{"id":7261,"date":"2021-02-18T11:53:15","date_gmt":"2021-02-18T16:53:15","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=7261"},"modified":"2026-01-23T13:51:51","modified_gmt":"2026-01-23T18:51:51","slug":"ser4-6","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/gread\/ser4-6\/","title":{"rendered":"GARDNER READ COLLECTION"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1717614763214{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 4: Personal Papers<\/h3>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1717614848941{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-series A: Correspondence<\/span><\/em>[\/vc_column_text][vc_column_text css=”.vc_custom_1717614870358{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-sub-series I: Personal Correspondence<\/em>[\/vc_column_text][vc_custom_heading text=”Box 52″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1717614887086{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 2<\/strong><\/td>\n\u201cA\u201d (48 documents present; various correspondents).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 3<\/strong><\/td>\nSamuel Adler to Gardner Read.
\n29 letters (26 typescript and 3 ink MS); signed in ink by Samuel Adler. Dates: October 14, 1954; March 11, 1957; May 1, 1957; May 13, 1957; December 27, 1957; October 29, 1958; July 26, 1960; October 23, 1962; April 16, 1963; December 24, 1963; January 28, 1964; July 31, 1969; April 13, 1970; November 1, 1971; March 6, 1973; September 6, 1976; May 5, 1977; November 16, 1979; August 12, 1980; May 5, 1981; July 21, 1982; October 18, 1982; March 2, 1983; September 11, 1984; September 20, 1983; August 29, 1986; November 10, 1986; December 10, 1992; March 30, 1994. Accompanied by a letter to Gardner Read from Carol Adler, October 8, 1977. Typescript; annotated and signed in ink. 2 pages.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nGardner Read to Karl and Christine Ahrendt.
\n6 letters (3 ink MS and 3 typescript); signed in ink by Gardner Read. Dates: June 12, 19xx; October 28, 1939; December 21, 1941; April 10, 1943; April 1, 1947; May 17, 1948. Accompanied by a letter to Christine Ahrendt from Vail Read, January 11, 1951. Typescript; signed in ink. 2 pages.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nKarl and Christine Ahrendt to Gardner and Vail Read.
\n32 letters (5 ink MS and 27 typescript); signed in ink by Karl and Christine Ahrendt. Dates: December 6, 1937; May 19, 1938; October 22, 1938; February 19, 1939; December 3, 1939; March 13, 1940; May 18, 1940; May 29, 1940; May 9, 1941; February 15, 1942; December 5, 1943; June 20, 1945; December 8, 1946; April 25, 1948; March 22, 1952; August 20, 1956; April 30, 1958; June 16, 1958; December 30, 1958; May 21, 1959; July 4, 1962; August 9, 1969; December 12, 1969; January 19, 1970; February 22, 1970; March 23, 1970; June 8, 1980; January 25, 1987; April 9, 1987; March 18, 1990; March 15, 19xx; 1 undated.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nVictor Alessandro to Gardner Read.
\n13 letters (12 typescript and 1 ink MS); signed in ink by Victor Alessandro. Dates: August 5, 1935; July 15, 1936; August 12, 1936; October 24, 1939; October 4, 1940; January 29, 1941; February 12, 1941; February 28, 1941; March 12, 1943; January 22, 1944; August 4, 1944; August 25, 1944; October 23, 1952.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nDavid and Karen Alpher to Gardner and Vail Read.
\n2 postcards and 2 greeting cards: MS in ink. Dates: September 22, 1993; November 11, 1994; December 19, 1994; September 24, 1995.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 8<\/strong><\/td>\nDavid and Karen Alpher to Gardner and Vail Read.
\n2 postcards, 1 letter, and 1 greeting card.\u00a0 Ink MS.\u00a0 Dates: March 6, 1996; May 11, 1998; May 14, 1998; January 18, 1999.
\nDavid Alpher to Gardner Read.
\n5 greeting cards, 1 postcard; ink MS.\u00a0 6 letters; 1 ink MS; 5 typescript, signed in ink by David Alpher.\u00a0 Dates: December xx, 1996; October 16, 1998; October 28, 1998; February 9, 2000; March 24, 2000; May 31, 2000; June 26, 2001; July 10, 2000; June 13, 2001; January 11, 2002; November 12, 2002; February 2, 2003.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n\u201cB-2\u201d (112 documents present)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 10<\/strong><\/td>\nEdward Baird to Gardner Read.
\n3 letters. Typescript; signed in ink by Edward Baird. Dates : May 23, 1989; September 22, 1989; August 7, 1991.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nVladmir Bakaleinikoff to Gardner Read.
\n17 letters (12 MS in ink and 1 typescript); signed in ink by Vladmir Bakaleinikoff. Dates: June 30, 1939; March 25, 1944; October 11, 1945; October 29, 1945; October 28, 1946; February 11, 1949; December 20, 1949, September 14, 19xx; 9 undated letters.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nRichard Horner Bales to Gardner Read.
\n58 letters (55 typescript and 3 ink MS); signed in ink by Richard Horner Bales. Dates: July 5, 1934; July 25, 1934; August 4, 1934; August 14, 1934; August 28, 1934; December 16, 1934; December 31, 1937; March 9, 1938; April 12, 1938; April 11, 1940; November 24, 1940; June 19, 1941; March 17, 1942; January 20, 1943; August 24, 1943; December 4, 1943; January 12, 1944; April 12, 1944; May 10, 1945, July 19, 1945; September 18, 1946; January 7, 1947; May 10, 1948; November 26, 1948; May 31, 1949; September 26, 1949; April 5, 1950; February 8, 1952; April 16, 1954; September 20, 1955; February 17, 1956; April 2, 1957; September 3, 1957; October 15, 1957; November 12, 1957; April 1, 1960; February 12, 1963; July 7, 1973; April 6, 1976; January 4, 1979; June 10, 1980; May 6, 1981; October 29, 1984; April 14, 1985; April 21, 1987; May 6, 1987; Memorial Day, 1992; February 1, 1993; September 10, 19xx, September 4, 19xx; November 10, 19xx, December 21, 19xx; June 8, 19xx; 5 undated letters.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nLora M. Bell to Gardner Read.
\n6 letters. Ink MS; signed in ink to Gardner Read from Lora M. Bell. Dates: March 17, 1937; May 27, 1943; February 17, 1947; March 20, 1951; March 15, 1954; 1 undated letter.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 14<\/strong><\/td>\nBrian J. Bernard to Gardner Read.
\n4 invoices (3 with accompanying receipts).\u00a0 Typescript; personalized note and signature in ink by Brian J. Bernard.\u00a0 Dates: August 10, 2003; September 14, 2003; October 20, 2003 (two copies); December 22, 2003.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 15<\/strong><\/td>\n\u201cBob\u201d to Gardner Read.
\n7 letters. Ink MS. Dates: September 15, 1937; February 7, 1938; March 20, 1938; May 6, 1938; July 3, 1938; Memorial Day, 1939; June 28, 1939.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 16<\/strong><\/td>\nAllen Brings to Gardner Read.
\n24 letters.\u00a0 Typescript.\u00a0 Signed in ink by Allen Brings.\u00a0 Dates: August 3, 1978; May 17, 1980; December 12, 1981; January 15, 1983; June 12, 1984; December 26, 1985; December 24, 1987; June 2, 1988; January 13, 1989; April 22, 1989; July 25, 1989; November 9, 1993; January 24, 1993 [sic]; May 17, 1995; March 2, 1996; January 21, 1998; October 18, 1998; July 14, 1999; August 9, 2001; March 17, 2002; February 1, 2003; 2 undated;\u00a0 includes American Record Guide<\/em> extract \u201cBrings: Clarinet Sonata; Solo Violin Sonata; Piano Sonata,\u201d November\/December 1993.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 17<\/strong><\/td>\nPhyllis Bryn-Julson to Gardner Read.
\nTypescript. Signed in ink to Gardner Read on March 9, 1990. 1 page.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nDavid Burge to Gardner Read.
\n4 letters (2 MS in ink and 2 typescript); signed in ink by David Burge. Dates: April 3, 1970; November 22, 1970; June 6, 1976; March 27, 1978.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 19<\/strong><\/td>\n\u201cC-1\u201d (94 documents present)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 20<\/strong><\/td>\nCharles Wakefield Cadman to Gardner Read.
\n6 letters (4 typescript and 2 ink MS); signed in ink by Charles Wakefield Cadman. Dates: May 28, 19xx; November 23, 19xx, 4 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 21<\/strong><\/td>\nSkip and Francie Caudill to Gardner and\/or Vail Read.
\n5 greeting cards and 2 postcards; ink MS. \u00a0Dates: February 15, 1998; November 19, 2000; May 29, 2001; June 1, 2001; July 14, 2002; January 16, 2003; 2 undated.
\nIncludes 4 index cards with details about Skip and Francie Caudill\u2019s visits to the Read residence; typescript.\u00a0 Dates: xx xx, 1993; January 4, 1996; February 14, 1997; January 2, 1998.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 22<\/strong><\/td>\nArthur Cohn to Gardner and Vail Read.
\n60 letters (58 typescript and 2 ink MS); signed in ink by Arthur Cohn. Dates: February 18, 19xx; October 17, 19xx; May 23; 19xx; November 14, 19xx; December 26, 19xx; January 11, 19xx; March 8, 19xx; May 6, 19xx; April 1, ca.1923; November 12, 1945; November 21, 1945; January 8, 1947; March 5, 1947; March 12, 1947; March 18; 1947; March 27, 1947; April 9, 1947; May 12, 1947; May 19, 1947; May 28, 1947; June 4, 1947; November 11, 1947; December 26, 1947; November 27, 1948; December 21, 1948; January 14, 1949; April 22, 1949; November 17, 1949; December 14, 1949; December 17, 1949; December 30, 1949; December 31, 1949; February 25, 1950; February 28, 1950; March 4, 1950; April 10, 1950; November 6, 1950; December 13, 1950; March 21, 1951; April 4, 1951; April 16, 1951; January 24, 1952; February 21, 1952; March 6, 1952; March 24, 1952; November 29, 1952; December 8, 1952; February 9, 1953; February 11, 1953; February 20, 1953; March 3, 1953; March 30, 1954; April 19, 1954; November 28, 1961; 5 undated.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nLaurence Vail Coleman to Gardner and Vail Read.
\n6 letters. Ink MS; signed by Laurence Vail Coleman. Dates: September 16, 19xx; May 20, 19xx; February 12, 1947; May 2, 1949; March 2, 1957; January 24, 1971.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nDavid Cope to Gardner Read.
\n13 letters (11 typescript and 2 ink MS); signed in ink by David Cope. Dates: July 24, 1968; November 24, 1971; January 7, 1973; November 4, 1973; December 20, 1973; January 17, 1974; February 2, 1974; March 3, 1974; July 8, 1974; December 8, 1974; July 31, 1974; March 22, 1976; 1 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 25<\/strong><\/td>\nDavid Craighead to Gardner Read.
\n26 letters (15 typescript and 11 ink MS); signed in ink by David Craighead. Dates: December 1, 1957; September 6, 1959; November 16, 1960; May 23, 1961; September 24, 1961; March 11, 1962; June 22, 1962; January 3, 1961; December 9, 1962; April 5, 1963; August 5, 1975; May 2, 1976; October 10, 1976; December 24, 1976; January 23, 1977; May 21, 1977; July 3, 1977; May 12, 1978; September 16, 1978; February 4, 1979; June 7, 1980; August 4, 1980; October 30, 1984; March 16, 1986; March 6, 1990; August 26, 1990.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nPeter Crisafulli to Gardner Read.
\n10 letters (4 typescript and 6 ink MS); signed in ink by Peter Crisafulli. Dates: July 17, 1986; October 1, 1986; December 31, 1986; January 7, 1987; May 1, 1987; March 12, 1987; July 23, 1987; June 16, 1988; July 20, 1988; December 30, 1988.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nMary Cromwell to Gardner Read.
\n7 letters (3 typescript and 4 ink MS); signed in ink by Cromwell. Dates: May 30, 1939; June 21, 1939; December 30, 1939; February 5, 1940; Rome 25\/39 [sic]; 2 undated.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nGeorge Crumb to Gardner Read.
\n5 letters (2 typescript and 3 ink MS); signed in ink by George Crumb. Dates: November 24, 1974; February 12, 1976; August 7, 1980; May 26, 1991; June 18, 1995.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 29<\/strong><\/td>\n\u201cD\u201d (71 documents present).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 30<\/strong><\/td>\nFitzroy Davis to Gardner Read.
\n14 letters (5 typescript and 6 ink MS); signed in ink by Fitzroy Davis. Dates: September 25, 19xx; January 7, 19xx; April 26, 1948; 11 undated. Accompanied by a transcript of an interview with actor Sam Jaffe, conducted by Fitzroy Davis. Typescript; annotated in ink, pencil and colored pencil. 7 pages. Also accompanied by 2 pages, numbered 39 and 40, extracted from a larger unidentified document. Typescript; corrections in red ink and pencil.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nNellie-Bond Dickinson to Gardner Read.
\n5 letters and 2 greeting cards. Ink MS; signed in ink by Nellie-Bond Dickinson. Dates: March 8, 1942; May 26, 1942; September 1, 1942; October 28, 1942; December 17, 1980; December 1990; June 10, 1991; June 11, 1992.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nNorman Dinerstein to Gardner Read.
\n9 letters. Typescript; signed in ink by Norman Dinerstein. Dates: September 30,1969; May 6, 1980; September 15, 1980; December 3, 1980; January 9, 1981; January 27, 1981; April 30, 1981; June 3, 1981; September 14, 1981.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 33<\/strong><\/td>\nMary Ann Dodd to Gardner and Vail Read.
\n38 letters; typescript; signed in ink by Mary Ann Dodd.\u00a0 11 greeting cards and postcards; ink MS.\u00a0 Dates: May 20, 1990; November 8, 1990; December 11, 1990; January 20, 1991; November 3, 1991; July 11, 1992; August 6, 1992; August 25, 1992; September 9, 1992; September 16, 1992; January 15, 1993; March 19, 1993; April 2, 1993; April, 4, 1993; June 14, 1993; July 27, 1993; August 29, 1993; September 13, 1993; December 1, 1993; March 31, 1996; June 26, 1996; August 6, 1996; August 8, 1996; November 7, 1996; July 10, 1997; August 15, 1997; November xx, 1997; April 6, 1998; June 16, 1998; November 5, 1998; October 4, 1998; January 8, 1999; June 3, 1999; July 12, 1999; October 21, 1999; October 20, 1999; July 21, 2000; January 25, 2001; April 2, 2001; June 1, 2001; December 28, 2001; November 15, 2002; January 16, 2003; February 2, 2003; December 22, 2003; 2 undated.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nElena Dubinets to Gardner Read.
