{"id":7114,"date":"2021-01-25T12:38:46","date_gmt":"2021-01-25T17:38:46","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=7114"},"modified":"2025-03-06T11:36:39","modified_gmt":"2025-03-06T16:36:39","slug":"ser8-9","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/mmcpartland\/ser8-9\/","title":{"rendered":"MARIAN McPARTLAND COLLECTION"},"content":{"rendered":"

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<\/a>Series 8: Audio-Visual Materials<\/h3>\n

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<\/a>Sub-series A:\u00a0 3\u201d Audio Reels<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 48″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611596067112{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
<\/td>\n[Recordings of Marian McPartland]<\/em><\/strong><\/td>\n<\/tr>\n
item 1<\/strong><\/td>\n\u201cThe McPartlands \/ Indianapolis \/ Don Malvoin Show.\u201d 3\u201d audio reel.
\nAnnotation on back of case: \u201ctransferred to DAT 3-21-91.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: 4\u201d Audio Reels<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 48`{`cont.`}`” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611596243314{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
<\/td>\n[Recordings of Marian McPartland]<\/em><\/strong><\/td>\n<\/tr>\n
Item 2<\/strong><\/td>\n\u201cNimbus \/ Always.\u201d
\nPerformed by Marian McPartland, Steve Swallow, and Pete La Roca.
\nAnnotation on back of case: \u201ctransferred to DAT 3-22-91.\u201d<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\n[Recordings of Jimmy McPartland]<\/td>\n<\/tr>\n
Item 3<\/strong><\/td>\n\u201cJ. McPartl. \/ Mannassas \/ Dec. 1970.\u201d 4\u201d audio reel.
\nAnnotation on side of box: \u201cAuto Home E. \/ 8-30-71.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series C: 5\u201d Audio Reels<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 48`{`cont.`}`” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611596243314{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\u00a0<\/strong><\/td>\n[Recordings of Marian McPartland Trio]<\/em><\/strong><\/td>\n<\/tr>\n
Item 4<\/strong><\/td>\n\u201cLate Night Line-Up\u201d [from BBC Broadcast, 1968].\u201d 5\u201d audio reel.
\nAnnotation on box: \u201cLate Night Line-Up 24\/7\/68 \/ Tony Levin Drums \/ Dave Holland.\u201d
\nAnnotation on side of box: \u201cBBC 1968.\u201d<\/td>\n<\/tr>\n
Item 5<\/strong><\/td>\n\u201cMarian McPartland Trio for International Art of Jazz, Inc.; June 24, 1970.\u201d 5\u201d audio reel.
\nMarian McPartland, piano; Mike Moore, bass; Billy Hart, drums.
\nRecorded at the Smith Haen Mall, Lake Grove, Long Island, NY.
\nAnnotation on box: \u201ctransferred to DAT #15 \/ 3-22-91.\u201d<\/td>\n<\/tr>\n
Item 6<\/strong><\/td>\n\u201cRamblin\u2019.\u201d 5\u201d audio reel.
\nMarian McPartland, piano; Mike Moore, bass; Jim Madison, [drums].
\nAnnotation on box: \u201c4 tracks \/ piano \u2013 track 1 \/ drums-bass tracks 3&4.\u201d
\nAnnotation on box: \u201ctransferred to DAT 3-22-91.\u201d<\/td>\n<\/tr>\n
Item 7<\/strong><\/td>\n\u201cTrio Rochester?\u201d 5\u201d audio reel.
\nAnnotation on box: \u201ctransferred to DAT #12&13 \/ 2-21-91.\u201d<\/td>\n<\/tr>\n
<\/td>\n[Recordings of Marian McPartland with other musicians]<\/em><\/strong><\/td>\n<\/tr>\n
Item 8<\/strong><\/td>\n\u201cMonitor \/ McPartlands \/ with Al Cacione (with Fadles).\u201d 5\u201d audio reel.
\nAnnotation on side of box: \u201cMonitor with Joe and Bill.\u201d<\/td>\n<\/tr>\n
Item 9<\/strong><\/td>\n\u201cJimmy and Marion [sic] McPartland \u2018Play TV Themes.\u2019\u201d 5\u201d audio reel.
\nJimmy McPartland, trumpet; Marian McPartland, piano; \u201cManhattan Red,\u201d trombone; Andy Fitzgerald, clarinet; Ben Tucker, bass; Mousy Alexander, drums; Dick Cary, mellophone.
\nArrangements by Arl Hedd.
\nDub of Design Records, DLP-144 (see Box 104, Item 2).
\nAnnotation on box: \u201ctransferred to DAT 1-8-91.\u201d
\nAnnotation on side of box: \u201cDesign Album.\u201d
\nContents:
\nSide A. I-M-4-U (3:20) — Sentimental journey (4:47) — Mystery march (4:52) — Mr Lucky —
\nSide B. Peter Gun [recte<\/em> Gunn] (3:48) — Londonderry air (3:04) — Thanks for dropping in (4:16) — Bat Masterson (5:37).
\nAccompanying documents (facsimile of album cover) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
Item 10<\/strong><\/td>\n\u201cMarian McPartland with Gerry Moore\u2014UoA\u2014June 8, 1969.\u201d 5\u201d audio reel.
\nAnnotation on box: \u201ctransferred to DAT 1-7-91.\u201d<\/td>\n<\/tr>\n
Item 11<\/strong><\/td>\n\u201cNavy Band\/Marian McPartland (1974).\u201d Reel No. 1. 5\u201d audio reel.
\nRecorded May 9, 1974.<\/td>\n<\/tr>\n
Item 12<\/strong><\/td>\n\u201cNavy Band\/Marian McPartland (1974).\u201d Reel No. 2. 5\u201d audio reel.
\nRecorded May 9, 1974.<\/td>\n<\/tr>\n
Item 13<\/strong><\/td>\nNow\u2019s the Time<\/em> (excerpt from album) (HAL 115, 1977). 5\u201d audio reel.
\nMary Osborne, guitar; Marian McPartland, piano; Vi Redd, alto saxophone; Lynn Milano, bass; Dottie Dodgion, drums.
\nRecorded live at the Monticello Room, Rochester, NY; dated June 30, 1977.
\nContents: \u201cA track\u201d [Now\u2019s the Time] (6:04) — \u201cSophisticated Mary\u201d [recte<\/em> Sophisticated lady] (3:12).<\/td>\n<\/tr>\n
Item 14<\/strong><\/td>\n\u201cMarian & Patty\u2014Oct., 1965.\u201d 5\u201d audio reel.
\nAnnotation on box: \u201ctransferred to DAT 1-19-91.\u201d
\nAnnotation on box: \u201c+ piece to be erased (Shearing).\u201d
\nContents: At the fair — I like snow — Your laughter — In October — Sleep won\u2019t come.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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\u00a0<\/strong><\/td>\n[Recordings of Jimmy McPartland]<\/em><\/strong><\/td>\n<\/tr>\n
Item 1<\/strong><\/td>\n\u201cDiz & Jimmy.\u201d 5\u201d audio reel.
\nAnnotation on box: \u201ctransferred to DAT 1-7-91.\u201d<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\n[Recordings of other musicians]<\/em><\/strong><\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nBerigan, Bunny. 1 item.
\n\u201cBunny Berigan\/MET All Stars 1947 \/ Origins of a Night in Tunisia.\u201d 5\u201d audio reel.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nCarroll, Jimmy. 1 item.
\n\u201cJimmy Carroll: Footnote to a Summer Love\u2014Alex Wilder.\u201d 5\u201d audio reel.
\nBox addressed to Marian McPartland from J. Scariza (Mercury Records).<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nCollins, Al, with Dick Scott and Bill Crow. 1 item.
\n\u201cAl Collins W.N.E.W. \/ 1957?\u201d 5\u201d audio reel.
\nAnnotation on box: \u201cDick Scott \/ Bill Crow.\u201d
\nAnnotation on box: \u201c2) Home Show Arlene Francis \/ Bill Crow \/ Ray Mosca.\u201d
\nAnnotation on side of box: \u201cHome Show\/Jazzbo.\u201d<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nFriesen, Dave, bass, with Keith Greko, piano. 1 item.
\n\u201cDave Friesen.\u201d 5\u201d audio reel.
\nContents:
\nSide I. Narcissus — Alone together — My heart desires;
\nSide II. Rock of David — Waltz for Debby — I hear a rhapsody.
\nAccompanying documents (correspondence; track list) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nGarland, Hank, guitar, with others. 1 item.
\nHank Garland\u2014Jazz Winds \/ From a New Direction.<\/em> 5\u201d audio reel.
\nDub of Columbia CL 1572.
\nHank Garland, guitar; Gary Burton, vibes; Joe Benjamin, bass; Joe Morello, drums.
\nRecorded in 1961.
\nContents: All the things you are (Hammerstein\u2014Kern) — Three-four, the blues (Burton, Garland) — Move (Walsh, Best) — Always (I. Berlin) — Riot-chorus (Randolph, Garland) — Relaxing (J. Guinn).
\nAccompanying documents (correspondence; track list) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nHeath, Ted. 1 item.
\n\u201cMuzak \/ Ted Heath.\u201d 5\u201d audio reel.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nMarkowitz, Philip, electric piano, with Gordon Johnson, bass; and Ted Morre, drums. 1 item.
\n\u201cPetrus.\u201d 5\u201d audio reel.
\nAnnotation on box: \u201call tunes copywritten as of 7\/73.\u201d
\nContents:
\nSide 1. Zambu \/ T. Moore — Stellar Harmony \/ T. Moore —
\nSide 2. Short Legged Soul Brother \/ P. Markowitz.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nMcKenna, Dave. 1 item.
\n\u201cRealm 8923\u2014Dave McKenna Lullabies in Jazz.\u201d 5\u201d audio reel.
\nAnnotation on box:
\nRealm 8923\u2014Dave McKenna \/ Lullabies in Jazz
\nHave a Nice Day \/ Frank Sinatra, Jr. (Nestico & Mercer)
\nRCA 431021 (French) Earl Hines (4-29-66)
\n(incomplete).
\nAccompanying documents (facsimile of album back cover) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nMcRae, Carmen. 1 item.
\nDubbed track from album I Am Music <\/em>(LP, Blue Note, BN-LA 462-G).
\nContents: Like a Lover \/ Marilyn and Alan Bergman.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nNamanworth, Philip. 1 item.
\n5\u201d audio reel.
\nAnnotation on box:
\nPhilip Namanworth<\/p>\n
    \n
  1. Marian Part<\/li>\n
  2. JB on the Rocks<\/li>\n
  3. \u00a0 \u201cM\u201d<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nOwen, Virginia, piano and voice. 1 item.
\n5\u201d audio reel.
\nAnnotations on box: \u201cEI\u201d \/ \u201c1966.\u201d<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nOwen, Virginia. 1 item.
\n\u201cReel #2 \/ Virginia Owen.\u201d 5\u201d audio reel.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nTatum, [Art]. 1 item.
\n\u201cTatum.\u201d 5\u201d audio reel.<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\nWoldin, Judd, with Don Cinderella, bass. 1 item.
\n5\u201d audio reel.
\nContents: Broadway; Here\u2019s That Rainy Day; Summertime.
\nAccompanying document (correspondence) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 50″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611606851032{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cHaunting.\u201d 5\u201d audio reel.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\u201cLil Darling \/ Shiney Stockings \/ Blues \/ New Tunes.\u201d 5\u201d audio reel.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u201cTwilight Demo Copy.\u201d 5\u201d audio reel.
\nAnnotation from back of case:
\nDemo copy
\n1) Twilight world (piano solo)
\n2) Twilight World (with Trio)
\n3) With you in mind
\nFacsimile of original case in Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cWillow Creek.\u201d 5\u201d audio reel.
\nAnnotation on box:<\/p>\n
    \n
  1. Willow Creek \u2013 voc.<\/li>\n
  2. Willow Creek \u2013 voc.<\/li>\n
  3. Wine of May \u2013 vocal<\/li>\n
  4. Wine of May \u2013 inst.<\/span><\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u201cWillow Creek.\u201d 5\u201d audio reel.<\/p>\n
    \n
  1. Willow Creek<\/li>\n
  2. Willow Creek \/ vocal Jim Poole<\/li>\n
  3. Wine of May \/ vocal Jim Poole<\/li>\n
  4. Wine of May \u2013 (piano)<\/span><\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u201cDemo from TRO.\u201d 5\u201d audio reel.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nUnlabeled. 5\u201d audio reel.
\nAnnotation on side of box: \u201cSent to Bellmore from ?\u201d
\nAnnotation on box:
\n7 1\/2 Quarter \u2013Trek Stereo
\nPlease send to
\nMarian McPartland
\n302 Clinton St.
\nBellemore NY 11710
\nTransferred to DAT 1-20-91<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nUnlabeled. 5\u201d audio reel.
\nAnnotation on box: \u201cHalcyon.\u201d
\nBox addressed to Marian McPartland from J. Scariza (Mercury Records).<\/td>\n<\/tr>\n
\u00a0<\/strong><\/td>\n\u00a0 [Recordings of interviews, advertisements, and other non-music recordings]<\/strong><\/em><\/td>\n<\/tr>\n
item 9<\/strong><\/td>\n\u201cMarian McPartland on WSKG FM.\u201d 5\u201d audio reel.
\nReel labeled \u201c417780.\u201d<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\n\u201cMarian McPartland Interview.\u201d 5\u201d audio reel.
\nAnnotation on box: \u201ctransferred to DAT 9-16-91.\u201d<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nInterview with Janet Baker-Carr. 5\u201d audio reel.
\nAnnotation on box:
\nWCRB Saturday, 1\/18\/75\u2014BSO
\nIntermission ~ 9:15 PM
\nJanet Baker-Carr talks about \u201cJazz in January\u201d at Loeb Drama Center, and Harvard Institute in Arts Administration<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\n\u201cNew Jersey Bicentennial Commission: Official Medal.\u201d 5\u201d audio reel.
\nAnnotation on box: \u201c:30 PSA. \/ Begin: Upon receipt \/ End: Sept. 30, 1976.\u201d
\n[Unlabeled recordings]<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nUnlabeled recording. 5\u201d audio reel.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nUnlabeled recording. 5\u201d audio reel.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series D: 7\u201d Audio Reels<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 51″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611606935209{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n[Recordings of Marian McPartland: commercial recordings and masters]<\/strong><\/em><\/td>\n<\/tr>\n
item 1<\/strong><\/td>\n\u201c[A] Fine Romance<\/em> (1).\u201d 7\u201d audio reel, 7.5 ips.
\nAnnotations on back of case:
\n1 \/ 2 ONE SIDE
\nSunshine of
\nmy life
\nI\u2019ll remember April\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hmm
\nBossia Nova\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 No
\nFine Romance\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Not bad –
\nAll in Love is Fair\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Not bad –
\nTime & Time Again\u00a0\u00a0\u00a0\u00a0\u00a0 Fair|
\nClowns\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Out of tune
\nAnnotations on front of case:
\n2 sides
\nLast night
\nSoftly\u00a0\u00a0\u00a0\u00a0 good
\nC sri\u00a0\u00a0\u00a0\u00a0 no
\nStella\u00a0\u00a0\u00a0\u00a0 | | |\u00a0\u00a0\u00a0\u00a0 dull
\nKeep in touch
\nfair\u00a0\u00a0\u00a0\u00a0 Masquerade\u00a0\u00a0\u00a0\u00a0 | | |\u00a0\u00a0\u00a0\u00a0 35
\nfade
\nGone with the wind<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\u201c[A] Fine Romance<\/em> (2).\u201d 7\u201d audio reel.
\nAnnotations on front of case:
\n2 sides\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Side 2
\nNow is the time\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 no
\nWave\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 not bad
\nWindows\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 no .-
\nSilent Pool\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 no mistake
\nSpain\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 no
\nApril\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 good this one
\nAnnotations on back of case:
\nAmbiance\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 okay
\nPrelude to a kiss\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 not bad
\nDon\u2019t get around\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 hmm no
\nLotus Blossom\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 oh yes
\nEllington medley\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 no
\nFeelings\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 okay
\nDahoud\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 fair\u00a0\u00a0\u00a0\u00a0 yes
\nSpain\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 no
\nSilent Pool\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 no
\nApril\u00a0\u00a0\u00a0\u00a0 good<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u00a0\u201c[A] Fine Romance <\/em>(3).\u201d 7\u201d audio reel.
\nAnnotations on front of case:
\nOne side blank
\nAnnotations on back of case:
\n1 sides
\nSide I
\nC sri\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 not bad\u00a0\u00a0\u00a0\u00a0 no
\nBass solo\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 out!!
\nDrums
\nSoftly\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 not bad\u00a0\u00a0\u00a0\u00a0 okay
\nThings ain\u2019t\u00a0\u00a0\u00a0\u00a0\u00a0 fair
\nSpain\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ugh!
\nSilent Pool\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 okay
\nSpain\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 No<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cInterplay<\/em>, Production Sample\u201d (HAL 100). 7\u201d audio reel.
\nLabel on reel:
\nHAL 100
\nINTERPLAY
\nProduction Sample – Dolby B<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n[Elegant Piano] <\/em>(Halcyon, HAL 106). 7\u201d audio reel, 15 ips.
\nAnnotation on side of case: \u201cHalcyon Records [106], Do Not Use, M. McPartland\u201d [Side 2].
\nAnnotation on back of case:
\nDo not use\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Side 2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 HAL 106
\nMarian McPartland & Teddy Willson
\n(1) Bluesette\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Duo
\n(2) Cottage\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Solo
\n(3) Lover Man
\n(4) Just one of those things
\n(5) Blues\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Teddy\u00a0 (duet)
\nDo not use (orig masters)
\nAnnotation on reel: \u201cHAL 105 B [sic<\/em>], 15 ips, 17:22.\u201d
\nFacsimile of original case in Box 11, Folder 16.
\n<\/em>Accompanying document (manuscript notes) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nLive at the Carlyle<\/em> (Halcyon, HAL 117). Studio masters. 7\u201d audio reel.
\nLabel on inside of case: \u201c7 1\/2 ips\u00a0\u00a0 2 track\u00a0\u00a0 stereo\u00a0 \/\u00a0\u00a0 Reel 1 of 6.\u201d
\nRecorded October 29, 1978.
\nAccompanied by carbon copy of session notes from recording studio (Trackworks Recording Studios, Inc.).
\nContents:
\nLike someone in love (4:51) — Ice wind (4:05) — One morning in May (4:48) — Giant steps (2:58) — You\u2019d be so nice to come home to (4:43) — Crystal silence (4:45).
\nAccompanying document (session notes) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n\u201cThe Maestro and Friend,<\/em> Production Sample\u201d (HAL 112). 7\u201d audio reel.
\nLabel on reel:
\nHAL 112
\nTHE MAESTRO & FRIEND
\nProduction Sample – Dolby B<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\n\u201cMarian McPartland on Improv Records.\u201d 7\u201d audio reel, 7.5 ips.
\nAnnotations on case:
\nIMPROV RECORDS
\nMarian McPartland
\n7 1\/2 ips\u00a0\u00a0\u00a0\u00a0 1\/4 tk. Stereo
\ndub of masters
\nContents:
\nSunshine (5:41) — I\u2019ll remember April (4:52) — A fine romance (2:26) — All is fair in love (4:03) — Stella by starlight (3:47) — Masquerade (4:15) — Send in the clowns (4:09) — Don\u2019t get around much\/Satin doll\/Caravan (10:07) — Feelings (4:05) — Wave (3:47) — Softly I (2:40) — Softly II — Silent pool I (3:09) — Silent pool II.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\n\u201c[Marian] McPartland Plays [the Music of Alec] Wilder,<\/em> Production Sample\u201d (HAL 109). 7\u201d audio reel.
\nLabel on reel:
\nHAL 109
\nMcPARTLAND PLAYS WILDER
\nProduction Sample – Dolby B<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nThe McPartlands: Live at the Monticello<\/em> (Halcyon, HAL 107). 7\u201d audio reel.
\nContents:
\nBasin Street blues — Things ain\u2019t what they used to be — Wolverine blues.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\n\u201cThe McPartlands\u2014[Live at the] Monticello,<\/em> Production Sample\u201d (HAL 107). 7\u201d audio reel.
\nLabel on reel:
\nHAL 107
\nTHE McPARTLANDS\u2013MONTICELLO
\nProduction Sample – Dolby B<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nNow\u2019s the Time<\/em> (excerpt from album) (HAL 115). 7\u201d audio reel, 15 ips.
\nAnnotation on front of case:
\n15 ips \/ 1\/2 Tr. \/ D.B.X. \/ Tails
\n1.) Now Is the Time – Edited 1st to Second
\n2.) Now Is the Time – Complete Second
\n3.) Sophisticated Lady
\nCassette Copy Has a lot of Flutter on it
\n-sorry.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 52″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611607092065{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n[Solo Concert at Haverford]<\/em> (Halcyon, HAL 111), Side 1. 7\u201d audio reel.
\nAnnotation on case:
\nHalcyon #111
\nSide One\u00a0\u00a0\u00a0\u00a0 19:40
\nHaverford Blues
\nYesterdays
\nSend in the clowns
\nPick yourself up
\nI\u2019ll be around<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n[Solo Concert at Haverford]<\/em> (Halcyon, HAL 111), Side 2. 7\u201d audio reel.
\nAnnotation on case:
\nHalcyon #111
\nSide One\u00a0\u00a0\u00a0\u00a0 21:42
\nYou turned the tables
\nKilling me softly
\nGershwin
\nAfterglow<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n[Solo Concert at Haverford]<\/em> (Halcyon, HAL 111), Reel #1. 7\u201d audio reel, 7.5 ips.
\nAnnotation on case:
\nHaverford Blues ?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:20
\nKilling Me Softly\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:10<\/span> 4.05
\nI\u2019ll Be Around\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:33
\nWhile We\u2019re Young<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:30
\nCheek To Cheek<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:30
\nTotal Time\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 21:30
\nArtist: Marian McPartland
\nDate: 7-2-74<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n[Solo Concert at Haverford]<\/em> (Halcyon, HAL 111), Reel #2. 7\u201d audio reel, 7.5 ips.
\nAnnotation on case:
\nLIVE AT HAVERFORD\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 HALCYON #111
\nD\u266d E\u266d
\nYou Turned the Tables\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:21
\nAll The Things You Are<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:14
\nSend in The Clowns\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:19
\nPick Yourself Up\u00a0\u00a0\u00a0\u00a0 B\u266d\u00a0 3.20\u00a0\u00a0 4:35
\nAfter Glow\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:49
\nTotal Time\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 23:32
\nArtist: Marian McPartland
\nDate: 7-2-74<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n[Solo Concert at Haverford]<\/em> (Halcyon, HAL 111), Reel #3. 7\u201d audio reel, 7.5 ips.
\nAnnotation on case:
\nAs Time Goes By<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:34
\nYesterdays\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 6:25
\nHow Long Has This Been Going On
\nI Love You Porgy\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 8:25\u00a0 7.50
\n<\/span>Fascination Rhythm
\nYou\u2019re The Top<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:34
\nTotal Time\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 22:00
\nArtist: Marian MacPartland
\nDate: 7-2-74<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u201c[Solo Concert at] Haverford,<\/em> Production Sample\u201d (HAL 111). 7\u201d audio reel.
\nLabel on reel:
\nHAL 111
\nMcPARTLAND – HAVERFORD
\nProduction Sample – Dolby B<\/td>\n<\/tr>\n
<\/td>\n[Recordings of Marian McPartland, non-commercial]<\/strong><\/em><\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n\u201cMarion [sic<\/em>] McPartland. Recorded 1\/29\/54.\u201d 7\u201d audio reel.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\n\u201cMarion [sic<\/em>] McPartland. Recorded 1\/31\/54.\u201d 7\u201d audio reel.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\n\u201cMarian McPartland, 10\/58.\u201d 7\u201d audio reel.
\nAnnotation on side of case: \u201c1 side \/ [Marian] McPartland BOB 10\/52 \/ Mouse.\u201d
\nAnnotation on back of case:
\nWMGM
\nSomebody loves me
\nSentimental Mood
\nDevil Moon
\nWhile we\u2019re Young
\nIf I had you\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 good
\nSept. in the Rain
\ntransferred to DAT 4-10-91<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\n\u201cMarian McPartland \/ 5 Mar 1955.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\n\u201955\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marian McPartland|
\nKendall Clark
\nc\/o \u201cAuntie Mame\u201d Co
\nErlanger Theatre
\nChicago, Ill.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\n\u201cMarian\u2019s Trio \/ Peter, Ind. \/ 4-9-58 \/ Reel No. 1.\u201d 7\u201d audio reel, 7.5 ips.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\n\u201cMarian\u2019s Trio \/ Peter, Ind. \/ 4-9-58 \/ Reel No. 2.\u201d 7\u201d audio reel, 7.5 ips.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\n\u201c10 – 27 – 59 \/ Freddie\u2019s, Mpls.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\nKSTP Remote \u2013 Freddie\u2019s Caf\u00e9, Mpls.
\n10-27-59
\nMarian McPartland Trio
\nAnncer. Leigh Kamman
\nEng. Howie Heffley
\ntransferred to DAT 9-19-91<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 53″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611607123752{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cMarion [sic<\/em>] McPartland \/ 15 I.P.S. \/ March 13, 1962 \/ Reel No. 3.\u201d 7\u201d audio reel.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\u201cMarion [sic<\/em>] McPartland \/ 15 I.P.S. \/ March 13, 1962 \/ Reel No. 4.\u201d 7\u201d audio reel.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u201cMarian McPartland, Stereo copy, 6 May 1966.\u201d 7\u201d audio reel, 7.5 ips.
\nContents:
\nThere\u2019ll be other times: 1 (3:38); 2 (3:33) — Echoes of Madrid: 2FS 3 (3:30) — The shadow of you smile: 1 (2:32); 2FS3 (2:32) — The folks who live on the hill: 1FS 2FS; 3 (2:25) — There\u2019ll be other times: 3 (2:26); 4 (2:27); 5 (2:26).<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cMaster Tape \u2014 Feb 9, 1967.\u201d 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nSession #1
\nMarian McPartland
\nPlays Jazz at 76 Isle Bahia 1960s
\n1) Time after time\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4.57
\n2) Polka Dots\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4.15
\n3) Have you met Mrs. Jones\u00a0\u00a0\u00a0\u00a0\u00a0 3.05
\n4) Little girl blue\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3.05
\n5) That\u2019s all\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3.06
\n6) How long has this\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4.00
\n7)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Gordon Jenkins\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 430transferred to DAT 12-10-90<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u201cMaster \/ Carmichael (4\/67).\u201d 7\u201d audio reel.
\nAnnotation on back of case: \u201c5\/67? Carmichael Master.\u201d<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u201cMarian McPartland \/ 23 August 67.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\nMarian McPartland\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 23 August 67, side one
\nTo Chan & Mercedes with love \u2014
\nTape footage
\n1) What is there to say?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5-100
\n2) I\u2019ll see you again\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 110-180
\n3) Imagination\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 181-312
\n4) I should care\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 313-390
\n5) If there\u2019s someone\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 392-
\nWho\u2019ll love you more than I do\u00a0\u00a0\u00a0\u00a0\u00a0 490
\n6) Lucky to be me\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 493-
\n7) Embraceable you\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 769
\n8) What kind of fool am I\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 772-972
\n9) It was love, wasn\u2019t it?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3-57\u00a0\u00a0\u00a0\u00a0 side two
\nPlay on Noveloo on Chanels #1 & #4
\ntransferred to DAT 4-14-91
\ncassette tape made for Marian<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n\u201cB. Friedman Solo Piano Fla.\u201d [December 1969]. 7\u201d audio reel.
\nAnnotation on back of case:
\nMarian McPartland Dec 1969
\nFort Lauderdale, Florida
\nAt Bob Friedman\u2019s house<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\n\u201cRosen \u2013 taping at Westchester 1969.\u201d 7\u201d audio reel, 7.5 ips.
\nContents:
\nTwilight world — Close your eyes — The free thing — Come together — What is this thing called love.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\n\u00a0\u201cRowntowner 1970, 3\/28\/70.\u201d 7\u201d audio reel.
\nAnnotation on back of case: \u201cReel #2, Marian McPartland, 3\/28\/70, Roundtowner Live.\u201d<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\n\u201c1\/16\/71, L. Rosen (Orch.).\u201d 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nCopy #1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marion [sic<\/em>] McPartland
\nTrio & Orchestra<\/p>\n
    \n
  1. Nina Never Knew<\/li>\n
  2. Ambiance<\/li>\n
  3. \u201cThe Left & the Right<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\n\u201cWestchester (Trio) 1971)\u201d [1\/16\/17]. 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nCopy #2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marion [sic<\/em>] McPartland
\n\u201cTrio\u201d<\/p>\n
    \n
  1. Twilight World<\/li>\n
  2. Close Your Eyes<\/li>\n
  3. I Want to be Happy<\/li>\n
  4. Free Thing<\/li>\n
  5. Come Together<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\n\u201c1\/16\/71, Larry Rosen Concert, Westchester.\u201d 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nCopy #3\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marion [sic<\/em>] McPartland
\n\u201cTrio\u201d<\/p>\n
    \n
  1. What is Thing Called Love<\/li>\n
  2. \u201cSalute to Duke\u201d<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\n\u201cCrest Records: Marian McPartland Reel #1.\u201d 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nCrest Records \u2018Take Sheet\u2019
\nDate: 8\/15\/71\u00a0\u00a0 Location: Studio
\nOrganization: Marian McPartland
\nSelection:
\nMelancholy Mood\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1
\nBritanica\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 FS\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1 – 2
\nMelancholy Mood Overtake\u00a0\u00a0\u00a0\u00a0\u00a0 1
\nEl Condor\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1- 2<\/span> 1- 3 – 4
\nMore\u00a0\u00a0\u00a0\u00a0 1<\/span> – 2 – 3 –\u00a0\u00a0\u00a0\u00a0 Patch #1\u00a0\u00a0\u00a0\u00a0 1-2\u00a0\u00a0\u00a0\u00a0 one me good
\nBlues\u00a0\u00a0 1<\/span> – 2
\nA<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 54″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611607177167{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cCrest Records: Marian McPartland Reel #2.\u201d 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nCrest Records \u2018Take Sheet\u2019
\nDate: 8\/15\/71\u00a0\u00a0 Location: Studio
\nOrganization: Marian McPartland
\nSelection:
\nAlec\u2019s Tune\u00a0\u00a0\u00a0\u00a0 1 – 2 – 3<\/span> – 4
\nWaltz (bal &FS)\u00a0\u00a0\u00a0\u00a0 1<\/span> – 2<\/span> – 3 – FS – 4<\/span> – 5<\/span> – 6<\/span> – 7<\/span> – 8 – 9\u00a0\u00a0\u00a0\u00a0 Delicate Balance
\nPatch#1\u00a0\u00a0\u00a0\u00a0 1<\/span> – 2<\/span> – 3
\nFreedom Jazz Dance\u00a0\u00a0\u00a0\u00a0 1 – 2<\/span> – 3\u00a0\u00a0\u00a0\u00a0 patch#1<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\u201cCrest Records: Marian McPartland Reel #3.\u201d 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nCrest Records \u2018Take Sheet\u2019
\nDate: 8\/15\/71\u00a0\u00a0 Location: Studio
\nOrganization: Marian McPartland
\nSelection:
\nUntitled\u00a0\u00a0\u00a0\u00a0 1<\/span> – 2 – 3 – 4 – Patch #1\/2
\nEnding\u00a0\u00a0\u00a0\u00a0 1 – 2 – 3<\/span> – 4<\/span> – 5
\nGiant Step<\/span>\u00a0\u00a0\u00a0\u00a0 1 – 2\u00a0\u00a0\u00a0\u00a0 Save<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u201cLondon, Marian\u2019s Tape, 1971.\u201d 7\u201d audio reel
\nAnnotation on side of case: \u201cOwn tunes \/ Marian McPartland \/ Denis P.\u201d
\nAnnotation on back of case:
\nDenis Preston
\nMarian\u2019s Tape!
\n1)
\n2)
\n3)
\n4)
\n5) Silent Pool
\n6) Waltz
\n7) Emi Slow
\n8) Lazy afternoon type thing
\n9) Erroll type tune
\n10) Minor ad lib.
\n11) Blues
\n12)<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nUntitled (1971). 7\u201d audio reel, 7.5 ips.
\nAnnotations on back of case:
\n1. M. U.
\nJazz Reh
\n<\/span>1965
\n<\/span>Libby Horne
\n<\/span>Pink Theme
\n<\/span>Man with [illegible]
\n<\/span>Ambiance
\nWillow Creek
\nArrangers Holiday
\n1971
\nAnnotation on side of case:
\nREEL: NM10
\nDATE: 11\/16\/64
\nSUBJECT: Kultgen orig.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u201cDemo RMI Electric Piano\u201d (09\/28\/72), Reel #1 of 2. 7\u201d audio reel, 7.5 ips.
\nAnnotation on front of case:
\nMarian McPartland
\ncomplete demo session
\nRMI ELECTRIC PIANO
\nReel #1 of 2
\n09\/28\/72<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u201cDemo RMI Electric Piano\u201d (09\/28\/72), Reel #2 of 2. 7\u201d audio reel, 7.5 ips.
\nAnnotation on front of case:
\nMarian McPartland
\ncomplete demo session
\nRMI ELECTRIC PIANO
\nReel #2 of 2
\n09\/28\/72<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n\u201cMarian (Gullivers), 12\/8\/72.\u201d 7\u201d audio reel, 3.75 ips.
\nAnnotation on back of case:
\nWords.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\n\u201cMarian McPartland Trio, 8\/12\/73, Tape #1.\u201d 7\u201d audio reel, 7.5 ips.
\nCopy recorded at Stratosphere Studios, West Islip, NY.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\n\u201cMarian McPartland Trio, 8\/12\/73, Tape #2.\u201d 7\u201d audio reel, 7.5 ips.
\nCopy recorded at Stratosphere Studios, West Islip, NY.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\n\u201cMarian McPartland Trio, 8\/12\/73, Copy #3.\u201d 7\u201d audio reel, 7.5 ips.
\nCopy recorded at Stratosphere Studios, West Islip, NY.
\nAnnotation on front of case:
\nMarian McPartland Trio\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Copy #3
\nEasthampton\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 8-12-73<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\n\u201cLight Fantastic Picture Show.\u201d 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nMarian McPartland
\nSoundtrack
\n4 tracks \u201cLight FANTASTIC Picture SHOW\u201d
\nPAJON ARTS\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Recorded March, 1974
\nRodel Studio,
\n@ 7 1\/2 I.P.S.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Washington D.C.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\n\u201cMarian McPartland, Reel 1, Dec. 6, 1974.\u201d 7\u201d audio reel.
\nAnnotation on side of case: \u201cDec 6 1974, WBAI?\u201d
\nAnnotation on side of case: \u201cLeader Tapes.\u201d<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\n\u201cMarian McPartland, Reel 2, Dec. 6, 1974.\u201d 7\u201d audio reel.
\nAnnotation on back of case (under label):
\nU2173 Non-Auto Tails
\nMaster
\nReel
\nCamp Creek Boys\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 OLD
\nC\u00a0 | | | | | | | | |
\n(3-22-71)<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\n\u201cMarian McPartland\u2014Statler, Buffalo\u201d (June 5, 1976), Reel 1 of 3. 7\u201d audio reel.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 55″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611607214792{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cMarian McPartland\u2014Statler, Buffalo\u201d (June 5, 1976), Reel 2 of 3. 7\u201d audio reel.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\u201cMarian McPartland\u2014Statler, Buffalo\u201d (June 5, 1976), Reel 3 of 3. 7\u201d audio reel.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u201cBates College, 1\/15\/78.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\nMarian McPartland
\n1\/15\/78, Bates College
\nCopy of master made by M. Abraham @ 15 ips (on Maxell UD 1\/4 track) on 3\/8\/78
\nSide I, L. Ch. Best
\n(Technical problems!)
\nSide II 60Hz & \u201ccrackling\u201d<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cMarian McP., Bowling Green State U., 1978.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\nMarian McPartland
\nSolo performance
\nBowling Green State University
\nFeb. 28, 1978
\nRecital Hall<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u201cGrieg Concerto \/ Recital Hall, Bowling Green State U.\u201d 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nMarian McPartland
\nMarch 1, 1978
\nRecital Hall, Bowling Green State U.
\nConcerto in A minor, Op. 16
\nGrieg
\nSide one only<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u201cMarian Solo at Club, 1970s.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\nMarian McP.
\nPiano solos at some club \u2013 date unknown
\n1970s?<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n\u201cMarian McPartland\u201d (02\/08\/93). 7\u201d audio reel, 15 ips.
\nLabel on case for Penny Lane Studios.
\nContents:
\nWillow creek.
\n[Undated]<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\n\u201cI 1\/4 Tr. McPartland \/ Stereo \/ 7 1\/2 ips \/ Heads out\u201d (undated). 7\u201d audio reel.
\nAnnotation on back of case:
\nSide I\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Most of Green Dolphin\u00a0\u00a0\u00a0\u00a0 no!
\nmaybe\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Don\u2019t get around\u00a0\u00a0\u00a0\u00a0 *C
\nSolitude out (Vi)
\nmaybe\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 *A Train\u00a0\u00a0\u00a0\u00a0 not bad (C)
\n*Sophisticated Lady
\nterrific\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mary (a gas!)
\nSide 2 (3:40) \u00ad\u2013\u00a0 *Mood Indigo me \u2013 (clam! On pass
\n(c) tunes!\u00a0\u00a0\u00a0 C Jam \u2013 not bad*
\nBest of up\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 bass solo out
\npiano solo\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 *Twilight world\u00a0\u00a0\u00a0\u00a0\u00a0 okay
\nokay solo\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 *Ambiance\u00a0\u00a0\u00a0\u00a0 okay
\nNow is the time
\n(stopped!)
\nnot bad especially for a penny
\nAnnotations on front of case crossed out (see case).<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\n\u201cII 1\/4 Tr. McPartland \/ Stereo \/ 7 1\/2 ips \/ Heads out\u201d (undated). 7\u201d audio reel.
\nAnnotation on back of case:
\nSide I – Mix from 16 Tr
\nSide II – Mix from 16 Tr
\nSide 1
\nMisty \u2014 no
\nApril\u00a0\u00a0\u00a0 ? okay
\nbass solo out?
\nWhat are you doing Mary with trio
\nnot solo \u2014 maybe
\nChaser me okay – bass solo \/ end with this
\nFeelings\u00a0 okay
\nout of tune \/ solo piano on here, too \/ probably not
\nSide 2 * piano solo
\nLaura\u00a0 Yes!
\nBlues (slow (?) )
\nNow is the time\u00a0\u00a0\u00a0\u00a0 hmmm
\nleast out of tunes
\nMellow tone*\u00a0\u00a0\u00a0\u00a0 not bad (F)\u00a0 \/ good!
\nbass solo out!<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\n\u201cIII 1\/4 Tr. McPartland \/ Stereo \/ 7 1\/2 ips \/ Heads out\u201d (undated). 7\u201d audio reel.
\nAnnotation on back of case:
\n*But beautiful\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 heard at Larrys (could use)
\nsign off\u00a0\u00a0\u00a0\u00a0 Don\u2019t get around\u00a0\u00a0\u00a0\u00a0 no!
\nWhat\u2019s new\u00a0\u00a0\u00a0\u00a0 piano, guitar, okay
\n(check master) lots of lout talking \/ first part of tune missing
\nWine & Roses\u00a0\u00a0\u00a0\u00a0 guitar (Vi
\nnot too bad
\nMellowtone\u00a0\u00a0\u00a0\u00a0 awful sharp & tubby!
\ngood guitar & piano solo
\nbut beautiful
\nfirst one is better
\nAnnotations on front of case crossed out (see case).<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\n\u201cDe Kalb, Orch., M. McP\u201d (undated). 7\u201d audio reel.
\nAnnotation on back of case:
\nNorth Texas State?
\n<\/span>Willow Creek (bad recording)
\nWest Side Story
\nWilder Medley \u2013 at Roch.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\n\u00a0\u201cMarian\u201d (undated). 7\u201d audio reel.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\n\u201cMarian Alone\u201d (undated). 7\u201d audio reel.
\nAnnotation on side of case: \u201cstarted for Squirrel.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 56″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611607246624{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cMarian McPartland\u201d (undated). 7\u201d audio reel, 7.5 ips.
\nAnnotation on side of case: \u201cSchool of Music \/ 2-17.\u201d<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\u00a0\u201cMarian McPartland\u201d (undated). 7\u201d audio reel, 3.75 ips.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u201cMarian McPartland\u201d (undated). 7\u201d audio reel, 7.5 ips.
\nAnnotation on side of case: \u201cHelen Merrill.\u201d
\nContents:
\nTwilight world (3:30) — Just one of those things (2:20) — Taking a chance on love (2:16) — What are you doing the rest of your life (2:44) — A foggy day (2:29).<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cMarian McPartland at Isla Bahia\u201d (undated). 7\u201d audio reel, 7.5 ips.
\nLabel on front of case:
\nSession #2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MR70
\nMarian McPartland
\n7 1\/2 ips\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 NAB
\nPlays Jazz at 76 Isla Bahia
\nAnnotation on side of case: \u201cPiano solos, Fort Lauderdale.\u201d
\nAnnotation on back of case:
\n(1) It never entered my mind\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4.30
\n2)\u00a0 When Sunny gets blue\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3 min
\n3)\u00a0 No Moon at all\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4 min
\n4)\u00a0 Do nothing till you hear from me\u00a0\u00a0\u00a0\u00a0\u00a0 2.40
\n5)\u00a0 Lazy afternoon\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4 min
\n6)\u00a0 There\u2019ll never be\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3 mins
\n7)\u00a0 There\u2019ll be other times\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3 mins.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u201cMarian McPartland at the Grandview Inn\u201d (undated). 7\u201d audio reel, 7.5 ips.
\nContents:
\n\u201cAll Gods children\u201d — Delanneys dilemma — Afternoon in Paris — Polka dots — Sophistaced [sic] lady.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nUntitled (undated). 7\u201d audio reel.
\nAnnotation on side of case: \u201cLight Fantastic Picture Show \u2014 Marian.\u201d
\nAnnotation on back of case: \u201ctransferred to DAT 12-28-90.\u201d
\nAccompanied by correspondence from C. W. McConnell (CinemaSound, WXXI 21); dated June 24, 1974; letter begins:
\n\u201cHere\u2019s the audio from Marian McPartland\u2019s film of Washington, D.C., school kids.\u201d
\nAccompanying document (correspondence) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n\u201cMarian McPartland, Reel #2\u201d (undated). 7\u201d audio reel, 7.5 ips.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\n\u201cMarian Solo Seattle, MMcP Solo\u201d (undated). 7\u201d audio reel.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\n\u201cMarian McPartland Trio\u201d (undated). 7\u201d audio reel.
\nAnnotation on original case: \u201cMarian McPartland Trio.\u201d<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\n\u201cMarian McPartland Trio\u201d (undated). 7\u201d audio reel, 15 ips.
\nStamp on back of case: \u201cEd. Woodard M.A.E.S. \/ 692 Third Avenue \/ New York, N. Y. 10016.\u201d
\nContents:
\nAll of you — Stella by starlight — Miles-stones — Michele<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\n\u201cMarian McPartland Trio\u201d (undated). 7\u201d audio reel, 15 ips.
\nAnnotation on side of case: \u201cAPT, 15 ips.\u201d
\nContents:
\nHow deep is the ocean — What can you do? — Dearly beloved.
\nStamp on back of case: \u201cEd. Woodard M.A.E.S. \/ 692 Third Avenue \/ New York, N. Y. 10016.\u201d<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\n\u201cMarian McPartland Trio\u201d (undated). 7\u201d audio reel, 15 ips.
\nContents:
\nTwi-light world — Nimbus.
\nStamp on back of case: \u201cEd. Woodard M.A.E.S. \/ 692 Third Avenue \/ New York, N. Y. 10016.\u201d<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\n\u201cMarian McPartland Trio, Lake Grove, N.Y.\u201d (undated). 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nInternational Art of Jazz presents the
\nMarion [sic<\/em>] McPartland Trio
\nJuly 13, Lake Grove N. Y.
\nTrack 1
\nAnd Track 3<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 57″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611607270577{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cMcP \u2013 2444\u201d (undated). 7\u201d audio reel.
\nAnnotation on reel: \u201cMcP \u2013 2444.\u201d<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\u201cMcPartland, Hotel Commander, Long Beach N.Y.\u201d (undated). 7\u201d audio reel.
\nAnnotation on back of case:
\nCatholic Newscast
\n<\/span>for Fri Dec 8, 1950 11:30 AM
\n<\/span>11 min 20 sec
\n<\/span>Fellowship Hour 7:30 AM
\n<\/span>December 25, 1950
\n<\/span>Mayor Hynes #1, Jan. 2, 1950
\n<\/span>Arch. Casning, 1-3-51
\n<\/span>March of Dimes $100 Dinner #1
\n<\/span>Children\u2019s Gospel Cr. Apr. 21
\n<\/span>Storyville 5\/13\/51
\nHer tape
\n1657 Broadway<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u00a0\u201cMcPartland, Massapiqua Jewish Center\u201d (undated). 7\u201d audio reel.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cReel No. 4, McPartland\u201d (undated). 7\u201d audio reel, 7.5 ips.
\nAnnotations on back of case:
\nReel No. 4\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 McPartland\u00a0\u00a0\u00a0\u00a0\u00a0 4 track stereo
\n1) Body & Soul\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 okay
\n2) Medley\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4T stereo\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0shit!
\nTail Out
\nOne side only<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u201cReel No. 5, McPartland\u201d (undated). 7\u201d audio reel, 7.5 ips.
\nAnnotations on back of case:
\nOne Side Only
\nSavoy\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 not bad\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (4)
\nShining Hour\u00a0\u00a0\u00a0 not bad\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4.15
\nNice blues\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 for a fashion
\nValentine\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 good solo bass.
\n(Wonder if he\u2019ll think so?)
\n*Blue Room\u00a0\u00a0\u00a0 not bad\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5 25.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u201cWFCR (U of Mass), Reel 1 of 2\u201d (undated). 7\u201d audio reel, 7.5 ips.
\nLabel on front of case from WFCR.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n\u201cWFCR (U of Mass), Reel 2 of 2\u201d (undated). 7\u201d audio reel, 7.5 ips.
\nLabel on front of case from WFCR.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nUntitled (undated). 7\u201d audio reel.
\nAnnotation from original case:
\nMarian McPartland
\n302 Clinton St
\nBellmore
\nNY 11710 Please
\ndeliver to Richard Barr<\/td>\n<\/tr>\n
<\/td>\n[Recordings of Marian McPartland with other musicians]<\/em><\/strong><\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nBobby Boswell (bass), Jake Hanna (drums), and Marian McPartland. 7\u201d audio reel.
\nAccompanied by manuscript note:
\nAngelo\u2019s Club, Omaha Nebraska 1958-59.
\nTheme \u201cWith You in Mind\u201d McPartland
\nTune for Tex. Billy Taylor
\nSo Many Things McPartland
\nSqueeze Me Ellington
\nAll the things you cue Vern
\nBohemia after dark Oscar Pettiford
\nAnnotations on side of case: \u201c1958 OMAHA.\u201d
\nAnnotations on back of case crossed out.
\nAccompanying document (manuscript note) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nBill Britto (bass), Archie Alleyne (drums), and Marian McPartland. 7\u201d audio reel, 7.5 ips.
\nAnnotation on case: \u201cChet Bartol, 6-14-58 \/ Bill Britto Archie Alleyne and self at Fort Wayne (Embers Club) 1958.\u201d
\nLabel on reel: \u201cDr. J. G. Matthews.\u201d<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nBill [Britto], Joe [Morello], and Marian McPartland. 7\u201d audio reel.
\nAnnotation on original case:
\n1\/17\/54 H. House
\nM McP
\n\u201cGood Danny Boy on here\u201d
\nJoe + Bill on this (?)<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nBill Britto (bass), Joe Morello (drums), and Marian McPartland. 7\u201d audio reel
\nAnnotation on original case:
\nTrack #1 M McP Trio
\n@ Saxony Hotel March 13, 56
\n#2 M McP Trio
\n@ Jazz Association of Miami March 6, 56
\nBill Britto + Joe Morello
\nRecorded by Mack Eversman<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 58″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611607307001{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nBill [Britto], Joe [Morello], and Marian McPartland. 7\u201d audio reel.
\nAnnotation on back of case:
\nMarian McPartland at the Monmouth County Library
\nNov. 23, 1975
\nJoe & Bill I think<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nDave Brubeck and Marian McPartland. 7\u201d audio reel, 15 ips., stereo.
\nSession master.
\nAnnotation on reel:
\nMarian McPartland w\/ Dave Brubeck
\n\u201cFree Piece\u201d with In & Out
\n(with additional materials)
\nLabel on case for \u201cThe Jazz Alliance, Inc.\u201d<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nJohn Bunch and Marian McPartland. 7\u201d audio reel.
\nAnnotation on reel:
\nMarian McPartland Trio
\nColumbus Blind School \/ 28 May \u201857
\n3 chan. \/ Stereophonic \/ Ampex 350-3
\non 1\/2 mil mylar
\nAnnotation on side of case: \u201cExperimental \/ John Bunch & Me.\u201d
\nAnnotation on back of case: \u201cJohn & self (far out!).\u201d<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nJohn Bunch and Marian McPartland. 7\u201d audio reel.
\nAnnotation on reel: \u201cJohn Bunch + me.\u201d<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nVinnie [Burke], Joe [Morello], and Marian McPartland. 7\u201d audio reel.
\nAnnotation on back of case:
\nBroadcast NBC
\nJoe + Vinnie\u00a0\u00a0\u00a0\u00a0 H. House 1953-4?<\/p>\n
    \n
  • Lullaby in Rhythm<\/li>\n
  • Sept Song<\/li>\n
  • How long has this been going on<\/li>\n
  • More<\/li>\n
  • Can\u2019t take that away<\/li>\n
  • Lush life<\/li>\n
  • Ladybird<\/li>\n<\/ul>\n

