Co., Falls Church, VA. Typescript contract, signed; dated January 15, 1972. 1 p. 2 copies.<br \/>\nContract with the Town Hall, New York University, New York, NY. Typescript contract, signed; undated (date of engagement: February 9, 1972). 1 p.<br \/>\nContract with Northern Illinois University. Typescript contract, signed; undated (date of engagement: March 12, 1972). 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Contracts and Agreements, 1997-2012. 14 items.<br \/>\nContract with the Jewish Community Center, Pittsburgh, PA. Typescript contract, signed; dated November 21, 1997. 2 pp. Accompanied by typescript contract rider. 1 p.<br \/>\nContract with the George Mason University Center for the Arts, Fairfax, VA. Typescript contract, signed; dated December 4, 1997. 2 pp. Accompanied by typescript contract rider. 1 p.<br \/>\nContract with KCBX, San Luis Obispo, CA. Typescript contract, signed; dated [March 26, 1998. 2 pp. Accompanied by (3 items):<\/p>\n<ul>\n<li>Typescript contract rider. 1 p.<\/li>\n<li>Typescript contract for traveling engagements. 1 p.<\/li>\n<li>Facsimile of Marian McPartland Trio stage diagram. 1 p.<\/li>\n<\/ul>\n<p>Contract with Dimitriou\u2019s JazzAlley, Seattle, WA. Typescript contract, signed; dated November 16, 1998. 2 pp. Accompanied by (2 items):<\/p>\n<ul>\n<li>Typescript contract rider. 1 p.<\/li>\n<li>Facsimile of Marian McPartland Trio stage diagram. 1 p.<\/li>\n<\/ul>\n<p>Contract with Koger Center for the Arts, University of South Carolina, Columbia, SC. Facsimile of typescript contract, signed; dated November 17, 1998. 2 pp. Accompanied by (4 items):<\/p>\n<ul>\n<li>Facsimile of typescript contract rider. 1 p.<\/li>\n<li>Facsimile of Marian McPartland Trio stage diagram. 1 p.<\/li>\n<li>Addendum #2 (pertaining to concession sales). 1 p.<\/li>\n<li>Addendum #3 (pertaining to closed circuit audio and video). 1 p.<\/li>\n<\/ul>\n<p>Contract with PACE University, New York, NY. Typescript contract, signed; dated November 25, 1998. 2 pp. Accompanied by (2 items):<\/p>\n<ul>\n<li>Typescript contract rider. 1 p.<\/li>\n<li>Facsimile of Marian McPartland Trio stage diagram. 1 p.<\/li>\n<\/ul>\n<p>Contract with the Arts Center at College of DuPage, Glen Ellyn, IL. Typescript contract, signed; dated December 3, 1998. 2 pp. Accompanied by (3 items):<\/p>\n<ul>\n<li>Typescript contract rider. 1 p.<\/li>\n<li>Facsimile of Marian McPartland Trio stage diagram. 1 p.<\/li>\n<li>Arts Center contract rider. 1 p.<\/li>\n<\/ul>\n<p>Contract with the Sarasota Jazz Club, Sarasota, FL. Typescript contract, signed; dated November 24, 1999. 2 pp. Accompanied by (3 items):<\/p>\n<ul>\n<li>Typescript contract rider. 1 p.<\/li>\n<li>Typescript contract for traveling engagements. 1 p.<\/li>\n<li>Facsimile of Marian McPartland Trio stage diagram, with annotations in ink. 1 p.<\/li>\n<\/ul>\n<p>Contract with the Ravinia Festival, Highland Park, IL. Typescript contract, signed; dated February 18, 2000.<\/p>\n<ul>\n<li>Typescript contract rider. 1 p.<\/li>\n<li>Correspondence: Penny Tyler (Ravinia Jazz Festival Coordinator) to Marian McPartland and Dave Brubeck. 1 letter. Typescript, on professional letterhead; dated March 8, 2000. 1 p.<\/li>\n<\/ul>\n<p>Contract with the Brooklyn Conservatory of Music, Brooklyn, NY. Facsimile of typescript and signed contract; dated April 27, 2000. 2 pp. Accompanied by (2 items):<\/p>\n<ul>\n<li>Typescript contract rider. 1 p.<\/li>\n<li>Typescript contract for traveling engagements. 1 p.<\/li>\n<\/ul>\n<p>Contract with the University of Richmond, Modlin Center, Richmond, VA. Typescript contract, signed; dated June 30, 2000. 2 pp. Accompanied by (4 items):<\/p>\n<ul>\n<li>Typescript contract rider. 1 p.<\/li>\n<li>Facsimile of Marian McPartland Trio stage diagram. 1 p.<\/li>\n<li>Facsimile of house rider (off site) for the Modlin Center for the Arts. 2 pp.<\/li>\n<li>Correspondence: Steve Baker (Executive Producer, International Association for Jazz Education) to Marian McPartland. 1 letter, with annotations in ink. Typescript, on professional letterhead; dated October 24, 2002.<\/li>\n<\/ul>\n<p>Contracts relating to performances at Dizzy\u2019s Club Coca-Cola. 5 items:<\/p>\n<ul>\n<li>Correspondence: Laurel J. Wicks (Ted Kurland Associates) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; undated.<\/li>\n<li>Contract with Jazz at Lincoln Center (pertaining to \u201c30th Anniversary of NPR\u2019s <em>Piano Jazz<\/em> hosted by Marian McPartland with special guests\u201d). Typescript contract; dated March 13, 2009. 3 pp.<\/li>\n<li>Contract with Jazz at Lincoln Center. Typescript contract; dated March 11, 2009. 1 p.<\/li>\n<li>Typescript contract rider; dated March 13, 2009. 2 pp.<\/li>\n<li>Contract with Jazz at Lincoln Center, New York, NY (pertaining to \u201c30th Anniversary of NPR\u2019s <em>Piano Jazz<\/em> hosted by Marian McPartland with special guests\u201d). Facsimile of typescript and signed contract; dated June 24, 2009. 3 pp.<\/li>\n<\/ul>\n<p>Contract with Jazz at Lincoln Center, New York, NY (pertaining to \u201cGenerations in Jazz Festival: Marian McPartland and Friends\u201d). Facsimile of draft of typescript concert; dated August 2, 2011. 3 pp.<br \/>\nContract pertaining to performance at Temple Judea, Massapequa, Long Island, NY; dated November 29, 19&#8211;. Typescript contract. 1 p. Accompanied by (1 item):<\/p>\n<ul>\n<li>Single Engagement Performance Report. Typescript form, on 3-part carbon paper. 3 pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>\u201cEarly School Years\u201d (1931-1937).<br \/>\nConcert Programs. 5 items.<br \/>\nFacsimiles of 5 concert programs. Dates represented:<\/p>\n<ul>\n<li>May 8, 1934. 4 pp.<\/li>\n<li>October 11, 1934. 2 pp.<\/li>\n<li>December 13-15, 1934. 2 pp.<\/li>\n<li>November 4, 1936. 4 pp.<\/li>\n<li>October 27, 1937. 4 pp.<\/li>\n<\/ul>\n<p>Report Cards. 3 items.<\/p>\n<ul>\n<li>Holy Trinity Convent School for Girls, Bromley, Kent. Facsimile of report card for the term ending July 24, 1931. 2 pp.<\/li>\n<li>Stratford House School, Bickley. Facsimile of report card for the spring term, 1934. 2 pp.<\/li>\n<li>Facsimile of school record; undated [after July 1938]. 1 p.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>ESM Investiture Ceremony of Dean Douglas Lowry (2007). 5 items.<br \/>\nRay [Ricker] to Marian McPartland. 1 card. Ink, on stationary for the Eastman School of Music; dated October 30, 2007.<br \/>\nRemarks for investiture ceremony and presentation of honorary degree (including introduction of Marian McPartland and presentation of honorary degree). Typescript draft of remarks, on thermal fax paper; undated. 2 pp. Copy 2 (facsimile).<br \/>\nScript for the investiture ceremony of Dean Douglas Lowry. Typescript; undated. 8 pp.<br \/>\nProgram for investiture ceremony; October 27, 2007.<br \/>\nPress clipping (pertaining to investiture ceremony and presentation of honorary degree); dated October 28, 2007. 2 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>\u201cFairchild, Sherman.\u201d 14 items.<br \/>\nCorrespondence: Robert A. Suomala to Marian McPartland. 1 letter. Typescript, signed in ink; dated November 28, 2007. 1 p.<br \/>\nFacsimile of cover to <em>The Open Road,<\/em> October 1924. 1 black and white facsimile, printed on photography paper. 1 p. Cover features photograph of Sherman Fairchild.<br \/>\nFacsimile of cover to <em>Time,<\/em> Vol. 76, No. 4 (July 25, 1960). 1 color facsimile, printed on photography paper. 1 p. Cover features portrait of Sherman Fairchild.<br \/>\n\u201cWall Street: the Yankee Tinkerers,\u201d <em>Time,<\/em> Vol. 76, No. 4 (July 25, 1960), pp. 62-63. Facsimile of article (incomplete). 2 pp.<br \/>\nRobert A. Suomala, \u201cIt All Started with a Camera: Sherman Mills Fairchild (1896-1971).\u201d 2 copies:<\/p>\n<ul>\n<li>Typescript draft of article; dated 2006. 2 pp.<\/li>\n<li><em>Photographica Digest <\/em>[newsletter of the Western Photographic Historical Society], Vol. 13, No. 10 (October 2006). 8 pp. Article appears on pp. 5-7.<\/li>\n<\/ul>\n<p>Printouts of biographical information on Sherman Fairchild and George W. Fairchild from various online sources. 6 items:<\/p>\n<ul>\n<li>\u201cSherman Fairchild,\u201d Wikipedia<em>,<\/em> last updated October 19, 2007, http:\/\/en.wikipedia.org\/wiki\/Sherman_Fairchild. 8 pp.<\/li>\n<li>\u201cSherman Mills Fairchild,\u201d Hill Aerospace Museum, accessed November 6, 2006, http:\/\/www.hill.af.mil\/museum\/history\/fairchild.htm. 1 p.<\/li>\n<li>\u201cSherman Fairchild Bio,\u201d Butler County Warbirds, accessed November 6, 2006, http:\/\/bcwarbirds.com\/sherman_fairchild_bio.htm. 2 pp.<\/li>\n<li>\u201cSherman M. Fairchild,\u201d Sherman Fairchild Library of Engineering and Applied Science, last updated May 18, 2004. http:\/\/library.caltech.edu\/sherman\/fairchild.htm. 2 pp.<\/li>\n<li>\u201cSherman Mills Fairchild,\u201d National Aviation Hall of Fame,\u201d accessed November 6, 2006. http:\/\/nationalaviation.blade6.donet.com\/components\/content_manager_v02\/view_nahf\/htdocs\/menu_ps.asp?NodeID=1048584301&amp;group_ID=1134656385&amp;Parent_ID=-1. 5 pp.<\/li>\n<li>\u201cGeorge W. Fairchild,\u201d IBM Archives, accessed November 6, 2006. http:\/\/www-03.com\/ibm.history.exhibits.chairmen.chairmen_2.html. 1 p.<\/li>\n<\/ul>\n<p>Printouts of biographical information on Marian McPartland and Jimmy McPartland from Wikipedia. 2 items:<\/p>\n<ul>\n<li>\u201cMarian McPartland,\u201d Wikipedia, last updated October 24, 2007, http:\/\/en.wikipedia.org\/wiki\/Marian_McPartland. 3 pp.<\/li>\n<li>Text from Wikipedia entries titled \u201cMarian McPartland\u201d and \u201cJimmy McPartland\u201d; undated. 1 p.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>\u201cFilms by Huey.\u201d (Material pertaining to <em>In Good Time<\/em> documentary film.) 8 items.<br \/>\nCorrespondence. 6 items.<br \/>\nHuey to Marian McPartland. 6 letters. Includes:<\/p>\n<ul>\n<li>1 letter. Typescript, unsigned, on professional letterhead; dated November 12, 2006. 1 p.<\/li>\n<li>1 letter. Typescript, signed in ink, on professional letterhead; dated August 7, 2009. 1 p.<\/li>\n<li>1 letter. Typescript, signed in ink, on professional letterhead, with inscription from \u201cJudy\u201d; dated April 22, 2010. 1 p.<\/li>\n<li>1 letter. Typescript, signed in ink, on professional letterhead; dated December 31, 2010. 2 pp.<\/li>\n<li>1 fax. Typescript, on professional letterhead; dated January 11, 2011. 3 pp.<\/li>\n<\/ul>\n<p>Invitation to premiere of <em>In Good Time: The Piano Jazz of Marian McPartland,<\/em> March 19, [2011]. Typescript; undated. 1 p.<br \/>\nPublicity and Press Materials. 2 items.<br \/>\n\u201cFilm and Video Programs: December 2011.\u201d Brochure from the Port Washington Public Library. Typescript, December 2011. 4 pp. On front cover of brochure: note from \u201cLinda\u201d to Marian McPartland; dated December 2, 2011.<br \/>\nReview of <em>In Good Time: The Piano Jazz of Marian McPartland<\/em> ([Portland, Me.]: Films by Huey, 2011). From review article by James Hale, \u201cMust-Have Jazz DVDs of 2011,\u201d <em>Downbeat,<\/em> December 2011, p. 71 (page excerpted from magazine). On reverse: advertisement for <em>In Good Time: The Piano Jazz of Marian McPartland.<\/em><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>\u201cHalcyon.\u201d 13 items.<br \/>\nPublicity and Press Materials. 11 items.<br \/>\nPress clippings pertaining to Halcyon Records, including reviews of Halcyon releases. 6 items, including clippings, mounted clippings, facsimiles, and duplicate facsimiles; dated 1949-1977.<br \/>\nHalcyon Records circular. Typescript; undated. 1 p.<br \/>\nHalcyon order form. Typescript; undated. 1 p.<br \/>\n<em>Barclay Crocker Catalogue of Open Reel Tape Recordings,<\/em> No. 5; undated. Front cover of catalogue and page titled \u201cHalcyon\u201d (pp. 13-14). 4 pp.<br \/>\nHalcyon Records circular, advertising albums HAL 101, HAL 102, HAL 103, and HAL 104. 1 p.<br \/>\nHalcyon Records circular, advertising <em>Teddy Wilson and Marian McPartland: Elegant Piano<\/em> (HAL 106). 2 pp.<br \/>\nEphemera. 2 items.<br \/>\nAlbum labels for <em>Interplay<\/em> (Halcyon, HAL 100, [1976]). Includes labels for side 1 and side 2. 2 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Invoices and Royalty Statements, 1955-2009. 9 items.<br \/>\nRoyalty statement from Capitol Records; dated November 10, 1955. 1 p.<br \/>\nHalcyon statements, 1972. 3 items:<\/p>\n<ul>\n<li>Invoice for SMG Distributors; dated October 13, 1972. 1 p.<\/li>\n<li>Quarterly distribution check stub; undated (third quarter, 1972). 1 p.<\/li>\n<li>Foreign royalty statement from Halcyon Music; dated December 11, 1972. 1 p.<\/li>\n<\/ul>\n<p>Requisition\/Purchase Order\/Invoice for professional services issued by US Information Agency; dated June 6, 1974. Carbon copy of completed form. 1 p.<br \/>\nPurchase order from Howard University (pertaining to service as consultant in ethnomusicology for Workshop in Ethnic Music); dated June 11, 1974. 1 p.<br \/>\nBill from Barbara Bordnick (pertaining to professional photoshoot); dated December 10, 1996. 1 p.<br \/>\nCommission statement from Ted Kurland Associates; dated December 7, 2004. 1 p.<br \/>\nRoyalty statement from EMI for the period of April 1-September 30, 2009. 7 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Items separated from \u201cPhotographs of Celebrities: Duke Ellington.\u201d 2 items.<br \/>\n<em>Separated from Series 5 (Photographs), Sub-series E (Photographs of Celebrities), Box 31, Folder 14 (Duke Ellington).<br \/>\n<\/em>Press clipping (\u201cSpeaking of Duke\u2019s Operation,\u201d by Duke Ellington); undated. 1 p.<br \/>\nBumper sticker: \u201cHappy 70th Birthday Duke Ellington.\u201d 1 item.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>Itineraries, 1951-1993; undated. 25 items.<br \/>\nPiano Playhouse itinerary. Typescript; dated April 1, 1951. 1 p.<br \/>\nWOR Entertainment Bureau itinerary for broadcasts from the Hickory House, New York, NY. Typescript; dated October 5, 1953. 1 p. On reverse: manuscript notes in pencil and ink.<br \/>\nWOR Entertainment Bureau itinerary for broadcasts from the Hickory House, New York, NY. Facsimile of typescript document, with annotations; dated October 19, 1953. 1 p.<br \/>\n\u201cJazz \u201959 Itinerary.\u201d Typescript, with annotations in pencil and ink; undated (lists performances for October 16-October 31). 3 pp.<br \/>\n\u201cJazz \u201959 Itinerary.\u201d Typescript; undated (lists performances for November 9-25). 3 pp.<br \/>\n\u201cNational Stage Band Camp, University of Oklahoma, 1971\u201d schedule. Facsimile of typescript schedule; undated. 2 pp.<br \/>\nMemorandum from Marie St. Louis (Festival Productions), detailing itinerary for Australia tour. Typescript, on professional letterhead; dated June 14, 1974. 1 p.<br \/>\nPerformance schedule for Nice Jazz Festival, July 15-21, 1974. Facsimile of handwritten chart. 7 pp.<br \/>\nCorrespondence: John H. LeSueur, Jr., (Community Coordinator, North Carolina Arts Council) to Marian McPartland. 1 letter (pertaining to itinerary for North Carolina tour). Typescript, signed in ink, on professional letterhead; dated February 13, 1976. 2 pp.<br \/>\n\u201cLa Grande Parade du Jazz \u2013 Nice, July 1976\u201d program. Facsimile of typescript document; dated July 8-18, 1976. 11 pp. Copy 2 (incomplete; consists of programs for July 9, July 10, and July 16 only). 3 pp.<br \/>\n\u201cMarian McPartland Schedule of Appearances, 1977.\u201d Typescript; undated (lists performances for January-October 1977). 1 p.|<br \/>\n\u201cMarian McPartland Schedule of Appearances, Fall 1977-June 1978.\u201d Typescript, with annotations in ink; undated. 1 p.<br \/>\nMemorandum from John Schreiber (Festival Productions) to Marian McPartland Trio and others. Facsimile of 1 letter (listing hotel arrangements for KOOL SUPER NIGHTS tour); dated February 25, 1980. 1 p.<br \/>\nItinerary for Marian McPartland. Facsimile of typescript document with annotations; undated (March 1982-1983). 1 p.<br \/>\nItinerary for Marian McPartland. Typescript document; undated (\u201cabout \u201882\u201d). 2 pp. Copy 2 (facsimile of page 1).<br \/>\n\u201cMarian McPartland 1987 Concerts.\u201d Itinerary from Susan Pimsleur. Facsimile of typescript document; dated December 15, 1986. 3 pp.<br \/>\n\u201cMarian McPartland Dec. 1987 through May 1988 Concerts.\u201d Itinerary from Susan Pimsleur. Facsimile of typescript document; dated December 10, 1987. 4 pp.<br \/>\n\u201cMarian McPartland Schedule of Concerts 1988-<span style=\"text-decoration: line-through;\">1989<\/span>.\u201d Facsimile of typescript document with annotations. 2 pp.<br \/>\n\u201cMarian McPartland \u2013 Fall 1988 Tour Itinerary.\u201d Typescript document, with annotations in pencil and ink. 1 p.<br \/>\n\u201cMarian McPartland \u2013 Schedule of Engagements, Season 1989-90.\u201d Schedule compiled by Musical Artists. Typescript, with annotations in ink; dated December 19, 1988. 4 pp.<br \/>\n\u201cMarian McPartland: Itinerary 1989-1990.\u201d Facsimile of typescript itinerary; undated. 4 pp.<br \/>\n\u201cItinerary: Marian McPartland, January-June 1993.\u201d Itinerary compiled by Parsons Artists Management. Typescript, with annotations in ink; undated. 1 p.<br \/>\n\u201cItinerary Marian McPartland.\u201d Facsimile of typescript itinerary; undated (\u201cearly 80s\u201d). 3 pp.<br \/>\nUntitled itinerary. Facsimile of typescript document with annotations; undated (\u201cearly 80s\u201d). 2 pp.<br \/>\nUntitled itinerary. Facsimile of typescript document with annotations; undated (February 3-March 3). 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>\u201cGeneral\/Jazz Historical.\u201d 1 item.<br \/>\nConcert program (Newport Jazz Festival New York, July 1-9, 1972). 64 pp. Note on front cover: \u201cno one in here \/ File \u2018Historical.\u2019\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>Mailing and Address Lists. 4 items.<br \/>\n\u201cJimmy McPartland\u2019s 70th Birthday\u2014Invitation List.\u201d Typescript, with annotations in ink; dated March 5, 1977. 2 pp.<br \/>\n\u201cMailing List \u2013 McPartland reception \u2013 June 20, 1994.\u201d Typescript; undated. 2 pp. 2 copies. Copy 2 annotated in ink.<br \/>\n\u201cMcPartland \u2013 Press Release Distribution List.\u201d Typescript, with annotations in ink; undated. 1 p.<br \/>\nUntitled address list. Ink; undated. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>\u201cMayerl, Billy.\u201d 2 items.<br \/>\nCorrespondence: \u201cNick\u201d to Marian McPartland. Facsimile of 1 letter (pertaining to Billy Mayerl\u2019s \u201cClaviers\u201d). Ink; dated November 10, [19&#8211;]. 1 p.<br \/>\n<em>The Billy Mayerl Circle Newsletter,<\/em> Vol. 2, No. 12 (Spring 1977). Typescript. 12 pp. Accompanied by note on Billy Mayerl Circle letterhead: \u201cwith compliments.\u201d 1 p.<br \/>\n<em>Oversized document (press clipping) separated; see Box 132, Folder 1, Item 1.<\/em><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 18<\/strong><\/td>\n<td>\u201cMisc. \/ Jazz Related.\u201d 35 items.<br \/>\nCorrespondence. 5 items.<br \/>\nRonald E. Dickerson (Administrative Assistant to the Dean of Music, Crane School of Music, State University College, Potsdam). Facsimile of 1 letter. Typescript, on professional letterhead; dated December 22, 1978. 1 p.<br \/>\nFranz Holzfeind (The Blue Note) to Marian McPartland. Facsimile of 1 letter. Typescript, on professional letterhead; dated November 1, 1951. 3 copies. Copy 2 printed on photography paper. Copy 3 printed on photography paper (negative print).<br \/>\nMarie St. Louis (Festival Productions Inc.) to Earl Hines, Ellis Larkins, Marian McPartland, and Teddy Wilson. 1 letter (pertaining to inoculations needed for South America tour). Typescript, on professional letterhead; dated June 14, 1974. 1 p.<br \/>\nRamsi P. Tick (President, QRS Music Rolls, Inc.) to Marian McPartland. Facsimile of 1 letter. Typescript, on professional letterhead; dated January 19, 1989. 1 p.<br \/>\nBilly Taylor. Letter of recommendation regarding Marian McPartland, submitted to the National Endowment for the Humanities. Facsimile of 1 letter. Typescript; dated May 31, 1978. 1 p.<br \/>\nPublicity and Press Materials. 18 items.<br \/>\nConcert programs, brochures, and tickets. 3 items:<\/p>\n<ul>\n<li>\u201cMarian McPartland: Night at the Barge\u201d (July 26, 1966) concert ticket. Facsimile of ticket. 1 p.<\/li>\n<li>\u201cThe Intercollegiate Music Festival\u201d festival brochure (1969). 4 pp. Annotation on p. 3: \u201cMarian was a judge at this.\u201d<\/li>\n<li>\u201c10th Chicago International Film Festival 1974\u201d brochure (1974). Facsimile of pages from brochure listing award-winning films. 3 pp. Included in brochure: <em>The Light Fantastic Picture Show<\/em> (music by Marian McPartland).<\/li>\n<li>\u201cNational Academy of Concert and Cabaret Arts Grand Awards\u201d program (1979). Facsimile of program. 6 pp. Marian McPartland nominated in category for \u201cSolo Instrumentalist.\u201d<\/li>\n<\/ul>\n<p>Press clippings and press releases. 6 items, including facsimiles from magazines, newspapers, and press releases; dated 1950-1980. 12 pp.<br \/>\nPublicity circulars, flyers, and brochures. 9 items:<\/p>\n<ul>\n<li>Publicity flyer; undated. 1 p. Accompanied by manuscript notes. 1 p.<\/li>\n<li>\u201cStage Band Workshop\u201d brochure. Facsimile of brochure; undated (1966). 1 p.<\/li>\n<li>\u201cThe Jazz Major at the University of Utah\u201d brochure; 1969. 1 item.<\/li>\n<li><em>Barclay Crocker Catalogue of Open Reel Tape Recordings,<\/em> 5; undated (1980). Facsimile of front cover of catalogue and section titled \u201cHalcyon\u201d (pp. 13-14). 3 pp.<\/li>\n<li>Flyer for the River City Arts Festival 1981. Facsimile of flyer. 2 pp.<\/li>\n<li>Circular and order form for National Public Radio Cassettes of <em>Marian McPartland\u2019s Piano Jazz.<\/em> Facsimile of circular; undated (1990). 2 pp.<\/li>\n<li>\u201cProductolith: Great Performances\u201d brochure advertising for Consolidated Papers. Facsimile of brochure. 2 pp.<\/li>\n<li>KDAQ public radio program guide. Facsimile of program guide; March 19&#8211;. 4 pp.<\/li>\n<li>\u201cNational Association of Jazz Educators, Fourth National Convention\u201d program (January 20-23, 1977). Facsimile of conference program. 8 pp.<\/li>\n<\/ul>\n<p>Papers. 12 items.<br \/>\n\u201cInner Voice.\u201d Draft of script for <em>Women in Jazz<\/em> program for A&amp;E. Typescript, with annotations in pencil and ink; undated (1980s). 6 pp.<br \/>\nDrafts and notes for article by Ada Korff. 3 items.<\/p>\n<ul>\n<li>\u201cAda\u2019s Article (Bits and Pieces).\u201d Typescript draft; undated (1978). 2 pp. Annotation on first page: \u201c1978 Ada Korff\u2019s article about Marian. \/ re: learning the Grieg \/ never published.\u201d<\/li>\n<li>\u201cA Teacher Speaks Out About a Rare Human Being.\u201d Typescript draft; undated. 4 pp. Annotation on first page: \u201cAda\u2019s article.\u201d<\/li>\n<li>\u201c(Very) Random Thoughts for Article.\u201d Typescript notes; undated. 4 pp.<\/li>\n<\/ul>\n<p>Excerpt from Leroy Ostransky, <em>The Anatomy of Jazz<\/em> (Westport, CT: Greenwood Press [1960]). Facsimile of cover and pp. 310-215. 4 pp.<br \/>\nExcerpt from Paul O. W. Tanner, Maurice Gerow, and David W. Megill, <em>Jazz,<\/em> 6th ed. (Dubuque, IA: Wm. C. Brown, 1988). Facsimile of title page and pp. 149-150. 3 pp.<br \/>\nExcerpt from <em>The Zero Factor<\/em> (novel by William Oscar Johnson; New York: Pocket Books, 1980). Facsimile of pp. 176-177. 1 p.<br \/>\n\u201cMcPartland, Marian,\u201d <em>Current Biography,<\/em> June 1976, pp. 25-28. Facsimile of pages. 4 pp.<br \/>\nUntitled document. Typescript; undated. 1 p. Note on document: \u201cNPR \u2013 Marian not sure of what this is.\u201d<br \/>\nQ-Kii, \u201cOur Lady of Pastels: to Marian McPartland on her Appearance in Huntsville, AL, 2-27-04.\u201d Poem. Typescript, with color photograph of Winnie Jobes, Marian McPartland, and Howard Bankhead. 1 p.<br \/>\n<em>John Proulx: The Best Thing For You<\/em> (MaxJazz, MXJ 508). Color facsimile of album jacket (Track 12 on album: \u201cIn the Days of Our Love,\u201d music by Marian McPartland). 1 p.<br \/>\n\u201cJohn Simon Guggenheim Memorial Foundation Fellowships, 1981\u201d brochure. Facsimile of cover of brochure and p. 16 (citing Marian McPartland as former recipient of Guggenheim Fellowship). 2 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 19<\/strong><\/td>\n<td>\u201cMisc. Schools Projects.\u201d 3 items.<br \/>\n<em>From file labeled: \u201cMisc. Schools Projects.\u201d<br \/>\n<\/em>Correspondence. 2 items.<br \/>\nThomas E. Sibley (Director of Music Education, Raleigh Public Schools) to Marian McPartland. Facsimile of 1 letter. Typescript, on professional letterhead; dated March 30, 1973. 2 pp.<br \/>\nSamuel G. Banks (Coordinator, Humanities Center, Richmond Public Schools) to unknown. Facsimile of 1 letter (pertaining to Marian McPartland\u2019s schedule as visiting artist). Typescript, on professional letterhead; dated April 20. 1977. 2 pp. 2 copies. Both copies have annotations in pencil and ink.<br \/>\nPapers. 1 item.<br \/>\nMalcolm Klein, \u201cMusic and English! Why Not?\u201d Typescript article from unidentified source, mounted. 1 p. Annotation above article: \u201cStimson Junior High 1970 \/ Long Island, NY.\u201d Copy 2 (facsimile).<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 20<\/strong><\/td>\n<td>Misc. Schools Projects\u2014East Northport Junior High Student Letters (1972). 29 items.<br \/>\n<em>From file labeled: \u201cMisc. Schools Projects.\u201d<br \/>\n<\/em>Letters from students at East Northport Junior High School to Marian McPartland. 29 letters. Ink; undated (1972). 29 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 21<\/strong><\/td>\n<td>Misc. Schools Projects\u2014Port Washington Student Letters (1991). 7 items.<br \/>\n<em>From file labeled: \u201cMisc. Schools Projects.\u201d<br \/>\n<\/em>Letters from students and faculty at Port Washington High School to Marian McPartland. Facsimiles of 6 letters and 1 card; dated March-April 1991, 2 undated (1992?). 8 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 22<\/strong><\/td>\n<td>Hawthorne School Artists-In-Schools Program (Washington, DC). 54 items.<br \/>\nCorrespondence. 51 items.<br \/>\n<em>Correspondence with Marian McPartland. 50 letters.<br \/>\n<\/em>John Kerr (National Endowment for the Arts) from Marian McPartland. Facsimile of 1 letter. Typescript; undated. 3 pp.<br \/>\nNorma McCray from Marian McPartland. Facsimile of 1 letter. Typescript; undated (1974). 1 p.<br \/>\nLieutenant-Commander Ned Muffley (US Navy Band) from Marian McPartland. 1 letter. Typescript, signed in pencil; dated May 21, 1974. 1 p.<br \/>\nVice-Admiral Emmett Tidd, VADM (Commander, US Navy Recruit Command), from Marian McPartland. 1 letter. Typescript; dated May 21, 1974. 1 p.<br \/>\nLetters from students to Marian McPartland, including 1 letter to Jimmy McPartland. 46 letters. Ink; dated May 1974. 46 pp.<br \/>\n<em>Correspondence between other individuals. 2 letters.<br \/>\n<\/em>Nancy Hanks (Chairman) to Eleanor W. Orr (Headmistress, The Hawthorne School). Facsimile of 1 letter (pertaining to award of National Endowment for the Arts grant). Typescript; dated December 20, 1973. 4 pp.<br \/>\nBarbara A. Sizemore (Superintendent of Schools, Public Schools of the District of Columbia) to John Kerr (Director, Educational Programs, National Endowment for the Arts). Facsimile of 1 letter. Typescript; dated November 27, 1973. 1 p. Accompanied by (1 item):<\/p>\n<ul>\n<li>\u201cArtists-In-Schools Program\u201d grant application. Facsimile of typescript document; 1974. 2 pp.<\/li>\n<\/ul>\n<p>Papers. 3 items.<br \/>\n\u201cFinal Report on Hawthorne Project: Jazz Artists in the School.\u201d Typescript; undated (after June 1974). 2 pp.<br \/>\n\u201cOutline.\u201d Outline for unidentified presentation or lesson. Typescript; undated. 1 p.<br \/>\n\u201cHawthorne School\u2014Budget Breakdown.\u201d Facsimile of typescript budget; dated December 3, 1973. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 23<\/strong><\/td>\n<td>Morello, Joe.<br \/>\nWritings. 1 item.<br \/>\nJoe Morello, \u201cDeveloping Control of the Hi-Hat.\u201d Facsimile of article from unidentified source. 2 pp.<br \/>\nPublicity and Press Materials. 9 items.<br \/>\nPress clippings. 6 items, including clippings and facsimiles; dated November-December 1962, 1 undated. 3 pp.<br \/>\nPress clippings (obituaries). 4 items, including clippings, facsimiles, and printouts from online sources; dated March-May 2011. 8 pp.<br \/>\nRembrances and other memorial articles. 2 items:<\/p>\n<ul>\n<li><em>Drumhead,<\/em> 27 (May-June 2011). 112 pp. Includes in memoriam article by Stan Hall, p. 66.<\/li>\n<li><em>Modern Drummer,<\/em> 35, No. 7 (July 2011). 104 pp. Includes memorial from the editor, p. 8; in memoriam article by Rick Mattingly, pp. 34-39.<\/li>\n<\/ul>\n<p>Circular advertising method books on modern rudimental \u2013 \u201cswing\u201d drumming by Charley Wilcoxon; undated. Circular includes review by Joe Morello.\u00a0 2 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 5&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610485857398{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>PACE (Performing Arts Curriculum Enrichment) Program. 22 items.<br \/>\nCorrespondence. 2 items.<br \/>\nMarianne Lally (BOCES Coordinator, Northport Junior High School) to Clint Marantz (Program Director, Board of Cooperative Educational Services, Humanities and Arts Program). 1 letter. Typescript; dated January 19, 1970. 2 pp. Accompanied by 2 tickets to jam sessions by Marian McPartland and Michael Moore. 2 pp.<br \/>\nClint Marantz to Clem da Rosa (Music Department, Cold Spring Harbor High School). 1 letter. Typescript; dated March 8, 1968. 1 p. Copy 2 (facsimile).<br \/>\nConcert Programs. 5 items.<br \/>\nConcert programs for school concerts by Marian McPartland in association with Huntington\u2019s PACE program. 5 concert programs. Schools represented:<\/p>\n<ul>\n<li>Christ the King Roman Catholic School (Commack, NY). 6 pp.<\/li>\n<li>Elwood Junior High School (Elwood, NY). 6 pp.<\/li>\n<li>Green Meadows Junior High School (Commack, NY). Annotations on program in pencil and ink. 6 pp.<\/li>\n<li>Madonna Heights School for Girls (Dix Hills, NY). 6 pp.<\/li>\n<li>Memorial Junior High School (South Huntington, NY). 6 pp.<\/li>\n<\/ul>\n<p>Publicity and Press Materials. 2 items.<br \/>\nFacsimile of press clipping; dated October 31, 1968. 1 p.<br \/>\nExcerpt from mailing from School District 13, pertaining to PACE program. 2 pp.<br \/>\nPapers. 13 items.<br \/>\n\u201c7-9MusicIV \u2013 Marian McPartland \u2013 Jazz Quartet: Final Master Schedule.\u201d Typescript performance schedule; undated (1968). 1 p. 2 copies. Both copies have annotations in ink and pencil.<br \/>\n\u201cBOCES PACE Project: 7-9MusicI \u201cThe Marian McPartland Quartet\u201d (final Master Schedule).\u201d Typescript performance schedule; undated. 1 p. 2 copies. Both copies have annotations in ink.<br \/>\nTypescript press release pertaining to PACE program. 1 p. Copy 2 (facsimile).<br \/>\nReflections on school performances and workshops. 10 documents:<\/p>\n<ul>\n<li>First line: \u201cJanuary 19th 1970 Oldfield School Greenlawn.\u201d Typescript document, with annotations in pencil and ink; dated January 19, 1970. 6 pp. Accompanied by manuscript note. 1 p. Copy 2 of typescript document and note (facsimile).<\/li>\n<li>First line: \u201cJanuary 21st Wednesday Oldfield.\u201d Typescript document, with annotations in pencil and ink; dated January 21, 1970. 2 pp. Copy 2 (facsimile).<\/li>\n<li>First line: \u201cJanuary 26th Kennedy 2nd Day.\u201d Typescript document, with annotations in pencil and ink; dated January 26, [1970]. 3 pp. Copy 2 (facsimile).<\/li>\n<li>First line: \u201cCombatting emotion?\u201d Typescript document, with annotations in ink; dated January 29, 1970. 3 pp. Copy 2 (facsimile).<\/li>\n<li>First line: \u201cFeb 2nd and 3rd Elwood. Neil Streicher Pace Lousy.\u201d Typescript document, with annotations in pencil and ink; dated February 2-3, [1970]. 2 pp. Copy 2 (facsimile).<\/li>\n<li>First line: \u201cDavid Seifman.\u201d Typescript document, with annotations in pencil and ink; dated July 8, [1970?]. 5 pp.<\/li>\n<li>First line: \u201cA few months ago, the owners of the Downbeat Restaurant in New York \u2026\u201d Typescript document, with annotations in pencil and ink; dated October 13, 1970. 3 pp.<\/li>\n<li>First line: \u201cMr Garland Butts (music) Northport Jr High An I-006.\u201d Typescript document, with annotations in pencil and ink; undated. 5 pp. Copy 2 (facsimile).<\/li>\n<li>First line: \u201cMemorial continued.\u201d Typescript document, with annotations in pencil and ink; undated. 2 pp.<\/li>\n<li>First line: \u201cBig open spaces \u2013 fields and trees in the background.\u201d Typescript document, with accompanying note: \u201cmisc. page\u201d; undated. 1 p. Copy 2 (facsimile).<\/li>\n<\/ul>\n<p>&nbsp;<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Personal and Family Papers. 12 items.<br \/>\nPublicity and Press Materials. 6 items.<br \/>\nPress clippings. 5 items:<\/p>\n<ul>\n<li>\u201cConcert at the Convent\u201d (pertaining to concert at the Convent of the Holy Trinity). Facsimile of press clipping; undated (1930s). 1 p.<\/li>\n<li>\u201cThe Regimental Coach\u201d (photograph of carnival procession, including C. D. Dyson, Mayor of Windsor, with caption). Clipping; undated. 1 p. Copy 2 (facsimile).<\/li>\n<li>\u201cWelcome Home \u2026 Young Voices\u201d (pertaining to C. Dyson). Facsimile of press clipping; undated. 1 p.<\/li>\n<li>\u201cPrincess Elizabeth\u201d (photograph of C. Dyson and Princess Elizabeth, with caption). Facsimile of press clipping; dated August 19, 1956. 2 copies.<\/li>\n<li>\u201cCoronation Proclamation at Windsor\u201d (photograph of proclamation of the Coronation of the Queen Elizabeth II by C. Dyson, with caption). Clipping; undated (1950s). 1 p.<\/li>\n<\/ul>\n<p>Program for Testimonial Dinner for Father Norman J. O\u2019Connor (Boston, MA; November 28, 1960). 52 pp. Inscription on front cover.<br \/>\nPapers. 6 items.<br \/>\nMemorandum from Arthur Seelig (Director, Artists and Production, USO Camp Shows) pertaining to \u201cMarriage of Margaret Marion [sic] Turner and Private James Dugold McPortland [sic].\u201d Facsimile of 1 letter; dated January 9, 1945. 1 p.<br \/>\nMarriage certificate for James Dugald McPartland and Margaret Marian Turner. Facsimile of certificate; dated February 3, 1945. 2 copies.<br \/>\nCard from Willingdon Golf Club, Eastbourne; undated. 1 p.<br \/>\nGuest booklet for the Golden Lion Hotel, Ashburton; undated. 12 pp. Annotation on front cover of booklet: \u201cJimmy &amp; I stayed here on trip to England.\u201d<br \/>\nJohn Diebboll, \u201cHomage to Marian McPartland, Nocturne No. 59.\u201d Facsimile of color drawing; 2004. 1 p.<br \/>\nCertificate from the Chicago Zoological Society, recognizing Marian McPartland\u2019s adoption of a Kodiak bear; dated July 1, 1977. 1 p.<br \/>\n<em>From file labeled \u201cZoo 1977.