\n7 letters; 6 typescript, 1 ink MS.\u00a0 1 greeting card; ink MS.\u00a0 Dates: April 19, 1996; December xx, 1999; January 6, 2000; December 12, 2000; 4 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 35<\/strong><\/td>\nVirginia Dulanski to Gardner Read.
\n50 letters (40 typescript and 10 ink MS); signed in ink by Virginia Dulanski. Dates: March 8, 1954; March 13, 1955; April 18, 1955; May 10, 1955; May 12, 1955; June 14, 1955; July 24, 1955; September 28, 1955; October 17, 1955; November 23, 1955; December 19, 1955; June 26, 1956; August 14, 1956; February 24, 1957; March 7, 1957; April 1, 1957; May 22, 1957; May 31, 1957; September 6, 1957; December 2, 1957; March 14, 1958; November 4, 1958; April 23, 1959; May 17, 1959; December 21, 1959; December 19, 1963; April 15, 1964; July 9, 1964; October 4, 1964; April 21, 1965; July 30, 1965; January 17, 1966; May 14, 1967; March 2, 1968; February 11, 1968; March 30, 1970; April 23, 1972; March 6, 1980; July 22, 19xx; 2 undated greeting cards.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 36<\/strong><\/td>\n\u201cE\u201d (37 documents present).<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nDavid Eddleman to Gardner and Vail Read.
\n27 letters; typescript; signed in ink by David Eddleman.\u00a0 3 greeting cards; ink MS.\u00a0 Dates: August 17, 1972; February 8, 1973; December 19, 1973; January 14, 1974; February 12, 1974; Fe3bruary 26, 1974; April 5, 1976; March 31, 1977; August 5, 1977; March 13, 1978; November 10, 1980; November 14, 1986; May 27, 1987; January 23, 1989; July 13, 1992; May 11, 1995; March 3, 1997; September 9, 1999; March 11, 2000; December 28, 2001; December 10, 2002; 8 undated.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nJayson Rod Engquist to Gardner and Vail Read.
\n5 letters (1 typescript and 4 ink MS); signed in ink by Jayson Rod Engquist.\u00a0 3 greeting cards; ink MS.\u00a0 Dates: January 2, 1995; January 17, 1995; March 6, 1995; April 22, 1995; May 10, 1996; June 5, 1997; December 29, 1998;\u00a0 January 1, 2001.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 39<\/strong><\/td>\nRobert Elmore to Gardner Read.
\n6 letters (5 typescript and 1 ink MS); signed in ink by Robert Elmore. Dates: April 3, 1941; September 17, 1941; October 6, 1942; October 26, 1942; January 17, 1944; March 20, 1944.<\/td>\n<\/tr>\n
folder 40<\/strong><\/td>\nJayson Rod Engquist to Gardner and Vail Read.
\n5 letters (1 typescript and 4 ink MS); signed in ink by Jayson Rod Engquist. 3 greeting cards; ink MS. Dates: January 2, 1995; January 17, 1995; March 6, 1995; April 22, 1995; May 10, 1996; June 5, 1997; December 29, 1998; January 1, 2001.<\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\nGordon Epperson to Gardner Read.
\n5 letters. Typescript; signed in ink by Gordon Epperson. Dates: May 16, 1955; August 1, 1957; October 8, 1959; September 25, 1960; October 18, 1960.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 42<\/strong><\/td>\n\u201cF-1\u201d (65 documents present)<\/td>\n<\/tr>\n
folder 43<\/strong><\/td>\nRonald L. Feldman to Gardner Read.
\n5 letters.\u00a0 Ink MS.\u00a0 Dates: November 5, 19xx; June 29, 19xx; January 22, 19xx; August 7, 19xx; April 5, 19xx.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 44<\/strong><\/td>\nFrederick Fennell to Gardner Read.
\n14 letters (8 typescript and 6 in MS); signed in ink by Frederick Fennell. Dates: February 22, 1940; May 6, 1940; February 11, 1941; May 17, 1942; April 22, 1947; September 15, 1947; January 22, 1948; January 26, 1948; December 2, 1957; June 7, 1960; June 13, 19xx; August 2, 19xx; 2 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 45<\/strong><\/td>\nD\u2019Anna Forunato to Gardner and Vail Read.
\n10 greeting cards, 1 postcard, and 3 letters.\u00a0 Ink MS.\u00a0 Dates: March 15, 19xx; February 19, 19xx; July 31, 19xx; December 19, 19xx; February 26, 19xx; October 8, 19xx; May 30, 19xx; June 26, 19xx; May 2, 19xx; 5 undated.\u00a0 Also includes letter from Vail Read to D\u2019Anna Fortunato; typescript; never mailed.\u00a0 Date: September 21, 1998.<\/td>\n<\/tr>\n
folder 46<\/strong><\/td>\nJames and Louise Forsyth to Gardner and Vail Read.
\n22 letters (12 typescript and 10 ink MS); signed in ink by James and\/or Louise Forsyth.\u00a0 2 postcards and 3 greeting cards.\u00a0 Dates: June 26, 1961; January 18, 1962; March 7, 1962; October 14, 1962; February 11, 1963; March 30, 1963; June 10, 1963; July 30, 1963; August 25, 1963; November 18, 1963; December 8, 1963; January 9, 1964; April 24, 1964; May 28, 1964; February 1, 1982; April 5, 1982; March 11, 1994; March 20, 1994; April 17, 1994; February 7, 1995; 18 May, 1995; August 20, 1996; May 17, 2001; 3 undated.\u00a0 Includes order form for \u201cBack to the Barn,\u201d addressed to Gardner and Vail Read from Peter Searl, Jill Dutton, and R. A. Heavens; August 1985.\u00a0 Also includes letter to Mary Ann Dodd from James Forsyth; August 20, 1996.\u00a0 Also includes release form signed by James Forsyth to University of Illinois University Press, which gives the latter permission to quote from letters the former wrote to Gardner Read; April 24, 2001.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 47<\/strong><\/td>\n\u00a0Lukas Foss to Gardner Read.
\n7 letters (1 typescript and 6 in MS); signed in ink by Lukas Foss. Dates: October 16, 1947; October 20, 1949; March 27, 10028 [sic]; April 4, 1980; June 22, 19xx; October 6, 19xx; 1 undated.<\/td>\n<\/tr>\n
folder 48<\/strong><\/td>\nFaith Yost France to Gardner Read.
\n5 letters. Ink MS; signed by Faith Yost France. Dates: March 4, 1948; October 2, 1975; 3 undated.<\/td>\n<\/tr>\n
folder 49<\/strong><\/td>\nIsadore Freed to Gardner Read.
\n9 letters (8 typescript and 1 ink MS); signed in ink by Isadore Freed. Dates: August 22, 1954; March 12, 1955; May 10, 1955; December 4, 1955; January 11. 1957; April 20, 1957; November 5, 19xx, November 25, 19xx; December 20, 19xx.<\/td>\n<\/tr>\n
folder 50<\/strong><\/td>\nHerbert Fromm to Gardner Read.
\n15 letters (12 typescript and 3 ink MS); signed in ink by Herbert Fromm. Dates: July 20, 1954; December 1, 1954; March 23, 1957; April 27, 1957; August 8, 1957; April 14, 1958; May 24, 1962; November 3, 1962; May 15, 1967; January 2, 1973; January 2, 1974; August 8, 1980; August 8, 1987; August 19, 1990; December xx, 1992.<\/td>\n<\/tr>\n
folder 51<\/strong><\/td>\nBernice Frost to Gardner Read.
\n10 letters. Typescript; signed in ink by Bernice Frost. Dates: September 23, 1961; October 5, 1961; October 16, 1961; November 13, 1961; December 2, 1961; December 16, 1961; June 29, 1962; February 8, 1964; February 18, 1964; January 28, 1967.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 52<\/strong><\/td>\n\u201cG\u201d (38 documents present).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 53<\/strong><\/td>\nGottfried Galston to Gardner Read.
\n5 letters. Ink MS; signed by Gottfried Galston. Dates: October 11, 1943; September 8, 1944; March 3, 1945; July 1, 1945; September 20, 1945. Accompanied by a drawing; signed in ink by Gottfried Galston.<\/td>\n<\/tr>\n
folder 54<\/strong><\/td>\nPhilip Gehring to Gardner Read.
\n6 letters. Typescript; signed in ink by Philip Gehring. Dates: March 26, 1959; April 4, 1960; July 28, 1964; January 21, 1965; January 2, 1968; April 6, 1976.<\/td>\n<\/tr>\n
folder 55<\/strong><\/td>\nIrene and Karl Geiringer to Gardner Read.
\n2 letters and 2 postcards. Ink MS; signed by Irene and Karl Geiringer. Dates: September 17, 1951; September 18, 1957; February 16, 1963, 1 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 56<\/strong><\/td>\n\u201cGlovsky.\u201d\u00a0 Helen R. Potter to Gardner Read.
\n1 letter.\u00a0 Typescript; signed in ink by Helen R. Potter.\u00a0 Also includes document titled \u201cAssets,\u201d written by Gardner Read; pencil MS.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 57<\/strong><\/td>\nVladimir Golschmann to Gardner Read.
\n9 letters (8 typescript and 1 ink MS); signed in ink by Vladimir Golschmann. Dates: October 30, 1942; March 23, 1943; October 29, 1943; February 11, 1944; May 9, 1944; September 14, 1944; April 15, 1948; February 26, 1967; December 5, 1967.<\/td>\n<\/tr>\n
folder 58<\/strong><\/td>\nJack C. Goode to Gardner Read.
\n7 letters. Typescript; signed in ink by Jack C. Goode. Dates: June 6, 1944; December 8, 1948; July 21, 1950; October 7, 1955; November 28, 1955; 2 undated.<\/td>\n<\/tr>\n
folder 59<\/strong><\/td>\nPercy Grainger to Vail Read.
\n2 letters (1 typescript and 1 ink MS); signed in ink by Percy Grainger. Dates: November 5, 1937; January 4, 1938.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 60<\/strong><\/td>\n\u201cH\u201d (82 documents present)<\/td>\n<\/tr>\n
folder 61<\/strong><\/td>\n\u201cHannis\/Peitz.\u201d\u00a0 Jennifer and Paul to Gardner and Vail Read.
\n6 letters (3 typescript and 1 ink MS); signed in ink by Jennifer and\/or Paul.\u00a0 17 cards; ink MS.\u00a0 Dates: January 20, 1990; February 4, 1990; January 27, 1993; January 17, 1995; May 14, 19xx; March 15, 1995; February 18, 1999; August 7, 1995; August 25, 19xx; January 29, 1996; November 3, 1997; March 8, 1998; October 5, 19xx; January 2, 1999; October 27, 1999; March 30, 1999 (includes picture dated February 1999); January 2, 2000; May 29, 2001; December xx, 2001; 3 undated.<\/td>\n<\/tr>\n
folder 62<\/strong><\/td>\nBarbara Harbach to Gardner and Vail Read.
\n10 letters (2 typescript and 8 ink MS); signed in ink by Barbara Harbch.\u00a0 2 cards; ink MS.\u00a0 Dates: October 31, 19xx; May 10, 19xx; November 6, 19xx; May 5, 1990; January 8, 1991; March 25, 19xx; October 13, 1993; May 21, 1995; March 4, 1996; March 21, 1998; 2 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 63<\/strong><\/td>\nHoward Hanson to Gardner Read.
\n21 letters. Typescript; signed in ink by Howard Hanson. Dates: October 14, 1941; October 3, 1942; January 23, 1943; November 27, 1943; March 15, 1944; December 19, 1944; April 13, 1945; October 18, 1946; December 24, 1946; April 19, 1948; May 27, 1948; November 15, 1950; August 4, 1952; May 26, 1953; March 8, 1954; July 12, 1954; February 7, 1956; November 25, 1957; January 6, 1958; November 17, 1958; April 29, 1959.<\/td>\n<\/tr>\n
folder 64<\/strong><\/td>\nJoseph Hayes to Gardner Read.
\n37 letters (7 typescript and 30 ink MS); signed in ink by Joseph Hayes. Dates: November 2, 1951; March 21 , 1953; February 21, 1954; June 5, 1954; February 8, 1955; November 18, 1955; August 18, 1963; March 11, 1964; April 7, 1964; September 28, 1964; January 30, 1966; December 18, 1966; June 11, 1968; July 30, 1968; May 24, 1969; June 22, 1969; November 19, 1969; August 30, 1970; January 28, 1971; May 8, 1971; January 10, 1972; March 4, 1973; January 16, 1974; May 4, 1974; November 24, 1975; December 25, 1977; December 9, 1982; December 18, 1984; March 25, 1987; January 29, 1988; December 30, 1989; May 21, 1991; December 14, 1991; July 7, 1992; November 17, 1994; May 29, 19xx; 2 undated. Accompanied by a letter from Joseph Hayes to Erich Kunzel, dated April 23, 1991. Typescript. 1 page. Also accompanied by a letter from Erich Kunzel to Joseph Hayes, dated May 15, 1991. Typescript; signed in ink by Erich Kunzel. 1 page. Also accompanied by a photograph of Alan Gardner Hayes at the Manistique Music Camp, 1977. Also accompanied by a page extracted from a newsletter for the Center for Creative Studies, Detroit, Michigan, that features a photograph of Joseph Hayes.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 65<\/strong><\/td>\nJoan Heller to Gardner and Vail Read.
\n8 letters (3 typescript and 5 ink MS); signed in ink by Joan Heller. 10 cards; ink MS.\u00a0 Dates: July 9, 1980; December 80, 19xx; August 29, 1981; October 14, 1983; April 14, 1984; December 14, 1984; March 7, 1985; April 17, 1985; April 26, 1985; June 3, 1985; March 14, 1990; April 6, 1991; March 17, 1996; June 19, 1997; July 9, 1998; January 31, 1999; July 20, 1999; December 2001.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 66<\/strong><\/td>\nJohn (Jack) Howe to Gardner and Vail Read.
\n8 letters (3 typescript and 5 in MS); signed in ink by John Howe. Dates: April 30, 1963; August 18, 1965; June 22, 1971; May 7, 1976; June 19, 1980; October 31, 1980; July 31, 1982; November 24, 1986.<\/td>\n<\/tr>\n
folder 67<\/strong><\/td>\nGeorge Hoyen to Gardner Read.