    Facsimile of back of original case in Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n

item 6<\/strong><\/td>\nVinnie Burke, Joe Morello, and Marian McPartland. 7\u201d audio reel.
\nLabel on case:
\nMarion [sic<\/em>] McPartland
\nVinnie Joe
\nRecorded 1\/31\/54
\nAnnotation on back of case:
\nCarnival of Books for 1\/17
\nDubbed to[illegible] 1\/14 or
\nVinnie & Joe
\nTransferred to DAT 12-10-90<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nRussell George (bass), [Ron] Lundberg (drums), and Marian McPartland. 7\u201d audio reel.
\nAnnotation on original case:
\n\u201cBlind School Columbus\u201d (OH)
\nRussell George (GR?)
\nLundberg
\nTransferred to DAT 32
\nDiana 4-15-92<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nRusty Gilder (bass), Eric Nebbia (drums), and Marian McPartland. 7\u201d audio reel.
\nAnnotation on case:
\nFor Marian
\nwith love from Ernie & Ida
\nTuesday night at The Rowntowner 10-23-73<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nBobby Hackett, E. Gomez, Ron Lundberg, and Marian McPartland. 7\u201d audio reel.
\nAnnotation on case:
\nBobby
\nHackett\u00a0\u00a0\u00a0\u00a0 Marian<\/p>\n
    \n
  1. Gomez. Ron Lundberg<\/li>\n<\/ol>\n

    Meles Rest.
    \nHunting Don
    \nNov 1964<\/td>\n<\/tr>\n

item 10<\/strong><\/td>\nRon McClure and Marian McPartland. 7\u201d audio reel.
\nAnnotation on back of case:
\nRonnie & I (McClure)
\nMcTriffs 1965
\nBoth sides<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nLinc Milliman (bass) and Marian McPartland. 7\u201d audio reel, 3.75 ips.
\nAnnotation on back of case: \u201cAt Doug Duke\u2019s July 13, 1968.\u201d<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nLinc Milliman (bass), Jim Kappes (drums), and Marian McPartland. 7\u201d audio reel.
\nAnnotation on back of case:
\nClub \u201cApartment\u201d
\nApril 18th 1967
\nDO NOT ERASE
\nTransferred to DAT 3-1-91
\nContents:
\nSide 1. Dolphin Street — There is no greater love — Naima — I\u2019m old fashioned — If I love again — Nimbus — Waltz for Debby — Shining hour — Three little words —
\nSide 2. Wine and roses — You\u2019ll never know — Deep is the ocean — How deep — Twilight world — What can\u00a0 [illegible] do — Dearly beloved — Long ago star.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nLinc [Milliman], Jim [Kappes], and Marian McPartland. 7\u201d audio reel
\nAnnotation on side of case: \u201c1967, Trio Apt. (Link & Jim).\u201d
\nAnnotation on back of case:
\nMarian\u2019s Tunes Side 2
\n(1) Dolphin\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1) Shining Hour
\n(2) Red Planet\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2) While Were Young
\n(3) Norma\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3\u00a0 Numbers
\n(4) Falling in Love\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4\u00a0 Old Fashioned
\n(5) Satin\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5) Twilight World
\n6\u00a0\u00a0 Bohemia\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 6\u00a0 Lovely
\n7\u00a0\u00a0 Theme\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 7) Marmer [?]
\n8) No greater love<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 59″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611607332625{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nLinc Milliman (bass), Jim Kappes (drums), and Marian McPartland. 7\u201d audio reel, 7.5 ips.
\nAnnotation on side of case: \u201cMarian McPartland Trio at Sari-S Chowboat, Chicago 10\/7. 10\/14-67.\u201d
\nAnnotation on back of case:
\nLinc Milliman \u2014 Jim Kappes. M. McP
\nShow Boat. Sari S. November 1967
\nContents:
\nSide 1. Getting sentimental over you — Little girl blue — [left blank] — I\u2019m all smiles — Willow weep — Gipsy —
\nSide 2. Michelle — I\u2019ll be seeing you — I\u2019m all smiles (again!!!)) but better — Willow weep — What\u2019s new — Twilight world — [left blank].<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nLinc [Milliman], Jim [Kappes], and Marian McPartland. 7\u201d audio reel, 7.5 ips.
\nAnnotation on side of case: \u201cMarian McPartland Trio, IV, Sari-S, 11\/7\/67 (Showboat).\u201d
\nAnnotation on side of case (2): \u201cShowboat, Nov 67, Linc, Jim & Marian.\u201d
\nAnnotation on back of case:
\nSHOWBOAT
\n1) Getting Sentimental\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5.50.
\n2) Little Girl Blue\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3.50
\n3) –\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5.50
\n4) In all smiles\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3.50
\n5) Willow Weep\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5
\n6) Gipsy<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nLinc Milliman (bass), Charles Perry (drums), Ray Copeland (trumpet\/flugelhorn), and Marian McPartland. 7\u201d audio reels, 4 track stereo, 7.5 ips.
\nAdditional personnel on \u201cSwinging till girls come home\u201d and \u201cJohnnie\u2019s waltz\u201d: John Burr, bass, and Richard Derosa, drums.
\nAnnotation on back of case:
\nCold Spring Harbor Concert\u00a0\u00a0\u00a0\u00a0 October 26, 1968
\nMarion [sic<\/em>] McPartland Quartet
\nContents:
\nSide 1. Summertime — Things ain\u2019t what they used to be — Milestones — Here\u2019s that rainy day — Medley: Phoenix, Michelle, Goin\u2019 out of my head — Stompin\u2019 at the savoy —
\nSide 2. So what — Stella by starlight — F\u00fcr Elise — Medley: Maria, Tonight, Somewhere, I feel pretty — Swinging till girls come home — Johnnie\u2019s waltz.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nMike Moore (bass), Eric Nebbia (drums), and Marian McPartland. 7\u201d audio reel.
\nAnnotation on back of case:
\nReel #1 Marian McPartland 3\/27\/70
\nMike Moore Eric Nebbia<\/p>\n
    \n
  1. Indian Summer<\/li>\n
  2. Rigby<\/li>\n
  3. All the things<\/li>\n
  4. Winter of my<\/li>\n<\/ol>\n

    Bicycle
    \nMore I see you
    \nEllington
    \nTransferred to DAT 12-10-90
    \nLabel on reel: \u201cTape #4, Side 1.\u201d
    \nAccompanied by manuscript track list.
    \nContents:
    \nSide 1. Satin doll — Sweet Lorraine — ? — Three little words — How deep is the ocean — ? — ? — Things ain\u2019t what they used to be —
    \nSide 2. Indian summer — Eleanor Rigby — Hey Jude — all the things you are — Winter of my discontent — Yesterdays \/ Yesterday — Hide and seek with Bombay Bicycle Club — More I see you — Untitled\u2014original — Cottontail — I let a song go out of my heart — I got it bad — It don\u2019t mean a thing.
    \nAccompanying document (track list) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n

item 5<\/strong><\/td>\nMike Moore (bass), Erick Nebbia (drums), and Marian McPartland. 7\u201d audio reel.
\nAnnotation on original case:
\nM & Mike Moore, Eric Nebbia
\n1970 EMW-11
\nTrio
\nMike
\n[illegible]
\nOn accompanying insert: \u201cRochester with Mike Moore & Eric Nebbia 1970.\u201d
\nFacsimile of original case in Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nMike Moore (bass), Eric Nebbia (drums), Sal Sparrazza (flugelhorn), and Marian McPartland. 7\u201d audio reel.
\nAnnotation on back of case:
\nReel #3 Marian McPartland 3\/28\/70
\nRoundtowner Live
\n(1)
\nEric Nebbia (drums)
\nMike Moore (bass)
\nSal Sparrazza flugelhorn
\nSo nice to come home to
\nAfterglow
\nNo greater love
\nWisdom of the heart
\nI a mellow tone
\ninto Ellington medley
\n(I let a song\u00a0\u00a0\u00a0\u00a0 Don\u2019t mean a thing\u00a0\u00a0\u00a0\u00a0 Satin doll)
\n(2) bad sound
\nGone with the wind
\nNG
\n—
\n—
\ndrum solo
\n(Chaser)
\n-theme
\nNone good.
\nTransferred to DAT 9-17-91<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nMike Moore, Ben Riley, and Marian McPartland. 7\u201d audio reel, 3.75 ips.
\nAnnotation on case:
\nStereophonic 4 tracks
\nMarian McPartland
\nBen Riley
\nMike Moore
\n10\/9\/69<\/td>\n<\/tr>\n
items 8-9<\/strong><\/td>\nJules Moss (drums), Frank Tate (bass), and Marian McPartland. 7\u201d audio reel, 3.75 ips. 2 copies.
\nRecorded at the Monticello Room of the Rowntowner Motor Inn, Rochester, NY, February 1975.
\nRecorded by Thomas M. Hampson.
\nContents:
\nSide 1, Left track: Straight, no chaser (2\/17) — There will never be another you (2\/6) — Sweet and lovely (2\/6) — Cookin\u2019 at Michael\u2019s Pub (2\/6) — The clothes woman (2\/6) — Sunshine of my life (2\/6) — Daahoud (2\/6) — Little Rock getaway (2\/6) — All the things you are (2\/6) — Rockin\u2019 in rythym [sic<\/em>] (2\/6) —
\nSide 1, Right track: Little girl blue (2\/17) — Dolphin dance\/Green Dolphin St. (2\/17) — Spain (2\/22) — A flower is a lovesome thing (2\/22) — Stella by starlight (2\/22) — A nightingale sang in Berkeley Square (2\/22) — One of those bop tunes based on \u201cI got rythym\u201d [sic<\/em>] \u2013 can\u2019t remember the title (2\/22) — The more I see you (2\/22) — Israel (2\/22) — Willow, weep for me (2\/22) — Come rain or come shine (2\/22) — Ellington medley (2\/22) —
\nSide 2, Left track: That old black magic (2\/6) — Things ain\u2019t what they used to be (2\/6) — I\u2019ll remember April (2\/6) — What is this thing called love (2\/6) — Send in the clowns (2\/6) — Everything but you (2\/6) — Cantalope Island (2\/6) — Dream dancing (2\/6) — Ambiance (2\/6) — Happy birthday blues (2\/18) — Prelude to a kiss (2\/18) —
\nSide 2, Right track: I\u2019ll be around\/Who can I turn to (2\/22) — Stompin\u2019 at the Savoy (2\/?) — Norwegian wood (2\/14) — St. Louis blues (2\/3) — How high the moon (2\/3) — Folks who live on the hill (2\/3) — Lush life (2\/14) — My one and only love (2\/3) — Stompin\u2019 at the Savoy (2\/7) better track — Lotus blossom (2\/7) — Green Dolphin Street (2\/7) — Now\u2019s the time (2\/22).
\nTypescript label affixed to case of copy 1; original case of copy 2 featured duplicate label.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nBob Previtt (drums) and Marian McPartland. 7\u201d audio reel
\nAnnotation on case:
\nMarian McP and Bob Previtt
\n1975
\nBuffalo University
\nImprovisation<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nBen Tucker and Marian McPartland. 7\u201d audio reel.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nAlec Wilder and Marian McPartland. 7\u201d audio reel, 7.5 ips.
\nLabel on side of case: \u201cMarian McPartland Plays for Alec Wilder\u20141.\u201d<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\n\u00a0Alec Wilder and Marian McPartland. 7\u201d audio reel, 7.5 ips.
\nLabel on side of case: \u201cMarian McPartland Plays for Alec Wilder\u20142.\u201d
\nAnnotation on back of case: \u201ctransferred to DAT 4-10-91.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 60″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612201509904{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cB. G.\u201d and Marian McPartland. 7\u201d audio reel.
\nAnnotation on side of case: \u201cB.G. M McP Steve Pete.\u201d
\nAnnotation on back of case: \u201cM.P. & B.G. 1\/4 tr. (S).\u201d<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\u201cJon\u201d and Marian McPartland. 7\u201d audio reel.
\nAccompanied by manuscript note: \u201cJune 13th 1969 \/ Jon & me messing around.\u201d
\nAccompanying note separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u201cMike and Jim\u201d and Marian McPartland. 7\u201d audio reel.
\nAnnotation on back of case: \u201cMe at Sherman\u2019s with Mike and Jim.\u201d<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cRuss, Art,\u201d and Marian McPartland. 7\u201d audio reel.
\nAnnotation on case: \u201cStereo? Russ Art + self at Mac Enna\u2019s.\u201d<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u201cRuss, Joe,\u201d and Marian McPartland. 7\u201d audio reel.
\nAnnotation on side of case: \u201cRuss, Joe and self Fazios Jan 61.\u201d<\/td>\n<\/tr>\n
<\/td>\n[Recordings of Marian McPartland performing with large ensembles<\/em>]<\/strong><\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n[Eastman School of Music, Arrangers\u2019 Workshop Orchestra], conducted by Ray Wright, with the Marian McPartland Trio (1971). 7\u201d audio reel, 7.5 ips.
\nAnnotation on side of case: \u201cRoch, Ambiance, Willow Creek.\u201d
\nAnnotation on back of case:
\nArrangers\u2019 Holiday 1971
\nAug. 6, Rayburn Wright, conducting
\nMarian McPartland & Trio<\/p>\n
    \n
  1. Rockin\u2019 In Rhythm<\/li>\n
  2. Ambiance<\/li>\n
  3. Willow Creek<\/li>\n<\/ol>\n

    Manny Albam conducting<\/p>\n

      \n
    1. TRIO
      \nA.
      \nB.
      \nC.<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nJack Foote Jazz Ensemble with Marian McPartland (1976). 7\u201d audio reel, 7.5 ips.
\nAnnotation on case:
\nC.U. Jazz Ensemble with Marian McPartland
\n(1) Marian McPartland solo
\n(2) Jazz Ensemble
\n(3) Ensemble with M. McPartland
\n(Program enclosed)
\nSide #2 has last song at beginning (copy ran out on this original)
\n1. Howe
\n4\/23\/76<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nNCSU Stage Band with Marian McPartland (undated). 7\u201d audio reel.
\nFacsimile of original case in Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nWestchester Symphony, conducted by Larry Smith, with the Marian McPartland Trio (undated). 7\u201d audio reel, 7.5 ips.
\nAnnotation on case: manuscript note to \u201cJohn\u201d from \u201cHank.\u201d
\nContents include: Eleanor Rigby Symphonic Variations.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nUnidentified elementary school chorus with Marian McPartland (1974). 7\u201d audio reel.
\nAnnotation on case:
\nFinal selection of elementary school chorus\u2014Marian McPartland at piano
\nMay 3, 1974
\n#1
\nLabel on side of case: \u201cBauman Backup Tape.\u201d
\n[Compilation recordings with Marian McPartland and other musicians]<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\n\u201cApartment, Jan 20th, Trio & Charles\u201d (1967). 7\u201d audio reel.
\nAnnotation on back of case:
\nJan 20, 1967\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cApartment\u201d
\nSide 1 – Marian McPartland Trio
\nSide 2 – Charles De Forest Duo
\ntransferred to DAT 4-15-91
\nContents:
\nSide I. Funny valentine — Red planet — Naima — More I see you — with you in mind — It was love — Better than anything — When the world was young (solo) — Bohemia —
\nSide II. Shadow of your smile — Down in the depths — All my life (?) — If I were a ball — I could have told you — Wish I were in love again — There\u2019ll be other times — Misty — I\u2019ve got your number — Once upon a summer line (at 152 cut to end) — It\u2019s all right,<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\n\u201cDetroit 1956 \/ Bob Maxwell Show 1955 \/ Mountain Greenery\u201d (undated). 7\u201d audio reel, 7.5 ips.
\nAnnotation on case:
\nBy Ken Stone
\nBakers Lounge
\nRecorded in Detroit 1956 Joe Morello Bill Britto M McP
\n\u201cBohemia after Dark\u201d (2) Greensleeves (3) Tickle Toe Nightingale sign off
\nSteve Allen Shows 1956 \u201cHow High the Moon\u201d \u201cYesterdays\u201d
\nBob Maxwell Shows 1955 Bill Crows Joe Morello Jimmy McP
\n\u201cTickle Toe\u201d St James Infirmary Steve Allen Shows 1945
\n\u201cYesterdays\u201d; Joe\u2019s award \u201cLimehouse Blues\u201d (Steve & M)
\n\u201cRoyal Garden Blues\u201d Jimmy, Joe, Bill Crow (John Slagel (1955)
\nSide 2 Mountain Greenery (B.B. J.B. McP) \u201cSkylark\u201d \u201cBirdland\u201d
\n\u201cIf I love you\u201d (solo) \u201cFour Bros\u201d \u201cHoneysuckle\u201d \u201cTea for Two\u201d
\n\u201cLove walked in\u201d Parts between tunes
\nTransferred to DAT – 1-7-91
\nAnnotation on side of case: \u201cReel No. 2 Detroit \/ Joe Bill Britto \/ June 5.\u201d<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nMarian McPartland at Hosmer Hall, 2\/14\/78 [Reel 1 of 2]. 7\u201d audio reel, 7.5 ips.
\nContents:
\nReel 1, Side 1. Grieg: Concerto in A minor (Crane Symphony Orchestra; Richard Stephan, conductor) —
\nReel 1, Side 2. Solo selections.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 61″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612201691268{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nMarian McPartland at Hosmer Hall, 2\/14\/78 [Reel 2 of 2]. 7\u201d audio reel, 7.5 ips.
\nContents:
\nReel 2, Side 1. \u201cw\/ College Jazz Ensemble (Raymond Shiner, director) —
\nReel 2, Side 2. \u201cw\/ College Jazz Ensemble\u201d (cont.).<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\u201cLondon House 1956 \/ Hickory House\u201d (undated). 7\u201d audio reel.
\nAnnotation on back of case:
\nMonitor
\nLondon House 1956 Bill Britto Joe Morello M McP
\n\u201cBohemia After Dark\u201d \u201cMountain Greenery\u201d \u201cChepokee\u201d
\n1956 Hickory House: Tony Peott MMcP J. M. [Joe Morello?] B. B. [Bill Britto?] B. C.?
\n\u201cI\u2019ll remember April\u201d I let a song go out of my heart
\nTransferred to DAT 1-7-91<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u201cRowntowner 1975.\u201d 7\u201d audio reel, 3.75 ips.
\nFrank Tate (bass), Jules Moss (drums), and Marian McPartland; with Jeff Van Nostrand (guitar).
\nAlso on tape: \u201cThe Heavyweights\u201d (Bob Stein, piano; John Vitale, tenor; Danny Vitale, bass; and Jerry Nasca, drums).
\nAnnotation on side of case: \u201cMarian McPartland\u2014Live at the Rowntowner 2\/19\/75.\u201d
\nAccompanied by typescript track list, with annotation from \u201cJeff\u201d to Marian.
\nContents:
\nSide 1. The Marian McPartland Trio: The more I see you — You are the sunshine of my life — Steeplechase — Violets for your furs — Cookin\u2019 at Michael\u2019s Pub — Clothed woman — What\u2019s new\/Come Sunday — Gershwin medley: Foggy day\/How long has this been going on?\/I loves you Porgy\/Fascinating rhythm — Break tune (Things ain\u2019t what they used to be) — Daahoud — Take the A Train — The way we were — Wave\/ — Giant steps — Ambiance —
\nSide 2. I\u2019ll remember April — Break tune — Time and time again — Lotus blossom — Green Dolphin Street\/Dance — The Marian McPartland Trio with Jeff Van Norstrand: Autumn leaves — Don\u2019t get around much anymore — Milestones — Break tune — The Heavyweights: Blues for Duane (with Jules Moss, drums)– No Greater Love — Gibraltar — Things ain\u2019t what they used to be — Stein original.
\nAccompanying document (track list) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cRowntowner, 1969 \/ Top of the Plaza (n.d.) \/ Doug Duke\u2019s (n.d.).\u201d 7\u201d audio reel, 3.75 ips.
\nAnnotation on case:
\nOct. 8th 1969 \/ Marian McPartland \/ Ben Riley \/ Mike Moore \/ At the Rowntowner
\nTal Farlow & Barry Kiener \/ At Top of the Plaza
\nGene Bertoncini \/ Linc Milliman \/ Joe Hunt \/ at Doug Duke\u2019s<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u201cToronto \/ Extemporizations at 88 St.\u201d 7\u201d audio reel.
\nAnnotation on original case:
\n(A) Max + Mouse (?) + myself (McP) Toronto
\n(B) Extemporizations (?) at 88 st \/ Self + Bill Crow auditioning 1953.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u201cDoug Dukes \/ Top of the Plaza \/ King\u2019s Den.\u201d 7\u201d audio reel, 3.75 ips.
\nAnnotation on side of box: \u201cPaul Whiteman (Devlins).\u201d
\nAnnotation on case:
\nSide I
\nMarian McPartland\u2014Paul Whiteman (copy)<\/p>\n\n\n\n\n\n
<\/td>\n<\/td>\nCharlie Shavers<\/td>\n<\/tr>\n
@ Doug Dukes<\/td>\nDoug Duke – piano<\/td>\n<\/tr>\n
<\/td>\nTeddy Wilson<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Side II
\nFrom record Salt City Six \/ Jack Maheu – clarinet\u00a0\u00a0 Will Alger – trombone<\/p>\n\n\n\n\n\n
<\/td>\n<\/td>\nBobby Hackett w\/ Vic Dickinson<\/td>\n<\/tr>\n
@ Top of the Plaza<\/td>\n& John Uhlrick – piano, Franklin Skeets – bass<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n
@ King\u2019s Den<\/td>\n<\/td>\nGeo. Brunis – Jack Maheu – Linc Milliman – Smokey Stover – John Uhlrick & Charlie Cameron – drums<\/p>\n

Wild Bill Davison – Jack Maheu<\/p>\n

Dave Stout – trombone, John Uhlrick,<\/p>\n

Dan D\u2019Imperio – drums<\/p>\n

Frank Pullaro – bass<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/td>\n<\/tr>\n

<\/td>\n[Recordings of radio programs with Marian McPartland and others]<\/strong><\/em><\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n\u201cFather O\u2019Connor\u2019s Jazz Anthology.\u201d 7\u201d audio reel, 7.5 ips.
\nAnnotation on side of case: \u201cWRVR Father O\u2019C 1971.\u201d
\nAnnotation on back of case:
\nTape 1 of 1
\nFather O\u2019Connor\u2019s Jazz Anthology
\nMarion McPartland
\n1 hour
\nDate recorded: Nov. 19, 1970<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\n\u201cMarian McPartland w\/ Mary Lou Williams \u2026 January 3, 1975, Reel 1.\u201d 7\u201d audio reel.
\nWBAI broadcast [from the radio program A Delicate Balance,<\/em> hosted by Marian McPartland].
\nLabel on reel:
\n7 1\/2 ips copy
\nHead out
\nTape No. E 4077
\nBonneville Program Services
\nAnnotation on case:
\nMarian McPartland w\/ Mary Lou Williams
\nReel 1
\n3 3\/4 ips\u00a0 \u00a0\u00a0\u00a01\/2 – track stereo
\nWBAI\u00a0\u00a0\u00a0\u00a0 Jan 3, 1975
\nE 4077
\n06142-3<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\n\u201cMarian McPartland w\/ Mary Lou Williams \u2026 January 3, 1975, Reel 1.\u201d 7\u201d audio reel.
\nWBAI broadcast [from the radio program A Delicate Balance,<\/em> hosted by Marian McPartland].
\nLabel on reel:
\n7 1\/2 ips copy
\nHead out
\nONE\u00a0\u00a0\u00a0\u00a0 2169
\nTwo tail out
\nAnnotation on case:
\nMarian McPartland w\/ Mary Lou Williams
\nReel 1
\n3 3\/4 ips\u00a0\u00a0\u00a0\u00a0 1\/2 – track stereo
\nWBAI\u00a0\u00a0\u00a0\u00a0 Jan 3, 1975
\nE 4086
\n07062-3<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\n\u201cMarian McPartland w\/ Mary Lou Williams \u2026 Jan 3, 1975, Reel 2.\u201d 7\u201d audio reel.
\nWBAI broadcast [from the radio program A Delicate Balance,<\/em> hosted by Marian McPartland].
\nLabel on reel:
\n7 1\/2 ips copy
\nHead out
\nTape No. U 213
\nBonneville Program Services
\nAnnotation on case:
\nMarian McPartland w\/ Mary Lou Williams
\nReel 2
\n3 3\/4 ips\u00a0\u00a0\u00a0\u00a0 1\/2 – track stereo
\nWBAI Jan 17, 1975<\/span> Jan 3, 1975
\nM 1074
\n06212-3<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\n\u201cMarian McPartland w\/ Mary Lou Williams \u2026 Jan 3, 1975, Reel 2.\u201d 7\u201d audio reel.
\nWBAI broadcast [from the radio program A Delicate Balance,<\/em> hosted by Marian McPartland].
\nStamp on side of case: \u201cC 6019.\u201d
\nAnnotation on case:
\nMarian McPartland w\/ Mary Lou Williams
\nReel 2
\n3 3\/4 ips\u00a0\u00a0\u00a0\u00a0 1\/2 – track stereo
\nWBAI\u00a0\u00a0\u00a0\u00a0 Jan 3, 1975
\ntransferred to DAT 10-31-91<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\n\u201cMarian McPartland w\/ Alec Wilder \u2026 Jan. 17, 1975, Reel 1.\u201d 7\u201d audio reel.
\nWBAI broadcast [from the radio program A Delicate Balance,<\/em> hosted by Marian McPartland].
\nAnnotation on case:
\nMarian McPartland w\/ Alec Wilder
\nReel 1
\n3 3\/4 ips\u00a0\u00a0\u00a0\u00a0 1\/2 – track stereo
\nWBAI\u00a0\u00a0\u00a0\u00a0 Jan. 17, 1975
\nM 1003 R3
\n07172-1<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\n\u201cMarian McPartland w\/ Alec Wilder \u2026 Jan. 17, 1975, Reel 2.\u201d 7\u201d audio reel.
\nWBAI broadcast [from the radio program A Delicate Balance,<\/em> hosted by Marian McPartland].
\nAnnotation on case:
\nMarian McPartland w\/ Alec Wilder
\nReel 2
\nU 2134\u00a0\u00a0\u00a0\u00a0 3 3\/4 ips
\n1\/2 – track stereo
\nWBAI\u00a0\u00a0\u00a0\u00a0 Jan. 17, 1975<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 62″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611678567857{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cMarian McPartland w\/ Alec Wilder \u2026 Jan. 17, 1975, Reel 2.\u201d 7\u201d audio reel.
\nWBAI broadcast [from the radio program A Delicate Balance,<\/em> hosted by Marian McPartland].
\nAnnotation on case:
\nMarian McPartland w\/ Alec Wilder
\nReel 2
\n3 3\/4 ips
\n1\/2 – track stereo
\nM 1028 R2
\n06192-3<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\u201cReel 1, Alec Wilder, WBAI.\u201d 7\u201d audio reel.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u201cReel w, Alec Wilder, WBAI.\u201d 7\u201d audio reel.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nJazz Bearings: Marian McPartland, guest, with hosts Andy Baer and Hank Bogardus, WCWP, June 25, 1971. 7\u201d audio reel, 3.75 ips.
\nAnnotation on side of case: \u201cBogardus interview.\u201d
\nAnnotation on case:
\nTrack 1-3
\nConversation Jazz Bearings – 6\/25\/71
\nTrack 2-4
\nConversation, music
\nJazz Bearings – 6\/25\/71
\nMarian McPartland
\nAndy Baer, Hank Bogardus – WCWP
\nRecorded on Scotch 203
\nRevox A77
\nAccompanied by typescript program order, listing order of music played on broadcast. 1 p.
\nAccompanying document (typescript program order) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nMarian McPartland Trio on AM New York (n.d.); Billy Taylor (n.d.). 7\u201d audio reel, 7.5 ips.
\nDub of radio broadcast featuring the Marian McPartland Trio. Included at end of tape \u201ca dub of Billy Taylor.\u201d
\nRecording produced by Steve Palecek (Audio Engineer, AM NY).
\nAccompanying document (correspondence) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
<\/td>\n[Recordings of workshops and clinics with Marian McPartland]<\/strong><\/em><\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nMidwest College Jazz Festival, Elmhurst College, April 1970. 7\u201d audio reel, 7.5 ips.
\nAnnotation on case:
\nElmhurst \u201970 Finals\u00a0\u00a0\u00a0\u00a0 April 1970
\nMarian McPartland
\nImprovisation Clinic<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n\u201cJazz Clinic Concert at Portland State, Monday Evening.\u201d 7\u201d audio reel.
\nAnnotation on side of case: \u201cJazz Clinic Portland 1971.\u201d
\n[Recorded by Bob Thompson]<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\n\u201cSummer Jazz Clinic Concert at Portland State, Thursday Evening.\u201d 7\u201d audio reel.
\nAnnotation on side of case: \u201cPortland State 1971.\u201d
\nAnnotation on back of case:
\nDan Haerlick, piano
\nMarian McPartland, piano
\nLou Marini, flute, saxes
\nGary Barone, tpt
\nJoe Field (drum st
\nSteve Sanders, bass
\nPhil Wilson, trombone
\nRich Matteson, euphonium
\nJack Peterson, guitar
\nFreedom Jazz Dance\u00a0 good solo
\nCarmel & Prelude
\nwith Dan
\nRecorded by Bob Thompson<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\n\u201cSummer Jazz Clinic at Portland State University, Recorded Aug 20 & 21, 1972.\u201d 7\u201d audio reel.
\nRecorded by Bob Thompson.
\nAccompanying document (correspondence) separated; see Box 11, Folder 16.
\n<\/em>Facsimile of original case in Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 10<\/strong><\/td>\n\u201cMarian McPartland #1 \u2018Roots,\u2019 Hawthorne School 2\/20\/74.\u201d 7\u201d audio reel, 7.5 ips.
\nFacsimile of original case in Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 11<\/strong><\/td>\n\u201cMarian McP, Hawthorne, Reel 2.\u201d 7\u201d audio reel, 7.5 ips.
\nLabel on reel: \u201cRoots\u2013Hawthorne School, Reel #2.\u201d<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\n\u201cHawthorne School, \u2018Style #1,\u2019 Feb. 21\/74.\u201d 7\u201d audio reel, 7.5 ips.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\n\u201cHawthorne School, \u2018Style #2,\u2019 Feb. 21\/74.\u201d 7\u201d audio reel, 7.5 ips.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 63″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611678650259{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n[Recordings of Marian McPartland with Jimmy McPartland]<\/strong><\/em><\/td>\n<\/tr>\n
item 1<\/strong><\/td>\nJimmy McPartland, trumpet; Marian McPartland, piano; Buddy Tate, reeds; Vic Dickenson, trombone; Rusty Gilder, bass; Gus Johnson, drums. 7\u201d audio reel, 7.5 ips.
\nRecorded by Stratosphere Sound, Inc.
\nProduced by IAJ, Inc.
\nAnnotation on back of case:
\nRoyal Box \u2013 June 16, [1973] \u2013 Last performance live.
\n1st set \u2013
\nAnd part of 2nd set up to Marian\u2019s composition<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nJimmy McPartland, trumpet; Marian McPartland, piano; [with Buddy Tate, reeds; Vic Dickenson, trombone; Rusty Gilder, bass; Gus Johnson, drums]. 7\u201d audio reel, 7.5 ips.
\nAnnotation on front of case:
\nIAJ
\nJimmy & Marian McP at the Royal Box \u2013 June 16, 1973 \u2013 copy.
\nIncludes: Pennies from heaven and original composition by Buddy Tate. Also St. Louis blues.
\nAnnotation on base of case crossed out (see case).<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nJimmy McPartland, trumpet; Marian McPartland, piano; [with Buddy Tate, reeds; Vic Dickenson, trombone; Rusty Gilder, bass; Gus Johnson, drums]. 7\u201d audio reel, 3.75 ips.
\nAnnotation on back of case (written over other text):
\nMarian & Jimmy
\nTape #1
\nRoyal Box<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u00a0Jimmy McPartland, trumpet; Marian McPartland, piano; [with Buddy Tate, reeds; Vic Dickenson, trombone; Rusty Gilder, bass; Gus Johnson, drums]. 7\u201d audio reel, 3.75 ips.
\nAnnotation on back of case (written over other text):
\nMarian & Jimmy
\nTape #2
\nRoyal Box<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nJimmy McPartland, cornet; Marian McPartland, solo piano; Herman Foretich, clarinet; Bill Allred, trombone; Dick Wellstood, piano; Gene Niayl, bass; Spider Ridgeway, drums.
\nAnnotation from original case:
\nTo: Marian from Zack Cullens
\n12\/21\/74
\nAtlanta Dixieland Jazz Society concert
\n\u201cThe Big Horn\u201d Underground Atlanta, Atlanta, GA
\nJimmy McP – cor
\nHerman Foretich – clarinet
\nBill Allred – trb
\nDick Wellstood – piano
\nGene Niayl – bass
\nSpider Ridgeway – drums
\nM McP – solo piano
\nLast 2 tunes – Marian & Dick on piano<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nJimmy McPartland, trumpet; Marian McPartland, piano. 7\u201d audio reel, 7.5 ips.
\nLabel on reel: \u201cMarian McPartland, Jimmy McPartland, 9-9-76 \u2018Be There for Bobby.\u2019\u201d
\nAnnotation on side of case:
\nMarian McPartland
\nJimmy McPartland
\nWorld\u2019s Greatest J. B.
\n\u2018Be There for Bobby\u2019
\n9-19-76<\/td>\n<\/tr>\n
<\/td>\n[Recordings of Jimmy McPartland]<\/strong><\/em><\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nJimmy McPartland with others (1924-1952). 7\u201d audio reel, 3.75 ips.
\nCompilation featuring recordings by Jimmy McPartland. Includes tracks from the following albums:<\/p>\n
    \n
  • Gennett master 9218-B (The Wolverines; December 5, 1924<\/li>\n
  • Gennett mx 9213-A (The Wolverines; December 12, 1924)<\/li>\n
  • Brunswick mx C-1290, Brunswick mx C-1292, Brunswick mx C-1303, Brunswick mx C-1306 (Original Wolverines; Oct. 12, 1927)<\/li>\n
  • Victor mx 41342-2, Victor mx 41342-3, Victor mx 41342-1 (Ben Pollack and His Orchestra; December 7, 1927)<\/li>\n
  • Okeh mx 82030-A, Okeh mx 82030-B (McKenzie and Condon\u2019s Chicagoans; December 8, 1927)<\/li>\n
  • Okeh mx 82082-B, Okeh mx 82083-A (McKensie and Condon\u2019s Chicagoans; December 16, 1927)<\/li>\n
  • Brunswick mx C-1652, Brunswick mx C-1654 (Bennie Goodman\u2019s Boys; January 23, 1928)<\/li>\n
  • Victor mx 43384-2, Victor mx 43385-1 (All Star Orchestra; March 21, 1928)<\/li>\n
  • Victor mx 43540-2, Victor mx 43540-3, Victor mx 43540-4, Victor mx 43540-6 (Ben Pollack and His Orchestra; April 6 and April 26, 1928)<\/li>\n
  • Brunswick mx E 37638-A, Brunswick mx E 37638-B, Brunswick mx E 37639-A, Brunswick mx E 37639-B, Brunswick mx E 37640, Brunswick mx E 27643 (Bennie Goodman\u2019s Boys; June 4, 1928)<\/li>\n
  • Victor mx 47742-1, Victor mx 47742-3, Victor mx 47743-1 (Ben Pollack; October 15, 1928)<\/li>\n
  • \u201cJimmy McPartland solos from broadcasts to fill tape\u201d (includes recordings from May 2, 1952, and March 28, 1952)<\/li>\n
  • Brunswick Mx E 28356, Brunswick Mx E 28357, Brunswick Mx E 28358 (Hotsy Totsy Gang; October 16, 1928)<\/li>\n
  • Pathe Mx 108485-1, Pathe Mx 108486-1, Pathe Mx 108486-2 (Whoopee Makers; mid-November 1928)<\/li>\n
  • Pathe Mx 108513-1, Cameo Mx 3514-A, Pathe Mx 108514-2, Pathe Mx 108515-2 (Whoopee Makers; late-November 1928)<\/li>\n
  • Harmony Mx 147495-2, Harmony Mx 147496-2, Harmony Mx 147497-2 (Jimmy McHugh\u2019s Bostonians; November 27, 1928)<\/li>\n
  • Victor Mx 49221-2 (Ben Pollack; December 3, 1928)<\/li>\n
  • Victor Mx 48287-2 (Ben Pollack; December 24, 1928)<\/li>\n
  • Pathe Mx 108565-3, Pathe Mx 108566-1, Pathe Mx 108567-1 (Whoopee Makers; late-December 1928)<\/li>\n
  • Harmony Mx 147759-2, Harmony Mx 147760-2, Harmony Mx 147761-3 (Jimmy McHugh\u2019s Bostonians; January 8, 1929)<\/li>\n
  • Cameo Mx 3621-C (Whoopee Makers; early-January 1929)<\/li>\n
  • Brunswick Mx E 29064, Brunswick Mx E 29065 (Hotsy Totsy Gang; January 14, 1929)<\/li>\n
  • Okeh Mx 401535-A (Louisville Rhythm Kings; January 16, 1929)<\/li>\n
  • Plaza Mx 8477-2, Plaza Mx 8478-2, Plaza Mx 8478-3 (Whoopee Makers; January 18, 1929)<\/li>\n
  • Victor Mx 49673-2, Victor Mx 49674-1, Victor Mx 49674-2, Victor Mx 49674-3 (Ben\u2019s Bad Boys; January 22, 1929)<\/li>\n
  • \u201cMcPartland solos from broadcasts to fill tape\u201d (includes recordings from June 2, 1952, and March 28, 1952)<\/li>\n<\/ul>\n