\u201d<br \/>\n<\/em><em>See also Series 5 (Photographs), Sub-series A (Photographs of Marian McPartland), Box 26, Folder 9 (1977-1979), Sleeve 11.<\/em><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Tour Schedule (1991 Summer Tour, Europe). 1 item.<br \/>\n\u201cBenny Carter, Harry Edison, Al Grey, Marian McPartland, Milt Hinton, Louis Bellson: 1991 Summer Tour, Europe.\u201d Bound booklet for Swing America 1991 Summer Tour, including travel and hotel information as well as performance schedule and venue information. 40 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Weber, Jon. (Publicity material from pressbook.) 12 items.<br \/>\nPublicity and Press Materials. 9 items.<br \/>\nPress clippings. 8 items, including text of reviews and printouts from online sources; dated March 2004-Novmeber 2011, 1 undated.<br \/>\nArtist bio. Typescript, printed on photography paper. 1 p.<br \/>\nPhotographs. 3 items.<br \/>\nCollage of images of Jon Weber with Marian McPartland, containing 6 images; undated. 1 black and white collage, 8.5\u201d x 11\u201d.<br \/>\nPortrait of Jon Weber (headshot); undated. 1 black and white photograph, 8\u201d x 10\u201d.<br \/>\nPortrait of Jon Weber (back); dated 2003. 1 color photograph, 8.5\u201d x 11\u201d. Photograph attributed to Mark Joseph.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>\u201cWhite House.\u201d 11 items.<br \/>\nCorrespondence. 9 items.<br \/>\nPresident Bill Clinton from Marian McPartland. 1 letter (invitation to appear on <em>Marian McPartland\u2019s Piano Jazz<\/em>). Typescript; dated June 30, 1997. 1 p.<br \/>\nEllen McCulloch-Lovell (Deputy Assistant to the President and Advisor to the First Lady on the Millennium) to\/from Marian McPartland. 3 letters:<\/p>\n<ul>\n<li>Ellen McCulloch-Lovell to Marian McPartland (pertaining to the Millennium Evening at the White House). 1 letter. Typescript, signed in ink, on professional letterhead; dated September 25, 1998. 1 p.<\/li>\n<li>Marian McPartland to Ellen McCulloch-Lovell. 1 letter. Typescript; dated November 1, 1998. 1 p. 2 copies: typescript draft; facsimile of typescript letter, on professional letterhead.<\/li>\n<li>Ellen McCulloch-Lovell to Marian McPartland. 1 letter. Ink, on White House letterhead; dated November 28, 1998. 1 p.<\/li>\n<\/ul>\n<p>Capricia Penavic Marshall (Social Secretary, The White House) to\/from Marian McPartland. 4 letters:<\/p>\n<ul>\n<li>Capricia Penavic Marshall to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated October 7, 1998. 1 p.<\/li>\n<li>Capricia Penavic Marshall to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated October 14, 1998. 1 p.<\/li>\n<li>Marian McPartland to Capricia Penavic Marshall. 1 letter. Typescript; dated November 1, 1998. 1 p.<\/li>\n<li>Capricia Penavic Marshall to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated November 16, 1998. 1 p.<\/li>\n<\/ul>\n<p>\u201cAnne\u201d to Marian McPartland. 1 letter. Ink, on letterhead for the White House; dated October 13, 1998. 1 p.<br \/>\nPapers. 1 item.<br \/>\n\u201cMillennium Evenings at the White House.\u201d Promotional folder with 3 documents:<\/p>\n<ul>\n<li>\u201cMusician\u2019s Schedule.\u201d Rehearsal and performance schedule for September 18, 1998, Millennium Evening at the White House. Typescript. 1 p.<\/li>\n<li>\u201cHonor the Past&#8211;Imagine the Future.\u201d Publicity brochure from the White House Millennium Council. 8 pp.<\/li>\n<li>4 printouts from the White House website pertaining to the Millennium Evenings at the White House, accessed September 17, 1998, http:\/\/www.whitehouse.gov\/Initiatives\/Millennium\/. 6 pp.<\/li>\n<\/ul>\n<p>Publicity and Press Materials. 1 item.<br \/>\nProgram booklet for \u201cJazz: An Expression of Democracy,\u201d Millennium Evening at the White House; dated September 18, 1998. Consists of 3-part folder with 8 typescript documents, including program notes on \u201cMillennium Evenings at the White House\u201d series, invitation note from Hillary Rodham Clinton, list of event sponsors, and performer biographies and cast list. 8 pp.<br \/>\nPhotographs. 1 item.<br \/>\nPhotograph of Hillary Rodham Clinton, Wynston Marsalis, Diane Reeves, Marian McPartland, Bill Clinton, and unidentified individual. Color facsimile of photograph, 8.5\u201d x 11\u201d.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>\u201cWoman in Jazz\u201d Film Script. 1 item.<br \/>\nDraft of script, titled \u201cWomen in Jazz,\u201d recorded June 21, 1961, at Jazz Central club in St. Louis, MO. Typescript, with annotations in ink; undated (June 1961). 7 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Various. 15 items.<br \/>\nPublicity and Press Materials. 7 items.<br \/>\nPress clippings. 3 items:<\/p>\n<ul>\n<li>\u201cEllington Opens Festival\u201d (pertaining to Newport Jazz Festival, July 1958). Facsimile of press clipping (incomplete, consists of p. 2 only). 1 p.<\/li>\n<li>Nat Hentoff, \u201cIndigenous Music,\u201d<em> The Nation<\/em> (August 20, 1977), page unknown. Facsimile of article. 1 p.<\/li>\n<li>Obituary for Leonard Feather (<em>New York Times,<\/em> September 24, 1994). Clipping. 1 p. Copy 2 (facsimile), accompanied by (2 items):\n<ul>\n<li>Fax cover sheet. From Ren Grevatt to Marian McPartland; dated September 26, 1994. 1 p.<\/li>\n<li>Message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>Memorial program (\u201cJazz Celebration: A Tribute to Carl Jefferson,\u201d July 8, 1995). 20 pp.<br \/>\nConcert program (\u201cA New York Swing Session for John Bunch,\u201d ESU Jazz Synergy Series, March 25, 2012). 4 pp.<br \/>\nProgram booklet for The Jazz School, Berkeley, CA<em>,<\/em> Spring 1999 (Marian McPartland on advisory board for The Jazz School). 16 pp.<br \/>\n<em>The Note,<\/em> Journal of the Al Cohn Memorial Jazz Collection at East Stroudsburg University of Pennsylvania, Vol. 21, No. 3, Issue 56 (Fall 2011). 34 pp.<br \/>\nPapers. 4 items.<br \/>\nAlec Wilder, \u201cI\u2019ll Be Around.\u201d Piano arrangement by Bill Dobbins. Published in unidentified issue of <em>Downbeat,<\/em> p. 46. Facsimile of score. 1 p.<br \/>\nFacsimile of album jacket to <em>Bob Brookmeyer Quintet: Traditionalism Revisited<\/em> (Blue Note Records, 1957). Printout from online source, accessed November 18, 1995, http:\/\/bookweb.cwis.uci.edi:8042\/Jazz\/CDLists\/CDs\/Misc.brkmytrad.jpg, with annotation in ink: \u201cWho is this guy? [illegible].\u201d 1 p.<br \/>\n\u201cHappy Birthday, Marian McPartland.\u201d Collection of birthday wishes and anecdotes from various individuals. Printout from online source, accessed February 19, 2008, http:\/\/www.eldr.com\/node\/1743.print. 1 p.<br \/>\nTypescript merchandise price list. 1 p. 2 copies.<br \/>\nMiscellaneous items. 5 items.<br \/>\nPhotographs of album cover: <em>John Popkin Presents: Jazz at the Hickory House with the Marian McPartland Trio<\/em> (Savoy, MG-15032). 5 color photographs, 8\u201d x 10\u201d.<br \/>\nFacsimile of manuscript notes, from unidentified source, printed on photography paper. 2 pp.<br \/>\nManuscript notes. Ink; undated. 2 pp.<br \/>\nPencil drawing of Marian McPartland performing on piano; unattributed. 1 drawing, 4\u201d x 6\u201d.<br \/>\nInternational stamp collection, consists of cancelled stamps, affixed to envelopes or other stationary, from various countries. 27 items.<br \/>\n\u201cMy Card, Sir!\u201d Joke business card. 1 p.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1610484099082{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px;\"><a id=\"S2sB\"><\/a>Sub-series B: Correspondence<\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 5 `{`cont.`}`&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610485984657{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Correspondence, A-I. 29 items. Correspondents represented:<br \/>\nKatsuji Ab\u00e9 to Marian McPartland. 1 letter. Ink; dated February 10, 1976, 1 p.<br \/>\n<em>Accompanying photograph separated; see Series 5 (Photographs), Sub-series A (Photographs of Marian McPartland), Box 28, Folder 2 (Publicity photographs, 1970s), Sleeve 6.<br \/>\n<\/em>Geri Allen to Marian McPartland. Facsimile of 1 letter. Ink; dated October 4, 2010. 1 p.<br \/>\nRoger Angell (<em>The New Yorker<\/em>) from Marian McPartland. Facsimile of 1 letter. Typescript; dated January 5, 1982. 1 p. Accompanied by (2 items):<\/p>\n<ul>\n<li>Roger Angell, \u201cGreetings, Friends!\u201d <em>The New Yorker,<\/em> December 28, 1981, p. 41. Poem references Marian McPartland.<\/li>\n<li>Jack Romann to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated January 8, 1982. 1 p.<\/li>\n<\/ul>\n<p>Pat Armenia and Ed Seiz (Promotion &amp; People Photographers) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated July 16, 1993. 1 p.<br \/>\n<em>Accompanying photographs separated; see Series 5 (Photographs), Sub-series A (Photographs of Marian McPartland), Box 27, Folder 4 (1990s), Sleeve 11 (Photographs from the Mellon PSFS Jazz Festival; 1993).<br \/>\n<\/em>John G. Aselstyne from Marian McPartland. Facsimile of 1 letter. Typescript, on personal letterhead; dated March 7, 1980. 1 p.<br \/>\nJean Bach and Bobby Short to Marian McPartland. Invitation to a small dance \u201cTo Celebrate Forty Years\u201d (December 7, [1981?]); undated. 1 p. Copy 2 (facsimile).<br \/>\nWilliam H. Ball, Jr., (President, The Embers Meridian Restaurants, Inc.) to Marian McPartland. Typescript, signed in ink, on professional letterhead; dated September 25, 1961. 1 p.<br \/>\nKitty Becker (Edward B. Marks Music Company, Royalty Department) to Marian McPartland. 1 letter (pertaining to estate of Jimmy McPartland). Typescript, signed in ink, on letterhead for Carlin America Inc.; dated May 6, 1999. 1 p.<br \/>\nJohn Brademas (Chairman, Subcommittee on Select Education, US Congress) to Marian McPartland. Facsimile of 1 letter, with annotations in ink. Typescript, on letterhead for the Congress of the United States, House of Representatives; dated September 16, 1975. 1 p.<br \/>\nHenry P. Briggs, Jr., (Office of the Headmaster, The Seven Hills Schools) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated April 9, 1981. 1 p.<br \/>\nWayne S. Brown (Director, Music and Opera, National Endowment for the Arts) to Marian McPartland. 1 letter (pertaining to \u201cNEA Jazz Masters on Tour\u201d program). Typescript, marked \u201cCOPY,\u201d on professional letterhead; dated March 8, 2004. 1 p. Accompanied by business card of Gail Syphax (Division Administrator, Grants and Awards, National Endowment for the Arts). 1 item.<br \/>\nGeorge H. Buck, Jr., (G. H. B. Jazz Foundations) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated June 15, 1995). 1 p.<br \/>\n\u201cMary C.\u201d to Marian McPartland. 1 letter. Typescript, signed in pencil; dated May 23, [1982]. 1 p. Accompanied by (1 item):<\/p>\n<ul>\n<li>Concert program: Marian McPartland and the New Amsterdam Symphony Orchestra, Lincoln Center, May 1982. 54 pp.<\/li>\n<\/ul>\n<p>Elliot R. Cattarulla from Marian McPartland. 1 letter. Typescript; dated October 10, 1980. 1 p.<br \/>\nOwen Cordle (Recording Reviewer, <em>The News and Observer,<\/em> Raleigh, NC) to Marian McPartland. 1 note, on facsimile of press clipping (review of album <em>Live at Maybeck Recital Hall, Vol. 9<\/em>). Ink; dated June 9, 1991. 1 p.<br \/>\nLee and Mickie Crowell to Marian McPartland. 1 Christmas card. Ink; undated. 1 p.<br \/>\nMary Davidson from Marian McPartland. 1 letter (pertaining to donation of papers to Sibley Music Library). Ink, on personal letterhead; dated November 1, 1998. 2 pp.<br \/>\nRonald E. Dickerson (Administrative Assistant to the Dean of Music, Crane School of Music, SUNY Potsdam) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated December 22, 1978. 1 p.<br \/>\nMercer Ellington from Marian McPartland. 1 letter. Typescript; dated February 15, 1974. 1 p.<br \/>\nPhi Fleer (Administrator, County of Nassau Office of Volunteer Services) to\/from Marian McPartland. 2 letters. Includes:<\/p>\n<ul>\n<li>Phi Fleer to Marian McPartland. 1 letter, with annotation in ink. Typescript, signed in ink, on professional letterhead; dated February 29, 1980. 1 p.<\/li>\n<li>Marian McPartland to Phi Fleer. Facsimile of 1 letter. Typescript; dated April 7, 1980. 1 p.<\/li>\n<\/ul>\n<p>Margot Fonteyn to Marian McPartland. 1 telegram, with annotations on reverse of telegram. Typescript; dated August 18, 1954. 1 p.<br \/>\nDardanelle [Hadley] to Marian McPartland. 1 letter. Typescript, signed in ink; dated November 8, 1988. 1 p.<br \/>\nMilton Hardaway from Marian McPartland. 1 draft of fax. Ink, on personal letterhead; dated April 20, 19&#8211;. 1 p.<br \/>\nMrs. Henry M. Hills (President, Volunteer Auxiliary of the Youth Guidance Center, San Francisco, CA) to Marian McPartland. Facsimile of 1 letter. Typescript, on professional letterhead; dated September 4, 1975. 1 p.<br \/>\nJohn Hollwitz (Fordham University) from Marian McPartland. 1 letter (pertaining to invitation to accept the <em>Sapientia et Doctrina<\/em> Medal). Typescript; dated October 16, 2004. 1 p.<br \/>\nFrank Holzfeind (The Blue Note) to Marian McPartland. Facsimile of 1 letter. Typescript; dated November 1, 1951. 1 p.<br \/>\nShari Hutchinson from Marian McPartland. 1 draft of fax. Ink, on personal letterhead; dated May 14, 19&#8211;. 1 p.<br \/>\nRobin Imandt (Sight and Sound) from Marian McPartland. 1 letter. Typescript; dated October 10, 1980. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Correspondence, J-M. 16 items. Correspondents represented:<br \/>\nMichael Jones (Board Member, Jazzmobile) to Marian McPartland. 1 invitation, consisting of letter, invitation card with insert, and RSVP card. Letter typescript; undated (October 2011). 4 items.<br \/>\nWendell Jones (Bowling Green State University) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated May 11, 1977. 1 p.<br \/>\nBarney Josephson from Marian McPartland. 1 letter. Typescript; dated October 10, 1980. 1 p.<br \/>\nHelen Keane from Marian McPartland. 1 letter. Typescript; dated October 10, 1980. 1 p.<br \/>\n|Jan Kiser (Artist Director, PianoDisc) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated May 15, 1995. 2 pp.<br \/>\nBubba Kolb from Marian McPartland. Facsimile of 1 letter. Typescript, on personal letterhead; dated March 7, 1980. 1 p.<br \/>\nLinda Lewis (Editor, <em>Cat Fancy<\/em>) from Marian McPartland. 1 letter. Typescript; dated October 10, 1980. 2 pp.<br \/>\nRamsey Lewis from Marian McPartland. 1 letter. Typescript, signed in ink; dated October 10, 1980. 1 p.<br \/>\nEvelyn Lincoln (Personal Secretary to the President) to Marian McPartland. 1 letter. Typescript, signed in ink, on letterhead for The White House; dated January 9, 1962. 1 p. Accompanied by envelope.<br \/>\nJimmy McPartland to Marian McPartland. Facsimile of 1 telegram. Typescript; dated December 24, 1957. 1 p.<br \/>\nFlo Merjan to Marian McPartland. 1 letter. Ink, on personal letterhead (for Stan Merjan); undated. Separated from booklet for The 29th Annual Grammy Awards (see Box 6, Folder 7).<br \/>\nSheldon Meyer from Marian McPartland. 1 letter. Typescript; dated October 10, 1980. 2 pp.<br \/>\nDudley Moore from Marian McPartland. Facsimile of 1 letter, with annotations in ink. Typescript, on personal letterhead; dated September 30, 1987. 1 p.<br \/>\nHollis A. Moore (President, Bowling Green State University) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated May 9, 1977. 1 p.<br \/>\nPaul Morgenstern (Institute of Jazz Studies, Rutgers, The State University of New Jersey) to Marian McPartland. 1 letter. Ink, on professional letterhead; dated November 30, 2005. 1 p. Accompanied by (1 item):<\/p>\n<ul>\n<li>\u201cPreserving the Jazz Legacy.\u201d Brochure from Rutgers University Libraries and the Rutgers Institute of Jazz Studies. 16 pp.<\/li>\n<\/ul>\n<p>John S. Morris (President, Union College) from Marian McPartland. Facsimile of 1 letter (pertaining to invitation to accept honorary degree of Doctor of Music). Typescript, on personal letterhead; dated March 7, 1980. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Correspondence, P-W; unknown. 28 items. Correspondents represented:<br \/>\nRobert Porter (Savoy Records, Inc.) from Marian McPartland. Facsimile of 1 letter. Typescript, on personal letterhead; dated March 10, 1980. 1 p.<br \/>\nBeth Potier (Assistant Director of Public Relations, New England Conservatory) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated December 21, 1994. 1 p.<br \/>\nPia Rasmussen to Marian McPartland. 1 letter (body of letter includes translations of reviews from Danish newspapers). Typescript; dated October 23, 1991. 5 pp.<br \/>\nBill Raspberry (<em>The Washington Post<\/em>) to Marian McPartland. Facsimile of 1 letter. Typescript, on professional letterhead; dated November 2, 1998. 1 p.<br \/>\nRex Reed to Marian McPartland. 1 card. Ink; dated August 19, [1981?]. 3 pp.<br \/>\nHarold E. Samuel (Music Librarian, Yale University) to Marian McPartland. Facsimile of 1 letter (pertaining to gift of LPs to Yale University Library). Typescript, on professional letterhead; dated December 17, 1990. 1 p. Accompanied by:<\/p>\n<ul>\n<li>Harold E. Samuel to Ken Nesheim. Facsimile of 1 letter (pertaining to evaluation of gift of LPs). Typescript, on professional letterhead; dated December 17, 1990. 1 p.<\/li>\n<li>\u201cRecordings of Women Performing Jazz Donated by Marian McPartland.\u201d Facsimile of typescript list; dated October 1990. 2 pp.<\/li>\n<\/ul>\n<p>John Schreiber (Festival Productions, Inc.) to Marian McPartland Trio and Dave Brubeck Quartet and Russell Gloyd. Facsimile of 1 memo. Typescript, on professional letterhead; dated February 25, 1980. 1 p.<br \/>\nGene Shalit to\/from Marian McPartland. 2 letters. Includes:<\/p>\n<ul>\n<li>Marian McPartland to Gene Shalit. Facsimile of 1 letter. Ink, on personal letterhead, on thermal fax paper; dated August 22, 1989. 2 pp. Copy 2 (facsimile).<\/li>\n<li>Gene Shalit to Marian McPartland. 1 fax. Typescript; dated April 13, 1993. 1 p. Accompanied by facsimile of article from newsletter: Jude Hibler, \u201cMarian McPartland\u2019s Radio Jazz Makes History! Jazz Alliance Label to release These Treasures on CD,\u201d <em>JazzScene: Jazz Society of Oregon,<\/em> April 1993, 1-5. 5 pp.<\/li>\n<\/ul>\n<p>Maureen Sickler (Second Floor Music) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated December 21, 2004. 1 p.<br \/>\nMarie St. Louis (Festival Productions, Inc.) to Marian McPartland, Earl Hines, Ellis Larkins, and Teddy Wilson. Facsimile of 1 memo. Typescript; dated June 14, 1974. 1 p.<br \/>\nSuzanne Stover (Eastman School of Music) from Marian McPartland. 2 letters. Includes:<\/p>\n<ul>\n<li>1 fax (pertaining to concert for the benefit of the Ray Wright Memorial Fund). Typescript; dated December 13, 2004. 2 pp.<\/li>\n<li>1 fax (pertaining to establishment of Marian McPartland Endowed Fellowship in American Music). Typescript, signed in ink; dated December 28, 2004. 1 p.<\/li>\n<\/ul>\n<p>\u201cRMS\u201d [Richard Sudhalter] to Marian McPartland. 1 letter (pertaining to <em>Piano Jazz<\/em> appearance), with annotations in ink. Typescript; dated October 10, 1991. 1 p.<br \/>\nRichard [Sussman?] to Marian McPartland. 1 letter. Typescript, signed in ink; undated. 1 p.<br \/>\nRamsi P. Tick (President, QRS Music Rolls Inc.) to Marian McPartland. Facsimile of 1 letter. Typescript, on professional letterhead; dated January 19, 1989. 1 p.<br \/>\nMrs. Jay Walter (Secretary, Richmond Public Schools) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated April 26, 1977. 1 p.<br \/>\nMartin Williams (Director of the Jazz Program Division of Performing Arts, Smithsonian Museum) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated May 1, 1972. 3 pp.<br \/>\nSpiegle Wilcox to Marian and Jimmy McPartland. Facsimile of 1 letter and envelope. Ink; dated March 2, [1982]. 4 pp.<\/p>\n<ul>\n<li><em>See Series 4 (Association with Jimmy McPartland), Box 25, Folder 4 (Correspondence), for original.<\/em><\/li>\n<\/ul>\n<p>John Worthen (President, Indiana University of Pennsylvania), et al. to Marian McPartland. Invitation (to dinner and concert to celebrate the opening of Gorell Recital Hall). 1 card; undated (November 1981). 1 item. Accompanied by RSVP card. 1 p.<br \/>\n\u201cAlex\u201d to Marian McPartland. Facsimile of 1 note, on facsimile of press clipping (review of McPartland\u2019s concert in the Xavier University Jazz Piano Series, February 1982). Ink; dated February 12, 1982. 1 p.<br \/>\n\u201cLen\u201d from Marian McPartland. Facsimile of 1 letter. Typescript, on letterhead for Halcyon Records; dated December 2, 1972. 3 pp.<br \/>\n\u201cMarcy\u201d to Marian McPartland. 1 letter. Typescript, signed in ink; dated June 12, 1981. 2 pp.<br \/>\n\u201cMarian\u201d from Marian McPartland. 1 fax. Typescript, on letterhead for AkPharma Inc.; dated January 21, 2005. 1 p.<br \/>\n\u201cFriends of Teddi King\u201d from Marian McPartland. 1 letter. Typescript, on letterhead for Halcyon Records; dated September 2002. 1 p.<br \/>\n\u201cStation Manager\u201d from Marian McPartland. 1 letter (pertaining to their support of <em>Piano Jazz<\/em>). Typescript, undated. 1 p.<br \/>\nUnknown to Marian McPartland (\u201cMiss Page\u201d). 1 note, on reverse of envelope. Ink; undated. 1 p.<br \/>\nInvitation from Marian McPartland. 1 card (invitation to Jimmy McPartland\u2019s 70th Birthday celebration at the Caf\u00e9 Carlyle). Typescript; dated March 1977. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Correspondence with Ren Grevatt (Public Relations for Marian McPartland). 13 items. Includes:<br \/>\nRen Grevatt to Marian McPartland. 11 faxes. Typescript, on professional letterhead. Dates represented:<\/p>\n<ul>\n<li>January 18, 1993. 1 p. Accompanied by message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<li>February 10, 1993. 1 p. Accompanied by facsimile of press clipping from <em>Detroit Free Press<\/em> (January 22, 1993). 2 pp. Accompanied by message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<li>August 15, 1994. 1 p. Accompanied by message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<li>September 14, 1994. 1 p. Accompanied by message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<li>October 17, 1994. 1 p. Accompanied by fax from Ren Grevatt to Sheri Hutchinson. Typescript, on professional letterhead; dated October 18, 1994. 1 p. Both faxes accompanied by message confirmation receipts, on thermal fax paper. 2 pp.<\/li>\n<li>October 24, 1994. 1 p. Accompanied by message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<li>November 15, 1994. 1 p. Accompanied by message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<li>December 6, 1994. 1 p.<\/li>\n<li>December 13, 1994. 1 p. Accompanied by message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<li>December 14, 1994. 1 p. Accompanied by message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<li>December 20, 1994. 1 p. Accompanied by message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<\/ul>\n<p>Marian McPartland to Ren Grevatt. 1 fax. Ink, on personal letterhead, on thermal fax paper; dated June 30, 1994. 1 p. Copy 2 (facsimile).<br \/>\nMarian McPartland to Ren Grevatt. 1 letter. Ink, on personal letterhead; dated August 14, 19&#8211;. 1 p. Accompanied by memo from Gene [Shalit] to Marian McPartland. Ink, on letterhead for NBC; undated. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Correspondence between Ren Grevatt and other correspondents. 38 items. Includes:<br \/>\n\u201cNancy Bannister \u2013 America\u2019s Talking \u2013 Roger Rose\u201d from Ren Grevatt. 1 fax. Typescript, on professional letterhead; dated October 6, 1994. 1 p. Accompanied by message confirmation receipt, on thermal fax paper. 1 p.<br \/>\nDelores Barclay (<em>The Associated Press<\/em>) from Ren Grevatt. 1 letter. Typescript, on professional letterhead; dated August 17, 1994. 1 p.<br \/>\nBrian Bourke (<em>The Herald Journal<\/em>) from Ren Grevatt. 1 fax cover sheet. Typescript, on professional letterhead; dated October 23, 1989. 1 p.<br \/>\nJohn Bream (<em>Star Tribune<\/em>) from Ren Grevatt. 1 fax. Typescript, on professional letterhead; dated October 24, 1994. 1 p. Accompanied by message confirmation receipt, on thermal fax paper. 1 p.<br \/>\nAlan Bunce (<em>The Christian Science Monitor<\/em>) from Ren Grevatt. 1 letter. Typescript, signed in ink, on professional letterhead; dated November 21, 1994. 1 p.<br \/>\nSammy Cahn (Warner-Chappell Music) from Ren Grevatt. 1 letter. Typescript, signed in ink, on professional letterhead; dated October 1, 1992. 1 p. Accompanied by (2 items):<\/p>\n<ul>\n<li>Message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<li>Fax cover sheet. Typescript; dated October 2, 1992. 1 p.<\/li>\n<\/ul>\n<p>John Ephland (Managing Editor, <em>Downbeat<\/em>) to Ren Grevatt. 1 letter. Typescript, signed in ink, on professional letterhead; dated July 8, 1994. 1 p.<br \/>\nShelby Fischer (Thelonious Monk Institute of Jazz Performance at New England Conservatory) to Ren Grevatt. 1 fax cover page. Typescript, on thermal fax paper; dated November 14, 1994. Accompanied by (1 item):<\/p>\n<ul>\n<li>Press release for \u201cJazz Generations\u201d event, Thelonious Monk Institute of Jazz Performance, December 3, 1994. Typescript, on thermal fax paper. 1 p.<\/li>\n<\/ul>\n<p>Marcia Zingg Fulmer (Entertainment Editor, <em>The Elkhart Truth<\/em>) from\/to Ren Grevatt. 2 letters. Includes:<\/p>\n<ul>\n<li>Ren Grevatt to Marcia Zingg. 1 fax. Typescript, on professional letterhead; dated June 28, 1994. 1 p. Accompanied by message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<li>Marcia Zingg Fulmer to Ren Grevatt. 1 letter. Ink, on professional letterhead; dated July 21, 1994. 1 p.<\/li>\n<\/ul>\n<p>Japanese Broadcasting Corp. from Ren Grevatt. 1 letter. Typescript, signed in ink, on professional letterhead; dated April 21, 1993. 1 p. Accompanied by:<\/p>\n<ul>\n<li>Message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<li>Fax cover sheet. Typescript; dated October 2, 1992. 1 p.<\/li>\n<\/ul>\n<p>Margaret Hardesty to\/from Ren Grevatt. 2 letters. Includes:<\/p>\n<ul>\n<li>Margaret Hardesty to Ren Grevatt. 1 letter. Ink; dated November 23, 1994. 1 p.<\/li>\n<li>Ren Grevatt to Margaret Hardesty. Facsimile of 1 letter. Typescript, on professional letterhead; dated December 6, 1994. 1 p.<\/li>\n<\/ul>\n<p>Richard Harrington (<em>The Washington Post<\/em>) from Ren Grevatt. 1 letter. Typescript, signed in ink, on professional letterhead; dated November 15, 1994. 1 p.<br \/>\nKaren Harris (<em>Live at Five<\/em>, News 4 New York) from Ren Grevatt. Facsimile of 1 letter. Typescript, on professional letterhead; dated October 14, 1994. 1 p. Accompanied by:<\/p>\n<ul>\n<li>Fax cover sheet. Typescript; dated October 19, 1994. 1 p.<\/li>\n<li>Message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<\/ul>\n<p>Murray Horwitz (National Public Radio) from Ren Grevatt. Facsimile of 1 letter. Typescript, on professional letterhead; dated April 19, 1994. 1 p. Accompanied by:<\/p>\n<ul>\n<li>Message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<li>Ren Grevatt to Marian McPartland. 1 fax. Typescript, on professional letterhead; dated April 19, 1994. 1 p.<\/li>\n<\/ul>\n<p>Ralph Howard (WINS News Radio) from Ren Grevatt. Facsimile of 1 letter. Typescript, on professional letterhead; dated October 23, 1989. 1 p.<br \/>\nShari Hutchinson from Ren Grevatt. 1 fax. Typescript, on professional letterhead; dated August 24, 1994. Accompanied by (2 items):<\/p>\n<ul>\n<li>Michael Bourne, \u201cOur Dame of Jazz: Marian McPartland,\u201d <em>Downbeat,<\/em> September 1994, pp. 22-23. Facsimile of front cover of magazine and article. 3 pp.<\/li>\n<li>Message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<\/ul>\n<p>Mark Jenkins (<em>The City Paper<\/em>) from Ren Grevatt. 1 letter. Typescript, signed in ink, on professional letterhead; dated November 15, 1994. 1 p.<br \/>\nKiyoshi Koyama (<em>Swing Journal,<\/em> Tokyo) from Ren Grevatt. 2 faxes. Typescript, on professional letterhead. Dates represented:<\/p>\n<ul>\n<li>April 12, 1993. 1 p. Accompanied by message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<li>April 13, 1993. 1 p. Accompanied by:\n<ul>\n<li>Message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<li>Ren Grevatt to Marian McPartland. 1 fax. Typescript, on professional letterhead; dated April 13, 1993. 1 p.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>Scott Leiser (Coordinating Producer, <em>Broadcast House Live<\/em>, WUSA-TV 9) to\/from Ren Grevatt. Facsimiles of 2 letters. Includes:<\/p>\n<ul>\n<li>Scott Leiser to Ren Grevatt. 1 letter. Typescript, on professional letterhead; dated May 24, 1994. 1 p.<\/li>\n<li>Ren Grevatt to Scott Leiser. 1 letter. Typescript, on professional letterhead; dated October 26, 1994. 1 p.<\/li>\n<\/ul>\n<p>Bruce Longstreet (WCFE-FM) from Ren Grevatt. 1 fax. Typescript, on professional letterhead; dated October 6, 1994. 1 p. Accompanied by message confirmation receipt, on thermal fax paper. 1 p.<br \/>\nPat McMorrow (<em>The Dispatch<\/em>) from Ren Grevatt. 1 fax. Typescript, on professional letterhead; dated October 25, 1994. 1 p. Accompanied by:<\/p>\n<ul>\n<li>Biography of Marian McPartland. Typescript. 3 pp.<\/li>\n<li>Message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<\/ul>\n<p>News International, Backdates Department, from Ren Grevatt. Facsimile of 1 letter. Typescript, on professional letterhead; dated October 12, 1994. 1 p.<br \/>\nKen Plotnick (Eyewitness News) from Ren Grevatt. Facsimile of 1 letter. Typescript, on professional letterhead; dated October 24, 1989. 1 p.<br \/>\nNeil Ritchie (Canadian Broadcasting Corporation) to\/from Ren Grevatt. 4 faxes. Includes:<\/p>\n<ul>\n<li>Neil Ritchie to Ren Grevatt. 3 faxes. Typescript, on professional letterhead, on thermal fax paper; dated January 1993; February 3, 1993; February 5, 1993. 3 pp. Copy 2 of faxes (facsimiles).<\/li>\n<li>Ren Grevatt to Neil Ritchie. 1 fax. Typescript, on professional letterhead; dated January 26, 1993. 1 p. Accompanied by message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<\/ul>\n<p>Phil Sheridan (The Jazz Alliance) to Ren Grevatt. 1 fax. Typescript, on professional letterhead, on thermal fax paper; dated January 26, 1993. 1 p. Copy 2 (facsimile).<br \/>\nDeborah Simmons (Features Editor, <em>The Washington Times<\/em>) from Ren Grevatt. 1 letter. Typescript, signed in ink, on professional letterhead; dated November 15, 1994. 1 p.<br \/>\nMary Ellen Webb (<em>The Journal Newspapers<\/em>) from Ren Grevatt. 1 letter. Typescript, signed in ink, on professional letterhead; dated November 15, 1994. 1 p.<br \/>\nNorton Wright (Executive Producer, CBS Entertainment Productions) to Ren Grevatt. 1 letter. Typescript, signed in ink, on professional letterhead; dated October 5, 1994. 1 p.<br \/>\n\u201cEric\u201d (<em>St. Petersburg Times<\/em>) to Ren Grevatt. 1 memo. Typescript, signed in ink, on professional letterhead; undated. 1 p.<br \/>\n\u201cPhyllis\u201d from Ren Grevatt. Facsimile of 1 letter. Typescript, on professional letterhead; dated July 14, 1994. Accompanied by press release (pertaining to 15<sup>th<\/sup> anniversary of <em>Piano Jazz<\/em>). Typescript, on letterhead for Ren Grevatt Associates; undated. 1 p.<br \/>\n\u201cFriend\u201d from Ren Grevatt. Facsimile of 1 letter (publicity for <em>Piano Jazz<\/em> fall 1990 season). Typescript, on professional letterhead; dated September 25, 1990. 1 p.<br \/>\n\u201cFriend\u201d from Ren Grevatt. Facsimile of 1 letter (pertaining to memorial service for Jimmy McPartland). Typescript, on professional letterhead; dated May 17, 1991. 1 p. Accompanied by:<\/p>\n<ul>\n<li>\u201cMcPartland Memorial Service Invitation List.\u201d Typescript address list. 1 p.<\/li>\n<li>Ren Grevatt to Marian McPartland. 1 fax. Typescript, on professional letterhead; dated May 17, 1991. 1 p.<\/li>\n<li>Message confirmation receipt, on thermal fax paper. 1 p.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Correspondence from Paul S. White. 33 items. Includes:<br \/>\nPaul S. White to Gene Lees. Facsimile of 1 letter, with annotations to Marian McPartland. Typescript, on personal letterhead; dated January 15, 1991. 1 p.<br \/>\nPaul S. White to Marian McPartland. 18 letters; 13 faxes. Includes:<\/p>\n<ul>\n<li>Typescript, signed with postscript in ink, on personal letterhead; dated February 7, 1991. 3 pp.<\/li>\n<li>Ink, on personal letterhead; dated February 17, 1991. 3 pp.<\/li>\n<li>Ink, on personal letterhead; dated June 21, 1991. 4 pp.<\/li>\n<li>Ink, on personal letterhead; dated June 30-July 1, 1991. 9 pp.<\/li>\n<li>Ink, on letterhead for the Vancouver Club; dated July 1, 1991. 2 pp.<\/li>\n<li>Ink; dated July 3, 1991. 2 pp.<\/li>\n<li>Ink, on personal letterhead; dated July 8, 1991. 2 pp.<\/li>\n<li>Fax, on thermal fax paper; dated July 11, 1991. 1 p. Copy 2 (facsimile).<\/li>\n<li>Fax, on thermal fax paper; dated July 12, 1991. 1 p. Copy 2 (facsimile).<\/li>\n<li>Fax, on thermal fax paper; dated July 16, 1991. 1 p. Copy 2 (facsimile).<\/li>\n<li>Fax, on thermal fax paper; dated July 16, 1991. 2 pp. Copy 2 (facsimile).<\/li>\n<li>Fax, on thermal fax paper; dated July 19, 1991. 1 p. Copy 2 (facsimile).<\/li>\n<li>Fax, on thermal fax paper; dated July 26, 1991. 1 p. Copy 2 (facsimile).<\/li>\n<li>Typescript, with annotation in ink (titled \u201cIt\u2019s Tea Party Time Again\u201d); dated November 1, 1990. 2 pp.<\/li>\n<li>Ink, on personal letterhead; dated June 28, 1991. 12 pp.<\/li>\n<li>Ink, on letterhead for Dawson Eldorado Mines Ltd.; dated August 31, 1991. 3 pp.<\/li>\n<li>Ink, on letterhead for Dawson Eldorado Mines, Ltd.; dated September 1, 1991. 6 pp.<\/li>\n<li>Fax, on thermal fax paper; dated September 8, 1991. 1 p. Copy 2 (facsimile).<\/li>\n<li>Fax, on thermal fax paper; dated September 10, 1991. 1 p. Copy 2 (facsimile).<\/li>\n<li>Fax, on thermal fax paper; dated September 15, 1991. 1 p. On reverse: annotations by Marian McPartland in ink. Copy 2 (facsimile).<\/li>\n<li>Fax, on thermal fax paper; dated September 21, 1991. 1 p. Copy 2 (facsimile).<\/li>\n<li>Typescript (titled \u201cA Saving and Amazing Grace\u201d); dated September 23, 1991. 12 pp. Accompanied by envelope, with annotations by Marian McPartland in ink.<\/li>\n<li>Fax, on thermal fax paper; dated September 24, 1991. 1 p. Copy 2 (facsimile).<\/li>\n<li>Ink, on personal letterhead; dated September 24, 1991. 2 pp.<\/li>\n<li>Typescript, with postscript in ink (titled \u201cThe World\u2019s Jazz Crazy, and So Am I\u201d); dated September 24, 1991. 4 pp.<\/li>\n<li>Fax, on letterhead for Avanti Minerals Ltd., on thermal fax paper; dated September 28, 1991. 2 pp. Copy 2 (facsimile).<\/li>\n<li>Greeting card, in ink; dated September 31, 1991. 3 pp.<\/li>\n<li>Fax, on letterhead for Avanti Minerals Ltd.; dated October 5, 1991. 1 p. Copy 2 (facsimile).<\/li>\n<li>Ink, on personal letterhead; dated April 6, 1992. 1 p.<\/li>\n<li>Ink, on letterhead for Dawson Eldorado Mines Ltd.; undated. 2 pp.<\/li>\n<li>Ink, on personal letterhead; undated. 2 pp.<\/li>\n<\/ul>\n<p>Manuscript notes by Marian McPartland, titled \u201cGreat &amp; not so great thoughts.