\n20 letters (17 typescript and 3 ink MS); signed in ink by George Hoyen. Dates: November 14, 1937; January 11, 1938; September 16, 1938; December 5, 1938; August 21, 1939; October 30, 1939; December 14, 1939; January 29, 1941; May 27, 1941; June 16, 1941; September 14, 1941; October 25, 1941; January 28, 1946; February 21, 1946; January 13, 1947; September 22, 1947; March 30, 19xx; Washington\u2019s Birthday, 19xx; Tuesday Evening \u2013 10 p.m. [sic], 19xx.<\/td>\n<\/tr>\n
folder 68<\/strong><\/td>\nKarel Husa to Gardner Read.
\n7 letters (3 typescript and 4 ink MS); signed in ink by Karel Husa. Dates: August 16, 1973; October 4, 1973; April 10, 1980; March 13, 1982; November 29, 1986; October 24, 1991; February 9, 1992.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 69<\/strong><\/td>\n\u201cI\u201d (10 documents present)<\/td>\n<\/tr>\n
folder 70<\/strong><\/td>\n\u201cJ\u201d (15 documents present)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 71<\/strong><\/td>\nEmily Dillon Jackson to Gardner Read.
\n6 letters. Ink MS; signed by Emily Dillon Jackson. Dates: December 13, 1951; February 28, 1957; October 8, 1962; March 1, 1964; September 27, 1965; October 7, 1967.<\/td>\n<\/tr>\n
folder 72<\/strong><\/td>\nPhilip James to Gardner Read.
\n4 letters. Ink MS; signed by Philip James. Dates: December 17, 1949; April 25, 1952; October 25, 1958; August 29, 1966.<\/td>\n<\/tr>\n
folder 73<\/strong><\/td>\nJim Jones to Gardner Read.
\n5 letters. Typescript; signed in ink by Jim Jones. Dates: May 12, 1966; August 15, 1967; December 5, 1967; June 25, 1972; February 23, 1973.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\n\u201cK-1\u201d (57 documents present)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 2<\/strong><\/td>\nLouis Kaufman to Gardner Read.
\n25 letters (8 typescript and 17 ink MS); signed in ink by Louis Kaufman. Dates: April 30, 1945; May 30, 1945; June 29, 1945; October 12, 1945; November 24, 1945; December 18, 1945; March 22, 1946; March 30, 1946; May 15, 1946; May 4, 1947; June 15, 1947; January 14, 1949; August 8, 1949; January 3, 1950; December 19, 1950; September 7, 1960; April 22, 1965; November 12, 1967; September 3, 1980; March 28, 1985; June 14, 1989; March 9, 1990; March 3, 1992; February 23, 1993; 1 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 3<\/strong><\/td>\nKent Kennan to Gardner Read.
\n30 letters (21 typescript and 8 ink MS); signed in ink by Kent Kennan.\u00a0 1 greeting card; ink MS.\u00a0 Dates: January 9, 1935; May 11, 19xx; June 20, 1937; March 12, 1939; November 5, 1939; December 16, 1939; December 17, 1953; February 4, 1968; February 1, 1969; June 1, 1970; May 27, 1971; June 26, 1971; October 8, 1971; January 23, 1972; April 8, 1972; January 21, 1973; November 2, 1975; June 16, 1981; November 1, 1982; November 23, 1987; December 30, 1989; June 22, 1992; September 19, 1993; May 22, 1995; March 16, 1996; June 27, 1997; July 8, 1998; May 13, 1998; March 13, 1998; 1 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 4<\/strong><\/td>\nEdward F. Kennedy; National Archives and Records Administration to\/from Gardner Read
\nDocuments concerning Gardner Read\u2019s efforts to obtain a copy of a documentary video (1963) made by the United States Information Agency. Documents include: — A letter from Gardner Read to Senator Edward Kennedy, January 20, 2000. Repro of a typescript signed in ink. 1 page. — 3 letters to Gardner Read from Senator Edward Kennedy. Typescript; signed in ink. Dates: March 23, 2000; April 25, 2000; July 24, 2000. \u2013 A letter from Gardner Read to the Motion Picture, Sound and Video Branch of the National Archives at College Park, August 1, 2000. Typescript; signed in ink. 1 page. — Form letter from the National Archives and Records Administration (NARA) to Gardner Read, August 3, 2000. 2 pages. — Fax transmittal cover sheet from the International Broadcasting Bureau. 1 page. — Repro of NARA Certification statement signed by Gardner Read, August 15, 2000. — Repro of NARA order form. 1 page. — Colorlab Shipping Memo. 1 page.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 5<\/strong><\/td>\nFrederick Koch to Gardner Read.
\n5 letters. Typescript; signed in ink by Frederick Koch. Dates: February 21, 1954; April 17, 1963; May 8, 1984; June 20, 1984; July 28, 1984.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nDavid Koo to Gardner Read.
\n6 letters (5 typescript and 1 ink MS); signed in ink by David Koo. Dates: February 28, 1962; March 4, 1962; April 21, 1963; April 10, 1968; October 26, 1968; November 2, 1972. Accompanied by a document titled \u201cAnalysis of the Symphonic Poem, \u2018The Morning Breaks the Darkness\u2019\u201d. (Presumably mailed to Gardner Read on March 3, 1962 as indicated in the letter dated March 4, 1962).Two pages of text in typescript and 2 pages of musical examples in ink.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nBoris Koutzen to Gardner Read.
\n11 letter (1 typescript and 10 ink MS); signed in ink by Boris Koutzen. Dates: October 15, 1954; November 11, 1956; December 8, 1956; April 30, 1957; May 25, 1957; March 16, 1959; November 16, 1959; March 9, 1960; April 18, 19xx; May 13, 19xx; December 24, 19xx.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 8<\/strong><\/td>\nMark Kroll to Gardner and Vail Read.
\n7 letters (2 typescript and 5 ink MS); signed in ink by Mark Kroll.\u00a0 3 greeting cards; ink MS.\u00a0 Dates: April 12, 1984; 9 undated.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\n\u201cL\u201d (55 documents present)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 10<\/strong><\/td>\nJanet Lee to Gardner Read.
\n5 letters (2 typescript and 3 ink MS); signed in ink by Janet Lee. Dates: July 28, 1935; April 26, 1937; August 1, 1937; April 5, 1938; August 24, 1939.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nNikolai Lopatnikoff to Gardner Read.
\n20 letters (6 typescript and 14 ink MS); signed by Nikolai Lopatnikoff. Dates: September 27, 1950; December 16, 1951; May 21, 1954; October 10, 1954; February 1, 1955; February 21, 1955; April 11, 1956; May 5, 1956; October 22, 1956; August 28, 1957; May 14, 1959; February 7, 1960; September 28, 1960; December 8, 1961; January 17, 1962; March 23, 1962; August 9, 1962; December 15, 1965; January 19, 1970; undated: Thursday.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 12<\/strong><\/td>\n\u201cM\u201d (62 documents present)<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n\u201cM-2\u201d (71 documents present)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 14<\/strong><\/td>\nCantrell L. Miller to Gardner Read.
\nTypescript; signed in ink to Gardner Read from Cantrell L. Miller on March 3, 1970.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nFrank Miller to Vail Read.
\nInk MS; signed to Vail Read from Frank Miller. Undated: Wednesday.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nHans Moldenhauer to Gardner Read.
\n9 letters. Typescript; signed in ink by Hans Moldenhauer. Dates: September 27, 1961 (2); October 5, 1961; November 20, 1961; March 1, 1962; March 23, 1962; April 25, 1963; July 4, 1963; July 9, 1963.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nFrederick A. Mueller to Gardner Read.
\n7 letters (5 typescript and 2 ink MS); signed in ink by Frederick A. Mueller. Dates: August 3, 1971; August 16, 1971; August 23, 1971; September 29, 1971; October 9, 1971; October 28, 1971; January 24, 1972. Accompanied by an itinerary, draft program and schedule for Morehead State University\u2019s 1971 American Composers Forum. Typescript; annotated in ink. 4 pages.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nRichard S. Mumford to Gardner Read.
\n5 letters (4 typescript and 1 ink MS); signed in ink by Richard S. Mumford. Dates: October 2, 1989; January 29, 1990; October 31, 1991; December 9, 1992; July 14, 1995.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 19<\/strong><\/td>\n\u201cN\u201d (53 documents present)<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\n\u201cO\u201d (18 documents present)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 21<\/strong><\/td>\nDavid Owens to Gardner Read.
\n6 letters (4 typescript and 2 ink MS); signed in ink by David Owens. Dates: December 4, 1981; January 18, 1982; March 28, 1984; May 5, 1985; August 8, 1987; September 4, 1991.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 22<\/strong><\/td>\n\u201cP\u201d (84 documents present)<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nJanet Packer to Gardner Read.
\n6 letters (1 typescript and 5 ink MS); signed in ink by Janet Packer. 3 cards; ink MS.\u00a0 Dates: September 9, 1989; August 30, 1990; October 31, 1993; November 25, 1996; April 7, 1997; August 5, 1997; January 3, 2001; February 6, 2002; 1 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 24<\/strong><\/td>\nMoshe Paranov to Gardner Read.
\n15 letters. Typescript; signed in ink by Moshe Paranov. Dates: November 25, 1953; April 7, 1954; April 14, 1954; May 12, 1954; March 17, 1955; April 15, 1955; October 18, 1955; May 17, 1956; November 27, 1956; February 5, 1957 (Accompanied by a letter from Peter Mesrobian to Moshe Paranov, January 29, 1957. Typescript; signed in ink by Peter Mesrobian. 1p.); April 14, 1959; May 31, 1962; December 12, 1962; January 13, 1964; May 13, 1964.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nAlvin C. Payne to Gardner Read.
\n7 letters. Typescript; signed in ink by Alvin C. Payne. Dates: January 3, 1943; December 30, 1943; December 29, 1945; December 10, 1946; January 2, 1947; February 17, 1947; July 9, 1949.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nLaura V. Payne to Gardner Read
\n1 letter; January 8, 1951. Typescript; signed in ink by Laura V. Payne.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nJeffrey K. Price to Gardner Read.
\n4 letters, two of which represent commission contracts. Typescript; signed in ink by Jeffrey K. Price and Gardner Read.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nPaul Price to Gardner Read.
\n11 letters in typescript; signed in ink by Paul Price. Dates: February 19, 1960; July 25, 1968; July 7, 1969; July 14, 1969; June 24, 1971; September 6, 1971; January 18, 1972; November 25, 1972; September 3, 1973; March 25, 1974; June 11, 1976.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 29<\/strong><\/td>\n\u201cR\u201d (70 documents present).\u00a0 Includes photograph of two unidentified gentlemen.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 7<\/strong><\/td>\nBernard Rands to Gardner Read. 3 letters. Ink MS. Dates: May 12, 1991; October 29, 1991; s.d.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nMaria Luisa Rangel to Gardner Read. 6 letters. Ink MS. Dates: January 7, 1967; May 16, 1969; June 5, 1969; November 10, 1974; November 4, 1969; June 23, 1976.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nLeonard Raver to Gardner and Vail Read. 124 letters (121 typescript and 23 ink MS); signed in ink by Leonard Raver. Dates:\u00a0 December 22, 1961; February 10, 1962; February 28, 1964; August 14, 1964; November 8, 1964; June 11, 1976; June 30, 1976; October 8, 1976; November 2, 1976; January 4, 1977; January 15, 1977; February 5, 1977; February 21, 1977; March 21, 1977; April 7, 1977; May 8, 1977; June 16, 1977; June 23, 1977; July 9, 1977; September 10, 1977; May 12, 1978; September 13, 1978; October 3, 1978; January 13, 1979; April 20, 1979; May 22, 1979; July 31, 1979; December 3, 1979; May 2, 1980; May 30, 1980; June 23, 1980; September 11, 1980; November 6, 1980; January 17, 1981; January 30, 1981; February 12, 1981; March 15, 1981; March 28, 1981; April 17, 1981; April 30, 1981; June 14, 1981; July 16, 1981; September 6, 1981; October 2, 1981; October 13, 1981; November 25, 1981; December xx, 1981; February 26, 1982; June 4, 1982; July 14, 1982; January 3, 1983; January 30, 1983; March 28, 1983; April 22, 1983; March 8, 1984; May 17, 1984; July 27, 1984; November 17, 1984; January 5, 1985; January 24, 1985; February 25, 1985; August 5, 1985; August 15, 1985; August 27, 1985; November 16, 1985; March 2, 1986; March 20, 1986; April 10, 1986; September 9, 1986; October 13, 1986; October 29, 1986; November 28, 1986; January xx, 1987; January 5, 1987; January 26, 1987; February 24, 1987; March 12, 1987; May 12, 1987; July 7, 1987; September 18, 1987; September 22, 1987; November 4, 1987;\u00a0 November 7, 1987; December 1, 1987; November 17, 1987; December 18, 1987; January 2, 1988; January 9, 1988; January 20, 1988; April 15, 1988; August 3, 1988; August 14, 1988; August 20, 1988; August 31, 1988; September 24, 1988; October 17, 1988; October 27, 1988; December 12, 1988; January 19, 1989; February 23, 1989; March 2, 1989; March 18, 1989; April 22, 1989; June 20, 1989; June 23, 1989; Jul y14, 1989; August 13, 1989; September 26, 1989; December 2, 1989; February 24, 1990; March 18, 1990; April 23, 1990; July 31, 1990; August 20, 1990; December 10, 1990; January 2, 1991; May 13, 1991; July 9, 1991; 6 undated. Accompanied by a page extracted from a program of a performance by Leonard Raver; annotated in ink. No date. Also accompanied by a typescript featuring a drawing in ink and a poem by Eve Triem titled \u201cOrgan with Percussion (for Leonard Raver). 1 page.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 3<\/strong><\/td>\nH. and M. Rayment to the Reads. Ink MS. 1 page. Accompanied by three postcards featuring photographs of Windsor Castle in Berkshire (the first is annotated in ink on the reverse side) and one postcard featuring a photograph of the Royal Family at Balmoral.