    Accompanied by full typescript track list including personnel for each track.
    \nAnnotation on back of case:
    \nCarl Kemdziora. VR.
    \nSalem Rd. R.F.D. 2
    \nPond Ridge
    \nNew York 10576
    \nAccompanying document (track list) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n

item 8<\/strong><\/td>\n\u201cJimmy, Nicks\u201d (1953) 7\u201d audio reel.
\nAnnotation on back of case:
\nBlank
\nJimmy McPartland
\nFrom Vick\u2019s \u2013 Oct. 11, 1953
\nUSOR [?] \u2013 Mutual
\nFacsimile of original case in Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nJimmy McPartland; Cutty Cutshall; Mousie Alexander; Bob Haggert; Bob Hackett; Andy Fitzgerald; Bud Freeman (1963). 7\u201d audio reel
\nLabel on side of case: J. McPartland, 1\/2 TR. ST. No. 4 Original.\u201d
\nAnnotation on back of case:
\nBumps Compton Party
\nDec 27 1963
\nUp your lazy river
\nChina boy
\nSentimental journey
\nLove for sale\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Squirrel)
\n(Marian)
\nMaria
\nThree little words (Bud)
\nS\u2019 wonderful<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nJimmy McPartland; [Ron] McClure, [Ron] Lundberg (1966). 7\u201d audio reel.
\nAnnotation on side of case: \u201cMcClure \u2013 Lundberg, Fort Lauderdale, 1966.\u201d
\nAnnotation on back of case:
\nLove is just around the corner
\nOwn sweet way
\n(Florida Feb 1966)
\nThat\u2019s all
\nStepped out of a dream\u00a0\u00a0\u00a0\u00a0 interrupted by barbecue
\nI\u2019m all smiles
\nShadow
\nFalling in love (again!)
\nTail end of April
\nSummertime (not bad)
\nWrite myself a letter!!
\nMilestones
\nThis is all I ask
\nJimmy too I think
\nTransferred to DAT 12-20-90 Diana<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nJimmy McPartland with others (1972). 7\u201d audio reel, 3.75 ips.
\nAnnotation on back of case:
\nJimmy McPartland
\nMarshall Brown
\nChuck Folds
\nJoe Corsello
\nw\/ Jack Maheu
\n@ Rochester Rowntowner Monticello Room, 1\/14\/72
\nArt Tatum
\nRoy Eldridge
\nJohn J. Simmons \u2013 bass
\nAlvin Stoller \u2013 drums
\ntransferred to DAT, 4-29-92<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nJimmy McPartland with others (1972). 7\u201d audio reel, 3.75 ips.
\nAnnotation on back of case:
\nJimmy McPartland
\nMarshall Brown
\nDan D\u2019Imperio
\nBuddy Detar
\nErnie Wright
\nJack Maheu
\n@ Hickory Farms
\n& @ Rowntowner
\nJanuary 29, 1972
\ntransferred to DAT 4-27-92 Diana<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 64″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611678683628{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cJimmy, Dick, Carey?\u201d 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nChanges
\nWaltz Twist
\nMinor Twist
\nTwo Beat Twist
\nLet\u2019s Dance<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\u201cJ. McP., Strollers #4.\u201d 7\u201d audio reel.
\nAnnotation on side of case: \u201cStrollers x Tony B.\u201d
\nAnnotation on back of case:
\n1. McP.
\nStrollers
\n#4
\n1\/2 TR.\u00a0\u00a0\u00a0\u00a0 (S)
\nTony<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u201cMcP, Old Jimmy.\u201d 7\u201d audio reel.
\nAnnotation on side of case: \u201cReel No. 1, McP, OLD, Jimmy.\u201d<\/td>\n<\/tr>\n
<\/td>\n\u00a0[Recordings of other musicians]<\/strong><\/em><\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nMousie [Alexander]; \u201cBob C.\u201d (1952-1953). 7\u201d audio reel.
\nAnnotation on side of case: \u201cBob C. Mouse at Rudys 52\u00a0 53.\u201d
\nAnnotation on front of case (on label stamped \u201cRecorded by Van Gelder\u201d):
\nSomebody loves me
\nGone with the wind
\nThere\u2019ll never be another you
\nExactly like you
\nMoonlit in Vermont
\netc.
\none side<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nMousie [Alexander]; \u201cBob\u201d (undated). 7\u201d audio reel.
\nAnnotation on back of case:
\nBroadcast WMGM
\nBob \u2013 Mouse \u2013
\ngood
\nSimple life
\nall my life
\nBlue moon
\nAlamo
\nTune written by friend of [illegible] Stokes
\n(When I think of you dear)
\nGet happy<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nMouse [Alexander]; \u201cMax\u201d (1953). 7\u201d audio reel.
\nAnnotation from original case:
\n10-2-53
\nMouse (Max)
\n[illegible] You\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Get Happy
\nLaura\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Teo Mary illams (?)
\nWhite Lie\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Love is here
\nDark Eyes\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 St. Louis<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nMouse [Alexander]; \u201cMax\u201d (undated). 7\u201d audio reel.
\nAnnotation on side of case: \u201cWOR 1st, 2nd, Max & Mouse, 1 side.\u201d
\nAnnotation on back of case:
\nDevil
\nSept Song
\nSavoy
\nLove
\nLiza
\nMoonlight
\nLove come back<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nErnestine Anderson. 7\u201d audio reel, 7.5 ips.
\nContents:
\nSide A. My kinda love — Trouble is a man — See see rider — Moonlight in Vermont — Land of dreams —
\nSide B. Black moonlight — All my life — Mound Bayou — I\u2019ll never be the the [sic<\/em>] same — It don\u2019t mean a thing.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nDave Baker (1974). 7\u201d audio reel.
\nAnnotation on back of case:
\nThe Harlem pipes \u2013 Dave Baker
\nAn evening thought \u2013 Dave Baker
\nwritten for and dedicated to Marian McPartland<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nGeorge Barnes (1969). 7\u201d audio reel.
\nLabel on side of case: \u201cGeorge Barnes \/ Sept. \u201969.\u201d<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nGeorge Barnes; M. Reybold. 7\u201d audio reel.
\nLabel on back of case: \u201cGeo. Barnes & M. Reybold, 6\/57.\u201d
\nFacsimile of original case in Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nLeonard Bernstein. 7\u201d audio reel.
\nAnnotation on back of case:
\nSet #1 & #2
\nBernstein on Set #2
\n1) Cool
\n2) You got me
\n3) Lonely Town
\n4) Little bit [illegible]
\n5) It\u2019s Love
\n6) Tonight
\n7)\u00a0Lucky to be\u00a0<\/span>\u00a0Somewhere
\n8) Lucky to be
\nPiano solos Bernstein
\nMeant for Hal Mooney (could erase)<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nEubie Blake (1969). 7\u201d audio reel.
\nAnnotation on back of case:
\nEubie, Jan 12th 1969
\nHenry\u2019s tape
\n<\/span>As long as you live
\nBrittwood Rag
\nMemories of you
\nUs fooling with
\nMarch El Capitan
\nSilent night I
\nSonnet Coquette
\nCapricione Harlem (Blake)
\nBlue Thoughts<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 65″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611678691628{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nEubie Blake (undated). 7\u201d audio reel, 7.5 ips.
\nContents:
\nEmaline — Honeysuckle rose — Love will find a way — I\u2019m just wild about Harry — Dixiemoon — Dicties on Seventh Avenue — Memories of you — Razzing the rag — Razzing the rag — Chevy Chase — Charmandes scarf dance — Poor Jimmy Green.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nMarshall Brown. 7\u201d audio reel.
\nFacsimile of original case in Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n[Dave] Brubeck; [illegible]. 7\u201d audio reel.
\nAnnotation on back of case: \u201cTapes made by Ken Stone.\u201d<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nJulie Byrd. 7\u201d audio reel.
\nAnnotation on back of case:<\/p>\n
    \n
  1. Byrd 6\/57<\/li>\n
  2. From This moment on<\/li>\n
  3. Come Rain or Shine<\/li>\n<\/ol>\n

    Julie Byrd<\/p>\n

      \n
    1. Tests of Love me or Leave me<\/li>\n
    2. Sunny Side<\/li>\n
    3. More Tests of Leave me<\/li>\n<\/ol>\n

      Address label for Sherman Fairchild on back of case.<\/td>\n<\/tr>\n

item 5<\/strong><\/td>\nEstelle Campagna (flute). 7\u201d audio reel, 7.5 ips.
\nContents:
\nMississippi mockingbird — Introduction and Ruth\u2019s song — Desert journey.
\nAccompanying document (resume of Estelle Campagna) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nDorothy Carless. 7\u201d audio reel, 15 ips.
\nAnnotation on back of case: \u201c#2, Dorothy Carless, Standards.\u201d
\nAddress labels for Sherman Fairchild on back of case and on reel.
\nContents:
\nMy funny valentine (2:00) — Little girl blue (1:30) — Easy to love (3:00) — I\u2019ll remember April (2:30) — Moonlight in Vermont (3:00) — All alone (2:00) — (Ship without a sail).<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nHoagy Carmichael (1967). 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case: \u201cHoagy Carmichael, 5\/67.\u201d<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nHoagy Carmichael (1967). 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\n1.Carmichael
\nRecorded 5\/67
\nEdited by RE. 7\/12\/67<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nEddie Condon; Pee Wee; Fred Robbins. 7\u201d audio reel.
\nAccompanied by manuscript note [with list of personnel].
\nAccompanying document (manuscript note) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nFrank Couroy. 7\u201d audio reel.
\nAnnotation on back of case:
\nFrank Couroy
\nAlso Twilight (Casy too)<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nCharles DeForest (1967). 7\u201d audio reel, 7.5 ips.
\nAnnotation on side of case: \u201cDe Forest, Charles Demo.\u201d
\nAnnotation on side of case (2): \u201cMcPartland\/1688.\u201d
\nAnnotation on back of case: \u201c8-3-67 \u2026 4\/26\/67.\u201d
\nContents:
\nWhat can you do (vocal final) (3:56) — What can you do (vocal final) (3:13) — What can you do (vocal final) (2:27) — There\u2019ll be other times (vocal final, with trio accompaniment) (2:19) — There\u2019ll be other times (vocal final, with piano accompaniment (2:13) — What can you do (basic track) (3:56) — What can you do (basic track (3:13) — What can you do (basic track) (2:27) — There\u2019ll be other times (trio) (2:19) — There\u2019ll be other times (piano) (2:13).<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nRussell George; Ron Lundberg; Randy Hall (1962). 7\u201d audio reel.
\nLabel on front of case for WVP (Washington Video Productions):
\n\u201cMark\u201d
\nsoundtrack – copyright WVP – 1962
\nAnnotation on back of case:
\nWVP
\n24 F Shreil
\nWash D. C.
\n\u201cMark\u201d
\nRussell George
\nRon Lundberg
\nRandy Hall
\nContents:
\nMark.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nRussell George; Art Magyar (1960). 7\u201d audio reel.
\nAnnotation on side of case: \u201cJ.M. sitting in in Fort L.\u201d|
\nAnnotation on front of case: \u201cOriginal at Fuzio\u2019s.\u201d
\nAnnotation on back of case:
\nRussell George – Art Magyar
\n1960? Florida
\ntransferred to DAT 12-11-90<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 66″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611678700484{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n
item 1<\/strong><\/td>\nBobby Hackett (1964). 7\u201d audio reel, 7.5 ips.
\nAnnotation on side of case: \u201cHackett Sesal.\u201d
\nAnnotation on inside front cover of case:
\nBobby Hackett
\n1. Condon\u2019s
\n10\/22\/64
\nAnnotation on reel: \u201c7 1\/2, 2 trk stereo of XSB 75887B, Hackett – Sesal.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nBobby Hackett, with others. 7\u201d audio reel, 3.75 ips.
\nAddress label for Mr. & Mrs. Wm. Devlin Label on inside front cover of case.
\nAnnotation on back of case:
\nI\u00a0\u00a0\u00a0\u00a0 Rio\u00a0\u00a0\u00a0\u00a0 \u201cTwilight World\u201d @ Rowntowner
\n\u201cTry a Little Tenderness\u201d\u00a0\u00a0\u00a0\u00a0 \u201cClowns\u201d @ Schnectady<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\u201cGentleman from Cape Cod\u201d (Twice)<\/td>\n<\/td>\n@ Rowntowner<\/td>\n<\/tr>\n
\u201cI Remember Duke\u201d<\/td>\nBy R. Clemente<\/td>\n<\/tr>\n
\u201cWaltz for Dorean\u201d<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u201cWhispering\u201d\u00a0\u00a0\u00a0\u00a0 @ Rowntowner
\nBobby Hackett – Vic Dickenson – Franklin Skeets & John Uhlrich @ Top of the Plaza 2\/2\/70
\nII\u00a0\u00a0\u00a0\u00a0 Bobby Hackett – Dave McKenna – Ray Mosca (& Ernie Hackett)
\nZito Russo – bass @ Top of the Plaza 1968
\nDoug Duke\u00a0\u00a0\u00a0\u00a0 Piano & Organ\u00a0\u00a0\u00a0\u00a0 @ Doug Dukes\u00a0\u00a0\u00a0\u00a0 1969
\nAccompanying document (correspondence) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n

item 3<\/strong><\/td>\nArmen Halburian; Bill Britto (1956). 7\u201d audio reel.|
\nAnnotation on side of case: \u201cKen Stone 1956, Helen Merrill 1957.\u201d
\nAnnotation on back of case:
\nTapes made by Ken Stone.
\nArmen Halburian
\nBill Britto
\nBavers 1956?<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nJake [Hanna]; Eddie [Gomez]. 7\u201d audio reel.
\nAnnotation on back of case: \u201cTape at Les Champs \/ Jake & Eddie.\u201d<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u00a0Bobby Henderson. 7\u201d audio reel.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nFletcher Henderson (1970). 7\u201d audio reel.
\nAnnotation on back of case:
\nRecorded 11-70
\nEd Beach (WRVR)<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nEarl Hines, piano; Larry Richardson, bass; Khalil Mhadi, drums (1970). 7\u201d audio reel.
\nAnnotation on side of case: \u201cEarl Hines Trio 21 July 70.\u201d
\nContents:
\nSide 1. I can\u2019t trust myself alone — Slaughter on 10th Avenue — Blues in C — My ship (vocal) — My ship —
\nSide 2. Showboat — West Side Story — On the sunny side of the street.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nEarl [Hines]. 7\u201d audio reel.
\nAnnotation on back of case: \u201cEarl.\u201d
\nAnnotation on reel: \u201cE. H.\u201d<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nG. Jim Hodgkinson, piano; with the University of Alberta Jazz Quartet (1978). 7\u201d audio reel.
\nRecorded April 16, 1978.
\nAnnotation on back of case:
\nHorace Silver \u2013 Peace \u2013 6
\nJim Hodgkinson \u2013 Jake\u2019s Corner \u2013 148
\nFreddie the Freeloader \u2013 Miles Davis \u2013 259
\nMiles Davis \u2013 Petits Machins \u2013 386
\nDave Holland \u2013 Conference of the Birds \u2013 484
\nFreddie Hubbard \u2013 Intrepid Fox \u2013 670
\nAccompanying document (correspondence) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nMax Hotz. 7\u201d audio reel.
\nAnnotation on side of case: \u201cMax Hotz, can be used.\u201d
\nAnnotation on back of case:
\n1\/1\/56 3 a.m.
\n12\/31\/55
\nReel No. 3
\n30 each side
\n([illegible] for the birds) ? M. E. H.
\nFred Puher [?], bass
\nOutput 1|
\nNew Year Eve\u2019s Party: 12\/31\/55 3 a.m.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nCliff Jackson. 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\n*1. Hock shop blues\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1924 (piano roll)
\n2. Horse feathers\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1927
\n*3. You took advantage of me\u00a0\u00a0 1946
\n*4. Tea for two\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1946
\n*5. Memphis blues\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1946
\n6. Cliff\u2019s boogie blues 1944
\n7. Jeeper\u2019s creepers 1944
\n*solo<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nEllis Larkins. 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nNew Year broadcast from Composer
\nArmin & Bill<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nEllis [Larkins]. 7\u201d audio reel.
\nAnnotation on back of case: \u201cEllis.\u201d
\nAnnotation on reel: \u201cE L.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 67″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611678710331{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nRose Magwood. 7\u201d audio reel.
\nAnnotation on side of reel: \u201c89\u00a0\u00a0\u00a0\u00a0 Rose Magwood \u2013 Free Born \u2013 1.14.65.\u201d
\nAnnotation on back of case crossed out (see case).<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nLou Marini. 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nLou Marini\u2019s tape
\nAwakeing \u2013 Harrson
\nFifo \u2013 Marini<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n[Ron] McClure; [Ron] Lundberg (1966). 7\u201d audio reels.
\nAnnotation on side of case: \u201cMcClure, Fort Lauderdale, Lundberg, 1966.\u201d
\nAnnotation on back of case:
\nFlorida
\n1\/2 empty
\n(Paul)
\nWorld is waiting for the sunrise
\nSummertime
\nWrite a letter
\nCan\u2019t be love
\nRonnie\u2019s tune
\nThat\u2019s all
\nFound a new
\noverrecorded<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nDave McKenna; [Dick Johnson, clarinet and flute; Bucky Calabrese, bass]. 7\u201d audio reel.
\nExcerpt from album Cookin\u2019 at Michael\u2019s Pub<\/em> (Halcyon 108).
\nLabel on reel:
\nHAL 108
\nDAVE McKENNA
\nProduction Sample \u2013 Dolby B<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nGary McPharland. 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nGary McPharland\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 11\/70
\nFrom \u201cJust Jazz\u201d<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nLinc [Milliman]; \u201cAllan.\u201d 7\u201d audio reel.
\nAnnotation on side of case: Shermans, Linc & Allan.\u201d
\nAnnotation on back of case:
\n1. id take \u2013 Ceicl
\n2.
\nWonderful One #1
\nWonderful One #2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:16
\nWonderful One #3\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:30
\nTwilight World #1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:35
\nMichelle<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nLinc [Milliman]; \u201cAllan.\u201d 7\u201d audio reel.
\nAnnotation on side of case: Shermans, Linc & Allan.\u201d
\nAnnotation on back of case:
\n1:28
\n3:33
\nI\u2019m all smiles\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:24
\nI\u2019m all smiles\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:26
\nSometimes when you\u2019re lonely\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:50
\n2:55
\n1) How deep is the ocean<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nLinc [Milliman]; \u201cAllan.\u201d 7\u201d audio reel.
\nAnnotation on side of case: Shermans, Linc & Allan.\u201d
\nAnnotation on back of case:
\nTwilight world\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:15
\nYardkind Scott [?]\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:15<\/p>\n
    \n
  1. In a sentimental mood 3:30<\/li>\n
  2. ? Stella 3:53<\/li>\n
  3. Stella 3:52<\/li>\n
  4. Stella 3:47<\/li>\n
  5. Stella 3:43<\/li>\n
  6. Stella 3:49<\/li>\n<\/ol>\n

    3:50<\/td>\n<\/tr>\n

item 9<\/strong><\/td>\nJoe Morello. 7\u201d audio reel.
\nAnnotation on back of case:
\n#1 \u2013 If you\u2019d be so nice to come home to
\n#2 \u2013 Dancing on the ceiling
\n#3 \u2013 Strutting with some \/ Barbecue
\n#4 \u2013 Bohimia after dark
\n#5 \u2013 Things we did last summer
\n#6 \u2013 Drum solo by Joe Morello \u2013 M.I.T.!
\ntransferred to DAT<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nBenny Mouten; Don Redman. 7\u201d audio reel, 3.75 ips.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\n[Virginia] Owen. 7\u201d audio reel.
\nAnnotation on side of case: \u201cMaster V. Owen I.\u201d<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\n[Virginia] Owen. 7\u201d audio reel, 7.5 ips.
\nAnnotation on side of case: \u201cV. Owen Copy.\u201d<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nLes Paul. 7\u201d audio reel, 15 ips.
\nAnnotation on back of case:
\n(1) I hear a song when I think of you\u00a0\u00a0\u00a0\u00a0\u00a0 2 mins.
\n(2) Amoche Regi\u2019 (sp.)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2 1\/2 mins.
\n(3) Instrumental\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2 mins.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 68″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611678718580{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nOscar Peterson Trio, with Stan Getz and Stephanie Grappelli.
\nAnnotation on back of case:
\n1. Peterson Trio with Stan Getz
\n\u201c\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201c\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201c\u00a0\u00a0\u00a0\u00a0\u00a0 \u201c\u00a0\u00a0\u00a0\u00a0 S. Grapelly [sic<\/em>]
\nSingers Unlimited
\nPortsmouth Symphony<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nPetrus (1973). 7\u201d audio reel.
\nRecorded August 12, 1973.
\nAnnotation on back of case:
\nPetrus
\nLive at John Drew Theatre
\nEasthampton, New York
\nLocation Recording by:
\nStratosphere Studios Inc.
\nPhil Markowitz<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nBuny Phillips; Ruth Alcivar; Bob Alcivar; Lee Humes; Hal Curtis. 7\u201d audio reel, 7.5 ips.
\nAnnotation on side of case: \u201cHighlights from \u2018The Signatures\u2019 5-1-58.\u201d
\nAnnotation on back of case:
\nRecorded at Warsaw Ellis Club
\nRecording engineer, Chet Bartol
\nBunny Phillips, lead
\nRuth Alcivar, 2nd part, and drums
\nBob Alcivar, 3rd part, piano, arrangements
\nLee Humes, 4th part, bass, valve trombone
\nHal Curtis, 5th part, trumpet, bass, mellophone<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nBud Powell (1970). 7\u201d audio reel, 3.75 ips.
\nAnnotation on side of case: \u201cBud Powell, Parts 1 & 2.\u201d
\nAnnotation on back of case:
\nSept. 26, 1970
\nBud Powell
\nFrom Ed Beach.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nBud Powell. 7\u201d audio reel.
\nAnnotation on side of case: \u201cBud Powell, Part 3 of 3.\u201d<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nMel Rich. 7\u201d audio reel.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nKenny Richards. 7\u201d audio reel.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\n\u201cMr. Ross.\u201d 7\u201d audio reel, 15 ips.
\nAnnotation on side of case: \u201cMr. Ross Sings.\u201d
\nAddress label for Sherman Fairchild on back of case and on reel.
\nContents:
\nTwo babes in the woods — Love you more than yesterday — Beside a shady nook — She\u2019s funny that way — Blue moon (new lyrics) — Manhattan — Everything I\u2019ve got belongs to you — How deep is the ocean.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nLance Rubin. 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\n\u201cSpain\u201d
\nComp. Chick Corea
\nArr. Lance Rubin<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nJoe Scariza (1977). 7\u201d audio reel.
\nAnnotation on side of case: \u201cSavoy Things by Joe Scariza 1977.\u201d
\nAnnotation on back of case:
\n1 \u2013 When my sugar walls down the street (Gannett)
\n2 \u2013 Prince of Wails (Gannett)
\n3 \u2013 Paper moon (Savoy)
\n4 \u2013 Moonlight in Vermont (Savoy)
\n5 \u2013 Flamingo (Federal)
\n6 \u2013 It\u2019s delovely (Federal)
\n7 \u2013 Four brothers (Federal)
\n8 \u2013 Libestraum (Federal)<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nTony Scott; Charlie Haden; Lennie Bruce (1966). 7\u201d audio reel.
\nAnnotation on side of case: \u201cCharlie Haden, Tony Scott, Lennie Bruce, Mem. 1966.\u201d
\nAnnotation on back of case:
\n9\/9\/66
\nDo Not Erase!!!!
\nTony Scott, Charlie Hayden & Cec. Sharp
\nRecorded 8\/12\/66 at Judson Church NYC
\nby Peter Zanger<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nArchie Shepp. 7\u201d audio reel.
\nAnnotation on side of case: \u201cArchie Shepp, do you believe this?\u201d
\nAnnotation on back of case:
\nTransferred
\nBad recording
\n[illegible] in right channel
\nAnnotation on front of case:
\nSynch N.S.
\nShepp \u2014 McPartland<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nFred Simon, with others (1978). 7\u201d audio reel, 7.5 ips.
\nAnnotation on side of case: \u201cGreat! Fred Simon, Chicago Pianist.\u201d
\nAnnotation on front of case:<\/p>\n
    \n
  1. Big Sur Trio 3:35<\/li>\n
  2. Song for Anais Nin Solo 3:40<\/li>\n
  3. Song for Henry Miller Trio 4:10<\/li>\n
  4. Lake of Dreams Solo 2:30<\/li>\n
  5. Kelly\u2019s Tune Quintet 6:20<\/li>\n
  6. Daughter of the Mountain Solo 1:40<\/li>\n
  7. Water Music Quintet 9:30<\/li>\n<\/ol>\n

    Total\u00a0\u00a0\u00a0 31:25
    \nAll Tunes \u00a9 1978 by Fred Simon
    \nPlayers: Piano \u2013 Fred Simon
    \nBass \u2013 Kelly Sill
    \nSaxophone \u2013 Michael Bard
    \nGuitar \u2013 David Onderdonk
    \nPercussion \u2013 Ray Castrey, John Drinkwater
    \nEngineer \u2013 Mark Rubenstein<\/td>\n<\/tr>\n

item 14<\/strong><\/td>\nSteve Swallow. 7\u201d audio reel.
\nAnnotation on side of case:
\nWBAI
\nAd LAB \u2013 Discussion on Premiums
\nSteve Swallow
\nAnnotation on back of case: \u201cTape II.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 69″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611678727341{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nArt Tatum. 7\u201d audio reel.
\nAnnotation on side of case: \u201cArt Tatum, speed 3 5,4 (Ed Beach \u2013 WRVR).\u201d<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nJack Teagarden; Mel Grant; with Mitt Mole. 7\u201d audio reel, 7.5 ips.
\nAnnotation on side of case: Bob Daris, Jack T., Mitt Mole.\u201d
\nAnnotation on back of case: \u201ctransferred to DAT 12-22-90.\u201d
\nContents:
\nSide I. Blues — Little white lies — Body and soul — I can\u2019t get started — Stars fell on Alabama — A hundred years from today — Who\u2019s sorry now — Lover — Blues —
\nSide II. Blues (cont.) — Mel Grant talking with Miff Mole — Mel Grant piano solo.
\nAccompanying documents (track list; correspondence) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nAndrea Tilton. 7\u201d audio reel.
\nAnnotation on back of case:
\nAndrea Tilton
\n5 Sinclair St.
\nFarming Dale NY<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nJerry Verme (1954). 7\u201d audio reel, 15 ips.
\nAddress label for Sherman Fairchild on back of case.
\nAnnotation on side of case: \u201cJerry Verme, November 15, 54.\u201d Pasted over original label (incomplete label): \u201c\u2026iginals.\u201d
\nAnnotation on back of case:
\nReel No. (1); Date 11\/15\/4; Title Jerry Verme.
\n(1) Answer to My prayer was you \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013 2 1\/2
\n(2) When I Dream of you\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013 3
\n(3) Girl from Buffalo\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013 2
\n(4) There\u2019s Only One Way\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2013 2
\n(5) I Met My Love on New Year\u2019s Eve\u00a0 \u2013 1 3\/4
\nVocals & drums by Lou Oddo
\nFacsimile of original case in Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nBob Wagner (1958). 7\u201d audio reel.
\nAddress label for Sherman Fairchild on reel.
\nAnnotation on back of case:
\nBob Wagner Tunes\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1\/20\/58<\/p>\n
    \n
  1. The thought of Debbie 2 mins<\/li>\n
  2. Having a wonderful winter 1 1\/2 mins<\/li>\n
  3. No small talk please 2 mins<\/li>\n
  4. Thank you for tonight 2 mins<\/li>\n
  5. I\u2019m always early &<\/li>\n<\/ol>\n

    you\u2019re always late\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2 1\/2 mins<\/td>\n<\/tr>\n

item 6<\/strong><\/td>\nJimmy Whitman; \u201cVinnie\u201d; \u201cJoe.\u201d 7\u201d audio reel.
\nAnnotation on side of case: \u201cJimmy Whiteman Vinnie & Joe.\u201d<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nAlec Wilder. 7\u201d audio reel.
\nAnnotation on side of case: \u201cAlec Wilder 19\u00ad\u2013.\u201d
\nAnnotation on back of case:<\/p>\n
    \n
  1. Such a tender night<\/li>\n
  2. Walking home in spring<\/li>\n
  3. A little girl grows up<\/li>\n
  4. Concerning etchings<\/li>\n
  5. Nenrotic goldfish<\/li>\n
  6. A debutante\u2019s diary<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nAlec Wilder. 7\u201d audio reel, 7.5 ips.
\nAnnotation on side of case: \u201cAlec Talk.\u201d
\nAnnotation on front of case: \u201cAlec Wilder, Talk Part.\u201d<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nMary Lou [Williams]; Carine Ray (1967). 7\u201d audio reel.
\nAnnotation on side of case: \u201cMary Lou & Kid Singers.\u201d
\nAnnotation on back of case:
\nSept 1967 Mary Lou Carline Ray<\/p>\n
    \n
  1. #140 1\u2013190 Wordless OW<\/li>\n
  2. #195 \u2013 231 wrong<\/li>\n
  3. 235 \u2013 267 inc<\/li>\n
  4. 267 \u2013 334 Peace Be Still<\/li>\n
  5. 339 \u2013 407 No<\/li>\n
  6. 420 \u2013 515 Chip Natoma from Tacoma<\/li>\n
  7. 520 \u2013 560<\/li>\n
  8. 564 \u2013 649 You know Baby what I want from you<\/li>\n
  9. 666 \u2013 745 Lonely Melody [?]<\/li>\n
  10. 750 \u2013 845<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nTeddy [Wilson?]. 7\u201d audio reel.
\nAnnotation on reel: \u201cT. W.\u201d<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\n\u201cBill & Joe Oct 16.\u201d 7\u201d audio reel.
\nAnnotation on inside of case:
\nOne side pupils
\nJoe & Bill x Oct 16th
\nout of nowhere
\nwill be together
\nHadn\u2019t anyone 1\/2 of it
\nSmall Hotel
\nI have to tell you
\nCaravan
\nbad
\nbroadcast & pupils
\n(erase this)
\nFacsimile of original case in Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 12<\/strong><\/td>\n\u201cJ? + Vinnie.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\nJ? [illegible] + Vinnie
\n\u201cI think\u201d<\/p>\n
    \n
  1. I\u2019m beginning to see the light<\/li>\n
  2. Skylark<\/li>\n
  3. Have you and Ms. Jones<\/li>\n
  4. Apuillin Paris<\/li>\n
  5. Young Lovers<\/li>\n
  6. I\u2019ll remember April<\/li>\n
  7. Rain on the Roof<\/li>\n
  8. Body & Soul (Bergosi)<\/li>\n
  9. Will you still be mine?<\/li>\n
  10. Everything I have is yours<\/li>\n
  11. Anthropology<\/li>\n
  12. Mothers Blues (titled by \u201cSir\u201d Joe Gosin)<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nNorth Texas State Lab Band (undated).
\nAnnotation on back of case: \u201cNorth Texas State Lab Band, no solos band only.\u201d
\nLabel for P.S.G. Recording Studio on front of case.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 70″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611678737197{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n[Recordings of other musicians, compilations]<\/strong><\/em><\/td>\n<\/tr>\n
item 1<\/strong><\/td>\nBix Beiderbecke, cornet and piano; with Frankie Trumbauer and Eddie Lang (1927) \/ Joe Sullivan Trio (Joe Sullivan with Dave Lario, bass; Smoky Stover, drums) (1951). 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case: \u201ctransferred to DAT 3-13-93.\u201d
\nContents:
\nSide I. Bix Beiderbecke: In a mist (Bixology) — Beiderbecke with Trumbauer and Lang: Wringin\u2019 and twistin\u2019 — Joe Sullivan Trio: Gin mill blues — That\u2019s a plenty — A room with a view — Sweet Lorraine — Hangover blues — Little roch getaway — Honeysuckle rose —
\nSide II. Summertime — Fido\u2019s fantasy — My little pride and joy — I cover the waterfront — Farewell to riverside.
\nAccompanying document (track list) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nJohn Lewis \/ Bill Evans. 7\u201d audio reel.
\nAnnotation on side of case: \u201cJohn Bunch, self, Bill Evans, John Lewis.\u201d
\nAnnotation on back of case:
\nGeorge Opdykes tape
\nJohn Lewis
\nBill Evans (all about Rosie)
\nAccompanied by track list:
\nSide 2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 John Lewis
\nTrack One\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Wonderful World of Jazz
\nAtlantic\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1. Body & Soul\u00a0\u00a0\u00a0\u00a0 15:24
\n1375\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2. I should Care\u00a0\u00a0\u00a0\u00a0 4:50
\nMonaural<\/p>\n
    \n
  1. Two Degrees East 3 Degrees West 5:35<\/li>\n
  2. Afternoon in Paris 9:55<\/li>\n
  3. I remember Clifford 3:25<\/li>\n<\/ol>\n

    Columbia\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 From Outstanding Jazz Compositions of the Twentieth Century
    \nCL2109\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1. All About Rosie Last 2\/3rds * (Russell)<\/p>\n

      \n
    1. Swinging Goatsherd Blues (Charles)
      \n* High Powered Bill Evans Chorus or three<\/li>\n<\/ol>\n

      Accompanying document (track list) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n

item 3<\/strong><\/td>\nBob Warren; Virginia Owens. 7\u201d audio reel.
\nAnnotation on side of case:
\nRobt Warren: Birth Control\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 Robt. Warren: Your Not My Girl
\nVirginia Owen: One Too Many Martinis \u00a0\u00a0\u00a0\u00a0 Virginia Owen: The Blue Express<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nCompositions by Reginald Foresythe and Alec Wilder (1935). 7\u201d audio reel, 7.5 ips.
\nAccompanied by typescript track list.
\nContents:
\nTrack 1. Reginald Foresythe: Melancholy clown — Lullaby — Greener the grass — Dodging a divorcee — Alec Wilder (Octets): Jack, this is my husband — The amorous poltergeist — They needed no words — Remember me to youth — Footnote to a summer love — A little girl grows up —
\nTrack 4. Alec Wilder (Octets): The children met the train — Little white samba — Such a tender night — Walking home in spring — Sea fugue mama — The Japanese sandman — Sweet Sue, just you — Blue room.
\nPersonnel:
\nFor Foresythe compositions: Benny Goodman and Johnny Mince, clarinets; Hymie Schertzer and Toots Mondello, alto sax; Dick Clark, tenor sax; Sol Schoenbach, bassoon; Reginald Foresythe, piano; John Kieby, bass; Gene Krupa, drums.
\nFor Wilder Octets (from \u201cJack, this is my husband\u201d to \u201cLittle white samba\u201d): J. Carroll, clarinet; M. Miller, oboe and English horn; E. Powell, flute; H. Goltzer, bassoon; R. Merrill, bass clarinet; Dick Wolff, harpsichord; F. Carroll, bass; G. Gillis, drums.
\nFor Wilder Octets (from \u201cSuch a tender night\u201d to \u201cBlue room\u201d): Mitchell Miller, oboe; Jimmy Carroll, clarinet; Toots Mondello, bass clarinet; Eddy Powell, flute; Harold Goltzer, bassoon; Walter Gross, harpsichord; Frank Carroll, bass; Gary Gillis, drums.
\nAccompanying document (track list) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
<\/td>\n[Recordings without attributions]<\/strong><\/em><\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u201cA & R Dickson 1971, Reel #1.\u201d 7\u201d audio reel, 7.5 ips.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u201cAxR Dixon 1971, Reel #2.\u201d 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nWhere do you go
\nOne before raindrops
\nLast take of
\nWhere do you go
\nisn\u2019t bad<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n\u201cBaker\u2019s May 1960.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\n[illegible]\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Baker\u2019s May 1960
\n1) All God\u2019s children
\n2) Beginning of Accustomed to Your Face
\n3) Little Girl Blue
\n4) Yesterdays
\n5) [illegible]
\n6) Swinging [illegible]
\n7) While the world was busy<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\n\u201cBlues Alley, May 17th 1969.\u201d 7\u201d audio reel.
\nAnnotation on inside of case:
\nBlues Alley\u2014May 17th, 1969
\nRecording by \u201cSnoopy.\u201d
\nFrom; John P. Callanan<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\n\u201cChan.\u201d 7\u201d audio reel.
\nAnnotation on back of case: \u201cChan July 1968, at my apt.\u201d<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\n\u201cCandlelites.\u201d 7\u201d audio reel, 15 ips.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\n\u201cDame-Dropper Song 1950s.\u201d 7\u201d audio reel.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\n\u201cDemo Tape My Things.\u201d 7\u201d audio reel.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\n\u201cEast Northport, Eleanor Rigby.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\nEast Northport Jr High
\nEleanor Rigby
\nNov 1968<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 71″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611678906922{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cHoward\u2019s Party 1955.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\nThe Stool
\nSide 1 \u2014 Monday PM Brawl
\nSide 2 \u2014 Blank<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\u201cInd Jazz 1975.\u201d 7\u201d audio reel.
\nAnnotations on back of case crossed out (see case).<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u201cIndianapolis Festival.\u201d 7\u201d audio reel.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cMural\/Candlelites.\u201d 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nMural
\nTake #1 \u2013 C
\nTake #2 \u2013 C
\nCandlelites Take #1 \u2013 0C.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u201cNobody\u2019s happy \u2026 etc.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\n1 \u2013 Nobody\u2019s happy
\n2 \u2013 To be your man
\n3 \u2013 Something in the way
\n4 \u2013 Once in my life
\n5 \u2013 Yesterday<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u201cOdds & Ends \u2014 Helen, Twinkle, etc.\u201d 7\u201d audio reel.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n\u201cOld English.\u201d 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case:
\nRl #1.\u00a0\u00a0 Prod #423. Old English Wax
\nJune 27th 1966
\n7 1\/2 Neo Pilot<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\n\u00a0\u201cPhil\u2019s Tape.\u201d 7\u201d audio reel.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\n\u201cRich\u2019s, Gables Stamford.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\nReel #1, 1\/2 track, 7 1\/2, 60 min
\nRecorded at Rich\u2019s 3 Gables
\nStamford, Feb, 16 \u201858
\nPeter Ind<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\n\u201cRuby Apt 1967.\u201d 7\u201d audio reel.
\nAnnotation on side of case: \u201cRuby \/ Lynn C.\u201d
\nAnnotation on back of case: \u201cCopy.\u201d
\nAccompanied by note: \u201cSomething wrong with the speed here, Ruby, Lynn C.\u201d
\nAccompanying document (note) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nUntitled \u201c[Stompin at Savoy,\u201d etc.]. 7\u201d audio reel, 7.5 ips.
\nAnnotation on front of case:
\n1) Stompin at Savoy
\n2) Summertime
\n3) Polka dots
\n4) Can\u2019t give you anything
\n5) How insensitive
\n6) Perdido
\nAccompanying documents (correspondence; manuscript notes) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 12<\/strong><\/td>\n\u201cTape #1.\u201d 7\u201d audio reel.
\nAnnotation on side of case: \u201cSide 1 \u2013 Blank, Side 2 \u2013 Misc. (see insert).\u201d
\nAnnotation on back of case:
\nTape #1
\nMrs. McP\u2019s copy
\n<\/span>Rec 6-8-66
\n<\/span>experiments
\nAccompanied by track list; contents:
\nSide 1. Blank —
\nSide 2. Mame (20 min) — What is this thing called love — Mame — Excerpt from radio show — Thelonious Monk — Approximately 5\u2019 blank at end.
\nAccompanying document (track list) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 13<\/strong><\/td>\n\u201cTony.\u201d 7\u201d audio reel.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 72″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611678896930{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nUntitled (\u201cYou brought it on\u201d). 7\u201d audio reel.
\nAnnotation on back of case: \u201cYou Brought It On.\u201d<\/td>\n<\/tr>\n
<\/td>\n\u00a0[Recordings of radio and television broadcasts and interviews]<\/strong><\/em><\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\u201cEssence of Jazz, WXXI.\u201d 7\u201d audio reel, 3.75 ips.
\nLabel on reel and on side of case:
\nEarl Hines Interview Segment with Will Moyle \u2013 Off Air WXXI \u2013 6\/5\/76.\u201d
\nAnnotation on back of case:
\nEssence of Jazz
\nWXXI, Rochester, N.Y.
\n14601
\nEarl Hines 1st Hour
\nInterview segment with
\nWill Moyle plus 30 minutes
\nof general program<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u201cMarion [sic<\/em>] McPartland \u2013 interview with Steve Kuhn \u2013 Part 1.\u201d 7\u201d audio reel.
\nLabel on back of case for WBAI, 99.5 FM, New York, NY.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cMarion [sic<\/em>] McPartland \u2013 interview with Steve Kuhn \u2013 Part II.\u201d 7\u201d audio reel.
\nLabel on back of case for WBAI, 99.5 FM, New York, NY.
\nLabel on reel: \u201cMcP Part #2, Segue from Pt 1.\u201d
\nAnnotation on inside of front cover: \u201cI Broohherhood in action, 2\/16\/66.\u201d
\nAnnotation on back of case:
\nJan 31st 1969
\nMarion [sic<\/em>] McPartland \u2013 interview with Steve Kuhn \u2013 Part II.
\n<\/span>taped Bruce \u2013<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u201cThe Marian McPartland Program with Chris White, Part 1 of 2.\u201d 7\u201d audio reel, 7.5 ips.
\nLabel on back of case for KPFA 94.1, KPFK-FM 90.7, WBAI-FM 99.5.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u201cThe Marian McPartland Program with Chris White, Part 2 of 2.\u201d 7\u201d audio reel, 7.5 ips.
\nLabel on back of case for KPFA 94.1, KPFK-FM 90.7, WBAI-FM 99.5.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n\u201cMilitary Monitor (Bookshester and Judy Coburn talk about Operation Phoenix).\u201d 7\u201d audio reel, 7.5 ips.
\nAnnotation on back of case crossed out (see case).<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\n\u201cNPR 1979, Lary Lou and Carline Ray.\u201d 7\u201d audio reel.
\nAnnotation on side of case: \u201cMary Lou and Carline Ray.\u201d
\nAnnotation on back of case:<\/p>\n
    \n
  1. Autumn Leaves Mary Lou<\/li>\n
  2. Anti [?]<\/li>\n
  3. <\/li>\n<\/ol>\n