\u201d Ink, on guest stationary from the Hotel Bel Air, The Hague; undated. 3 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>Correspondence pertaining to Guildhall School. 10 items.<br \/>\nBarry Ife (Principal, Guildhall School of Music and Drama) to\/from Marian McPartland. 6 letters (pertaining to awarding of Fellowship). Includes:<\/p>\n<ul>\n<li>Barry Ife to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated May 17, 2007. 1 p.<\/li>\n<li>Marian McPartland to Barry Ife. 1 letter. Typescript; dated July 14, 2006. 1 p.<\/li>\n<li>Barry Ife to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated July 27, 2007. 1 p.<\/li>\n<li>Marian McPartland to Barry Ife. 1 letter. Typescript; dated August 5, 2007. 1 p.<\/li>\n<li>Barry Ife to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated September 23, 2007. 1 p.<\/li>\n<li>Barry Ife to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated October 2, 2007. 1 p.<\/li>\n<\/ul>\n<p>Alumni mailers. 4 items:<\/p>\n<ul>\n<li>Rachel Dyson (Alumni Office, Guildhall School of Music and Drama) to Marian McPartland. 1 letter (request for updated address). Typescript; undated. 1 p.<\/li>\n<li><em>Guildhall School Newsletter,<\/em> Issue 7 (Autumn 2007). 20 pp.<\/li>\n<li>Barry Ife to Marian McPartland. 1 letter (form letter). Typescript; dated September 2011. 1 p.<\/li>\n<li><em>Guildhall School News, <\/em>Autumn\/Winter 2011. 28 pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Correspondence pertaining to \u201cMusic at the Supreme Court\u201d concert. 9 items. Includes:<br \/>\nJustice Stephen Breyer to Marian McPartland. 1 notecard. Ink, on professional letterhead; dated May 7, 1997. 2 pp. Accompanied by envelope.<br \/>\nJustice Ruth Bader Ginsburg to Marian McPartland. 1 notecard. Ink, on professional letterhead; dated May 5, 1997. 1 p.<br \/>\nJustice Sandra Day O\u2019Connor to Marian McPartland. 3 items:<\/p>\n<ul>\n<li>1 letter. Typescript, signed in ink, on professional letterhead; dated April 28, 1997. 1 p.<\/li>\n<li>Concert program (\u201cMusic at the Supreme Court,\u201d with Denyce Graves, Warren Jones, and Marian McPartland); dated April 17, 1997. Inscription on front cover to Marian McPartland from Sandra Day O\u2019Connor.<\/li>\n<li>1 letter. Ink, on professional letterhead; dated May 6, 1997. 1 p. Accompanied by envelope.<\/li>\n<\/ul>\n<p>Chief Justice William H. Rehnquist to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated May 8, 1997. 1 p. Accompanied by envelope.<br \/>\nJustice Antonin Scalia to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated May 19, 1997. 1 p. Accompanied by envelope.<br \/>\nJustice David H. Souter to Marian McPartland. 1 letter. Ink, on professional letterhead; dated June 28, 1997. 1 p.<br \/>\nJustice John Paul Stevens to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated May 8, 1997. 1 p.<br \/>\nJustice Clarence Thomas to Marian McPartland. 1 notecard. Ink, on professional letterhead; dated May 5, 1997. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>Correspondence pertaining to \u201cWomen in Jazz\u201d research. 17 items. Includes:<br \/>\nDeedie Ball to Marian McPartland. 1 letter. Typescript, signed in ink, on personal letterhead; dated October 3, 1979. 2 pp.<br \/>\nCarla Bley to Marian McPartland. 1 letter. Ink; undated. 1 p.<br \/>\nJudy B. Cammarota to Marian McPartland. 1 letter. Ink; dated September 3, 1979. 2 pp.<br \/>\nGurthalee W. Clark to Marian McPartland. 1 letter. Ink, on personal letterhead; dated October 15, 1979.<br \/>\nPhyllis Clendening to Marian McPartland. 1 letter. Ink; dated August 1, 1979. 1 p.<br \/>\nFlo Dreyer to Marian McPartland. 1 letter. Ink; dated October 1, 1979. 1 p.<br \/>\nNina Erickson to Marian McPartland. 1 letter. Ink, on personal letterhead; dated October 15, 1979. 2 pp. Accompanied by (3 items):<\/p>\n<ul>\n<li>Publicity circular for the Flo Dreyer Quintet; undated. 1 item. Annotation on circular: \u201cEarly 50\u2019s.\u201d<\/li>\n<li>Postcard, with photograph of the Nina Clock Quartet, consisting of Nina Houber [Erickson], Toby Butler, Lois Hunt, and Genola Nelson. Photograph attributed to Maurice Seymour; undated [1959-1960]. 1 black and white postcard, 3.5\u201d x 5.5\u201d.<\/li>\n<li>Postcard, with photograph of the Flo Dreyer Quintet, consisting of Flo Dreyer, Fagle Liebman, Toby Butler, Stella Mattern, and Nina Houber [Erickson]. Photograph attributed to Floyds; undated [about 1956]. 1 black and white postcard, 3.5\u201d x 5.5\u201d.<\/li>\n<\/ul>\n<p>H. Halbrook to Marian McPartland. 1 letter. Ink; dated November 10, 1979. 1 p. Accompanied by envelope and business card for the Villa Cesare restaurant. 2 items.<br \/>\nGinger Lavin to Marian McPartland. 1 letter. Ink, on letterhead for Clayton Gallery; dated November 3, 1979. 5 pp.<br \/>\nFagle D. Liebman to Marian McPartland. 1 letter. Typescript; dated October 1, 1979. 1 p.<br \/>\nDan Mather to Marian McPartland. 3 letters. Includes:<\/p>\n<ul>\n<li>Typescript, signed in ink; dated September 21, 1976. 2 pp. Accompanied by memo from Marian McPartland. 1 p.<\/li>\n<li>Ink, on personal letterhead; dated May 31, 1979. 2 pp.<\/li>\n<li>Facsimile of letter. Typescript; dated June 27, 1979. 1 p.<\/li>\n<\/ul>\n<p>Claude W. Phifer (Photographic Society of America, member) to Marian McPartland. 1 letter. Typescript, signed in ink, on personal letterhead; dated October 10, 1979.<br \/>\nFlorence Wells to Marian McPartland. 1 letter. Ink; undated. 1 p.<br \/>\nMonica Witni to Marian McPartland. 1 letter, with annotations in ink by Marian McPartland. Typescript, signed in ink; dated December 26, 1978. 2 pp.<br \/>\nUnknown to Marian McPartland. Facsimile of 1 letter (incomplete, consists of pp. 1-4 only). Ink; dated March 30, 1980. 4 pp. Annotation on reverse of p. 4 by Marian McPartland: \u201cThis really made me feel good!\u201d<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>Correspondence (Fan Letters). From file labeled \u201cFan Letters.\u201d 36 items. Includes:<br \/>\nStephen Alltop to Marian McPartland. Typescript, signed in ink; dated October 29, 1990. 1 p.<br \/>\nWilliam D. Arnold to Marian McPartland. Ink; undated. 2 pp.<br \/>\nHerbert Bergman to Marian McPartland. Typescript, signed in ink; dated November 1, 1988.<br \/>\nGraham Boatfield to Marian McPartland. Typescript, signed in ink; dated July 27, 1990. 1 p.<br \/>\nLyn Chase (Chairman, Committee on Literature and Art, Colony Club) to Marian McPartland. 1 letter. Typescript, signed in ink; dated February 17, 1977. 1 p.<br \/>\nCurtis Christy (Program Director, Learning Alcohol Service Techniques for Control Against Liquor Liability) to Marian McPartland. Facsimile of 1 letter. Typescript, on professional letterhead; dated August 23, 1987. 1 p.<br \/>\nVincent M. Conti to Marian McPartland. Facsimile of 1 letter. Ink; dated November 16, 1988. 1 p.<br \/>\nJames W. Cotter (Executive Director, Hillside Children\u2019s Center) to Marian McPartland. Facsimile of 1 letter. Typescript, on professional letterhead; dated February 13, 1975. 1 p.<br \/>\nJamie Crowne (NPR Cassettes) to David Preston. 1 letter (pertaining to request for cassette of <em>Piano Jazz<\/em> program). Typescript, signed in ink, on professional letterhead; dated November 30, 1987. 1 p.<br \/>\nChip Deffaa to Marian McPartland. 1 letter. Ink, on personal letterhead; undated. 2 pp.<br \/>\nGwen Fainchild (WRKF, Baton Rouge, LA) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated November 7, 1988. 1 p.<br \/>\nCamille Gedeon to Marian McPartland. 1 letter. Typescript, signed in ink, on stationary embossed \u201cGedeon Takaro Advertising\u201d; dated December 3, 1988. 1 p.<br \/>\nRodney Garside to Marian McPartland. 1 letter. Typescript, signed in ink; dated April 1, 1991. 1 p.<br \/>\nJack Donus Glover to Marian McPartland. Facsimile of 1 letter. Typescript song lyrics, with note in ink; undated. 1 p.<br \/>\nLaura Golberg to Marian McPartland. Facsimile of 1 poem (\u201cThe Jazz Pianist\u201d). Typescript; dated March 15, 1973. 1 p.<br \/>\nBill Gordon to Marian McPartland. 1 letter. Typescript, signed in ink; dated November 28, 1988. 1 p.<br \/>\nGene M. Gressley (Assistant to the President for American Heritage Center Development, University of Wyoming) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated July 25, 1989. 1 p.<br \/>\nMark I. Harrison to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated May 13, 1991. 1 p.<br \/>\nWilliam B. Heebink (Superintendent of Schools, Port Washington Union Free School District) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated March 19, 1991. 1 p.<br \/>\nBobbie Jennings to Marian McPartland. Facsimile of 1 letter. Typescript, on professional letterhead; dated November 8, 1988. 1 p.<br \/>\nBarney Josephson to Marian McPartland. 1 letter. Ink, on personal letterhead; dated February 10, 1977. 1 p.<br \/>\nAl Kennedy (Department of Informational and Community Services, New Orleans Public Schools) to Marian McPartland. Facsimile of 1 letter. Typescript, on professional letterhead; dated September 27, 1977. 1 p.<br \/>\nBurt Korall to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated June 24, [1975]. 1 p.<br \/>\nFrani Lauda to Marian McPartland. 1 letter. Ink; dated November 4, 1989. 1 p.<br \/>\nTim Masters to Marian McPartland. 1 holiday card. Ink; undated. 1 p.<br \/>\nBarbara McCusker to Marian McPartland. 1 letter. Ink; dated August 6, 1988. 2 pp.<br \/>\nMichael Morse (Coordinator, Volunteer Services, State of New York Department of Correctional Services) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated June 10, 1975. 1 p.<br \/>\nClydine Norcross to Marian McPartland. 1 letter. Typescript, signed in ink; dated April 24, 1979. 2 pp.<br \/>\nLeslie I. Osborne to Marian McPartland. 1 letter. Typescript, signed in ink; dated May 17, 1956. 1 p.<br \/>\nShirley Stevens to Marian McPartland. 1 letter. Typescript, signed in ink; dated August 8, 1988. 2 pp.<br \/>\nSuzanne Swick (<em>Time Magazine<\/em>) to Jimmy and Marian McPartland. Facsimile of 1 letter. Typescript, on professional letterhead; dated September 16, 1953. 1 p.<br \/>\nTom W. Wilson to Marian McPartland. 1 holiday card. Typescript; undated. 2 pp.<br \/>\nRalph Wilson to Marian McPartland. 1 holiday card. Ink; undated. 1 p.<br \/>\nJun Yamazaki (Live Corporation) to Marian McPartland. Facsimile of 1 letter. Typescript, on professional letterhead; dated May 25, 1978. 1 p.<br \/>\n\u201cMitch\u201d (Paul D. Schreiber High School) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated March 27, 1991. 1 p.<br \/>\n[Illegible] to Marian McPartland. 1 letter. Ink; dated May 18, 1980. 1 p. Letter includes ink drawing of Marian McPartland and unnamed bassist.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 18<\/strong><\/td>\n<td>Correspondence between other individuals. 5 items.<br \/>\nPaula Braniff Hatcher from Joellyn M. Ausanka (for Marian McPartland). Facsimile of 1 letter. Typescript, on personal letterhead for Marian McPartland; dated March 7, 1980. 1 p.<br \/>\nHenry J. Cauthen (President, ETV Network) to George Wein (President, Festival Productions). Facsimile of 1 letter (pertaining to celebration of the 15th season of <em>Piano Jazz<\/em>). Typescript, on professional letterhead; dated November 5, 1990. 1 p.<br \/>\nWilliam D. Fowler (NYSSILR, Cornell University) to James J. Whalen (President, Ithaca College). 1 letter (recommendation to award honorary degree to Marian McPartland). Typescript, signed in ink, on personal letterhead; dated December 9, 1980. 1 p.<br \/>\nBilly Taylor. Facsimile of 1 letter (recommendation for NEH Fellowship). Typescript form letter; dated May 31, 1978. 1 p.<br \/>\nGeorge Wein (CEO, Festival Productions) to\/from Phoebe Jacobs. Facsimile of 1 letter (pertaining to JVC Jazz Festival concert, June 21, 2007). Typescript, on professional letterhead; dated December 14, 2006. Inscription and note in ink from Phoebe [Jacobs] (response). 1 p.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1610484200436{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px;\"><a id=\"S2sC\"><\/a>Sub-series C: Research and Writing<\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 6&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610486190274{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td><em>All in Good Time.<\/em> New York: Oxford University Press, 1987. Hardcover book, with jacket. 174 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td><em>Marian McPartland\u2019s Jazz World: All in Good Time.<\/em> Hardcover book, with jacket. Urbana: University of Illinois Press, 2003. 165 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td><em>Stellar Performances: A Collection of Recipes and Anecdotes from Our Visiting Artists.<\/em> Weidner Center, University of Wisconsin-Green Bay, 1997. Spiral bound. 125 pp.<br \/>\nIncluded in recipe book: \u201cMarian McPartland: How to Make the Perfect Cup of Tea,\u201d pp. 12-13.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 45&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610486220722{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>item 1<\/strong><\/td>\n<td><em>Esquire\u2019s World of Jazz.<\/em> Commentary by James Poling. Revised and updated. New York: Thomas Y. Crowell Co., 1975.<br \/>\nIncludes essay by Marian McPartland (\u201cYou\u2019ve Come a Long Way, Baby,\u201d pp. 134-139).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 6`{`cont.`}`&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610486245732{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Articles by Marian McPartland, A-C. 7 articles. Includes:<br \/>\n\u201cAlec Wilder: The Compleat Composer.\u201d <em>Downbeat,<\/em> October 21, 1976, pp. 16-17, 49-50. 3 items:<\/p>\n<ul>\n<li>Facsimile of article. 4 pp.<\/li>\n<li>\u201cI\u2019ll Be Around.\u201d Words and music by Alec Wilder. Piano arrangement by Bill Dobbins. Reprinted in <em>Downbeat,<\/em> October 21, 1976, p. 46. 1 p. Facsimile of page.<\/li>\n<li>Facsimile of magazine front cover. 1 p. Affixed to page: excerpt from \u201cChords and Discords: Wilder Backlash.\u201d <em>Downbeat,<\/em> December 2, 1976. Contains letters to editor concerning McPartland\u2019s article on Alec Wilder. 1 p.<\/li>\n<\/ul>\n<p>\u201cThe Anatomy of \u2018Ambiance.\u2019\u201d <em>Downbeat,<\/em> April 1, 1971, pp. 31-32. 2 items:<\/p>\n<ul>\n<li>Facsimile of article. 2 pp.<\/li>\n<li>Facsimile of \u201cExample II\u201d (musical example for article: harmonized melody of \u201cAmbiance\u201d). 1 p.<\/li>\n<\/ul>\n<p>\u201cBenny Goodman: From the Inside.\u201d <em>Downbeat,<\/em> April 9, 1964, pp. 20-22. 2 items:<\/p>\n<ul>\n<li>Facsimile of article and p. 23 of magazine. 4 pp.<\/li>\n<li>Facsimile of magazine front cover. 1 p.<\/li>\n<\/ul>\n<p>\u201cBill Evans.\u201d <em>Downbeat,<\/em> October 17, 1968, p. 39. Facsimile of article and front cover of magazine. 2 pp.<br \/>\n\u201cBobby Hutcherson\u201d [Review of <em>Components <\/em>(album)<em>,<\/em> Blue Note 4213, n.d.], <em>Downbeat,<\/em> January 12, 1967, pp. 30-31. 2 items:<\/p>\n<ul>\n<li>Full issue of <em>Downbeat<\/em>. 44 pp.<\/li>\n<li>Facsimile of article. 1 p.<\/li>\n<\/ul>\n<p>\u201cBritish Cats Fight to Sound Their \u2018A,\u2019\u201d <em>Downbeat,<\/em> April 7, 1950. Facsimile of article. 1 p.<br \/>\n<span style=\"font-family: inherit;\">\u201cCrowds Jam Paris Jazz Festival,\u201d <\/span><em style=\"font-family: inherit;\">Downbeat,<\/em><span style=\"font-family: inherit;\"> July 1, 1949. Facsimile of article. 1 p.<\/span><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Articles by Marian McPartland, D-I. 12 articles. Includes:<br \/>\n\u201cDave Brubeck: \u2018Half-Genius, Half-Square\u2019 and Impossible to Pigeonhole,\u201d <em>High Fidelity Magazine,<\/em> January 1969, pp. 120-121. 2 items:<\/p>\n<ul>\n<li>Article (pages excerpted from magazine). 4 pp.<\/li>\n<li>Facsimile of article. 2 pp.<\/li>\n<\/ul>\n<p>\u201cDenny Zeitlin\u201d [Review of <em>Live at the Trident<\/em> (album), Columbia 2463], <em>Downbeat,<\/em> May 5, 1966, p. 33. Full issue of <em>Downbeat.<\/em> 44 pp.<br \/>\n\u201cErroll Garner,\u201d <em>Inside Greater Philadelphia This Week <\/em>[February 1958], p. 2. Holdings consist of issue of circular. 8 pp.<br \/>\n\u201cThe Fabulous Joe Morello,\u201d <em>Downbeat,<\/em> March 3, 1960, pp. 24-27. Facsimile of article and front cover of magazine. 5 pp.<br \/>\n\u201cGeorge Shearing,\u201d <em>6<sup>th<\/sup> Annual Newport Jazz Festival Program Booklet,<\/em> July 1959, pp. 28-29. Facsimile of article and front cover of program booklet. 3 pp.<br \/>\n\u201cGeorge Wein\u2019s Jazz Life: <em>Piano Jazz<\/em> Host Marian McPartland Salutes the Festival Impresario,\u201d <em>JVC<\/em> (2002), pp. 4, 8. Color facsimile of first page of article (p. 4). 1 p. Second page of article (p. 8) (page extracted from magazine). 1 p.<br \/>\n\u201cGet Jazz off the Ration,\u201d <em>Jazz Journal,<\/em> June 1949, p. 2. 2 items:<\/p>\n<ul>\n<li>Article (pages excerpted from journal). 2 pp.<\/li>\n<li>Facsimile of article. 1 p.<\/li>\n<\/ul>\n<p>\u201cHank Jones\u2014Oliver Nelson\u201d [Review of <em>Happenings<\/em> (album), Impulse 9132], <em>Downbeat,<\/em> August 10, 1967, pp. 31-32. 2 items:<\/p>\n<ul>\n<li>Full issue of <em>Downbeat<\/em> (pp. 29-30 missing). 38 pp.<\/li>\n<li>Facsimile of article. 1 p.<\/li>\n<\/ul>\n<p>\u201cHints for Pianists,\u201d <em>Downbeat,<\/em> November 14, 1968, unknown page. Facsimile of front cover of magazine only. 1 p.<br \/>\n\u201cHow to Comp,\u201d <em>Downbeat,<\/em> July 25, 1968, pp. 34-36. Full issue of magazine. 46 pp.<br \/>\n\u201cInto the Sun: An Affectionate Sketch of Mary Lou Williams,\u201d <em>Downbeat,<\/em> August 27, 1964, pp. 16-17, 36. Facsimile of article. 3 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Articles by Marian McPartland, J-L. 7 articles. Includes:<br \/>\n\u201cJazz Goes to Grade School,\u201d <em>Downbeat,<\/em> September 28, 1961, pp. 16-17. 3 items:<\/p>\n<ul>\n<li>Full issue of 74 pp.<\/li>\n<li>Facsimile of article. 2 pp.<\/li>\n<li>Reprint of article excerpt: \u201cJazz goes to Grade School,\u201d <em>Downbeat,<\/em> July 1994, p. 70. 1 p.<\/li>\n<\/ul>\n<p>\u201cJazz on Campus,\u201d <em>Downbeat,<\/em> March 5, [1968?], page unknown. 2 items:<\/p>\n<ul>\n<li>Clipping of article, mounted on paper. 1 p. On reverse: stationary for Midtown Tower Hotel, Rochester, NY.<\/li>\n<li>Facsimile of article. 1 p.<\/li>\n<\/ul>\n<p>\u201cJohn Bunch: Hickory House, New York City\u201d [Concert review], <em>Downbeat,<\/em> January 5, 1961, p. 44. Article (pages excepted from magazine). 1 p.<br \/>\n\u201cJohn Coltrane,\u201d <em>Downbeat,<\/em> May 1, 1969, p. 45. Facsimile of article. 1 p.<br \/>\n\u201cJoe Morello: With a Light Touch,\u201d <em>Downbeat,<\/em> March 25, 1965, pp. 16-17, 37. Full issue of magazine. 44 pp.<br \/>\n\u201cJust Swinging: Jake Hanna,\u201d <em>Downbeat,<\/em> October 10, 1963, pp. 16-17. Full issue of magazine. 50 pp.<br \/>\n\u201cLearning to Play Jazz,\u201d <em>Downbeat,<\/em> November 14, 1968, p. 36. Full issue of magazine (missing pp. 11-12, 37-38).<\/p>\n<p>\u201cLet\u2019s You and Him Fight . . .\u201d [letter to the editor, pertaining to John Mehegan\u2019s article on Dave Brubeck, <em>Downbeat, <\/em>June 27, 1957], <em>Downbeat,<\/em> date unknown, p. 4. 2 items:<\/p>\n<ul>\n<li>Letter to the editor (page extracted from magazine). 1 p.<\/li>\n<li>Facsimile of letters to the editor. 1 p.<\/li>\n<\/ul>\n<p>\u201cLooking to the Future: Ron McClure and Eddie Gomez,\u201d <em>Downbeat,<\/em> June 2, 1966, pp. 20-22, 41. 2 items:<\/p>\n<ul>\n<li>Facsimile of article. 3 pp.<\/li>\n<\/ul>\n<p>Facsimile of magazine front cover. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Articles by Marian McPartland, M-O. 9 articles. Includes:<br \/>\n\u201cMary Lou: Marian McPartland Salutes one Pianist Who Remains Modern and Communicative,\u201d <em>Downbeat,<\/em> October 17, 1957, pp. 12, 41. 2 items:<\/p>\n<ul>\n<li>Article (pages excerpted from journal). 4 pp.<\/li>\n<li>Facsimile of article. 2 pp.<\/li>\n<\/ul>\n<p>\u201cMary Lou Williams: The Cookery, New York City\u201d [Concert review], <em>Downbeat,<\/em> February 4, 1971, pp. 30-31. 2 items:<\/p>\n<ul>\n<li>Full issue of magazine. 42 pp.<\/li>\n<li>Facsimile of article. 2 pp.<\/li>\n<\/ul>\n<p>\u201cMcPartland\u2014Her Memories\u201d [from letter to editor, pertaining to her experience in Cincinnati], from unidentified Cincinnati newspaper, date unknown. Newspaper clipping. 1 p.<br \/>\n\u201cMemories of Jimmy,\u201d <em>JazzTimes,<\/em> July\/August 2007, pages unknown. Clipping of article, mounted on letter-sized paper. 2 pp.<br \/>\n\u201cThe Most Happy Pianist.\u201d Reprint of \u201cErroll Garner\u201d profile, originally published in <em>Inside Greater Philadelphia <\/em>(1958). Article reprinted in <em>Panorama: Boston\u2019s Official Guide Magazine.<\/em> Published in three issues:<\/p>\n<ul>\n<li>2, No. 14 (Weeks of January 20 and 27, 1958), p. 11. Full issue of magazine. 23 pp.<\/li>\n<li>7, No. 13 (Weeks of January 20 and 27, 1958), p. 11. Full issue of magazine. 23 pp.<\/li>\n<li>9, No. 13 (Weeks of January 18 and 25, 1960), p. 9. Full issue of magazine. 23 pp.<\/li>\n<\/ul>\n<p>\u201cOscar Peterson (Lifetime Achievement Award),\u201d <em>The Grammy Awards 1997<\/em> (booklet), p. 100. Full publication. 196 pp.<br \/>\n<em>Accompanying document (correspondence from Flo Merjan) separated; see Box 5, Folder 9.<br \/>\n<\/em>\u201cPlaying Solo Jazz Piano,\u201d <em>Contemporary Keyboard,<\/em> January 1977, p. 18. Article (pages extracted from journal). 2 pp.<br \/>\n\u201cQuincy Jones,\u201d <em>Downbeat,<\/em> March 6, 1969, pp. 39-40. Full issue of magazine. 46 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Articles by Marian McPartland, T-Y. 3 articles. Includes:<br \/>\n\u201c<em>Take Five,<\/em> Dave Brubeck Quartet (Hall of Fame),\u201d <em>The Grammy Awards 1996<\/em> (booklet), p. 120. Full publication. 192 pp.<br \/>\n\u201cTatum Mourned,\u201d <em>The Detroit Free Press,<\/em> November 19, 1956, unknown page. Facsimile of article. 1 p.<br \/>\n\u201cThe Untold Story of the International Sweethearts of Rhythm.\u201d Booklet, comprised of the article (\u201cbased on material to be used in the forthcoming book <em>Jazzwomen<\/em> by Marian McPartland\u201d); undated (1980). 8 pp. Copy 2 (facsimile). Annotation on first page: \u201cPart of book by Marian \u2018All In Good Time\u2019 \/ 1980.\u201d<br \/>\n\u201cYou\u2019ve Come a Long Way, Baby,\u201d <em>Esquire\u2019s World of Jazz<\/em> (New York: Thomas Y. Crowell, 1975), pages unknown. Facsimile of essay from book. 5 pp.<br \/>\n<em>See Box 45, Item 1, for complete volume<\/em> (Esquire\u2019s World of Jazz).<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Reminiscences about Billy Mayerl. 2 items.<br \/>\nTypescript draft, with annotations in ink; undated. 14 pp.<br \/>\nCorrespondence: \u201cNick\u201d to Marian McPartland. 1 letter. Ink; dated November 10, 1976. 1 p. Accompanied by envelope.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Women in Jazz <em>New York Times<\/em> Sunday Magazine Article. 2 items.<br \/>\n\u201cSuggested preliminary outline. Article: International Sweethearts of Rhythm.\u201d Typescript draft; undated. 9 pp.<br \/>\nCorrespondence: James Maher to Marian McPartland. Facsimile of 1 letter. Typescript; dated September 29, 1979. 1 p. Accompanied by (1 item):<br \/>\n\u201cObservations.\u201d Remarks pertaining to draft of article about the International Sweethearts of Rhythm. Typescript; undated. 2 pp<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Articles by Marian McPartland, Typescript Drafts. 7 items.<br \/>\n\u201cJazz is Alive and Well Among the Young.\u201d Draft of article. Typescript, with annotations in ink; undated [1960s]. 10 pp. Annotation on first page of draft: \u201cReprinted in Downbeat.\u201d<br \/>\n\u201cMarian\u2019s Wurlitzer Piano.\u201d Draft of article. Typescript; undated (1990s). 2 pp.<br \/>\n\u201cMcPartland&#8211;Ending.\u201d Typescript; undated. 1 p.<br \/>\n\u201c\u2018She Wiped All&gt; the Men Out\u2019: A Re-evaluation of Women Instrumentalists and Composers in Jazz.\u201d Facsimile of draft of article. Typescript; undated. 55 pp. Accompanied by facsimiles of musical examples and figures. 9 pp.<br \/>\n\u201cToshiko.\u201d Facsimile of draft of article. Typescript. 2 pp. Annotation on first page of draft: \u201cConcert Program \/ Fifties.\u201d<br \/>\nUntitled essay (profile of Joe Morello). Facsimile of draft of essay, with emendations. Typescript. 3 pp. Annotation on first page of draft: \u201cSpringfield \/ 1957 \/ by Marian.\u201d Copy 2 (facsimile).<br \/>\nUntitled essay (First line: \u201cWhat is Jazz?\u201d). Facsimile of draft of essay, with emendations. Typescript. 3 pp. Annotation on first page of draft: \u201c1952 (?) \/ article by Marian \/ Don\u2019t know where it\u2019s printed.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 7&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610486282148{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>\u201cWomen in Jazz\u201d Research Documents. 20 items.<br \/>\n\u201cDescription of Proposed Study.\u201d Typescript book proposal. 2 pp.<br \/>\n\u201cAgreement between Marian McPartland and James T. Maher.\u201d Typescript contract. 2 pp.<br \/>\n\u201cFellowship Expenses\u2014Marian McPartland.\u201d Typescript. 3 pp.<br \/>\n\u201cCurriculum Vitae of Marian McPartland.\u201d Typescript. 3 pp.<br \/>\nApplication for fellowship from the John Simon Guggenheim Memorial Foundation. 6 items:<\/p>\n<ul>\n<li>Facsimile of completed typescript form. 2 pp.<\/li>\n<li>\u201cCareer Summary.\u201d Typescript. 1 p.<\/li>\n<li>\u201cCareer Details.\u201d Typescript. 3 pp.<\/li>\n<li>\u201cList of Publications.\u201d Typescript. 1 p.<\/li>\n<li>\u201cStatement of Plans.\u201d Typescript. 3 pp.<\/li>\n<li>Correspondence: John Simon Guggenheim Memorial Foundation [to Marian McPartland]. 1 card (acknowledging receipt of fellowship application). Typescript; undated. 1 p.<\/li>\n<\/ul>\n<p>Letter certifying appointment of Marian McPartland to a Guggenheim Fellowship for the period of June 1, 1980 to May 31, 1981. Typescript, signed in ink, on professional letterhead; dated July 14, 1980. 1 p.<br \/>\nMaterials pertaining to National Endowment for the Humanities fellowship. 10 items:<\/p>\n<ul>\n<li>Correspondence. 3 items:\n<ul>\n<li>Marian McPartland to Marjorie Hanson (National Endowment for the Arts). Facsimile of 1 letter. Typescript, on personal letterhead; dated March 29, 1978. 2 pp.<\/li>\n<li>Joseph Duffey (Chairman, National Endowment for the Humanities) to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated November 22, 1978. 1 p. Accompanied by (2 items):\n<ul>\n<li>\u201cFellowships for Independent Study and Research: Regulations for 1979-80.\u201d Typescript brochure. 4 pp.<\/li>\n<li>\u201cFellowships for Independent Study and Research: Acceptance Form, 1979-80.\u201d Typescript form. 4 pp.<\/li>\n<\/ul>\n<\/li>\n<li>Joseph Duffey to Marian McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated January 26, 1979. 1 p.<\/li>\n<\/ul>\n<\/li>\n<li>Papers. 6 items.\n<ul>\n<li>National Endowment for the Humanities Fellowships for Independent Study and Research information brochure. 4 pp.<\/li>\n<li>Facsimile of completed fellowship application. Includes application, description of proposed study, and CV. Typescript; undated (1979). 7 pp.<\/li>\n<li>Facsimile of completed fellowship acceptance form. Typescript; dated December 29, 1978. 4 pp.<\/li>\n<li>Payment schedule. Typescript form; undated. 1 p.<\/li>\n<li>\u201cAttachment: NEH General Grant Provisions (NFAH 3008, Aug. 1976).\u201d Typescript document. 1 p.<\/li>\n<li>\u201cExtended Prospectus.\u201d Typescript document; undated. 6 pp.<\/li>\n<li>\u201cFirst Women\u2019s Jazz Festival, Crown Center Hotel, Kansas City.\u201d Typescript document; dated March 18, 1978. 5 pp.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Women in Jazz Research (Typescript Drafts). 11 items.<br \/>\nLiner notes for <em>Cleo Brown: Living in the Afterglow<\/em> album. Typescript draft, with annotations in ink; undated. 3 pp.<br \/>\n\u201cFirst Women\u2019s Jazz Festival, Crown Center Hotel, Kansas City.\u201d Typescript document; dated March 18, 1978. 5 pp.<br \/>\n\u201c\u2018The Line Stretched All the Way around the Block\u2019: The Story of the International Sweethearts of Rhythm.\u201d Typescript document; undated. 4 pp.<br \/>\n\u201cThere Would Be a Line Stretching All the Way around the Block.\u201d Typescript draft, with annotations in pencil. 2 pp.<br \/>\nUntitled document; first line: \u201cBut back to the Piney Woods Country School.\u201d Typescript; undated. 5 pp.<br \/>\nUntitled document; first line: \u201cHelen Jones describes her early life at Piney Woods.\u201d Typescript; undated. 20 pp.<br \/>\nUntitled document; first line: \u201cI became interested in doing a book about women jazz players \u2026\u201d Typescript, with annotations in ink; dated October 25, 1980. 6 pp. Accompanied by manuscript note. 1 p.<br \/>\nUntitled document; first line: \u201cThe International Sweethearts of Rhythm was a sixteen-piece all-girl orchestra \u2026\u201d Typescript, with annotations in ink; undated. 4 pp.<br \/>\nUntitled document; first line: \u201c\u2018The Sweethearts of Rhythm were a great band\u2019 Mary Lou Williams, famed jazz pianists, speaks about \u2026\u201d Typescript, with annotations in ink; undated. 4 pp.<br \/>\nUntitled document; first line: \u201cThe year was 1943.\u201d Typescript; undated. 6 pp.<br \/>\nUntitled documents; first line: \u201cThey had a strong rhythm section to hold things together.\u201d Typescript; undated. 25 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Women in Jazz Research (Typescript Research Notes). 14 items.<br \/>\nCorrespondence. 2 items.<br \/>\nLeonard Feather to Marian McPartland. 1 letter. Typescript, signed in ink, on personal letterhead; dated October 23, 1979. 1 p. Accompanied by (1 item):<\/p>\n<ul>\n<li>Leonard Feather to \u201cEthel.\u201d Facsimile of 1 letter. Typescript; dated December 8, 1977. 2 pp.<\/li>\n<\/ul>\n<p>Dan Mather to Marian McPartland. 1 letter. Typescript, signed in ink, on personal letterhead; dated October 23, 1980. 1 p. Accompanied by (2 items):<\/p>\n<ul>\n<li>\u201cTerry Pollard Discography.\u201d Typescript, with annotations in ink; dated October 23, 1980. 5 pp.<\/li>\n<li>\u201cPat Moran Discography.\u201d Typescript, with annotations in ink; dated August 2, 1980. 3 pp.<\/li>\n<\/ul>\n<p>Papers. 12 items.<br \/>\n\u201cBits and Pieces (People to Contact and Things to Do Regarding Book).\u201d Typescript research notes, with annotations in ink; undated. 8 pp.<br \/>\n\u201cNEH Letter: Points to make.\u201d Typescript notes; undated. 2 pp. Annotation on first page: \u201cto David Coder (never sent).\u201d<br \/>\n\u201cQuestions about the SOR.\u201d Typescript notes; undated. 5 pp.<br \/>\nUntitled document; first line: \u201cPersonnel in picture Geneva Perry supplied.\u201d Typescript research notes, with annotations in ink; undated. 4 pp.<br \/>\nUntitled document; first line: \u201cI said that I really hadn\u2019t thought about it.\u201d Typescript notes; undated. 1 p.<br \/>\nResearch notes about Dorothy Donegan (bibliography and discography). Typescript; undated. 4 pp.<br \/>\nResearch notes about Helen Jones Woods (biography). Typescript; undated. 3 pp.<br \/>\nResearch notes (personnel lists, performance dates). Typescript, with annotations in ink; undated. 5 pp.<br \/>\nResearch notes (personnel list). Typescript; undated. 2 pp.<br \/>\nResearch notes (facsimile of broadcast schedules, August 1, 1937). Typescript; undated. 3 pp.<br \/>\nResearch notes (pertaining to various female jazz ensembles). Typescript, with annotations in ink; undated. 5 pp.<br \/>\nResearch notes (list of performers, with contact information). Typescript, with annotations in ink; dated January 2, 1980. 12 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Women in Jazz Research (Loose Materials).\u00a0 69 items.<br \/>\nManuscript notes, in pencil and ink, on various papers and documents; undated. 68 items.<br \/>\nFacsimile of review from <em>High Fidelity<\/em> (December 1975), p. 142. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td><em>Women in Jazz: A Survey.<\/em>\u00a0Pamphlet by Frank Driggs; dated 1977. 24 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Women in Jazz: Publicity and Press Materials. 16 items.<br \/>\n\u201cNewspaper Writeups.\u201d Research notes. Typescript; undated. 8 pp.<br \/>\nPress clippings. 13 items, including clippings and facsimiles; dated 1945-1983, 8 undated. 17 pp.<br \/>\nConcert programs. Facsimiles of two concert programs; undated. 4 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Women in Jazz: Photographs.<br \/>\n11 sleeves (16 photographs, 1 enclosure):<\/p>\n<ol>\n<li>Portrait of Mary Lou Williams (headshot). 1 black and white photograph, 8\u201d x 10\u201d. Photograph inscribed to Andy [Kirk]. 2 prints.<br \/>\n<em>See also Series 2 (Papers), Sub-series C (Research and Writing), Box 32, Folder 12 (Mary Lou Williams), Sleeve 1, for duplicate print.<\/em><\/li>\n<\/ol>\n<ol start=\"2\">\n<li>Photograph of unidentified bassist [Louise Davis?]. 1 color photograph, 3.5\u201d x 4.5\u201d.<\/li>\n<li>Photograph of unidentified bassist [Louise Davis?]. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Photograph of unidentified pianist. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Portraits of unidentified woman (headshots) [Lil Hardin Armstrong?]; undated. 2 black and white photographs, 8\u201d x 10\u201d. Photographs attributed to Maurice Seymour.<\/li>\n<li>5 photographs of the International Sweethearts of Rhythm; undated:\n<ul>\n<li>Photograph of performance; 1947. 1 black and white photograph, 8\u201d x 10\u201d. Photograph attributed to Betty Lee Hunt Associates. Annotation on image: \u201cLouisville, Ky., August 1947.\u201d<br \/>\n<em>See also Series 9 (Oversized), Sub-series A (Oversized Papers), Box 117, Folder 8, for duplicate print (enlargement).<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Photograph of performance; undated. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of the ensemble on stage; undated. 1 black and white photograph, 8\u201d x 10.\u201d<\/li>\n<li>Publicity photograph of the ensemble on stage; undated. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Photograph of 10 members of the ensemble, posed; undated. 1 black and white photograph, 8\u201d x 10.\u201d<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ol start=\"7\">\n<li>Photograph of the rhythm section of the International Sweethearts of Rhythm (publicity photograph); undated. 1 black and white photograph with caption, 8\u201d x 10\u201d. 2 prints.<\/li>\n<li>Photograph of Sadie Pankey, Nora Lee McGee, and Edna Williams (members of the International Sweethearts of Rhythm); undated. 1 black and white photograph, 8\u201d x 10\u201d. Stamp on reverse: \u201cJohnson, 1616-3ST, NW.\u201d<\/li>\n<li>Photograph of the Flo Dreyer Quintet (publicity photograph); undated. 