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 10<\/strong><\/td>\nGardner Read to Vail and Cindy Read. 30 letters (23 typescript and 7 ink MS); signed in ink by Gardner Read. Dates: June 2, 1960; June 5, 1960; June 10, 1960; June 14, 1960; June 18, 1960; June 22, 1960; July 9, 1960; July 21, 1960; July 26, 1960; August 3, 1960; August 10, 1960; August 16, 1960; August 29, 1960; February 2, 1965; February 7, 1965; February 14, 1965; February 24, 1965; March 3, 1965; March 11, 1965; March 16, 1965; March 30, 1965; April 3, 1965 (accompanied by a pencil sketch of Gardner Read\u2019s studio at the Huntington Hartford Foundation); April 8, 1965; April 16, 1965; April 28, 1965; May 6, 1965; May 16, 1965; May 26, 1965; 2 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 4<\/strong><\/td>\nLetitia Hebert Read to Gardner and Vail Read, 9 July 1961. Ink MS. 2 pages.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nVail Read to unknown person(s), 30 September 1961. Typescript. 3 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 11<\/strong><\/td>\nMuriel (Reeves) Ford to Gardner and Vail Read. 25 letters (2 typescript and 23 in MS; signed by Muriel (Reeves) Ford. Dates: August 7, 1932; September 27, 1932; October 17, 1932; January 22, 1933; February 10, 1933; February 25, 1933; March 21, 1933; July 14, 1933; January 13, 1934; March 17, 1934; May 21, 1934; November 23, 1934; January 5, 1935; January 7, 1936; January 5, 1937; March 29, 1934; January 26, 1938; June 1, 1963; September 14, 19xx; 6 undated.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nRoslyn M. Rensch to Gardner Read. 6 letters (5 typescript and 1 ink MS); signed in ink by Roslyn M. Rensch. Dates: May 24, 1949; June 3, 1949; January 18, 1950; April 5, 1952; October 29, 1952; June 1, 19xx.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nRichard Romiti to Gardner and Vail Read. 16 letters (6 typescript and 10 ink MS); signed in ink by Richard Romiti. Dates: February 7, 1976; February 16, 1976; June 23, 1976; June 4, 1977; February 12, 1980; May 5, 1980; August 12, 1980; January 21, 1983; December 10, 1984; December 4, 1984; January 18, 1985; November 27, 1986; April 30, 1987; January 5, 1988; January 26, 1988; February 2, 1988.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nChristopher Rouse to Gardner Read, January 29, 1986. Typescript; signed in ink by Christopher Rouse. 1 page.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 37<\/strong><\/td>\nKlaus G. Roy to Gardner Read.\u00a0 26 letters; typescript; signed in ink by Klaus G. Roy.\u00a0 3 post cards (2 typescript and 1 ink MS); signed in ink by Klaus G. Roy.\u00a0 Dates: June 16, 1950; June 30, 1950; June 11, 1954; January 1, 1984; February 9, 1984; January 18, 1957; January 26, 1957; June 21, 1957; August 15, 1957; April 7, 1958; April 5, 1959; May 14, 1959; June 10, 1959; March 18, 1960; November 16, 1960; February 25, 1962; March 13, 1962; May 22, 1962; May 31, 1962; January 16, 1963; March 23, 1963; April 9, 1963; September 23, 1975; December 19, 1977; May 11, 1979; February 12, 1980; April 25, 1980; October 22, 1980; January 2, 1998.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\n\u201cS-1\u201d (60 documents present)<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\n\u201cS-2\u201d (88 documents present)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 15<\/strong><\/td>\nWilliam Schuman to Gardner Read. 15 letters. Typescript; signed in ink by William Schuman. Dates: March 6, 1957; November 11, 1957; January 24, 1958; October 29, 1959; September 2, 1976 (Accompanied by a repro of W. Schuman\u2019s letter to the National Endowment for the Arts, September 2, 1976); July 18, 1980; August 25, 1980; September 29, 1980; September 23, 1983; June 14, 1984; August 17, 1985; September 12, 1985; January 16, 1986; November 18, 1986; October 13, 1990.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 40<\/strong><\/td>\nMichael B. Shavelson to Gardner Read.\u00a0 6 letters (4 typescript and 2 ink MS); signed in ink by Michael B. Shavelson.\u00a0 Dates: June 19, 1998; May 17, 1999; December 20, 1999; January 10, 2000; March 14, 2000; 1 undated.\u00a0 Accompanied by a copy of a letter from Carlton T. Russell to Michael B. Shavelson; June 15, 2000.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 16<\/strong><\/td>\nVernon Sheffield to Gardner Read. 20 letters (11 typescript and 9 ink MS); signed in ink by Vernon Sheffield. Dates: July 29, 1937; March 18, 1938; March 23, 1938; April 17, 1939; October 6, 1939; January 17, 1940; January 2, 1941; April 23, 1941; June 21, 1941; March 18, 1942; November 22, 1946; December 13, 1969; January 22, 1970; April 10, 1970; May 19, 1970; October 16, 1970; March 1, 1971; March 4, 1974; August 7, 1976; July 1, 1979.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nNicolas Slonimsky to Gardner Read. 11 letters (3 typescript and 8 ink MS); signed in ink by Nicolas Slonimsky. Dates: March 20, 1937; March 11, 1945; February 3, 1952; February 7, 1952 (2); June xx, 1952; December 16, 1952; January 9, 1958; February 26, 1959; April 28, 1963; 1 undated.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nElizabeth Sollenberger to Gardner and Vail Read. 17 letters (9 typescript and 8 ink MS); signed in ink by Elizabeth Sollenberger. Dates: May 2, 1975; April 23, 19xx; July 1, 19xx; August 30, 19xx; September 17, 19xx; November 10, 19xx; 11 undated.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nPaul O. Steg to Gardner and Vail Read. 30 letters (21 typescript and 9 ink MS); signed in ink by Paul O. Steg. Dates: May 21, 1960; August 22, 1960; July 15, 1961; October 18, 1961; April 2, 1962; November 20, 1963; February 3, 1964; March 12, 1964; March 24, 1964; April 6, 1964; May 1, 1964; May 14, 1964; June 26, 1964; November 10, 1964; May 14, 1965; July 30, 1965; February 2, 1966; October 11, 1967; September 28, 1971; October 20, 1971; June 2, 1972; October 4, 1974; November 28, 1976; July 28, 1981; July 21, 1986; November 10, 1986; November 19, 1987; December 4, 1990; January 26, 1993; 1 undated.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nKurt Stone to Gardner and Vail Read. 16 letters. Typescript; signed in ink by Kurt Stone. Dates: March 29, 1965; January 22, 1966; January 2, 1975; October 25, 1975; March 22, 1976; April 1, 1976; August 17, 1979; September 7, 1979; July 8, 1980; November 30, 1980; April 8, 1982; October 13, 1982; November 12, 1982; June 26, 1985; May 21, 1987; January 25, 1988.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nFrederick Swann to Gardner Read. 6 letters. Typescript; signed in ink by Frederick Swann. Dates: March 2, 1971; May 28, 1971; August 17, 1971; November 2, 1971; August 12, 1975; July 12, 1976.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nPeter H. Tanner to Gardner and Vail Read. 11 letters (5 typescript and 6 ink MS); signed in ink by Peter H. Tanner. Dates: November 7, 1975 (Accompanied by a carbon copy of a letter from Vail Read to Peter H. Tanner, December 11, 1975. 1 page); January 26, 1976; January 29, 1980; May 5, 1980; November 26, 1984; December 13, 1984; May 9, 1985; April 10, 1989; October 3, 1989; November 16, 1990; February 17, 1991.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nIra Taxin to Gardner and Vail Read. 19 letters (2 typescript and 17 ink MS); signed in ink by Ira Taxin. Dates: May 22, 1970; March 16, 1971; June 9, 1971; March 15, 1972; May 4, 1972; June 7, 1972; June 18, 1972; December 10, 1972; December 29, 1972; February 8, 1973; December 4, 1973; February 16, 1974; June 14, 1975; September 20, 1975; October 7, 1975; August 23, 1976; January 21, 1980; December 19, 1983; August 21, 1984.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 41<\/strong><\/td>\n\u201cT\u201d (37 documents present)<\/td>\n<\/tr>\n
folder 42<\/strong><\/td>\nRoman Totenberg to Gardner Read.\u00a0 7 letters (4 typescript and 3 ink MS); signed in ink by Roman Totenberg.\u00a0 4 cards; ink MS.\u00a0 Dates: September 30, 1956; January 23, 1973; October 22, 1973; December xx, 1981; March 14, 19xx; February 7, 1988; August 2x, 1995; April 7, 1996; September 15, 1996; 2 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 24<\/strong><\/td>\nBertram Turetzky to Gardner Read. 5 letters. Ink MS; signed by Bertram Turetzky. Dates: March 5, 1979; May 8, 1979; November 28, 19xx; 2 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 43<\/strong><\/td>\n\u00a0 \u201cU\u201d (17 documents present).\u00a0 Includes correspondences with faculty and administration at various universities.<\/td>\n<\/tr>\n
folder 44<\/strong><\/td>\n\u00a0\u201cV\u201d (15 documents present)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 25<\/strong><\/td>\nDavid and Ginger Van Vactor. 8 letters (7 typescript and 1 ink MS); signed in ink by David and Ginger Van Vactor. Dates: July 21, 1945; February 1, 1946; June 6, 1946; January 13, 1947; February 3, 1947; August 6, 1948; August 20, 1948; November 9, 1948.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 45<\/strong><\/td>\nAurelio de la Vega to Gardner Read.\u00a0 12 letters (1 typescript and 11 ink MS); signed in ink by Aurelio de la Vega.\u00a0 \u00a02 cards; ink MS.\u00a0 Dates: June 26, 1968; April 11, 1973; January 5, 1975; July 18, 1976; May 21, 1979; September 21, 1980; November 7, 1980; July 23, 1983; June 8, 1984; November 15, 1984; February 14, 1989; December xx, 1995; March 29, 1996; 1 undated.<\/td>\n<\/tr>\n
folder 46<\/strong><\/td>\nElizabeth Vercoe to Gardner (and Vail) Read.\u00a0 18 letters (10 typescript and 8 ink MS); signed in ink by Elizabeth Vercoe.\u00a0 9 cards, ink MS.\u00a0 Dates:\u00a0 May 17, 19xx; March 13, 19xx; July 18, 19xx; March 3, 19xx; February 6, 1979; October 18, 1979; April 30, 1980; May 24, 1980; Wednesday 17, 19xx; October 16, 1981; December 10, 1983; January 29, 1989; December 27, 19xx; March 2, 1984; March 18, 1984; September 17, 1990; December 8, 1990; March 18, 1993; October 14, 1991; December 17, 2001; July 8, 1998; September 22, 19xx; July 23, 2002; December 28, 2002; February 2, 2004; 2 undated. \u00a0Includes copy of letters from Vail Read to Elizabeth Vercoe; 2 typescript and 1 MS.\u00a0 Dates:\u00a0 November 26, 1981; May 10, 1989; October 8, 1993.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 26<\/strong><\/td>\nCara Verson to Gardner Read. 13 letters. Ink MS; signed by Cara Verson. Dates: October 30, 1939; April 26, 1940; September 28, 1940; June 24, 1941; August 22, 1943; June 3, 1945; September 1, 1946; May 28, 1948; April 20, 1948; August 21, 1948; March 31, 1949; September 28, 1949; December 27, 1949.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 47<\/strong><\/td>\n\u201cW-1\u201d (69 documents present)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 27<\/strong><\/td>\nJames Wade to Gardner Read. 9 letters. Typescript; signed in ink by James Wade. Dates: May 24, 1962; August 1, 1962; June 13, 1963; November 20, 1963; December 5, 1963; October 23, 1966; January 17, 1967; April 17, 19xx; November 13, 19xx.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nPaul W. Whear to Gardner Read. 25 letters. Typescript; signed in ink by Paul W. Whear. Dates: January 9, 1953; March 16, 1954; May 29, 1957; October 30, 1961; December 19, 1961; May 26, 1962; June 14, 1962; September 27, 1962; April 12, 1963; October 14, 1963; November 30, 1964; May 10, 1965; July 18, 1965; September 16, 1965; April 23, 1966; July 29, 1968; December 27, 1969; January 14, 1970; April 7, 1970; June 21, 1971; May 12, 1972; December 28, 1972; April 14, 1975; May 16, 1975; October 1, 1976.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nRaymond Wilding \u2013 White to Gardner Read. 5 letters (4 typescript and 1 ink MS); signed in ink by Raymond Wilding \u2013 White. Dates: January 1, 1968; December 26, 1968; December 11, 1970; June 2, 1975; August 17, 1975.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nCharles H. Wiley to Gardner Read. 7 letters (6 typescript and 1 ink MS); signed in ink by Charles H. Wiley. Dates: November 18, 1946; July 12, 1947; August 17, 1947; April 15, 1950; June 5, 1951; February 7, 1953; May 20, 1957.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nMimi Young to Gardner, Vail and Cindy Read. 14 letters (10 typescript and 4 ink MS); signed in ink by Mimi Young. Dates: July 24, 1949; June 25, 1951; December 5, 1951; February 6, 1952; March 7, 1952; April 10, 1952; May 4, 1952; July 23, 1952; August 30, 1952; September 16, 1952; November 9, 1953; December 28, 1977; June 13, 1989; July 15, 1989.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 48<\/strong><\/td>\n\u201cY\u2013Z\u201d (7 documents present)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 32<\/strong><\/td>\nLetters to Letitia Herbert Read in response to her appeals for financial aid to cover Gardner Read\u2019s expenses at the Eastman School of Music. 24 letters (19 typescript and 5 ink MS); signed in ink. Dates: September 21, 1933; October 17, 1933; October 20, 1933 (2); November 1, 1933; November 7, 1933; November 27, 1933; December 12, 1933 (2); December 14, 1933; January 13, 1934; September 11, 1934; September 17, 1934; December 10, 1934; January 11, 1935; January 17, 1935; January 28, 1935; February 14, 1935; April 11, 1935; August 21, 1935; December 9, 1935; December 19, 1935; February 19, 1936; 1 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 49<\/strong><\/td>\nRead family Christmas letters.\u00a0 Copies of annual letters sent from Gardner, Vail, and Cindy Read to their friends.\u00a0 Typescript; signed in ink by Gardner, Vail, and Cindy Read.\u00a0 Dates range from 1959 to 2002.