    Mary Lou & Marin
    \nNPR 1979<\/td>\n<\/tr>\n

item 9<\/strong><\/td>\n\u201cBarbara Sizemore\u2019s Interview with Felix.\u201d 7\u201d audio reel.
\nAnnotation on side of case: \u201cBauman.\u201d
\nAnnotation on back of case:
\nBarbara Sizemore\u2019s interview with Felix
\nMay 3, 1974
\nBarbara Sizemore\u2019s remarks from stage
\nAccompanying document (manuscript notes) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
item 10<\/strong><\/td>\n\u201cSteve Swallow, WBAI.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\nTape I\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 12\/1\/61\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:30 PM
\n<\/span>Group Interview on Gold Medal
\n<\/span>copy claims
\n<\/span>Steve Swallow, quiet
\nPiano Jazz<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\n\u201cToday Show 1960.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\nTitle: Today, Part 1 of 1,
\n17037830608
\nDate: 9\/9\/60, Machine 5, Disposition: WPU, Eng.: BA<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\n\u201cTreasury of Music.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\nLabel on back of case for National Broadcasting Company, Inc.
\nAnnotation on back of case:
\nTitle: Treasury of Music
\nPart 1 of 1, Time: 10:00-10:30p, Source: Net
\nBroadcast \u00fc, Date: 7\/9, Machine: 3, Disposition: Marian McPartland<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\n\u201cWill Moyle Show WROC.\u201d 7\u201d audio reel.
\nAnnotation on back of case:
\nSept 1973
\nWill Moyle Show, WROC
\nGuest DJ Marian McPartland
\nTrack list:
\nEbb tide (Sigman-Maxwell) — Moon river (J. Mercer\/H. Mancini) — Alfie (B. Bacharach\/H. David) — Somewhere, my love (P. F. Webster\/M. Jarre) — Theme for young lovers (P. Faith) — All alone am I (A. Altman\/J. Loannidis\/M. Hadjidakis) — Music until midnight (P. Faith) — Blue on blue (H. David\/B. F. Bacharach) — Laura (Mercer\/Raksin) — Wives and lovers (H. David\/B. F. Bacharach).
\nAccompanying document (track list) separated; see Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 73″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611678877969{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cWBFB \u2013 Attica Interview.\u201d 7\u201d audio reel.
\nLabel on reel:
\nMarian with Will
\nWBFB \u2013 6\/21\/75
\nAttica interview
\n(1) Will:
\n(2) Marian\u2019s Attica
\n(3) Marian\u2019s music
\n(4) Marian\u2019s post comments<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\u201cWMGM, Stokes, Mouse, Bob.\u201d 7\u201d audio reel.
\nAnnotation on side of case: \u201cMWGM, Stokes, Mouse, Bob, 1 side.\u201d
\nAnnotation on back of case:
\nBroadcast Sunday, March 1st
\nMouse \u2013 Bob
\nSavoy \u2013 Sept Song, Tabu, How long has
\nSummertime, How high<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u201cWNEW 1952.\u201d 7\u201d audio reel.
\nAnnotation on back of case crossed out (see original case).
\nFacsimile of original case in Box 11, Folder 16.<\/em><\/td>\n<\/tr>\n
<\/td>\n[Unlabeled and unknown recordings<\/strong><\/em>]<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nUnlabeled (\u201cLinpty\u201d). 7\u201d audio reel.
\nAnnotation on back of case: \u201cLinpty.\u201d<\/td>\n<\/tr>\n
item 5-8<\/strong><\/td>\n\u201cLR-1278.\u201d 4 \u2013 7\u201d audio reels.
\nAnnotation on side of cases: \u201cLR-1278 \/ Master Tape, Don\u2019t Use.\u201d<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nUnlabeled (\u201cMystery!). 7\u201d audio reel.
\nAnnotation on side of case: \u201cMystery!\u201d<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nUnlabeled (\u201ctransferred to DAT 3-12-95\u201d). 7\u201d audio reel.
\nAnnotation on back of case:
\ntransferred to DAT 3-12-95
\n1. M. Sheridan, M. D.
\n1018 Pinehurst
\nRoyal Oak, Mich.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nUnlabeled (\u201ctransferred to DAT 3-13-93\u201d). 7\u201d audio reel.
\nAnnotation on back of case: \u201ctransferred to DAT 3-13-93.\u201d<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nUnlabeled. 7\u201d audio reel.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 74″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611678859375{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nUnlabeled. 7\u201d audio reel.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nUnlabeled. 7\u201d audio reel.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nUnlabeled. 7\u201d audio reel.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nUnlabeled. 7\u201d audio reel.
\nAnnotation on inside of case: \u201c1\/4 track, stereo, side 1.\u201d<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nUnlabeled. 7\u201d audio reel.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nUnlabeled. 7\u201d audio reel.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nUnlabeled. 7\u201d audio reel.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nUnlabeled. 7\u201d audio reel.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nUnlabeled. 7\u201d audio reel.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nUnlabeled. 7\u201d audio reel.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1611610999503{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series E: 10\u201d Reel-to-Reel Audio Tape<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 75″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611678835512{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n[Recordings of Marian McPartland: commercial recordings and masters]<\/strong><\/em><\/td>\n<\/tr>\n
item 1<\/strong><\/td>\nInterplay\u00a0<\/em>(Halcyon, HAL 100) [Side A]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nMarian McPartland, piano; Linc Milliman, bass.
\nRecorded for Halcyon Records by Masterdisk Corporation. Hank O\u2019Neal, producer; Scott Hull, engineer.
\nAnnotation on back of case: \u201c1:1 copy of Disk.\u201d
\nContents:
\nTwilight world (4:30) — Indian summer (5:58) — Close your eyes (5:43) — Here\u2019s that rainy day (6:08).<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nInterplay <\/em>(Halcyon, HAL 100) [Side B]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nMarian McPartland, piano; Linc Milliman, bass.
\nRecorded for Halcyon Records by Masterdisk Corporation. Hank O\u2019Neal, producer; Scott Hull, engineer.
\nContents:
\nMilestones (4:50) — New Orleans (4:26) — By the time I get to Phoenix (4:42) — Illusion (4:37) — Things ain\u2019t what they used to be (3:27).<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nInter-Play<\/em> (Halcyon 100) [Side A]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nRecorded January 13, 1977.
\nAnnotation on back of case: \u201c1:1 copy of original.\u201d
\nContents:
\nBand #1 (4:30) — Band #2 (6:00) — Band #3 (5:45) — Band #4 (6:10).<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nInter-Play<\/em> (Halcyon 100) [Side B]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nRecorded January 13, 1977.
\nAnnotation on back of case: \u201c1:1 copy of original.\u201d
\nContents:
\nBand #1 (4:55) — Band #2 (4:30) — Band #3 (4:45) — Band #4 (4:40) — Band #5 (3:30).<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n[Ambiance<\/em>] (Halcyon, HAL 103) [Side A]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\n[Marian McPartland, piano; with Michael Moore, bass; Jimmy Madison and Billy Hart, drums.]
\nRecorded May 7, 1979.
\nContents:
\nWhat is this thing called love — Aspen — Sounds like seven — Ambiance — Rime — Three little words.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n[Ambiance<\/em>] (Halcyon, HAL 103) [Side B]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\n[Marian McPartland, piano; with Michael Moore, bass; Jimmy Madison and Billy Hart, drums.]
\nRecorded May 7, 1979.
\nContents:
\nHide & seek with the Bombay Bicycle Club — Afterglow — Lost one — The wisdom of the heart — Glimpse.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n\u201cHalcyon Records #103\u201d [Side A]. 10\u201d audio reel, 0.25\u201d.
\nAnnotation on side of case: \u201cHalcyon Records #103, Do Not Use, M. McPartland.\u201d
\nAnnotation on back of case:
\nRime\u00a0\u00a0\u00a0 #1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:01
\n#2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:15
\nAmbiance<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:49\u00a0\u00a0\u00a0\u00a0 sounds like seven
\nAnother new tune\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:32
\n\u201c\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:28
\n\u201c\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:24\u00a0\u00a0\u00a0\u00a0 Ambiance
\nAspen\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:15
\nAspen (Leaves?)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:38
\nBombay\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:36
\n\u201c\u00a0\u00a0\u00a0 #2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:55
\nMarian McPartland
\nFairchild\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 H103-A
\nAccompanying document (manuscript notes) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 76″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612287973021{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cHalcyon Records #103\u201d [Side B]. 10\u201d audio reel, 0.25\u201d.
\nAnnotation on side of case: \u201cHalcyon Records #103, Do Not Use, M. McPartland.\u201d
\nAnnotation on back of case:
\n7 July 70<\/p>\n
    \n
  1. You\u2019d be so nice to come home to #1 reject<\/li>\n
  2. \u201c 4:55<\/li>\n
  3. \u201c 5:01<\/li>\n
  4. \u201c 4:54\u00a0\u00a0\u00a0\u00a0 ok<\/li>\n
  5. Wisdom of the heart 2:35<\/li>\n
  6. \u201c 2:42<\/li>\n
  7. \u201c short take\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:40<\/li>\n
  8. \u201c \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 oh<\/li>\n
  9. Free 7:07<\/li>\n<\/ol>\n

    Marian McPartland
    \nFairchild
    \nDo not use
    \nMarion Trio\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 H103-B
    \nAccompanying documents (manuscript notes) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n

item 2<\/strong><\/td>\n\u201cHAL 103 A, Cutting Master E.Q\u2019d.\u201d 10\u201d audio reel, 0.25\u201d
\nAnnotation on back of case:
\nMarion [sic<\/em>] McPartland
\nHalcyon 103\u00a0\u00a0\u00a0\u00a0 Side A
\nHAL \u2014\u2014 103 A<\/p>\n
    \n
  1. Master, (use for cutting), T.T. 24:55<\/li>\n
  2. a) what is this thing called love?<\/li>\n<\/ol>\n

    aspen
    \nsounds like seven
    \nambiance
    \nrime
    \nthree little words<\/td>\n<\/tr>\n

item 3<\/strong><\/td>\n\u201cHAL 103 B, Cutting Master E.Q\u2019d.\u201d 10\u201d audio reel, 0.25\u201d
\nAnnotation on back of case:
\nMarion [sic<\/em>] McPartland
\nHalcyon 103\u00a0\u00a0\u00a0\u00a0 Side B
\nHAL \u00a0\u00a0\u00a0 103 B<\/p>\n
    \n
  1. Master, (use for cutting), T.T. 22:35<\/li>\n
  2. b) hide & seek with the Bombay bicycle club<\/li>\n<\/ol>\n

    afterglow
    \nlost one
    \nthe wisdom of the heart
    \nglimpse<\/td>\n<\/tr>\n

item 4<\/strong><\/td>\n[A Delicate Balance<\/em>] (Halcyon 105) [Side A]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nAnnotation on side of case: \u201cHalcyon 105A, M. McPartland, Safey [sic<\/em>] copy.\u201d
\nAnnotation on front of case:
\nHalcyon 105 A
\nSide one
\nMarian McPartland
\n1 \u2013 A Delicate Balance
\n2 \u2013 Melancholy Mood
\n3 \u2013 More
\n4 \u2013 Freedom Jazz Dance
\n5 \u2013 Solace
\nSafety Master<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n[A Delicate Balance<\/em>] (Halcyon 105) [Side B]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nAnnotation on side of case: \u201cHalcyon 105B, M. McPartland, Saety [sic<\/em>] copy.\u201d
\nAnnotation on front of case:
\nHalcyon 105 B
\nSide two
\nMarian McPartland
\n1 \u2013 El Condor Pasa
\n2 \u2013 Jazz Waltz for a Friend
\n3 \u2013 Something
\n4 \u2013 Britannia Blues
\n5 \u2013 God Bless the Child<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u201cMarian McPartland Master #1, #105\u201d [Side I]. 10\u201d audio reel, 0.25\u201d.
\nAnnotation on side of case: \u201cHalcyon 105A (?), Master, Marian McPartland.\u201d
\nTake Sheet affixed to front of case, from Mercury Sound Studios, with annotation:
\n1) A Delicate Balance
\n2) Melancholy Mood
\n3) More
\n4) Freedom Jazz Dance
\nUntitled\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 not part of album
\n5) Solance
\nUntitled not part of album\u00a0\u00a0\u00a0\u00a0 not part of album
\nUntitled No.
\nAnnotation on back of case:
\nBritanica\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3.46
\nMelancholy Mood\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:36
\nEl condor\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:35
\nWalk (Alec)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:44
\nMore\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:58
\nBlues\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:21
\nDelicate Balance\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:52<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n\u201cMarian McPartland, Master #2\u201d [Halcyon 105, Side II]. 10\u201d audio reel, 0.25\u201d.
\nTake Sheet affixed to front of case, from Mercury Sound Studios, with annotation:
\n(1) El Condor Pasa
\n(2) Jazz Waltz for a Friend
\n(3) Something\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (do not boost bass)
\n(4) Britannia blues
\nGod Bless the Child
\nUntitled
\nMore
\n(5) God Bless
\nMay use \u201cMore\u201d on A side, 3rd band
\nAnnotation on back of case:
\nFreedom Jazz Dance\u00a0\u00a0\u00a0\u00a0 5:25
\nSomething\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:50
\nGod Bless the Child\u00a0\u00a0\u00a0\u00a0\u00a0 5:04
\nNot Usual:\u00a0 Autio MN
\nBlues<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 77″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612288006950{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cHalcyon Records #105, Outtakes.\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
\nAnnotation on back of case:
\n1. McPartland
\n(outtakes)
\nGod Bless the Child
\nUntitled
\nMore
\nUntitled\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 No. 1
\nUntitled\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 No. 2\u00a0\u00a0\u00a0 X
\nUntitled\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 No. 3\u00a0\u00a0\u00a0 X
\nUntitled\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 No, 4\u00a0\u00a0\u00a0 X<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n[Elegant Piano<\/em>] (Halcyon 106), [Side A]. 10\u201d audio reel, 0.25\u201d.
\nAnnotation on back of case:
\nHAL #106
\nMarian McPartland & Teddy Willson [sic<\/em>]
\nSide A
\n1 \u2013 Quiet Nights
\n2 \u2013 Blues
\n3 \u2013 Shiny Stockings
\n4 \u2013 Blues (Mr. Teddy)
\n5 \u2013 Love
\nSide A = 21:00
\nMaster Safety copy
\nDate 4-5-73<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n[Elegant Piano<\/em>] (Halcyon 106), [Side B]. 10\u201d audio reel, 0.25\u201d.
\nAnnotation on back of case:
\nHAL #106
\nMarian McPartland & Teddy Willson [sic<\/em>]
\nSide B
\nBluesette\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Duo
\nCottage\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Solo
\nLover Man
\nJust One of Those Things
\nBlues (Teddy)
\nSide B = 18.00
\nMaster Safety Copy
\nDate: 4-5-73<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cHAL 106A, Marion McPartland, Teddy Willson, MSTR,\u201d [Side 1]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nAnnotation on back of case:
\nSide 1, HAL 106 A
\nMarian McPartland & Teddy Willson
\n1 \u2013 Quiet Nights\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Duet
\n2 \u2013 Blues (M\u2019s)
\n3 \u2013 Shiny Stockings
\n4 \u2013 Blues (Mr Teddy\u2019s Blues (Duo))
\n5 \u2013 Love (solo)
\nSide A = 21:00
\n(Master Copy use for mastering)
\n5\/8\/72; 5\/9\/77<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u201cHAL 106B, Marion McPartland, Teddy Willson, MSTR,\u201d [Side 2]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nAnnotation on back of case:
\nSide 2, HAL 106 B
\nMarian McPartland & Teddy Willson
\nBluesette \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Duo)
\nCottage\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Solo
\nLover Man
\n\u201cJust one of those things\u201d
\nBlues\u00a0\u00a0 Teddy\u00a0 (Duo)
\nSide B = 18100
\n(Master Copy) use for mastering, 5\/9\/77
\nAccompanying document (manuscript notes) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u201cHalcyon 106A, Teddy Willson & Marian McPartland, Safety Master\u201d [Side 1]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nAnnotation on front of case:
\nMarian McPartland & Teddy Willson
\n1 \u2013 Quiet Nights
\n2 \u2013 Blues (M\u2019s)
\n3 \u2013 Shiny Stockings
\n4\u00a0\u00a0\u00a0 Blues (Mr Teddy\u2019s Blues Duo)
\n5\u00a0 \u00a0 Love
\nSafety Master<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n\u201cHalcyon 106B, Teddy Willson & Marian McPartland, Safety Master\u201d [Side 2]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nAnnotation on back of case:
\nSide two
\nMarian McPartland & Teddy Willson
\n1 \u2013 Bluesette
\n2\u00a0\u00a0\u00a0 Cottage
\n3 \u2013 Lover man
\n4\u00a0 Just one of Those Things
\n5\u00a0 Blues (Teddy Duo)
\nSaety [sic<\/em>] Master<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 78″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612288044135{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cHalcyon Records 106, Do Not Use & Tedy Woods, M. McPartland\u201d [Side 1]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nAnnotation on back of case:
\nDo Not Use\u00a0\u00a0\u00a0\u00a0\u00a0 Side 1\u00a0\u00a0 HAL 106
\nSide (1)
\n1) Quiet Nights (duet)
\n2) Blues
\n3) Shiny Stockings (solo)
\n4) Blues (duo)
\n5) Love (solo
\n(Do Not Use for cutting, Orig. Masters)
\nAdditional annotations on back of case crossed out (see case).<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n[Live at the Monticello<\/em>] (HAL 107), [Side A]. 10\u201d audio reel, 0.25\u201d.
\nMarian McPartland and Jimmy McPartland, [with others].
\nAnnotation on back of case:
\nHAL #107
\nDixieland (Tones)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marian McPartland
\nSide A
\n1 \u2013 Royal Garden Blues (4:42)
\n2 \u2013 Sit Right Down & Write Myself a Letter (4:48)
\n3 \u2013 Willow Weep* (5:15)
\n4 \u2013 Avalon
\nSide A = 20.50
\nafter leader not part of album
\nBlue Prelude*
\nMaster Safety copy, Date: 4-5-73<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n[Live at the Monticello<\/em>] (HAL 107), [Side B]. 10\u201d audio reel, 0.25\u201d.
\nMarian McPartland and Jimmy McPartland, [with others].
\nAnnotation on back of case:
\nHAL #107\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marian McPartland
\nSide B
\n1 \u2013 Basin St. Blues (8:50)
\n2 \u2013 Thing Ain\u2019t What They Used to Be (5:34)
\n3 \u2013 Wolverine Blues
\nSide B = 19:49
\nAfter leader but not part of album
\nTwilight World (4:29)
\nCarnaval World (3:38)
\nMaster Safety Copy, Date: 4-5-73<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cHalcyon 107A, Marian McPartland\u201d [Side A]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nAnnotation on back of case:
\nHAL 107A, MASTER
\nMarian McPartland, Side 1 (20.50)
\n4.42\u00a0\u00a0\u00a0\u00a0 Royal Garden Blues\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1A
\n4.48\u00a0\u00a0\u00a0\u00a0 Sit Right Down & Write Myself a Letter\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2A
\n5.15\u00a0\u00a0\u00a0\u00a0 Willow Weep\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3A
\n5.29\u00a0\u00a0\u00a0\u00a0 Avalon\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4A
\nleader, not part of album
\n6 min. \u00a0 Blue Prelude
\nAccompanying document (manuscript track list) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u201cHalcyon 107A, Marian McPartland\u201d [Side A]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nAnnotation on back of case:
\nHAL 107B
\nMarian McPartland, Side 2
\n8:50\u00a0\u00a0\u00a0\u00a0 Basin St Blues
\n5:34\u00a0\u00a0\u00a0\u00a0 Things ain\u2019t what they used to be
\n5:18\u00a0\u00a0\u00a0\u00a0 Wolverine Blues
\nafter leader (not part of album)
\n4:29\u00a0\u00a0\u00a0\u00a0 Twilight World
\n3:38\u00a0\u00a0\u00a0\u00a0 Carnaval World<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n[Marian McPartland Plays the Music of Alec Wilder<\/em>] (Halcyon 109), [Side A]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nLabel on back of case for Masterdisk Corporation, with annotations:
\nHALCYON 109, Side A
\nJazz Waltz (3:22)
\nWhy (4:58)
\nWhile We\u2019re Young (4:25)
\nLullaby for a Lady (2:04)
\nInner Circle (4:40)
\nTotal Time (20:00)
\nArtist: Marian McPartland
\nDate: 4-12-74<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n[Marian McPartland Plays the Music of Alec Wilder<\/em>] (Halcyon 109), [Side B]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nLabel on back of case for Masterdisk Corporation, with annotations:
\nHALCYON 109, Side B
\nI\u2019ll be Around (3:24)
\nTrouble is a Man (3:10)
\nHomework (3:32)
\nWhere are the Good Campanios (4:04)
\nIt\u2019s so Peaceful (3:49)
\nArtist: Marian McPartland
\nDate: 4-12-74<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 79″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612288059909{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cMarian McP., HAL 109\u201d [Side A]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nLabel on front of case for Masterdisk Corporation, with annotations:
\nHALCYON, Marian McPartland
\nSide A<\/p>\n
    \n
  1. Jazz Waltz (3:22)<\/li>\n
  2. Why (4:58)<\/li>\n
  3. While We\u2019re Young (4:25)<\/li>\n
  4. Lullaby For a Lady (2:04)<\/li>\n
  5. Inner Circle (4:40)<\/li>\n<\/ol>\n

    Total (20:00)
    \nDestination: Book of the Month Club
    \nDate: 2-8-80
    \nMastered by Trutone Records, Date: 6\/10\/80
    \nLabel on back of case for \u201cBook-of-the-Month-Club, Record Division\u201d:
    \nRecord Master #91-5437
    \nEight Track #41-5440
    \nCassette #51-5441
    \nTitle: Marian McPartland Plays the Music of Alec Wilder<\/td>\n<\/tr>\n

item 2<\/strong><\/td>\nMarian McP., HAL 109\u201d [Side B]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nLabel on front of case for Masterdisk Corporation, with annotations:
\nHALCYON, Marian McPartland
\nSide B<\/p>\n
    \n
  1. I\u2019ll Be Around (3:24)<\/li>\n
  2. Trouble Is a Man (3:10)<\/li>\n
  3. Homework (3:32)<\/li>\n
  4. Where Are the Good Companions (4:04)<\/li>\n
  5. It\u2019s So Peaceful (3:49)<\/li>\n<\/ol>\n

    Destination: Book of the Month Club
    \nDate: 2-8-80
    \nMastered by Trutone Records, Date: 6\/10\/80
    \nLabel on back of case for \u201cBook-of-the-Month-Club, Record Division\u201d:
    \nRecord Master #91-5437
    \nEight Track #41-5440
    \nCassette #51-5441
    \nTitle: Marian McPartland Plays the Music of Alec Wilder<\/td>\n<\/tr>\n

item 3<\/strong><\/td>\n\u201cTJA-10016\u201d [Marian McPartland Plays the Music of Alec Wilder<\/em> (Jazz Alliance, 10016)], Side A. 10\u201d audio reel, 0.25\u201d.
\nAnnotation on front of case:
\nTJA-10016
\nHalcyon 109
\n<\/span>Side A
\n1\u2013 Jazz Waltz\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:22
\n2\u2013 Why\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:58
\n3\u2013 While Were Young\u00a0 4:25
\n4\u2013 Lullaby for a Lady\u00a0\u00a0 2:04
\n5\u2013 Inner Circle\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:40
\n7\/27\/73
\nAccompanying document (form from The Jazz Alliance) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cTJA-10016\u201d [Marian McPartland Plays the Music of Alec Wilder<\/em> (Jazz Alliance, 10016)], Side B. 10\u201d audio reel, 0.25\u201d.
\nAnnotation on front of case:
\nTJA-10016
\nHAL 109
\n<\/span>Side B
\n(1) I\u2019ll Be Around\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:24
\n(2) Trouble Is A Man\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:10
\n(3) Homework\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:32
\n(4) Where Are the Good Campanios\u00a0\u00a0\u00a0\u00a0\u00a0 4:04
\n(5) It\u2019s So Peaceful\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:49
\nDo Not Use
\nMarian MacPartland
\nafter leader but not part of album \u201cWhile Were Young\u201d
\n7\/27\/73<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n[Solo Concert at Haverford<\/em>] (HAL 111), [Side 1]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nLabel on front of case for Masterdisk Corporation, with annotations:
\nHAL 111, Side One<\/p>\n
    \n
  1. Haverford Blues (4:06)<\/li>\n
  2. Yesterdays (6:12)<\/li>\n
  3. Send in the Clowns (4:19)<\/li>\n
  4. Pick Yourself Up (3:28)<\/li>\n
  5. I\u2019ll Be Around (3:40)<\/li>\n<\/ol>\n

    Artist: Marian McPartland
    \nDate: 12-17-75<\/td>\n<\/tr>\n

item 6<\/strong><\/td>\n[Solo Concert at Haverford<\/em>] (HAL 111), [Side 2]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nLabel on front of case for Masterdisk Corporation, with annotations:
\nHAL 111, Side Two<\/p>\n
    \n
  1. You Turned the Tables on Me (3:21)<\/li>\n
  2. Killing Me Softly (4:18)<\/li>\n
  3. Gershwin Medley (8:12)<\/li>\n
  4. Afterglow (6:00)<\/li>\n<\/ol>\n

    Artist: Marian McPartland
    \nDate: 12-17-75
    \nAnnotation on back of case: \u201c(TONES), PIANO (PERFORMANCE).\u201d<\/td>\n<\/tr>\n

item 7<\/strong><\/td>\n\u201cMcPartland, Halcyon #111.\u201d 10\u201d audio reel, 0.25\u201d.
\nAnnotation on back of case:
\nReel #3
\nHaverford College\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marian McPartland Solo
\n1) You the top?
\n2) Send in the clowns
\n3) Pick yourself up
\n4) Don\u2019t worry about me
\n5) As time goes by
\n6) Yesterdays
\n7) Afterglow<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 80″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611679123215{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n[The Maestro and Friend<\/em>] (Halcyon, HAL 112), [Side 1]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nLabel on front of case for Masterdisk Corporation, with annotations:
\nHAL 112, Side One<\/p>\n
    \n
  1. On the Sunny Side of the Street (4:40)<\/li>\n
  2. Pardon Me Pretty Baby (3:43)<\/li>\n
  3. Dinah (3:27)<\/li>\n
  4. Meladie (3:55)<\/li>\n
  5. How High the Moon (3:39)<\/li>\n<\/ol>\n

    Artist: Joe Venuti\/Marian McPartland
    \nDestination: Safety File
    \nDate: 12\/16\/75<\/td>\n<\/tr>\n

item 2<\/strong><\/td>\n[The Maestro and Friend<\/em>] (Halcyon, HAL 112), [Side 2]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nLabel on front of case for Masterdisk Corporation, with annotations:
\nHAL 112, Side Two<\/p>\n
    \n
  1. C Jam Blues (3:30)<\/li>\n
  2. Star Dust (5:26)<\/li>\n
  3. That\u2019s a Plenty (2:56)<\/li>\n
  4. After Glow (5:38)<\/li>\n<\/ol>\n

    Artist: Joe Venuti\/Marian McPartland
    \nDestination: Safety File
    \nDate: 12\/16\/75<\/td>\n<\/tr>\n

item 3<\/strong><\/td>\n\u201cHalcyon 112,\u201d [Side 1]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nLabel on front of case for Masterdisk Corporation, with annotations:
\nHAL 112, Side One<\/p>\n
    \n
  1. On the Sunny Side of the Street (4:40)<\/li>\n
  2. Pardon Me Pretty Baby (3:43)<\/li>\n
  3. Dinah (3:27)<\/li>\n
  4. Meladie (3:55)<\/li>\n
  5. How High the Moon (3:39)<\/li>\n<\/ol>\n

    Artist: Joe Venuti\/Marian McPartland
    \nDestination: EXPORT
    \nDate: 12\/16\/75<\/td>\n<\/tr>\n

item 4<\/strong><\/td>\n\u201cHalcyon #112,\u201d [Side 2]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nLabel on front of case for Masterdisk Corporation, with annotations:
\nHAL 112, Side Two<\/p>\n
    \n
  1. C Jam Blues (3:30)<\/li>\n
  2. Star Dust (5:26)<\/li>\n
  3. That\u2019s a Plenty (2:56)<\/li>\n
  4. After Glow (5:38)<\/li>\n<\/ol>\n

    Artist: Joe Venuti\/Marian McPartland
    \nDestination: EXPORT
    \nDate: 12\/16\/75<\/td>\n<\/tr>\n

item 5<\/strong><\/td>\n\u201cHalcyon 112B, Joe Venuti, MSTR., Marian McP.\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
\nLabel on front of case for Masterdisk Corporation, with annotations:
\nHAL 112, Side Two<\/p>\n
    \n
  1. C Jam Blues (3:30)<\/li>\n
  2. Star Dust (5:26)<\/li>\n
  3. That\u2019s a Plenty (2:56)<\/li>\n
  4. After Glow (5:38)<\/li>\n<\/ol>\n

    Artist: Joe Venuti\/Marian McPartland
    \nAnnotations on front of case (see case).
    \nAccompanying document (manuscript notes) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n

item 6<\/strong><\/td>\n\u201cHalcyon 112A (with Joe Venuti), MSTR., Marian McPartland.\u201d 10\u201d audio reel, 0.25\u201d.
\nLabel on front of case for Masterdisk Corporation, with annotations:
\nHAL 112, Side One<\/p>\n
    \n
  1. On the Sunny Side of the Street (4:40)<\/li>\n
  2. Pardon Me Pretty Baby (3:43)<\/li>\n
  3. Dinah (3:27)<\/li>\n
  4. Meladie (3:55)<\/li>\n
  5. How High the Moon (3:39)<\/li>\n<\/ol>\n

    Artist: Joe Venuti\/Marian McPartland
    \nAnnotations on back of case (see case); dated 12\/8\/75.<\/td>\n<\/tr>\n

item 7<\/strong><\/td>\n[Concert in Argentina<\/em>] (Halcyon 113), [Side A]. 10\u201d audio reel, 0.25\u201d, 15 ips.
\nAnnotation on back of case:
\nHALCYON #113<\/p>\n
    \n
  1. McPartland<\/li>\n<\/ol>\n

    Side one
    \n1 \u2013 Rockin\u2019 in Rhythm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:58
    \n2 \u2013 Time & Time Again\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:30
    \n3 \u2013 Wave\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:40
    \n4 \u2013 Ellington Medley\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 9:15
    \nI Let a Song Go Out of My Heart
    \nGod It Bad
    \nDidn\u2019t Mean a Thing
    \nSatin Doll
    \nCaravan
    \nTotal Time: 22:29
    \nSafety Master E.Qed<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/vc_column_text][vc_custom_heading text=”Box 81″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612288203047{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
    item 1<\/strong><\/td>\n[Concert in Argentina<\/em>] (Halcyon 113), [Side B]. 10\u201d audio reel, 0.25\u201d, 15 ips.
    \nAnnotation on back of case:
    \nHALCYON #113
    \n1. Wilson
    \nSide two
    \n1.Ain\u2019t necessarily so 4:44
    \nBess You Is My Woman
    \nLigu
    \n2. Rhapsody 4:28
    \nMan I Love
    \nSomeone to Watch Over Me
    \nLady Be Good
    \n3. Rosetta 3:20
    \n4. Ain\u2019t Misbehaving 2:36
    \n5. Body & Soul 2:55
    \n6. Flying Home 2:36
    \nTotal Time: 21:00
    \nSafety Master E.Qed<\/td>\n<\/tr>\n
    item 2<\/strong><\/td>\n[Concert in Argentina<\/em>] (Halcyon 113), [Side C]. 10\u201d audio reel, 0.25\u201d, 15 ips.
    \nAnnotation on back of case:
    \nHALCYON #113
    \nEllis Larkins
    \nSide three
    \n1 \u2013 Perfidia\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:45
    \n2 \u2013 Blues In the Night\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:45
    \n3 \u2013 Ellis Blues\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:52
    \n4 \u2013 Arlen Medley\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Slow serving & Ill Wind\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:53
    \n5 \u2013 Things Ain\u2019t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:50
    \n20:05
    \nSafety Master E.Qed<\/td>\n<\/tr>\n
    item 3<\/strong><\/td>\n[Concert in Argentina<\/em>] (Halcyon 113), [Side D]. 10\u201d audio reel, 0.25\u201d, 15 ips.
    \nAnnotation on back of case:
    \nHALCYON #113
    \nEarl Hines
    \nSide four
    \n1 \u2013 Black Coffee
    \nWorld on String\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:40
    \n2 \u2013 Close To You\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:30
    \n3 \u2013 Medley
    \nIpanema\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 10:49
    \nBluesette
    \nPretty girl
    \nTea for two
    \nSweet Lorraine
    \ntotal time\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 21:24
    \nSafety Master E.Qed<\/td>\n<\/tr>\n
    item 4<\/strong><\/td>\n\u201cHalcyon 113-A, Marian McPartland, MSTR\u201d [Side 1]. 10\u201d audio reel, 0.25\u201d, 15 ips.
    \nAnnotation on back of case:
    \nSide One\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Halcyon #113
    \nNo. 1 \u2013 McPartland
    \n1) Rockin in Rhythm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:58
    \n(one chord where I missed a bar?)
    \nAll the things you are (5)\u00a0\u00a0\u00a0 out (fixed up ending. Save this!)
    \n2) Time and Time Again\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:30
    \n3) Wave\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:40
    \nClothed woman\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:40\u00a0\u00a0\u00a0\u00a0 out
    \n4) Ellington Medley\u00a0\u00a0\u00a0\u00a0\u00a0 I let a song go out of my band \u2013
    \nGot it bad\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 9:15
    \nMedley: Don\u2019t mean a thing
    \nSatin Doll
    \nCaravan
    \nTotal Time 22:29
    \nMASTER\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4\/13\/77, 1 Dub, 9\/6\/77 Masters
    \nAccompanying document (manuscript note) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
    item 5<\/strong><\/td>\n\u201cHalcyon 113-B, T. Wils[on], MSTR\u201d [Side 2]. 10\u201d audio reel, 0.25\u201d, 15 ips.
    \nAnnotation on back of case:
    \nSide Two\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Halcyon #113
    \nNo. 2, T. Wilson
    \n22\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 talking into Gershwin Medley
    \n4:44\u00a0\u00a0\u00a0\u00a0 Ain\u2019t Necessarily So; Bess You is My Woman; Liza
    \n4:28\u00a0\u00a0\u00a0\u00a0 Rhapsody; Man I Love; Someone to Watch; Lady Be Good
    \n3:20\u00a0\u00a0\u00a0\u00a0 Rosetta splice (cut)
    \n2:36\u00a0\u00a0\u00a0\u00a0 Ain\u2019t Misbehavin\u2019
    \n2:00\u00a0\u00a0\u00a0\u00a0 Stomping
    \n2:55\u00a0\u00a0\u00a0\u00a0 Body and Soul
    \n2:36\u00a0\u00a0\u00a0\u00a0 Flyin\u2019 Home
    \nTotal Time\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 21:00
    \n4\/13\/77; 9\/6\/77 Masters
    \nAccompanying documents (manuscript notes) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
    item 6<\/strong><\/td>\n\u201cHalcyon 113-C, Ellis Larkins, MSTR\u201d [Side 3]. 10\u201d audio reel, 0.25\u201d.
    \nAnnotation on back of case:
    \nSide Three, Halcyon #113\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 21:30
    \nEllis Larkins
    \n1) Perfida
    \n2) Blues in the Night (on other reel) cut out talk?
    \n3:45 plus talk by audience?<\/p>\n\n\n\n\n
    What\u2019s New<\/span>\u00a0\u00a0\u00a0\u00a0 (5) out!<\/p>\n

    Perfida (4) start?<\/p>\n

    Intro into Ellis\u2019 blues<\/span>\u00a0\u00a0\u00a0 3:52 out<\/p>\n

    into F fastest piece<\/p>\n

    Come Rain or Come Shine<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0cut out!<\/p>\n

    Slow swing piece<\/p>\n

    Ill Wind\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arlen medley 3:53<\/p>\n

    Things Ain\u2019t\u00a0\u00a0\u00a0\u00a0 \u2013 start? 4:50<\/td>\n

    		1) Perfidia\u00a0\u00a0\u00a0\u00a0 3:45<\/p>\n

    2) Blues In the Night\u00a0\u00a0\u00a0\u00a0 3:45<\/p>\n

    3) Blues\u00a0\u00a0\u00a0\u00a0 3:52<\/p>\n

    4) Slow swing<\/p>\n

    Ill Wind\u00a0\u00a0\u00a0\u00a0 3:53<\/p>\n

    5) Things Ain\u2019t\u00a0\u00a0\u00a0\u00a0 4:50<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    MASTER, 4\/13\/77
    \nAccompanying document (manuscript note) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n

    item 7<\/strong><\/td>\n\u201cHalcyon 113-D, Earl Hines, MSTR\u201d [Side 4]. 10\u201d audio reel, 0.25\u201d.
    \nAnnotation on back of case:
    \nSide 4\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Halcyon #113
    \nEarl Hines
    \n1) Scratch intro
    \n1) Black Coffee
    \n2) World on a String
    \n3) Close to You
    \n3) Sweet Lorraine
    \nMedley:
    \nIpanema
    \nBluesette
    \nPretty Girl
    \nSweet Lorraine to end
    \nTea for two with verse
    \nMASTER
    \nAccompanying document (manuscript note) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/vc_column_text][vc_custom_heading text=”Box 82″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612288262143{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
    item 1<\/strong><\/td>\n[Swingin\u2019<\/em>] (Halcyon 114), [Side 2]. 10\u201d audio reel, 0.25\u201d, 15 ips.
    \n[Recorded at the Royal Box, Americana Hotel, New York, NY; June 16, 1973.]
    \nAnnotation on side of case: \u201cAmerican, HAL 114.\u201d
    \nAnnotation on back of case:
    \nSide Two
    \n1 \u2013 Dinah\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:43
    \n2 \u2013 Stompin\u2019 at the Savoy\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:20
    \n3 \u2013 When You Wish Upon a Star\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:08
    \n4 \u2013 Perdido\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 6:55
    \nJimmy & Marian McPartland, 9\/2\/77
    \nFacsimile of original case in Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
    item 2<\/strong><\/td>\n\u201cHalcyon 114A, Marian McP.\u201d 10\u201d audio reel, 0.25\u201d.
    \nMarian McPartland, piano; Jimmy McPartland, cornet; Buddy Tate, saxophones; Jack Maheu, clarinet; Vic Dickenson, trombone; Hank Berger, trombone; Rusty Gilder, bass; Gud Johnson, drums; Mike Bergeron, drums; Larry Bell, drums.
    \nTypescript track list affixed to back of case:
    \nRoyal Garden blues (4:43) — Sentimental journey (7:39) — Blue prelude (5:59) — Dinah (3:45) — Basin Street blues (7:53) — When you wish upon a star (4:14) — Avalon (5:26) — Perdido (7:03) — Willow weep for me (5:18) — I\u2019m gonna sit right down and write myself a [letter] (4:49) — Polka dots and moon beams (6:03) — Wolverine blues (4:07).
    \nAccompanying document (manuscript note) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
    item 3<\/strong><\/td>\n\u201cHalcyon #114A,\u201d [Side 1]. 10\u201d audio reel, 0.25\u201d, 15 ips.
    \nAnnotation on back of case:
    \nHalcyon #113
    \nSide one
    \n1\u2013 Sentimental Journey (7:35)
    \n2\u2013 Polka Dots & (6:30)
    \n3\u2013 I Can\u2019t Give You Anything But Love (5:25)
    \nJimmy & Marian McPartland
    \nSafety Copy<\/p>\n

    E. Qed MASTER<\/td>\n<\/tr>\n

    item 4<\/strong><\/td>\n\u201cHalcyon #114B,\u201d [Side 2]. 10\u201d audio reel, 0.25\u201d, 15 ips.
    \nAnnotation on back of case:
    \nHalcyon #114
    \nSide two
    \n1\u2013 Dinah (3:43)
    \n2\u2013 Stomping at the Savoy (4:20)
    \n3\u2013 When You Wish Upon a Star (4:08)
    \n4\u2013 Perdido<\/p>\n

    J. & M. McPartland<\/p>\n

    Safety Master E.Qed<\/td>\n<\/tr>\n

    item 5<\/strong><\/td>\n[Now\u2019s the Time<\/em>] (Halcyon 115), [Side A]. 10\u201d audio reel, 0.25\u201d, 15 ips.
    \nAnnotation on side of case: \u201cHAL-115-A, Marion [sic<\/em>] McPartland, MSTR.\u201d
    \nLabel on back of case for Masterdisk Corporation, with annotations:
    \nHAL-115, Side One<\/p>\n
      \n
    1. Now Is The Time 6:02<\/li>\n
    2. Sophisticated Lady 3:10<\/li>\n
    3. Mellotone 6:00<\/li>\n
    4. Laura 3:44<\/li>\n<\/ol>\n

      Original Master
      \nDestination: File
      \nDate: 5-8-78
      \nAnnotations on front of case (see case; duplicates information on label).<\/td>\n<\/tr>\n

    item 6<\/strong><\/td>\n[Now\u2019s the Time<\/em>] (Halcyon 115), [Side B]. 10\u201d audio reel, 0.25\u201d, 15 ips.
    \nAnnotation on side of case: \u201cHAL-115-B, Marion [sic<\/em>] McPartland, MSTR.\u201d
    \nLabel on back of case for Masterdisk Corporation, with annotations:
    \nHAL-115, Side Two<\/p>\n
      \n
    1. I\u2019ll Remember April 6:57<\/li>\n
    2. What Are You Doing The Rest Of Your Life 4:05<\/li>\n
    3. Straight No Chaser 4:15<\/li>\n
    4. But Beautiful 5:01<\/li>\n<\/ol>\n

      Original Master
      \nDestination: File
      \nDate: 5-8-78
      \nAnnotations on front of case (see case; duplicates information on label).<\/td>\n<\/tr>\n

    item 7<\/strong><\/td>\n\u201cHalcyon #115A.\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
    \nLabel on back of case for Masterdisk Corporation, with annotations:
    \nMarion [sic<\/em>] McPartland, Side A<\/p>\n
      \n
    1. Now Is The Time 6:02<\/li>\n
    2. Sophisticated Lady 3:10<\/li>\n
    3. Mellotone 6:00<\/li>\n
    4. Laura 3:44<\/li>\n<\/ol>\n

      Destination: Marion McPartland
      \nDate: 5\/8\/78<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

      [\/vc_column_text][vc_custom_heading text=”Box 83″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612288291118{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
      item 1<\/strong><\/td>\n\u201cHalcyon #115B.\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
      \nLabel on back of case for Masterdisk Corporation, with annotations:
      \nMarion [sic<\/em>] McPartland, Side B<\/p>\n
        \n
      1. I\u2019ll Remember April 6:57<\/li>\n
      2. What Are You Doing The Rest Of Your Life 4:05<\/li>\n
      3. Straight No Chaser 4:15<\/li>\n
      4. But Beautiful 5:01<\/li>\n<\/ol>\n