1 black and white photograph, 8\u201d x 10\u201d. Photograph attributed to Floyds.<\/li>\n<li>Photograph of Ada Leonard and her All American Girl Orchestra (publicity photograph); dated 1942. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Photograph of unidentified female jazz ensemble (publicity photograph); undated. 1 black and white photograph, 8\u201d x 10\u201d. Accompanied by photo enclosure: \u201cSouvenir Photo from Eddie Condon\u2019s.\u201d<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Hour of Charm All Girl Orchestra. 5 items.<br \/>\nFacsimile of press clipping; dated October 8, 1946. 1 p.<br \/>\nConcert programs. Facsimiles of 4 programs; undated. 11 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>International Sweethearts of Rhythm Personnel Lists. 6 items.<br \/>\n\u201cInternational Sweethearts of Rhythm: Collective Personnel.\u201d Facsimile of typescript document; undated. 6 pp.<br \/>\n\u201cThe International Sweethearts of Rhythm: Collective Personnel.\u201d Typescript document; dated April 27, 1979. 2 pp. Copy 2 (facsimile, annotated by Helen Jones).<br \/>\n\u201cInternational Sweethearts of Rhythm: Collective Personnel: 1938-1948.\u201d Facsimile of typescript document; dated July 5, 1979. 4 pp.<br \/>\nFacsimile of manuscript notes; dated July 1979. 6 pp.<br \/>\nPersonnel lists for the International Sweethearts of Rhythm. Typescript, with annotations in ink. 7 pp.<br \/>\nCV for Carolbeth True. Facsimile of typescript CV. 1 p. Accompanied by facsimile of manuscript notes. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>\u201c[SOR] Name Lists: Addresses.\u201d 52 items.<br \/>\nCorrespondence. 3 items.<br \/>\nLee Shaw to Marian McPartland. 1 letter. Typescript, signed in ink; dated June 17, 1978. 1 p.<br \/>\n\u201cJane\u201d to Marian McPartland. 1 letter. Ink; undated. 1 p.<br \/>\nPapers. 49 items.<br \/>\n\u201cAddress List &#8212; Jazzwomen.\u201d Typescript address list; undated. 10 pp.<br \/>\n\u201cWomen musicians to contact for book.\u201d Typescript address list; undated. 1 p.<br \/>\nUntitled address list. Typescript, with annotations in ink. 5 pp.<br \/>\nManuscript notes, in pencil and ink, on various papers and documents; undated. 46 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>\u201c[SOR] Outline. 4 items.<br \/>\n\u201cNEW Book Outline. First (rough) draft.\u201d Typescript chapter outline; dated December 3, 1979. 3 pp.<br \/>\n\u201cMemo: Jazzwomen: Editorial structure of the book [preliminary].\u201d Memo to Marian McPartland pertaining to book organization and content. Typescript, with annotations in ink; dated February 14, 1979. 12 pp.<br \/>\n\u201cPre-history.\u201d Typescript outline for chapter one of book, with annotations in ink; undated. 6 pp.<br \/>\n\u201cExtended prospectus.\u201d Typescript prospectus and abstract; undated. 7 pp. Accompanied by (1 item):<\/p>\n<ul>\n<li>Correspondence: Marian McPartland to Marjorie Hanson (National Endowment for the Arts). Facsimile of 1 letter. Typescript, on personal letterhead; dated March 29, 1978. 2 pp. Annotation on first page of letter: \u201cMay 1 \/ Jim \u2013 I think we said it all in this letter\u2026\u201d<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>\u201cSOR. Documents. 1.\u201d 35 items.<br \/>\nResearch Notes and Documents. 7 items.<br \/>\n\u201cThe SOR Documents: Explanation.\u201d Summary of research methods. Typescript, with annotations in ink; undated. 4 pp.<br \/>\n\u201cThe SOR Documents: Status of Extracting.\u201d Typescript document; dated January 22, 1980. 1 p.<br \/>\n\u201cFinal Steps in Dating the Various Personnel Changes: The SOR.\u201d Summary of research methods, including interview questions. Typescript; dated January 21, 1980. 1 p.<br \/>\n\u201cSOR: Personnel Sequencing: Etc.\u201d Research notes. Typescript; undated. 8 pp.<br \/>\n\u201cMiscellaneous Notes RE \u201cJazzwomen.\u201d Research notes. Typescript; undated. 1 p.<br \/>\n\u201cSOR: Documents Inventory.\u201d Typescript document; undated. 3 pp.<br \/>\n\u201cProject: Jazzwomen \/ Progress Report: 1979.\u201d Typescript document; dated 1979. 4 pp.<br \/>\nNumbered Documents (Research Notes and Other Materials). 28 items:<\/p>\n<ol>\n<li>\u201cInternational Sweethearts of Rhythm.\u201d Typescript research notes, with annotations in ink; dated 1973. 2 pp.<\/li>\n<li><em>Correspondence:<\/em> Roz Cron to Marian McPartland. 1 letter. Typescript, signed in ink; dated February 2, 1978. 1 p. Document has annotations in ink.<\/li>\n<li><em>Correspondence:<\/em> Roz [Cron] to Marian McPartland. 1 letter. Typescript, signed in ink; dated April 25, 1978. 1 p.<\/li>\n<li><em>Correspondence:<\/em> Tiny Davis from Marian McPartland. Facsimile of 1 letter. Typescript; dated April 12, 1978. 1 p.<\/li>\n<li><em>Correspondence:<\/em> Ray S. Carson from Marian McPartland. Facsimile of 1 letter. Typescript; dated April 12, 1978. 1 p.<\/li>\n<li>Manuscript research notes. Ink; undated. 6 pp.<\/li>\n<li>Manuscript research notes. Ink; undated. 1 p.<\/li>\n<li><em>Correspondence:<\/em> Garfield to Marian McPartland. 1 letter. Ink; dated May 9, 1978. 2 pp.<\/li>\n<li>\u201cInterview\u2014Helen Saines Coston [<em>recte<\/em> Carson].\u201d Typescript, with annotations in ink; dated summer 1978. 4 pp.<\/li>\n<li><em>Interview Notes:&lt;\/em \u201cMiscellaneous Information from Roz Cron Interview (not on tape.\u201d Typescript, with annotations in ink; dated summer 1978. 2 pp.<\/em><\/li>\n<li><em>Interview Notes:&lt;\/em \u201cInterview\u2014Anna May [<em>sic<\/em>] Winburn Pilgrim.\u201d Typescript, with annotations in ink; dated July 31, 1978. 1 p.<\/em><\/li>\n<li>\u201cMaurice King.\u201d Excerpts from transcript of interview. Typescript, with annotations in ink; dated summer 1978. 1 p.<\/li>\n<li><em>Interview Notes:<\/em> \u201cInterview with Miriam Garfield.\u201d Typescript, with annotations in ink; dated August 20, 1978. 2 pp.<\/li>\n<li><em>Interview Notes:&lt;\/em \u201cInterview\u2014Helen Jones Woods.\u201d Typescript, with annotations in ink; dated summer 1978. 3 pp.<\/em><\/li>\n<li><em>Correspondence:<\/em> Jim [Maher] from Marian McPartland. 1 letter. Ink, on letterhead for the Georgetown Dutch Inn (Washington, DC); dated June 14, 1979. 2 pp.<\/li>\n<li><em>Interview Notes:&lt;\/em \u201cInterview\u2014Jesse Stone and Evelyn McGee.\u201d Typescript, with annotations in pencil and ink; dated summer 1978. 8 pp.<\/em><\/li>\n<li><em>Interview Transcript:&lt;\/em Transcript of interview with Johnnie Rice Graham (tape one). Typescript, with annotations in pencil and ink; dated June 15, 1979. 20 pp.<\/em><\/li>\n<\/ol>\n<p>17a. <em>Interview Transcript:<\/em>Transcript of interview with Johnnie Rice Graham (tape two). Typescript, with annotations in pencil and ink; dated June 15, 1979. 14 pp.<\/p>\n<ol start=\"18\">\n<li>\u201cMiscellaneous.\u201d Research notes. Typescript, with annotations in pencil and ink; undated. 1 p.<\/li>\n<li>\u201cRemoved.\u201d Page included as placeholder to indicate removed document. Ink. 1 p.<\/li>\n<li>\u201cInt\u2019l SOR.\u201d Research notes. Typescript, with annotations in pencil and ink; undated. 1 p. Accompanied by manuscript notes. 2 pp.<\/li>\n<li>\u201cInternational Sweethearts of Rhythm.\u201d Research notes. Typescript; undated. 1 p.<\/li>\n<li>\u201cFor Future Reference.\u201d Manuscript research notes. Ink; undated. 3 pp.<\/li>\n<li><em>Interview Transcript:<\/em> \u201cTelephone Interview\u2014Roz Cron\u2014June 1978.\u201d Typescript, with annotations in ink; undated. 3 pp.<\/li>\n<li><em>Interview Transcript:<\/em> \u201cTelephone Interview with Johnny Rice Graham.\u201d Typescript; dated June 1978. 1 p.<\/li>\n<li><em>Interview Transcript:<\/em> \u201cTelephone Interview\u2014Pauline Brady Williams.\u201d Typescript; dated June 1978. 4 pp.<\/li>\n<li><em>Interview Transcript:<\/em> \u201cNancy Pratt (June, 1978 phone conversation).\u201d Typescript; dated June 1978. 4 pp.<\/li>\n<li><em>Interview Notes:&lt;\/em \u201cInformation Gleaned from Maurice King.\u201d Typescript; dated summer 1978. 3 pp.<\/em><\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>\u201cSOR. Documents. 2.\u201d 3 items.<br \/>\nNumbered Documents (cont.). 3 items:<\/p>\n<ol start=\"28\">\n<li><em>Interview Notes:<\/em> \u201cInterview\u2014Anna May Winburn Pilgrim and Evelyn McGee Stone.\u201d Typescript, with annotations in pencil and ink; dated July 31, 1978. 37 pp.<\/li>\n<li><em>Interview Notes:<\/em> \u201cGeneva Perry\u2014Interview, July 8. 1979 (Washington, DC).\u201d Typescript, with annotations in pencil and ink; dated July 8, 1979. 52 pp.<\/li>\n<li>Untitled research notes. Typescript; undated. 1 p.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 8&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610637205330{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>\u201cSOR. Documents. 3.\u201d 9 items.<br \/>\nNumbered Documents (cont.). 9 items:<\/p>\n<ol start=\"31\">\n<li>Manuscript research notes (including biographical summary of Helen Jones Woods). Pencil and ink; dated July 13, 1979. 6 pp.<\/li>\n<li>\u201cThe International Sweethearts of Rhythm: Collective Personnel.\u201d Typescript document, with annotations in pencil and ink; dated April 27, 1979. 2 pp.<\/li>\n<li>\u201cHelen [Jones] Woods\u201d and \u201cInternational Sweethearts of Rhythm: Evolution of the band: tentative.\u201d Typescript documents, with annotations in ink; dated April 1979. 8 pp.<\/li>\n<li><em>Interview Transcript:<\/em> \u201cTelephone Interview\u2014Maxine Fields\u20148\/19\/79.\u201d Typescript, with annotations in pencil and ink; dated August 19, 1979. 19 pp.<\/li>\n<li>Photographs of the International Sweethearts of Rhythm. Facsimile of page from <em>Lionel Hampton\u2019s Swing Book,<\/em> edited by Alice C. Browning (Chicago: Negro Story Press, 1946), unknown page. 1 p. On reverse: manuscript notes.<\/li>\n<li><em>Interview Notes:<\/em> \u201cConversation with Eddie Durham at West End Caf\u00e9.\u201d Typescript, with annotations in pencil and ink; dated August 8, 1979. 1 p. Accompanied by biographical information for Eddie Durham. Promotional material from \u201cJazz Session: A Phil Schaap Jazz Production.\u201d Facsimile of typescript document. 1 p.<\/li>\n<li>\u201cThis number skipped.\u201d Page included as placeholder. Ink. 1 p.<\/li>\n<li><em>Interview Transcript:<\/em> \u201cInterview\u2014Anna May Winburn Pilgrim and Evelyn McGee Stone.\u201d Pages from interview transcript with \u201ccorrections by Roz Cron.\u201d Typescript, with annotations in pencil and ink; dated July 31, 1978. 8 pp. Accompanied by manuscript notes. Ink. 4 pp.<\/li>\n<li><em>Interview Transcript:<\/em> \u201cMiscellaneous Information from Roz Cron Interview (not on tape).\u201d Pages from interview transcript, \u201ccorrected by Roz Cron.\u201d Typescript, with annotations in ink; dated 1978. 2 pp. Accompanied by manuscript notes. Ink. 1 p.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>\u201cSOR. Documents. 4.\u201d 10 items.<br \/>\nNumbered Documents (cont.). 10 items.<\/p>\n<ol start=\"40\">\n<li>\u201cMiscellaneous Items from Roz Cron [In separate File Folder].\u201d Annotated bibliography. Typescript, with annotations in pencil; undated. 2 pp. Accompanied by press clippings and facsimiles of press clippings (11 items):\n<ol>\n<li><em>Bronz,<\/em> 6, No. 8 (August 1944). Full magazine. 16 pp.<\/li>\n<li>[see oversized]<\/li>\n<li>[see oversized]<\/li>\n<li>Advertisement for the International Sweethearts of Rhythm appearance at Club Riviera; undated. 1 p.<\/li>\n<li>[see oversized]<\/li>\n<li>[see oversized]<\/li>\n<li>Press clipping (photograph of Miriam Polak and Roz Cron); undated.<\/li>\n<li>Press clipping (photograph of Anna Mae Winburn); undated.<\/li>\n<li>[see oversized]<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n<p style=\"padding-left: 40px;\">10-16.\u00a0\u00a0 Facsimiles of 7 press clippings; undated [1945-1948]. 7 pp.<\/p>\n<ol start=\"41\">\n<li><em>Interview Notes:<\/em> \u201cMyrtle Young\u2014Telephone Conversation, 9\/29\/79.\u201d Typescript, with annotations in pencil and ink; dated September 29, 1979. 4 pp.<\/li>\n<li><\/li>\n<li>\u201cTelephone Interview\u2014Helen Jones\u20148\/27\/79.\u201d Typescript, with annotations in ink; dated August 27, 1979. 9 pp.<\/li>\n<li><em>Interview Transcript:<\/em> \u201cTelephone Interview\u2014Judy Bayron Cammarota (9\/23\/79).\u201d Typescript, with annotations in pencil and ink; dated September 23, 1979. 13 pp.<\/li>\n<li><em>Interview Transcript:<\/em> \u201cTelephone Interview with Roz Cron (9\/26\/79).\u201d Typescript, with annotations in ink; dated September 26, 1979. 2 pp.<\/li>\n<li><em>Interview Notes:<\/em> \u201cDetails from phone conversation\u2014Roz Cron\u201410\/6\/79.\u201d Typescript, with annotations in ink; dated October 6, 1979. 2 pp.<\/li>\n<li><em>Interview Notes:<\/em> \u201cBits from Joellyn Ausanka\u2019s Personal Visit with Pauline Williams and Johnnie Graham\u201410\/13\/79.\u201d Typescript, with annotations in pencil and ink; dated October 13, 1979. 4 pp.<\/li>\n<li>Material compiled by Joellyn Ausanka. 15 items:\n<ol>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Cover page. Typescript; dated October 13, 1979. 1 p.<\/li>\n<li>\u201cNewspaper Writeups.\u201d Annotated bibliography of press clippings. Typescript, with annotations in pencil and ink; undated. 7 pp. (p. 3 missing).<\/li>\n<li>Press clippings. Facsimiles of 11 press clippings; dated 1939-1946. 11 pp.<\/li>\n<li>Facsimile of concert program (International Sweethearts of Rhythm, Karlsruhe Concert House); dated 1945. 2 pp.<\/li>\n<li>Photographs of the International Sweethearts of Rhythm. Facsimile of page from\u00a0<em>Lionel Hampton\u2019s Swing Book,<\/em>\u00a0edited by Alice C. Browning (Chicago: Negro Story Press, 1946), unknown page. 1 p.<\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n<ol start=\"49\">\n<li>[See oversized.]<\/li>\n<li><em>Interview Transcript:<\/em> \u201cHelen Jones Woods\u2014Personal Interview\u201410 17\/79.\u201d Typescript, with annotations in pencil and ink; dated October 17, 1979. 20 pp.<\/li>\n<li><em>Interview Notes:<\/em> \u201cMaurice King\u2014telephone conversation, 10\/21\/79.\u201d Typescript, with annotations in pencil and ink; dated October 21, 1979. 6 pp.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>\u201cSOR. Documents. Inventory.\u201d 1 item.<br \/>\nInventory of numbered research documents. Typescript, with annotations in pencil and ink; undated. 3 pp.<br \/>\n<em>See Box 7, Folders 12-13, and Box 8, Folders 1-2 for documents referenced in this list.<\/em><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>\u201cSOR. Extracts.\u201d 13 items.<br \/>\n\u201cNote: Personnel Sequencing.\u201d Research notes pertaining to personnel of the Sweethearts of Rhythm. Typescript, with annotations in pencil and ink; undated. 38 pp.<br \/>\n\u201cRacial Mixing in the Band.\u201d Research notes. Typescript; undated. 11 pp.<br \/>\n\u201cMusical Quality (Competence).\u201d Research notes. Typescript, with annotations in pencil; undated. 9 pp.<br \/>\n\u201cFinancial Arrangements or \u2018Finances\u2019.\u201d Research notes. Typescript; undated. 5 pp.<br \/>\n\u201cNames [and Personal Data].\u201d Research notes. Typescript; undated. 13 pp.<br \/>\n\u201cOn the Road: Professional Bookings.\u201d Research notes. Typescript; undated. 6 pp.<br \/>\n\u201cLife Style of the Band.\u201d Research notes. Typescript; undated. 8 pp.<br \/>\n\u201cThe School.\u201d Research notes. Typescript; undated. 4 pp.<br \/>\n\u201cRecordings.\u201d Discography and research notes. Typescript, with annotations in ink; dated June-July 1979. 5 pp.<br \/>\n\u201cGraphics Documents: Illustrations\u201d and \u201cPhotographs and Memorabilia.\u201d Research notes. Typescript; undated. 3 pp.<br \/>\n\u201cThe Band in Films.\u201d Research notes. Typescript; undated. 1 p.<br \/>\n\u201cMiscellaneous.\u201d Research notes. Typescript; undated. 1 p.<br \/>\n\u201cThe \u2018Library\u2019: Scores and Parts of Arrangements.\u201d Research notes. Typescript; undated. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>\u201cSOR. Piney Woods [Country Life School].\u201d 23 items.<br \/>\nCorrespondence. 3 items.<br \/>\nJames T. Maher to\/from James S. Wade (President, The Piney Woods Country Life School). 3 letters:<\/p>\n<ul>\n<li>James Maher to James Wade. Facsimile of 1 letter. Typescript; dated July 19, 1979. 6 pp. Accompanied by index card with contact information for James Wade. 1 p.<\/li>\n<li>James Wade to James Maher. 1 letter. Typescript, signed in ink, on professional letterhead; dated September 18, 1979. 1 p. On reverse: manuscript notes.<\/li>\n<li>James Wade to James Maher. 1 letter. Typescript, signed in ink, on professional letterhead; dated October 4, 1979. 1 p. Accompanied by receipt from the Piney Woods Country Life School. 1 p.<\/li>\n<\/ul>\n<p>&gt;Papers. 20 items.<\/p>\n<p><em>Fortieth Anniversary (1910-11\u20141950-51): A Pictorial History of the Piney Woods Country Life School.<\/em> Brochure. 26 pp. Accompanied by facsimile of front cover and pp. 24-25. 3 pp.<br \/>\n\u201cBeth Day.\u201d Typescript research notes; undated. 1 p.<br \/>\nManuscript research notes. Ink, with typescript annotation; undated. 1 p.<br \/>\nNelson Antrim Crawford, \u201cThe Little Professor of Piney Woods,\u201d <em>Reader\u2019s Digest,<\/em> Vol. 47 (November 1945), pages unnumbered. Facsimile of article. 3 pp.<br \/>\nMary Braggiotti, \u201cMississippi School Teacher,\u201d <em>New York Post,<\/em> November 6, 1945. Facsimile of reprint of article. 1 p.<br \/>\nRuth M. Harris, \u201cWe Come to Git Educated,\u201d <em>Liberty,<\/em> February 12, 1944, pp. 10, 54, and 67. Facsimile of article. 3 pp.<br \/>\nBeatrice Plumb, \u201cThe Little Professor of Piney Woods,\u201d <em>Christian Herald,<\/em> February 1952, pages unnumbered. Facsimile of article. 4 pp.<br \/>\nExcerpt from Leslie Harper Purcell, <em>Miracle in Mississippi: Laurence C. Jones of Piney Woods<\/em> (New York: Comet Press Books, 1956). Facsimiles of pp. 190-195. 3 pp. Accompanied by bibliographic information. Ink. 1 p.<br \/>\nExcerpt from Beth Day, <em>The Little Professor of Piney Woods: The Story of Professor Laurence Jones<\/em> (New York: Julian Messner, 1955). Facsimiles of title page, front and back inside jacket, and pp. 142-143, 146-155, 160-171, and 177-177. 14 pp.<br \/>\nExcerpt from Doris James, <em>My Education at Piney Woods School<\/em> (New York: Fleming H. Revell, 1937). Facsimiles of pp. 7-9, 46-47, 50-53, 56-59, 74-81, and 84-85. 12 pp. Accompanied by manuscript research notes. Ink; undated. 2 pp.<br \/>\nExcerpt from Laurence Clifton Jones, <em>The Spirit of Piney Woods <\/em>(New York: F. H. Revell, 1931). Facsimiles of pp. 76-77 and 86. 3 pp. Accompanied by manuscript research notes. Ink; undated. 1 p.<br \/>\nExcerpt from Laurence Clifton Jones, <em>Piney Woods and Its Story <\/em>(New York: Fleming H. Revel, 1922). Facsimiles of pp. 20-21, 62-63, 86-87, 96-97, 110-111, and 146-147. 6 pp. Accompanied by manuscript research notes. Ink; undated. 3 pp.<br \/>\nJohn R. Webster, <em>A Brief Historical Sketch of the Early Days of Piney Woods Schools<\/em> (n.p.: n.p., n.d.). Brochure. 28 pp.<br \/>\nLaurence C. Jones, <em>Little Journeys to Piney Woods School<\/em> (Memphis: C. A. Davis, n.d.). Brochure. 52 pp.<br \/>\n<em>Piney Woods School Bulletin: Catalog 1967-1969.<\/em> (n.p.: n.p., n.d.). Brochure. 52 pp.<br \/>\n\u201cPiney Woods Country Life School.\u201d Brochure. 1 item.<br \/>\n\u201cThis Is a Life Applauded by $600,000.\u201d Article reprinted from <em>The Rotarian Magazine,<\/em> March 1955. 2 pp.<br \/>\n<em>The Pine Torch,<\/em> Vol. 34, No. 2 (April-June 1973). Newsletter. 4 pp.<br \/>\nProgram from memorial service for Dr. Laurence C. Jones (July 17, 1975). 8 pp.<br \/>\nEnvelope addressed to Helen Woods from Laurence C. Jones. 1 item. On envelope: annotations in pencil.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>\u201cSOR <em>Times Magazine.<\/em>\u201d 9 items.<br \/>\nMarian McPartland, \u201cThe Untold Story of the International Sweethearts of Rhythm.\u201d Typescript draft of article, with annotations in pencil; dated 1979. 25 pp.<br \/>\nMarian McPartland, \u201c\u2018The Line Stretched All the Way Around the Block.\u201d Typescript draft of article; undated. 4 pp. Accompanied by note from [illegible] to Jim. Ink; undated. 1 p.<br \/>\nUntitled manuscript; first line: \u201cThe year was 1943\u201d [pertaining to the Sweethearts of Rhythm]. Typescript; undated. 6 pp.<br \/>\nUntitled manuscript; first line: \u201cBut back to the Piney Woods Country School.\u201d Typescript; undated. 6 pp.<br \/>\nUntitled manuscript; first line: \u201cSuddenly one night after the show, on the bus driving to the next town\u2026\u201d Typescript; undated. 4 pp. Pages numbered 11-13, 1 unnumbered.<br \/>\nUntitled research notes. Typescript; undated. 8 pp. Pages numbered 14-18, 3 unnumbered.<br \/>\nUntitled manuscript, labeled \u201cBits for article and\/or book.\u201d Typescript; undated. 10 pp.<br \/>\n\u201cOdd Thoughts.\u201d Research notes. Typescript, with annotations in pencil and ink; undated. 7 pp.<br \/>\nUntitled research notes. Facsimile of typescript notes; undated. 20 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>\u201cSweethearts of Rhythm, International\u201d (Research Notes). 15 items.<br \/>\nTypescript research notes. 12 items:<\/p>\n<ul>\n<li>\u201cMrs. Rae Lee Jones.\u201d Typescript; undated. 1 p.<\/li>\n<li>\u201cSweethearts of Rhythm \/ Rae Lee Jones.\u201d Typescript; undated. 1 p.<\/li>\n<li>\u201cIntl SOR.\u201d Typescript; undated. 1 p.<\/li>\n<li>\u201cInternational Sweethearts of Rhythm.\u201d Typescript; undated. 1 p.<\/li>\n<li>\u201cAdditional SOR Names.\u201d Typescript, with annotations in pencil and ink. 5 pp.<\/li>\n<li>\u201cThe Library.\u201d Typescript; undated. 1 p.<\/li>\n<li>\u201cOutstanding Tapes to be Transcribed.\u201d Typescript; dated July 5, 1979. 1 p.<\/li>\n<li>\u201cInternational Sweethearts of Rhythm: Evolution of the band: tentative.\u201d Typescript document; dated April 1979. 6 pp. 3 copies. Copy 2 has annotations in pencil and ink. Copy 3 annotated by Helen Jones (facsimile of annotated document).<\/li>\n<li>\u201cInternational Sweethearts of Rhythm: General Chronology.\u201d Facsimile of typescript document; undated. 20 pp.<\/li>\n<li>\u201cBiographical Summary.\u201d Typescript, with annotations in ink; undated. 2 pp. 3 copies.<\/li>\n<li>\u201cInternational Sweethearts of Rhythm: Collective Personnel: 1938-1948.\u201d Typescript, with annotations in pencil and ink; dated July 5, 1979. 18 pp.<\/li>\n<li>\u201cSome Random Thoughts about the SOR.\u201d Typescript; dated January 21, 1980. 1 p.<\/li>\n<\/ul>\n<p>Manuscript notes. Pencil and ink; dated August 15, 1979. 1 p.<br \/>\nManuscript notes. Ink; undated. 2 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Albertson, Chris (Interview).<br \/>\nTranscript of interview. Typescript; undated. 53 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Bayron Cammarota, Judy (Interview).<br \/>\nTranscript of telephone interview dated September 23, 1979. Typescript. 13 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Bonnier, Bess (Interview; Phone).<br \/>\nTranscript of telephone interview. Facsimile of typescript transcript; undated. 49 pp.<br \/>\nManuscript notes. Pencil; undated. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Carroll, Barbara (Interview). 4 items.<br \/>\nTranscript of interview; dated December 3, 1975. Typescript. 57 pp.<br \/>\n\u201cBarbara Carroll Interview.\u201d Transcript of interview. Typescript; undated. 30 pp.<br \/>\n\u201cBarbara Carroll Interview [cont.]: Tape 2, Side 2.\u201d Transcript of interview. Typescript; undated. 12 pp.<br \/>\n\u201cNotes on Barbara Carroll Performance.\u201d Typescript, with annotations in ink. 3 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Clendening, Phyllis (Interview).<br \/>\nTranscript of interview; dated May 22, 1979. Typescript. 32 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Coston, Helen Saines (Interview). 2 items.<br \/>\n\u201cInterview with Helen Saines Coston.\u201d Notes from interview. Typescript, with annotations in ink; undated. 4 pp.<br \/>\n\u201cInterview\u2014Helen Saines Coston.\u201d Notes from interview. Typescript, with annotations in ink; undated. 4 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 9&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610637320163{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Cron, Roz (Interview). 4 items.<br \/>\n\u201cTelephone Interview\u2014Roz Cron\u2014June 1978.\u201d Transcript of interview. Typescript. 3 pp.<br \/>\n\u201cTelephone Interview with Roz Cron (9\/26\/79).\u201d Transcript of interview. Typescript. 2 pp.<br \/>\n\u201cDetails from phone conversation\u2014Roz Cron\u201410\/6\/79.\u201d Interview notes. Typescript. 2 pp.<br \/>\n\u201cMiscellaneous Information from Roz Cron Interview (not on tape).\u201d Interview notes. Typescript; undated. 2 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Fields, Maxine (Interview).<br \/>\n\u201cTelephone Interview\u2014Maxine Fields\u20148\/19\/79.\u201d Transcript of interview. Typescript. 19 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Garfield, Miriam (Interview). 3 items.<br \/>\n\u201cInterview with Miriam Garfield, August 20, 1978.\u201d Interview notes. Typescript. 2 pp.<br \/>\n\u201cInterview with Miriam Garfield, August 20, 1978.\u201d Interview notes. Facsimile of typescript notes. 1 p.<br \/>\nTranscript of interview with Miriam \u201cMim\u201d Garfield. Facsimile of typescript transcript. 8 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Graham, Johnnie Rice (Interview). 3 items.<br \/>\n\u201cTelephone Interview with Johnny Rice Graham, June 1978.\u201d Transcript of excerpt from interview. Typescript. 1 p.<br \/>\nTranscript of interview with Johnnie Rice Graham (tape one). Facsimile of typescript transcript; dated June 15, 1979. 20 pp. Document labeled \u201c17.\u201d<\/p>\n<ul>\n<li><em>See also Box 8, Folder 12 (\u201cSOR. Documents. 1.\u201d), for duplicate document.<\/em><\/li>\n<\/ul>\n<p>Transcript of interview with Johnnie Rice Graham (tape two). Facsimile of typescript transcript; dated June 15, 1979. 14 pp. Document labeled \u201c17a.\u201d<\/p>\n<ul>\n<li><em>See also Box 8, Folder 12 (\u201cSOR. Documents. 1.\u201d), for duplicate document.<\/em><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Hardin Armstrong, Lillian (Research\/Correspondence). 4 items.<br \/>\n<em>Correspondence. 3 items.<br \/>\n<\/em>Charles De Launay to Marian McPartland. 1 letter. Typescript, signed in ink; undated. 1 p. On reverse: biographical information about Lil Armstrong. Typescript. 1 p. Accompanied by (7 items):<\/p>\n<ul>\n<li>Press clippings: 6 items, including 5 facsimiles of articles (in French) and 1 clipping (in English); dated November 1952-August 1980, 1 undated. 7 pp.<\/li>\n<li>Manuscript notes. Ink; undated. 3 pp.<\/li>\n<\/ul>\n<p>James T. Maher to Marian McPartland. 2 letters. Typescript, signed in ink. Dates represented:<\/p>\n<ul>\n<li>December 31, 1979. 2 pp. Accompanied by postscript memo. Typescript; dated December 31, 1979. 1 p.<\/li>\n<li>January 3, 1980. 1 p.<\/li>\n<\/ul>\n<p><em>Papers. 1 item.<br \/>\n<\/em>\u201cLil Armstrong.\u201d Reminiscences by Art Hodes. Typescript; undated. 3 pp. Accompanied by envelope (postmarked August 13, 1980).<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Hardin Armstrong, Lillian (Research Notes; Drafts). 15 items.<br \/>\nDocuments pertaining to Lillian Hardin. 3 items. Includes:<\/p>\n<ul>\n<li>\u201cLil Hardin Armstrong Notes\u20146\/28\/80.\u201d Typescript. 2 pp.<\/li>\n<li>\u201cQuotes.\u201d Quotations from various individuals pertaining to Lillian Hardin Armstrong. Typescript; undated. 17 pp.<\/li>\n<li>\u201cRandom Thoughts after Seeing Show.\u201d Typescript; undated. 10 pp.<\/li>\n<\/ul>\n<p>\u201cLil Hardin Armstrong Notes\u20146\/28\/80\u201d [copy 2]. Typescript. 2 pp.<br \/>\n\u201cQuotes\u201d [copy 2]. Typescript, with annotations in ink; undated. 17 pp.<br \/>\n\u201cRandom Thoughts after Seeing Show\u201d [copy 2]. Typescript, with annotations in ink. 10 pp.<br \/>\n\u201cThoughts on Lil \/ Sent 1980.\u201d Typescript, with annotations in ink; undated. 2 pp.<br \/>\n\u201cMore Thoughts on Lil \/ Sent 1980.\u201d Typescript, with annotations in ink. 2 pp.<br \/>\n\u201cLil Hardin Notes\u201425 September 1980.\u201d Typescript. 3 pp. 2 copies. Copy 2 has annotations in ink.<br \/>\n\u201cDescription of Lil Hardin Armstrong\u2019s House.\u201d Typescript; undated. 5 pp.<br \/>\n\u201cLil Hardin Armstrong: Some key elements in her story.\u201d Facsimile of typescript document; undated. 2 pp.<br \/>\n\u201cRandom Thoughts on Lil Chapter.\u201d Typescript, with annotations in ink; undated. 5 pp.<br \/>\nUntitled document; first line: \u201cLil\u2019s talent quickly outgrew the old organ in the parlor\u2026\u201d Typescript, with annotation in ink; undated. 1 p.<br \/>\nUntitled research notes; first line: \u201cOpen with dramatic incident of Lil\u2019s death.\u201d Facsimile of typescript document with annotations; undated. 1 p.<br \/>\nUntitled document; first line: \u201cDick Van Arsdale\u2019s grandmother was Elizabeth Backstrom\u2026\u201d Typescript; undated. 1 p.<br \/>\nUntitled research notes; first line: \u201cAdd to Lil Armstrong Notes:\u201d Typescript; undated. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Hardin Armstrong, Lillian (Loose Materials and Notes). 26 items.<br \/>\nPublicity and Press Materials. 3 items.<br \/>\nPress clippings. Facsimiles of 2 press clippings; dated January 1962 and July 1979. 3 pp.<br \/>\nPublicity flyer for Lil Hardin Armstrong; undated. 1 p. 2 copies.<br \/>\nPapers. 23 items.<br \/>\n\u201cWriter Foreign Performance Record (American Society of Composers, Authors, and Publishers).\u201d Typescript invoice; dated July 1980. 2 pp.<br \/>\nUntitled research notes; first line: \u201cChicago And All That Jazz (Telecast).\u201d Facsimile of typescript notes; undated. 1 p.<br \/>\n<em>Daily Word,<\/em> Vol. 94, No. 4 (April 1971). 48 pp. Address label on issue: \u201cLillian Armstrong.\u201d<br \/>\nAddress book belonging to Lillian Hardin Armstrong, bound, with assorted papers, business cards, and receipts interleaved in pages. 36 items\/pp.<br \/>\nManuscript notes, in pencil and ink, on various papers and documents; undated. 19 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Jones, Helen (Interview). 5 items.<br \/>\n\u201cHelen Jones Woods: Biographical Summary.\u201d Typescript; dated July 13, 1979. 5 pp.<br \/>\n\u201cInterview\u2014Helen Jones Woods.\u201d Interview notes. Typescript; undated. 3 pp.<br \/>\n\u201cHelen Jones.\u201d Interview notes. Typescript, with annotations in ink; undated. 3 pp.<br \/>\n\u201cTelephone Interview\u2014Helen Jones\u20148\/27\/79.\u201d Interview transcript. Facsimile of typescript document. 9 pp.<br \/>\n\u201cHelen Jones Woods\u2014Personal Interview\u201410 17\/79.\u201d Interview transcript. Facsimile of typescript document. 19 pp. (Numbered p. 9 missing).<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Josephson, Barney (Interview).<br \/>\n\u201cInterview with Barney Josephson, The Cookery, New York, January 17, 1979.\u201d Transcript of interview. Facsimile of typescript transcript. 37 pp.<br \/>\n\u201cBarney Josephson Interview 3\/1\/79.\u201d Transcript of interview. Facsimile of typescript transcript. 32 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>King, Maurice (Interview). 4 items.<br \/>\n\u201cMaurice King.\u201d Research notes. Typescript; undated. 1 p. 2 copies. Copy 2 has annotations in ink.<br \/>\n\u201cInformation Gleaned from Maurice King (Summer 1978).\u201d Interview notes. Typescript. 3 pp.<br \/>\n\u201cMaurice King\u2014telephone conversation, 10\/21\/79.\u201d Interview notes. Typescript. 6 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Kirk, Andy (Interview).<br \/>\n\u201cAndy Kirk Interview\u20142\/9\/79\u2014NYC.\u201d Transcript of interview. Facsimile of typescript transcript. 22 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Maher, Jim (Interview).<br \/>\n\u201cMMcPartland &amp; JTMaher.\u201d Transcript of interview. Typescript, with annotations in ink; undated. 33 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Morello, Joe (Publicity and Press Materials). 12 items.<br \/>\nConcert programs. 2 concert programs; dated February 1976 and June-July 1979.<br \/>\nPress clippings. 10 items, including clippings and facsimiles; dated March 1954-December 1963, 3 undated.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>O\u2019Brien, Peter (Interview). 2 items.<br \/>\n\u201cInterview with Peter O\u2019Brien, 11\/1\/82.\u201d Transcript of interview. Typescript, with annotations in ink. 46 pp.<br \/>\n<em>Also in folder:<br \/>\n<\/em>Correspondence: Brian Q. Torff to \u201cRarilyn.\u201d 1 letter. Ink, on personal letterhead; undated. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Perry, Geneva (Interview).<br \/>\n\u201cGeneva Perry\u2014Interview, July 8, 1979 (Washington, D.C.).\u201d Transcript of interview. Typescript. 52 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>Sager, Jane (Interview). 2 items.<br \/>\n\u201cJane Sager Telephone Interview.\u201d Transcript of interview. Typescript. 51 pp.<br \/>\n\u201cResume\u2014Jane Sager.\u201d Typescript, with annotations in ink; undated. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>Singleton, Marge (Interview).<br \/>\n\u201cInterview with Marge Singleton: July 30, 1980.\u201d Transcript of interview. Typescript, with annotations in pencil and ink. 20 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 18<\/strong><\/td>\n<td>Stone, Jesse, and Evelyn McGee (Interview). 2 items.<br \/>\n\u201cJesse Stone\u2014Evelyn McGee.\u201d Interview notes. Typescript, with annotations in pencil and ink; undated. 7 pp.<br \/>\n\u201cInterview\u2014Jesse Stone and Evelyn McGee.\u201d Interview notes. Typescript, with annotations in ink; undated. 7 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 19<\/strong><\/td>\n<td>Williams, John (Interview).<br \/>\n\u201cInterview with John Williams\u201411\/\/18\/79.\u201d Transcript of interview. Typescript, with annotations in pencil. 40 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 20<\/strong><\/td>\n<td>Wilder, Alec (Research Notes and Materials). 12 items.<br \/>\nCorrespondence. 1 item.<br \/>\nAlec Wilder to \u201cCharlie.\u201d Facsimiles of 4 letters. Ink; 4 undated. 5 pp.<br \/>\nPapers. 11 items.<br \/>\nBinder of documents [1]; undated:<\/p>\n<ul>\n<li>\u201cMosaic \/ May 2.\u201d Typescript document, with annotations in ink. 1 p.<\/li>\n<li>\u201c1. Mosaic\u2014Alec Wilder.\u201d Typescript document. 1 p. 2 copies. Copy 1 has annotations in ink. Copy 2 has annotations in pencil.<\/li>\n<li>\u201c1. Pieces of the Puzzle.\u201d Typescript document, with annotations in ink. 1 p.<\/li>\n<li>\u201c2. Pieces of the Puzzle.\u2019 Typescript document, with annotations in ink. 1 p.<\/li>\n<li>\u201c4. Miscellaneous Observations.