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1717616892151{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-sub-series 2: Professional Correspondence<\/em>[\/vc_column_text][vc_custom_heading text=”Box 54″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1717616919838{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nAlbany Records: Letters, Contracts.\u00a0 26 documents pertaining to recordings of Gardner Read\u2019s music under the Albany Records label.\u00a0 Includes correspondences with artists who performed Read\u2019s works.\u00a0 Dates: Accompanied by Royalty Statements from 2002, 2003, and 2004.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nAlbany Records: Royalties.\u00a0 Mechanical license agreement, mechanical royalty statements<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nAmerican Music Center: Letters.\u00a0 4 letters from various board members of the American Music Center.\u00a0 Typescript; signed in ink.\u00a0 Dates: October 15, 1950; March 7, 1960; November 18, 1965; May 21, 2001.\u00a0 Accompanied by \u201cAgreement of Deposit\u201d and document outlining basic information about the American Music Center Collection.\u00a0 Also accompanied by print out of Read works that were held by the American Music Center on February 18, 1999.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nArs Millenium.\u00a0 1 letter from William Cipkala to Gardner Read.\u00a0 Typescript; signed in ink by William Cipkala.\u00a0 November 28, 1997.\u00a0 Accompanied by Ars Millennium\u2019s Mission Statement.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nThe Art of Song CD (Albany).\u00a0 Documents include: — CD liner notes; typescript and pencil MS; 7 pages.\u00a0 \u2013 CD Budget; typescript; 1 page.\u00a0 \u2013 Cancelled checks and invoices from D\u2019Anna Forunato, John MacDonald, Anne Black, William P. Wolk, Clare Nielsen, Rebecca Leonard, Jonathan Wyner (M Works, Inc.), Melia Anna Repko, and Albany Records.\u00a0 \u2013 Card from D\u2019Anna Fortunato to Gardner Read; ink MS; November 2, 19xx.\u00a0 \u2013 Copy of letter from Gardner Read to Susan Bush (Albany Records); typescript.\u00a0 Date: August 27, 1998.\u00a0 \u2013 5 letters from artists on The Art of Song CD to Gardner Read (1 typescript and 4 ink MS).\u00a0 Dates: October 4, 1999; October 12, 1998; October 13, 1998; November 18, 1998; 1 undated.\u00a0 \u2013 Copy of completed CD booklet; typescript; 8 pages (11.5 x 17).\u00a0 \u2013 Draft of CD booklet; typescript with corrections in colored pencil; 7 pages (8.5 x 11); first page is missing, and a photocopied page of Gardner Read\u2019s entry in A Singer\u2019s Guide to the American Art Song<\/em> appears instead.\u00a0 \u2013 Copy of recording log for recording sessions held on October 1, 1998 through October 3, 1998 at Saint Paul\u2019s Episcopal Church, Brookline, MA.\u00a0 \u2013 Copies of 4 unanswered letters sent by Gardner Read to various music publishers seeking permission to record his works; typescript.\u00a0\u00a0 Dates: January 26, 1998; January 27, 1998 (three letters).\u00a0 \u2013 Royalty statements from 1st<\/sup> and 2nd<\/sup> quarter 2002; 2 pages.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nASCAP contracts.\u00a0 Documents include: — Agreements between Gardner Read and ASCAP for 1941\u2013 1965, 1966\u20131975, 1976\u00ad\u20131985, 1986\u00ad\u20131995, 1996\u2013 (original and photocopy); typescript; signed in ink by Gardner Read and an officer of ASCAP.\u00a0 \u2013 ASCAP-ACA survey; typescript with ink annotations.\u00a0 Date: \u00a0July 13, 1942.\u00a0 \u2013 Television agreement; typescript; signed in ink by Gardner Read and the president of ASCAP.\u00a0 Date: December 31, 1948.\u00a0 \u2013 Television Performing Rights Agreements; typescript; signed in ink by Gardner Read and the president of ASCAP.\u00a0 Dates: October 25, 1949; December 31, 1961.\u00a0 \u2013 Copy of Record of the Unpublished Works of Gardner Read; typescript; 8 pages. \u00a0\u2013 Letter from Marilyn Bergman, President and Chairman of the Board to members of ASCAP concerning rule changes; typescript.\u00a0 Date: November 20, 1995.\u00a0 \u2013 Document \u201cRegulation Governing the Sale of Deceased Writer\u2019s Royalities;\u201d typescript; 1 page. \u2013 Various ASCAP publications.\u00a0 \u2013 Print out of title registrations received as of April 2, 1997.\u00a0 Blank \u201cNotification of Performance\u201d and \u201cTitle Registration\u201d forms. \u2013 Letter from ASCAP Awards Panel to Gardner Read; typescript.\u00a0 Date: May 24, 2002.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nASCAP letters.\u00a0 Documents include: — 8 award-notification letters from ASCAP to Gardner Read; typescript.\u00a0 Dates: December 5, 1995; June 3, 1996; May 30, 1997; June 12, 1998; June 3, 1999; June 1, 2000; June 1, 2001; May 23, 2003.\u00a0 \u2013 2 letters from Frances Richard to Gardner Read; typescript; signed in ink by Frances Richard.\u00a0 Dates: January 1, 1998; January 1, 2003.\u00a0 \u2013Letter from Renita Henry to Gardner Read; typescript; signed in ink by Renita Henry.\u00a0 Date: November 28, 2001.\u00a0 \u2013 Various ASCAP publications and print-outs from webpage \u201cACE on the Web.\u201d<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nASCAP: Royalties 2001\u2013.\u00a0 30 royalty statements; typescript.\u00a0 Dates range from January 11, 2001 to November 20, 2003.\u00a0 Accompanied by tax forms from 2001 and 2002.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 9<\/strong><\/td>\nASCAP documents. Radio performance records, television performance records and royalty reports from concert performances from 1949 to 1980.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nASCAP documents. Radio performance records, television performance records and royalty reports from concert performances from 1981 to 2000.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nASCAP correspondence. 34 letters from various officers of the ASCAP organization. Typescript; signed in ink. Dates: June 11, 1945; April 2, 1945; December 12, 1945; November 27, 1946; January 20, 1947; December 1, 1949; January 26, 1951; April 9, 1951; February 2, 1953; February 20, 1953; July 16, 1956; December 31, 1957; December 10, 1958; February 19, 1960; May 20, 1960; October 15, 1964; August 10, 1965; August 4, 1966; November 30, 1966; January 31, 1967; June 5, 1973; March 28, 1974; December 10, 1963; August 25, 1980; September 9, 1980; October 22, 1980; January 1, 1987; May 27, 1988; January 30, 1990; March 23, 1990; July 17, 1991; January 1, 1993; December 27, 1993; June 2, 1995. Accompanied by ASCAP surveys for 8 of Gardner Read\u2019s compositions, Opus nos. 26, 29a, 30, 34a, 41, 43, 48 and 54. 2 pages each. Also accompanied by two contracts signed by Gardner Read. Typescript; signed in ink. Dates: October 1, 1945 and November 24, 1953.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nAbingdon Press to Gardner Read. 15 letters. Typescript; signed in ink by various officers of Abingdon Press. Dates: February 13, 1962; December 13, 1962; December 27, 1962; January 10, 1964; April 28, 1965; July 19, 1965; November 10, 1965; November 26, 1965; August 23, 1966; February 12, 1968; June 8, 1972; March 30, 1977; July 15, 1977; October 31, 1977; November 11, 1991. Accompanied by 12 royalty statements. Typescript; annotated in pencil. Dates: March 1, 1965; March 1, 1966; March 1, 1967; March 1, 1968; February 28, 1969; February 28, 1970; February 28, 1971; February 28, 1973; February 28, 1974; February 28, 1975; February 28, 1978.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nAllyn and Bacon, Inc. to Gardner Read. 59 letters. Typescript; signed in ink by various officers of Abingdon Press. Dates: February 14, 1962; March 2, 1962; August 15, 1962; November 15, 1962; December 28, 1962; February 19, 1963; June 19, 1963; June 25, 1963; August 21, 1963; August 29, 1963; October 14, 1963; November 8, 1963; December 6, 1963; December 13, 1963; December 17, 1963; December 26, 1963; January 13, 1964; January 23, 1964; February 5, 1964; February 10, 1964; February 28, 1964; March 6, 1964; March 11, 1964; March 27, 1964; March 30, 1964; April 3, 1964; May 18, 1964; June 8, 1964; July 7, 1964; August 17, 1964; August 27, 1964; September 2, 1964; October 8, 1964; January 19, 1965; October 5, 1967; November 13, 1967; December 26, 1967; February 13, 1968; February 16, 1968; February 19, 1968; February 21, 1968; March 19, 1968; June 6, 1968; July 1, 1968; July 15, 1968; August 2, 1968; November 12, 1968; November 14, 1968; March 18, 1969; March 21, 1969; April 2, 1969; July 22, 1969; January 16, 1970; February 6, 1970; June 2, 1970; April 5, 1972; April 24, 1972 (2); February 14, 1973. Accompanied by Allyn and Bacon biannual royalty statements from October 31, 1964 to April 30, 1974. Typescript; annotated in pencil. 23 pages.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nDocuments pertaining to Gardner Read\u2019s participation as a panelist on the standardization of guitar notation at the Second American Classical Guitar Congress, held June 13 – 17, 1989 at Wake Forest University, Winston \u2013 Salem, North Carolina. Documents include: — A letter from David Tanenbaum to Gardner Read, October 20, 1988. Typescript; signed in ink by David Tanenbaum. 1 page. — Two letters from Frank Koonce to Gardner Read. Typescript; signed in ink by Frank Koonce. Dates May 9, 1989 and June 1, 1989. — Two letters from Gardner Read to Frank Koonce. Repro of typescript, signed in ink. Dates May 15, 1989 and October 3, 1989. — A brochure for the Second American Classical Guitar Congress. — Frank Koonce\u2019s proposal Standardizing Guitar Music Notation: A Call for Action<\/em>. Word-processed document. 9 pages. \u2013 A document containing Gardner Read\u2019s questions for the other panelists concerning microtonal guitar notation. Typescript. 1 page. \u2013 A copy of Frank Koonce\u2019s questionnaire for the panelists at the Second American Classical Guitar Congress. Document created using word-processing and notation software. 19 pages.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nLetters pertaining to Gardner Read\u2019s contribution to American Hymns Old and New<\/em>. New York: Columbia University Press, 1980. 5 letters from Albert Christ-Janer to Gardner Read. Typescript; signed in ink by Albert Christ-Janer. Dates: July 21, 1955; January 17, 1957; February 19, 1957; June 26, 1957; February 22, 1960. 1 letter from Henry H. Wiggins to Gardner Read, November 14, 1979. Typescript; signed in ink by Henry H. Wiggins.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nAmerican Music Edition correspondence. 8 letters. Typescript; signed in ink. Dates: March 16, 1961; November 12, 1961; September 24, 1971; October 14, 1971; November 4, 1971; December 30, 1971; January 3, 1972; January 25, 1972.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nArt Publication Society correspondence. 4 letters. Typescript; signed in ink. Dates: September 15, 1943; March 9, 1945; February 3, 1958; March 21, 1973.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 18<\/strong><\/td>\nAssociated: Contracts \u2013 Letters.\u00a0 Documents include: \u2013 Agreement between the Associated Music Publishers, Inc. and Gardner Read; typescript; signed in ink by Gardner Read, Vail Read (witness), and an officer of Associated.\u00a0 Date: May 16, 1967. \u2013 Statement\u00a0 by Vail Read renouncing her rights and claims to her arrangements of Gardner Read\u2019s \u201cThe Moon\u201d and \u201cThe Unknown God;\u201d typescript; signed in ink by Vail Read.\u00a0 Date: March 31, 1945.\u00a0 \u2013 68 letters; typescript; signed in ink.\u00a0 Dates: June 30, 1944; July 18, 1944; August 23, 1944; November 15, 1944; December 14, 1944; March 15, 1945; April 3, 1945; April 6, 1945; April 20, 1945; May 1, 1945; May 9, 1945; May 29, 1945; May 31, 1943; June 6, 1945; June 26, 1945; September 19, 1945; October 24, 1945; December 31, 1945; January 31, 1946; March 19, 1946; July 5, 1946; October 8, 1946; October 22, 1946; December 3, 1946; January 15, 1947; January 27, 1947; March 21, 1947; April 10, 1947; November 25, 1947; January 22, 1948; May 17, 1948; June 3, 1948; January 18, 1949; December 15, 1949; February 9, 1950; February 2, 1951; June 22, 1951; October 26, 1951; February 21, 1952; May 7, 1953; June 1, 1954; December 15, 1954; February 6, 1956; April 25, 1956; October 25, 1956; February 13, 1957; February 19, 1957; November 21, 1957; June 5, 1964; April 27, 1965; December 20, 1966; March 23, 1967; April 28, 1967; May 1, 1967; May 17, 1967; May 19, 1967; March 14, 1968; April 15, 1969; December 6, 1971; April 25, 1972; October 7, 1975; October 31, 1975; September 26, 1978; April 25, 1979; May 8, 1979; May 17, 1979; July 25, 1985; August 8, 1985.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nAMP \u2013 G. Schirmer: Royalties.\u00a0 50 royalty statements.\u00a0 Typescript with pencil annotations.\u00a0 Dates run from August 6, 1946 through December 31, 2002.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 20<\/strong><\/td>\nAutograph and biographical information requests. 