        Destination: Marion McPartland
        \nDate: 5\/8\/78+<\/td>\n<\/tr>\n

      item 2<\/strong><\/td>\n\u201cHalcyon 115 Outtakes.\u201d 10\u201d audio reel, 0.25\u201d.
      \nLabel on back of case for Masterdisk Corporation, with annotations, crossed out (see case).
      \nAnnotation on back of case, in pencil:
      \nHalcyon 115
      \nMarion McPartland DBX
      \nOuttakes<\/td>\n<\/tr>\n
      item 3<\/strong><\/td>\n\u201cHAL 115, Outtakes.\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
      \nAnnotation on side of case: \u201c3, McPartland.\u201d
      \nAnnotation on front of case: \u201cHAL 115, Outtakes, MacPartland, DBX.\u201d<\/td>\n<\/tr>\n
      item 4<\/strong><\/td>\n[Goin\u2019 Back a Ways<\/em>] (Halcyon 116 A\/B). 10\u201d audio reel, 0.25\u201d.
      \nAnnotation on side of case: \u201cHalcyon 116 A\/B, Jimmy & Marian McPartland, MSTR, Marian McP.\u201d
      \nAnnotation on back of case:
      \nHalcyon \u2013 116 A\/B
      \nSide I
      \n1\u00a0\u00a0\u00a0 Davenport Blues (2:58)
      \n2\u00a0\u00a0\u00a0 Use your Imagination (2:38)
      \n3\u00a0\u00a0\u00a0 Manhattan (2:55)
      \n4\u00a0\u00a0\u00a0 Come back sweet Papa (2:37)
      \n5\u00a0\u00a0\u00a0 *How High the moon (3:00)
      \nSide II
      \n1\u00a0\u00a0\u00a0 Royal Garden Blues (2:54)
      \n2\u00a0\u00a0\u00a0 Daughter of Sister Kate (2:50)
      \n3\u00a0\u00a0\u00a0 In a Mist (3:12)
      \n4\u00a0\u00a0\u00a0 Singing the blues (3:19)
      \n5\u00a0\u00a0\u00a0 *I found a new baby (3:50)
      \nMade from Disc<\/td>\n<\/tr>\n
      item 5<\/strong><\/td>\nLive at the Carlyle<\/em> (Halcyon 117), Reel One. 10\u201d audio reel, 0.25\u201d. 15 ips.
      \nAnnotation on front of case:
      \nHalcyon 117A, Marian McPartland
      \nSide One
      \n1 \u2013 Like Someone In Love\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:51
      \n2 \u2013 Ill Wind\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:05
      \n3 \u2013 One Morning in May\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:48
      \n4 \u2013 Crystal Silence\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:45
      \n5 \u2013 Giant Steps\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:58
      \nYou\u2019d Be So Nice To Come Home Too 4:43
      \nReel One, 10-29-79
      \nAccompanying document (Trackworks Recording Studios form) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
      item 6<\/strong><\/td>\nLive at the Carlyle<\/em> (Halcyon 117), Reel Two. 10\u201d audio reel, 0.25\u201d. 15 ips.
      \nAnnotation on front of case:
      \nHalcyon 117A, Marian McPartland
      \nSide Two
      \n1 \u2013 Surrey With the Fringe\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:40
      \n2 \u2013 Star Eyes\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:52
      \n3 \u2013 Delicate Balance\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:00
      \n4 \u2013 For All We Know\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:20
      \nAll the Things You Are\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:51
      \nSkylark
      \nReel 2, 10-29-79
      \nAccompanying document (Trackworks Recording Studios form) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
      item 7<\/strong><\/td>\n\u201cM. MacPartland\/Caf\u00e9 Carlyle, Side Three\u201d (HAL 117). 10\u201d audio reel, 0.25\u201d
      \nAnnotation on side of case: \u201cC, Dolby Stereo, M. MacPartland Cafe Carlyle, Side three, Master Tape, 10-30-79.\u201d
      \nAnnotation on front of case:
      \nMaster Tape
      \nSide 3
      \nI love you\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:51
      \nMy one & only love\u00a0\u00a0\u00a0\u00a0\u00a0 4:03\u00a0\u00a0\u00a0\u00a0 fade on applause
      \nWindows\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 6:05
      \nIn old fashioned\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:46
      \nSleepin\u2019 Bee\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:24
      \nToo Late Now\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:32
      \nAccompanying document (Trackworks Recording Studios form) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

      [\/vc_column_text][vc_custom_heading text=”Box 84″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612288327687{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
      item 1<\/strong><\/td>\n\u00a0 \u201cM. McPartland\/Caf\u00e9 Carlyle, Side Four\u201d (HAL 117). 10\u201d audio reel, 0.25\u201d.
      \nAnnotation on side of case: \u201cD, M. McPartland\/Caf\u00e9 Carlyle, Side Four, Master Tape.\u201d
      \nAnnotation on front of case:
      \nMarian McP, At the Carlyle
      \nSide 4
      \nFunny Valentine\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:25
      \nNever be another you\u00a0\u00a0\u00a0 6 min
      \nSometime Ago\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:51
      \nMy Romance\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5.13
      \n19.48<\/td>\n<\/tr>\n
      item 2<\/strong><\/td>\n\u201cHalcyon 117-A, M. McPartland at the Carlyle.\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
      \nLabel on back of case for Masterdisk Corporation, with annotations:
      \nMarion [sic<\/em>] McPartland
      \nSide A<\/p>\n
        \n
      1. Like Someone In Love 4:51<\/li>\n
      2. I\u2019ll [sic<\/em>] Wind 4:05<\/li>\n
      3. One Moring in May 4:48<\/li>\n
      4. Crystal Silence 4:45<\/li>\n
      5. Giant Steps 2:58<\/li>\n<\/ol>\n

        TT: 22:07
        \nDate: 5\/13\/80<\/td>\n<\/tr>\n

      item 3<\/strong><\/td>\n\u201cHalcyon 117-B, M. McPartland @ the Carlyle.\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
      \nLabel on back of case for Masterdisk Corporation, with annotations:
      \nMarion [sic<\/em>] McPartland
      \nSide B<\/p>\n
        \n
      1. Surry With The Fringe 3:40<\/li>\n
      2. Star Eyes 5:52<\/li>\n
      3. Delicate Balance 5:00<\/li>\n
      4. For All We Know 4:20<\/li>\n<\/ol>\n

        TT: 19:25
        \nDate: 5\/13\/80<\/td>\n<\/tr>\n

      item 4<\/strong><\/td>\n\u201cM. MacPartland\/Caf\u00e9 Carlyle, Reel 4-B, 10-30-79.\u201d 10\u201d audio reel, 0.25\u201d.
      \nAnnotation on front of case:
      \nTunes on HAL 117A, Dolby
      \nout takes
      \nAccompanying document (Trackworks Recording Studios form) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
      item 5<\/strong><\/td>\n\u201cM. MacPartland\/Caf\u00e9 Carlyle, Reel 5, 11-5-79.\u201d 10\u201d audio reel, 0.25\u201d
      \nAnnotation on front of case:
      \nTunes on HAL 117A, Dolby
      \n\u201cClose Your Eyes\u201d edit
      \nout takes
      \nAccompanying document (Trackworks Recording Studios form) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
      item 6<\/strong><\/td>\n\u201cM. MacPartland\/Caf\u00e9 Carlyle, Reel 6, 11-5-79.\u201d 10\u201d audio reel, 0.25\u201d.
      \nAnnotation on front of case:
      \nTunes on HAL 117A, Dolby
      \nout takes
      \nAccompanying document (Trackworks Recording Studios form) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
      item 7<\/strong><\/td>\n[Marian Remembers Teddi<\/em>] (Halcyon 118 A\/B). 10\u201d audio reel, 0.25\u201d, 15 ips.
      \nAnnotation on front of case:
      \nSide A<\/p>\n
        \n
      1. Baby Won\u2019t You Please Come Home 3:12<\/li>\n
      2. A Fine Romance 3:34<\/li>\n
      3. Always 3:30<\/li>\n
      4. But Not For Me 4:10<\/li>\n<\/ol>\n

        Side B<\/p>\n

          \n
        1. Little Boy Blue 4:12<\/li>\n
        2. In The Still Of The Night 3:56<\/li>\n
        3. When The Sun Comes\/Happiness Is A Thing Called Joe 4:30<\/li>\n
        4. Sometimes I\u2019m Happy 3:00<\/li>\n<\/ol>\n

          Teddi King & Marian McPartland
          \nAccompanying document (manuscript note) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

          [\/vc_column_text][vc_custom_heading text=”Box 85″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611679148414{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n
          item 1<\/strong><\/td>\n\u201cHalcyon 118 C\/D.\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
          \nAnnotation on side of case: \u201cHalcyon 118 C\/D, Teddi King & Marian McPartland.\u201d
          \nAnnotation on back of case:
          \nSide C
          \n1\u2013 You Turned The Tables On Me (3:26)
          \n2\u2013 By Myself (3:02)
          \n3\u2013 Too Marvelous For Words (3:28)
          \n4\u2013 Skylark (4:32)
          \nSide D
          \n1\u2013 Fools Rush In (2:30)
          \n2\u2013 It Could Happen To You (2:40)
          \n3\u2013 Prelude to A Kiss (4:38)
          \n4\u2013 There Will Never Be Another You (4:16)
          \n5\u2013 While We\u2019re Young (3:27) (fade ending)
          \nTeddi King & Marian McPartland.<\/td>\n<\/tr>\n
          item 2<\/strong><\/td>\n\u201cHalcyon 118-A, Teddi King & Marion McPartland.\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
          \nLabel on front of case for Masterdisk Corporation, with annotations:
          \nTeddy King & Marion McPartland
          \nSide A
          \nDate: 5-14-80
          \nAccompanying document (manuscript note) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
          item 3<\/strong><\/td>\n\u201cHalcyon 118-B, Teddi King & Marion McPartland.\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
          \nLabel on front of case for Masterdisk Corporation, with annotations:
          \nTeddy King & Marion McPartland
          \nSide B
          \nDate: 5-14-80<\/td>\n<\/tr>\n
          item 4<\/strong><\/td>\n\u201cHalcyon 118-C, Teddi King & Marion McPartland.\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
          \nLabel on front of case for Masterdisk Corporation, with annotations:
          \nTeddy King & Marion McPartland
          \nSide C
          \nDate: 5-14-80<\/td>\n<\/tr>\n
          item 5<\/strong><\/td>\n\u201cHalcyon 118-D, Teddi King & Marion McPartland.\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
          \nLabel on front of case for Masterdisk Corporation, with annotations:
          \nTeddy King & Marion McPartland
          \nSide D
          \nDate: 5-14-80<\/td>\n<\/tr>\n
          <\/td>\n [Recordings of Marian McPartland, non-commercial]<\/strong><\/em><\/td>\n<\/tr>\n
          item 6<\/strong><\/td>\n\u201cMarian McP.\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
          \nAnnotation on back of case:
          \n(1) 88\/8
          \n(2) 88\/6
          \nMarian McPartland
          \nMade from Metal [illegible].<\/td>\n<\/tr>\n
          item 7<\/strong><\/td>\n\u201cMarian McPartland, Olin Hall, 9\/28\/85,\u201d Reel 1 of 2. 10\u201d audio reel, 0.25\u201d, 7.5 ips.
          \nLabel on reel for WVTF (Virginia Tech Radio), with annotations:
          \nSeries Title: Marian McPartland
          \nProgram Title: Olin Hall
          \nMaster<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

          [\/vc_column_text][vc_custom_heading text=”Box 86″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612288473086{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n
          item 1<\/strong><\/td>\n\u00a0\u201cMarian McPartland, Olin Hall, 9\/28\/85,\u201d Reel 2 of 2. 10\u201d audio reel, 0.25\u201d, 7.5 ips.
          \nLabel on reel for WVTF (Virginia Tech Radio), with annotations:
          \nSeries Title: Marian McPartland
          \nProgram Title: Olin Hall
          \nMaster<\/td>\n<\/tr>\n
          item 2<\/strong><\/td>\n\u201cMarian McPartland Concert for Pam & Dick Barrett.\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
          \nAnnotation on side of case: \u201cMarian Solo Piano for Barrets, A-263.\u201d
          \nLabel on back of case for Rodel Audio Services.<\/td>\n<\/tr>\n
          item 3<\/strong><\/td>\n\u201cMarion [sic<\/em>] McPartland Trio\/London House.\u201d 10\u201d audio reel, 0\/25\u201d, 15 ips.
          \nAnnotation on side of case: Marion McPartland Trio\/London House, 15\u201d stereo, hess Master Safety.\u201d
          \nAnnotation on back of case:
          \nMarion McPartland\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Master Copy, LP-640\u00a0\u00a0 Chess #337-S
          \nEasy Blues
          \nPlay fiddle Play
          \nLike Someone in Love
          \nTune for Tex
          \nBlues Signature
          \nBlues Intro
          \nSteeple Chase
          \nJordu
          \nYou\u2019d be so nice to come home to
          \nSo Many Things<\/td>\n<\/tr>\n
          item 4<\/strong><\/td>\n\u201cMy London Tapes.\u201d 10\u201d audio reels, 0.25\u201d.
          \nAnnotation on back of case:
          \nSaturday
          \nEmily
          \nBroadway
          \nConstantly
          \nDon\u2019t Get Around Much Anymore
          \nSwell
          \nString of Perarls \u2014 Mike
          \nJelly Roll
          \nBallad \u2014 good
          \nHappy [illegible]
          \nA Train
          \nHigh Society
          \nEasy Living<\/td>\n<\/tr>\n
          item 5<\/strong><\/td>\n\u201cTrio Rejects.\u201d 10\u201d audio reel, 0.25\u201d.
          \nAnnotation on back of case:<\/p>\n
            \n
          1. Free #2 7:00<\/li>\n
          2. Marian\u2019s New Tune 4:48<\/li>\n
          3. \u201c first part<\/li>\n
          4. insert second part<\/li>\n
          5. Come Together 4:27 bad<\/li>\n
          6. Short take<\/li>\n
          7. Giant Steps 3:14 OK intro<\/li>\n
          8. <\/li>\n
          9. \u00a0 \u00a0 \u00a0 \u00a0 \u00a0short<\/li>\n
          10. \u00a0 \u00a0 \u00a0 from bridge<\/li>\n
          11. OK ending<\/li>\n
          12. You\u2019d Be So Nice<\/li>\n<\/ol>\n

            Trio Rejects<\/td>\n<\/tr>\n

          item 6<\/strong><\/td>\nUntitled. 10\u201d audio reel, 0.25\u201d.
          \nAnnotation on back of case:
          \nReel #1
          \nTakes Not Used
          \nMarian MacPartland [sic<\/em>]
          \n1\u00a0\u00a0\u00a0 1\u00a0\u00a0\u00a0 Haverford Blues\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [illegible]\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:20
          \n2\u00a0\u00a0\u00a0 2\u00a0\u00a0\u00a0 Killing Me Softly\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 out\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:05 5:10
          \n<\/span>3\u00a0\u00a0\u00a0 3\u00a0\u00a0\u00a0 I\u2019ll Be around\u00a0\u00a0 out\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:33
          \n4\u00a0\u00a0\u00a0 (1)\u00a0 While Were Young\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:30
          \n5\u00a0\u00a0\u00a0 (2)\u00a0 Cheek to cheek\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:30
          \nReel (2)
          \n2\u00a0\u00a0\u00a0 (3)\u00a0 All the Things You Are\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:14
          \nReel (3)
          \n1\u00a0\u00a0\u00a0 (4)\u00a0 As Time Goes By\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:34
          \n6\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 You\u2019re the Top\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:34<\/td>\n<\/tr>\n
          <\/td>\n[Recordings of Marian McPartland with other musicians]<\/strong><\/em><\/td>\n<\/tr>\n
          item 7<\/strong><\/td>\nJoe Buskin, Cy Coleman, and Marian McPartland. 10\u201d audio reel, 0.25\u201d, 15 ips.
          \nAnnotation on side of case: \u201cMisc. McPartland.\u201d
          \nAnnotation on back of case:
          \nRecording Date: 12\/8\/55
          \nMarian McPartland, Joe Buskin, Cy Coleman<\/p>\n
            \n
          1. Things We Did Last Summer 6 1\/2 minutes<\/li>\n
          2. I Get A Kick Out of You 4 1\/2 minutes<\/li>\n
          3. Lush Life 3 minutes<\/li>\n
          4. Squeeze Me<\/li>\n
          5. Somebody Loves Me<\/li>\n
          6. 5\/57 (with Cy Coleman)<\/li>\n
          7. Devil & Deep Blue Sea 7 minutes<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

            [\/vc_column_text][vc_custom_heading text=”Box 87″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612288487648{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
            item 1<\/strong><\/td>\n\u00a0Al Haig and Marian McPartland. 10\u201d audio reel, 0.25\u201d, 15 ips.
            \nAnnotation on side of case: \u201cHalcyon Records, Al Haig, Marian McPartland.\u201d
            \nAnnotation on back of case:
            \nReel No. 1; Date: 2\/13\/52; Title: Al Haig<\/p>\n
              \n
            1. In a Sentimental Mood 2:30<\/li>\n
            2. It Could Happen To You 3:00<\/li>\n
            3. Ruby, My Dear (by T. Monk) 3:00<\/li>\n
            4. Sweet Lorraine 4:30<\/li>\n
            5. Nearness of You 3:00<\/li>\n
            6. Them There Eyes 1:30<\/li>\n
            7. Tabu 2:30<\/li>\n
            8. Fine and Dandy 5:00 with Marian<\/li>\n
            9. Billie\u2019s Bounce 5:00 McPartland<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
            item 2<\/strong><\/td>\nEllis Larkins, Earl Hines, and Marian McPartland. 10\u201d audio reel, 0.25\u201d, 15 ips.
            \nAnnotation on side of case: \u201cEnds, Marian McPartland.\u201d
            \nAnnotation on back of case:
            \nEnds of:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1) McPartland
            \n2) Larkins
            \n3) Hines
            \nEnd of Caravan
            \n3 min 1\/2
            \nEarl Hines, St. Louis Blues, 7 mins
            \nAnnotation on reel: \u201cTEDC, Final Partland; Final Larkin; Final Haynes.\u201d<\/td>\n<\/tr>\n
            item 3<\/strong><\/td>\nJohn Lewis and Marian McPartland. 10\u201d audio reel, 0.25\u201d.
            \nAnnotation on side of case: \u201cTape 1, Marian McP. + John Lewis, Marian McPartland.\u201d<\/td>\n<\/tr>\n
            item 4<\/strong><\/td>\nJohn Lewis and Marian McPartland. 10\u201d audio reel, 0.25\u201d.
            \nAnnotation on side of case: \u201cTape 2, Marian McP. + John Lewis, Marian McPartland.\u201d<\/td>\n<\/tr>\n
            item 5<\/strong><\/td>\nJimmy McPartland and Marian McPartland. 10\u201d audio reel, 0.5\u201d.
            \nAnnotation on front of case: \u201cTape #2, Marian & Jimmy McPartland, Live @ the Royal Box.\u201d
            \nAnnotation on back of box:
            \n#2
            \nTrack 1 \u2013 Bass & Drums
            \nTrack 2 \u2013 T-bone
            \nTrack 3 \u2013 Vocals, Cornet & Sax
            \nTrack 4 \u2013 Piano<\/td>\n<\/tr>\n
            item 6<\/strong><\/td>\nJimmy McPartland and Marian McPartland. 10\u201d audio reel, 0.5\u201d, 15 ips.
            \nAnnotation on side of case: \u201c#3, Marian & Jimmy McPartland, Live at the Americana, June 16, 1973, 4 track master.\u201d
            \nAnnotation on back of case:
            \nTape #3
            \nMarian & Jimmy McPartland
            \nLive at the Hotel Americana \u2013 June 16, 1973
            \nTrack 1 \u2013 Bass (upright) & drums
            \nTrack 2 \u2013 Trombone & cymbal leakage
            \nTrack 3 \u2013 Vocal & Trumpet\/Sax solos
            \nTrack 4 \u2013 Piano<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

            [\/vc_column_text][vc_custom_heading text=”Box 88″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612288496312{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
            item 1<\/strong><\/td>\nJimmy McPartland and Marian McPartland. 10\u201d audio reel, 0.5\u201d, 15 ips.
            \nAnnotation on side of case: \u201c#4, Marian & Jimmy @ the Royal Box.\u201d
            \nAnnotation on back of case:
            \nTape #4
            \nTrack 1 \u2013 Bass & drums
            \nTrack 2 \u2013 T-bone
            \nTrack 3 \u2013 Vocal, cornet & sax
            \nTrack 4 \u2013 Piano<\/td>\n<\/tr>\n
            item 2<\/strong><\/td>\nJimmy McPartland and Marian McPartland. 10\u201d audio reel, 0.5\u201d.
            \nAnnotation on front of case: \u201cTape #5, Marian & Jimmy McPartland, Live @ the Royal Box.\u201d<\/td>\n<\/tr>\n
            item 3<\/strong><\/td>\nJimmy McPartland, [Buddy Tate], and Marian McPartland. 10\u201d audio reel, 0.25\u201d.
            \nAnnotation on side of case: \u201c#1, Various songs, MASTER, Marian McPartland.\u201d
            \nAnnotation on back of case:
            \nTape #1
            \nJimmy & Marian McP
            \n1) Sentimental\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 7:35\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B. T.
            \n2) Can\u2019t get started\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 6:21\u00a0\u00a0\u00a0\u00a0 Buddy Tate
            \n3) Dinah\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:43\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B. T. bari
            \n4) How long has this been going on\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:50\u00a0\u00a0\u00a0\u00a0 Vic
            \n5) Time & Time Again\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:22\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Piano ex
            \n6) Stomping at the Savoy\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:20\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B. Tn
            \n7) Summertime\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 6:35\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B. T. Fl.<\/td>\n<\/tr>\n
            item 4<\/strong><\/td>\n[Jimmy McPartland?], [Buddy Tate], and Marian McPartland. 10\u201d audio reel, 0.25\u201d.
            \nAnnotation on side of case: \u201c#2, Various songs, MASTER, Marian McPartland.\u201d
            \nAnnotation on back of case:
            \nTape #2
            \ncopy #1 ends at 650 on this Reel
            \nMarian McP
            \nPolka Dots & Moonbeams\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:30
            \nCan\u2019t give you any thing but love\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:25\u00a0\u00a0\u00a0\u00a0 B.T. cl.
            \nWhen you wish upon a star\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:08
            \nHow Insensitive\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:15
            \nPerdido\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 6:55
            \nSatin Doll\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 7:35\u00a0\u00a0\u00a0\u00a0 dull!
            \nMoon dust\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Buddy Tate\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:20
            \n(no piano solo)
            \nPennies from heaven\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:30\u00a0\u00a0\u00a0\u00a0 B.T. bari
            \n(incomplete take, complete take in small box)<\/td>\n<\/tr>\n
            item 5<\/strong><\/td>\n[Jimmy McPartland?], [Buddy Tate], and Marian McPartland. 10\u201d audio reel, 0.25\u201d.
            \nAnnotation on side of case: \u201c#3, Various songs, MASTER, Marian McPartland.\u201d
            \nAnnotation on back of case:
            \nSt. Louis Blues \u2014\u2014 B.T. cl.
            \nYesterdays
            \nLong Medley
            \nCharmaine\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B.T.
            \nMemories of you
            \nWhat\u2019s more
            \nIn a Mellow tone
            \nstarted in middle of tune\u00a0\u00a0\u00a0\u00a0\u00a0 B.T.
            \n(part of first chor missing)<\/td>\n<\/tr>\n
            item 6<\/strong><\/td>\nClaude Noel, Lou Stein, John Mehegan, and Marian McPartland. 10\u201d audio reel, 0.25\u201d.
            \nAnnotation on side of case: \u201cJohn Megegan, Claude Noel, Lou Stein, 1953.\u201d
            \nAnnotation on back of case:
            \nMarian McPartland; January 15, 1953 \u2014 Claude Noel, Lou Stein, John Mehegan<\/p>\n
              \n
            1. Lullaby of Birdland 3 mins<\/li>\n
            2. Yesterdays 2 1\/2 (Johnny Mehegan solo)<\/li>\n
            3. Way You Look Tonight 3<\/li>\n
            4. Great Day 1 1\/2<\/li>\n
            5. Prelude To a Kiss 4<\/li>\n
            6. How High the Moon 2<\/li>\n
            7. Boogie Woogie 5<\/li>\n
            8. Willow Weep For Me 5<\/li>\n
            9. Often You\u2019ve Gone 3 1\/2 } misc. piano player, on beginning of tape<\/li>\n<\/ol>\n

              Address label for Sherman Fairchild on back of case.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

              [\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612288503856{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
              item 1<\/strong><\/td>\nClaude Noel, Lou Stein, John Mehegan, and Marian McPartland. 10\u201d audio reel, 0.25\u201d, 15 ips.
              \nAnnotation on side of case: \u201cJohn Mehegan, Claude Noel, Lou Stein.\u201d
              \nAnnotation on back of case:
              \nParty, Jan. 15, 1952 (John Mehegan, Claude Noel, Marian McPartland, Lou Stein)<\/p>\n
                \n
              1. I\u2019ll Remember April 5 1\/2 mins<\/li>\n
              2. Penthouse Serenade 3 1\/2 mins<\/li>\n
              3. Thou Swell 3 1\/2 mins<\/li>\n
              4. Lady Is a Tramp 1 1\/2 min<\/li>\n
              5. Love For Sale 2 min<\/li>\n
              6. Gone With the Wind 6 min<\/li>\n
              7. Just You \u2013 Just Me 2 min<\/li>\n
              8. Only Have Eyes for You 5 min<\/li>\n
              9. Just One of Things 4 min } at beginning of reel \u2013 by Lou Stein<\/li>\n<\/ol>\n

                Address label for Sherman Fairchild on back of case.<\/td>\n<\/tr>\n

              item 2<\/strong><\/td>\nBud Powell and Marian McPartland. 10\u201d audio reel, 0.25\u201d, 15 ips.
              \nAnnotation on side of case: \u201cHalcyon Records, Bud Powell, Marian McPartland.\u201d
              \nAnnotation on back of case:
              \nReel No. 1, Date: 3\/11\/3 & 9\/21\/55, Title: Bud Powell (with Marian McPartland)<\/p>\n
                \n
              1. I\u2019ve Got You Under My Skin 2 1\/2 mins.<\/li>\n
              2. Sure Thing 2 1\/2 mins.<\/li>\n
              3. Lullaby of Birdland 4 1\/2 mins.<\/li>\n
              4. Eternity 5 1\/2 mins.<\/li>\n
              5. Embraceable You 5 mins.<\/li>\n
              6. Oblivion 2 mins.<\/li>\n
              7. Parisian Thoroughfare 2 1\/2 mins<\/li>\n
              8. Buttercup 2 1\/2 mins with<\/li>\n
              9. It Never Entered My Mind 4 mins. Edmund Thigpen<\/li>\n
              10. Thou Swell 2 1\/2 mins. on drums (9\/21)<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
              item 3<\/strong><\/td>\nGeorge Shearing and Marian McPartland. 10\u201d audio reel, 0.25\u201d.
              \nAnnotation on side of case: \u201cMarian And Shearing OR Chrless.\u201d
              \nAnnotation on bottom of case: \u201cMcPartland, [illegible] 21751.\u201d
              \nAnnotation on back of case:
              \nClient: Sherman Fairchild
              \nProgram: George Shearing, Marion [sic<\/em>] McPartland \u2013 I
              \nSource: Client\u2019s tape
              \nOrder No. 3926
              \nDate: 12\/5\/52
              \nFacsimile of original case in Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
              item 4<\/strong><\/td>\nGeorge Shearing and Marian McPartland. 10\u201d audio reel, 0.25\u201d.
              \nAnnotation on side of case: \u201cMarian And Shearing or Carless.\u201d
              \nAnnotation on bottom of case: \u201cMcPartland, WV. 21751.\u201d
              \nAnnotation on back of case:
              \nClient: Sherman Fairchild
              \nProgram: George Shearing, Marion [sic<\/em>] McPartland \u2013 II
              \nSource: Client\u2019s tape
              \nOrder No. 3926
              \nDate: 12\/5\/52<\/td>\n<\/tr>\n
              item 5<\/strong><\/td>\nDon Shirley and Marian McPartland. 10\u201d audio reel, 0.25\u201d, 15 ips.
              \nAnnotation on side of case: \u201cDon Shirley & M. McPartland, Jan. 17, \u201955.\u201d
              \nAnnotation on back of case:
              \nDate: 1\/17\/5<\/p>\n
                \n
              1. Polka Dots + Moonbeams 5 1\/2 minutes<\/li>\n
              2. I Only Have Eyes For You 4 1\/2 minutes<\/li>\n
              3. Lullaby of Birdland 8 minutes<\/li>\n
              4. Lullaby of the Leaves 7 1\/2 minutes<\/li>\n<\/ol>\n

                Address label for Sherman Fairchild on back of case.<\/td>\n<\/tr>\n

              item 6<\/strong><\/td>\nLee Wiley with Marian McPartland. 10\u201d audio reel, 0.25\u201d, 15 ips.
              \nAnnotation on back of case:<\/p>\n
                \n
              1. I\u2019m Coming Virginia 5 mins.<\/li>\n
              2. The One I Love 6 1\/2 mins.<\/li>\n
              3. Swanee River 3 1\/2 mins. | Recorded<\/li>\n
              4. September Song 4 1\/2 mins. | 12\/9\/55<\/li>\n
              5. Ghost of A Chance 5 1\/2 mins. |<\/li>\n<\/ol>\n

                McPartlands accompanying<\/td>\n<\/tr>\n

              item 7<\/strong><\/td>\nTeddy Wilson and Marian McPartland. 10\u201d audio reel, 0.25\u201d.
              \nAnnotation on side of case: \u201cMarian + Teddy, Feb 1970.\u201d
              \nAnnotation on front of case: \u201cTeddy Wilson, Marian McPartland, II.\u201d
              \nAnnotation on back of case:
              \nMarian & Teddy\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 14 Feb 70\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2
              \n*Quiet Nights\u00a0\u00a0 #1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:02
              \nUndecided\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 #1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:16
              \nUndecided\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 #2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:14
              \nUndecided\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 #3\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 cut
              \n*Undecided\u00a0\u00a0\u00a0\u00a0\u00a0 #4\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:15
              \nUndecided\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 #5\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:38
              \nBlusette\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 #1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:02
              \nBlusette\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 #2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 cut
              \nBlusette\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 #3\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:03
              \nAccompanying document (manuscript notes) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

              [\/vc_column_text][vc_custom_heading text=”Box 90″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611679166072{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n
              item 1<\/strong><\/td>\nTeddy Wilson, Earl Hines, Ellis Larkins, and Marian McPartland. 10\u201d audio reel, 0.25\u201d.
              \nAnnotation on side of case: \u201cOuttakes, Various: Wilson, Hines, Larkin, McPart.\u201d
              \nAnnotation on back of case:
              \nEarl Hines
              \nSweet Lorraine\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 complete, with vocal
              \nPretty girl is like a melody (1\/2)
              \nSweet Lorraine (1\/2)
              \n1) Teddy Wilson
              \nStomping at the Savoy
              \n(from Argentina Album)
              \n2) Ellis Larkin\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 What\u2019s New (5 min)
              \n3) Come rain or come shine \u2014
              \nMarian McPartland
              \nAll the things you are\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 good (fixed up ending) (5 min)
              \nClothed Women (fair) (3:40)<\/td>\n<\/tr>\n
              <\/td>\n\u00a0[Recordings of other musicians: commercial recordings and masters]<\/strong><\/em><\/td>\n<\/tr>\n
              item 2<\/strong><\/td>\nEarl Hines, [The Quintessential Recording Session<\/em>] (Halcyon 101), [Side A]. 10\u201d audio reel, 15 ips.
              \nAnnotation on side of case: \u201c1, Mr. Fairchild, Earl Hines, A.\u201d
              \nAnnotation on front of case:
              \nHAL 101 A\u00a0\u00a0\u00a0\u00a0\u00a0 Original
              \nMonday Date\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 6:57
              \nOff Time Blues\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 7:50
              \nJust Too Soon\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 6:43
              \nChimes Blues\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:41
              \n25:11
              \nAnnotation on back of case:
              \n1) Monday Date\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 # (warmup)
              \n2) Monday Date\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 #1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 cut
              \n3) Monday Date\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 #2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 6:57\u00a0\u00a0\u00a0\u00a0 great!!
              \n4) Off-time blues \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 #1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 7:50\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u201c
              \n5) Blues in 3rd\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 #1
              \nCaution Blues (slow)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 8:30
              \n6) Chicago High-Five\u00a0\u00a0 #1 (up)
              \n7) Stowaway\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 #1
              \n8)
              \nFacsimile of original case in Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
              item 3<\/strong><\/td>\nEarl Hines, [The Quintessential Recording Session<\/em>] (Halcyon 101), [Side B]. 10\u201d audio reel, 0.25\u201d, 15.5 ips.
              \nAnnotation on side of case: \u201cHAL-101-B, M. McPartland.\u201d
              \nAnnotation on side of case: \u201c1, Mr. Fairchild, Earl Hines, B.\u201d
              \nAnnotation on front of case:
              \nHAL 101 B\u00a0\u00a0\u00a0\u00a0\u00a0 Original
              \nChicago High Life\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:21
              \nBlues in Thirds\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 8:30
              \nStowaway\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 7:00
              \nPanther Rag\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:19
              \n24:10
              \nAnnotation on back of case:
              \nJust Too Soon\u00a0 #1 cut
              \nJust Too Soon\u00a0 #2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 6:43
              \nChimes\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 #1 cut\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:41
              \nChimes\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 #2
              \nPanther Rag\u00a0\u00a0\u00a0\u00a0\u00a0 #1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:19<\/td>\n<\/tr>\n
              item 4<\/strong><\/td>\nBobby Henderson, [A Home in the Clouds<\/em>] (Halcyon 102), [Side A]. 10\u201d audio reel, 0.25\u201d.
              \nAnnotation on side of case: \u201cHAL-102-A, M. McPartland.\u201d
              \nAnnotation on back of case:
              \nSide I\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 HAL 102 A,
              \nWished on the Moon
              \nLover Man
              \nIf the moon turned green
              \nShine
              \nBlues for Lady
              \nartist Bobby Henderson, solo piano<\/td>\n<\/tr>\n
              item 5<\/strong><\/td>\nBobby Henderson, \u201cHAL-102-A,\u201d [Side A]. 10\u201d audio reel, 0.25\u201d, 15 ips
              \nAnnotation on side of case: \u201cHAL-102-A, Eq\u2019d, HALCYON.\u201d
              \nLabel on back of case for Masterdisk Corporation, with annotations:
              \nClient: Halcyon; Artist: Bobby Henderson; Engineer: Alan Moy
              \nProduction Master
              \nBobby Henderson, Side A<\/p>\n
                \n
              1. Wished On the Moon<\/li>\n
              2. Lover Man<\/li>\n
              3. The Moon Turned Green<\/li>\n
              4. Shine<\/li>\n
              5. Blues for Lady<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
              item 6<\/strong><\/td>\nBobby Henderson, \u201cHAL-102-B,\u201d [Side B]. 10\u201d audio reel, 0.25\u201d, 15 ips
              \nAnnotation on side of case: \u201cHAL-102-B, Eq\u2019d, HALCYON.\u201d
              \nLabel on back of case for Masterdisk Corporation, with annotations:
              \nClient: Halcyon; Artist: Bobby Henderson; Engineer: Alan Moy
              \nProduction Master
              \nBobby Henderson, Side B<\/p>\n
                \n
              1. Blue Prelude<\/li>\n
              2. Sunny<\/li>\n
              3. You Turned The Tables<\/li>\n
              4. New Orleans<\/li>\n
              5. Home In The Clouds<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
              item 7<\/strong><\/td>\nWillie \u201cThe Lion\u201d Smith, [Live at Blues Alley<\/em>] (Halcyon 104), [Side A]. 10\u201d audio reel, 0.25\u201d, 15 ips
              \nAnnotation on side of case: \u201cHAL-104-A, Willie The Lion Smith, Eq\u2019d, HALCYON.\u201d
              \nLabel on back of case for Masterdisk Corporation, with annotations:
              \nClient: Halcyon; Artist: Willie The Lion Smith; Engineer: Alan Moy
              \nProduction Master
              \nWillie The Lion Smith, Side A<\/p>\n
                \n
              1. Relaxing<\/li>\n
              2. Music On My Mind<\/li>\n
              3. Sweet Georgia Brown<\/li>\n
              4. Honeysuckle Rose\/Squeeze Me<\/li>\n
              5. Contrary Motion<\/li>\n
              6. Conversation On Park Avenue<\/li>\n
              7. Take Me Out To The Ball Game<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 91″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612288696881{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
                item 1<\/strong><\/td>\nWillie \u201cThe Lion\u201d Smith, [Live at Blues Alley<\/em>] (Halcyon 104), [Side B]. 10\u201d audio reel, 0.25\u201d, 15 ips
                \nAnnotation on side of case: \u201cHAL-104-B, Willie The Lion Smith, Eq\u2019d, HALCYON.\u201d
                \nLabel on back of case for Masterdisk Corporation, with annotations:
                \nClient: Halcyon; Artist: Willie The Lion Smith; Engineer: Alan Moy
                \nProduction Master
                \nWillie The Lion Smith, Side A<\/p>\n
                  \n
                1. Relaxing<\/li>\n
                2. Shim-Me-Sha-Wabble<\/li>\n
                3. Here Comes The Band<\/li>\n
                4. Concentrating<\/li>\n
                5. Blue Skies<\/li>\n
                6. Portrait of The Duke<\/li>\n
                7. Zig Zag<\/li>\n
                8. Relaxing<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\nWillie \u201cThe Lion\u201d Smith, Live at Blues Alley<\/em> (Halcyon 104), Sides A\/B. 10\u201d audio reel, 0.25\u201d.
                \nLabel on side of case: \u201cCR 104.\u201d
                \nAnnotation on back of case:
                \nWillie the Lion Smith solo piano
                \nLive at Blues Alley
                \nHalcyon 104 A& B
                \n7 1\/2<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\nDave McKenna, [Cookin\u2019 at Michael\u2019s Pub<\/em>] (Halcyon 108), [Side A]. 10\u201d audio reel, 0.25\u201d.
                \nAnnotation on side of case: \u201cHalcyon 108A, Dave McKenna, Marian McPartland.\u201d
                \nAnnotation on back of case:
                \nDave McKenna, Halcyon #108
                \nMASTER
                \nSide A
                \n1) Blues<\/span> Cookin at Michael\u2019s Pub\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:50
                \n2) Dream Dancing\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:30
                \n3) Dance\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:38
                \n4) Change Partners\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:50
                \n5) Dinah\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:22
                \n21.47<\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\nDave McKenna, [Cookin\u2019 at Michael\u2019s Pub<\/em>] (Halcyon 108), [Side B]. 10\u201d audio reel, 0.25\u201d.
                \nAnnotation on side of case: \u201cHalcyon 108B, Dave McKenna, Marian McPartland.\u201d
                \nAnnotation on back of case:
                \nDave McKenna, Hal #108, MASTER
                \n1) I won\u2019t dance\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:16
                \n2) Cheek to cheek\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:14
                \n3) I could have danced\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:27
                \n4) Fine & Dandy\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:22
                \n5) Last Dance\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:21
                \nSide B, 20 min<\/td>\n<\/tr>\n
                item 5<\/strong><\/td>\nDave McKenna, \u201cHalcyon #108,\u201d Side A. 10\u201d audio reel, 0.25\u201d.
                \nAnnotation on side of case: \u201cHAL #108, McKenna.\u201d
                \nAnnotation on back of case: \u201cHAL #108, McKenna.\u201d
                \nDave McKenna, Halcyon #108
                \nSide A
                \n1 \u2013 Cookin at Michael\u2019s Pub\u00a0\u00a0\u00a0\u00a0 5:50
                \n2 \u2013 Dream Dancing\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:30
                \n3 \u2013 Dance\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:38
                \n4 \u2013 Change Partners\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:50
                \n5 \u2013 Dinah\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:22
                \nSide A = 21:47
                \nHalcyon #108
                \nSafety Master Copy
                \nDate: 4-5-73
                \nAccompanying document (manuscript notes) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
                item 6<\/strong><\/td>\nDave McKenna, \u201cHalcyon #108,\u201d Side B. 10\u201d audio reel, 0.25\u201d.
                \nAnnotation on side of case: \u201cHAL #108, McKenna.\u201d
                \nAnnotation on back of case:
                \nDave McKenna, HALCYON #108
                \nPiano – Bass
                \nSide B
                \n1\u2013 I Won\u2019t Dance\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:16
                \n2\u2013 Cheek to Cheek\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:14
                \n3\u2013 I Could Have Danced\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:27
                \n4\u2013 Fine + Dandy\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:22
                \n5\u2013 Last Dance\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:21
                \nSide B = 20:00
                \nSafety Master Copy; Date: 4-5-73<\/td>\n<\/tr>\n
                item 7<\/strong><\/td>\nDave McKenna, \u201cHalcyon [108].\u201d 10\u201d audio reel, 0.25\u201d.
                \nAnnotation on side of case: \u201cMcKenna (McPartland) Halcyon.\u201d
                \nContents:
                \nDancing in the dark — Fine and dandy — Cheek to cheek — Dancing on the ceiling — Dolphin dance — Dinah — Dancero — Last dance.
                \nAccompanying document (take sheet from Mercury Sound Studios) separated; see Box 117, Folder 16.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 92″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612289329308{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
                item 1<\/strong><\/td>\nJimmy Rowles, [The Special Magic of Jimmy Rowles<\/em>] (Halcyon, HAL 110), Side A.
                \nAnnotation on side of case: \u201cHAL 110A, Jimmy Rowles (M. MacPartland).\u201d
                \nAnnotation on back of case:
                \nHAL 110, Side A
                \nJimmy Rowles, Side A
                \n1\u2013 Grooveyard\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A1<\/sup>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:52
                \n2\u2013 Remind Me\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B2<\/sup>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:53
                \n3\u2013 Rockin\u2019 In Rhythm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A3<\/sup>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:21
                \n4\u2013 Sunday Monday, + Always\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B3<\/sup>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:17
                \n5\u2013 Lotus Blossom\/Prelude to a Kiss\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A4<\/sup>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:34<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\nJimmy Rowles, [The Special Magic of Jimmy Rowles<\/em>] (Halcyon, HAL 110), Side B.
                \nAnnotation on side of case: \u201cHAL 110B, Jimmy Rowles (M. MacPartland).\u201d
                \nAnnotation on front of case:
                \nHAL 110, Side B
                \nJimmy Rowles, Side B
                \n1\u2013 It Don\u2019t Mean A Thing\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B1
                \n<\/sup>If It Ain\u2019t Got That Swing\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:56
                \n2\u2013 Restless\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A2<\/sup>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:24
                \n3\u2013 Lindy Lou\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A5<\/sup>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:57
                \n4\u2013 Cotton Tail\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B5<\/sup>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:54
                \n5\u2013 The Peacocks\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B4<\/sup>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:56
                \nAnnotation on back of case:
                \n[crossed out; see case]
                \nDuke:\u00a0\u00a0 Lotus Blossom \u2013 Prelude to a kiss
                \nCottontail
                \nDon\u2019t mean a thing
                \nRockin in rhythm<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\nJimmy Rowles, \u201cHALCYON 110 A.\u201d 10\u201d audio reel, 0.25\u201d.
                \nAnnotation on side of case: \u201cHALCYON 110A, Jimmy Rowles, Safety Master, M. McPartland.\u201d
                \nAnnotation on front of case:
                \nHalcyon 110A
                \nSide one, Jimmy Rowles
                \n1\u2013 Grooveyard\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:52
                \n2\u2013 Remind Me\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:53
                \n3\u2013 Rockin\u2019 In Rhythm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:21
                \n4\u2013 Sunday Monday + Always\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:17
                \n5\u2013 Lotus Blossom\/Prelude to a Kiss\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:34<\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\nJimmy Rowles, \u201cHALCYON 110 B.\u201d 10\u201d audio reel, 0.25\u201d.
                \nAnnotation on side of case: \u201cHALCYON 110B, Jimmy Rowles, Safety Master, M. McPartland.\u201d
                \nAnnotation on front of case:
                \nHalcyon 110B
                \nSide two, Jimmy Rowles
                \n1\u2013 It Don\u2019t Mean A Thing If It Ain\u2019t Got That Swing\u00a0\u00a0\u00a0\u00a0 4:56
                \n2\u2013 Restless\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:24
                \n3\u2013 Lindy Lou\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:57
                \n4\u2013 Cotton Tail\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:54
                \n5\u2013 The Peacocks\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:56<\/td>\n<\/tr>\n
                item 5<\/strong><\/td>\nJimmy Rowles, [Halcyon, HAL 110], Side A. 10\u201d audio reel, 0.25\u201d, 15 ips.
                \nAnnotation on side of case: \u201c81-5411, FEB 15, 1980, Jimmy Rowles.\u201d
                \nLabel on back of case for Masterdisk Corporation, with annotations:
                \nJimmy Rowles, Side A<\/p>\n
                  \n
                1. Groove Yard 4:52<\/li>\n
                2. Remind Me 3:53<\/li>\n
                3. Rockin\u2019 In Rhythm 2:21<\/li>\n
                4. Sunday Monday & Always 3:17<\/li>\n
                5. Lotus Blossom\/Prelude to A Kiss 5:34<\/li>\n<\/ol>\n