\u201d Typescript document, with annotations in pencil. 1 p.<\/li>\n<li>\u201c5a. Alec Wilder.\u201d Typescript document, with annotations in pencil and ink. 1 p.<\/li>\n<li>Untitled document; first line: \u201c<span style=\"text-decoration: line-through;\">(May go with Harvey Phillips bit)<\/span> Alec put music for tuba on the map.\u201d Typescript, with annotations in pencil and ink. 1 p.<\/li>\n<li>Untitled document; first line: \u201cAlec <span style=\"text-decoration: line-through;\">has this crazy idea<\/span> believes that he is timid, mouselike.\u201d Typescript, with annotations in ink. 1 p.<\/li>\n<\/ul>\n<p>\u201cPieces of the Puzzle.\u201d Typescript document, with annotations in pencil and colored pencil; undated. 18 pp.<br \/>\n\u201c26. Pieces of the Puzzle.\u201d Typescript document, with annotations in ink; undated. 1 p.<br \/>\n\u201cMiscellaneous Observations.\u201d Typescript document; undated. 7 pp.<br \/>\n\u201cAlec\u2019s Relationship to Jazz.\u201d Typescript document; undated. 1 p.<br \/>\n\u201cMore Random Things.\u201d Typescript document; undated. 7 pp.<br \/>\n\u201cRogers Brackett Statement.\u201d Typescript document; undated. 1 p.<br \/>\n\u201cJames Maher Statement.\u201d Typescript document; undated. 1 p. 2 copies. Accompanied by version 2 of statement. Typescript; undated. 1 p.|<br \/>\n\u201cMabel Mercer Statement.\u201d Typescript document; undated. 1 p.<br \/>\n\u201cHarvey Phillips Statement.\u201d Typescript document; undated. 2 pp.<br \/>\n\u201cAlec Wilder Statement.\u201d Typescript document; undated. 2 pp.<br \/>\n\u201cAdditional.\u201d Typescript document; undated. 2 pp.<br \/>\n\u201cJazz Artists Who Have Recorded Alec\u2019s Songs.\u201d Typescript document, with annotations in pencil and ink; undated. 1 p.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 10&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610637372451{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Williams, Mary Lou (Research Notes).<br \/>\nResearch notes pertaining to Mary Lou Williams\u2019s biography, career, and influences. Facsimile of typescript notes; undated. 112 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Williams, Mary Lou (Loose Materials).<br \/>\nManuscript notes, in pencil and ink, on various papers and documents; undated. 19 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>\u201cSummer 1980\u2014Mary Lou\u201d (Research Notes, Drafts, Etc.). 11 items.<br \/>\n\u201cMary Lou Williams (MM thoughts).\u201d Typescript document; undated. 8 pp.<br \/>\n\u201cMary Lou Williams (MM thoughts).\u201d Typescript document, with annotations in ink. 4 pp.<br \/>\n\u201cMary Lou Williams (MM thoughts): Start of afterthought.\u201d Typescript document, with annotations in ink. 2 pp.<br \/>\n\u201cThoughts on Mary Lou Williams.\u201d Typescript document, with annotations in ink. 2 pp.<br \/>\n\u201cML 10\/13.\u201d Typescript document, with annotations in pencil. 13 pp.<br \/>\n\u201cInto the Sun.\u201d Typescript draft of article; undated. 10 pp.<br \/>\n\u201cInto the Sun: An Affectionate Sketch of Mary Lou Williams,\u201d <em>Downbeat,<\/em> August 27, 1964, pp. 16-17, 36. Facsimile of article. 3 pp.<br \/>\nAngeleita S. Floyd, \u201cThe Lady Who Swings the Band, Mary Lou Williams.\u201d Unpublished paper for Jazz History course; dated December 10, 1980. Facsimile of typescript paper. 24 pp.<br \/>\nBarbara Rowes, \u201cFrom Duke Ellington to Duke University, Mary Lou Williams Tells the World: \u2018Jazz is Love.\u2019\u201d Facsimile of article from unidentified source, pp. 73-74, 77. 3 pp.<br \/>\nPress release: \u201cBeryl Booker \u2018Swings Jazz Piano +\u2019 Tony Monforte and Dave Wilson.\u201d Facsimile of typescript press release; dated August 1965. 3 pp.<br \/>\nPress clipping: facsimile of press clipping (pertaining to Beryl Booker); dated June 16, 1965. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Williams, Mary Lou (Research Material). 2 items.<br \/>\nWhitney Balliett, \u201cOut Here Again,\u201d in <em>Improvising<\/em> (New York: Oxford University Press, [1977]), pp. 61-69. Facsimile of book excerpt. 5 pp.<br \/>\nAngeleita S. Floyd, \u201cThe Lady Who Swings the Band, Mary Lou Williams.\u201d Unpublished paper for Jazz History course; dated December 10, 1980. Typescript paper, with annotations in ink. 24 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Williams, Mary Lou (Press Clippings; Articles). 9 items.<br \/>\nPress clippings and articles, including clippings, facsimiles of clippings, and newsletters (pertaining to Mary Lou Williams). 7 items; dated between September 1957 and May 198-; 1 undated.<br \/>\nWhitney Balliett, \u201cOut Here Again,\u201d in <em>Improvising<\/em> (New York: Oxford University Press, [1977]), pp. 61-80. Facsimile of book excerpt. 11 pp.<br \/>\nFacsimiles of photographs and images of Mary Lou Williams from unidentified sources. 3 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Williams, Mary Lou (Music). 3 items.<br \/>\nMary Lou Williams and Herman Walder. \u201cA Mellow Bit of Rhythm.\u201d For solo piano. Facsimile of score from unidentified source (New York: Leeds Music Corporation, 1941), pp. 4-[7]. 4 pp.<br \/>\nMary Lou Williams and Sharon Pease. \u201cToadie Toddle.\u201d For solo piano. Facsimile of score from unidentified source (New York: Leeds Music Corporation, 1941), pp. 8-[11]. 4 pp.<br \/>\nMary Lou Williams. \u201cScratchin\u2019 in the Gravel.\u201d For solo piano. Facsimile of score from unidentified source (New York: Leeds Music Corporation, 1941), pp. 12-[15]. 4 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Williams, Mary Lou (Typescript Drafts, Outlines, and Notes). 20 items.<br \/>\nUntitled document; first line: \u201cShe knew whereof she spoke\u2026\u201d (with note: \u201cfrom Into the Sun\u201d). Typescript, with annotations in pencil; undated. 4 pp.<br \/>\n\u201cMary Lou Williams Outline.\u201d Typescript; undated. 5 pp. Accompanied by \u201cMary Lou Williams Outline\u2014New Revision.\u201d Typescript; undated. 1 p.<br \/>\nUntitled document; first line: \u201cI feel as if I\u2019ve known Mary Lou all my life.\u201d Typescript, with annotations in ink. 5 pp.<br \/>\nUntitled document; first line: \u201cI was dismayed to find that nobody knows Mary Lou Williams music.\u201d Typescript, with annotations in ink, on letterhead for Halcyon Records; undated. 4 pp.<br \/>\n\u201cMarian Thoughts on Mary Lou.\u201d Typescript document; undated. 2 pp.<br \/>\n\u201cAl\u2014Mary Lou.\u201d Typescript document, with annotations in ink; undated. 4 pp.<br \/>\n\u201cMiscellanea (Mary Lou).\u201d Typescript document, with annotations in ink; undated. 2 pp.<br \/>\n\u201cMore Mary Lou (written before her death.\u201d Typescript document, with annotations in ink; undated. 3 pp.<br \/>\n\u201cRandom Thoughts on Mary Lou.\u201d Typescript document, with annotations in ink; undated. 4 pp.<br \/>\n\u201cJune 11, 1981 8:40 p.m. train (Mary Lou).\u201d Typescript document, with annotations in ink. 3 pp.<br \/>\n\u201cMary Lou\u2014Plane, June 17.\u201d Typescript document, with annotations in ink. 5 pp.<br \/>\nUntitled document; first line: \u201cMary Lou\u2014the key points of her life, her mother discovering her talent at age three.\u201d Typescript, with annotations in ink, on letterhead for Halcyon Records; dated June 14, 1981. 4 pp.<br \/>\n\u201cML 10\/13.\u201d Typescript document, with annotations in ink; dated October 13, 1982. 13 pp.<br \/>\n\u201cMary Lou 11\/10\/82.\u201d Typescript document, with annotations in ink. 3 pp.<br \/>\n\u201cMary Lou Williams: Some key elements in her story.\u201d Facsimile of typescript document; undated. 4 pp.<br \/>\nUntitled document; first line: \u201cWhen you play in a room where alternating piano trios are the order of the day\u2026.\u201d (with note: \u201cMy piece on Mary Lou as composer\u201d). Facsimile of typescript document, with annotations in ink; undated. 8 pp.<br \/>\nUntitled document; first line: \u201cNo money.\u201d Facsimile of typescript document; undated. 5 pp. Header on pp. 2-5 of document: \u201cMary Lou Williams: Suggested Opening: Rough Draft.\u201d<br \/>\n\u201cInto the Sun.\u201d Typescript document, with annotations in ink; undated. 10 pp. Accompanied by manuscript notes. 1 p.<br \/>\n\u201cRecord of the Works of Williams, Mary Lou.\u201d Facsimile of typescript form from unidentified source; undated. 11 pp.<br \/>\n\u201cLPs (which are not covered in the discographies.\u201d Typescript document, with annotations in ink; undated. 1 p. Accompanied by (2 items):<\/p>\n<ul>\n<li>Facsimile of typescript discography from unidentified source, pp. 325-330. 4 pp.<\/li>\n<li>Facsimile of typescript discography from unidentified source, pp. 1720, 1431. 2 pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Winburn Pilgrim, Anna May, and Evelyn McGee Stone (Interview).<br \/>\n\u201cInterview\u2014Anna May Winburn Pilgrim and Evelyn McGee Stone: July 31, 1978.\u201d Transcript of interview. Facsimile of typescript transcript. 37 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Additional Interviews. 19 items.<br \/>\nInterviews and Notes Pertaining to Individual Individuals.17 items.<br \/>\nCundell, James: \u201cWomen in Jazz.\u201d Transcript of taped interview, Condell\u2019s Corner; dated July 7, 1981. Facsimile of typescript transcript. 6 pp.<br \/>\nDurham, Eddie: \u201cConversation with Eddie Durham at West End Caf\u00e9: August 8th 1979.\u201d Typescript document. 1 p.<br \/>\nGange, Marion: \u201cTelephone Interview with Marion Gange\u20148\/19\/79.\u201d Transcript of interview. Typescript. 3 pp.<br \/>\nHammond, John: \u201cInterview with John Hammond.\u201d Transcript of interview. Typescript; undated. 10 pp.<br \/>\nHipp, Jutta: Interview notes; undated. Typescript, with annotations in ink. 2 pp.<br \/>\nJensen, Nadine: Interview notes; undated. Typescript. 4 pp.<br \/>\nMcManus, Jill: \u201cThoughts on Jill McManus.\u201d Interview notes; undated. Typescript. 4 pp.<br \/>\nNoble, Lillian: \u201cConversation with Lillian Noble 7\/24\/80.\u201d Interview notes. Typescript. 3 pp.<br \/>\nPollard, Terry: \u201cReminiscence about Terry Pollard.\u201d Interview notes; undated. Typescript. 5 pp.<br \/>\nPratt, Nancy: \u201cNancy Pratt (June, 1978 phone conversation).\u201d Transcript of interview. Typescript. 4 pp.<br \/>\nSmock, Ginger: Transcript of interview; undated. Typescript. 5 pp.<br \/>\nTorff, Brian: \u201cBrian Torff on Mary Lou Williams.\u201d Facsimile of typescript document; undated. 3 pp.<br \/>\nWilliams, Pauline Brady: \u201cTelephone Interview\u2014Pauline Brady Williams June 1978.\u201d Transcript of interview. Typescript. 4 pp.<br \/>\nWinburn Pilgrim, Anna May: \u201cInterview with Anna May Winburn Pilgrim.\u201d Interview notes; undated. Typescript, with annotations in ink. 3 pp.<br \/>\nWong Scott, Willie May: \u201cWillie May Wong Scott\u2014Brief Telephone Conversation, Spencerville, Maryland\u2014202-421-9515.\u201d Interview notes; undated. Typescript. 1 p.<br \/>\nWoode, Helen Jones: Facsimile of manuscript notes; dated July 13, 1979. 6 pp.<br \/>\nYoung, Myrtle: \u201cMyrtle Young\u2014Telephone Conversation, 9\/29\/79.\u201d Interview notes. Typescript. 3 pp.<br \/>\nInterviews and Notes Pertaining to Multiple Individuals. 2 items.<br \/>\nGilbert, Peggy, and Vivien Garry: Libbie Jo Snyder, \u201cL.A. Ladies of Jazz.\u201d Excerpts of introductory material and transcripts of interviews with Peggy Gilbert and Vivien Garry (incomplete). Typescript; undated. 6 pp.<br \/>\nWilliams, Pauline, and Johnnie Graham: \u201cBits from Personal Visit with Pauline Williams and Johnnie Graham\u201410\/13\/79.\u201d Interview notes. Typescript. 4 pp.<br \/>\nWinburn, Anna May, and the Sweethearts of Rhythm: Interview notes. Typescript; undated. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Prologue (Draft and Notes). 6 items.<br \/>\n\u201cPrologue.\u201d Typescript draft, with annotations in ink; undated. 6 pp. Accompanied by manuscript note. 1 p.<br \/>\n\u201cPrologue\u201d [copy 2]. Typescript draft, with annotations in pencil and ink; undated. 6 pp.<br \/>\nCorrespondence: James T. Maher to Marian McPartland. 1 letter. Typescript, signed in ink; dated December 21, 1979. 4 pp. Accompanied by (6 items, labeled A-F):<\/p>\n<ol style=\"list-style-type: upper-alpha;\">\n<li>\u201cWomen: Pre-History: Proto-Jazz.\u201d Draft of outline for prologue. Typescript, with annotations in ink; dated December 1979. 3 pp.<\/li>\n<li>\u201cWomen Musicians in African Music.\u201d Research notes. Typescript; undated. 1 p.<\/li>\n<li>\u201cSome Key Dates in Early Jazz History.\u201d Research notes. Typescript; undated. 2 pp.<\/li>\n<li>\u201cAlberta Simmons\u201d; \u201cLeora Henderson\u201d; and \u201cRagtime Mame.\u201d Research notes. Typescript, with annotations in ink; undated. 3 pp.<\/li>\n<li>\u201cMax Morath: The Ironic Success of Ragtime.\u201d Research notes. Typescript; undated. 2 pp.<\/li>\n<li>\u201cWomen Musicians in the New Orleans \u2018Jazz\u2019 World.\u201d Research notes. Typescript; undated. 3 pp.<\/li>\n<\/ol>\n<p>Press clipping: review of <em>Tradition Hall Jazz Band: A Tribute to \u201cPapa\u201d <\/em>(Sandcastle, SCR 1039), <em>High Fidelity<\/em> (December 1975), p. 142. (Page excerpted from magazine.) 1 p.<br \/>\n\u201cLovie Austin.\u201d Research notes. Typescript; undated. 6 pp. Accompanied by facsimile of biographical entry for Lovie Ausin, from unidentified source. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>\u201cLillian Hardin: Opening Section: Rough Draft.\u201d 8 items.<br \/>\nDraft and research notes, labeled A-G and I:<\/p>\n<ol style=\"list-style-type: upper-alpha;\">\n<li>\u201cLillian Hardin: Opening Section: Rough Draft.\u201d Typescript; undated. 8 pp.<\/li>\n<li>\u201cLillian Hardin.\u201d Research notes. Typescript; undated. 1 p.<\/li>\n<li>\u201cLil Hardin Armstrong: Some key elements in her story.\u201d Research notes. Typescript; undated. 2 pp.<\/li>\n<li>\u201cLil Hardin: Extracted from Chilton.\u201d Research notes. Typescript; undated. 1 p.<\/li>\n<li>\u201cNot in Chronological Order: Lillian Hardin Armstrong.\u201d Research notes. Typescript; undated. 3 pp.<\/li>\n<li>\u201cLillian Hardin: Chilton: some pertinent Louis Armstrong dates.\u201d Research notes. Typescript; undated. 1 p.<\/li>\n<li>\u201cLillian Hardin Armstrong: The Chris Albertson Interview.\u201d Page included as a placeholder for research document. Typescript; undated. 1 p.<\/li>\n<li>[ Missing ]<\/li>\n<li>\u201cLillian Hardin Armstrong.\u201d Biographical notes. Typescript; undated. 57 pp.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1610484177787{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px;\"><a id=\"S2sD\"><\/a>Sub-series D: Marian McPartland\u2019s Piano Jazz<\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 10 `{`cont.`}`&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610637451292{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Program Guides (1979-1989). 14 items.<br \/>\n<em>South Carolina Scene: ETV\/Radio Guide,<\/em> Vol. 12, No. 8 (March 1979). 64 pp. Includes feature on the debut of Marian McPartland\u2019s <em>Piano Jazz, <\/em>pp. 55-57.<br \/>\n<em>Non-commercial WETS FM 89.5 Program Guide, <\/em>April 1979. 16 pp.<br \/>\n<em>Vermont Public Radio\u2014WVPR, <\/em>Vol. 2, No. 9 (April 1979). 32 pp. Includes photograph of Marian McPartland and Billy Taylor on p. 20.<br \/>\n<em>Public Radio 88 FM Program Guide,<\/em> Vol. 2, No. 4 (June 1979). 12 pp.<br \/>\n<em>Program Listings for July from WETA,<\/em> Vol. 9, No. 7 (July 1979). 19 pp. Includes feature on \u201cSummerfest\u201d broadcast on <em>Great Jazz Pianos,<\/em> with Eubie Blake, Teddy Silson, Marian McPartland, and George Shearing, pp. 3-4.<br \/>\n<em>Discover: WNIU-FM 89.5,<\/em> July 1980. 22 pp.<br \/>\n<em>WXXI TV 21 &amp; FM 91.5 Program Guide,<\/em> Vol. 6, No. 4 (April 1981). 35 pp. Includes photograph and caption advertising <em>Remembering Alec Wilder<\/em> broadcast, p. 16.<br \/>\n<em>WBGO-88.3 FM Program Guide,<\/em> Vol. 5, No. 3 (April 1982). 13 pp. Cover features photograph of Marian McPartland.<br \/>\n<em>WAMC\/90.4: Program Guide,<\/em> September 1982. Missing pages; copy consists of cover of program guide only. 1 p. Copy 2 (facsimile).<br \/>\n<em>WBGO Jazz 88 Program Guide,<\/em> January 1984. Missing pages; copy consists of front and back cover of program guide only. 4 pp. Cover features photograph of Marian McPartland and Billy Taylor.<br \/>\n<em>WBLV 90.3 FM: Highlights, 1987 Season.<\/em> Program guide for the WBLV Highlights Season. 23 pp. Includes program notes for Marian McPartland\u2019s performance as part of the 5th Annual Jazz Festival, p. 13.<br \/>\nAward program booklet (\u201c1987 CPB Public Radio Program Awards,\u201d May 1, 1987). 8 pp. Marian McPartland\u2019s <em>Piano Jazz with Mel Torme<\/em> listed as runner-up for Arts and Humanities award, p. 5.<br \/>\n<em>WAMU 88.5 FM: Program Guide, <\/em>November\/December 1989. 11 pp. Included in program guide: Marian McPartland, \u201cCritic\u2019s Choice,\u201d p. 10.<br \/>\n\u201cThe Best of Marian McPartland\u2019s <em>Piano Jazz.<\/em>\u201d Brochure distributed by the South Carolina ETV Network; undated [1989]. 8 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Program Guides (1990-2009; undated). 13 items.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em> Encore! Summer 1991.\u201d Brochure distributed by South Carolina ETV. 4 pp.<br \/>\n\u201cOn Line WDUQ FM 90.5,\u201d June 1991. Excerpt from newsletter, consisting of June 1991 program guide. 2 pp.<br \/>\n<em>WDAQ, KLSA, KBSA, KLDN Public Radio Program Guide,<\/em> March 1991. 4 pp. Announcement of performance by Marian McPartland on p. 1.<br \/>\n<em>South Carolina Scene: The Members\u2019 Magazine,<\/em> Vol. 25, No. 2 (February 1992). 35 pp. Photograph of Marian McPartland, Jackie Cain, and Roy Kral on p. 26.<br \/>\n<em>Opus 91: WSVH Public Radio, <\/em>Vol. 12, No. 9 (September 1992). 14 pp. Photograph of Marian McPartland and Billy Taylor on front cover.<br \/>\n<em>National Public Radio: Quarterly Edition,<\/em> Fall 1993. 110 pp. Program description and complete series information for Marian McPartland\u2019s <em>Piano Jazz<\/em> on pp. 61-63.<br \/>\n<em>South Carolina Scene: SC ETV\/Radio Program Guide,<\/em> Vol. 27, No. 4 (April 1994). 20 pp. Photograph of Marian McPartland on front cover; feature on the 15th anniversary of Marian McPartland\u2019s <em>Piano Jazz<\/em> on pp. 2-3.<br \/>\n<em>Music and Ideas: 89.3 WCAL FM, <\/em>July 1999<em>.<\/em> Photograph of Marian McPartland on front cover; included in program guide: Marian McPartland, \u201cTwenty Years of <em>Piano Jazz<\/em> by Marian McPartland,\u201d p. 1, 21.<br \/>\n<em>WDUQ FM 90.5 Program Guide,<\/em> March 1999. Brochure. Photograph of Marian McPartland on front cover; included in program guide: Marian McPartland, \u201cTwenty Years of <em>Piano Jazz<\/em> for NPR.\u201d<br \/>\n<em>Upbeat: WBGO Jazz 88.3 FM Program Guide,<\/em> Vol. 27, No. 4 (January 2005). 8 pp.<br \/>\n<em>Upbeat: WBGO Jazz 88.3 FM Program Guide, <\/em>Vol. 28, No. 1 (October 2005). 8 pp.<br \/>\n<em>Upbeat: WBGO Jazz 88.3 FM Program Guide,<\/em> July\/August 2009. 16 pp.<br \/>\n<em>Marian McPartland\u2019s <\/em>Piano Jazz:<em> Public Radio Series. <\/em>Series guide, including program descriptions for programs 1 (Billy Taylor) &#8211; 78 (Paul Smith); undated. 15 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 11&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610637481891{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Assorted Materials. 19 items.<br \/>\nCorrespondence. 8 items.<br \/>\nArtists\u2019 acceptance letters for performance at <em>Generations in Jazz<\/em> series at Dizzy\u2019s Club Coca Cola, October 4, 2010. Printouts of emails from Shari Hutchinson acknowledging receipt of acceptance. 5 items:<\/p>\n<ul>\n<li>Sheryl (on behalf of Carol Welsman) to\/from Shari Hutchinson. Printout of email thread; dated September 2, 2010. 1 p.<\/li>\n<li>Mary Ann (on behalf of Taylor Eigsti) to\/from Shari Hutchinson. Printout of email thread; dated September 4, 2010. 1 p.<\/li>\n<li>Geri Allen to\/from Shari Hutchinson. Printout of email thread; dated September 2, 2010. 1 p.<\/li>\n<li>Caterina Zapponi (Monty Alexander Management) to\/from Shari Hutchinson. Printout of email thread; dated September 2, 2010. 1 p.<\/li>\n<li>Jon Weber to\/from Shari Hutchinson. Printout of email thread; dated September 1, 2010. 1 p.<\/li>\n<\/ul>\n<p>Marian McPartland to Station Managers. 3 form letters (pertaining to carrying <em>Piano Jazz<\/em>):<\/p>\n<ul>\n<li>Draft of form letter. Typescript; undated. 1 p.<\/li>\n<li>Draft of form letter. Typescript; undated. 1 p.<\/li>\n<li>Draft of form letter. Typescript; dated August 22, 2002. 1 p.<\/li>\n<\/ul>\n<p>Papers. 11 items.<br \/>\n\u201cProgram Description of Piano Jazz.\u201d Typescript document, on thermal fax paper; undated (1996). 1 p. Copy 2 (facsimile).<br \/>\n\u201c<em>Piano Jazz<\/em> Restoration and Archives Project.\u201d Typescript document; undated (2000). 4 pp. 2 copies.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz.<\/em>\u201d Brochure distributed by the Jazz Alliance, Inc. (pertaining to release of <em>Piano Jazz<\/em> shows on CD).<br \/>\n\u201cThe Jazz Alliance presents a series of selected programs from Marian McPartland\u2019s award winning program <em>Piano Jazz.<\/em>\u201d Brochure distributed by the Jazz Alliance, Inc. (pertaining to release of <em>Piano Jazz<\/em> shows on CD).<br \/>\nProduction agreement: Contract between the John Schrelber Group and the South Carolina Educational Radio Network. Facsimile of typescript contract, signed; dated January 1998. 2 pp. Accompanied by \u201cExhibit A\u201d (estimated costs). Facsimile of typescript document. 1 p.<br \/>\nMarian McPartland, \u201cGeorge Wein\u2019s Jazz Life: <em>Piano Jazz<\/em> Host<span style=\"text-decoration: line-through;\">ess<\/span> Salutes the Festival Impresario.\u201d Typescript draft of article, with annotations in ink; undated. 2 pp.<br \/>\n\u201cMarian McPartland\u2014Development Related Issues 10\/30\/03.\u201d Typescript document (pertaining to Marian McPartland\u2019s donation of materials to Sibley Music Library, the Marian McPartland Endowed Jazz Scholarship, and the Rayburn Wright Jazz Recognition Fund). 1 p.<br \/>\n\u201cMarian McPartland\u2019s Piano Jazz\u2014Guest list (includes rebroadcasts).\u201d Typescript document; undated. 8 pp.<br \/>\n\u201cFriends of Piano Jazz December 2000.\u201d Address list. Typescript. 3 pp.<br \/>\nUntitled list. Typescript; dated May 19, 2001. 1 p.<br \/>\n\u201cCarriage of McPartland\u2019s Piano Jazz.\u201d Printout of faxed document. Typescript; undated (April 7, 1993). 9 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Artie Shaw Interview (Correspondence, Drafts, and Research Notes). 81 items.<br \/>\nCorrespondence. 11 items.<br \/>\nIda Giragossian to Marian McPartland. 1 letter. Ink, on personal letterhead; dated January 25, 2005. 1 p. Accompanied by (1 item):<\/p>\n<ul>\n<li>Scott Martelle, \u201cThe novel that was Artie Shaw\u2019s life,\u201d <em>LA Times,<\/em> January 21, 2005<em>.<\/em> Printout of online article. 5 pp.<\/li>\n<\/ul>\n<p>Ted Hallock to Marian McPartland. 2 letters. Dates represented:<\/p>\n<ul>\n<li>1 letter. Typescript, signed in ink, on personal letterhead; dated December 18, 2000. 2 pp.<\/li>\n<li>1 letter. Typescript, signed in ink, on professional letterhead; dated January 8, 2001. 2 pp.<\/li>\n<\/ul>\n<p>Shari [Hutchinson] to Marian McPartland. 3 faxes. Typescript. Dates represented:<\/p>\n<ul>\n<li>August 7, 2001. 1 p.<\/li>\n<li>April 8, 2001. 2 pp.<\/li>\n<li>January 5, 2005. 1 p.<\/li>\n<\/ul>\n<p>Artie Shaw to\/from Marian McPartland. 4 letters. Includes:<\/p>\n<ul>\n<li>Artie Shaw to Marian McPartland. 1 letter (comprised of responses to questions by Marian McPartland). Typescript; dated July 25, 1998. 3 pp.<\/li>\n<li>Artie Shaw to Marian McPartland. 1 letter. Typescript, signed in ink, on personal letterhead; dated November 27, 2000. 1 p.<\/li>\n<li>Artie Shaw to Marian McPartland. 1 letter. Typescript, signed in ink, on personal letterhead; dated December 26, 2000. 1 p.<\/li>\n<li>Marian McPartland to Artie Shaw. 1 letter. Typescript, signed in ink; dated December 29, 2001. 1 p.<\/li>\n<\/ul>\n<p>Richard M. Sudhalter to Marian McPartland. 1 fax. Typescript; dated September 10, 2001. 2 pp.<\/p>\n<p>Papers. 70 items.<br \/>\n\u201cArtie Shaw List: July 21, 2001.\u201d Typescript document. 1 p.<br \/>\n\u201cArtie Shaw Classical List.\u201d Typescript document; undated. 1 p.<br \/>\n\u201cPiano Jazz Program Order for Sept. 17, 2001.\u201d Typescript document, with annotations in ink. 1 p. 2 copies.<br \/>\n\u201c<em>Piano Jazz<\/em> Artie Shaw Programme.\u201d Draft of outline for radio broadcast. Typescript; dated December 24, 2001. 3 pp.<br \/>\n\u201cQuestions for Artie.\u201d Typescript document, with annotations in ink. 2 pp. 3 copies. Copy 3 accompanied by manuscript note. 1 p.<br \/>\n\u201c<em>Piano Jazz<\/em> Artie Shaw Questions.\u201d Typescript document; dated December 29, 2001. 3 pp.<br \/>\n\u201cArtie Shaw Questions\u2014December 29, 2001.\u201d Typescript document. 4 pp. Copy 2 (facsimile of typescript document with annotations).<br \/>\n\u201cArtie Shaw Remarks\u2014NPR.\u201d Typescript document; undated [January 4, 2002). 14 pp. Copy 2 (facsimile of typescript document from fax; dated January 4, 2002). Copy 3 (facsimile of typescript document from fax; dated January 5, 2002) incomplete; consists of pp. 12-14 only.<br \/>\nUntitled document (pertaining to timings from recording). Facsimile of handwritten document from fax; dated January 4, 2002. 4 pp.<br \/>\nUntitled document (pertaining to timings from recording). Typescript document from fax; dated January 4, 2002. 1 p.<br \/>\n\u201cArtie piece\u201411\/23\/01.\u201d Notes for radio broadcast. Typescript document, with annotations in ink, pages numbered 1-3. 3 pp.<br \/>\n\u201cDecember 2, 2001.\u201d Notes for radio broadcast. Typescript document, with annotations in ink, pages numbered 4-7. 4 pp.<br \/>\n\u201cDecember 23, 2001.\u201d Notes for radio broadcast. Typescript document, with annotations in ink, pages numbered 8-10. 3 pp.<br \/>\n\u201cJanuary 5, 2002.\u201d Notes for radio broadcast. Typescript document, with annotations in ink. 1 p.<br \/>\n\u201cJanuary 27, 2002.\u201d Notes for radio broadcast. Typescript document, with annotations in ink, pages numbered 11-14. 4 pp.<br \/>\n\u201cArtie Intro.\u201d Notes for radio broadcast. Typescript document. 2 pp. 2 copies. Copy 2 has annotations in ink.<br \/>\nUntitled document (draft of introduction for Artie Shaw program). Typescript, with annotations in ink; undated. 1 p.<br \/>\nManuscript notes (draft of introduction for Artie Shaw program). Ink; undated. 15 pp.<br \/>\n\u201cArtie Shaw\u2014Jazz Profiles Notes.\u201d Typescript document, with annotations in ink; undated (August 7, 2001). 4 pp.<br \/>\n\u201cArtie Shaw Notes.\u201d Typescript document, with annotations in ink; undated. 7 pp.<br \/>\nManuscript notes, in pencil and ink, on various papers and documents; undated. 49 items.<br \/>\nBusiness card for Jean Dalrymple (Producer, The Sunday Edition, CBC Radio-Canada). 1 item.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Artie Shaw Research Materials. 17 items.<br \/>\nPapers. 15 items.<br \/>\n\u201cArtie Shaw: Showman: Penthouse Interview,\u201d <em>Penthouse <\/em>(unidentified issue).\u00a0 Facsimile of article. 7 pp.<br \/>\n\u201cArtie Shaw.\u201d Transcript of interview; dated January 14, 1998. 16 pp. On first page: heading for <em>Jazz: A Film by Ken Burns.<br \/>\n<\/em>\u201cArtie Shaw,\u201d<em> Vanity Fair,<\/em> June 1999, pp. 185-188, 223-224, 226-229. Article (pages extracted from magazine). Incomplete copy, consists of pp. 223-229 only. 7 pp. Copy 2 (facsimile). Complete copy of article. 11 pp.<br \/>\nTom Nolan, \u201cArtie Shaw, Going Strong at 90,\u201d <em>Wall Street Journal, <\/em>May 26, 2000<em>.<\/em> Press clipping. 1 p. Copy 2 (duplicate facsimile).<br \/>\nAdam Saroyan, \u201cArtie Shaw Talking,\u201d <em>LA Times,<\/em> August 6, 2000. Printout from newspaper website. 9 pp.<br \/>\nPrintouts from \u201cArtie Shaw\u201d website, accessed March 20, 2001, http:\/\/artieshaw.com. 10 pp.<br \/>\nDon Heckman, \u201cArtie Shaw: Perfectionist at Work,\u201d <em>Los Angeles Times,<\/em> October 21, 2001. Facsimile of press clipping. 1 p.<br \/>\n\u201cRCA Victor Group to Release Artie Shaw: Self Portrait Five-CD Boxed Set.\u201d Press release, distributed by Michael Bloom. Typescript; undated. 3 pp.<br \/>\nBob Blumenthal, \u201cArtie Shaw\u2019s musical self-portrait.\u201d Recording review, from unidentified source. Typescript; dated October 28, 2001. 3 pp. Accompanied by (2 items):<\/p>\n<ul>\n<li>Facsimiles of linter notes, biography, and list of contents from <em>Artie Shaw: Self Portrait<\/em> CD box set. Typescript; undated. 30 pp.<\/li>\n<li>Manuscript note. Ink; undated. 1 p.<\/li>\n<\/ul>\n<p>Kirk Silsbee, \u201cStuck with Reality,\u201d <em>Downbeat,<\/em> November 2001, pp. 34, 36-38. Facsimile of article. 5 pp.<br \/>\n[Lee Mergner], [\u201cArtie Shaw: Shaw on Shaw\u201d], <em>Jazz Times,<\/em> May 2002, pp. 62, 64, 66, 68, 179-182. Facsimile of article. 8 pp.<br \/>\nClaudia Luther, \u201cA Jazz Icon and Iconoclast Who Despised His Fame,\u201d <em>LA Times, <\/em>December 31, 2004<em>.<\/em> Obituary for Artie Shaw. Printout from newspaper website. 5 pp.<br \/>\n\u201cArtie Shaw and His Orchestra: 1949.\u201d Facsimile of liner notes from unidentified album. 1 p.<br \/>\n\u201cGood Enough Ain\u2019t Good Enough: Artie Shaw Looks Back, Reflects, and Sums Up.\u201d Liner notes from <em>Artie Shaw: Self Portrait<\/em> CD box set. Typescript, with annotations in ink; undated. 17 pp.<br \/>\n\u201cCaveat Lector.\u201d Unattributed document. Typescript; undated. 13 pp.<br \/>\nPhotographs. 2 sleeves (2 items):<\/p>\n<ol>\n<li>Photograph of Artie Shaw and his orchestra; undated. 1 black and white negative, 4\u201d x 5\u201d. See sleeve 2 for photograph.<\/li>\n<li>Photograph of Artie Shaw and his orchestra; undated. 1 black and white photograph, 8\u201d x 10\u201d. See sleeve 1 for negative.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Promotional Materials, Season II (1980). 8 items.<br \/>\nPress release: \u201cMarian McPartland\u2019s Piano Jazz II.\u201d Typescript; undated. 2 pp.<br \/>\nBiography of Marian McPartland. Typescript; undated. 2 pp.<br \/>\nPress release: \u201cLegendary Eubie Blake Performs on \u2018Marian McPartland\u2019s Piano Jazz II.\u2019\u201d Typescript; undated. 2 pp.<br \/>\nPress release: \u201cPianist George Shearing Guests on \u2018Marian McPartland\u2019s Piano Jazz II.\u2019\u201d Typescript; undated. 2 pp.<br \/>\nPress release: \u201cVirtuoso Performer Oscar Peterson Performs on \u2018Marian McPartland\u2019s Piano Jazz II.\u2019\u201d Typescript; undated. 2 pp.<br \/>\nSuggested program listings for episodes for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Season II. Typescript; undated. 4 pp.<br \/>\nPublicity photograph: Photograph of Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<br \/>\nAccompanied by promotional folder for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Season II. 1 item.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Promotional Materials, Season VI (1984). 4 items.<br \/>\nPress release: \u201cFirst Time Out for McRae and Mancini Playing Duets with Marian McPartland on \u2018Piano Jazz\u2019 New Season.\u201d Typescript; undated. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s Piano Jazz VI: Program Descriptions.\u201d Typescript document; undated. 2 pp.<br \/>\nPublicity photograph for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Season VI. Includes 2 images: photograph of Marian McPartland and Henry Mancini; photograph of Carmen McRae and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<br \/>\nAccompanied by promotional folder for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Season VI. 1 item.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Promotional Materials, Season VII (1985). 10 items.<br \/>\nPress release: \u201cMore Fascinating Rhythms in Store on \u2018Marian McPartland\u2019s Piano Jazz VII.\u2019\u201d Typescript; undated. 2 pp.<br \/>\nPress release: \u201cA New Title for the Duchess of Jazz\u201d (biography of Marian McPartland). Typescript; undated. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s Piano Jazz VII: Program Descriptions.\u201d Typescript document; undated. 2 pp.<br \/>\nPress release: \u201cMel Torme Opens New \u2018Piano Jazz\u2019 Season.\u201d Typescript; undated. 1 p.Press release: \u201c\u2018Mr. Ragtime,\u2019 Max Morath, Visits \u2018Piano Jazz VII.\u2019\u201d Typescript; undated. 1 p.<br \/>\nPress release: \u201c\u2018The Divine One\u2019 Guests on \u2018Piano Jazz VII.\u2019\u201d Typescript; undated. 1 p.<br \/>\nPublicity photographs for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Season VII. 3 photographs:<\/p>\n<ul>\n<li>Photograph of Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Nellie Lutcher and Marian McPartland; and photograph of Phineas Newborn and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Sarah Vaughan and Marian McPartland; and photograph of Max Morath and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<\/ul>\n<p>Accompanied by promotional folder for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Season VII. 1 item<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Promotional Materials, Season XII (Jan. 1990). 9 items.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Season XII: Fact Sheet.\u201d Typescript document. 1 p.<br \/>\nPress release: \u201cIt\u2019s Jazz and Marian McPartland for an All-New, Unforgettable Season.\u201d Typescript; undated. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s Piano Jazz Season XII\u2014Winter 1990: Guests.\u201d Typescript document (comprised of artist biographies). Typescript; undated. 4 pp.<br \/>\n\u201cMarian McPartland\u2019s Piano Jazz Season XII\u2014Winter 1990: Listings.\u201d Typescript document; undated. 2 pp.<br \/>\n\u201cMarian McPartland: Biographical Sketch.\u201d Typescript; undated. 2 pp.<br \/>\nPublicity photographs for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Season XII. 3 photographs:<\/p>\n<ul>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Michel Camilo and Marian McPartland; and photograph of Les McCann and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Shirley Horn and Marian McPartland; and photograph of Don Pullen and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Tommy Flanagan and Marian McPartland; and photograph of Ruth Laredo and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<\/ul>\n<p>Accompanied by promotional folder for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Season XII. 1 item<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Promotional Materials, Season XIV (Fall 1990) and Season XV. 8 items.<br \/>\nSeason XIV. 7 items.