51 letters (29 typescript and 22 ink MS); signed in ink. Dates: March 17, 1939; June 3, 1940; September 10, 1940; June 27, 1944; January 15, 1945; April 16, 1945; October 8, 1945; January 18, 1949; September 24, 1951; July 28, 1959; May 1, 1961; May 12, 1961; May 22, 1961; January 31, 1962; February 14, 1963; June 10, 1963; December 9, 1964; October 28, 1966; December 8, 1966; March 25, 1969; June 20, 1969; July 27, 1969; September 29, 1969; January 22, 1970; April 16, 1970; May 18, 1970; March 19, 1973; August 6, 1974; November 27, 1974; January 6, 1976; April 15, 1976; June 20, 1977; April 10, 1978; October 9, 1978; November 17, 1978; April 14, 1979; April 29, 1979; July 30, 1981; May 29, 1990; October 6, 1993; April 30, 1994; February 20, 1995; December xx, 2001; (no date), 1966; (no date), 1989; 6 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 21<\/strong><\/td>\nBelwin-Mills (CPP\/Belwin; Warner Bros. Publications Inc.).\u00a0 Documents include: \u2013 Royalty contracts for \u201cEight Preludes on Old Southern Hymns\u201d and \u201cSix Preludes on Old Southern Hymns;\u201d typescript; signed in ink by Gardner Read, Vail Read, and George K. Krumm.\u00a0 Dates: September 26, 1952; September 11, 1963. \u2013 Outright agreement between Belwin-Mills Publishing Corp. and Gardner Read for \u201cAnd There Appeared unto Them Tongues of Fire;\u201d typescript; signed in ink by Gardner Read and Adolf Rosenman, Jr.\u00a0 Date: January 24, 1977.\u00a0 \u2013 Royalty statements for October 1996, 1997 (whole year), and July to December 2002. \u2013 Tax return form for 2002, generated by Warner Music Group for Gardner Read.\u00a0 \u2013 54 letters (53 typescript and 1 ink MS); signed in ink.\u00a0 Dates: January 23, 1970; February 20, 1970; May 19, 1970; May 21, 1970; May 25, 1970; May 29, 1970; June 10, 1970; September 1, 1970; September 10, 1970; September 25, 1970; December 2, 1970; March 2, 1971; March 9, 1971; March 17, 1971; March 30, 1971; April 2, 1971; April 8, 1971; May 12, 1971; June 9, 1971; September 23, 1971; October 6, 1971; May 11, 1972; May 19, 1972; June 22, 1972; February 21, 1973; March 30, 1973; April 9, 1973; April 30, 1973; October 3, 1973; March 11, 1976; March 23, 1976; September 15, 1976; January 16, 1978; January 25, 1977; February 6, 1978; April 5, 1978; April 19, 1979; June 1, 1979; June 13, 1979; February 23, 1980; November 19, 1982; June 8, 1992; June 12, 1992; March 24, 1994; May 31, 1994; August 11, 1994; November 29, 1994; March 3, 1995 (2 letters); April 1, 1994; September 10, 1998; August 20, 1998; December 3, 2002; 1 undated.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nBelwin-Mills (CPP\/Belwin): Royalties: 40 royalty statements.\u00a0 Typescript with pencil annotations.\u00a0 Dates run from December 31, 1970 through January-June, 2002.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nBerandol: Contracts-Letters.\u00a0 Documents include: \u2013 Agreement between Berandol Music limited and Gardner Read for \u201cPetite Suite, op. 118;\u201d typescript; signed in ink by Gardner Read.\u00a0 Date: February 18, 1974. \u2013 2 letters; ink MS.\u00a0 Dates: February 18, 1974; May 5, 1975.\u00a0 7 royalty statements.\u00a0 Typescript with pencil annotations.\u00a0 Dates run from February 15, 1977 through April 30, 1993.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nBerben: Contracts-Letters.\u00a0 Documents include: — Agreement between Edizioni Berben and Gardner Read for \u201ca work for solo guitar, presently untitled;\u201d typescript; signed in ink by the editor of Berben.\u00a0 Date: November 12, 1970.\u00a0 \u2013 2 letters from Edizioni Berben to Gardner read; typescript; signed ink.\u00a0 Dates: November 12, 1970. \u2013 6 letters from Angelo Gilardino to Gardner Read (4 typescript and 2 ink MS); signed in ink by Angelo Gilardino.\u00a0 Dates: August 31, 1970; September 10, 1970; February 24, 1971; March 15, 1971; September 28, 1971; April 27, 1972. \u2013 2 bank receipts.\u00a0 Dates: December 10, 1970 and march 16, 1971; — 8 royalty statements.\u00a0 Typescript with pencil annotations.\u00a0 Dates run from December 30, 1972 through 1982<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 25<\/strong><\/td>\nBirchard \u2013 Boston University publications. 55 letters (47 typescript and 8 ink MS); signed in ink. Dates: November 15, 1933; June 27, 1950; June 28, 1950; July 10, 1950; July 11, 1950; August 3, 1950; August 9, 1950; August 15, 1950; August 23, 1950; October 10, 1950; November 27, 1950; December 22, 1950; December 28, 1950; January 3, 1951; January 3, 1951; January 15, 1951; February 1, 1951; April 11, 1951; April 25, 1951; May 29, 1951; June 8, 1951; August 14, 1951; August 22, 1951; October 15, 1951; October 29, 1951; November 3, 1951; November 5, 1951; November 13, 1951; November 15, 1951 (3); November 29, 1951; January 15, 1952; January 21, 1952; January 28, 1952; March 3, 1952; September 18, 1952; October 1, 1952; October 16, 1952; February 16, 1954; April 7, 1954; April 14, 1954; April 11, 1955; June 3, 1955; October 19, 1955; May 24, 1956; June 22, 1956; September 4, 1956; September 24, 1956; October 1, 1956; October 11, 1956; October 15, 1956; December 30, 19xx; 2 undated. Accompanied by an article extracted from the Music Journal, December 1951, by Ladislas Szymanski, O.F.M. titled \u201cAmerica\u2019s First Christmas Carol\u201d. 4 pages. Also accompanied by a typescript draft and published version of a pamphlet for C. C. Birchard and Company\u2019s Birchard \u2013 Boston University Choral Works: Contemporary Music Series. Also accompanied by a typescript draft and reproduction proof of a description of Gardner Read\u2019s \u201cThe Golden Harp\u201d.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nBirchard: Jesous Ahatonhia: C.C. Birchard and Company to Gardner Read. 4 letters. Typescript; signed by various officers of C.C. Birchard and Company. Dates: November 29, 1943; November 2, 1944; July 20, 1950; September 23, 1955. Accompanied by 12 royalty statements from C.C. Birchard and Company for the pieces \u201cJesous Ahatonhia\u201d and \u201cThe Golden Harp\u201d. Typescript; annotated in pencil. Dates run from November 1, 1950 through November 1, 1956.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 27<\/strong><\/td>\nBoosey and Hawkes: Contracts \u2013 Letters.\u00a0 Documents include: Assignment of Copyright for \u201cO\u2019er Yonder in the Wood\u201d (arrangement); \u201cAll Day I Hear,\u201d and \u201cLullaby for a Dark Hour;\u201d \u201cI Hear an Army,\u201d \u201cThe First Jasmines,\u201d \u201cNight of All Nights;\u201d \u00a0typescript; signed in ink by Gardner Read and a representative of Boosey and Hawkes inc.\u00a0 Dates: April 14, 1948; April 26, 1948; June 23, 1989.\u00a0 \u2013 Renewal of copyright agreement for \u201cAll Day I hear,\u201d and \u201cLullaby for a Dark Hour;\u201d typescript; signed in ink by Gardner Read and Vail Read (witness).\u00a0 Date: August 26, 1976. \u2013 35 letters; typescript; signed in ink.\u00a0 Dates: March 21, 1947; February 11, 1948; February 19, 1948; March 5, 1948; March 24, 1948; April 16, 1948; May 19, 1948; December 1, 1948; March 16, 1951; February 3, 1953; February 13, 1953; June 3, 1953; June 9, 1953; March 17, 1954; March 7, 1961; November 19, 1963; February 25, 1964; February 27, 1964; March 20, 1964; April 14, 1964; October 2, 1974; August 10, 1976; September 1, 1976; February 17, 1976; November 2, 1979; November 26, 1979; December 5, 1979; May 15, 1986; February 18, 1989; February 28, 1989; March 31, 1989 (2 letters); May 16, 1989; June 14, 1989; June 23, 1989.\u00a0 \u2013 3 letters giving Gardner Read permission to use published texts in his works; typescript; signed in ink.\u00a0 Dates: June 6, 1945; May 15, 1986; May 28, 1986.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nBoosey and Hawkes: Royalties.\u00a0 18 royalty statements.\u00a0 Typescript with pencil annotations.\u00a0 Dates run from December 31, 1950 through December 31, 1995.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 29<\/strong><\/td>\nBradley Publications: letters and royalty statements. –13 letters. Typescript; signed in ink by various officers of Bradley Publications. Dates: May 20, 1980; April 1, 1980; January 14, 1981; January 22, 1981; April 14, 1981; June 18, 1981; April 21, 1982; June 28, 1982; November 24, 1982; March 11, 1983; May 23, 1983; October 11, 1983; May 7, 1986. –8 royalty statements. Typescript; annotated in ink and pencil. Dates run from December 31, 1981 through January 23, 1987.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nBroude Brothers\/Alexander Broude, Inc. to Gardner Read. 8 letters. Typescript; signed by various officers of Alexander Broude, Inc. Dates: February 18, 1969; March 13, 1969; April 10, 1969; August 13, 1969; September 22, 1969; October 7, 1969 (Accompanied by a repro of a typescript list of composers, editors and arrangers represented in the catalogue of Alexander Broude, Inc. as of August 7, 1969.); September 10, 1970 (Accompanied by a release agreement dated September 14, 1970. Typescript; signed in ink by Gardner Read and Alexander Broude.); October 11, 1988.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nMayo Bryce to Gardner Read. 5 letters. Typescript; signed in ink by Mayo Bryce. Dates: March 3, 1964; March 16, 1964; April 1, 1964; April 29, 1964; January 6, 1965.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 32<\/strong><\/td>\nB.S.O.\u00a0 16 letters; typescript; signed in ink.\u00a0 Dates: April 9, 1941; May 26, 1941; January 21, 1942; November 8, 1943; February 1, 1950; December 14, 1943; March 13, 1970; January 6, 1971; May 20, 1978; October 13, 1980; February 3, 1981; February 6, 1981; February 11, 1981; December 8, 1981; October 25, 1989; December 8, 1989;<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nB.U.\u00a0 78 letters (67 typescript and 11 ink MS); signed in ink.\u00a0 Dates: July 17, 1945; August 10, 1948; August 18, 1948; October 30, 1948; August 19, 1950; January 18, 1951; February 1, 1951; February 7, 1951; June 25, 1951; March 31, 1952; April 7, 1952; June 4, 1952; October 5, 1952; January 28, 1953; January 21, 1953; June 23, 1954; June 7, 1955; October 4, 1955; December 8, 1955; September 19, 1956; October 1, 1956; October 9, 1956; April 15, 1958; October 28, 1958; October 4, 1961; November 9, 1961; January 8, 1962; May 28, 1962; April 12, 1963; February 11, 1963; March 18, 1965; November 8, 1967; October 26, 1967; November 18, 1968; December 23, 1968; November 6, 1969; May 20, 1970; December 11, 1970; May 5, 1971; November 23, 1971; February 21, 1973; October 29, 1974; November 27, 1974; December 3, 1974; March 29, 1975; October 3, 1975; November 18, 1976; November 3, 1977; April 26, 1978; October 23, 1978; September 19, 1978; November 14, 1979; October 31, 1980; December 15, 1980; October 15, 1981; November 9, 1981; November 10, 1982; October 28, 1983; November 3, 1983; October 12, 1984; October 31, 1985; September 12, 1988; September 6, 1989; August 29, 1990; March 4, 1991; March 6, 1991; August 31, 1992; December 3, 1993; September 15, 1997; July 21, 1998; December 8, 1999; November 22, 2000; November 29, 2000; November 26, 1994; February 11, 2002; 3 undated.\u00a0 1 card; ink MS.\u00a0 Undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 34<\/strong><\/td>\nCanyon Press to Gardner Read. 18 letters and 1 telegram. Typescript; signed in ink by various officers of Canyon Press. Dates: August 19, 1966; July 24, 1967; August 7, 1967; January 13, 1968; November 13, 1968; November 25, 1968; August 22, 1969; September 9, 1969; September 12, 1969; October 14, 1969; November 3, 1969; November 11, 1969; November 14, 1969; December 8, 1969; December 10, 1969; February 5, 1970; April 23, 1970; November 9, 1970; July 26, 1972.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nChicago Symphony Orchestra to Gardner Read. 18 letters. Typescript; signed by various officers of the Chicago Symphony Orchestra. Dates: March 14, 1950; April 29, 1952; May 9, 1952; May 22, 1952; October 10, 1952; November 4, 1952; November 19, 1952; March 24, 1953; April 20, 1953; April 4, 1954; October 2, 1969; January 28, 1970; September 19, 1980; January 19, 1983; January 20, 1988; June 14, 1988; July 27, 1993; 1 undated.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nCincinnati Symphony Orchestra to Gardner Read. 23 letters (21 typescript and 2 ink MS); signed in ink by various officers of the Cincinnati Symphony Orchestra. Dates: February 19, 1948; June 14, 1948; August 25, 1948; October 4, 1949; November 2, 1950; April 22, 1954; June 14, 1959; January 9, 1960; October 23, 1968; January 6, 1970; January 13, 1970; February 11, 1970; February 25, 1970; September 30, 1970; October 16, 1970; May 25, 1971; July 13, 1971; October 6, 1971; January 6, 1972; April 6, 1972; October 5, 1972; November 25, 1974; 1 undated.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nCitations in dissertations, etc. 13 letters (12 typescript and 1 ink MS); signed in ink by various correspondents. Dates: November 25, 1941; November 5, 1947; November 29, 1959; March 10, 1963; August 5, 1980; July 2, 1981; May 21, 1983; August 9, 1984; October 21, 1984; August 4, 1987; February 27, 1988; 2 undated.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nClayton F. Summy Co. to Gardner Read. 26 letters. Typescript; signed in ink by various officers of Clayton F. Summy Co. Dates: May 24, 1938; February 19, 1941; February 27, 1941; April 8, 1941; March 20, 1942; June 3, 1942; June 12, 1942; January 26, 1943; March 20, 1943; May 12, 1943; October 20, 1943; April 13, 1944; March 13, 1945; May 1, 1945; June 6, 1947; May 5, 1948; May 18, 1948; May 26, 1948; October 4,1948; November 18, 1948; May 22, 1950; January 17, 1952; February 12, 1952; February 26, 1952; March 29, 1954; April 22, 1954. Accompanied by 11 royalty statements. Typescript; annotated in ink and pencil. Dates: October 29, 1941; August 28, 1943; February 17, 1945; May 15, 1947; June 14, 1947; September 29, 1948; September 27, 1949; September 5, 1950; October 22, 1951; September 18, 1952; January 29, 1954.