                  TOTAL\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 20:27
                  \n1:1 Copy of Original
                  \nClient: Marian McPartland; No.: HAL-110-A
                  \nDestination: Book of the Month Club
                  \nDate: 2-8-80
                  \nMastered by Trutone; Date: 2\/25\/80
                  \nLabel on back of case for \u201cBook-of-the-Month-Club, Record Division\u201d:
                  \nRecord Master #81-5411
                  \nEight Track #91-5412
                  \nCassette #11-5413
                  \nTitle: Jimmy Rowles<\/td>\n<\/tr>\n

                item 6<\/strong><\/td>\nJimmy Rowles, [Halcyon, HAL 110], Side B. 10\u201d audio reel, 0.25\u201d, 15 ips.
                \nAnnotation on side of case: \u201c81-5411, FEB 15, 1980, Jimmy Rowles.\u201d
                \nLabel on back of case for Masterdisk Corporation, with annotations:
                \nJimmy Rowles, Side B<\/p>\n
                  \n
                1. It Don\u2019t Mean A Thing If It Ain\u2019t Got That Swing 4:56<\/li>\n
                2. Restless 4:24<\/li>\n
                3. Lindy Lou 3:57<\/li>\n
                4. Cotton Tail 4:54<\/li>\n
                5. The Peacocks 3:56<\/li>\n<\/ol>\n

                  1:1 Copy of Original
                  \nClient: Marian McPartland; No.: HAL-110-A
                  \nDestination: Book of the Month Club
                  \nDate: 2-8-80
                  \nMastered by Trutone; Date: 2\/25\/80<\/td>\n<\/tr>\n

                item 7<\/strong><\/td>\nJimmy Rowles, \u201cHAL 110, Side A.\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
                \nAnnotation on side of case: \u201cRowles.\u201d
                \nLabel on back of case for Masterdisk Corporation, with annotations:
                \nHAL 110, Side A
                \nGrooveyard\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:52
                \nRemind Me\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:53
                \nRockin\u2019 In Rhythm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:21
                \nSunday, Monday, and Always\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:17
                \nLotus Blossom\/Prelude to A Kiss\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:34
                \nTotal Time\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 20:23
                \nArtist: Jimmy Rowles
                \n1:1 Copy of Original
                \nClient: Halcyon; Destination: Safety Copy; Date: 6-24-74<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 93″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612289343028{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
                item 1<\/strong><\/td>\nJimmy Rowles, \u201cHAL 110, Side B.\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
                \nAnnotation on side of case: \u201cRowles.\u201d
                \nLabel on back of case for Masterdisk Corporation, with annotations:
                \nHAL 110, Side B
                \nIt Don\u2019t Mean A Thing If It Ain\u2019t Got That Swing\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:56
                \nRestless\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:24
                \nLindy Lou\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:57
                \nCotton Tail\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:54
                \nThe Peacocks\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:56
                \nTotal Time\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 22:30
                \nArtist: Jimmy Rowles
                \n1:1 Copy of Original
                \nClient: Halcyon; Destination: Safety Copy<\/td>\n<\/tr>\n
                <\/td>\n\u00a0[Recordings of other musicians, non-commercial]<\/strong><\/em><\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\n[Harry Blons Group] and Helen Ward. 10\u201d audio reel, 0.25\u201d, 15 ips.
                \nLabel on side of case: \u201cHelen Ward.\u201d
                \nAnnotation on back of case:
                \nDate: 3\/18\/56
                \n1st Number Harry Blons Group
                \nHelen Ward program 3\/7-3\/8 1956
                \nat Sherman Fairchild\u2019s home recorded by E. [illegible].
                \nFor Mr. Sherman Fairchild.<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\nBobby Hackett, cornet; Vic Dickenson, trombone; Dave McKenna, piano; Jack Lesberg, bass; and Cliff Leeman, drums. 10\u201d audio reel, 0.25\u201d, 7.5 ips.
                \nAnnotation on side of case: \u201cHackett 1970.\u201d
                \nAnnotation on back of case:
                \nx1. Keeping Out of Mischief Now\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:39
                \nx2. Swing That Music\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5:29
                \nx3. Aint Misbehavin\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:15
                \nx4. Constantly\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:15\u00a0\u00a0\u00a0\u00a0 Vic
                \nx5. It\u2019s so Peaceful for the Country\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:51
                \n6. Satin Doll<\/span> X\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 25 March 1970
                \n7. Satin Doll X
                \nx8. Wolverine Blues\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:15\u00a0\u00a0\u00a0\u00a0 OK
                \nx9. I Thought About You\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:01\u00a0\u00a0\u00a0\u00a0 Bobby
                \n10. Muskrat Ramble
                \n11. Willow Weep For Me 4:05\u00a0\u00a0\u00a0\u00a0 Bobby
                \n12. Please Don\u2019t Talk About Me When I Gone 3:33
                \nBobby Hackett, crt; Vic Dickenson, tbn; Dave McKenna, p; Jack Lesberg, b; Cliff Leeman, drums
                \n* Eddie Condon<\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\nRandy Hall, Al Haig, George Barnes, Jimmy McPartland, and Lou Stein. 10\u201d audio reel, 0.25\u201d.
                \nAnnotation on side of case: \u201cRandy Hall & Al Haig, Etc.\u201d
                \nAnnotation on back of case:
                \nGeorge Barnes, Jimmy McPartland, Lou Stein, Randy Hall, Al Haig<\/p>\n
                  \n
                1. Crazy Rhythms 4 1\/2 min<\/li>\n
                2. I Know You Know 3 1\/2 min<\/li>\n
                3. What Is Thing Called Love 6 1\/2 min<\/li>\n
                4. Indiana 2 min | with<\/li>\n
                5. Blues 4 1\/2 min |\u00a0\u00a0\u00a0 Randy Hall &<\/li>\n
                6. Sweet Sue | Al Haig<\/li>\n<\/ol>\n

                  Address label for Sherman Fairchild on back of case.<\/td>\n<\/tr>\n

                item 5<\/strong><\/td>\nDave McKenna [1]. 10\u201d audio reel, 1\u201d, 15 ips.
                \nAnnotation on side of case: \u201c2, 8 TRK, Dave McKenna, Marian McPartland, 2-28-73.\u201d
                \nTake Sheet for Mercury Sound Studios affixed to back of case, with annotations:
                \nArtist: Dave McKenna; Date: 2\/28\/75; Mixer: Elvin C.
                \nA & R Rep.: Marian McPartland
                \n\u201cDancing in the Dark\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3\/F.S.\u00a0\u00a0 4\/F.S.\u00a0\u00a0 5\/F.S.\u00a0\u00a0 6\/F.S.\u00a0\u00a0 7\/C 3:43
                \nchoice 8\/C
                \n(No title on slate)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:17
                \n\u201cFine & Dandy\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1\/C
                \n\u201cCheek To Cheek\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1\/C
                \n\u201cDancing On The Ceiling\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1\/C
                \nDolphin Dance\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1\/in C<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 94″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612289350244{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
                item 1<\/strong><\/td>\nDave McKenna [2]. 10\u201d audio reel, 1\u201d, 15 ips.
                \nAnnotation on side of case: \u201c2, 8 TRK, Dave McKenna, Marian McPartland, 2-28-73.\u201d
                \nTake Sheet for Mercury Sound Studios affixed to back of case, with annotations:
                \nArtist: Dave McKenna; Date: 2\/28\/75; Mixer: Elvin
                \nA & R Rep.: Marian McPartland
                \n\u201cDolphin Dance\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3\/C
                \n\u201cDinah\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1\/inc\u00a0\u00a0\u00a0 2\/C\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3\/inc\u00a0\u00a0\u00a0 4\/F.S.\u00a0\u00a0 5\/C
                \n\u201cDancerro\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1\/C\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2\/inc\u00a0\u00a0\u00a0 3\/inc\u00a0\u00a0\u00a0 4\/C<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\nDave McKenna [3]. 10\u201d audio reel, 1\u201d, 15 ips.
                \nAnnotation on side of case: \u201c2, 8 TRK, Dave McKenna, Marian McPartland, 2-28-73.\u201d
                \nTake Sheet for Mercury Sound Studios affixed to back of case, with annotations:
                \nArtist: Dave McKenna; Date: 2\/28\/75; Mixer: Elvin C.
                \nA & R Rep.: Marian McPartland
                \nPiano Solo #1 (\u201cDream Dancing\u201d)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1\/C\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2\/C
                \n\u201cDanced All Night\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1\/F.S.\u00a0\u00a0 2\/inc\u00a0\u00a0\u00a0 3\/C
                \n\u201cChange Partners\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1\/C
                \nDancing In The Dark\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1\/F.S.\u00a0\u00a0 2\/C
                \nPiano Solo (1 L; 2 Close; 3 R)<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\nDave McKenna [4]. 10\u201d audio reel, 1\u201d, 15 ips.
                \nAnnotation on side of case: \u201c2, 8 TRK, Dave McKenna, Marian McPartland, 2-28-73.\u201d
                \nTake Sheet for Mercury Sound Studios affixed to back of case, with annotations:
                \nArtist: Dave McKenna; Date: 2\/28\/75; Mixer: Elvin C.
                \nA & R Rep.: Marian McP.
                \nLast Dance (piano on tracks 1, 2 & 3)\u00a0\u00a0\u00a0 1\/C\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2\/C
                \nI Won\u2019t Dance\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1\/inc\u00a0\u00a0\u00a0 2\/inc\u00a0\u00a0\u00a0 3\/C
                \nBlues in G\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1\/C\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2\/inc\u00a0\u00a0\u00a0 3\/C
                \nAccompanying document (Mercury Sound 16 Track Phase Report) separated; see Series 9 (Oversized), Sub-series A (Oversized Papers), Box 117, Folder 16.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 95″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612289357227{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
                item 1<\/strong><\/td>\nHank O\u2019Neal [1]. 10\u201d audio reel, 0.25\u201d.
                \nAnnotation on side of case: \u201cHank O\u2019Neal.\u201d
                \nAnnotation on back of case:
                \n2 April 70
                \nsplice with other sugar & use<\/p>\n
                  \n
                1. Sugar 4:22<\/li>\n
                2. VIC<\/li>\n
                3. Wrap Your Trouble in Dreams<\/li>\n
                4. I Can\u2019t Give You Anything But Love 4:18<\/li>\n
                5. Spring is Here 3:22<\/li>\n
                6. Margie 4:37<\/li>\n
                7. Wolverine Blues 6:04<\/li>\n
                8. In a Sentimental Mood (VIC) 4:37 good (very) use<\/li>\n
                9. Sweet Georgia Brown 7:39<\/li>\n
                10. Broadway 5:32<\/li>\n
                11. One Hour Tonight (EC) 3:59<\/li>\n
                12. A Train (EC)<\/li>\n
                13. It\u2019s so Peaceful (EC) 4:37<\/li>\n
                14. Satin Doll 3:45<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\nHank O\u2019Neal [2]. 10\u201d audio reel, 0.25\u201d, 15 ips.
                \nAnnotation on side of case: \u201cHank O\u2019Neal.\u201d
                \nAnnotation on front of case:
                \n1<\/p>\n
                  \n
                1. If I Love Again<\/li>\n
                2. My Funny Valentine<\/li>\n
                3. Round About Midnight<\/li>\n
                4. Blue and Green<\/li>\n
                5. Gone with the Wind<\/li>\n
                6. Yesterdays<\/li>\n
                7. Cynolah [?] Blues<\/li>\n
                8. Nimbus<\/li>\n<\/ol>\n

                  Annotation on back of case:
                  \n3<\/p>\n

                    \n
                  1. Gone with the Wind 3:45*<\/li>\n
                  2. What\u2019s New #1 2:45<\/li>\n
                  3. What\u2019s New #2 3:39<\/li>\n
                  4. Yesterday 3:55*<\/li>\n
                  5. Cynobla [?] Blues 4:06* Marian<\/li>\n
                  6. Nimbus 3:16<\/li>\n
                  7. Mood Indigo 3:47<\/li>\n
                  8. The Duke 3:24<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\nHank O\u2019Neal [3]. 10\u201d audio reel, 0.25\u201d, 15 ips.
                \nAnnotation on side of case: \u201cHank O\u2019Neal.\u201d
                \nAnnotation on front of case:
                \n2<\/p>\n
                  \n
                1. Mood Indigo<\/li>\n
                2. With You In Mind<\/li>\n
                3. More<\/li>\n
                4. A Nightingale Sang In Berkley Square<\/li>\n<\/ol>\n

                  Annotation on back of case:<\/p>\n

                  4<\/p>\n

                    \n
                  1. The Duke #2 3:20<\/li>\n
                  2. In Your Own Sweet Way 3:21<\/li>\n
                  3. With You In Mind 3:38 *<\/li>\n
                  4. More cut<\/li>\n
                  5. More 4:21 *<\/li>\n
                  6. A Nightingale Sang in Berkeley Square *<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\nJimmy Rowles and Rusty Gilder. 10\u201d audio reel, 0.25\u201d.
                \nAnnotation on side of case: \u201cJimmy Rowles Rusty Gilder.\u201d
                \nAnnotation on back of case:
                \nII
                \n1) Grooveyard 1 chor = 55\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Take I okay
                \nTake II better
                \n2) Istahaw Strayhorn\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Take I okay
                \nTake II
                \n<\/span>3) Restless\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Take 1, 2 mistakes
                \nTake 3 fair
                \nTake 4 best
                \n*Roll of top end on bass track<\/td>\n<\/tr>\n
                item 5<\/strong><\/td>\nWillie \u201cThe Lion\u201d Smith [1]. 10\u201d audio reel, 0.25\u201d.
                \nAnnotation on back of case:<\/p>\n
                  \n
                1. Relaxing #1 2:15<\/li>\n
                2. #\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:10\u00a0\u00a0\u00a0\u00a0 OK<\/li>\n
                3. Morning Air 3:34 NO<\/li>\n
                4. Concentrating 3:04 in a pinch<\/li>\n
                5. Contrary Motion 2:51 OK<\/li>\n
                6. Love Remembers good spoken intro<\/li>\n<\/ol>\n

                  short take\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 #2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 NO\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 use 7 1\/2 early version<\/p>\n

                    \n
                  1. Music in My Mind 4:51 dub out false start \/ cut in vocal this\u2026this\u00a0 OK<\/li>\n
                  2. Portrait after Duke 2:37 OK\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 minor clam<\/li>\n
                  3. Fading Star 4:57 Doubtful<\/li>\n
                  4. Passionette 4:01 Adequate<\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
                item 6<\/strong><\/td>\nWillie \u201cThe Lion\u201d Smith [2]. 10\u201d audio reel, 0.25\u201d, 7.5 ips.
                \nAnnotation on front of case:
                \nEdit
                \n\u20131. Fingerbuster\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 OK\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2:18
                \n\u20132. Sneak away [?]\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 OK\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:32
                \n\u20133. Waller\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4:15<\/p>\n
                  \n
                1. Shine\/[illegible]<\/li>\n<\/ol>\n

                  Annotation on back of case:
                  \nWillie the Lion Smith
                  \nEmpty<\/td>\n<\/tr>\n

                item 7<\/strong><\/td>\nJoe Tartow, tuba; Josh White, guitar and song [?]; Jackie Cooper, drums; Wilbur De Paris, sax; Sonny Greer, drums; William \u201cThe Lion\u201d Smith, piano; Vinnie Burke, bass; Buster Bailey, clarinet; Charley Shavers, trumpet; Charley Barker, banjo; \u201cKing Curtis (Les Paul Protige); Vinnie Burke<\/span>. 10\u201d audio reel, 0.25\u201d, 15 ips.
                \nLabel on side of case: \u201cJazz Party.\u201d
                \nAnnotation on back of case:
                \nReel II; Date: Aug 21 52; Title: Jazz Party.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 96″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612289365140{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
                <\/td>\n[Recordings without attributions]<\/strong><\/em><\/td>\n<\/tr>\n
                item 1<\/strong><\/td>\nUntitled. 10\u201d audio reel, 0.25\u201d.
                \nAnnotation on back of case:
                \nReel #4 (original)
                \nGershwin:
                \nHow long has this been going on
                \nI love you Porgy
                \nFascinatin Rhythm<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\nUntitled. 10\u201d audio reel, 0.25\u201d.
                \nAnnotation on back of case:
                \nI
                \n1) In the Middle of a kiss\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1 take (3?)
                \n2) Wave\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1 (mistake) 2 okay 4 1\/2
                \n> Roll off top end on bass track<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\nUntitled. 10\u201d audio reel, 0.25\u201d.
                \nAnnotation on back of case:<\/p>\n
                  \n
                1. Poor Buttermilk cut<\/li>\n
                2. \u201c cut<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2. Fig Leaf\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 cut<\/li>\n
                3. \u201c cut<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3.\u00a0\u00a0\u00a0\u00a0\u00a0 \u201c #2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3:00<\/li>\n
                4. \u201c cut<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4.\u00a0\u00a0\u00a0\u00a0\u00a0 \u201c #3<\/li>\n
                5. \u201c 3:12<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5.\u00a0\u00a0\u00a0\u00a0\u00a0 \u201c #4<\/li>\n
                6. \u201c ah!<\/li>\n
                7. <\/li>\n<\/ol>\n<\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\nUntitled. 10\u201d audio reel, 0.25\u201d.
                \nAnnotation on back of case:
                \nTape #4
                \nRemind Me\u00a0\u00a0\u00a0\u00a0\u00a0 3?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Take One mistake
                \nTake 2
                \nTake 3
                \nLotus Blossom\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Take I\u00a0 lovely!
                \nPrelude to a Kiss
                \nDon\u2019t mean a thing
                \nRockin in Rhythm
                \nInfer a song
                \nRaindrops
                \nThe Peacocks (Powles)
                \nLindy (vocal)
                \nSunday Monday\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Take I (phone call!)
                \n\u201c\u00a0\u00a0\u00a0 \u201c\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Take II good<\/td>\n<\/tr>\n
                item 5<\/strong><\/td>\nUntitled. 10\u201d audio reel, 0.25\u201d.
                \nAnnotation on back of case:
                \nTape #3
                \nTrouble is a man\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Take I okay
                \nLiza (verse) (solo)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Take I great
                \nLike someone in love (solo)\u00a0\u00a0\u00a0\u00a0\u00a0 Take I good
                \nYou take the cake (original)\u00a0\u00a0\u00a0\u00a0\u00a0 Take I good
                \nCottontail (rehearsal)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Take I good<\/td>\n<\/tr>\n
                item 6<\/strong><\/td>\n\u201c228183 \/ 1C.\u201d 10\u201d audio reel, 0.5\u201d, 15 ips.
                \nAnnotation on front of case:
                \n228183 \u2013 1C
                \nMarian McPartland
                \n6\/20\/73<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 97″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612289371828{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
                item 1<\/strong><\/td>\n\u201c228183 \/ 1D.\u201d 10\u201d audio reel, 0.5\u201d, 15 ips.
                \nAnnotation on front of case:
                \n228183 \u2013 1D
                \nMarian McPartland
                \n6\/20\/73
                \nContents (Reel 1C-1D):
                \nJazz Waltz for a Friend — Ballade — Inner Cycle.
                \nAccompanying document (CBS Records Tape Data Sheet) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\n\u201c228183 \/ 2C.\u201d 10\u201d audio reel, 0.5\u201d, 15 ips.
                \nAnnotation on front of case:
                \n228183 \u2013 2C
                \nMarian McPartland
                \n6\/20\/73<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\n\u201c228183 \/ 2D.\u201d 10\u201d audio reel, 0.5\u201d, 15 ips.
                \nAnnotation on front of case:
                \n228183 \u2013 2D
                \nMarian McPartland
                \n6\/20\/73<\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\n\u201c228183 \/ 3C.\u201d 10\u201d audio reel, 0.5\u201d, 15 ips.
                \nCBS Records Tape Data Sheet affixed to front of case, with annotations:
                \nJob Number 228183; Reel 3C-3D
                \nDate: 6\/20\/73; Program: Marian McPartland
                \nProducer: F. L.; Co. Eng.: Laico; Re. Eng.: Schlossberg
                \nWhere are the good companions
                \nHomework
                \nI\u2019ll be around
                \nTrouble is a man<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 98″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612289379370{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
                item 1<\/strong><\/td>\n\u201c228183 \/ 3D.\u201d 10\u201d audio reel, 0.5\u201d, 15 ips.
                \nAnnotation on front of case:
                \n228183 \u2013 3D
                \nMarian McPartland
                \n6\/20\/73
                \nContents (Reel 3C-3D):
                \nWhere Are the Good Companions — Homeward — I\u2019ll be around — Trouble is a man.
                \nAccompanying document (CBS Records Tape Data Sheet) separated; see Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\n\u201c228183 \/ 4C.\u201d 10\u201d audio reel, 0.5\u201d, 15 ips.
                \nCBS Records Tape Data Sheet affixed to front of case, with annotations:
                \nJob Number 228183; Reel 4C-4D
                \nDate: 6\/21\/73; Program: Marian McPartland
                \nClient: CRP; Producer: F. L.; Co. Eng.: FL; Re. Eng.: RW
                \nTrouble is a man — Where are the good companions (remake) — While we\u2019re young — It\u2019s So Peaceful.<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\n\u201c228183 \/ 4D.\u201d 10\u201d audio reel, 0.5\u201d, 15 ips.
                \nCBS Records Tape Data Sheet affixed to front of case, with annotations (carbon copy of sheet affixed to Item 2).<\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\n\u201cMarian McPartland, 11\/8\/88 #1.\u201d 10\u201d audio reel, 0.25\u201d, 7.5 ips.<\/td>\n<\/tr>\n
                item 5<\/strong><\/td>\n\u201cMarian McPartland #2.\u201d 10\u201d audio reel, 0.25\u201d, 7.5 ips.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 99″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612289311284{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
                item 1<\/strong><\/td>\n\u201cMarian McPartland, Reel One.\u201d 10\u201d audio reel, 1\u201d.<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\n\u201cMarian McPartland, Reel Two.\u201d 10\u201d audio reel, 1\u201d.
                \nNote affixed to front of case: \u201cWhat Are These?\u201d<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\n\u201cMarian McPartland, Reel Three.\u201d 10\u201d audio reel, 1\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 100″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611679199391{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
                item 1<\/strong><\/td>\n\u201cMarian McPartland, Reel Four.\u201d 10\u201d audio reel, 1\u201d.<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\n\u201cMarian McPartland, Reel Five.\u201d 10\u201d audio reel, 1\u201d.<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\n\u201cMarian McPartland, Reel Six.\u201d 10\u201d audio reel, 1\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 101″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612290555242{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n
                <\/td>\n[Recordings of radio broadcasts and interviews]<\/strong><\/em><\/td>\n<\/tr>\n
                item 1<\/strong><\/td>\n\u201cMarian McPartland Interviewed by Henry Whiston, CBC Montreal (1965)\u201d 10\u201d audio reel, 0.25\u201d, 7.5 ips.
                \nForm from the Canadian Broadcasting Corporation affixed to back of case, with annotations:
                \nNo. 1 of 1; Recording date: Jan-26-65
                \nMarian McPartland
                \nInterviewed by Henry Whiston\u2014CBC Montreal<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\n\u201cMarian McPartland Show, WBAI (March 5, 1969).\u201d 10\u201d audio reel, 0.25\u201d, 7.5 ips.
                \nLabel on side of case: \u201cWBAI, Guest \u2013 Lorin Hollander.\u201d
                \nForm for WBAI-FM 99.5, Pacifica affixed to front of case, with annotations:
                \nTitle: Marian McPartland Show, Part 1 of 1
                \nMusic Extra
                \nsaver for future use
                \ndate as yet undetermined!
                \nGuest Lorin Hollander
                \nPlease do not erase
                \nLast portion of program is air check
                \ndone live 3\/5\/69<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\n\u201cA Delicate Balance,\u00a0<\/em>WBAI, August 6, 1978,\u201d Reel I. 10\u201d audio reel, 0.25\u201d, 7.5 ips.
                \nAnnotation on front of case: \u201cWBAI Aug 6 1978 (no guest).\u201d
                \nAnnotation on back of case: \u201cCritics Forum \/ A Delicate Balance, 8\/6\/78, Reel II of II.\u201d<\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\n\u201cA Delicate Balance, <\/em>WBAI, August 6, 1978,\u201d Reel II. 10\u201d audio reel, 0.25\u201d, 7.5 ips.
                \nAnnotation on front of case: \u201cWBAI Aug 6 1978, record program \u2013 no guest.\u201d
                \nAnnotation on back of case: \u201cA Delicate Balance, 8\/6\/78, Reel I of I.\u201d<\/td>\n<\/tr>\n
                item 5<\/strong><\/td>\n\u201cRadio CUROM (undated).\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
                \nRecording made at the studio of Radio Broadcasting Station \u201cCUROM\u201d in Willemstad, Curacao, Netherlands Antilles by Vincent H. Pietersz.
                \nLabel on side of case: \u201cCURACAO.\u201d
                \nAnnotation on back of case: \u201cPHILIPS.; RADIO CUR.OM.\u201d
                \nAccompanying document (typescript note) separated; see Box 11, Folder 17.
                \n<\/em>[Unlabeled and unknown recordings]<\/td>\n<\/tr>\n
                item 6<\/strong><\/td>\n\u201cReel No. 1, McPartland, 55-63.\u201d
                \nAnnotation on back of case:
                \nTest AF
                \nAF + 1 FS
                \nAF + 2 broke down
                \nAF + 3 from after intro (9)
                \nA + 1
                \n55 + 2 broke down, goes on
                \n55-63<\/td>\n<\/tr>\n
                item 7<\/strong><\/td>\n\u201cTest Tape.\u201d 10\u201d audio reel, 0.25\u201d, 15 ips.
                \nAnnotation on side of case: \u201ctape (2 track 15\u201d) for combanture [?] [illegible].\u201d
                \nLabel on front of case for Fine Recording Inc., with annotation: \u201cTEST TAPE.\u201d
                \nFacsimile of original case in Box 11, Folder 17.<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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                <\/a>Sub-series F: 7\u201d Phonograph Discs<\/span><\/em><\/p>\n

                [\/vc_column_text][vc_custom_heading text=”Box 102″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611607605041{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
                \u00a0<\/strong><\/td>\n[Recordings featuring compositions by Marian McPartland]<\/em><\/td>\n<\/tr>\n
                Items 1-2<\/strong><\/td>\nBennett, Tony. \u201cTwilight World \/ Easy Come, Easy Go.\u201d Music arranged and conducted by Robert Farnon. Columbia, 4-45573, 1972. 7\u201d phonograph disc, 45 RPM. 2 copies. Copy 2 labeled \u201cFor Demonstration Use Only \/ Not for Sale.\u201d
                \nContents: [Side 1] Twilight world \/ Marian McPartland (3:04) — [Side 2] Easy come, easy go \/ E. Heyman and J. Green (3:00).<\/td>\n<\/tr>\n
                \u00a0<\/strong><\/td>\n[Other and unknown recordings]<\/em><\/td>\n<\/tr>\n
                Item 3<\/strong><\/td>\nUnidentified personnel. \u201cThere\u2019ll Be Other Times.\u201d Demo produced by Edwin H. Morris & Co., Inc., n.d. 7\u201d phonograph disc, 45 RPM.
                \nContents: [Side 1] \u201cThere\u2019ll be other times T 3\u201d; [Side 2] \u201cThere\u2019ll be other times T 8.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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                <\/a>Sub-series G: 8\u201d Phonograph Discs<\/span><\/em><\/p>\n

                [\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n
                \u00a0<\/strong><\/td>\n[Recordings by other musicians]<\/em><\/td>\n<\/tr>\n
                Item 4<\/strong><\/td>\nNorman, L. \u201cDeep Summer Music.\u201d Recorded August 8, 1955. 8\u201d phonograph disc, 45 RPM.
                \nAnnotation on label: \u201cWHM 8\/8\/55 \/ Master No. 1916-3 \/ Time 3:15.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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                <\/a>Sub-series H: 10\u201d Phonograph Discs<\/span><\/em><\/p>\n

                [\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
                \u00a0<\/strong><\/td>\n[Recordings of Marian McPartland and other musicians]<\/strong><\/em><\/td>\n<\/tr>\n
                Item 5<\/strong><\/td>\n\u201cMarion [sic] McPartland Trio \/ Savoy Records (Parts I and II\u201433 1\/3\u2014LP).\u201d\u00a0 10\u201d phonograph disc, 33 1\/3 RPM.
                \nContents: [Side 1] Part I — [Side 2] Part II.<\/td>\n<\/tr>\n
                item 6<\/strong><\/td>\nMarion [sic] McPartland Quintet. \u201cIt\u2019s De-Lovely \/ Flamingo.\u201d Federal Dee-Jay Special, 12029-A, n.d. Etched on disc: \u201cF-133-1-TS-MAK. 10\u201d phonograph disc.
                \nContents: [Side 1] It\u2019s de-lovely \/ Cole Porter (2:50) — [Side 2] Flamingo \/ Anderson\u2014Grouya (3:00).<\/td>\n<\/tr>\n
                item 7<\/strong><\/td>\nUnlabeled recording. Etched on disc: [Side 1] \u201cMcP 601 \/ Jazz\u201d; [Side 2] \u201cMcP 602 \/ Sweet Papa.\u201d 10\u201d phonograph disc.<\/td>\n<\/tr>\n
                <\/td>\n[Recordings of other musicians]<\/strong><\/em><\/td>\n<\/tr>\n
                item 8<\/strong><\/td>\nGold, Arthur, and Robert Fizdale, duo-pianos. Modern Waltzes for Two Pianos.<\/em> Columbia, ML 2147, n.d. 10\u201d phonograph disc, Long Playing Microgroove record.
                \nFrom file labeled: \u201cJimmy.\u201d Label on Side 1 of record: \u201cMisc. Waltz 1.\u201d
                \n<\/em>Contents:
                \nSide 1. [Band 1] Georges Auric: Une valse; [Bands 2-7] Vittgrio Rieti: Second Avenue waltzes, nos. 1-6;
                \nSide 2. [Band 1] Virgil Thompson: Synthetic waltzes — [Band 2] Henri Sauguet: Valse breve — [Band 3] Germaine Tailleferre: Valses I and II — [Band 4] Paul Bowles: Night waltz.<\/td>\n<\/tr>\n
                item 9<\/strong><\/td>\nMantovani and His Orchestra. Waltzing with Mantovani.<\/em> FFM London, LB 381, n.d. 10\u201d phonograph disc, 33 1\/3 RPM.
                \nFrom file labeled: \u201cJimmy.\u201d Label on Side 1 of record: \u201cMisc. Waltz 1.\u201d
                \n<\/em>Contents:
                \nSide 1. Intro.:–Wyoming (Williams) — Under the roofs of Paris (Moretti, Sievier) — Kisses in the dark (Micheli) — For you (Dubin, Burke) —
                \nSide 2. Intro.:–Diane (Rapee; Pollack) — Babette (Nicholls) — Just for a while (Geiger) — Charmaine (Rapee; Pollack).<\/td>\n<\/tr>\n
                item 10<\/strong><\/td>\nMcGovern, Patty. \u201cI Like Snow.\u201d 10\u201d phonograph disc, 78 RPM.
                \nAnnotation on side 2 of disc: \u201cAll in the morning.\u201d<\/td>\n<\/tr>\n
                item 11<\/strong><\/td>\nPage, Roger, vocals. \u201cCastles in the Sand.\u201d Recording produced by Dick Charles Recording Service. 10\u201d phonograph disc, 45 RPM.
                \nLabel from original sleeve: \u201cDEMO \u2013 Roger (singer) Page.\u201d
                \nOn disc label: \u201cCastles in the Sand \/ 51065 \/ 45 RPM \/ E.H. Morris.\u201d<\/td>\n<\/tr>\n
                item 12<\/strong><\/td>\nSmith, Ethel. Popular Waltzes.<\/em> Decca, DL 5357, n.d. 10\u201d phonograph disc, 33 1\/3 RPM.
                \nFrom file labeled: \u201cJimmy.\u201d Label on Side 1 of record: \u201cMisc. Waltz 1.\u201d
                \n<\/em>Contents:
                \nSide 1. Tennessee waltz (Redd Steward\u2014Pee Wee King) — Beautiful brown eyes (Arthur Smith\u2014Alton Delmore) — Mockin\u2019 Bird Hill (Vaughn Horton) — Shenandoah waltz (Chubby Wise-Clyde Moody) —
                \nSide 2. The loveliest night of the year (Adapted by Irving Aaronson) \/ Paul Francis Webster — Anniversary song (Al Jolson\u2014Saul Choplin); The waltzing cat (Leroy Anderson) — Three cornered tune (Frank Loesser).<\/td>\n<\/tr>\n
                item 13<\/strong><\/td>\nVerme, Jerry, piano and vocals. \u201cThe Cool Life.\u201d Recording produced by Robert Swanson Productions, Inc. 10\u201d phonograph disc, 45 RPM.
                \nAnnotation on disc label: \u201cThe Cool Life\u2014Original \/ Piano + Vocal by Jerry Verme.\u201d
                \n[Other and unknown recordings]<\/td>\n<\/tr>\n
                item 14-15<\/strong><\/td>\n\u201cSo Many Things \u2013 E. H. Morris.\u201d Recording produced by Associated Recording Studios. 10\u201d phonograph disc. 2 copies.<\/td>\n<\/tr>\n
                item 16-17<\/strong><\/td>\n\u201cHow High the Moon.\u201d 10\u201d phonograph disc. Stamp on disc for \u201cPlayback\u201d Soundcraft. 2 copies.<\/td>\n<\/tr>\n
                item 18<\/strong><\/td>\nUnlabeled. 10\u201d phonograph disc.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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                <\/a>Sub-series I: 12\u201d Phonograph Discs<\/span><\/em><\/p>\n