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Season XIV: Fact Sheet.\u201d Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s Piano Jazz Season XIV\u2014Fall 1990: Listings.\u201d Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s Piano Jazz Season SIV\u2014Fall 1990: Listings.\u201d Typescript document (comprised of artist biographies). Typescript; undated. 5 pp.<br \/>\nPublicity photographs for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Season XIV. 3 photographs:<\/p>\n<ul>\n<li>Photograph of Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Tony Bennett and Marian McPartland; and photograph of Cy Coleman and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Wynton Marsalis and Marian McPartland; and photograph of Andre Previn and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<\/ul>\n<p>Accompanied by promotional folder for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Season XIV.<br \/>\nSeason XV. 1 item.<br \/>\n\u201cMarian McPartland.\u201d Biography by Leonard Feather. Typescript document. 2 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Promotional Materials, Season XX (Fall 1992). 7 items<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Season XX: Fact Sheet.\u201d Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s Piano Jazz Season 20\/Fall 1992: Program Listings.\u201d Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em> Season 20\/Fall 1992: Biographies.\u201d Typescript document. 3 pp.<br \/>\nBiography of Marian McPartland. Typescript document. 1 p.<br \/>\nPublicity photographs for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Season 20. 2 photographs:<\/p>\n<ul>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Trudy Pitts and Marian McPartland; and photograph of Margaret Whiting and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Marian McPartland; and photograph of Rex Reed and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<\/ul>\n<p>Accompanied by promotional folder for Marian McPartland\u2019s <em>Piano Jazz<\/em>.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Promotional Materials, Winter 1994, Spring 1994, Fall 1994. 18 items<br \/>\nWinter 1994. 6 items.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Fact Sheet\u201d [for series beginning January 1994]. Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Winter 1994: Program Listings.\u201d Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Winter 1994: Biographies.\u201d Typescript document. 5 pp.<br \/>\nPublicity photographs for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Winter 1994. 2 photographs:<\/p>\n<ul>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Clark Terry and Marian McPartland; and photograph of George Duke and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Cecil Taylor and Marian McPartland; and photograph of Jill McCarron and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<\/ul>\n<p>Accompanied by promotional folder for Marian McPartland\u2019s <em>Piano Jazz<\/em>.<br \/>\nSpring 1994. 6 items.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Fact Sheet\u201d [for series beginning April 1994]. Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Spring 1994: Program Listings.\u201d Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Spring 1994: Biographies.\u201d Typescript document. 6 pp.<br \/>\nPublicity photographs for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Spring 1994. 2 photographs:<\/p>\n<ul>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 3 images: photograph of Bobby Short and Marian McPartland; photograph of Stephen Sondheim; and photograph of Mercer Ellington and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Grover Washington, Jr., and Marian McPartland; and photograph of Daryl Sherman and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<\/ul>\n<p>Accompanied by promotional folder for the fifteen year anniversary of Marian McPartland\u2019s <em>Piano Jazz<\/em>.<br \/>\nFall 1994. 6 items.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Fact Sheet\u201d [for series beginning October 1994]. Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Fall 1994: Program Listings.\u201d Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Fall 1994: Biographies.\u201d Typescript document. 6 pp.<br \/>\nPublicity photographs for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Fall 1994. 2 photographs:<\/p>\n<ul>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Benny Golson and Marian McPartland; and photograph of Fred Hersch and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Tania Maria and Marian McPartland; and photograph of Roberta Piket and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<\/ul>\n<p>Accompanied by promotional folder for Marian McPartland\u2019s <em>Piano Jazz<\/em>.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Promotional Materials, Winter 1995, Spring 1995, Fall 1995. 18 items<br \/>\nWinter 1995. 6 items.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Fact Sheet\u201d [for series beginning January 1995]. Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Winter 1995: Program Listings.\u201d Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Winter 1995: Biographies.\u201d Typescript document. 5 pp.<br \/>\nPublicity photographs for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Winter 1995. 2 photographs:<\/p>\n<ul>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Terence Blanchard; and photograph of Diana Krall and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Ralph Sharon and Marian McPartland; and photograph of Janice Friedman and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<\/ul>\n<p>Accompanied by promotional folder for Marian McPartland\u2019s <em>Piano Jazz<\/em>.<br \/>\nSpring 1995. 6 items.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Fact Sheet\u201d [for series beginning April 1995]. Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Spring 1995: Program Listings.\u201d Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Spring 1995: Biographies.\u201d Typescript document. 6 pp.<br \/>\nPublicity photographs for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Spring 1995. 2 photographs:<\/p>\n<ul>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Paquito D\u2019Rivera and Marian McPartland; and photograph of Helen Merrill. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Dick Hyman and Marian McPartland; and photograph of Reuben Brown and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<\/ul>\n<p>Accompanied by promotional folder for Marian McPartland\u2019s <em>Piano Jazz<\/em>.<br \/>\nFall 1995. 6 items.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Fact Sheet\u201d [for series beginning October 1995]. Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Fall 1995: Program Listings.\u201d Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Fall 1995: Biographies.\u201d Typescript document. 5 pp.<br \/>\nPublicity photographs for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Fall 1995. 2 photographs:<\/p>\n<ul>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Shirley Horn and Marian McPartland; and photograph of T. S. Monk and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Charles Brown and Marian McPartland; and photograph of Gonzalo Rubalcaba and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<\/ul>\n<p>Accompanied by promotional folder for Marian McPartland\u2019s <em>Piano Jazz<\/em>.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Promotional Materials, Winter 1996, Spring 1996, Fall 1996. 17 items<br \/>\nWinter 1996. 6 items.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Fact Sheet\u201d [for series beginning January 1996]. Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Winter 1996: Program Listings.\u201d Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Winter 1996: Biographies.\u201d Typescript document. 5 pp.<br \/>\nPublicity photographs for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Winter 1995. 2 photographs:<\/p>\n<ul>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Wynston Marsalis and Marian McPartland; and photograph of Celia Powell and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Claudio Roditi and Marian McPartland; and photograph of Bela Fleck and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<\/ul>\n<p>Accompanied by promotional folder for Marian McPartland\u2019s <em>Piano Jazz<\/em>.<br \/>\nSpring 1996. 5 items.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Fact Sheet\u201d [for series beginning April 1996]. Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Spring 1996: Program Listings.\u201d Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Spring 1996: Biographies.\u201d Typescript document. 5 pp.<br \/>\nPublicity photographs for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Spring 1996. 2 photographs:<\/p>\n<ul>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Joshua Redman and Marian McPartland; and photograph of Roy Haynes and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Nnenna Freelon; and photograph of Sergio Salvatore and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<\/ul>\n<p>Fall 1996. 6 items.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Fact Sheet\u201d [for series beginning Fall 1996]. Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Fall 1996: Program Listings.\u201d Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Fall 1996: Biographies.\u201d Typescript document. 5 pp.<br \/>\nPublicity photographs for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Fall 1996. 2 photographs:<\/p>\n<ul>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Ray Brown and Marian McPartland; and photograph of Joe Locke and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Ernestine Anderson and Marian McPartland; and photograph of Jon Hendricks and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<\/ul>\n<p>Accompanied by promotional folder for Marian McPartland\u2019s <em>Piano Jazz<\/em>.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Promotional Materials, Winter 1997, Spring 1997, Fall 1998. 13 items.<br \/>\nWinter 1997. 6 items.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Fact Sheet\u201d [for series beginning Winter 1997]. Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Winter 1997 [<em>sic<\/em>]: Program Listings.\u201d Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Fall 1997: Biographies.\u201d Typescript document. 7 pp.<br \/>\nPublicity photographs for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Winter 1995. 2 photographs:<\/p>\n<ul>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Dave Brubeck and Marian McPartland; and photograph of J. J. Johnson, Christian McBride, and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 3 images: photograph of Jeanie Bryson and Marian McPartland; photograph of James Moody and Marian McPartland; and photograph of Renee Rosnes and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<\/ul>\n<p>Accompanied by promotional folder for Marian McPartland\u2019s <em>Piano Jazz<\/em>.<br \/>\nSpring 1997. 2 items.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Fact Sheet\u201d [for series beginning Spring 1997]. Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz,<\/em> Spring 1997: Program Listings.\u201d Typescript document. 2 pp.<br \/>\nFall 1998. 5 items.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Fall 1998 Fact Sheet.\u201d Typescript document. 2 pp.<br \/>\nPress release: \u201cMarian McPartland Jazzes-Up Fall with New Season.\u201d Typescript document. 1 p.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Fall 1998 Program Descriptions.\u201d Typescript document. 3 pp.<br \/>\nPublicity photographs for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Fall 1998. 1 photograph:<\/p>\n<ul>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Max Roach and Marian McPartland; and photograph of Regina Carter and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<\/ul>\n<p>Accompanied by promotional envelope for Marian McPartland\u2019s <em>Piano Jazz<\/em>.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>Promotional Materials, Winter 1999, Spring 1999, Fall 2001, Spring 2004. 19 items.<br \/>\nWinter 1999. 3 items.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Winter 1999 Fact Sheet.\u201d Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Winter 1999 Program Descriptions.\u201d Typescript document. 4 pp.<br \/>\nPress release: \u201cWinter Season of Marian McPartland\u2019s Piano Jazz Features Hot Performances from Legendary Musicians and Today\u2019s Top Talents.\u201d Typescript document. 2 pp.<br \/>\nSpring 1999. 9 items.<br \/>\nCover letter for press packet promoting Marian McPartland\u2019s <em>Piano Jazz<\/em> Spring 1999 season (and 20th anniversary). Typescript. 1 p.<br \/>\nTerry Teachout, \u201cTwenty and Counting.\u201d Typescript article. 2 pp.<br \/>\n\u201cAcclaim for Marian McPartland and \u2018Piano Jazz.\u2019\u201d Includes excerpts from reviews and other press pertaining to Marian McPartland\u2019s <em>Piano Jazz.<\/em> Typescript. 2 pp.<br \/>\nMarian McPartland, \u201cTwenty Years of \u2018Piano Jazz.\u2019\u201d Typescript article. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Spring 1999 Fact Sheet.\u201d Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Spring 1990 Season\u2014Program Descriptions.\u201d Typescript document. 3 pp.<br \/>\nPublicity photographs for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Spring 1999. 2 photograph:<\/p>\n<ul>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 4 images: photograph of Billy Taylor, Nancy Wilson, and Marian McPartland; photograph of Brandon Marsalis, Wynton Marsalis, and Marian McPartland; photograph of James Williams and Marian McPartland; and photograph of Dianne Reeves and Marian McPartland. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<li>Publicity photograph of <em>Piano Jazz <\/em> Includes 2 images: photograph of Loston Harris; and photograph of Michael Wolff. 1 black and white photograph, 8\u201d x 10\u201d.<\/li>\n<\/ul>\n<p>Accompanied by promotional folder for the 20th anniversary of Marian McPartland\u2019s <em>Piano Jazz<\/em>.<br \/>\nFall 2001. 5 items.<br \/>\nPress release: \u201cSullivan, Shearing and McBride Highlight Marian McPartland\u2019s Fall 2001 Season of <em>Piano Jazz<\/em>.\u201d Typescript document. 2 pp.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em>: Fall 2001 Season Fact Sheet.\u201d Typescript document. 2 pp.<br \/>\nProgram descriptions for Fall 2001 season of Marian McPartland\u2019s <em>Piano Jazz.<\/em> Typescript. 2 pp.<br \/>\nBiography of Marian McPartland. Typescript. 1 p.<br \/>\nAccompanied by promotional folder for Marian McPartland\u2019s <em>Piano Jazz,<\/em> Fall 2001 season.<br \/>\nSpring 2004. 2 items.<br \/>\n\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em> Fact Sheet\u201d [promoting the 25th year of the program, Spring 2004]. Typescript document. 1 p.<br \/>\nPromotional poster celebrating Marian McPartland as a 2004 Trustees Award recipient. Color poster, 9.5\u201d x 12\u201d.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Other Promotional Materials, 1979-2006; undated. 16 items.<br \/>\nInvitation to reception in honor of Marian McPartland to mark the premiere of Marian McPartland\u2019s <em>Piano Jazz<\/em> II, September 23, [1979]. 1 card.<br \/>\nPress release: \u201cSouth Carolina Educational Radio Network Wins CPB Public Radio Program Award.\u201d Facsimile of typescript press release; dated May 1, 1980. 1 p.<br \/>\n\u201cTwo-piano jazz is alive and well on Marian McPartland\u2019s Piano Jazz,\u201d <em>The Listener,<\/em> October 1983, p. 3. Article (page extracted from magazine). 1 p.<br \/>\nInvitation to concert and reception to celebrate the presentation of Marian McPartland\u2019s <em>Piano Jazz<\/em> radio series to the Rodgers and Hammerstein Archives of Recorded Sound, New York City Public Library, October 28, 1985. 1 card.<br \/>\nNew York Public Library Rodgers and Hammerstein Archives of Recorded Sound program, including presentation of Marian McPartland\u2019s <em>Piano Jazz<\/em> series and concert by Marian McPartland, George Shearing, and others, October 28, 1985. 1 concert program. Accompanied by booklet. 16 pp.<br \/>\nInvitation to gala launching the tenth season of Marian McPartland\u2019s <em>Piano Jazz,<\/em> September 15, [1988]. Facsimile of 1 card.<br \/>\nAdvertisement and order form for National Public Radio Cassettes of Marian McPartland\u2019s <em>Piano Jazz.<\/em> Undated [1990s]. 1 card.<br \/>\nInvitation to performance and reception to honor fifteen years of Marian McPartland\u2019s <em>Piano Jazz,<\/em> June 20, [1994].<br \/>\nCircular honoring fifteenth anniversary of Marian McPartland\u2019s <em>Piano Jazz.<\/em> Facsimile of circular distributed by South Carolina ETV\/ERN; undated [1994]. 1 p.<br \/>\nInvitation to live broadcast of <em>Marian McPartland at 80: A Piano Jazz Celebration,<\/em> March 21, 1998. 1 card.<br \/>\nConcert program (\u201cMarian McPartland at 80: A Piano Jazz Celebration\u201d); dated March 21, 1998. 10 pp.<br \/>\n<em>The Jazz Store Catalog,<\/em> Vol. 13 (1997). Includes advertisement for Marian McPartland\u2019s <em>Piano Jazz<\/em> CD release by the Jazz Alliance, p. 7. 24 pp.<br \/>\nInvitation to live taping of Marian McPartland\u2019s <em>Piano Jazz<\/em> with guest Cassandra Wilson, September 22, 1998. 1 card.<br \/>\nPress materials pertaining to Marian McPartland\u2019s <em>Piano Jazz<\/em>. Typescript documents, [produced by Concord Records], undated [2003]. 5 pp.<br \/>\nCircular honoring Marian McPartland\u2019s 88th birthday, distributed by South Carolina ETV &amp; Radio; undated [2006]. 2 pp.<br \/>\nConcert program (\u201cMarian McPartland\u2019s <em>Piano Jazz<\/em> from NPR live at the Empire Theatre: A Tribute to Jimmy McPartland with Special Guest Jim Cullum, Jr.,\u201d March 24\u201d). 4 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1610484143275{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px;\"><a id=\"S2sE\"><\/a>Sub-series E: Documents Separated from AV Materials<\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tbody>\n<tr valign=\"top\">\n<td style=\"width: 8.2%;\" nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td style=\"width: 91.7%;\">Documents separated from 5\u201d and 7\u201d audio reels. 50 items.<\/p>\n<ul>\n<li>\u201cJimmy and Marion [sic] McPartland \u2018Play TV Themes.\u2019\u201d 5\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 48, Item 9.<br \/>\n<\/em>Facsimiles of album cover. Consists of facsimile of title from album front cover, with annotations, and liner notes and track list from back cover. 2 pp.<\/p>\n<ul>\n<li><em>\u201cDave Friesen.\u201d 5\u201d audio reel.<\/em><\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 49, Item 5.<br \/>\n<\/em>Correspondence: David Friesen to Marian McPartland. 1 letter. Ink; dated October 15, 1973. 1 p.<br \/>\nTrack list. Ink. 1 p.<\/p>\n<ul>\n<li>Hank Garland\u2014Jazz Winds \/ From a New Direction.<em> 5\u201d audio reel.<\/em><\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 49, Item 6.<br \/>\n<\/em>Andy Harkness to Marian McPartland. 1 notecard. Ink; undated. 1 p.<br \/>\nTrack list. Typescript. 1 p.<\/p>\n<ul>\n<li>Realm 8923\u2014Dave McKenna Lullabies in Jazz.<em> 5\u201d audio reel.<\/em><\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 49, Item 9.<br \/>\n<\/em>Facsimile of album jacket. 2 pp.<\/p>\n<ul>\n<li><em>Recording of Judd Woldin, with Don Cinderella, bass. 5\u201d audio reel.<\/em><\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 49, Item 15.<br \/>\n<\/em>Judd [Woldin] to Marian McPartland. 1 letter. Ink; dated October 17, 1976. 1 p.<\/p>\n<ul>\n<li><em>\u201cTwilight Demo Copy.\u201d 5\u201d audio reel.<\/em><\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 50, Item 3.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li><em>[Elegant Piano] <\/em>(Halcyon, HAL 106). 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 51, Item 5.<br \/>\n<\/em>Facsimile of original case. 2 pp.<br \/>\nManuscript notes. Ink. 1 p.<\/p>\n<ul>\n<li><em>Live at the Carlyle<\/em> (Halcyon, HAL 117). Studio masters. 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 51, Item 6.<br \/>\n<\/em>Session notes. Carbon copy of completed form produced by Trackworks Recording Studio, Inc.; dated October 29, 1975. 1 p.<\/p>\n<ul>\n<li>\u201cMarian McPartland \/ 5 Mar 1955.\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 52, Item 10.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>\u201cCrest Records: Marian McPartland Reel #1.\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 52, Item 13.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>\u201cMaster \/ Carmichael (4\/67).\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 53, Item 5.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>\u201cLondon, Marian\u2019s Tape, 1971.\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 54, Item 3.<br \/>\n<\/em>ASCAP Writer Foreign Performance Record for Marian McPartland. Typescript form; dated December 1978. 2 pp.<br \/>\nManuscript notes. Ink. 1 p. On reverse: circular for \u201cAn evening for Teddi King\u201d (October 22).<\/p>\n<ul>\n<li>\u201cMarian McPartland, Reel 1, Dec. 6, 1974.\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 54, Item 12.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>\u201cMarian McPartland at Isla Bahia.\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 56, Item 4.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>Untitled (undated). 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 56, Item 6.<br \/>\n<\/em>Correspondence: C. W. McConnell (WXXI 21) to CinemaSound. 1 letter. Typescript, signed in ink, on professional letterhead; dated June 24, 1974. 1 p.<\/p>\n<ul>\n<li>\u201cMarian McPartland Trio.\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 56, Item 10.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>\u201cReel No. 4, McPartland\u201d (undated). 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 57, Item 4.<br \/>\n<\/em>Manuscript note (\u201cNothing!\u201d). Pencil. 1 p.<\/p>\n<ul>\n<li>Bobby Boswell (bass), Jake Hanna (drums), and Marian McPartland. 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 57, Item 9.<br \/>\n<\/em>Manuscript note, including notes on recording session. Ink. 2 pp.<\/p>\n<ul>\n<li>Vinnie [Burke], Joe [Morello], and Marian McPartland. 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 58, Item 5.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>Mike Moore (bass), Eric Nebbia (drums), and Marian McPartland. 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 59, Item 4.<br \/>\n<\/em>Manuscript track list. Ink. 1 p.<\/p>\n<ul>\n<li>Mike Moore (bass), Erick Nebbia (drums), and Marian McPartland. 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 59, Item 5.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>\u201cJon\u201d and Marian McPartland. 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 60, Item 2.<br \/>\n<\/em>Manuscript note. Ink. 1 p.<\/p>\n<ul>\n<li>NCSU Stage Band with Marian McPartland (undated). 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 60, Item 8.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>\u201cRowntowner 1975.\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 61, Item 3.<br \/>\n<\/em>Track list. Typescript, with annotations in ink (note from \u201cJeff\u201d to Marian). 1 p.<\/p>\n<ul>\n<li>Jazz Bearings: Marian McPartland, guest, with hosts Andy Baer and Hank Bogardus, WCWP, June 25, 1971. 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 62, Item 4.<br \/>\n<\/em>Program order. Typescript. 1 p.<\/p>\n<ul>\n<li>Marian McPartland Trio on AM New York (n.d.); Billy Taylor (n.d.). 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 62, Item 5.<br \/>\n<\/em>Correspondence: Steve Palecek (Audio Engineer, AM NY) to Marian McPartland. 1 letter. Pencil; undated. 1 p.<\/p>\n<ul>\n<li>\u201cSummer Jazz Clinic at Portland State University, Recorded Aug 20 &amp; 21, 1972.\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 62, Item 9.<br \/>\n<\/em>Correspondence: Bob Thompson to Marian McPartland. 1 letter. Ink; undated. 1 p. Accompanied by return address from envelope. 1 p.<br \/>\nFacsimile of original case. 1 p.<\/p>\n<ul>\n<li>\u201cMarian McPartland #1 \u2018Roots,\u2019 Hawthorne School 2\/20\/74.\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 62, Item 10.<br \/>\n<\/em>Facsimile of original case.<\/p>\n<ul>\n<li>Jimmy McPartland with others (1924-1952). 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 63, Item 7.<br \/>\n<\/em>Track list. Typescript. 3 pp.<\/p>\n<ul>\n<li>\u201cJimmy, Nicks\u201d (1953) 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 63, Item 8.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>\u201cJimmy, Dick, Carey?\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 64, Item 1.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>Ernestine Anderson. 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 64, Item 8.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>George Barnes; M. Reybold. 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 64, Item 11.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>Marshall Brown. 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 65, Item 2.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>Estelle Campagna (flute). 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 65, Item 5.<br \/>\n<\/em>Resume of Estelle Campagna. Typescript. 1 p.<\/p>\n<ul>\n<li>Eddie Condon; Pee Wee; Fred Robbins. 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 65, Item 9.<br \/>\n<\/em>Manuscript note. Ink. 1 p.<\/p>\n<ul>\n<li>Bobby Hackett, with others. 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 66, Item 2.<br \/>\n<\/em>Correspondence: Bill to Marian McPartland. 1 letter. Ink; undated. 1 p.<\/p>\n<ul>\n<li>Jim Hodgkinson, piano; with the University of Alberta Jazz Quartet (1978). 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 66, Item 9.<br \/>\n<\/em>Correspondence: G. Jim Hodgkinson to Marian McPartland. 1 letter. Ink; dated May 12, 1978. 1 p.<\/p>\n<ul>\n<li>[Virginia] Owen. 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 67, Item 11.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>Jack Teagarden; Mel Grant; with Mitt Mole. 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 69, Item 2.<br \/>\n<\/em>Correspondence: Bob Davis to Marian McPartland and Phil Wilson.\u00a0 1 letter. Ink; dated April 23, 1974. 3 pp.<br \/>\nTrack list. Ink. 1 p.<\/p>\n<ul>\n<li>Jerry Verme (1954). 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 69, Item 4.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>\u201cBill &amp; Joe Oct 16.\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 69, Item 11.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>Bix Beiderbecke, cornet and piano; with Frankie Trumbauer and Eddie Lang (1927) \/ Joe Sullivan Trio (Joe Sullivan with Dave Lario, bass; Smoky Stover, drums) (1951). 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 70, Item 1.<br \/>\n<\/em>Track list. Typescript. 1 p.<\/p>\n<ul>\n<li>John Lewis \/ Bill Evans. 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 70, Item 2.<br \/>\n<\/em>Track list. Typescript. 1 p.<\/p>\n<ul>\n<li>Compositions by Reginald Foresythe and Alec Wilder (1935). 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 70, Item 4.<br \/>\n<\/em>Track list. Typescript. 1 p.<\/p>\n<ul>\n<li>\u201cRuby Apt 1967.\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 71, Item 10.<br \/>\n<\/em>Manuscript note. Ink. 1 p.<\/p>\n<ul>\n<li>Untitled \u201c[Stompin at Savoy,\u201d etc.]. 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 71, Item 11.<br \/>\n<\/em>Correspondence: \u201cBill\u201d to Marian McPartland. 1 note. Ink; undated (\u201cMonday, 3:00 AM\u201d). 2 pp.<br \/>\nManuscript notes. Pencil and ink. 3 pp.<\/p>\n<ul>\n<li>\u201cTape #1.\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 71, Item 12.<br \/>\n<\/em>Track list. Ink. 1 p.<\/p>\n<ul>\n<li>\u201cBarbara Sizemore\u2019s Interview with Felix.\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 72, Item 9.<br \/>\n<\/em>Manuscript notes. Ink, on letterhead for \u201cWETA\/Channel 26.\u201d 1 p.<\/p>\n<ul>\n<li>\u201cToday Show 1960.\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 72, Item 11.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>\u201cWill Moyle Show WROC.\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 72, Item 13.<br \/>\n<\/em>Track list. Typescript, with annotations in ink. 1 p.<\/p>\n<ul>\n<li>\u201cWNEW 1952.\u201d 7\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 73, Item 3.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>Documents separated from 10\u201d audio reels. 29 items.<\/p>\n<ul>\n<li>\u201cHalcyon Records #103\u201d [Side A]. 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 75, Item 7.<br \/>\n<\/em>Manuscript note (\u201cTape 3\/3-6\u201d). Ink. 1 p. On reverse: \u201cCue Sheet\u201d form from Fine Recording Inc.<\/p>\n<ul>\n<li>\u201cHalcyon Records #103\u201d [Side B]. 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 76, Item 1.<br \/>\n<\/em>Manuscript notes (\u201cSide one\u201d). Pencil and ink. 3 pp. On reverse of p. 3: \u201cCue Sheet\u201d form from Fine Recording Inc.<\/p>\n<ul>\n<li>\u201cHAL 106B, Marion McPartland, Teddy Willson, MSTR,\u201d [Side 2]. 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 77, Item 5.<br \/>\n<\/em>Manuscript note (\u201c1 \/ 2 \/ 3 \/ 4 \/ 5\u201d). Pencil. 1 p.<\/p>\n<ul>\n<li>\u201cHalcyon 107A, Marian McPartland\u201d [Side A]. 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 78, Item 4.<br \/>\n<\/em>Manuscript notes (track list) (\u201cA<sup>1<\/sup>\u20134:48 Letter\u201d). Ink. 1 p.<\/p>\n<ul>\n<li>\u201cTJA-10016\u201d [<em>Marian McPartland Plays the Music of Alec Wilder<\/em> (Jazz Alliance, 10016)], Side A. 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 79, Item 3.<br \/>\n<\/em>Form from the Jazz Alliance. Includes track list and detail pertaining to recording and release. Facsimile of typescript document. 1 p.<\/p>\n<ul>\n<li>\u201cHalcyon 112B, Joe Venuti, MSTR, Marian McP.\u201d 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 80, Item 5.<br \/>\n<\/em>Manuscript notes (\u201cHal &#8211; 112\u201d). Pencil and ink. 1 p.<\/p>\n<ul>\n<li>\u201cHalcyon 113-A, Marian McPartland, MSTR\u201d [Side 1]. 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 81, Item 4.<br \/>\n<\/em>Manuscript notes (\u201cHalcyon 114\u201d). Pencil and ink. 2 pp.<br \/>\nFacsimile of manuscript note. 1 p.<\/p>\n<ul>\n<li>\u201cHalcyon 113-B, T. Wils[on], MSTR\u201d [Side 2]. 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 81, Item 5.<br \/>\n<\/em>Facsimile of manuscript note (\u201cReel II, Teddy Wilson\u201d). 1 p.<\/p>\n<ul>\n<li>\u201cHalcyon 113-C, Ellis Larkins, MSTR\u201d [Side 3]. 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 81, Item 6.<br \/>\n<\/em>Facsimile of manuscript note (\u201cReel III, Ellis Larkins\u201d). 1 p.<\/p>\n<ul>\n<li>\u201cHalcyon 113-D, Earl Hines, MSTR\u201d [Side 4]. 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 81, Item 7.<br \/>\n<\/em>Facsimile of manuscript note (\u201cReel #IV, Earl Hines\u201d). 1 p.<\/p>\n<ul>\n<li>[<em>Swingin\u2019<\/em>] (Halcyon 114), [Side 2]. 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 82, Item 1.<br \/>\n<\/em>Facsimile of original case. 1 p.<\/p>\n<ul>\n<li>\u201cHalcyon 114A, Marian McP.\u201d 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 82, Item 2.<br \/>\n<\/em>Manuscript notes (\u201cSentimental Journey, 7.35\u201d). Ink. 1 p<\/p>\n<ul>\n<li><em>Live at the Carlyle<\/em> (Halcyon 117), Reel One. 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 83, Item 5.<br \/>\n<\/em>Trackworks Recording Studios form (summary of recording session); dated October 29, 1975. 1 p.<\/p>\n<ul>\n<li><em>Live at the Carlyle<\/em> (Halcyon 117), Reel Two. 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 83, Item 6.<br \/>\n<\/em>Trackworks Recording Studios form (summary of recording session) (\u201cReel 2 &#8211; Remixes\u201d); undated. 1 p.<\/p>\n<ul>\n<li>\u201cM. MacPartland\/Caf\u00e9 Carlyle, Side Three\u201d (HAL 117). 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 83, Item 7.<br \/>\n<\/em>Trackworks Recording Studios form (summary of recording session) (labeled \u201cReel 3\u201d); dated October 30, 1978. 1 p.<\/p>\n<ul>\n<li>\u201cM. MacPartland\/Caf\u00e9 Carlyle, Reel 4-B, 10-30-79.\u201d 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 84, Item 4.<br \/>\n<\/em>Trackworks Recording Studios form (summary of recording session) (labeled \u201cReel 4\u201d); dated October 30, 1978. 1 p.<\/p>\n<ul>\n<li>\u201cM. MacPartland\/Caf\u00e9 Carlyle, Reel 5, 11-5-79.\u201d 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 84, Item 5.<br \/>\n<\/em>Trackworks Recording Studios form (summary of recording session) (labeled \u201cReel 5\u201d); undated. 1 p.<\/p>\n<ul>\n<li>\u201cM. MacPartland\/Caf\u00e9 Carlyle, Reel 6, 11-5-79.\u201d 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 84, Item 6.<br \/>\n<\/em>Trackworks Recording Studios form (summary of recording session) (labeled \u201cReel 6\u201d); dated November 5, 1979. 1 p.<\/p>\n<ul>\n<li>[<em>Marian Remembers Teddi<\/em>] (Halcyon 118 A\/B). 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 84, Item 7.<br \/>\n<\/em>Manuscript notes (\u201cI &#8211; 14:26\u201d). Pencil and ink. 1 p.<\/p>\n<ul>\n<li>\u201cHalcyon 118-A, Teddi King &amp; Marion McPartland.\u201d 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 85, Item 2.<br \/>\n<\/em>Facsimile of manuscript note (duplicate of item separated from Box 84, Item 7; see above). 1 p.<\/p>\n<ul>\n<li>George Shearing and Marian McPartland. 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 89, Item 3.<br \/>\n<\/em>Facsimiles of original case. 3 pp.<\/p>\n<ul>\n<li>Teddy Wilson and Marian McPartland. 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 89, Item 7.<br \/>\n<\/em>Manuscript note (\u201cEchoes of Spring\u201d). Ink. 1 p.<\/p>\n<ul>\n<li>Earl Hines, [<em>The Quintessential Recording Session<\/em>] (Halcyon 101), [Side A]. 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 90, Item 2.<br \/>\n<\/em>Facsimile of original case. 2 pp.<\/p>\n<ul>\n<li>Dave McKenna, \u201cHalcyon #108,\u201d Side A. 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 91, Item 5.<br \/>\n<\/em>Manuscript notes (\u201c21:47 \/ 19:10\u201d). Pencil and ink. 2 pp.<\/p>\n<ul>\n<li>Dave McKenna, \u201cHalcyon [108].\u201d 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 91, Item 7.<br \/>\n<\/em>Take Sheet from Mercury Sound Studios; dated March 1, 1973. 1 p.<\/p>\n<ul>\n<li>\u201c228183 \/ 1D.\u201d 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 97, Item 1.<br \/>\n<\/em>CBS Records Tape Data Sheet (\u201cJob Number: 228183, Reel 1C-1D\u201d). Carbon copy of completed form; dated June 20, 1973. 1 p.<\/p>\n<ul>\n<li>\u201c228183 \/ 3D.\u201d 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 98, Item 1.