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 39<\/strong><\/td>\nCole: Contracts \u2013 Letters.\u00a0 Documents include: — Agreement between June Stern trading as M. M. Cole Publishing Co. and Gardner Read concerning the publishing of \u201cLos Dioses Aztecas.\u201d\u00a0 Typescript; signed in ink by Gardner Read and a representative from June Stern trading.\u00a0 \u2013 16 letters from Robert W. Buggert, Assistant Dean, Graduate School of Northern Illinois University, to Gardner Read.\u00a0 Typescript; signed in ink by Robert W. Buggert.\u00a0 Dates: May 17, 1966; September 20, 1966; November 18, 1966; March 16, 1967; March 24, 1967; April 11, 1967; April 26, 1967; May 10, 1967; July 10, 1967; August 14, 1967; August 30, 1967; October 16, 1967; December 11, 1967; March 13, 1968 (accompanied by copy of letter from Robert W. Buggert to Mrs. L. Holton;\u00a0 typescript; signed in ink; May 2, 1968); May 2, 1968; September 9, 1968. \u2013 3 letters from Schaeffer and Schaeffer to Gardner Read.\u00a0 Typescript; signed in ink.\u00a0 Dates: April 28, 1967; May 5, 1967; August 11, 1967. \u00a0\u2013 8 letters from M. M. Cole Publishing Company to Gardner Read.\u00a0 Typescript; signed in ink.\u00a0 Dates: December 29, 1967; October 18, 1968; March 31, 1969; April 15, 1969; February 25, 1969; May 2, 1969; September 13, 1971; December 2, 1971.\u00a0 \u2013 Catalogue from M. M. Cole featuring a biography of Gardner Read.\u00a0 \u2013 Letter from ASCAP representative to Gardner Read regarding the status and whereabouts of the M. M. Cole Company. Typescript; signed in ink.\u00a0 Date: February 18, 1992.\u00a0 \u2013 25 royalty statements.\u00a0 Typescript with pencil annotations.\u00a0 Dates run from July 2, 1970 through May 31, 2001.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 40<\/strong><\/td>\nThe Composers Press, Inc. to Gardner Read. 49 letters (44 typescript and 5 ink MS); signed in ink by various officers of The Composers Press, Inc. Dates: April 11, 1940; May 10, 1940; October 11, 1940; April 27, 1943; May 21, 1943; August 10, 1943; March 29, 1944; October 2, 1944; October 30, 1944; March 4, 1945; December 18, 1945; December 26, 1946; June 13, 1947; March 24, 1948; April 16, 1948; May 1, 1948; May 10, 1948; July 12, 1948; December 28, 1948; January 5, 1949; May 8, 1949; May 11, 1949; September 27, 1949; December 7, 1949; December 14, 1949; March 2, 1950; July 14, 1951; March 22, 1952; December 4, 1952; March 3, 1953; March 9, 1953; March 21, 1955; March 8, 1956; May 2, 1957; August 13, 1958; December 13, 1961; March 19, 1962; April 7, 1962; January 13, 1964; February 17, 1964; March 29, 1966; April 4, 1966; July 11, 1966; June 15, 1971; May 1, 1976; May 14, 1976; October 12, 1977; March 7, 1978; 1 undated. Accompanied by 22 royalty statements. Dates run from October 1, 1944 to November xx, 1969.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 41<\/strong><\/td>\nComposers Recordings (CRI). 37 letters from the CRI to Gardner Read (35 typescript and 2 ink MS); signed in ink.\u00a0 Dates: November 15, 1966; Spring 1978; November 16, 1979; December 7, 1979; January 4, 1980; January 21, 1980; April 3, 1980; October 28, 1980; January 23, 1981; October 1, 1981; November 20, 1981; November 30, 1981; March 15, 1983; August xx, 1982; July 9, 1980; December 30, 1980; April 10, 1981; August 28, 1985; October 22, 1985; October 25, 1985; December 18, 1985; May 27, 1986; August 12, 1986; December 10, 1986; February 27, 1987; April 22, 1987; January 17, 1990; February 26, 1990; March 1, 1995; August 19, 1995; July 16, 1996; January 3, 1997; July 15, 1997 (accompanied by mechanical license agreement); September 6, 2002; January 2003; 2 undated.\u00a0 \u2013 4 letters from Kenneth Haas of the Cleveland Orchestra to Gardner Read.\u00a0 Typescript; signed in ink by Kenneth Haas.\u00a0 Dates: July 9, 1980; November 11, 1980; April 1, 1981; September 29, 1982. \u2013 Letter from Carolyn Hellman, Program Specialist, National Endowment for the Arts, to Gardner Read.\u00a0 Typescript; signed in ink by Carolyn Hellman. Date: December 30, 1980.\u00a0 \u2013 2 letters from Vail Read to Ralph S. Tyler, Jr.\u00a0 Typescript; 1 signed in ink by Vail Read.\u00a0 Dates: October 20, 1982; November 1, 1982.\u00a0 \u2013 2 letters from Raph S. Tyler, Jr. to Vail and Gardner Read (1 typescript and 1 ink MS); signed in ink by Raph S. Tyler, Jr. \u00a0Dates: October 6, 1982; October 26, 1982.\u00a0 \u2013 Letter from Christine Green, Office of Sponsored Programs, B.U. to Gardner Read.\u00a0 Typescript; signed in ink by Christine Green.\u00a0 Date: January 27, 1982.\u00a0 \u2013 Copy of letter from Carter Harman, Executive Director, CRI, to Kenneth Haas.\u00a0 Typescript with ink annotations.\u00a0 Date: March 21, 1983.\u00a0 \u2013 Copy of letter from Kenneth Haas to Carter Harman.\u00a0 Typescript; signed in ink by Kenneth Haas.\u00a0 Date: April 18, 1983.\u00a0 \u2013 Drafts of letters from Gardner Read to President Silber, B.U.; Susan S. Bloom, Director, Cultural Affairs, American Express Corporations; Roger R. Smith, Warner Communications; Mr. and Mrs. David Bakalar; Mr. David Bakalar; President John R. Silber, Boston University; The Helena Rubenstein Foundation; Paul Fromm.\u00a0 Typescript.\u00a0 Dates: July 11, 1982, March 11, 1983; March 28, 1983; March 29, 1983; April 11, 1983 (2 letters); April 18, 1983; April 14, 1983.\u00a0 \u2013 Draft of letter from Vail Read to Paul Fromm; typescript.\u00a0 Date: April 22, 1983.\u00a0 \u2013 2 letters from David Bakalar to Gardner Read.\u00a0 Typescript; signed in ink by David Bakalar.\u00a0 Dates: April 6, 1983; April 18, 1983.\u00a0 \u2013 Letter from Paul Fromm, From Music Foundation at Harvard, to Gardner Read.\u00a0 Typescript; signed in ink by Paul Fromm.\u00a0 Date: April 19, 1983.\u00a0 \u2013 Copy of letter from Vail Read to Mrs. Harris Fahnestock.\u00a0 Typescript; signed in ink by Vail Read.\u00a0 Date: April 5, 1983.\u00a0 \u2013 Letter from Gayle Morgan Counts, Mary Flagler Cary Charitable Trust, to Gardner Read.\u00a0 Typescript; signed in ink by Gayle Counts.\u00a0 Date: May 6, 1983.\u00a0 \u2013 Letter from John R. Silber to Gardner Read.\u00a0 Typescript; signed in ink by John R. Silber.\u00a0 Date: May 9, 1983. \u2013 2 budgets for recordings of \u201cAztec Gods,\u201d ; typescript with ink annotations; undated.\u00a0 \u2013 Receipts and cancelled checks made out to the Musical Arts Association (Cleveland Orchestra) and Max Schubel, president of Opus One Records. \u2013 \u201cThank you\u201d card from Rachel Siegel to Gardner Read.\u00a0 Ink MS.\u00a0 Date: June 1987.\u00a0 \u2013 Copy of letter from Joseph R. Dalton (CRI) to Valerie Ferguson (Louisville Orchestra).\u00a0 Typescript; signed in ink by Joseph R. Dalton.\u00a0 Date: July 18, 1996.\u00a0 \u2013 Copy of contract between Louisville Orchestra and CRI for the release of Louisville\u2019s recording of Garnder Read\u2019s \u201cNight Flight\u201d and \u201cToccata Giocosa.\u201d\u00a0 Typescript; signed in ink by Joseph R. Dalton (CRI) and Valerie Ferguson (Louisville Orchestra).\u00a0 Date: November 1, 1996.\u00a0 \u2013 Newspaper clipping concerning the resignation of Joseph R. Dalton from CRI.\u00a0 Typescript.\u00a0 Undated.<\/td>\n<\/tr>\n
folder 42<\/strong><\/td>\nCRI: Royalties.\u00a0 15 royalty statements.\u00a0 Typescript with pencil annotations.\u00a0 Dates run from July 1, 1980 through June 1991.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 43<\/strong><\/td>\nCrystal Record Company to Gardner Read. 7 letters (6 typescript and 1 ink MS); signed in ink by Peter Christ, President of the Crystal Record Company. Dates: September 19, 1974; May 23, 1980; October 6, 1980; January 15, 1981; May 13, 1981; September 1, 1986; October 13, 1987.<\/td>\n<\/tr>\n
folder 44<\/strong><\/td>\nDocuments pertaining to Gardner Read\u2019s commission from the Charles A Dana Foundation to compose music for the short film \u201cThe Faces of Innovation\u201d. Documents include: — 8 letters (7 typescript and 1 ink MS); inscribed in ink by various officers of the Charles A. Dana Foundation [3 of which were written by Cindy Read]. Dates: May 5, 1995; June 2, 1995 (2); June 14, 1995; September 6, 1995; September 21, 1995 (2); September 22, 1995. \u2013 A document outlining the Dana Awards Film concept. Repro of a word-processed document. 4 pages. \u2013 5th<\/sup> draft of the Dana Awards Film script. Word-processed document; annotated in pencil and ink. 17 pages. \u2013 Untitled MS in pencil. 2 pages of music. \u2013 An invitation to the Tenth Anniversary Celebration of the Charles A. Dana Awards for Pioneering Achievements in Health and Education, November 8, 1995. \u2013 A program for the Charles A. Dana Awards for Pioneering Achievements in Health and Education, November 8, 1995.<\/td>\n<\/tr>\n
folder 45<\/strong><\/td>\nEastman School of Music to Gardner Read. 15 letters (14 typescript and 1 ink MS); signed in ink by various members of the Eastman School of Music faculty and staff. Dates: November 30, 1993; May 25, 1994; August 2, 1994; August 26, 1994; November 16, 1994; December 16, 1994 (accompanied by a repro of Gardner Read\u2019s original letter to Robert Freeman, dated December 3, 1994); March 8, 1995 (accompanied by a repro of Gardner Read\u2019s original letter to Robert Freeman, dated February 6, 1995); April 5, 1995; May 22, 1995; September 18, 1995 (accompanied by a repro of Gardner Read\u2019s letter of response to David Liptak, dated September 27, 1995); October 4, 1995; January 9, 1996; February 6, 1996; February 19, 1996; March 26, 1996.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 46<\/strong><\/td>\nEastman.\u00a0 Documents include: — Letter from Howard Hanson to Mrs. Gardner Read [Sr.]; typescript; October 17, 1933.\u00a0 \u2013 19 letters from the Eastman School of Music to Gardner Read; typescript; signed in ink by various members of the Eastman School of Music faculty and staff.\u00a0 Dates: April 22, 1940; May 26, 1944; June 5, 1944; September 22, 1944; October 6, 1945; December 3, 1973; August 13, 1982; October 29, 1982; October 1, 1984; November 15, 1984; January 18, 1985; February 25, 1985; March 21, 1985; October 23, 1985; February 5, 1988; April 1, 1994; December 14, 1999; May 30, 2002; 1 undated (accompanied by list of Gardner Read\u2019s compositions in the Eastman Audio Archive). \u2013 List of contents in Gardner Read Archive, Sibley Music Library.\u00a0 Typescript; signed in ink by Ruth Watanabe.\u00a0 Date: October 25, 1984. \u2013 List of class organizers for Reunion \u201985.\u00a0 Typescript with pencil annotations.\u00a0 \u2013 Copies of letter from Gardner Read to his classmates from 1936 inviting them to Reunion \u201985.\u00a0 Typescript; signed in ink by Gardner Read.\u00a0 Dates: January 15, 1985; April 20, 1985. \u2013 Unspecified list of students from 1934 to 1981.\u00a0 \u2013 Article \u201cSounds of Sibley Music Library,\u201d in Rochester Review<\/em> Winter-Spring 1990: 3\u00ad\u20139. \u00a0\u2013 Postcard from Mary Wallace Davidson to Gardner and Vail Read.\u00a0 Ink MS.\u00a0 Date: August 18, 1994.\u00a0 \u2013 Card from David and Jayson [Rod Engquist] to Vail and Gardner Read.\u00a0 Ink MS.\u00a0 Undated.<\/td>\n<\/tr>\n
folder 47<\/strong><\/td>\nESM \u2013 Sibley Music Library: Read Archive.\u00a0 25 letters from staff at the Sibley Music Library to Gardner Read; typescript; signed in ink.\u00a0 Dates: January 31, 1979; June 22, 1979; July 23, 1979; November 5, 1980; April 22, 1981; September 30, 1982; October 17, 1984; October 26, 1984; January 15, 1985; January 24, 1985; October 2, 1985; October 22, 1985; May 5, 1986; May 30, 1990; August 11, 1990; December 11, 1990; February 16, 1993; July 2, 1993; April 3, 1990; February 2, 1996; January 10, 1997; March 1, 1997; August 28, 2000; April 10, 2001; November 14, 2001. \u2013 Copies of letters from Gardner Read to Ruth Watanabe. Typescript.\u00a0 Dates: June 16, 1979; February 5, 1981. \u00a0\u2013 Lists of music by Gardner Read in Sibley Music Library. Typescript with pencil annotations.\u00a0 Dates: June 1979; October 25, 1984; October 1985; March 1993; August 25, 2000; May 13, 2002; 4 undated.\u00a0 \u2013 Lists of materials for Gardner Read Archive, Sibley Music Library.\u00a0 Handwritten in pencil. Dates: 1997; August 2000; May 14, 2002.\u00a0 \u2013 Article: \u201cSibley Music Library Grateful to Alumni,\u201d in Eastman Notes <\/em>March 1992; typescript.\u00a0 \u2013 Deed of Gift Agreements.\u00a0 Typescript; signed in ink by Gardner Read.\u00a0 Dates: July 12, 1993; March 14, 1992.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 48<\/strong><\/td>\nEdition Musicus to Gardner Read. 11 letters. Typescript; signed by various officers of Edition Musicus and the Affiliated Music Corporation. Dates: August 26, 1937; October 14, 1937; January 24, 1938; February 25, 1938; November 29, 1938; March 2, 1939; April 12, 1943; April 23, 1943; November 15, 1945; January 28, 1948; August 8, 1960. Accompanied by a royalty report dated December 14, 1948. Typescript. 1 page. Also accompanied by a list of \u201cProspective Subscribers to Gardner Read\u2019s Symphony\u201d. Typescript; annotated in pencil and colored pencil. 7 pages.<\/td>\n<\/tr>\n
folder 49<\/strong><\/td>\nEditorial Inc. to Gardner Read. 2 letters. Typescript; signed in ink by David Eales and Laura P. Fillmore. Dates July 5, 1990 and August 15, 1990. Accompanied by a contract from Editorial, Inc. Typescript; signed in ink by Laura Fillmore on December 15, 1989 and Gardner Read on January 6, 1990. 2 pages. Also accompanied by a Project Description Agreement. Typescript; signed in ink by Gardner Read and Timothy Evans. An invoice for Editorial, Inc.\u2019s services and a check signed by Gardner Read for $1300 accompanies this document.<\/td>\n<\/tr>\n