                [\/vc_column_text][vc_custom_heading text=”Box 103″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611608034195{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
                \u00a0<\/strong><\/td>\n[Recordings of Marian McPartland: commercial recordings and masters]<\/strong><\/em><\/td>\n<\/tr>\n
                item 1<\/strong><\/td>\nAmbiance.<\/em> The Marian McPartland Trio (Halcyon, HAL 103). 12\u201d phonograph disc.
                \nMarian McPartland, piano; with Michael Moore, bass; Jimmy Madison and Billy Hart, drums
                \nRecorded July 1970.
                \nContents:
                \nSide 1. What is this thing called love? — Aspen — Sounds like heaven — Ambiance — Rime — Three little words —
                \nSide 2. Hide and seek with the Bombay Bicycle Club — Afterglow — Lost one — The wisdom of the heart — Glimpse.<\/td>\n<\/tr>\n
                items 2-3<\/strong><\/td>\n\u201cHAL – .103.\u201d Masters for Ambiance<\/em> (Halcyon, HAL 103). 12\u201d phonograph disc.
                \nLabel on album for Sonic Recording Products.
                \n2 copies.<\/td>\n<\/tr>\n
                items 4-6<\/strong><\/td>\n\u201cHAL 103.\u201d Masters for Ambiance<\/em> (Halcyon, HAL 103). 12\u201d phonograph disc.
                \nLabel on album for Philips Recording Company, Inc.
                \nSide 1 labeled: \u201cHAL 103 A2SS<\/sup>.\u201d
                \nSide 2 labeled: \u201cHAL 103 BFSS<\/sup>.\u201d
                \n3 copies:
                \nCopy 2 has annotation on side 1: \u201clow.\u201d
                \nCopy 3 has annotation on side 2: \u201clow.\u201d<\/td>\n<\/tr>\n
                item 5<\/strong><\/td>\n\u201cHAL 103.\u201d Masters for Ambiance<\/em> (Halcyon, HAL 103). 12\u201d phonograph disc.
                \nLabel on album for Philips Recording Company, Inc.
                \nSide 1 labeled: \u201cHAL 103 A2SS<\/sup>.\u201d Annotation on Side 1: \u201clow.\u201d
                \nSide 2 labeled: \u201cHAL 103 BFSS<\/sup>.\u201d<\/td>\n<\/tr>\n
                item 6<\/strong><\/td>\n\u201cHAL 103.\u201d Masters for Ambiance<\/em> (Halcyon, HAL 103). 12\u201d phonograph disc.
                \nLabel on album for Philips Recording Company, Inc.
                \nSide 1 labeled: \u201cHAL 103 A2SS<\/sup>.\u201d
                \nSide 2 labeled: \u201cHAL 103 BFSS<\/sup>.\u201d Annotation on Side 2: \u201clow.\u201d<\/td>\n<\/tr>\n
                item 7<\/strong><\/td>\n\u201cHAL 103A\/B.\u201d Masters for Ambiance<\/em> (Halcyon, HAL 103). 12\u201d phonograph disc.
                \nLabel on album for Mercury Sound Studios: Reference Lacquer.<\/td>\n<\/tr>\n
                item 8-9<\/strong><\/td>\n\u201cHAL 105.\u201d Masters for A Delicate Balance<\/em> (Halcyon, HAL 105). 12\u201d phonograph disc.
                \nLabel on album for Philips Recording Company.
                \n[Marian McPartland, piano; Jay Leonhart, bass, Jimmy Madison, drums.]
                \n[Contents:
                \nSide 1. A delicate balance — Melancholy mood — More — Freedom jazz dance — Solace —
                \nSide 2. El condor pasa — Jazz waltz for a friend — Something — Britannia blues — God bless the child.]
                \n2 copies.<\/td>\n<\/tr>\n
                item 10<\/strong><\/td>\nElegant Piano. <\/em>Teddy Wilson and Marian McPartland, pianos (Halcyon, HAL 106). 12\u201d phonograph disc.
                \nContents:
                \nSide 1. Bluesette (duo) — Cottage for sale (Teddy Wilson solo) — Lover man (duo) — Just one of those things (duo) — Blues for six (Teddy Wilson solo) —
                \nSide 2. Quiet nights (duo) — Slowly into evenings (Marian McPartland solo) — Shiny stockings (Teddy Wilson solo) — Four-in-hand blues (duo) — Love (Teddy Wilson solo).<\/td>\n<\/tr>\n
                item 11-12<\/strong><\/td>\n\u201cHAL 106.\u201d Masters for\u00a0Elegant Piano<\/em>\u00a0(Halcyon, HAL 106). 12\u201d phonograph disc.
                \nLabel on album for Philips Recording Company, Inc.
                \n2 copies.<\/td>\n<\/tr>\n
                item 13<\/strong><\/td>\nInterplay<\/em>\u00a0(Halcyon 100). 12\u201d phonograph disc.
                \nMarian McPartland, piano; with Linc Milliman, bass.
                \nSealed in shrink-wrap.
                \nContents:
                \nSide 1. Twilight world — Indian summer — Close your eyes — Here\u2019s that rainy day —
                \nSide 2. Milestones — New Orleans — By the time I get to Phoenix — Illusion — Things aint what they used to be.<\/td>\n<\/tr>\n
                item 14<\/strong><\/td>\n\u201cHAL-100.\u201d Masters for\u00a0Interplay<\/em>\u00a0(Halcyon 100). 12\u201d phonograph disc.
                \nStamp on label: \u201cMAR 1969.\u201d<\/td>\n<\/tr>\n
                item 15-17<\/strong><\/td>\n\u201cHAL 100.\u201d Masters for\u00a0Interplay<\/em>\u00a0(Halcyon 100). 12\u201d phonograph disc.
                \nLabel on album for Philips Recording Company, Inc.
                \n3 copies.<\/td>\n<\/tr>\n
                items 18-19<\/strong><\/td>\n\u201cHALCYON-100.\u201d Masters for Interplay<\/em> (Halcyon 100). 12\u201d phonograph disc.
                \nLabel on album for Windsor Records, Inc.
                \n2 copies. Copy 1 has annotation on label: \u201c5\/16\/86.\u201d<\/td>\n<\/tr>\n
                item 20<\/strong><\/td>\nThe Maestro and Friend.<\/em> Joe Venuti, violin; Marian McPartland, piano (Halcyon, HAL-112). 12\u201d phonograph disc.
                \nContents:
                \nSide 1. On the sunny side of the street — Pardon me pretty baby — Dinah — Melody — How high the moon —
                \nSide 2. C jam blues — Stardust — That\u2019s a plenty — Afterglow.<\/td>\n<\/tr>\n
                item 21<\/strong><\/td>\nMarian McPartland Plays Music of Leonard Bernstein<\/em> (Time, S\/2013). 12\u201d phonograph disc.
                \nMarian McPartland, piano; Ben Tucker, bass; Jake Hanna, drums.
                \nContents:
                \nSide 1. It\u2019s love — cool — Lonely town — I can cook too — Tonight — Somewhere —
                \nSide 2. Ya got me — A little bit in love — Lucky to be me — Some other time — I feel pretty — Maria.
                \nSee also Box 105, Item 2 (cassette tape).<\/em><\/td>\n<\/tr>\n
                item 22-23<\/strong><\/td>\nMarian McPartland Plays the Music of Billy Strayhorn<\/em>\u00a0(Concord Jazz, CJ-326, 1987).
                \nMarian McPartland, piano; Jerry Dodgion, alto saxophone; Steve La Spina, bass; Joey Baron, drums
                \nContents:
                \nSide 1. Intimacy of the blues — Isfahan — Lotus blossom — Raincheck — Lush life —
                \nSide 2. U. M. M. G. — A flower is a lovesome thing — Take the \u2018A\u2019 train — Day dream — After all.
                \n2 copies. Copy 1 stamped \u201cFor Promotion Only.\u201d Copy 2 in shrink-wrap.
                \nSee also Box 105, Item 5 (cassette tape).
                \n<\/em>Accompanying document (correspondence) separated; see Box 11, Folder 18.<\/em><\/td>\n<\/tr>\n
                item 24<\/strong><\/td>\nMarian McPartland Plays the Music of Alec Wilder<\/em>\u00a0(Halcyon, HAL 109). 12\u201d phonograph disc.
                \nMarian McPartland, piano; Michael Moore bass (side 1); Rusty Gilder, bass, and Joe Corsello, drums (side 2)
                \nContents:
                \nSide 1. Jazz waltz for a friend — Why? — While we\u2019re young — Lullaby for a lady — Inner circle —
                \nSide 2. I\u2019ll be around — Trouble is a man — Homeward — Where are the good companions? — It\u2019s so peaceful in the country.<\/td>\n<\/tr>\n
                item 25<\/strong><\/td>\nMarian McPartland: Solo Concert at Haverford<\/em> (Halcyon, HAL-111). 12\u201d phonograph disc.
                \nRecorded live at Haverford College, April 12, 1974.
                \nSealed in shrink-wrap.
                \nContents:
                \nSide 1. Haverford blues — Medley: Yesterdays \/ Yesterday — Send in the clowns — Pick yourself up — I\u2019ll be around —
                \nSide 2. You turned the tables on me — Killing me softly — Medley: A foggy day \/ How long has this been going on? \/ I loves you Porgy \/ Fascinatin\u2019 rhythm — Afterglow.<\/td>\n<\/tr>\n
                item 26<\/strong><\/td>\n\u201cHAL-118 A\/B.\u201d Masters for Marian Remembers Teddi<\/em> (Halcyon, HAL 118, 1980). 12\u201d phonograph disc.
                \nLabel on album for Windsor Records, Inc. (\u201cDate: 6-6-80\u201d).
                \nContents unknown; consists of 1 disc (8 tracks) of double album.<\/td>\n<\/tr>\n
                item 27<\/strong><\/td>\nMy Old Flame: Marian McPartland Performs the Classic Hits of Sam Coslow<\/em> (Dot Records, DLP 25907). 12\u201d phonograph disc.
                \nMarian McPartland, piano; [Ron Carter, bass; Grady Tate, drums; with vocal quintet]
                \nRecorded in New York, June 1968.
                \nContents:
                \nSide 1. My old flame — The day you came along — Just one more chance — In the middle of a kiss — Je vous adore (I adore you) — Thanks —
                \nSide 2. Sing you sinners — Beware my heart — I\u2019m in love with the Honorable Mr. So and So — A little white gardenia — Moon song — Cocktails for two.<\/td>\n<\/tr>\n
                item 28<\/strong><\/td>\nNow\u2019s the Time!<\/em> (Halcyon, HAL 115). 12\u201d phonograph disc.
                \nMarian McPartland, piano; Mary Osborne, guitar; Vi Redd, alto saxophone; Lynn Milano, bass; Dottie Dodgion, drums
                \nRecorded live at the Monticello Room in Rochester, NY, June 30, 1977.
                \nContents:
                \nSide 1. Now\u2019s the time (Parker) — Sophisticated lady (Ellington) — In a mellotone (Ellington) — Laura (Raskin\/Mercer) —
                \nSide 2. I\u2019ll remember April (Raye\/dePaul\/Johnson) — What are you doing the rest of your life? (Legrand\/Bergman) — Straight, no chaser (Monk) — But beautiful (Burke\/Van Heusen).<\/td>\n<\/tr>\n
                <\/td>\n[Recordings of Marian McPartland, non-commercial]<\/strong><\/em><\/td>\n<\/tr>\n
                item 29<\/strong><\/td>\n\u201c[Marian McPartland Trio], Green Bay, Wisconsin.\u201d 12\u201d phonograph disc.
                \nLabel on album: \u201cRecorded by WJPG, Green Bay, Wisconsin.\u201d
                \nContents:
                \nSide 1. Dream — Moonlight in Vermont —
                \nSide 2. How high the moon — Misirlou.
                \nAnnotation on label on side 2: \u201cThanx, Jim Wesley.\u201d
                \nAnnotation on original sleeve:
                \nM McP Trio
                \n\u2018Dream\u2019
                \nAdrienne vocal
                \non Moonlight in Vermont
                \nZebra Lounge, Green Bay
                \nFacsimile of original sleeve in Box 11, Folder 18.<\/em><\/td>\n<\/tr>\n
                item 30-31<\/strong><\/td>\n\u201cMarian McPartland Trio, Dec. 1951.\u201d 12\u201d phonograph disc, 78 RPM.
                \nLabel on album for ACE Recording Studios, Boston, MA.
                \nContents:
                \nSide 1. Exactly like you —
                \nSide 2. Tenderly.
                \n2 copies.
                \nAnnotation on copy 2: \u201cDick \/ Eddie Phyffe \/ Boston.\u201d<\/td>\n<\/tr>\n
                items 32- 34<\/strong><\/td>\n\u201cMarian McPartland Trio, Dec. 1951.\u201d 12\u201d phonograph disc, 78 RPM.
                \nLabel on album for ACE Recording Studios, Boson, MA.
                \nContents:
                \nSide 1. I cover the waterfront —
                \nSide 2. Lover.
                \n3 copies.<\/td>\n<\/tr>\n
                item 35<\/strong><\/td>\n\u201c1951 \u2014 Grandview Inn.\u201d 12\u201d phonograph disc.
                \nLabel on album for Audiodisc.
                \nContents:
                \nSide 1. I\u2019ve got you in between the devil and deep blue sea — [illegible]
                \nSide 2. I cover the waterfront.
                \nAnnotations on original sleeve.
                \nFacsimile of original sleeve in Box 11, Folder 18.<\/em><\/td>\n<\/tr>\n
                items 36-37<\/strong><\/td>\n\u201cMoonlight \/ Undecided.\u201d 12\u201d phonograph disc.
                \nContents:
                \nSide 1. Moonlight —
                \nSide 2. Undecided.
                \n2 copies. Copy 2, Side 1, labeled \u201cMoonlight in UT.\u201d<\/td>\n<\/tr>\n
                item 38<\/strong><\/td>\n\u201cMarion [sic] McPartland \u2018Summertime.\u2019 \/ Marion [sic] McPartland Trio \u2018Limehouse Blues.\u2019\u201d 12\u201d phonograph disc, 78 RPM.
                \nLabel on album for Audiodisc.
                \nRecorded December 8, 1951.
                \nContents:
                \nSide 1. Summertime —
                \nSide 2. Limehouse blues<\/td>\n<\/tr>\n
                item 39<\/strong><\/td>\n\u00a0\u201cMarion Page.\u201d 12\u201d phonograph disc, 78 RPM.
                \nLabel on album for Universal Recording Corp.
                \nContents:
                \nSide 1. Three M\u2019s —
                \nSide 2. Yesterday.<\/td>\n<\/tr>\n
                item 40<\/strong><\/td>\n\u201cWith you in mind last cut.\u201d 12\u201d phonograph disc.
                \nLabel on album for Capitol Records.
                \nAnnotation on label: \u201cMaster No.: Side 1 \/ Title: With you in mind last cut \/ Artist: Marion [sic] McPartland \/ Ruf Ref.\u201d<\/td>\n<\/tr>\n
                item 41<\/strong><\/td>\nUnlabeled. 12\u201d phonograph disc.
                \nEngraved on disc: \u201cStart inside.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 104″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611608070603{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
                <\/td>\n[Recordings of Marian McPartland with Jimmy McPartland]<\/strong><\/em><\/td>\n<\/tr>\n
                item 1<\/strong><\/td>\nDixieland Now and Then: Jimmy McPartland\u2019s Chicago Rompers; Paul Barbarin\u2019s New Orleans Stompers<\/em> (Jazztone, J1241). 12\u201d phonograph disc.
                \nJimmy McPartland\u2019s Chicago Rompers (side 1): Jimmy McPartland, cornet; Vic Dickenson, trombone; Bill Stegmeyer, clarinet; Bud Freeman, tenor sax; Marian McPartland, piano; Milt Hinton, bass; Joe Morello, drums.
                \nPaul Barbarin\u2019s New Orleans Stompers (side 2): Paul Barbarin, drums; John Brunious, trumpet; Bobby Thomas, trombone; Willie Humphrey, clarinet; Lester Santiago, piano; Danny Barker, banjo.
                \nContents:
                \nSide 1. My gal Sal (Theodore Dresser) — McBlues (Jimmy McPartland) — Donna (McPartland) — Sweet Adeline (Armstrong\u2013Gerard) — Decidedly blues (Jimmy McPartland) —
                \nSide 2. Gettysburg march (S. T. Stambaugh) — Careless love (Koenig\u2013Williams) — When the saints go marchin\u2019 in (Traditional) — Mon chere amie (Traditional) — Tiger rag (La Rocca\u2013Shields\u2013Sbarbaro\u2013Edwards\u2013Ragas\u2013De Costa).<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\nGoin\u2019 Back a Ways<\/em> (Halcyon, HAL 116). 12\u201d phonograph disc.
                \nPersonnel on side 1, number 1, and side 2, numbers 1-3: Marian McPartland, piano; Jimmy McPartland, cornet and vocals; Jack McConnell, clarinet; Harry \u201cSlip\u201d Lepp, trombone; Mousie Alexander, drums; Ben Carlton, bass.
                \nPersonnel on side 1, numbers 2-4, and side 2, number 1: Marian McPartland, piano; Jimmy McPartland, cornet; Gene \u201cHoneybear\u201d Sedric, clarinet; Vic Dickenson, trombone; Bob Varney, drums; Max Wayne, bass.
                \nPersonnel on side 1, number 5, and side 2, number 5: Marian McPartland, piano; Jimmy McPartland, cornet; Jack Golly, clarinet; Chick Evans, drums; Ben Carlton, bass.
                \nContents:
                \nSide 1. Davenport blues (Beiderbecke) — Use your imagination (Porter) — Manhattan (Rodgers\/Hart) — Come back, sweet papa (Haggart) — How high the moon (Lewis\/Hamilton) —
                \nSide 2. Royal garden blues (Williams\/Williams) — Daughter of Sister Kate (McPartland) — In a mist (Beiderbecke) — Singin\u2019 the blues till my daddy comes home (Lewis\/Young\/Conrad\/Robinson) — I\u2019ve found a new baby (Palmer\/Williams).<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\nJimmy and Marion <\/em>[sic] McPartland Play T-V Themes<\/em> (Design Records, DLP-144). 12\u201d phonograph disc.
                \nJimmy McPartland, trumpet; Marian McPartland, piano; Manhattan Red [Ubie Green], trombone; Andy Fitzgerald, clarinet; Ben Tucker, bass; Mousy Alexander, drums; Dick Cary, mellophone.
                \nContents:
                \nSide A. I-M-4-U — Sentimental journey — Mystery march — Mr. Lucky —
                \nSide B. Peter Gunn — Londonderry air — Thanks for dropping in — Bat Masterson.
                \nSee also Sub-series C (5\u201d Audio Reels), Box 48, Item 3, for dub of recording.<\/em><\/td>\n<\/tr>\n
                items 4-5<\/strong><\/td>\nThe McPartlands: Live at the Monticello<\/em> (Halcyon, HAL 107). 12\u201d phonograph disc.
                \nWith Jack Maheu, clarinet; Hank Berger, trombone and banjo; Rusty Gilder, bass; Mike Bergeron, drums; Larry Bell, drums (Willow weep for me; Things ain\u2019t what they used to be); Sal Sparrazza (Basin Street blues; Wolverine blues).
                \nContents:
                \nSide 1. Royal Garden blues — I\u2019m gonna sit right down and write myself a letter — Willow weep for me — Avalon —
                \nSide 2. Basin Street blues — Things ain\u2019t what they used to be — Wolverine blues.
                \n2 copies. Both copies in shrink-wrap.<\/td>\n<\/tr>\n
                items 6-7<\/strong><\/td>\n\u201cHAL 107.\u201d Masters for The McPartlands: Live at the Monticello<\/em> (Halcyon, HAL 107). 12\u201d phonograph disc.
                \nLabel on album for PRC Recording Company.
                \n2 copies.<\/td>\n<\/tr>\n
                item 8<\/strong><\/td>\nThe Middle Road<\/em> (Jazztone, J-1227). 12\u201d phonograph disc.
                \nJimmy McPartland and His Orchestra: Marian McPartland, piano; Bill Stegmeyer, clarinet; Bud Freeman, tenor sax; Vic Dickenson, trombone; Joe Morello, drums; Milt Hinton, bass.
                \nArrangements by Bill Stegmeyer.
                \nContents:
                \nSide 1. My gal Sal — McBlues — Swanee River — Kerry dancers — Sweet Adeline — Decidedly blues —
                \nSide 2. Sine on, harvest moon — Baby-o — Donna — Stranger in the night.
                \nAnnotations on back cover of album.<\/td>\n<\/tr>\n
                items 9-10<\/strong><\/td>\nShades of Bix: Jimmy McPartland and Bobby Hackett<\/em> (MCA Records, MCA2-4110, 1977). Double album; 2 – 12\u201d phonograph discs.
                \nVarious personnel. Marian McPartland, piano, on Disc 2, Side 2, tracks \u201cIn a mist,\u201d \u201cJazz me blues,\u201d \u201cSorry,\u201d and \u201cWay down yonder in New Orleans.\u201d Jimmy McPartland, trumpet and cornet, on all tracks on Disc 1, Side 1; Disc 2, Side 2; and Disc 2, Side 3.
                \nContents:
                \n[Disc 1] Side 1. Jimmy McPartland and His Orchestra: Clarinet marmalade — Singin\u2019 the blues till my daddy comes home — Ostrich walk — Louisiana — Davenport blues — Since my best gal turned me down —
                \n[Disc 1] Side 4. Bobby Hackett and His Orchestra: Easy to love — Soon — When a woman loves a man — But not for me — What is there to say — Rose room — With a song in my heart — More than you know —
                \n[Disc 2] Side 2. Jimmy McPartland and His Orchestra: Riverboat shuffle — I\u2019m coming Virginia — In a mist — Jazz me blues — Sorry — Way down yonder in New Orleans —
                \n[Disc 2] Side 3. Jimmy McPartland\u2019s Squirrels: Eccentric — Original Dixieland one step — I\u2019m all bound \u2018round with the Mason Dixon Line — Panama — Jimmy McPartland and His Orchestra: The world is waiting for the sunrise — Jazz me blues — China boy — Sugar (That sugar baby o\u2019 mine).
                \n2 copies. Both copies stamped: \u201cFor Promotion Only.\u201d<\/td>\n<\/tr>\n
                item 11<\/strong><\/td>\nSwingin\u2019 <\/em>(Halcyon, HAL 114). 12\u201d phonograph disc.
                \nJimmy McPartland, cornet and vocals; Vic Dickenson, trombone; Buddy Tate, clarinet, tenor and baritone saxophones; Marian McPartland, piano; Rusty Gilder, bass; Gus Johnson, drums.
                \nRecorded at the Royal Box, Americana Hotel, New York, NY, June 16, 1973.
                \nContents:
                \nSide 1. Sentimental journey (Homer-Brown-Green) — Polka dots and moonbeams (Van Heusen-Burke) — I can\u2019t give you anything but love (McHugh-Fields) —
                \nSide 2. Dinah (Lewis-Young-Akst) — Stompin\u2019 at the Savoy (Goodman-Webb-Sampson) — When you wish upon a star (Harline-Washington) — Perdido (Lenk-Drake-Tizol).<\/td>\n<\/tr>\n
                <\/td>\n[Compilation recordings with Marian McPartland and other musicians]<\/strong><\/em><\/td>\n<\/tr>\n
                item 12<\/strong><\/td>\nConcert in Argentina<\/em> (Halcyon, HAL 113). Double album: 2 – 12\u201d phonograph discs.
                \nMarian McPartland, piano (side 1); Teddy Wilson, piano (side 2); Ellis Larkins, piano (side 3); Earl Hines, piano (side 4).
                \nRecorded in Buenos Aires, Argentina, November 1974.
                \nInside of album jacket autographed by \u201cTommy (Father) Flanagan,\u201d Teddy Wilson, and Ellis Larkins.
                \nAlbum credits (inside of album jacket) annotated.
                \nContents:
                \nSide 1. Rockin in rhythm (Ellington) — Time and time again (McPartland) — Wave (Jobim) — Medley: I let a song go out of my heart \/ I got it bad \/ It don\u2019t mean a thing if it ain\u2019t got that swing \/ Satin doll \/ Caravan (Ellington) —
                \nSide 2. Medley: It ain\u2019t necessarily so \/ Bess, you is my woman \/ Liza (Gershwin) — Medley: Rhapsody in blue \/ The man I love \/ Someone to watch over me \/ Lady be good (Gershwin) — Rosetta (Hines) — Ain\u2019t misbehavin\u2019 (Waller) — Body and soul (Green) — Flying home (Hampton, Robin and Goodman) —
                \nSide 3. Perfidia (Dominguez\/Leeds) — Blues in the night (Arlen\/Mercer) — Blues in my heart (Carter) — Ill wind (Arlen) — Things ain\u2019t what they used to be (Mercer Ellington) —
                \nSide 4. Medley: Black coffee (Sigler\/Goodhart\/Hoffman) \/ I\u2019ve got the world on a string (Arlen) — Close to you (David and Bacharach) — Medley: The girl from Ipanema (Jobim) \/ Bluesette (Thielmans) \/ A pretty girl is like a melody (Berlin) \/ Sweet Lorraine (Burwell\/Parish) \/ Tea for two (Youmans).<\/td>\n<\/tr>\n
                <\/td>\n[Recordings of compositions by Marian McPartland]<\/strong><\/em><\/td>\n<\/tr>\n
                item 13<\/strong><\/td>\nThad Jones and Mel Lewis: Potpourri<\/em> (Philadelphia International Records, KZ 33152, 1974). 12\u201d phonograph disc.
                \nThad Jones, flugelhorn; Jerry Dodgion, first alto, soprano sax, and flute; Pepper Adams, baritone sax; Mel Lewis, drums; Ed Xiques, second alto, soprano sax, flute, and clarinet; Billy Harper, first tenor and flute; Jim Bossy, trumpet; Cecil Bridgewater and Tulani, trumpet; Jimmy Knepper, first trombone; Steve Furtado, trumpet; Buddy Lucas, harmonica and jaw harp; Cliff Heather, trombone; George Mraz, bass; Quentin \u201cButter\u201d Jackson, trombone; Billy Campbell, trombone; Jon Faddis, first trumpet; Ron Bridgewater, second tenor and clarinet; Sir Roland Hanna, piano.
                \nLabel on album jacket: \u201cDemonstration, Not for Sale.\u201d
                \nContents:
                \nSide 1. Blues in a minute \/ T. Jones (8:32) — All my yesterdays \/ T. Jones (4:37) — Quiet lady \/ T. Jones (7:38) — Don’t you worry ’bout a thing \/ S. Wonder (4:02) —
                \nSide 2. For the love of money \/ K. Gamble, L. Huff, A. Jackson (4:14) — Yours and mine \/ T. Jones (3:48) — Ambiance \/ M. McPartland (7:23) — Living for the city \/ S. Wonder (4:01).<\/td>\n<\/tr>\n
                items 14-15<\/strong><\/td>\nPeggy Lee: Close Enough for Love<\/em> (DRG Records, SL 5190). 12\u201d phonograph disc.
                \nPeggy Lee, vocals; Ian Underwood, keyboards; Max Brennett, bass; John Guerin, drums and percussion; Dennis Budimir, John Pisano, and John Chiodini, guitars.
                \n2 copies. Both copies in shrink wrap.
                \nContents:
                \nSide 1. You (Tom Snow) — Easy does it (Richard Hazard\u2013Peggy Lee) — Close enough for love (Johnny Mandel\u2013Paul Williams) — A robinsong (Michael Franks) — Just one of those things (Cole Porter) —
                \nSide 2. I can\u2019t resist you (Will Donaldson\u2013Ned Wever) — Come in from the rain (Melissa Manchester\u2013Carole Bayer Sager) — In the days of our love (Marian McPartland\u2013Peggy Lee) — Through the eyes of love (Marvin Hamlisch\u2013Carole Bayer Sager) — Rain sometimes (Arthur Hamilton).<\/td>\n<\/tr>\n
                <\/td>\n[Recordings of Jimmy McPartland]<\/strong><\/em><\/td>\n<\/tr>\n
                item 16<\/strong><\/td>\nJazzmeeting in Holland: Bud Freeman and Jimmy McPartland Meet Ted Easton\u2019s Jazz Band <\/em>(Circle Records, CLP-10, 1981). 12\u201d phonograph disc.
                \nJimmy McPartland and Bob Wulffers, trumpets; Bud Freeman, tenor sax; Frits Kaatee, clarinet and soprano sax; Henk van Muyen, trombone; Pim Hogervorst, banjo and trombone; Jacques Kingma, bass; Ted Easton, drums; all vocals by Jimmy McPartland.
                \nArrangements by Pim Hogervorst.
                \nRecorded at the New Orleans Jazzclub, Scheveningen, Holland, May 13, 1975.
                \nContents:
                \nSide 1. All of me (H. Simons \u2013 J. Marks) — Third Street Blues (D. Cary \u2013 J. McPartland) — I\u2019m gonna sit right down and write myself a letter (J. Young \u2013 F. Ahlert) — Rockin\u2019 chair (H. Carmichael) — Jazz me blues (T. Delany) —
                \nSide 2. That \u201cD-minor\u201d thing (B. Freeman) — Basin Street Blues (S. Williams) — Sorry (Klages \u2013 Quicksell) — St. James Infirmary blues (J. Primrose).<\/td>\n<\/tr>\n
                <\/td>\n[Recordings of other musicians]<\/strong><\/em><\/td>\n<\/tr>\n
                item 17<\/strong><\/td>\nHines, Earl. Quintessential Recording Session <\/em>(Halcyon, HAL 101). 12\u201d phonograph disc.
                \nSealed in shrink wrap.
                \nContents:
                \nSide 1. My Monday date — Off time blues — Just too soon — Chimes in blues —
                \nSide 2. Chicago high life — Blues in thirds — Stowaway — Panther rag.<\/td>\n<\/tr>\n
                item 18<\/strong><\/td>\nMcKenna, Dave. Cookin\u2019 at Michael\u2019s Pub<\/em> (Halcyon 108). 12\u201d phonograph disc.
                \nDave McKenna, piano; Dick Johnson, clarinet and flute; Bucky Calabrese, bass.
                \nRecorded at Mercury Sound Studios, New York, NY, February 28, 1973.
                \nSealed in shrink wrap.
                \nContents:
                \nSide 1. Cookin\u2019 at Michael\u2019s Pub (McKenna) — Dream dancing (Porter) — Dansero (Parker, Hayman, Daniels) — Change partners (Berlin) — Dinah (Akst, Young and Lewis) —
                \nSide 2. I won\u2019t dance (Kern, Hammerstein, Fields & McHugh) — Cheek to cheek (Berlin) — I could have danced all night (Lerner and Lowe) — Fine and dandy (Swift & James) — The last dance (Cahn & McHugh).<\/td>\n<\/tr>\n
                item 19<\/strong><\/td>\nSmith, Willie \u201cThe Lion.\u201d Live at Blues Alley<\/em> (Halcyon, HAL 104). 12\u201d phonograph disc.
                \nRecorded live at Blues Alley in Washington, DC, June 11, 1973.
                \nSealed in shrink wrap.
                \nContents:
                \nSide 1. Relaxing (Theme) — Music on my mind — Sweet Georgia Brown — Huneysuckle rose \/ Squeeze me — Contrary motion — Conversation on Park Avenue — Take me out to the ball game — Relaxing —
                \nSide 2. Relaxing — Sim-me-sha-wabble — Here comes the band — Concentrating — Blue skies — Portrait of the Duke — Zig zag — Relaxing.<\/td>\n<\/tr>\n
                <\/td>\n [Unattributed and unlabeled recordings]<\/strong><\/em><\/td>\n<\/tr>\n
                item 20-21<\/strong><\/td>\n\u201c4 Brothers \/ Lover.\u201d 12\u201d phonograph disc.
                \nLabel on album for \u201cAudiodisc Recording Blank.\u201d
                \n2 copies.<\/td>\n<\/tr>\n
                item 22<\/strong><\/td>\n\u201cBlack Cat May Mouse \/ That\u2019s a Plenty Canada.\u201d 12\u201d phonograph disc.<\/td>\n<\/tr>\n
                item 23<\/strong><\/td>\n\u00a0\u201cDavenport blues \/ That\u2019s a plenty.\u201d 12\u201d phonograph disc.
                \nLabel on album for \u201cAudition\u201d Soundcraft Full-Spectrum.<\/td>\n<\/tr>\n
                item 24<\/strong><\/td>\n\u201cHorn Concerto \/ John Barrows.\u201d 12\u201d phonograph disc, 33 1\/3 RPM.
                \nLabel on album for \u201cA&R, New York, NY.\u201d<\/td>\n<\/tr>\n
                item 25<\/strong><\/td>\n\u201cOut take misty morning ; God bless the child.\u201d 12\u201d phonograph disc, 33 1\/3 RPM.
                \nLabel on album: \u201cRecorded at Crest Recording Studios.\u201d<\/td>\n<\/tr>\n
                item 26<\/strong><\/td>\n\u201cWaltz \/ Songs.\u201d 12\u201d phonograph disc, 33 1\/3 RPM.
                \nLabel on album for Fine Recording, Inc., New York, NY. Typescript annotations on label: \u201cNOEL ; NARTB.\u201d
                \nContents:
                \nSide 1. Slow waltz — Fast waltz — Endings — Tree into girl — Tree into girl long — Tree into girl long w\/accel —
                \nSide 2. Rain, rain don\u2019t go away — It\u2019s getting awful lonely out tonight — The first time we\u2019re alone again — Don\u2019t stop.<\/td>\n<\/tr>\n
                item 27<\/strong><\/td>\n\u00a0\u201cZing \/ Cradle.\u201d 12\u201d phonograph disc.<\/td>\n<\/tr>\n
                item 28<\/strong><\/td>\n\u201cMinute Spots.\u201d 12\u201d phonograph disc.
                \nLabel on album: \u201cRecorded at Crest Recording Studios.\u201d<\/td>\n<\/tr>\n
                item 29<\/strong><\/td>\n\u201cAP-216.\u201d 12\u201d phonograph disc.<\/td>\n<\/tr>\n
                items 30-31<\/strong><\/td>\nUncut vinyl records, labeled \u201cGEM Recording Disc.\u201d 12\u201d phonograph disc. 2 copies.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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                <\/a>Sub-series J: Cassette Tapes<\/span><\/em><\/p>\n

                [\/vc_column_text][vc_custom_heading text=”Box 105″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611608162683{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
                item 1<\/strong><\/td>\nMarian McPartland at the Hickory House. <\/em>Marian McPartland, piano (tracks 1-22); Max Wayne, bass (tracks 1-7, 13); Mousie Alexander, drums (tracks 1-6); Mel Zelnick, drums (tracks 7, 13); Bob Carter, bass (tracks 8-12); Joe Morello, drums (tracks 8-12, 14-22); Vinnie Burke, bass (tracks 14-22). Savoy Jazz, SJK 2248, 1980. Cassette tape.
                \nSealed in shrink wrap.
                \nRecorded 1952 and 1953.
                \nTracks: Lullaby of Birdland (2:56) — A nightingale sang in Berkeley Square (3:14) — Limehouse blues (2:23) — It\u2019s only a paper moon (2:45) — Moonlight in Vermont (2:56) — Hallelujah (3:03) — It might as well be spring (3:15) — What is this thing called love (3:29) — There\u2019ll never be another you (3:03) — Willow weep for me (3:32) — A fine romance (2:55) — Lullaby in Rhythm (3:01) — Our love is here to stay (2:48) — A foggy day (3:14) — September song (3:05) — Manhattan (4:06) — Aunt Hager\u2019s blues (3:09) — Once in a while (3:32) — Squeeze me (6:26) — Liza (2:23) — Laura (3:27) — Embraceable you (3:47).
                \nSee also Box 106, Item 10 (CD).<\/em><\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\nMarian McPartland Trio: The Heritage of Broadway, The Music of Leonard Bernstein. <\/em>Bainbridge, BTC-1013, 1980. Cassette tape.
                \nMarian McPartland, piano; Ben Tucker, bass; Jake Hanna, drums.
                \nSealed in shrink wrap.
                \nContents:
                \nSide 1. It\u2019s love — cool — Lonely town — I can cook too — Tonight — Somewhere —
                \nSide 2. Ya got me — A little bit in love — Lucky to be me — Some other time — I feel pretty — Maria.
                \nSee also Box 103, Item 21 (12\u201d phonograph disc).<\/em><\/td>\n<\/tr>\n
                item 3-4<\/strong><\/td>\nThe Marian McPartland Trio: Personal Choice<\/em>. Marian McPartland, piano; Steve La Spina, bass; Jake Hanna, drums. Concord Jazz, CJ-202-C, 1983. Cassette tape. 2 copies.
                \nCopy 2 sealed in shrink wrap.
                \nTracks: I hear a rhapsody \/ Jack Baker [and others] (3:50) — Meditation \/ Antonio Carlos Jobim, Norman Gimbel, Newton Mendonca (3:50) — In your own sweet way \/ Dave Brubeck (4:03) — A sleepin’ bee \/ Harold Arlen, Truman Capote (5:53) — I’m old fashioned \/ Jerome Kern, Johnny Mercer (3:16) — When the sun comes out \/ Harold Arlen, Ted Koehler (3:34) — Tricotism \/ Oscar Pettiford (4:42) — Melancholy mood \/ Marian McPartland, Jimmy McPartland (3:18).
                \nSee also Box 106, Item 17 (CD).<\/em><\/td>\n<\/tr>\n
                item 5<\/strong><\/td>\nMarian McPartland: Plays the Music of Billy Strayhorn.<\/em> Concord Jazz, CJ-326-C, 1987. Cassette tape.
                \nMarian McPartland, piano; Jerry Dodgion, alto saxophone; Steve La Spina, bass; Joey Baron, drums
                \nSealed in shrink wrap.
                \nContents:
                \nSide 1. Intimacy of the blues — Isfahan — Lotus blossom — Raincheck — Lush life —
                \nSide 2. U. M. M. G. — A flower is a lovesome thing — Take the \u2018A\u2019 train — Day dream — After all.<\/td>\n<\/tr>\n
                <\/td>\n[Recordings of compositions by Marian McPartland]<\/strong><\/em><\/td>\n<\/tr>\n
                item 6<\/strong><\/td>\nCleo Laine: Woman to Woman.<\/em> RCA Victor, 7999-4-RC, 1989. Cassette tape.
                \nSealed in shrink wrap.
                \nCleo Laine, vocals; with John Dankworth, clarinet, alto sax, soprano sax; Larry Dunlap, piano, keyboards; Rich Girard, bass guitar, bass; Ray Loeckle, tenor sax, bass clarinet, soprano sax, flute; Larry Koonse, guitar; Jim Zimmerman, drums, vibes, percussion.
                \nContents:
                \nCome in from the rain \/ Melissa Manchester, Carole Bayer-Sager (4:50) — My favorite year \/ Michelle Brourman, Karen Gottlieb (3:19) — Both sides now \/ Joni Mitchell (3:50) — Fine and mellow \/ Billie Holiday (4:57) — Inside a silent tear \/ Blossom Dearie, Linda Albert (4:15) — Willow weep for me \/ Ann Ronnell (4:40) — Close your eyes \/ Bernice Petkere (4:57) — Grand reunion \/ Melissa Manchester, Adrienne Anderson (3:55) — In the days of our love \/ Peggy Lee, Marion McPartland (3:37) — I love you truly \/ Carrie Jacobs Bond (4:13) — Since you’ve asked \/ Judy Collins (2:26) — I’ll never smile again \/ Ruth Lowe (4:49) — Secret feeling \/ Cleo Laine (3:19) — Your eyes speak to me \/ Gayle Moran (2:36) — It’s all in my hands \/ Tania Maria, Regina Werneck (4:37).<\/td>\n<\/tr>\n
                <\/td>\n\u00a0 [Recordings of interviews]<\/strong><\/em><\/td>\n<\/tr>\n
                item 7<\/strong><\/td>\n\u201cMarian Interviewing Sweethearts.\u201d Cassette tape.
                \nAnnotation on cassette: \u201cMarian interviewing one of the members of Sweethearts \/ Sweethearts Interview 1970s, May 12.\u201d<\/td>\n<\/tr>\n
                item 8<\/strong><\/td>\n\u201cInterview for Article \u2018Sweethearts\u2019 Roz.\u201d Cassette tape.
                \nAnnotation on cassette: \u201cRoz interview for article of \u2018Sweethearts\u2019 article.\u201d<\/td>\n<\/tr>\n
                item 9<\/strong><\/td>\n\u201cSweethearts Article Interview.\u201d Cassette tape.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_column_text css=”.vc_custom_1611608217990{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