<br \/>\n<\/em>CBS Records Tape Data Sheet (\u201cJob Number: 228183, Reel 3C-3D\u201d). Carbon copy of completed form; dated June 20, 1973. 1 p.<\/p>\n<ul>\n<li>\u201cRadio CUROM (undated).\u201d 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 101, Item 5.<br \/>\n<\/em>Typescript note (\u201cThis recording was made \u2026\u201d). 1 p.<\/p>\n<ul>\n<li>\u201cTest Tape.\u201d 10\u201d audio reel.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 101, Item 7.<br \/>\n<\/em>Facsimile of original case. 2 pp.<\/p>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td style=\"width: 8.2%;\" nowrap=\"nowrap\"><strong>folder 18<\/strong><\/td>\n<td style=\"width: 91.7%;\">Documents separated from other AV materials. 4 items.<\/p>\n<ul>\n<li><em>Marian McPartland Plays the Music of Billy Strayhorn<\/em> (Concord Jazz, CJ-326, 1987). 12\u201d phonographic disc.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 103, Item 22.<br \/>\n<\/em>Manuscript note [from Marian McPartland to Mary Davidson?]. Ink. 1 p.<\/p>\n<ul>\n<li>\u201c[Marian McPartland Trio], Green Bay, Wisconsin.\u201d 12\u201d phonograph disc.<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Separated from Box 103, Item 29.<br \/>\n<\/em>Facsimile of original sleeve. 1 p.<\/p>\n<ul>\n<li>\u201c1951 \u2014 Grandview Inn.\u201d 12\u201d phonograph disc.<\/li>\n<\/ul>\n<p style=\"padding-left: 120px;\"><em>Separated from Box 103, Item 35.<br \/>\n<\/em>Facsimile of original sleeve. 1 p.<\/p>\n<ul>\n<li>[Unknown.]<\/li>\n<\/ul>\n<p style=\"padding-left: 80px;\"><em>Discovered in packing boxes containing AV materials.<br \/>\n<\/em>Correspondence: Bill Svec [to Marian McPartland]. 1 letter (pertaining to tapes from September 28, 1985, concert at Roanoke College). Typescript, signed in ink. 1 p.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1612548721115{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<h3><a id=\"S3\"><\/a>Series 3: Publicity and Press Materials<\/h3>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1610484268475{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px;\"><a id=\"S3sA\"><\/a>Sub-series A: Press Clippings\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 12&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610637803814{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Press Clippings, 1940-1949.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated between February 13, 1942, and December 30, 1949; 11 undated (1940s). 58 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Press Clippings, 1950.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated March 8-December 31, 1950; 13 undated (1950). 45 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Press Clippings, 1951.<br \/>\nNewspaper clippings, magazine articles, press circulars, and facsimiles; dated January 2-December 31, 1951; 5 undated (1951). 43 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Press Clippings, 1952.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated January 1-December 20, 1952; 9 undated. 45 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Press Clippings, 1953.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated January 2-December 4, 1953; 2 undated. 33 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Press Clippings, 1954.<br \/>\nNewspaper clippings, magazine articles, facsimiles, and collages of clippings; dated January-December 1954; 15 undated. 53 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Press Clippings, 1955.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated January 26-December 2, 1954; 10 undated. 55 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Press Clippings, 1956.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated January 14-November 17, 1956. 34<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Press Clippings, 1957.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated January 9-December 26, 1957; 9 undated. 25 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Press Clippings, 1958.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated January-December 13, 1958; 4 undated. 21 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Press Clippings, 1959.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated February 14-1959; 2 undated. 16 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Press Clippings, undated (1950s).<br \/>\nNewspaper clippings, magazine articles, and facsimiles. 41 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Press Clippings, 1960.<br \/>\nMagazine articles, newspaper clippings, and facsimiles. 13 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>Press Clippings, 1961.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated January 1-September 29, 1961; 4 undated. 21 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Press Clippings, 1962.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated March 4-November 29, 1962. 10 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>Press Clippings, 1963.<br \/>\nNewspaper clippings, magazine articles, newsletters, and facsimiles; dated April 16-Decmeber 13, 1963; 1 undated. 12 items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 13&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610640727573{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Press Clippings, 1964.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated January 2-July 19, 1964; 1 undated. 6 items<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Press Clippings, 1965.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated January 3-October 29, 1965; 1 undated. 19 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Press Clippings, 1966.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated February 14-December 25, 1966; 2 undated. 14 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Press Clippings, 1967.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated January 21-December 30, 1967. 7 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Press Clippings, 1968.<br \/>\nFacsimiles of newspaper clippings; dated May 4-November 29, 1968. 4 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Press Clippings, 1969.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated January 22-November 26, 1969; 3 undated. 27 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Press Clippings, undated (1960s).<br \/>\nNewspaper clippings, magazine articles, and facsimiles. 18 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Press Clippings, 1970.<br \/>\nNewspaper clippings and facsimiles; dated March 9-December 19, 1970. 10 items<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Press Clippings, 1971.<br \/>\nNewspaper clippings, magazine articles, newsletters, and facsimiles; dated January 21-December, 1971; 2 undated. 19 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Press Clippings, 1972.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated January 17-November 1, 1972; 2 undated. 13 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Press Clippings, 1973.<br \/>\nNewspaper clippings, magazine and journal articles, and facsimiles; dated January 5-October 1972. 16 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Press Clippings, 1974.<br \/>\nNewspaper clippings, magazine articles, newsletters, press releases, and facsimiles; dated February 12-November 9, 1974, 6 undated. 16 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Press Clippings, 1975.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated January 5-November 15-16, 1975, 1 undated. 24 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>Press Clippings, 1976.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated January-December 13, 1976; 3 undated. 28 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Press Clippings, 1977.<br \/>\nNewspaper clippings, magazine articles, press releases, and facsimiles; dated January-December 21, 1977; 5 undated. 47 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>Press Clippings, 1978.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated January 20-December 7, 1978; 3 undated. 41 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>Press Clippings, 1979.<br \/>\nNewspaper clippings, magazine articles, newsletters, and facsimiles; dated January 10-December 11-17, 1979; 1 undated. 70 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 18<\/strong><\/td>\n<td>Press Clippings, undated (1970s).<br \/>\nNewspaper clippings, magazine articles, newsletters, circulars, and facsimiles; undated. 21 items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 14&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610640806760{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Press Clippings, 1980.<br \/>\nNewspaper clippings, magazine articles, press releases, and facsimiles; dated January-October 28, 1980. 47 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Press Clippings, 1981.<br \/>\nNewspaper clippings, magazine articles, newsletters, press releases, and facsimiles; dated January 9-December 11, 1981; 1 undated. 72 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Press Clippings, 1982.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated January 16-October 19, 1982; 9 undated. 46 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Press Clippings, 1983-1984.<br \/>\nNewspaper clippings, magazine and journal articles, and facsimiles; dated between February 11, 1983, and November 1, 1984. 24 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Press Clippings, 1985-1988.<br \/>\nNewspaper clippings, magazine articles, newsletters, press releases, and facsimiles; dated between June 20, 1985, and November 1988; 1 undated (\u201c1988-1989\u201d). 40 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Press Clippings, 1989.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated February 3-December 24, 1989; 2 undated. 19 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Press Clippings, undated (1980s).<br \/>\nNewspaper clippings, magazine articles, and facsimiles. 12 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Press Clippings, 1990.<br \/>\nNewspaper clippings, magazine articles, press releases, and facsimiles; dated January-October 12, 1990; 2 undated. 17 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Press Clippings, 1991.<br \/>\nNewspaper clippings, magazine articles, press releases, and facsimiles; dated January 16-December 29, 1991; 1 undated. 46 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>\u00a0Press Clippings, 1992.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated February 19-December 7, 1992; 3 undated. 33 items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 15&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610640858447{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Press Clippings, 1993.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated January 13-November 12, 1993. 42 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Press Clippings, 1994.<br \/>\nNewspaper clippings, magazine articles, newsletters, press releases, and facsimiles; dated February-December 13, 1994. 59 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Press Clippings, Jazz Generations Publicity, 1994.<br \/>\n\u201cJazz Generations Publicity: As of Wednesday, December 14, 1994.\u201d Typescript document. 2 pp.<br \/>\nFacsimiles of press clippings; dated September 11-December 1994. 8 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Press Clippings, 1995.<br \/>\nNewspaper clippings, magazine articles, press releases, and facsimiles; dated January 1-November 18. 1995; 1 undated (\u201cWinter 1995\u201d). 30 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Press Clippings, 1996-1997.<br \/>\nNewspaper clippings, magazine articles, newsletters, press releases, and facsimiles; dated between February 1996 and December 19, 1997. 54 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Press Clippings, 1998-1999.<br \/>\nNewspaper clippings, magazine and journal articles, press releases, and facsimiles; dated between January 23, 1998, and December 19, 1999. 70 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Press Clippings, 2000-2001.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated between January 2000 and May 9, 2001; 1 undated. 21 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Press Clippings, 2002.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated May-December 10, 2002; 1 undated. 17 items.<\/p>\n<ul>\n<li>On reverse of undated clipping: Manuscript note from \u201cMargy\u201d to Marian McPartland. Ink; dated November 20, 2002. 1 p.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Press Clippings, 2003.<br \/>\nNewspaper clippings, magazine articles, press releases, and facsimiles; dated March 20-December 23, 2003. 19 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Press Clippings, 2004-2005.<br \/>\nNewspaper clippings, magazine articles, press releases, and facsimiles; dated between January 15, 2004, and September 16, 2005. 44\u00a0 \u00a0items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 16&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610641997728{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Press Clippings, 2006-2007.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated between February 2006 and November 15, 2007. 24 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Press Clippings, 2008-2010, 2012, 2014.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated between February 28, 2008, and November 5, 2010; November 2012; and Winter 2014. 18 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Press Clippings, Undated.<br \/>\nNewspaper articles, press releases, magazine articles, newsletters, and facsimiles. 30 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Recording Reviews, 1940s-1950s.<br \/>\nNewspaper clippings, magazine articles, and facsimiles. 20 items. Includes reviews of:<\/p>\n<ul>\n<li>\u201cSingin\u2019 the Blues \/ Daughter of Sister Kate \/ Royal Garden Blues \/ In a Mist\u201d (Harmony).\n<ul>\n<li>1 facsimile of review; dated April 29, 1949. 1 p.<\/li>\n<\/ul>\n<\/li>\n<li>\u201cIn a Mist \/ Singing the Blues \/ The Daughter of Sister Kate \/ Royal Garden Blues\u201d (Unison).\n<ul>\n<li>1 clipping; undated (1948-1949). 1 p.<\/li>\n<\/ul>\n<\/li>\n<li>\u201cFlamingo \/ It\u2019s De-\/Lovely \/ Liebestraum \/ Four Brothers\u201d (Federal).\n<ul>\n<li>2 items (clippings and facsimiles); dated August 1951; 1 undated. 3 pp.<\/li>\n<\/ul>\n<\/li>\n<li>\u201cStrike Up the Band \/ Love Is Here to Stay\u201d (Savoy).\n<ul>\n<li>1 clipping; undated (1950-52). 1 p.<\/li>\n<\/ul>\n<\/li>\n<li>\u201cStrike Up the Band\u201d (Savoy).\n<ul>\n<li>1 clipping with duplicate facsimile; dated June 2, 1952. 1 p.<\/li>\n<\/ul>\n<\/li>\n<li>\u201cLove for Sale \/ Moonlight in Vermont\u201d (Unknown label).\n<ul>\n<li>1 clipping; dated July 19, 1952. 1 p.<\/li>\n<\/ul>\n<\/li>\n<li>\u201cIt Might as Well be Spring \/ The Gypsy in My Soul\u201d (Savoy).\n<ul>\n<li>2 items (clippings with duplicate facsimile); dated September 8, 1952; 1 undated. 3 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>The Magnificent Marian McPartland<\/em> (Savoy).\n<ul>\n<li>5 items (clippings and facsimiles): dated April-August 1953; 2 undated. 7 pp.<\/li>\n<\/ul>\n<\/li>\n<li>\u201cCome Back, Sweet Papa \/ Manhattan \/ Use Your Imagination \/ Davenport Blues\u201d (Prestige, 303\/4).\n<ul>\n<li>1 facsimile of review; undated (1953). 1 p.<\/li>\n<\/ul>\n<\/li>\n<li><em>After Dark<\/em> (Capitol, T 699, 1954).\n<ul>\n<li>1 facsimile of review; undated (March 1954). 1 p.<\/li>\n<\/ul>\n<\/li>\n<li>\u201cA Foggy Day in London \/ The Lady is a Tramp \/ I\u2019ve Got the World on a String \/ Manhattan \/ Aunt Hager\u2019s Blues \/ Four Brothers\u201d (Savoy, LP MG 15032).\n<ul>\n<li>1 facsimile of review; dated March 24, 1954. 1 p.<\/li>\n<\/ul>\n<\/li>\n<li>\u201cPoor Little Rich Girl \/ Chelsea Bridge \/ I Could Write a Book \/ For All We Know \/ Sand in My Shoes \/ Struttin\u2019 With Some Barbecue \/ Easy Come, Easy Go \/ Falling in Love With Love \/ If I Love Again \/ Royal Garden Blues \/ I\u2019ll Be Around \/ Everything But You\u201d (Capitol, T 699).\n<ul>\n<li>1 clipping; dated May 2, 1956. 1 p.<\/li>\n<\/ul>\n<\/li>\n<li><em>The Marian McPartland Trio <\/em>(Capitol, T-785).\n<ul>\n<li>1 clipping; dated June 1957. 1 p.<\/li>\n<\/ul>\n<\/li>\n<li>Unidentified recording, including \u201cMoon Song,\u201d \u201cLush Life,\u201d and \u201cTickle Toe\u201d (Capitol).\n<ul>\n<li>1 clipping; undated. 1 p.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Recording Reviews: <em>Jazz at the Hickory House<\/em> (Savoy, MG-15032).<br \/>\nNewspaper clippings, magazine reviews, and facsimiles; dated February 19-April 1954; 1 undated. 9 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Recording Reviews: <em>Marian McPartland at the Hickory House<\/em> (Capitol, T-574, 1955; reissued as Savoy, SJL2248, 1980; second reissue as Jasmine, JAS 312, 1990). 15 items. Includes:<br \/>\n1955 release: Newsletters, newspaper clippings, magazine reviews, and facsimiles; dated March 14-June 1955; 1 undated. 10 items.<br \/>\n1980 reissue: Clippings, magazine reviews, and facsimiles; dated between November 1980 and January\/February 1991; 1 undated. 4 items.<br \/>\n1990 reissue: Magazine review; dated November 1990. 1 item.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Recording Reviews, 1960s.<br \/>\nNewspaper clippings, magazine articles, and facsimiles. 20 items. Includes reviews of:<\/p>\n<ul>\n<li><em>Marian McPartland Plays Music of Leonard Bernstein<\/em> (Time Records, 52013, 1960).\n<ul>\n<li>2 clippings; dated November 1, 1960, and January 3, 1961. 2 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>My Old Flame<\/em> (Dot Records).\n<ul>\n<li>2 facsimiles of clippings; dated February-March 1969. 2 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>It\u2019s De-Lovely<\/em> (Parlophone).\n<ul>\n<li>1 clipping; undated. 1 p.<\/li>\n<\/ul>\n<\/li>\n<li><em>Bossa Nova Plus Soul<\/em> (Time, 2073).\n<ul>\n<li>1 clipping with duplicate facsimile; undated (1960s). 2 pp.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Recording Reviews, 1970s.<br \/>\nNewspaper clippings, magazine articles, and facsimiles. 21 items. Includes reviews of:<\/p>\n<ul>\n<li><em>A Delicate Balance<\/em> (Halcyon 105, 1972).\n<ul>\n<li>4 clippings with duplicate facsimiles; dated August-October 1972; 2 undated. 7 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>Elegant Piano<\/em> (Halcyon 106, 1972).\n<ul>\n<li>4 clippings with duplicate facsimiles; dated November 1972-January 1973; 2 undated. 8 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>Live at the Monticello<\/em> (Halcyon 107, 1973).\n<ul>\n<li>1 facsimile of clipping; dated June 8, 1973. 1 p.<\/li>\n<\/ul>\n<\/li>\n<li><em>Marian McPartland Plays the Music of Alec Wilder<\/em> (Halcyon 109, 1974).\n<ul>\n<li>6 clippings with duplicate facsimiles; dated between August 8, 1974, and October 1975; 1 undated. 8 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>The Maestro and Friend: Joe Venuti and Marian McPartland<\/em> (Halcyon, HAL-112, 1976).\n<ul>\n<li>3 clippings; dated May 14, 1976; 2 undated. 4 pp.<\/li>\n<\/ul>\n<\/li>\n<li>That Summer Jazz Band, <em>Thurs Night Dues<\/em> (SJC 81673). Album includes arrangement of \u201cTime and Time Again\u201d by Marian McPartland, arranged by Phil Wilson.\n<ul>\n<li>1 clipping; undated (1977-1978). 1 p.<\/li>\n<\/ul>\n<\/li>\n<li><em>Live at the Carlyle <\/em>(Halcyon, HAL-117).\n<ul>\n<li>2 facsimiles of clippings with 1 duplicate facsimile; dated October 28, 1979, and September 10, 1980. 3 pp.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Recording Reviews: <em>Interplay<\/em> (Halcyon 100, 1970).<br \/>\nNewspaper clippings, magazine reviews, and facsimiles; dated between December 7, 1969, and April 1970; 2 undated. 6 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Recording Reviews: <em>Ambiance<\/em> (Halcyon 103, 1970; reissued as Jazz Alliance, TJA-10029, 1996). 13 items. Includes:<br \/>\n1970 release: Newspaper clippings, magazine reviews, and facsimiles; dated between November 6, 1970, and July 22, 1971; 1 undated. 9 items.<br \/>\n1996 reissue: Facsimiles of clippings and magazine reviews; dated March-September 1996. 4 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Recording Reviews: <em>Concert in Argentina<\/em> (Halcyon, HAL-113, 1974; reissued as Jazz Alliance, TJA-10008, 1992). 13 items. Includes:<br \/>\n1975 release: Newspaper clippings, magazine reviews, and facsimiles; dated between [1975] and December 1978; 1 undated. 8 items.<br \/>\n1992 reissue: Newspaper clippings, magazine reviews, and facsimiles; dated March 29-November 1992, 1 undated (1992 or 1993). 5 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Recording Reviews: <em>Solo Concert at Haverford<\/em> (Halcyon 111, 1975).<br \/>\nMagazine reviews and facsimiles; dated between July 1975 and June 1977. 4 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Recording Reviews: <em>A Fine Romance<\/em> (Improv 7115, 1976).<br \/>\nCirculars, newspaper clippings, magazine reviews, and facsimiles; dated between January 1976 and February 11, 1979; 2 undated. 12 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>Recording Reviews: <em>From This Moment On<\/em> (Concord Jazz, CJ-86, 1979; reissued as Concord Jazz CCD-4086, 1991). 8 items. Includes:<br \/>\n1979 release: Newspaper clippings, magazine reviews, and facsimiles; dated between June 1979 and May 1980. 7 items.<br \/>\n1991 reissue: Facsimile of magazine article; dated October 5, 1991. 1 item.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Recording Reviews: <em>Now\u2019s the Time<\/em> (Halcyon, HAL 115, 1979).<br \/>\nNewspaper clippings, magazine reviews, and facsimiles; dated April-August 1979; 3 undated. 8 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>Recording Reviews, 1980s.<br \/>\nNewspaper clippings, magazine articles, and facsimiles. 35 items. Includes reviews of:<\/p>\n<ul>\n<li><em>Marian McPartland at the Festival<\/em> (Concord Jazz, CJ-118, 1980; reissued as Concord, CCD 4118, 1994).\n<ul>\n<li>1980 release: 1 clipping and duplicate facsimile; dated August 10, 1980. 2 pp.<\/li>\n<li>1994 reissue: 3 facsimiles of clippings; dated September-December 10, 1994; 1 undated. 3 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>Women in Jazz<\/em> (film, narrated by Carmen McRae and Marian McPartland) (Hearst\/ABC ARTS, 1982).\n<ul>\n<li>1 facsimile of clipping; dated February 1983. 1 p. Inscription on page from [illegible].<\/li>\n<\/ul>\n<\/li>\n<li><em>Portrait of Marian McPartland<\/em> (Concord Jazz 101, 1980; reissued as Concord Jazz, CCD-4101).\n<ul>\n<li>1980 release: 5 clippings and facsimiles; dated August 1980; 4 undated. 8 pp.<\/li>\n<li>1991 reissue: 1 publicity circular; dated September 1991. 1 p.<\/li>\n<\/ul>\n<\/li>\n<li><em>Alone Together<\/em> (Concord Jazz, CJ-171, 1981; reissued as Concord CD CCD 4141, 1991).\n<ul>\n<li>1981 release: 5 clippings and facsimiles; dated between December 20, 1981, and May 1982. 7 pp.<\/li>\n<li>1991 reissue: 1 facsimile of clipping; dated May\/June 1991. 1 p.<\/li>\n<\/ul>\n<\/li>\n<li><em>Personal Choice<\/em> (Concord, CJ-202, 1983).\n<ul>\n<li>8 clippings and facsimiles; dated March 12-July 1983; 1 undated. 9 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>Willow Creek and Other Ballads<\/em> (Concord 272, 1985).\n<ul>\n<li>4 clippings and facsimiles; dated July-December 1985; 1 undated. 5 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>Tony Bennett\/The McPartlands and Friends Make Magnificent Music<\/em> (DRG MRS 910, 1986).\n<ul>\n<li>1 clipping; dated August 1986. 1 p. Typed inscription on clipping from \u201cBob.\u201d<\/li>\n<\/ul>\n<\/li>\n<li><em>Marian McPartland Plays the Music of Billy Strayhorn<\/em> (Concord 326, 1987).\n<ul>\n<li>5 clippings and facsimiles; dated between August 16, 1987, and August 1988; 1 undated. 6 pp.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>Recording Reviews: <em>Marian Remembers Teddi<\/em> (Halcyon, HAL 118, 1981).<br \/>\nNewspaper clippings, magazine reviews, circulars, and facsimiles; dated August-September 1981; 2 undated (1982). 5 items.<br \/>\nTypescript letter from Marian McPartland to \u201cFriends of Teddi King,\u201d pertaining to <em>Marian Remembers Teddi<\/em> album [included with liner notes?]. 2 letters; dated February 1981 and September 2002. 2 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 18<\/strong><\/td>\n<td>Recording Reviews, 1990s.<br \/>\nNewspaper clippings, magazine articles, press releases, circulars, and facsimiles. 15 items. Includes reviews of:<\/p>\n<ul>\n<li><em>Fujitsu 25th Concord Jazz Festival<\/em> (Concord, CCD-7002, 1994).\n<ul>\n<li>4 press releases and facsimiles of clippings; dated January-June 17, 1994. 5 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>A Sentimental Journey<\/em> (Jazz Alliance, TJA-10025, 1994).\n<ul>\n<li>8 clippings and facsimiles; dated between October 6, 1994, and March 11, 1995. 10 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>An NPR Christmas with Marian McPartland and Friends<\/em> (NPR Classics, 1997).\n<ul>\n<li>3 clippings and facsimiles; dated December 1997. 3 pp.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 19<\/strong><\/td>\n<td>Recording Reviews: <em>Marian McPartland Plays the Benny Carter Songbook<\/em> (Concord Jazz, CCD-4412, 1990).<br \/>\nNewspaper clippings, magazine reviews, circulars, newsletters, and facsimiles; dated between May 1990 and July 1991; 6 undated (1982). 28 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 20<\/strong><\/td>\n<td>Recording Reviews: <em>Live at Maybeck Recital Hall, Vol. 9<\/em> (Concord, CCD-4460, 1991).<br \/>\nNewspaper clippings, magazine reviews, and facsimiles; dated between June 2, 1991, and January\/February 1994. 20 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 21<\/strong><\/td>\n<td>Recording Reviews: <em>In My Life<\/em> (Concord, CCD-4561, 1993).<br \/>\nNewspaper clippings, magazine reviews, and facsimiles; dated between September 9, 1993, and March 1994; 1 undated. 17 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 22<\/strong><\/td>\n<td>Recording Reviews: <em>Marian McPartland Plays the Music of Mary Lou Williams<\/em> (Concord Jazz, CCD-4605, 1994).<br \/>\nPress releases, newspaper clippings, magazine reviews, and facsimiles; dated between June 1994 and December 1995; 2 undated. 37 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 23<\/strong><\/td>\n<td>Recording Reviews: <em>A Concord Jazz Christmas<\/em> (Concord, CCD-4613, 1994).<br \/>\nNewspaper clippings, magazine reviews, and facsimiles; dated October-December 23, 1994 11 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 24<\/strong><\/td>\n<td>Recording Reviews: <em>Live at Yoshi\u2019s Nitespot<\/em> (Concord, CCD-4712, 1996).<br \/>\nNewspaper clippings, magazine reviews, and facsimiles; dated between June 27, 1996, and February 1997; 1 undated. 12 items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 17&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610641142889{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Recording Reviews:\u00a0<em>Marian McPartland with Strings: Silent Pool<\/em>\u00a0(Concord 4745, 1997).<br \/>\nNewspaper clippings, magazine reviews, and facsimiles; dated between January 17, 1996, and February 26, 1998; 2 undated. 16 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Recording Reviews: <em>Just Friends<\/em> (Concord, CCD-4805, 1998).<br \/>\nFacsimiles of newspaper clippings and magazine reviews; dated March-November 1998. 12 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Recording Reviews: Jazz Alliance\/<em>Piano Jazz<\/em> Series (General Press; Reviews of Multiple Releases) (1993-2006).<br \/>\nPress releases, newspaper clippings, magazine and journal reviews, circulars, and facsimiles pertaining to <em>Piano Jazz<\/em> CD series (Jazz Alliance); dated between February 9, 1993, and January\/February 2006. 42 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Recording Reviews: Jazz Alliance\/<em>Piano Jazz<\/em> Series (Reviews of Individual Releases) (1993-2007).<br \/>\nPress releases, newspaper clippings, magazine reviews, circulars, and facsimiles pertaining to individual albums from the <em>Piano Jazz<\/em> CD series (Jazz Alliance). 73 items. <em>Piano Jazz<\/em> guests represented:<\/p>\n<ul>\n<li>Blake, Eubie (TJA-12006). 7 clippings and facsimiles; dated between November 1993 and November 1994. 8 pp.<\/li>\n<li>Brubeck, Dave (TJA-12001). 6 clippings and facsimiles; dated between 1993 and August 2003. 7 pp.<\/li>\n<li>Burrell, Kenny (TJA-12021). 1 clipping; dated October 1995. 1 p.<\/li>\n<li>Carroll, Barbara (TJA-12008). 2 clippings and facsimiles; dated September-October 1996. 3 pp.<\/li>\n<li>Carter, Benny (TJA-12015). 1 clipping with duplicate facsimile; dated April 1995. 2 pp.<\/li>\n<li>Clooney, Rosemary (TJA-12003). 2 facsimiles of clippings; dated February 1994. 2 pp.<\/li>\n<li>Costello, Elvis (TJA-12049). 1 clipping; dated October 2005. 1 p.<\/li>\n<li>Eldridge, Roy (TJA-12025). 1 facsimile of clipping; dated May 1996. 1 p.<\/li>\n<li>Evans, Bill (TJA-12004). 6 clippings and facsimiles; dated between November 12, 1993, and November 23, 2002. 7 pp.<\/li>\n<li>Gillespie, Dizzy (TJA-12005). 7 clippings and facsimiles; dated between October 1993 and July 14, 2003. 9 pp.<\/li>\n<li>Hampton, Lionel (TJA-12046). 3 clippings and facsimiles; dated between July 19, 2004, and December 2005. 5 pp.<\/li>\n<li>Hinton, Milt (TJA-12016). 2 clippings and facsimiles; dated May-September 1995. 3 pp.<\/li>\n<li>Horn, Shirley (TJA-12053). 2 clippings with 1 duplicate facsimile; dated April-June 2006. 3 pp.<\/li>\n<li>Hornsby, Bruce (TJA-12051). 1 printout of online review; undated. 1 p.<\/li>\n<li>Hyman, Dick (TJA-12012). 2 facsimiles of reviews; dated October 1994 and Winter 1995. 1 p.<\/li>\n<li>Mancini, Henry (TJA-12024). 1 facsimile of review; dated June\/July 1996. 1 p.<\/li>\n<li>McCann, Les (TJA-12031). 1 facsimile of review; undated. 1 p.<\/li>\n<li>McKenna, Dave (TJA-12023). 1 clipping; dated March 1996. 1 p.<\/li>\n<li>McRae, Carmen (TJA-12039). 1 facsimile of review; dated December 2002. 1 p.<\/li>\n<li>McShann, Jay (TJA-12030). 1 clipping with duplicate facsimile; undated. 2 pp.<\/li>\n<li>Medeski, John (TJA-12047). 1 facsimile of clipping; dated June 2006. 1 p.<\/li>\n<li>Mehldau, Brad (TJA-30154). 4 clippings and facsimiles; dated April 6-June 2007. 4 pp.<\/li>\n<li>Myers, Amina Claudine (TJA-12022). 1 clipping; dated 1995. 1 p.<\/li>\n<li>Peterson, Oscar (TJA-12028). 1 clipping with duplicate facsimile; dated July\/August 1996. 2 pp.<\/li>\n<li>Richards, Red (TJA-12011). 2 clippings and facsimiles; dated November-December 1994. 3 pp.<\/li>\n<li>Short, Bobby (TJA-12010). 2 facsimiles of clippings; dated December 1994; 1 undated. 2 pp.<\/li>\n<li>Stacy, Jess (TJA-12017). 1 facsimile of clipping; dated June 1995. 1 p.<\/li>\n<li>Steely Dan (TJA-12048). 3 clippings and facsimiles; dated June 18, 2003, and June 2005; 1 undated. 3 pp.<\/li>\n<li>Terry, Clark (TJA-12009). 2 facsimiles of clippings; dated December 1994; 1 undated. 2 pp.<\/li>\n<li>Wellstood, Dick (TJA-12007). 2 clippings with duplicate facsimiled; dated September 1994 and January\/February 1995. 4 pp.<\/li>\n<li>Williams, Mary Lou (TJA-12019). 2 clippings and printouts of online reviews; dated March 2004; 1 undated. 2 pp.<\/li>\n<li>Wilson, Teddy (TJA-12002). 4 facsimiles of clippings and printouts of online reviews; dated between July 1993 and January 1994; 1 undated. 4 pp.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Recording Reviews: <em>Marian McPartland\u2019s Hickory House Trio: Reprise<\/em> (Concord Jazz, CCD-4853, 1999).<br \/>\nMagazine reviews and facsimiles; dated between October 4, 1999, and March 2000; 1 undated. 4 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Recording Reviews, 2000s.<br \/>\nNewspaper clippings, magazine articles, press releases, and facsimiles. 31 items. Includes reviews of:<\/p>\n<ul>\n<li><em>The Single Petal of a Rose<\/em> (Concord Jazz, 2000).\n<ul>\n<li>2 clippings; dated September 3, 2000, and January 22, 2001. 2 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>Ain\u2019t Misbehavin\u2019\u2014Live at the Jazz Showcase<\/em> (Concord, 2001).\n<ul>\n<li>1 facsimile of clipping; dated September 2, 2001. 1 p.<\/li>\n<\/ul>\n<\/li>\n<li><em>Marian McPartland Trio: Live at Shanghai Jazz<\/em> (Concord Jazz, CCD-4991, 2002).\n<ul>\n<li>10 clippings and facsimiles; dated between April 9, 2002, and February 2004; 1 undated. 10 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>Contrasts<\/em> (Jazz Alliance, TJA2-12044, 2003). 2-CD collection, including reissues of the albums <em>Marian McPartland Plays the Music of Alec Wilder<\/em> (Halcyon 109, 1974) and <em>A Sentimental Journey <\/em>(Jazz Alliance, TJA-10025, 1994).\n<ul>\n<li>4 clippings, facsimiles, and printouts of online reviews; dated July 20-August 24, 2003; 2 undated. 5 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>Windows<\/em> (Concord, CCD2-2233, 2004). 2-CD collection, including reissues of the albums <em>Portrait of Marian McPartland<\/em> (Concord Jazz 101, 1980) and <em>From This Moment On<\/em> (Concord Jazz, CJ-86, 1979).\n<ul>\n<li>6 clippings and printouts of online reviews; dated February-Summer 2004; 2 undated. 7 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>Twilight World <\/em>(Concord, CCD-30528, 2008).\n<ul>\n<li>6 clippings and facsimiles; dated March-November 2008. 8 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>Thanks for Dropping By<\/em> (Simitar, 56142, [1998]).\n<ul>\n<li>1 clipping; undated. 1 p.<\/li>\n<\/ul>\n<\/li>\n<li><em>Concord Records 30th Anniversary<\/em> (Concord, 2003).\n<ul>\n<li>1 printout from http:\/\/jazzmp3download.wordpress.com; undated. 1 p.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Recording Reviews: <em>85 Candles\u2014Live in New York<\/em> (Concord, 2005).<br \/>\nNewspaper clippings, magazine reviews, press releases, and facsimiles; dated January-August\/September 2005. 20 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Recording Reviews: Reviews of Multiple Recordings (1952-2006).<br \/>\nNewspaper clippings, magazine reviews, and facsimiles; dated between November 22, 1952, and January 2006; 2 undated. 19 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Book Reviews.<br \/>\nNewspaper clippings, magazine reviews, press releases, and facsimiles. 4 items. Includes reviews of:<\/p>\n<ul>\n<li><em>All in Good Time<\/em> (New York: Oxford University Press, 1987).\n<ul>\n<li>2 clippings and press releases; undated. 2 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>Marian McPartland\u2019s Jazz World: All in Good Time<\/em> (Urbana: University of Illinois Press, 2004).\n<ul>\n<li>1 facsimile of clipping; dated July\/August 2004. 2 pp.<\/li>\n<\/ul>\n<\/li>\n<li><em>Marian McPartland\u2019s Jazz World: All in Good Time<\/em>, audiobook, read by Marian McPartland ([Ashland, OR]: Blackstone Audio, 2006).\n<ul>\n<li>1 magazine review; dated December 2006\/January 2007. 