                <\/a>Sub-series K: Compact Discs<\/span><\/em><\/p>\n

                [\/vc_column_text][vc_custom_heading text=”Box 105`{`cont.`}`” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611608262884{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
                \u00a0<\/strong><\/td>\n[Non-music recordings: audiobook]<\/em><\/strong><\/td>\n<\/tr>\n
                Item 10<\/strong><\/td>\nMarian McPartland\u2019s Jazz World: All in Good Time.<\/em> Audiobook. Read by Marian McPartland. Ashland, OR: Blackstone Audio, 2006.
                \nConsists of 6 CDs.<\/td>\n<\/tr>\n
                <\/td>\n[Recordings of Marian McPartland, solo piano]<\/em><\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 106″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611608446500{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
                item 1<\/strong><\/td>\nMarian McPartland: Portraits.<\/em> NPR Classics, NPR CD 0010, 1999. Commercially produced CD, in shrink wrap. 23 tracks (65:56).
                \nTracks: Portrait of Tony Bennett (2:34) — Portrait of Wynton Marsalis (2:00) — Portrait of William F. Buckley, Jr. (2:20) — Portrait of Paul Shaffer (3:02) — Portrait of Dizzy (3:36) — Portrait of Ruth Laredo (2:21) — Portrait Of Bobby Short (2:33) — Portrait Of Marcia Ball (3:15) — Portrait Of Chick Corea (1:07) — Portrait Of Eddie Palmieri (2:39) — Portrait Of Helen Merrill (3:41) — Portrait Of Mercer Ellington (3:19) — Portrait Of Roberta Piket (2:49) — Portrait Of Murray Horwitz (1:32) — Portrait Of Bud Powell (3:15) — Portrait Of Branford Marsalis (2:01) — Portrait Of Fred Hersch (2:51) — Portrait Of Judy Collins\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (2:27) — Portrait Of Willie Ruff (2:55) — Portrait Of Carmen McRae (5:01) — Portrait Of Dudley Moore (3:04) — Portrait Of Randy Weston (3:00) — Portrait Of Ray Charles (2:53).<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\nMarian McPartland: Solo Concert at Haverford.<\/em> Halcyon, CD 111, (n.d.). Reissue of 1974 LP (see Box 103, Item 25). Commercially produced CD. 13 tracks.
                \nTracks: Haverford blues \/ Marian McPartland (4:06) — Yesterdays \/ Jerome Kern ; Yesterday \/ Paul McCartney (6:12) — Send in the clowns \/ Stephen Sondheim (4:19) — Pick yourself up \/ Jerome Kern (3:28) — I’ll be around \/ Alec Wilder (3:40) — You turned the tables on me \/ Louis Alter (3:21) — Killing me softly \/ Norman Gimbel (4:18) — A foggy day ; How long has this been going on? ; I loves you Porgy ; Fascinatin’ rhythm \/ George Gershwin (8:12) — Afterglow \/ Marian McPartland (6:00).<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\n\u00a0\u201cMarian McPartland. Eastman Theater. 10\/27\/07.\u201d CD. 1 track (6:45).<\/td>\n<\/tr>\n
                <\/td>\n\u00a0 \u00a0[Recordings of Marian McPartland, piano duet]<\/strong><\/em><\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\n\u00a0Marian McPartland Jazz Series.<\/em> Jason Moran and Marian McPartland, piano. Eastman School of Music, 2002. 2 CD set (8 tracks; 9 tracks).
                \nRecorded May 9, 2002, in Kilbourn Hall.
                \nTracks:
                \nCD 1. Introduction by James Undercofler ; Opening words from Marian McPartland (2:25) — Take the a train \/ B. Strayhorn (4:33) — You’ve got to be modernistic \/ J.P. Johnson (5:15)\u00a0 — [Jason Moran improvises on Le tombeau de Couperin by Maurice Ravel] (5:12) — [Selection] (5:14) — Au privave \/ Charlie Parker (3:46) — Single pedal of a rose \/ Duke Ellington (4:33) — Misty \/ J. Burke ; E. Garne (5:01)\u00a0 — Rosetta \/ G. Hines (6:05) \u2013
                \nCD 2. Outfront \/ J. Byard (5:16) — Gangsterism on canvas \/ J. Moran (4:44) — Little girl blue \/ Richard Rodgers (4:16) — Summertime \/ George Gershwin (6:32) — Isfahan \/ Duke Ellington (5:51) — [Selection] (3:39) — [Free piece (improvisation)] \/ Jason Moran ; Marian McPartland (4:40) — Oleo \/ S. Rollins (5:24) — Encore: [Selection] (4:00).<\/td>\n<\/tr>\n
                item 5<\/strong><\/td>\nMarian McPartland: Just Friends.<\/em> Marian McPartland, Geri Allen, Tommy Flanagan, Gene Harris, Renee Rosnes, and George Shearing, pianos. Concord Jazz, CCD-4805-2, 1998. Commercially produced CD, in shrink wrap. 13 tracks.
                \nTracks: Jeepers creepers (4:59) ; I’ve got a crush on you (6:03) \/ with Tommy Flanagan — Some time ago (5:26) ; It’s you or no one (5:15) \/ with Renee Rosnes — Just friends (4:19) ; Twilight world (7:02) \/ with George Shearing — Lullaby of the leaves (5:49) ; Chrysalis (an improvisation) (4:27) \/ with Geri Allen — Gone with the wind (10:16) ; Marian McPartland (5:30) \/ with Dave Brubeck — There will never be another you (4:26) ; Lady be good (5:30) \/ with Gene Harris — When the saints go marching in (For Jimmy) (3:16) \/ Marian McPartland, solo.<\/td>\n<\/tr>\n
                item 6<\/strong><\/td>\nMarian McPartland and Willie Pickens: Ain\u2019t Misbehavin\u2019.<\/em> Concord Jazz, CCD-4968-2. Commercially produced CD, in shrink wrap. 9 tracks.
                \nRecorded live at Joe Segal\u2019s Jazz Showcase, Chicago, IL.
                \nTracks: Ain\u2019t misbehavin\u2019 (7:01) — Along came Betty (6:10) — Close your eyes (4:07) — It don\u2019t mean a thing (if it ain\u2019t got that swing) (7:55) — Spring is here (6:52) — Night and day (8:08) — (It\u2019s only a) Paper moon (4:29) — Autumn nocturne (4:44) — Just one of those things (7:28).<\/td>\n<\/tr>\n
                item 7<\/strong><\/td>\nShearing \/ McPartland: Alone Together.<\/em> Concord Jazz, CCD-4171, [1991].
                \nRecorded at Soundmixers, New York, NY, March 1981. Commercially produced CD, in shrink wrap. 10 tracks.
                \nTracks: O grande amor \/ Antonio Carlos Jobim (3:24) — To Bill Evans \/ George Shearing (2:19) — All through the night \/ Cole Porter (3:40) — Born to be blue \/ Mel Torme (4:16) — They say it’s spring \/ Bob Haymes (4:48) — Alone together \/ Howard Dietz (4:10) — There’ll be other times \/ Marian McPartland (4:44) — Nobody else but me \/ Jerome Kern (3:08) — Chasing shadows \/ Benny Davis (5:04) — Improvisation on a theme by Carl Edson Jefferson (2:30).<\/td>\n<\/tr>\n
                <\/td>\n[Recordings of Marian McPartland, chamber ensemble]<\/em><\/strong><\/td>\n<\/tr>\n
                item 8<\/strong><\/td>\nMarian and Jimmy McPartland: A Sentimental Journey.<\/em> Marian McPartland, piano; Buddy Tate, saxophones; Vic Dickenson, trombone; Rusty Gilder, bass; Mike Bergeron, drums; Jimmy McPartland, cornet and vocals; Jack Maheu, clarinet; Hank Berger, trombone and banjo; Gus Johnson, drums; Larry Bell, drums. The Jazz Alliance, TJA-10025, [1994]. Commercially produced CD, in shrink wrap. 12 tracks.
                \nRecorded in 1973 and 1974.
                \nTracks: Royal garden blues (4:43) — Sentimental journey (7:39) — Blue prelude (5:59) — Dinah (3:45) — Basin Street blues (7:53) — When you wish upon a star (4:14) — Avalon (5:26) — Perdido (7:03) — Willow weep for me (5:18) — I’m gonna sit right down and write myself a letter (4:49) — Polka dots and moon beams (6:03) — Wolverine blues (4:07).<\/td>\n<\/tr>\n
                item 9<\/strong><\/td>\nMarian McPartland at the Festival.<\/em> Marian McPartland, piano; Brian Torff, bass; Jake Hanna, drums; Mary Fettig, alto saxophone. Concord Jazz, CCD-4118, (n.d.). 8 tracks.
                \nReissue of 1980 LP.
                \nTracks: I love you (5:04) \/ Cole Porter — Willow weep for me (6:07) \/ Ann Ronell —
                \nWindows (6:09) \/ Chick Corea — In the days of our love (4:30) \/ Marian McPartland, Peggy Lee — Cotton tail (5:22) \/ Duke Ellington — Here’s that rainy day (6:11) \/ Johnny Burke, Jimmy Van Heusen — On Green Dolphin Street (7:24) \/ Bronislaw Kaper, Ned Washington — Oleo (6:12) \/ Sonny Rollins.<\/td>\n<\/tr>\n
                item 10<\/strong><\/td>\nMarian McPartland at the Hickory House.<\/em> Marian McPartland, piano (tracks 1-22); Max Wayne, bass (tracks 1-7, 13); Mousie Alexander, drums (tracks 1-6); Mel Zelnick, drums (tracks 7, 13); Bob Carter, bass (tracks 8-12); Joe Morello, drums (tracks 8-12, 14-22); Vinnie Burke, bass (tracks 14-22). Savoy Jazz, ZDS 4404, 1980.
                \nRecorded 1952 and 1953.
                \nTracks: Lullaby of Birdland (2:56) — A nightingale sang in Berkeley Square (3:14) — Limehouse blues (2:23) — It\u2019s only a paper moon (2:45) — Moonlight in Vermont (2:56) — Hallelujah (3:03) — It might as well be spring (3:15) — What is this thing called love (3:29) — There\u2019ll never be another you (3:03) — Willow weep for me (3:32) — A fine romance (2:55) — Lullaby in Rhythm (3:01) — Our love is here to stay (2:48) — A foggy day (3:14) — September song (3:05) — Manhattan (4:06) — Aunt Hager\u2019s blues (3:09) — Once in a while (3:32) — Squeeze me (6:26) — Liza (2:23) — Laura (3:27) — Embraceable you (3:47).
                \nSee also Box 105, Item 1 (cassette tape).<\/em><\/td>\n<\/tr>\n
                item 11<\/strong><\/td>\nMarian McPartland Celebrates Rayburn Wright.<\/em> Marian McPartland, Ellen Rowe, Tony Caramia, Bill Dobbins, and Harold Danko, piano; Jeff Campell, bass; Rich Thompson, drums; Eastman Jazz Ensemble (works 12-14). Eastman School of Music, 2006. 2 CD set (9 tracks; 7 tracks).
                \nRecorded February 1, 2006, in Kilbourn Hall.
                \nTracks:
                \nCD 1. Opening remarks (8:36) — Scrapple from the apple \/ Parker (5:12) — In a mellow tone \/ Ellington (6:33) — Emily (5:20) — Hero rhapsody (5:18) — Autumn leaves (6:00) — There will never be another you (6:00) — Laura (7:33) — What is this thing called love (8:35) —
                \nCD 2. Second half remarks (4:20) — Sweet lovely (6:08) — What’s your story Morning glory? \/ Williams (5:12) — Oleo \/ Rollins (6:20) — Perdido \/ Tizol ; arr. R. Wright (7:20) — Ambiance \/ McPartland (9:25) — From this moment on \/ Porter ; arr. R. Wright (9:08).<\/td>\n<\/tr>\n
                item 12<\/strong><\/td>\nMarian McPartland Eastman Jazz Series with Eldar Djangirov, Piano.<\/em> Eldar Djangirov, piano; Marian McPartland, piano (18th work); Jeff Campbell, bass (11th-18th works); Rich Thompson, drums (11th-18th works). 2 CD set (CD 2 missing).
                \nRecorded May 1, 2002, in Kilbourn Hall.
                \nTracks: Like someone in love — Sweet Georgia Brown –‘Round midnight — Miss Jazz — Place in Henry — Meetings and partings — Caravan — Turnaround –Sweet and lovely — Scrapple from the apple — Solar — Jar — Sun rays — Funkalaro — In a sentimental mood — Straight no chaser — Things ain’t what they used to be — Misty.<\/td>\n<\/tr>\n
                item 13<\/strong><\/td>\nMarian McPartland Plays the Music of Alec Wilder.<\/em> Marian McPartland, piano; Michael Moore, bass; Rusty Gilder, bass; Joe Corsello, drums. The Jazz Alliance, TJA-10016, 1992. Commercially produced CD, in shrink wrap. 10 tracks (36:28).
                \nTracks: Jazz waltz for a friend (3:22) — Why? (4:58) — While we’re young (4:25) — Lullaby for a lady (2:04) — Inner circle (4:40) — I’ll be around (3:24) — Trouble is a man (3:10) — Homework (3:32) — Where are the good companions (4:04) — It’s so peaceful in the country (3:49).<\/td>\n<\/tr>\n
                item 14<\/strong><\/td>\nMarian McPartland Plays the Benny Carter Songbook.<\/em> Marian McPartland, piano; Benny Carter, alto saxophone; John Clayton, bass; Harold Jones, drums. Concord Jazz, CCD-4412, 1990. Commercially produced CD, in shrink wrap. 11 tracks.
                \nTracks: When lights are low (4:00) — I’m in the mood for swing (5:12) — A kiss from you (4:49) — Key Largo (3:40) — Another time, another place (4:38) — Summer serenade (4:41) — Doozy (3:59) — Lonely woman (5:09) — Only trust your heart (7:04) — Evening star (3:37) — Easy money (6:00).<\/td>\n<\/tr>\n
                item 15<\/strong><\/td>\nMarian McPartland: Ambiance.<\/em> The Marian McPartland Trio (Marian McPartland, piano; Michael Moore, bass; Jimmy Madison, drums; Billy Hart, drums [tracks 10-11]). The Jazz Alliance, TJA-10029, 1995. Commercially produced CD, in shrink wrap. 11 tracks.
                \nReissue of 1970 LP (see Box 103, Item 1).
                \nTracks: What is this thing called love \/ Cole Porter (6:03) — Aspen \/ Marian McPartland (3:08) — Sounds like seven \/ Michael Moore (3:50) — Ambiance \/ Marian McPartland (3:33) — Rime \/ Michael Moore (4:16) — Three little words \/ Bert Kalamar, Harry Ruby (3:29) — Hide and seek with the Bombay Bicycle Club \/ Michael Moore (4:01) — Afterglow \/ Marian McPartland (4:39) — The wisdom of the heart \/ Michael Moore (2:47) — Glimpse \/ Marian McPartland (6:37).<\/td>\n<\/tr>\n
                item 16<\/strong><\/td>\nThe Marian McPartland Trio: Live at Shanghai Jazz.<\/em> Marian McPartland, piano; Rufus Reid, bass; Joe Morello, drums. Concord, CCD-4991-2, 2002. Commercially produced CD. 12 tracks.
                \nTracks: Scratchin’ in the gravel \/ Mary Lou Williams (7:12) — For all we know \/ Fred Coots, Samuel Lewis (5:24) — Pensativa \/ Clare Fischer (4:17) — You’d be so nice to come home to \/ Cole Porter (5:52) — Just squeeze me \/ Duke Ellington, Lee Gaines (5:16) — I can’t explain \/ Rufus Reid (4:38) — A snare and a delusion \/ Marian McPartland, Joe Morello (3:40) — Moon and sand \/ William Engvick, Mortimer Palitz, Alec Wilder (4:24) — Prelude to a kiss \/ Duke Ellington (5:23) — All the things you are \/ Oscar Hammerstein, Jerome Kern (6:08) — Shanghai blues \/ Marian McPartland (5:14) — Black is the color of my true love’s hair \/ traditional (3:39).<\/td>\n<\/tr>\n
                item 17<\/strong><\/td>\nThe Marian McPartland Trio: Personal Choice.<\/em> Marian McPartland, piano; Steve La Spina, bass; Jake Hanna, drums. Concord Jazz, CCD-4202. Commercially produced CD. 8 tracks.
                \nReissue of 1983 album (see Box 105, Items 3-4, for cassette tape.)
                \nTracks: I hear a rhapsody \/ Jack Baker [and others] (3:50) — Meditation \/ Antonio Carlos Jobim, Norman Gimbel, Newton Mendonca (3:50) — In your own sweet way \/ Dave Brubeck (4:03) — A sleepin’ bee \/ Harold Arlen, Truman Capote (5:53) — I’m old fashioned \/ Jerome Kern, Johnny Mercer (3:16) — When the sun comes out \/ Harold Arlen, Ted Koehler (3:34) — Tricotism \/ Oscar Pettiford (4:42) — Melancholy mood \/ Marian McPartland, Jimmy McPartland (3:18).<\/td>\n<\/tr>\n
                item 18<\/strong><\/td>\nMarian McPartland with Strings: Silent Pool.<\/em> Marian McPartland, piano; with strings arranged and conducted by Alan Broadbent; featuring Andy Simpkins, bass, and Harold Jones, drums. Concord Jazz, CCD-4745-2, 1997. Commercially produced CD. 12 tracks.
                \nTracks: For Dizzy (3:43) — Twilight world (5:20) — Stranger in a strange dream (6:58) — A delicate balance (4:30) — Ambiance (4:50) — Silent pool (6:22) — Castles in the sand (6:00) — Melancholy mood (4:08) — Threnody (4:43) — Time and time again (4:59) — There’ll be other times (3:24) — With you in mind (3:59).<\/td>\n<\/tr>\n
                item 19<\/strong><\/td>\nMarian Remembers Teddi.<\/em> Teddi King, vocals; Marian McPartland, piano; Rusty Gilder, bass; Eric Nebbia, drums. Halcyon, HAL 118, (n.d.).
                \nReissue of 1974 LPs (see Box 103, Item 26; recording masters).
                \nTracks: Baby, won’t you please come home (3:30) — A fine romance (3:53) — Always (3:53) — But not for me (4:32) — Little girl blue (4:35) — In the still of the night (4:17) — When the sun comes out ; Happiness is a thing called Joe (4:55) — Sometimes I’m happy (3:17) — You turned the tables on me (3:44) — By myself (3:12) — Too marvelous for words (3:48) — Skylark (4:57) — Fools rush in (2:44) — I could happen to you (2:55) — Prelude to a kiss (5:10) — There will never be another you (4:40) — While we’re young (3:46).<\/td>\n<\/tr>\n
                item 20<\/strong><\/td>\nPortrait of Marian McPartland.<\/em> Marian McPartland, piano; Jerry Dodgion, alto saxophone and flute; Jake Hanna, drums; Brian Torff, bass. Concord Jazz, CCD-4101, (n.d.).
                \nReissue of 1979 LP.
                \nTracks: Tell me a bedtime story (5:33) — It never entered my mind (3:57) — No trumps (4:51) — Wind flower (4:10) — I won’t dance (4:06) — Spring can really hang you up the most (5:20) — Matrix (3:36) — Time and time again (5:20).<\/td>\n<\/tr>\n
                <\/td>\n\u00a0[Recordings of Marian McPartland as well as performances by other musicians]\u00a0 \u00a0\u00a0<\/strong><\/em><\/td>\n<\/tr>\n
                item 21<\/strong><\/td>\nManassas Jazz Festival.<\/em> Various artists. Jazzology Records, JCD-17, 2003. 18 tracks (53:58).
                \nRecorded live at the Osbourn High School Auditorium, Manassas, VA, during the Manassas Jazz Festival, May 29, 1966.
                \nTracks: Surprise party ; If I had a ribbon bow ; I thought about you (Tom Gwaltney, clarinet ; Marion McPartland, piano ; Keter Betts, bass ; Jake Hann, drums ; Maxine Sullivan, vocals) — Ain’t misbehavin’ ; Tishomingo blues (Cliff Jackson, piano) — Loch Lomond (Tom Gwaltney, clarinet ; Marion McPartland, piano ; Keter Betts, bass ; Jake Hann, drums ; Maxine Sullivan, vocals) — There’ll be no new tunes on this old guitar ; Nobody knows you when you’re down and out ; She keep it up ; Mindin’ my business blues ; Huggin’ and a chalkin’ (“Doc” Souchon, guitar & vocal) — Honeysuckle Rose ; Carolina shout (Cliff Jackson, piano) — Diga diga do ; Little Rock getaway ; Back home again in Louisiana (“Doc” Souchon, guitar ; Steve Jordan, rhythm guitar) — Blues for Jack Teagarden (unknown personnel).<\/td>\n<\/tr>\n
                <\/td>\n\u00a0[Recordings of compositions by Marian McPartland]<\/strong><\/em><\/td>\n<\/tr>\n
                item 22<\/strong><\/td>\nPeggy Lee: Close Enough for Love.<\/em> Peggy Lee, vocals, with instrumental ensemble (Ian Underwood, keyboards; Max Bennett, bass; John Guerin, drums, percussion; Dennis Budimir, John Pisano, John Chiodini, guitars). Arranged and conducted by Richard Hazard. DRG Records, CDSL 5190, 2002. Commercially produced CD, in shrink wrap. 10 tracks.
                \nReissue of 1979 LP.
                \nTracks: You \/ Tom Snow (4:05) — Easy does it \/ Richard Hazard, Peggy Lee (3:32) — Close enough for love \/ Johnny Mandel, Paul Williams (3:38) \u00a0— A robinsong \/ Michael Franks (3:17) — Just one of those things \/ Cole Porter (2:54) — I can’t resist you \/ Will Donaldson, Ned Wever (4:48) — Come in from the rain (Melissa Manchester, Carole Bayer Sager (3:16) — In the days of our love \/ Marian McPartland, Peggy Lee (3:16) — Through the eyes of love \/Marvin Hamlisch, Carole Bayer Sager (3:11) — Rain sometimes \/ Arthur Hamilton (3:57).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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                <\/a>Sub-series L: Film Reels<\/span><\/em><\/p>\n

                [\/vc_column_text][vc_custom_heading text=”Box 107″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611608524892{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
                item 1<\/strong><\/td>\n\u201cThe Jazz Forum,<\/em>\u00a0Marian McPartland Segment: March 28, 1960.\u201d 16 mm film reel, 10\u201d diameter.
                \nLabel on case: \u201cThe Ohio State University Telecommunications Center: Kinescope Recording, WOSU-TV 34.\u201d
                \nTiming: \u201cless than 30 mins.\u201d
                \nCase sealed with tape.<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\n\u201cMark (MC-10269).\u201d 16 mm film reel, 12.25\u201d diameter.
                \nLabel on case:
                \nUnited States Navy
                \nBureau of Naval Weapons
                \nUnclassified \u2014 28 min. \u2014 color
                \nAnnotations on case:
                \nAdm. Selby Rewind Akron, O.
                \nGG-124
                \n6-22-66<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\nUntitled film. 16 mm film reel, 1200 ft (366 m).
                \nEastman Ektachrome \u201cVideo News Film 7239 Daylight\u201d film.
                \nLabel on case:
                \n16 IR 7605 EIB
                \n7239-096-112
                \n1200 ft (366m) ea
                \nCAT 121 8569.<\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\nUntitled film. 16 mm film reel, 8.75\u201d diameter.
                \nAnnotation on original case: \u201cMovie Film.\u201d
                \nAccompanied by note: \u201cVIDEO?\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_column_text css=”.vc_custom_1611608577878{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

                <\/a>Sub-series M: VHS Cassettes<\/span><\/em><\/p>\n

                [\/vc_column_text][vc_column_text]<\/p>\n\n\n\n
                \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0[Performances, interviews, and other films featuring Marian McPartland]<\/em><\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 108″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611608601357{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
                item 1<\/strong><\/td>\nMonterey Jazz Festival 75.<\/em> VHS tape (recorded 1975; produced 1993).
                \nHighlights of the 18th Annual Monterey Jazz Festival 1975. Produced by Storyville Records.
                \nContents: Henpecked old man (Akiyoshi-Tabackin Big Band, featuring Clark Terry) ; Emily (Paul Desmond Quartet) ; Up with the lark (Bill Evans Trio) ; Improvisation & blues by Dizzy Gillespie (Dizzy Gillespie Orchestra, featuring Cal Tjader) ; I wouldn\u2019t treat a dog (the way you treated me) (Bobby “Blue” Bland) ; Woman (shake your booty) (Etta James and The Outlaws) ; Afterglow (Marian McPartland) ; Billie’s bounce (Bill Evans, Marian McPartland, John Evans & Patrice Rushen) ; One room country shack (Blood Sweat & tears, featuring Clayton-Thomas) ; Lyon’s head (John Lewis Sextet, featuring Sven Asmussen) ; Ichano (Chuck Mangione Quartet).<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\n\u201cAt the Top<\/em>\u00a0#205 \/ 58:47.\u201d VHS tape (n.d.; 1976?).
                \nAnnotation on case: \u201cJimmy.\u201d<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\nJazz at the Top! Remembering Bix Beiderbecke.<\/em> Rochester Area Educational TV Association, 1976. VHS tape.
                \nCommercially produced VHS tape, in shrink wrap.
                \nPerformers: Jimmy McPartland, cornet; Joe Venuti, violin; Dick Cary, alto horn, alto trumpet; Russ Mussieri, clarinet, tenor sax; “Spiegle” Willcox, trombone; Marian McPartland, piano; Major Holley, bass; Cliff Leeman, drums.<\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\n\u201cAt the Top:<\/em> Tribute to Bix Biederbecke.\u201d VHS tape (n.d.; 1976?).
                \nCopy of VHS tape produced by WXXI Video.<\/td>\n<\/tr>\n
                item 5<\/strong><\/td>\n\u201cAt the Top<\/em>\u00a0#308 \/ \u201cNow is the Time\u201d \/ M. McPartland DUB \/ 1 hr.\u201d VHS tape (n.d.; 1977?).
                \nAnnotation on case: \u201cThis\u00a0is\u00a0Now\u2019s the Time.\u201d<\/td>\n<\/tr>\n
                item 6<\/strong><\/td>\n\u201cMarian McPartland: At the Top \u2013 Now\u2019s the Time \u2013 Monticello Room \u2013 1977.\u201d VHS tape (1977).<\/td>\n<\/tr>\n
                item 7<\/strong><\/td>\n\u201cMarian McPartland: At the Top \u2013 Now\u2019s the Time \/ Monticello Room \/ 1977.\u201d VHS tape (1977).<\/td>\n<\/tr>\n
                item 8<\/strong><\/td>\n\u201cMarian McPartland at Charlie\u2019s \/ 9-28-82.\u201d VHS tape (1982).<\/td>\n<\/tr>\n
                item 9<\/strong><\/td>\n\u201cRadio Tape Rochester \/ Nov 1987.\u201d VHS tape (1987).
                \nAnnotation on cassette: \u201cMarian McPartland ; 11\/29\/87 ; Nazareth Arts Center.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 109″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611608692812{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n
                item 1<\/strong><\/td>\n\u201cMarian and Jimmy McPartland with 6-piece Band \/ New Year\u2019s Eve Concert \/ Rochester, New York, December 31, 1989.\u201d VHS tape (1989).
                \nAnnotation on case: \u201cWXXI.\u201d<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\n\u201cThe McPartland\u2019s New Years Eve \/ trt: 1:10:00 \/ WXXI 1990.\u201d VHS tape (1990).<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\n\u201cWXXI New Years 1990.\u201d VHS tape (1990).<\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\n\u201cMarian McPartland MCG \/ 12\/14\/95 \/ VHS-DUB (Pitt.).\u201d VHS tape (1995).<\/td>\n<\/tr>\n
                item 5<\/strong><\/td>\n\u201cWash. D.C. (1997) \/ Marian McPartland Jazz Central.\u201d VHS tape (1997).<\/td>\n<\/tr>\n
                item 6<\/strong><\/td>\n\u201cNetwork Chicago Presents: Jazz at Ravinia with Dave Brubeck, Marian McPartland, and Rosemary Clooney.\u201d VHS tape (2000).
                \nProduced by WTTW Chicago. Concert taped June 15, 2000.<\/td>\n<\/tr>\n
                item 7-8<\/strong><\/td>\n\u201cVH1 Millennium Jazz Festival from the White House.\u201d VHS tape (n.d.; 2000?). 2 copies.<\/td>\n<\/tr>\n
                item 9<\/strong><\/td>\n\u201cTennessee Valley Jazz Society\u2014Huntsville, Alabama \/ Marian McPartland \/ 2-27-03.\u201d VHS tape (2003).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 110″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612209692465{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
                item 1<\/strong><\/td>\n\u00a0\u201cJazz Grammy Trustee Tribute \/ Marian McPartland.\u201d VHS tape (n.d.; 2004).
                \nAffixed to case: business card for Jeff Scheftel, Oliver Entertainment Inc.\u201d<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\n\u201c46th GRAMMY Trustees Award \/ Marian McPartland Tribute Video & Speech \/ TRT: 6:12 \/ 2\/7\/04.\u201d VHS tape (2004).
                \nRecording courtesy of NARAS, marked \u201cfor promotional use only.\u201d<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\n\u201cNorah Jones Gives Marian McPartland Special Grammy.\u201d VHS tape (n.d.; 2004).<\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\n\u201cMarian McPartland \/ Song for Tood Parken \/ Record date: 5\/8\/05.\u201d VHS tape (2005).<\/td>\n<\/tr>\n
                item 5<\/strong><\/td>\n\u201cThe National Arts Club \/ Gold Medal in Jazz to Marian McPartland \/ November 16, 2005 \/ 71 minutes.\u201d VHS tape (2005).<\/td>\n<\/tr>\n
                item 6<\/strong><\/td>\n\u201cMarian McPartland Film Rushes \/ Films by Huey \/ Scullers 9-06.\u201d VHS tape (2006).<\/td>\n<\/tr>\n
                item 7<\/strong><\/td>\n\u201cClearwater \/ Marian McPartland, George Shearing, Billy Taylor.\u201d VHS tape (n.d.).<\/td>\n<\/tr>\n
                item 8<\/strong><\/td>\n\u201cClub Date \/ Mariann [sic] McPartland.\u201d VHS tape (n.d.).
                \nAnnotation on label: \u201cStereo HiFi TRT 55:00 \/ KPBS Television, San Diego, CA.\u201d<\/td>\n<\/tr>\n
                item 9<\/strong><\/td>\n\u201cMarian and Jimmy Concert.\u201d VHS tape (n.d.).<\/td>\n<\/tr>\n
                item 10<\/strong><\/td>\n\u201cWomen in JAZZ Concert \/ Marian McPartland \/ Parts 1 & 2.\u201d VHS tape (n.d.).<\/td>\n<\/tr>\n
                <\/td>\n\u00a0[News spots, interviews, and other appearances on TV programs]<\/strong><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 111″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612209662401{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
                item 1<\/strong><\/td>\n\u201c5:00 News \/ 11-24-78.\u201d VHS tape (1978).<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\n\u201cToday Show \/ 5\/20\/82, 6\/29\/82.\u201d VHS tape (1982).<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\n\u201cLive at Five \/ 8-3-87.\u201d VHS tape (1987).<\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\n\u00a0\u201cToday Show \/ 8-3-87.\u201d VHS tape (1987).<\/td>\n<\/tr>\n
                item 5<\/strong><\/td>\n\u201cEntertainment Tonight: Marian McPartland \/ Diane Schuur \/ 8-87.\u201d VHS tape (1987).<\/td>\n<\/tr>\n
                item 6<\/strong><\/td>\n\u201cEntertainment This Week.\u201d VHS tape (n.d.; 1987?).
                \nAnnotation on cassette: \u201cMcP \/ Diane Schuur.\u201d<\/td>\n<\/tr>\n
                item 7<\/strong><\/td>\nTV appearances, 1987-1988. VHS tape (1987-1988).
                \nAnnotation on cassette: \u201cMcPartland \u2013 Today Show, Fall 87 ; JANSEN \u2013 KPNX Ch 12, 12\/87 ; McPartland\/JANSEN \u2013 Focus 88, 1\/13\/88.\u201d<\/td>\n<\/tr>\n
                item 8-9<\/strong><\/td>\n\u201cMarian McPartland \/ WABC-TV Channel 7 \/ Home Show at 11 A.M. \/ December 12, 1991.\u201d VHS tape (1991). 2 copies.<\/td>\n<\/tr>\n
                item 10<\/strong><\/td>\n\u201cNight Journal Tokyo \/ NHK June 2, \u201993.\u201d VHS tape (1993).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 112″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612209612144{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
                item 1<\/strong><\/td>\n\u00a0\u201cMarian McPartland \/ \u201cWeekend Today\u201d \/ 1-2-94.\u201d VHS tape (1994).<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\n\u201cLifetime Magazine \u2013 July 20, 1994 \/ Women in Jazz.\u201d VHS tape (1994).<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\n\u201cSunday Morning at CBS \u2013 1995 Moscow Idaho Fest. Jazz Pioneer Series \u2013 Jimmy McPartland.\u201d VHS tape (1995).
                \nAnnotation on tape: \u201cCBSTV \u2013 Lionel\u2019s Festival \u2013 1995 (with a flash by of Marian).\u201d<\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\n\u201cBET 1 and 2 monologue.\u201d VHS tape (2003).
                \nAnnotation on tape: \u201cMarian McPartland tapes 1 & 2 \/ B.E.T \/ 2\/03.\u201d<\/td>\n<\/tr>\n
                item 5<\/strong><\/td>\n\u201cWLIW Channel 21 \/ TICKET: Arts, Culture and Cuisine<\/em> Show #125 \/ Featuring: Marian McPartland, Peter Yarrow, and Lidia Bastianich.\u201d VHS tape (2004).
                \nAnnotation on tape: \u201cAir date: May 19, 2004. TRT: 26:46.\u201d<\/td>\n<\/tr>\n
                item 6<\/strong><\/td>\n\u201cWomen\u2019s History Month 2006 \/ Marian McPartland \/ 3\/20\/06.\u201d VHS tape (2006).<\/td>\n<\/tr>\n
                item 7<\/strong><\/td>\n\u00a0 \u201cMarian Channel 12 \/ 3\/20\/06.\u201d VHS tape (2006).<\/td>\n<\/tr>\n
                item 8<\/strong><\/td>\n\u201cBET JAZZ Marian McPartland.\u201d VHS tape (n.d.).<\/td>\n<\/tr>\n
                item 9<\/strong><\/td>\n\u201cJAZZ PADS \u2013 BET Jazz #JJPA0207 \/ Marian McPartland.\u201d VHS tape (n.d.).
                \nProduced and directed by Kenneth Burgmaier.
                \nAnnotation on tape: \u201cStereo Audio \u2013 TRT: 29:50.\u201d<\/td>\n<\/tr>\n
                item 10<\/strong><\/td>\n\u201cMarian McPartland \/ \u2018BLACK NEWS\u2019 \/ Washington DC concert for children.\u201d VHS tape (n.d.).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 113″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612209569584{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
                item 1<\/strong><\/td>\n\u201cState of the Arts<\/em>\u00a0#726 \/ Air Master \/ Videotape Number 1245 \/ Date: 4\/5\/89.\u201d VHS tape (1989).
                \nAnnotation on case: \u201cM McP.\u201d
                \nAnnotation on tape: \u201cItzak Perlman\u2019s daughter.\u201d<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\n\u201cState of the Arts:<\/em>\u00a01) Open, 2) credit video, 3) 20 second promo.\u201d VHS tape (n.d.).<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\n\u201cJazz Piano on\u00a0State of the Arts<\/em>\u00a0\/ Bobby Short, Marian McPartland, Billy Taylor, Dave Brubeck.\u201d VHS tape (n.d.).<\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\n\u201cToday Show<\/em>\u00a0\/ Marian McPartland, Gene Shaliut, Vi Redd, Dottie Dodgion, Lynn Milano.\u201d VHS tape (n.d.).<\/td>\n<\/tr>\n
                item 5<\/strong><\/td>\n\u00a0\u201cMarian McPartland \/ 1. D is Daffodil Yellow \/ 2. Over Easy \/ 3. Today Show.\u201d VHS tape (n.d.).<\/td>\n<\/tr>\n
                item 6<\/strong><\/td>\n\u201cMarian McPartland \/ 1) Today Show \/ 2) CNN \/ 3) Entertainment Tonight.\u201d VHS tape (n.d.).<\/td>\n<\/tr>\n
                <\/td>\n[Recordings of Piano Jazz programs and associated material]<\/strong><\/em><\/td>\n<\/tr>\n
                item 7<\/strong><\/td>\n\u201cPiano Jazz<\/em>\u00a091 \/ Dudley Moore.\u201d VHS tape (1991).<\/td>\n<\/tr>\n
                item 8<\/strong><\/td>\n\u201cMarian McPartland \u2013\u00a0Piano Jazz<\/em>\u00a0\/ 11\/9\/96.\u201d VHS tape (1996).
                \nAnnotation on tape: \u201cMarian McPartland \/ 11\/9\/96\u00a0Piano Jazz<\/em>\u00a0\/ w\/ Willie Pickens (Program Switch \u2013 DUB).\u201d<\/td>\n<\/tr>\n
                item 9<\/strong><\/td>\n\u201cMarian McPartland Piano Jazz<\/em>\u00a0\/ Reel\u201455368 \/ #0192-0027 \/ Timing: (81485).\u201d VHS tape (n.d.).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 114″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1612209526975{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
                item 1<\/strong><\/td>\n\u201cMarian McPartland Piano Jazz<\/em>\u00a0\/ Reel\u201455369 \/ #0192-0027 \/ Timing: (81485).\u201d VHS tape (n.d.).<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\n\u201cOthers \/\u00a0Piano Jazz<\/em>\u00a030th<\/span>\u00a020th Anv. \/ Reel 051009 \/ #0187-0605 \/ Timing: 5:00.\u201d VHS tape (n.d.; 1999).<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\n\u201cMcPartland & Brubeck \/ Reel JE-003 \/ #0000-0000 \/ (Interview) (104864).\u201d VHS tape (n.d.).
                \nAnnotation on tape: \u201cShort piece with Dave Brubeck.\u201d<\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\n\u201cMcPartland & Brubeck \/ Reel\u2014JE\u2014003 \/ (104864).\u201d VHT tape (n.d.).<\/td>\n<\/tr>\n
                item 5<\/strong><\/td>\n\u201cMcPartland & Brubeck \/ Reel JE\u2014004 \/ #0000-0000 \/ (Interview) (104864).\u201d VHS tape (n.d.).
                \nAnnotation on tape: \u201cMcPartland & Brubeck \/ South Carolina ETV \/ Interview.\u201d<\/td>\n<\/tr>\n
                item 6<\/strong><\/td>\n\u201cPiano Jazz\u2014<\/em>Joe Sample Session.\u201d VHS tape (n.d.).<\/td>\n<\/tr>\n
                <\/td>\n[Recordings of other performers, including films and documentaries]<\/strong><\/em><\/td>\n<\/tr>\n
                item 7<\/strong><\/td>\n\u201cJimmy McPartland.\u201d VHS tape (1928-1968).
                \nInsert in case with list of contents. Typescript. 1 p.
                \nContents:<\/p>\n
                  \n
                • Ben Pollack Home Movies (1928): Individuals seen on camera include Ben Pollack, Al Harris, Benny Goodman, Harry Goodman, Jack Teagarden, Vic Briedis, Fud Livingston, Smith Ballew, Larry Binyon, Gil Rodin, and Jimmy McPartland.<\/li>\n
                • Jazz Dance (1954): Performance by Jimmy McPartland, Pee Wee Russell, George Wettling, Pops Foster, Jimmy Archey, Willie \u201cThe Lion\u201d Smith.<\/li>\n
                • Chicago & All that Jazz (1961): Performance by Jimmy McPartland, Jack Teagarden, Pee Wee Russell, Bud Freemna, Joe Sullivan, Eddie Condon, Bob Haggart, Gene Krupa.<\/li>\n
                • Jazz Alley (1968): Performance by Jimmy McPartland, Pee Wee Russell, Art Hodes, R. L. (Rail) Wilson, Harry Hawthorne.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
                item 8<\/strong><\/td>\n\u201cThe Magic Horn <\/em>\/ Starring Ralph Meeker, Jimmy McPartland, and Sal Mineo \/ Directed by Norman Felton.\u201d VHS tape (n.d.; 1956).
                \nEpisode of The Alcoa Hour<\/em>; aired June 10, 1956.<\/td>\n<\/tr>\n
                item 9<\/strong><\/td>\n\u201cJimmy McPartland, Peter Appleyard, [illegible], Trump Davidson \/ Toronto \u201976.\u201d VHS tape (1976).<\/td>\n<\/tr>\n
                item 10<\/strong><\/td>\n\u201c100 Gold Fingers \/ TV program.\u201d VHS tape (n.d.).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 115″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611690364461{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
                item 1<\/strong><\/td>\n\u201cDapper Dan Roundball (DUB).\u201d VHS tape (n.d.).<\/td>\n<\/tr>\n
                item 2<\/strong><\/td>\nInternational Sweethearts of Rhythm: America\u2019s Hottest All-Girl Band.<\/em> VHS tape (n.d.).
                \nLabel on case includes address for Andrea Weiss.<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\nMaxine Sullivan: Love to Be in Love.<\/em> Jezebel Productions, 1990. VHS tape (1990).
                \nProduced and directed by Greta Schiller.<\/td>\n<\/tr>\n
                item 4<\/strong><\/td>\n\u201cPiano Sunday \u2013 9\/90 \/ Recordings of Kevin Wilder, Tom White, Tom Reuter, Ji, Swartwout \u2013 9\u2019 Steinway.\u201d VHS tape (1990).<\/td>\n<\/tr>\n
                item 5<\/strong><\/td>\n\u201cTony Montanaro, Theatre and Inspiration, 56:00, 2006 \/ Films by Huey.\u201d VHS tape (2006).<\/td>\n<\/tr>\n
                item 6<\/strong><\/td>\n\u201cAlec.\u201d VHS tape (n.d.).
                \nAffixed to case: business card for Prestige Video (Transfers from: Film, Stills, Slides, and Negatives).\u201d<\/td>\n<\/tr>\n
                item 7<\/strong><\/td>\n\u201cSuch Good Companion \/ Window DUB.\u201d VHS tape (n.d.).<\/td>\n<\/tr>\n
                item 8<\/strong><\/td>\n\u201cVerizon.\u201d VHS tape (n.d.).
                \nLabels on case and tape for Kirshenbaum Bond & Partners: A New Kind of Communications Company.<\/td>\n<\/tr>\n
                item 9<\/strong><\/td>\n\u201cVerizon \u2018Duet\u2019 \/ :60.\u201d VHS tape (n.d.).
                \nLabel on case and tape for Park Pictures, Alison Maclean, director<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 116″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611608742956{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
                item 1<\/strong><\/td>\nUnlabeled VHS tape (n.d.).
                \nAffixed to case: address labels for Marian McPartland.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_column_text css=”.vc_custom_1611608794255{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

                <\/a>Sub-series N: U-Matic Cassette Tapes.<\/span><\/em><\/p>\n

                [\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n
                item 2<\/strong><\/td>\n\u201cMarian McPartland CD MSTR.\u201d U-Matic cassette tape (1987).
                \nProduced for Halcyon Records. Scott Hull, sound engineer. Recorded September 1, 1987.
                \nAnnotation on case: \u201cSONY PCM 1610 EQ\u2019D CD MASTER \/ HAL-1001-A\/B.\u201d
                \nLabel on case: \u201c3\u00d8C.\u201d<\/td>\n<\/tr>\n
                item 3<\/strong><\/td>\n\u201cMarian McPartland \/ No. HAL-111.\u201d U-Matic cassette tape (1990).
                \nProduction date: October 30, 1990.
                \nAnnotation on tape: \u201cAOW3 \/ Halcyon Records \/ CD 111 \/ Concert @ Haverford \/ 10\/24\/1990.\u201d
                \nTrack list: Haverford blues ; Yesterdays ; Send in the clowns ; Pick yourself up ; I\u2019ll be around ; You turned the tables on me ; Killing me softly ; Gershwin medley ; Afterglow.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_column_text css=”.vc_custom_1611608923743{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

                <\/a>Series 9: Oversized<\/h3>\n

                [\/vc_column_text][vc_column_text css=”.vc_custom_1611680420043{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

                <\/a>Sub-series A: Oversized Papers\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/em><\/p>\n

                [\/vc_column_text][vc_custom_heading text=”Box 117″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611680439748{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
                folder 1<\/strong><\/td>\nCarlson, Rachel (A Portrait of Rachel Carlson<\/em>). 2 items.
                \nSeparated from Series 2 (Papers), Sub-series A (Professional Papers), Box 4, Folder 2.
                \n<\/em>Elaine [Freeman?] to Marian McPartland. 1 letter. Ink, on letterhead for the ETV Endowment of South Carolina; dated November 20, [2007]. 2 pp. Accompanied by press clipping (pertaining to premiere of A Portrait of Rachel Carlson<\/em>); dated November 15, 2007. 1 p.
                \nPress clipping (pertaining to premiere of A Portrait of Rachel Carlson<\/em>); dated November 14-20, 2007. 1 p.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 132″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611680502213{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
                folder 1<\/strong><\/td>\nVarious Oversized Papers.
                \nItem 1 in Folder:
                \n<\/em>Mayerl, Billy. 1 item.
                \nSeparated from Series 2 (Papers), Sub-series A (Professional Papers), Box 4, Folder 17 (Mayerl, Billy).
                \n<\/em>Alan Rusbridger, \u201cThe Kid that Played Nippy,\u201d Guardina,<\/em> September 5, 1991, p. 25-26. 2 pp. Clipping. 2 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 117 `{`cont.`}`” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611680539006{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
                folder 2<\/strong><\/td>\n\u201cMisc. \/ Jazz Related.\u201d 1 item.
                \nSeparated from Series 2 (Papers), Sub-series A (Professional Papers), Box 4, Folder 18.
                \n<\/em>\u201cThe Campaign for the Performing Arts Research Center.\u201d Booklet published by the Performing Arts Research Center of the New York Public Library; [dated 1986]. 28 pp. Portrait of Marian McPartland with caption appears on p. 15.<\/td>\n<\/tr>\n
                folder 3<\/strong><\/td>\nPACE (Performing Arts Curriculum Enrichment) Program.
                \nSeparated from Series 2 (Papers), Sub-series A (Professional Papers), Box 5, Folder 1.
                \n<\/em>Publicity and Press Materials. 2 items.
                \nEcho<\/em> (newsletter for the Robert L. Simpson Junior High School, Huntington, NY), Vol. 9, No. 2 (October 31, 1968): 1-2. 2 pp. Issue includes article: \u201cMarian McPartland Will Star in a Future Jazz Program.\u201d
                \nConcert program for PACE concert [at Hofstra University; dated 1968]. 1 item.<\/td>\n<\/tr>\n
                folder 4<\/strong><\/td>\nCorrespondence. 2 items.
                \nSeparated from Series 2 (Papers), Sub-series B (Correspondence).
                \n<\/em>Shari Hutchinson to Marian McPartland. Printout of 1 fax (pertaining to appearance of Elvis Costello at the Radio Hall of Fame). Typescript; dated September 14, 2007. 1 p. Accompanied by (3 items):<\/p>\n
                  \n
                • \u201cThe Radio Hall of Fame Inductees, August 2007.\u201d Typescript document. 2 pp.<\/li>\n
                • \u201c2007 National Radio Hall of Fame Travel Request Form.\u201d Typescript form, blank; undated. 1 p.<\/li>\n
                • Circular for the Museum of Broadcast Communications opening (pertaining to reopening of renovated museum). 4 pp.<\/li>\n<\/ul>\n

                  Georgia Urban to Marian McPartland. 1 note (on Post-It note). Ink; undated. 1 p. Accompanied by press clipping (pertaining to the Van Dyck Restaurant and Brewery, Schenectady, NY); dated July 9, 2006. 1 p.<\/td>\n<\/tr>\n

                folder 5<\/strong><\/td>\nArticles by Marian McPartland. 7 items.
                \nSeparated from Series 2 (Papers), Sub-series C (Research and Writing), Box 6, Folders 4-8.
                \n<\/em>\u201cCrowds Jam Paris Jazz Festival,\u201d Downbeat<\/em>, July 1, 1949, p. 3. Clipping of article. 1 p. Copy 2 (duplicate facsimile).
                \n\u201cDave\u2019s a Challenge,\u201d Melody Maker,<\/em> August 3, 1957, p. 6. Clipping of article. 1 p. Copy 2 (duplicate facsimile). 1 p.
                \n\u201cIt\u2019s a Small World\u201d (letter to Max Jones, published in lieu of Jone\u2019s regular column), Melody Maker,<\/em> April 11, 1959, p. 8. Clipping of article. 1 p. Copy 2 (duplicate facsimile). 1 p.
                \n\u201cListening on Records\u201d [Marian McPartland writes as guest columnist], Journal and Courier,<\/em> July 22, 1961, p. 6. Clipping of article. 1 p. Copy 2 (duplicate facsimile). 1 p.
                \n\u201cListening on Records\u201d [Marian McPartland writes as guest columnist], Journal and Courier,<\/em> May 12, 1962, p. 10. Clipping of article. 1 p. Copy 2 (duplicate facsimile). 1 p.
                \n\u201cShoe\u2019s on Other Foot; Star Reviews Audience,\u201d Miami Herald,<\/em> August 2, 1959, p. 24. Clipping of article. 1 p. Copy 2 (duplicate facsimile).
                \nUntitled essay (First line: \u201cOne of the favourite queries of the American jazz fan, upon hearing that I am English, is: – \u2018Where did you learn to play jazz? Not in England, surely?\u2019\u201d). Facsimile of draft of essay, with annotations in ink. Typescript. 2 pp. Annotation on first page of draft: \u201cwritten by Marian \u2013 don\u2019t know what this was for.\u201d<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 132″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611680502213{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
                folder 2<\/strong><\/td>\nArticles by Marian McPartland. 5 items.
                \n\u201cI Was Indignant That Rock Reigned Supreme,\u201d New York Times,<\/em> September 23, 1973, p. D-17. 1 p. Copy 2 (duplicate facsimile).
                \n\u201cJazz Pianist Marian McPartland Writes about Singer Helen Merrill,\u201d Boston Sunday Globe,<\/em> May 26, 1957, p. 10-A. Clipping of article. 1 p. Copy 2 (duplicate facsimile).
                \n\u201cMecca in Manhattan,\u201d New York Newsday,<\/em> June 21, 1991, p. 58. Clipping of article. 1 p. Copy 2 (duplicate facsimile).
                \n\u201cMusic is My Life,\u201d International Musician,<\/em> September 1969, pp. 6, 24-25. Holdings comprise full issue of journal. 32 pp. Copies 2-3 (duplicate facsimiles of article). Annotation on copy 3 (\u201cThis is not my headline!!!\u201d).
                \n\u201cOne Jazz Pianist Writes About Another–Symphony and Concert: An Appreciation of Brubeck by Pianist Marian McPartland,\u201d Boston Sunday Globe,<\/em> March 10, 1957, p. A-59. Facsimile of article. 1 p.
                \n\u201cPianist Marian McPartland Assays Modern Jazz Quartet,\u201d Boston Sunday Globe,<\/em> April 7, 1957, p. A-23.
                \n\u201cPianist Marian McPartland Writes About Duke Ellington,\u201d Boston Sunday Globe,<\/em> October 28, 1956, p. 28-A.
                \n\u201cPianist M\u2019Partland Tells of Jazz Idiom,\u201d New York Journal-American,<\/em> November 30, 1957, p. 18.
                \n\u201cTatum Mourned,\u201d Detroit Free Press,<\/em> November 19, 1956, p. 8. Clipping of article. 1 p. Copy 2 (duplicate facsimile).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

                [\/vc_column_text][vc_custom_heading text=”Box 117 `{`cont.`}`” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1611680539006{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
                folder 6<\/strong><\/td>\nWomen in Jazz Research (Loose Materials).\u00a0 3 items.
                \nSeparated from Series 2 (Papers), Sub-series C (Research and Writing), Box 7, Folder 4.
                \n<\/em>Liz Traufield, \u201cLouise Davis–\u2018Bassist\u2019 Profundo,\u201d La Femme: Central Florida Woman\u2019s Newspaper,<\/em> Vol. 3, No. 17 (June 24, 1976), p. 1. Press clipping. 1 p.
                \nNat Hentoff, \u201cThe Women of Jazz,\u201d Chronicle Review of Higher Education,<\/em> April 30, 1979, p. 20. Press clipping. 1 p.
                \nManuscript notes. Ink. 2 pp.<\/td>\n<\/tr>\n
                folder 7<\/strong><\/td>\nWomen in Jazz: Publicity and Press Materials.
                \nSeparated from Series 2 (Papers), Sub-series C (Research and Writing), Box 7, Folder 6.
                \n<\/em>Press clippings. 3 items, including clippings and facsimiles; dated 1979-1980. 4 pp.<\/td>\n<\/tr>\n
                folder 8<\/strong><\/td>\nWomen in Jazz: Photographs.
                \nSeparated from Series 2 (Papers), Sub-series C (Research and Writing), Box 7, Folder 7.
                \n<\/em>Photograph of performance; 1947. 1 black and white photograph, 11\u201d x 14\u201d. Annotation on image: \u201cLouisville, Ky., August 1947.\u201d
                \nPublicity photograph of the International Sweethearts of Rhythm on stage; undated. 1 black and white photograph, 7\u201d x 17\u201d.<\/td>\n<\/tr>\n
                folder 9<\/strong><\/td>\n\u201cSOR. Documents. 4.\u201d 6 items.
                \nSeparated from Series 2 (Papers), Sub-series C (Research and Writing), Box 8, Folder 2.<\/em><\/p>\n
                  \n
                1. \u201cMiscellaneous Items from Roz Cron.\u201d Oversized press clippings (5 items):<\/li>\n<\/ol>\n