1 item. Affixed to front cover of magazine: note from Lysa Blackstone to Marian McPartland. 1 p.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1610484294339{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<p><em><span style=\"font-size: 16px;\"><a id=\"S3sB\"><\/a>Sub-series B: Concert Programs and Publicity<\/span><\/em><\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 17`{`cont.`}`&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610642139818{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Concert Programs and Publicity, 1932-1959.<br \/>\nConcert and festival programs; concert tickets; publicity flyers, brochures, and circulars; and facsimiles; 1 undated (\u201clate 50s\u201d). 23 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Concert Programs and Publicity, 1960-1969.<br \/>\nConcert programs and playbills, concert tickets, festival programs and bulletins, workshop brochures, publicity flyers and circulars, and facsimiles; 10 undated. 34 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Concert Programs and Publicity, 1970-1974.<br \/>\nConcert and festival programs, festival lineups, publicity flyers and circulars, and facsimiles. 26 items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 18&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610642870142{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Concert Programs and Publicity, 1975.<br \/>\nConcert and festival programs; publicity flyers, brochures, and circulars; and facsimiles. 16 items.<\/p>\n<ul>\n<li>Copy 2 of \u201cSouvenir Programma: Jazz Jamboree\u201d (Mei 1975) inscribed to and autographed by performers (including Bud Freeman, Beryl Bryden, and Ted Easton\u2019s Jazzband).<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Concert Programs and Publicity, 1976.<br \/>\nConcert and festival programs, publicity flyers and circulars, performance schedules, and facsimiles. 10 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Concert Programs and Publicity, 1977.<br \/>\nConcert, festival, workshop, and conference programs; publicity flyers and circulars; and facsimiles. 10 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Concert Programs and Publicity, 1978; January-May 1979.<br \/>\nConcert and festival programs; concert invitations; publicity flyers, brochures, and circulars; and facsimiles. 25 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Concert Programs and Publicity, June-December 1979.<br \/>\nConcert and festival programs, concert invitations, publicity flyers and circulars, and facsimiles. 20 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Concert Programs and Publicity, Undated (1970s).<br \/>\nConcert and festival programs, publicity flyers and circulars, and facsimiles. 29 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Concert Programs and Publicity, 1980.<br \/>\nConcert and festival programs, publicity flyers and circulars, and facsimiles. 24 items.<\/p>\n<ul>\n<li>Copy 2 of program for the \u201cOneonta Concert Association Concert\u201d (October 1, 1980) annotated in ink.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Concert Programs and Publicity, January-September 1981.<br \/>\nConcert and festival programs; publicity flyers, brochures, and circulars; and facsimiles. 24 items.<br \/>\nCopy 2 of \u201cFourteenth Annual Commencement Concert, Ithaca College\u201d (May 16, 1981) annotated in ink.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 19&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610642934015{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Concert Programs and Publicity, October-December 1981.<br \/>\nConcert and festival programs, concert invitations, publicity flyers and circulars, and facsimiles. 13 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Concert Programs and Publicity, January-May 1982.<br \/>\nConcert and festival programs, publicity flyers and circulars, and facsimiles. 24 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Concert Programs and Publicity, June-December 1982.<br \/>\nConcert and festival programs, publicity flyers and circulars, and facsimiles. 18 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Concert Programs and Publicity, 1983.<br \/>\nConcert and festival programs, publicity flyers and circulars, and facsimiles. 21 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Concert Programs and Publicity, 1984.<br \/>\nConcert and festival programs, publicity flyers and circulars, and facsimiles. 23 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Concert Programs and Publicity, 1985.<br \/>\nConcert and festival programs, publicity flyers and circulars, and facsimiles. 21 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Concert Programs and Publicity, January-July 1986.<br \/>\nConcert and festival programs; publicity flyers, brochures, and circulars; and facsimiles. 16 items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 20&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1611175437784{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Concert Programs and Publicity, August-December 1986.<br \/>\nConcert and festival programs, publicity flyers and circulars, and facsimiles. 20 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Concert Programs and Publicity, January-May 1987.<br \/>\nConcert programs and facsimile of invitation. 12 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Concert Programs and Publicity, June-December 1987.<br \/>\nConcert and festival programs and publicity brochures. 15 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Concert Programs and Publicity, January-August 1988.<br \/>\nConcert programs and facsimile of publicity flyer. 6 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Concert Programs and Publicity, September-December 1988.<br \/>\nConcert programs. 9 items.<\/p>\n<ul>\n<li>Copy 2 of program for \u201cThe Florida Orchestra, 1988\/89 Super Pops Series\u201d (November 23, 1988) has annotation in ink (note pertaining to program order).<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Concert Programs and Publicity, January-August 1989.<br \/>\nConcert and festival programs, publicity flyers and brochures, and facsimiles. 14 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Concert Programs and Publicity, September-December 1989.<br \/>\nConcert programs. 12 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Concert Programs and Publicity, Undated (1980s).<br \/>\nConcert programs; publicity flyers, brochures, and circulars; and facsimiles. 8 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Concert Programs and Publicity, January-June 1990.<br \/>\nConcert and festival programs, publicity circulars, and facsimiles. 12 items.<\/p>\n<ul>\n<li>On reverse of facsimile of June 27 concert program (Grant Park Symphony Orchestra, \u201cSongs of the Soul\u201d): facsimile of press clipping; dated June 28, 1990. 1 p.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Concert Programs and Publicity, July-December 1990.<br \/>\nConcert and festival programs, publicity flyer, and concert invitation. 6 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Concert Programs and Publicity, January-June 1991.<br \/>\nConcert and festival programs and publicity circular. 10 items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 21&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610643020079{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Concert Programs and Publicity, July 1991.<br \/>\nConcert and festival programs and publicity circulars (pertaining to \u201cBenny Carter\u2019s Swing America!\u201d concerts). 8 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Concert Programs and Publicity, August-December 1991.<br \/>\nConcert and festival programs and publicity flyers and circulars. 8 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Concert Programs and Publicity, January-June 1992.<br \/>\nConcert and festival programs and publicity flyers, brochures, and circulars. 13 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Concert Programs and Publicity, July-December 1992.<br \/>\nConcert and festival programs and facsimile of publicity flyer. 8 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Concert Programs and Publicity, January-May 1993.<br \/>\nConcert and festival programs, concert invitations, and publicity circulars. 11 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Concert Programs and Publicity, June-December 1993.<br \/>\nConcert and festival programs and publicity circulars. 8 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Concert Programs and Publicity, January-August 1994.<br \/>\nConcert and festival programs. 8 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Concert Programs and Publicity, September-December 1994.<br \/>\nConcert and festival programs and publicity flyers and circulars. 9 items.<\/p>\n<ul>\n<li>Copy 2 of circular for \u201cMarian McPartland and Trio Plays the Music of Mary Lou Williams\u201d (Schomburg Sunday Sounds series; October 30, 1994) has annotations on reverse<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 22&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610643042777{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Concert Programs and Publicity, January-June 1995.<br \/>\nConcert and festival programs and publicity flyers. 10 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Concert Programs and Publicity, July-December 1995.<br \/>\nConcert and festival programs and publicity flyers and circulars. 5 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Concert Programs and Publicity, 1996.<br \/>\nConcert and festival programs and publicity flyers, brochures, and circulars. 14 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Concert Programs and Publicity, January-May 1997.<br \/>\nConcert and festival programs and publicity circulars. 7 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Concert Programs and Publicity, June-December 1997.<br \/>\nConcert and festival programs and publicity circulars. 12 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Concert Programs and Publicity, 1998.<br \/>\nConcert and festival programs and publicity flyers, brochures, and circulars. 23 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Concert Programs and Publicity, January-March 1999.<br \/>\nConcert programs and publicity circulars. 8 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Concert Programs and Publicity, April-December 1999.<br \/>\nConcert, festival, and memorial programs. 9 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Concert Programs and Publicity, 2000.<br \/>\nConcert and festival programs and publicity circulars and booklets. 18 items<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 23&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610643052663{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Concert Programs and Publicity, January-September 2001.<br \/>\nConcert and festival programs and publicity brochures and circulars. 13 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Concert Programs and Publicity, October-December 2001.<br \/>\nConcert programs and publicity circulars. 6 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Concert Programs and Publicity, January-June 2002.<br \/>\nConcert and festival programs and invitations. 11 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Concert Programs and Publicity, July-December 2002.<br \/>\nConcert programs and festival booklets. 6 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Concert Programs and Publicity, 2003.<br \/>\nConcert and festival programs. 8 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Concert Programs and Publicity, 2004.<br \/>\nConcert and festival programs and publicity circulars. 10 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Concert Programs and Publicity, 2005.<br \/>\nConcert and festival programs. 5 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Concert Programs and Publicity, 2006.<br \/>\nConcert and festival programs. 8 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Concert Programs and Publicity, 2007.<br \/>\nConcert and festival programs and publicity brochures. 8 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Concert Programs and Publicity, 2008-2009; 2014.<br \/>\nConcert and festival programs. 4 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Concert Programs and Publicity, Undated.<br \/>\nConcert programs; publicity flyers, brochures, and circulars; and facsimiles. 36 items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 24&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610643070767{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>\u201cThe Piano Artistry of Marian McPartland\u201d Press Kit (Parsons Artist Management). 6 items.<br \/>\nBiography for Marian McPartland. Typescript; undated. 3 pp.<br \/>\n\u201cMarian McPartland Recordings.\u201d Typescript discography; undated. 1 p.<br \/>\nFacsimiles of press clippings; dated between September 23, 1989, and April 4, 1993. 27 items.<br \/>\nPublicity photograph of Marian McPartland; undated. 1 black and white photograph, 8\u201d x 10\u201d. 2 copies.<br \/>\nPublicity photograph of Marian McPartland; undated. 1 black and white photograph, 8\u201d x 10\u201d.<br \/>\nAccompanied by promotional folder for \u201cThe Piano Artistry of Marian McPartland.\u201d 1 item.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Biographical Information. 24 items.<br \/>\nMichael Bourne, \u201cMarian McPartland.\u201d Biographical profile of Marian McPartland. Typescript, from fax from Oxford University Press; dated March 28, 1995. 6 pp.<br \/>\nRichard S. Ginell, \u201cMarian McPartland\u2014Biography.\u201d Typescript document, from \u201cMarian McPartland \u2018Just Friends\u2019 Marketing Plan\u201d; undated. 2 pp.<br \/>\nKaren Monson, \u201cMcPartland [n\u00e9e Turner], Marian (Margaret).\u201d Biographical entry from <em>The New Grove Dictionary of Jazz,<\/em> p. 71. Facsimile of page. 1 p.<br \/>\n\u201cMarian McPartland.\u201d Biography and repertoire list, in Spanish. Typescript; undated. On reverse: biography of Earl Hines. 2 pp. Annotation on page: \u201c1974 Buenos Aires, Argentina.\u201d<br \/>\n\u201cMcPartland, Marian,\u201d <em>Current Biography,<\/em> Vol. 37, No. 6 (June 1976), pp. 25-28. Holdings comprise full issue of periodical. 48 pp.<br \/>\n\u201cMcPartland, Marian,\u201d <em>Current Biography 1976,<\/em> pp. 242-245. Facsimile of biographical entry. 4 pp.<br \/>\n\u201cAbout Marian McPartland.\u201d Issued by Ren Grevatt Associates. Typescript, with annotations; undated (ca. 1994). 4 pp.<br \/>\n\u201cMarian McPartland: Biography.\u201d Issued by Helene Greece, Third Floor Media, Inc. Facsimile of typescript document; dated January 4, 1999. 5 pp.<br \/>\n\u201cBiography: Marian McPartland.\u201d Biography and select discography, issued by Concord Records. Typescript; undated (1999). 3 pp.<br \/>\n\u201cBiography: Marian McPartland.\u201d Biography and select discography (incomplete), issued by Concord Records. Facsimile of typescript document; dated June 24, 2002. 2 pp.<br \/>\n\u201cMarian McPartland: Biography.\u201d Issued by DL Media. Typescript; undated (2003). 2 pp.<br \/>\n\u201cMarian McPartland\u2014Biography.\u201d Typescript; undated (2004). 2 pp.<br \/>\n\u201cMarian McPartland Bio.\u201d Printout from Ted Kurland Associates website, accessed October 12, 2006, http:\/\/www.tedkurland.com\/pbuild\/linkbuilder.cfm?selection=doc.233. 2 pp. Accompanied by (2 items):<\/p>\n<ul>\n<li>Printout of home page for <em>Marian McPartland\u2019s Piano Jazz<\/em>, accessed October 12, 2006, http:\/\/www.npr.org\/programs\/pianojazz. 2 pp.<\/li>\n<li>List of Marian McPartland performances between October 30, 2006, and May 2, 2007. Facsimile of typescript document issued by Ted Kurland Associates. 1 p.<\/li>\n<\/ul>\n<p>\u201cMarian McPartland: Biography, March 2007.\u201d Issued by Ted Kurland Associates. Facsimile of typescript document. 3 pp.<br \/>\nExcerpt of performer biography from unidentified concert program; undated. 1 p.<br \/>\nUntitled biography. Facsimile of typescript document, labeled \u201cNPR\u201d; undated. 1 p.<br \/>\n\u201cWolf Trap Concert Introduction.\u201d Typescript document, labeled \u201c1960s announcement for radio show,\u201d on thermal fax paper; undated. 1 p. Copy 2 (facsimile).<br \/>\n\u201cExcerpts from: Wolf Trap Concert Introduction.\u201d Typescript document, labeled \u201cWolf Trap 1970s\u201d; undated. 1 p.<br \/>\n\u201cMarian McPartland: Biography.\u201d Typescript document; undated. 4 pp.<br \/>\n\u201cMarian McPartland: Biography.\u201d Typescript document; undated. 3 pp.<br \/>\n\u201cMarian McPartland: Biography.\u201d Typescript document; undated. 3 pp.<br \/>\n\u201cMarian McPartland Biography.\u201d Typescript document; undated. 3 pp.<br \/>\n\u201cMarian McPartland Recordings.\u201d Typescript discography; undated. 1 p.<br \/>\n[John Berlau], \u201cFighting Music of World War II,\u201d <em>InSight Magazine.<\/em> Printout of online article<em>,<\/em> last modified May 28, 2004, http:\/\/www.insightmag.com\/news\/2004\/05\/28\/Features\/Fighting.Music.Of.World.War.Ii-683557.html (incomplete; consists of pp. 3-6 only). 4 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Other Promotional Literature. 18 items.<br \/>\n\u201cMarian McPartland.\u201d Promotional brochure issued by Capitol Records; undated (mid to late 50\u2019s \/ 1955[?]). 8 pp.<br \/>\nPromotional reprint of article on Marian McPartland from <em>Jazz 1955, The Metronome Yearbook. <\/em>1 p.<br \/>\nFacsimile of promotional table tent, labeled \u201c60s promo\u201d; undated. 1 p.<br \/>\n\u201cJimmy &amp; Marian McPartland: Dixieland and All That Jazz.\u201d Facsimile of promotional flyer; undated. 2 pp.<br \/>\n\u201cJimmy &amp; Marian McPartland: Dixieland and All That Jazz.\u201d Facsimile of promotional flyer; undated. 2 pp.<br \/>\n\u201cMarian McPartland Trio.\u201d Promotional brochure; undated. 3 pp.<br \/>\n\u201cThe Jazz Major at the University of Utah.\u201d Promotional brochure, with Marian McPartland listed as \u201ctentative faculty\u201d; undated (1969). 1 item.<br \/>\n\u201cMarian McPartland.\u201d Promotional brochure; undated (after 1974). 4 pp.<br \/>\nPublicity flyer, issued by Musical Artists; undated. 2 pp.<br \/>\nHerb Sanford, \u201cThe Piano Artistry of Marian McPartland.\u201d Promotional flyer; undated. 1 p. 2 copies. Copy 1 labeled \u201cmid 1970s.\u201d Copy 2 labeled \u201c1976?\u201d<br \/>\n\u201cThe Piano Artistry of Marian McPartland.\u201d Promotional brochure, with biography of Marian McPartland by Herb Sanford; undated. 4 pp.<br \/>\nPublicity flyer, including biography, discography, and list of television appearances and concerts. Facsimile of typescript flyer; undated (70s). 2 pp.<br \/>\nPage from unidentified source, including photograph of Marian McPartland with caption, labeled p. 21. On reverse: \u201cUltrasound and Polaroid Films.\u201d 1 p.<br \/>\nPublicity flyer; undated. 1 p. On reverse: \u201cEarly 1980s \/ Barbara Bordnick photograph used on \u2018Portrait of Marian McPartland\u2019 cover.\u201d<br \/>\nPublicity flyers, comprised of collage of press clippings, issued by Musical Artists; undated. 2 pp.<br \/>\nFacsimile of advertisement for Wurlitzer pianos featuring Marian McPartland, from unidentified source; undated (1950s). 1 p.<br \/>\nConsolidated Papers Inc., \u201cProductolith: Great Performances.\u201d Brochure. 18 pp. Photograph of Marian McPartland included on p. 6.<br \/>\nPublicity photograph of Marian McPartland; undated. 1 black and white image,<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1612548680396{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;]<\/p>\n<h3><a id=\"S4\"><\/a>Series 4: Association with Jimmy McPartland<\/h3>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 24`{`cont.`}`&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610643110097{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Correspondence.<br \/>\nCorrespondence to Jimmy McPartland. 11 items.<br \/>\nBuck Clayton to Jimmy McPartland. 1 telegram. Typescript; dated March 14, 1977. 1 p. Copy 2 (facsimile).<br \/>\nPete Ehlers (<em>Time,<\/em> Inc.) to Jimmy McPartland. Facsimile of 1 letter (pertaining to <em>The Magic Horn<\/em> television show). Typescript; dated June 11, 1956. 2 copies.<br \/>\nMel Ferrer to Jimmy McPartland. 1 letter. Typescript, signed in ink; dated March 7, 1957. 1 p. Copy 2 (facsimile).<br \/>\nJack Fuller (Columbia Records Sales Corp.) to Jimmy McPartland. Facsimile of 1 letter. Typescript, on professional letterhead; dated June 11, 1956. 2 copies.<br \/>\nJames R. Grover (Supervisor of Special Broadcast Services, Miami University) to Jimmy McPartland. 1 letter. Typescript, signed in ink, on professional letterhead, with stamp \u201cBIX LIVES\u201d; dated January 11, 1971. 1 p.<br \/>\nBill Miller (Capitol Records) to Jimmy McPartland. Facsimile of 1 telegram (pertaining to <em>The Magic Horn<\/em> television show). Typescript; dated June 15, 1956. 1 p.<br \/>\nDel Porter to Jimmy McPartland. 1 letter. Typescript, signed in ink; dated April 9, 1970. 1 p. Copy 2 (facsimile).<br \/>\nBob Stephens (Decca Records) to Jimmy McPartland. 1 letter. Typescript, signed in ink, on professional letterhead; dated March 20, 1940. 1 p. Copy 2 (facsimile).<br \/>\nSpiegle Wilcox to Marian and Jimmy McPartland. 1 letter and envelope. Ink; dated March 2, [1982]. 4 pp.<br \/>\nMeredith Willson to Jimmy McPartland. Facsimiles of 2 telegrams. Dates represented:<\/p>\n<ul>\n<li>March 17, 1953. 1 p.<\/li>\n<li>December 24, 1957. 1 p.<\/li>\n<\/ul>\n<p>Correspondence between other individuals. 2 items.<br \/>\nTom Everett (Director of Jazz Studies, Harvard University) to Susan Pimsleur. Facsimile of 1 letter (pertaining to Jimmy McPartland\u2019s guest lecture in \u201cThe Jazz Tradition\u201d class). Typescript, on professional letterhead; dated December 1982. 1 p. 2 copies.<br \/>\nTed H. van Est to Max Cavalli. 1 letter (pertaining to performances in the Netherlands). Typescript, signed in ink, on professional letterhead; dated April 15, 1975. 1 p. Annotated by Jimmy McPartland in ink and on reverse. Copy 2 (facsimile).<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Personal Files.<br \/>\n<em>From file labeled: \u201cJimmy \/ Personal.\u201d<br \/>\n<\/em>Correspondence. 2 items.<br \/>\nJeff Hickey to Marian McPartland. 1 letter. Typescript, signed in ink; dated March 26, 1991. 1 p. Accompanied by facsimile of obituary for Jimmy McPartland from <em>The Independent<\/em>; dated March 15, 1991. 1 p.<br \/>\n[Illegible] to Marian McPartland. 1 letter. Typescript, signed in ink, on letterhead for \u201cEssence of Jazz; 159 Hampshire Drive, Rochester, N.Y. 14618\u201d; dated March 30, 1991. 1 p.<br \/>\nPapers. 4 items.<br \/>\nFacsimile of birth certificate for James Dugald McPartland; dated March 15, 1907. 1 p.<br \/>\nMemorandum from Arthur Seelig (Director, Artists and Production, USO Camp Shows) pertaining to \u201cMarriage of Margaret Marion [sic] Turner and Private James Dugald McPortland [sic].\u201d Facsimile of 1 letter; dated January 9, 1945. 1 p.<br \/>\nFacsimile of memorabilia from 1945-1946, including hotel room assignment card, ticket stub, visitor\u2019s pass, receipt, and seating chart for \u201cDinner at General Gerow\u2019s.\u201d 3 pp. Annotations in ink identifying each item.<br \/>\nProgram from memorial service for Hazel Scott. 1 program; dated October 6, 1981. 4 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Invoices, Contracts, Etc.<br \/>\n<em>From file labeled: \u201cJimmy\/Miscellaneous Items All Years.\u201d<br \/>\n<\/em>Contracts and Agreements. 7 items.<br \/>\nContract between Jimmy McPartland (band leader) and Downbeat, New York, NY. Facsimile of typescript contract, signed; dated May 21, 1969. 2 pp.<br \/>\n6 contracts pertaining to band\u2019s engagement at the Downbeat. Consists of contracts between Jimmy McPartland and Marshall Brown, Oliver Jackson, Dill Jones, Morton Lewis, Martin Rivera, and Annette Sanders. 6 typescript contracts, signed; dated July 20, 1969. 6 pp.<br \/>\nRoyalty Statements. 2 items.<br \/>\nRoyalty statement from Edward B. Marks Music Corp., for the period of July 1, 1966, through December 31, 1966. 1 p. Copy 2 (facsimile).<br \/>\nRoyalty statement from U.S. Feature Royalties Statement, for the quarter ending September 30, 1988. Facsimile of statement. 1 p.<br \/>\nInvoices and Receipts.<br \/>\nLedger, labeled \u201cSalaries at the Metropole, 1956.\u201d Pencil; undated. 1 p. Accompanied by facsimile of page and facsimiles of two additional ledger pages. 3 pp.<br \/>\n\u201cSteady Engagements: Pension Contribution Report.\u201d Typescript document, submitted to Toronto Musicians\u2019 Association, Employers\u2019 Pension Welfare Fund (Canada); for period from August 22 to September 3, 1966. 1 p. Copy 2 (facsimile).<br \/>\nAssorted receipts from the Netherlands; dated October 23-November 1, 1975; 4 undated. 11 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Biographies.<br \/>\n<em>From file labeled: \u201cJimmy\/Miscellaneous Items All Years.\u201d<br \/>\n<\/em>Richard M. Sudhalter, \u201cYou\u2019re Still Livin\u2019, Aren\u2019t Ya?\u201d Typescript biography; dated March 13, 1991. 5 pp.<br \/>\nUntitled biography, labeled \u201cwritten by Richard Sudhalter.\u201d Typescript; undated. 2 pp.<br \/>\nUntitled biography. Facsimile of typescript document; undated. 1 p. 2 copies.<br \/>\n\u201cJimmy McPartland,\u201d <em>Record Changer,<\/em> Vol. III (1953), p. 21. Facsimile of entry. 1 p.<br \/>\n\u201cJimmy McPartland,\u201d <em>All-Music Guide,<\/em> accessed December 31, 1998, http:\/\/205.186.189.2\/cgi-win\/AMG.exe?sql=2P_IDPlllll9172. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Certificates and Awards<br \/>\n<em>From file labeled: \u201cJimmy\/Miscellaneous Items All Years.\u201d<br \/>\n<\/em>Playboy Magazine Certificate of Merit; dated 1963. Facsimile of certificate. 1 p.<br \/>\nSoutheast Nassau Guidance Center, Inc. Certificate of Merit; dated June 14, 1967. Facsimile of certificate. 1 p.<br \/>\nAGAC\/The Songwriters Guild Certificate of Membership; dated 1983. Facsimile of certificate. 1 p.<br \/>\nCertificate from the Jazz Oral History Project, Institute of Jazz Studies at Rutgers, and the \u00a0\u00a0\u00a0Institution; undated. Facsimile of certificate. 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Professional Papers.<br \/>\n<em>From file labeled: \u201cJimmy\/Miscellaneous Items All Years.\u201d<br \/>\n<\/em>Writings. 3 items.<br \/>\n\u201cThe Charleston,\u201d <em>Melody Maker,<\/em> undated (1950s). Facsimile of article. 1 p.<br \/>\n\u201cMy Thirty Years in Jazz,\u201d <em>Melody Maker,<\/em> September 11, 1954. Facsimile of article. 1 p.<br \/>\n\u201cSouvenirs d\u2019un Chicagoan.\u201d Article, in French, from unidentified source, p. 7. Facsimile of article. 1 p.<br \/>\nItineraries and Performance Schedules. 5 items.<br \/>\n\u201cCharles K. Jones, Season 1972-73; Situation Chart #6, February 14, 1972.\u201d Typescript itinerary, with annotations in ink. 1 p.<br \/>\n\u201cGreat Stars of Jazz.\u201d Tour itinerary. Typescript; undated (1973). 6 pp. Annotation on first page: \u201cArt Hodes Tour with Jimmy for Columbia Records.\u201d<br \/>\nPerformance schedule for Nice Jazz Festival, July 15-21, 1974. Facsimile of handwritten chart. 7 pp.<br \/>\n\u201cLa Grande Parade du Jazz, Nice July 1976.\u201d Schedule of appearances. Typescript. 1 p.<br \/>\n\u201cLa Grande Parade du Jazz \u2013 Nice, July 1976\u201d program. Facsimile of typescript document; dated July 8-9, 11. 16-18, 1976. 6 pp.<br \/>\nPapers. 10 items.<br \/>\n\u201cJimmy McPartland and Bing Crosby.\u201d Facsimile of typescript document. 1 p.<br \/>\n\u201cAn Exhibition Honoring the Seventy-Fifth Birthday of Hoagland Howard Carmichael.\u201d Exhibition booklet for Lilly Library, Indiana University, Bloomington, IN; November 22, 1974. 40 pp.<br \/>\n\u201cBrunswick Chicago Jazz Classics: Benny Goodman and His Boys\u201d (Brunswick Collectors\u2019 Series, Album No. B-1007). Facsimile of booklet. 5 pp.<br \/>\n<em>Down the Middle With Jimmy McPartland and His Orchestra<\/em> (CHJT\/BN-13). Facsimile of front cover of CD case and excerpts from liner notes. 5 pp.<br \/>\nUntitled document, labeled \u201clist of records to trace royalties.\u201d Typescript, with annotations in ink; undated. 1 p.<br \/>\n\u201cA Salute to the Jaz Music of Bix Beiderbeck with Hugh Downes and Jimmy McPartland.\u201d Facsimile of typescript proposal for <em>The Today Show;<\/em> undated (proposed air date: March 10, 1971). 5 pp.<br \/>\n\u201cDave Garroway Show: Audition Script.\u201d Facsimile of typescript script; undated. 9 pp. Annotation on title page: \u201cIn 1947, Jimmy was guest on this NBC Radio Network Show.\u201d<br \/>\n\u201cJazz Club presents a tribute to a great Jazz drummer\u2014the late Dave Tough.\u201d Script of radio show; dated May 14, 1949. Facsimile of typescript script, with annotations. 5 pp.<br \/>\nInvitation to Jimmy McPartland\u2019s 70th birthday party. Typescript; dated March 1977. 2 pp. 2 copies. Copy 3 (facsimile).<br \/>\n\u201cChristmas Greetings\u201d card from Jimmy and Marian McPartland. Facsimile of card; undated (40s). 1 p.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Concert Programs, 1940s-1950s.<br \/>\nConcert and festival programs, concert ticket, and facsimiles; dated between October 13, 1946, and September 21, 1958; 3 undated. 12 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Concert Programs, 1960s.<br \/>\nConcert and festival programs and facsimiles; dated between September 17, 1962, and April 1, 1967; 3 undated. 8 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 12<\/strong><\/td>\n<td>Concert Programs, 1970s.<br \/>\nConcert and festival programs and facsimiles; dated between March 2, 1973, and July 16-18, 1976; 2 undated. 15 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 13<\/strong><\/td>\n<td>Concert Programs, 1980-1990.<br \/>\nConcert programs and facsimiles; dated between May 18, 1980, and March 25, 1990. 9 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 14<\/strong><\/td>\n<td>Publicity Materials, 1940s.<br \/>\nPublicity flyers and circulars, invitations, and facsimiles; dated 1946-1949; 4 undated. 13 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 15<\/strong><\/td>\n<td>Publicity Materials, 1950s.<br \/>\nPublicity flyers and circulars, table tents, and facsimiles; dated 1950-1955; 3 undated. 12 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 16<\/strong><\/td>\n<td>Publicity Materials, 1960s.<br \/>\nPublicity flyers and circulars and facsimiles; dated between May 20, 1962, and August 9, 1969; 9 undated. 12 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 17<\/strong><\/td>\n<td>Publicity Materials, 1970s.<br \/>\nPublicity flyers and circulars and facsimiles; dated between July 1, 1972, and August 25, 1978; 16 undated. 26 items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;Box 25&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610643710166{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}&#8221;][vc_column_text]<\/p>\n<table style=\"border-collapse: collapse;\">\n<tbody>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 1<\/strong><\/td>\n<td>Publicity Materials, 1980-1990.<br \/>\nPublicity flyers, brochures, and circulars; concert tickets; and facsimiles; dated between September 27, 1980, and October 27, 1990; 3 undated. 15 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 2<\/strong><\/td>\n<td>Press Clippings, 1930s-1940s.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated between \u201c1930s\u201d and December 30, 1949; 2 undated. 87 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 3<\/strong><\/td>\n<td>Press Clippings, 1950s.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated between March 8, 1950, and May 19, 1959; 37 undated. 121 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 4<\/strong><\/td>\n<td>Press Clippings, 1960s.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated between September 29, 1961, and September 4, 1969; 21 undated. 64 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 5<\/strong><\/td>\n<td>Press Clippings, 1970s.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated between January 15, 1970, and November 23, 1979; 11 undated. 96 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 6<\/strong><\/td>\n<td>Press Clippings, 1980-1990.<br \/>\nNewspaper clippings, magazine articles, and facsimiles; dated between January 11, 1980, and December 1990. 37 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 7<\/strong><\/td>\n<td>Obituaries (1991).<br \/>\nNewspaper clippings, magazine articles, newsletters, and facsimiles; dated between [March 13]-August 1991; 1 undated. 39 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 8<\/strong><\/td>\n<td>Press Clippings, 2001.<br \/>\nPaige Van Vorst, \u201cJimmy McPartland,\u201d <em>JazzBeat,<\/em> Vol. 12, No. 4 (Spring 2001). Holdings comprise full issue of magazine. 42 pp.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 9<\/strong><\/td>\n<td>Press Clippings, Undated.<br \/>\nFacsimiles of newspaper clippings. 3 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 10<\/strong><\/td>\n<td>Album Reviews.<br \/>\nFacsimiles of newspaper clippings and magazine reviews; dated between 1948 and \u201c1960s.\u201d 13 items.<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td nowrap=\"nowrap\"><strong>folder 11<\/strong><\/td>\n<td>Newsletters.<br \/>\nNewsletters and facsimiles; dated between 1975 and April\/May 1991; 1 undated. 9 items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/mmcpartland\">\u2190 MARIAN McPARTLAND COLLECTION<\/a><\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/mmcpartland\/ser5-7\">\u2190 MARIAN McPARTLAND COLLECTION: Series 5-7 \u2192<\/a><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text css=&#8221;.vc_custom_1610483697329{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;] Series 1: Sheet Music [\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1610483771794{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}&#8221;] Sub-series A: Compositions by Marian McPartland [\/vc_column_text][vc_custom_heading text=&#8221;Box 1&#8243; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1610483708149{margin-top: 0px !important;margin-right: 0px [&hellip;]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":7051,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"finding-aid","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-7071","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7071","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=7071"}],"version-history":[{"count":0,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7071\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7051"}],"wp:attachment":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=7071"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=7071"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=7071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}