folder 50<\/strong><\/td>\nElkan-Vogel Company to Gardner Read. 17 letters. Typescript; signed in ink by various officers of the Elkan-Vogel Co. Dates: June 11, 1946; June 19, 1946; June 22, 1946; January 28, 1947; February 7, 1947; September 29, 1947; March 8, 1948; December 10, 1949; December 22, 1949; December 8, 1952; December 23, 1952; January 29, 1953; December 10, 1953; January 7, 1954; January 21, 1955; December 13, 1961; May 16, 1963. Accompanied by royalty statements from the years 1948 through 1957. Typescript; annotated in pencil. 8 pages. Statements from 1949 and 1956 are lacking.<\/td>\n<\/tr>\n
folder 51<\/strong><\/td>\nDavid Ewen to Gardner Read. 7 letters. Typescript; signed in ink by David Ewen. Dates: August 5, 1945; February 19, 1963; August 6, 1966; February 24, 1970; October 16, 1978; February 26, 1980; May 14, 19xx.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nNorma Farber: Documents pertaining to the Chicago Song Contest, 1983. Documents include: –A letter from Vail Read to Norma Farber, February 5, 1983. Typescript; signed in ink by Vail Read. 1 page. –4 letters from Norma Farber to Gardner and Vail Read. 1 Ink MS and 3 typescript combined with ink MS. Dates: May xx, 1983; March 23, 1983; April 7, 1983; April 11, 1983. –A document containing titled \u201cThe Chicago Song Contest Rules and Regulations\u201d. 2 pages. –A repro of a press clipping from the Chicago Sun-Times, January 9, 1983. 1 page. –Two drafts of the lyrics for the \u201cChicago Anthem\u201d. 1st<\/sup> draft: Typescript; annotated in red ink. 1 page. 2nd<\/sup> draft: Typescript; annotated in pencil. 1 page.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nFestival of Music by New England Composers correspondence and documents. Contains:12 typescript letters, signed in ink by officers of various publishing firms, Boston University and the New England Conservatory of Music to Gardner Read. Dates: January 16, 1950 (2); January 19, 1950; January 23, 1950; February 10, 1950; March 3, 1950; March 6, 1950; March 7, 1950; March 15, 1950; April 12, 1950; April 20, 1950; November 8, 1950. –19 letters from Gardner Read to various publishing firms and composers. Carbon copy typescript; annotated in pencil. Dates: January 11, 1950 (3); January 13, 1950 (4); February 16, 1950 (6); February 17, 1950; February 24, 1950; March 3, 1950 (2); March 23, 1950; April 3, 1950. –A letter from Klaus G. Roy, Librarian at Boston University, to Philip Greeley Clapp, Director of Music at the State University of Iowa, dated February 9, 1950. Typescript; signed in ink by Klaus G. Roy. –4 programs. Dates: October 9, 1950 \u2013 April 9, 1951; November 13, 1950; January 9, 1951; April 27, 1951. –16 draft programs in typescript; 8 of which are annotated in pencil. — Boston University College of Music meeting minutes for September 14, 1950 and October 24, 1950. Typescript. 6 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 3<\/strong><\/td>\nC. Fischer: Contracts \u2013 Letters.\u00a0 Documents include: — 10 contracts between Carl Fischer, Inc. and Gardner Read.\u00a0 Typescript; signed in ink by Gardner Read and various officers from Carl Fischer, Inc.\u00a0 Dates: November 25, 1935; December 26, 1941; November 15, 1945; November 16, 1945; November 5, 1947; April 7, 1958; April 29, 1964; May 2, 1972; February 27, 1975; February 14, 1977. \u2013 4 letters from Karl D. Van Hoesen to Gardner Read.\u00a0 Typescript; signed in ink by Karl D. Van Hoesen.\u00a0 Dates: February 12, 1941; September 3, 1941; October 22, 1941; January 4, 1942. \u2013 letters from officers of Carl Fischer, Inc. to Gardner Read.\u00a0 Typescript; signed in ink.\u00a0 Dates: November 27, 1935; January 20, 1944; July 27, 1945 (verso contains writing in Gardner Read\u2019s hand, pencil); September 29, 1945; November 20, 1945; November 28, 1945; July 26, 1946; October 14, 1946; April 15, 1947; April 24, 1947; September 11, 1947; May 29, 1947; September 18, 1947; October 28, 1947; November 10, 1947; November 17, 1948; December 15, 1948; April 6, 1949; April 22, 1949; April 11, 1955; October 24, 1955; April 9, 1958; December 10, 1958; January 21, 1959; January 30, 1963; February 7, 1963; January 7, 1964; May 14, 1964; April 7, 1972; April 17, 1972; March 19, 1973; September 17, 1975; February 1, 1977; February 10, 1977; February 22, 1977; June 1, 1977; September 26, 1977; November 10, 1978; September 4, 1979; February 13, 1980; August 27, 1980; March 3, 1981; April 16, 1981; May 26, 1981; December 9, 1982; December 13, 1985; January 30, 1985; April 11, 1990; June 6, 1997. \u2013 Copy of contract containing poem \u201cMusic.\u201d\u00a0 Typescript; unsigned and undated.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nC. Fischer: Royalties. 44 royalty statements.\u00a0 Typescript with pencil annotations.\u00a0 Dates run from February 10, 1940 through February 28, 1998<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 5<\/strong><\/td>\nH. T. Fitzsimons Company to Gardner Read. 13 letters. Typescript; signed in ink by various officers of the H. T. Fitzsimons Company. Dates: March 13, 1946; January 3, 1947; January 11, 1955; January 13, 1965; January 20, 1965; January 17, 1967; March 30, 1967; April 10, 1967; May 8, 1967; November 6, 1968; October 9, 1985; November 15, 1985; December xx, 1986. Accompanied by 26 royalty statements. Typescript; annotated in pencil. Dates run from February 16, 1938 to November 30, 1986.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 6<\/strong><\/td>\nEdwin A. Fleischer Collection.\u00a0 Documents include: — 6 lists containing number of pages in score and parts in various works.\u00a0 Typescript with pencil annotations.\u00a0 \u2013 Letters from various staff at the Edwin A. Fleischer Collection to Gardner Read.\u00a0 Typescript; signed in ink.\u00a0 Dates: June 20, 1955; August 1, 1955 (contains pencil annotations); September 14, 1955; May 27, 1959; March 7, 1961; October 3, 1967; October 20, 1976; February 28, 1979; March 21, 1979; September 10, 1980; October 23, 1980; February 6, 1981; February 18, 1981; August 3, 1981; June 9, 1982; April 26, 1983; March 21, 1985; February 28, 1995; April 17, 1995; May 1, 1996; April 9, 1996.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 7<\/strong><\/td>\nFranco Colombo Publications to Gardner Read. 17 letters. Typescript; signed in ink by various officers of Franco Colombo Publications. Dates: August 3, 1964; June 22, 1967; July 17, 1967; July 28, 1967; October 30, 1967; November 22, 1967; February 13, 1968; February 19, 1968; May 29, 1968; September 16, 1968; November 21, 1968; March 13, 1969; September 30, 1969; October 28, 1969; October 31, 1969; November 14, 1969; December 2, 1969.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 8<\/strong><\/td>\nGalaxy: Contracts \u2013 Letters. \u00a0Documents include: — 10 contracts and copyright agreements between Galaxy Music Corporation and Gardner Read for various works.\u00a0 Typescript; signed in ink by officers from Galaxy Music Corporation and Gardner Read.\u00a0 Dates: September 2, 1942 (3 contracts); January 4, 1945 (2 copyright agreements); April 19, 1950; August 20, 1956 (2 contracts); October 22, 1956 (2 contracts).\u00a0 \u2013 58 letters from various officers from Galaxy Music Corporation to Gardner Read.\u00a0 Typescript; signed in ink.\u00a0 Dates: May 23, 1938 (2 letters); February 26, 1940; May 13, 1940; January 18, 1941; April 22, 1941; May 29, 1942; June 12, 1942; June 19, 1942; July 2, 1942; July 27, 1942; July 23, 1942; September 16, 1942; August 26, 1942; October 20, 1942; October 24, 1942; December 31, 1942; March 15, 1943; March 27, 1943; June 7, 1943; October 21, 1943; February 25, 1944; April 20, 1944; November 29, 1945; May 12, 1948; April 19, 1950; September 5, 1950; November 2, 1950; July 19, 1956; August 20, 1956; September 12, 1956; September 25, 1956; November 5, 1956; November 20, 1956; January 30, 1957; April 19, 1957; April 25, 1957; November 19, 1957; October 3, 1958; February 12, 1959; June 18, 1959; October 14, 1959; November 9, 1960; February 6, 1963; May 13, 1963; September 11, 1963; December 12, 1963; January 20, 1964; February 14, 1967; February 27, 1967; February 18, 1970; February 12, 1971; March 21, 1973; May 17, 1978; February 11, 1981; February 15, 1982; September 24, 1985; April 23, 1999.\u00a0 \u2013 Copy of letter from Margaret Conklin to Galaxy Music Corporation concerning music permission for poem \u201cPierrot.\u201d Typescript; signed in ink by Margaret Conklin.\u00a0 Date: June 10, 1942.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nGalaxy (ECS Pub.): Royalties.\u00a0 71 royalty statements.\u00a0 Typescript with pencil annotations.\u00a0 Dates run from October 6, 1941 through December 31, 2002.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 10<\/strong><\/td>\nGardner Read: A Bio-bibliography<\/em> correspondence. 49 letters (42 typescript and 7 ink MS); signed by . Dates: October 15, 1993 (2); October 21, 1993; October 22, 1993; December 2, 1993 (2); January 20, 1994 (2); January 24, 1994; March 5, 1994; March 14, 1994; March 28, 1994; April 6, 1994; April 11, 1994; May 12, 1994; May 25, 1994 (3); July 27, 1994; August 23, 1994; November 16, 1994; November 21, 1994; December 15, 1994; December 23, 1994; January xx, 1995 (2); January 7, 1995; March 11, 1995; March 20, 1995; March 24, 1995; May 1, 1995; May 8, 1995; May 12, 1995; May 20, 1995; June 6, 1995; June 8, 1995; June 12, 1995; June19, 1995; July 5, 1995; July 7, 1995; August 21, 1995; August 28, 1995; September 24, 1995; October 20, 1995; October 22, 1995; October 31, 1995; November 14, 1995; 2 undated. Accompanied by a document containing interview questions for Gardner Read dated February 27, 1994. Word-processed document. 4 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 11<\/strong><\/td>\nGasparo Records.\u00a0 Documents include: –3 letters from John M. Proffitt, Radio Manager of WXXI (Rochester), to Gardner Reed, pertaining to the recording of Gardner Reed\u2019s \u201cEight Preludes on Southern Hymns.\u201d\u00a0 Typescript; signed in ink by John M. Proffitt.\u00a0 Dates: October 4, 1983; July 10, 1984; August 24, 1984.\u00a0 \u2013 1 letter from Barbara Harbach to Gardner Reed.\u00a0 Ink MS.\u00a0 Date: August 8, 19xx.\u00a0 \u2013 3 letters from Roy Christensen, Gasparo Records, to Gardner Read.\u00a0 Typescript; signed in ink by Roy Christensen.\u00a0 Dates: December 30, 1985; July 31, 1990; June 8, 1994.\u00a0 \u2013 Copy of letter from Roy Christensen to Rick Estevez.\u00a0 Typescript.\u00a0 Date: February 16, 1991.\u00a0 \u2013 Copy of letter from Roy Christensen to Barbara Alvarez. Typescript; signed in ink by Roy Christensen.\u00a0 Date: May 1, 1991.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nGifts to Boston-area Libraries.\u00a0 Correspondence pertaining to gifts from Gardner Reed to various libraries.\u00a0 Institutions include: — Boston Conservatory of Music.\u00a0 3 letters (typescript; signed in ink).\u00a0 Dates: November 10, 1978; November 13, 1979; May 16, 1990.\u00a0 \u2013 Boston Public Library.\u00a0 4 letters (typescript; signed in ink). Dates: December 10, 1948; November 10, 1966; February 13, 1968; March 26, 1968.\u00a0 \u2013 Boston University.\u00a0 1 letter (typescript; signed in ink).\u00a0 Undated.\u00a0 \u2013 Brandeis University Library.\u00a0 4 letters (3 typescript and 1 ink MS; signed in ink).\u00a0 Dates: December 4, 1962; April 30, 1976; May 17, 1976; February 17, 1984.\u00a0 \u2013 Harvard University.\u00a0 5 letters (typescript; signed in ink).\u00a0 Dates: August 12, 1976; May 23, 1980; February 26, 1985; March 8, 1991; December 3, 1998.\u00a0 \u2013 Manchester Public Library.\u00a0 4 letters (3 typescript and 1 ink MS; signed in ink).\u00a0 Dates: May 20, 1969; December 31, 1975; February 5, 1980; November 23, 1986.\u00a0 \u2013 Longy School of Music Library.\u00a0 1 letter (typescript; signed in ink).\u00a0 Undated.\u00a0 \u2013 MIT Music Library.\u00a0 1 letter and 1 card (typescript; signed in ink).\u00a0 Dates: May 13, 1977; May 4, 2000.\u00a0 \u2013 New England Conservatory of Music.\u00a0 6 letters (typescript; signed in ink).\u00a0 Date: March 3, 1976; April 20, 1977; December 19, 1979; May 12, 1980; May 1, 1984; November 20, 1984.\u00a0 \u2013 Peabody Museum of Salem.\u00a0 1 card (typescript; signed in ink).\u00a0 Date: June 5, 1986.\u00a0 \u2013 Tufts University.\u00a0 2 letters (typescript; signed in ink).\u00a0 Dates: March 14, 1984; May 8, 1984.\u00a0 \u2013 Wellesley College.\u00a0 1 letter (typescript; signed in ink).\u00a0 Date: April 9, 1984.\u00a0 \u2013 Newspaper article concerning Howard Gotlieb, curator of Boston University\u2019s special collections.\u00a0 Date: November 28, 2002.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nGifts to Various Public Libraries.\u00a0 Correspondence pertaining to gifts from Gardner Reed to various libraries.\u00a0 Institutions include: — American Music Center.\u00a0 7 letters (typescript; signed in ink).\u00a0 Dates: April 1, 1942; April 21, 1942; January 12, 1948; may 15, 1978; July 12, 1979; June 9, 1982; December 31, 1985.\u00a0 \u2013 The American Library in Paris.\u00a0 1 letter (typescript; signed in ink).\u00a0 Date: May 28, 1947.\u00a0 \u2013 American Harp Society.\u00a0 2 letters (typescript; signed in ink).\u00a0 Dates: November 18, 1981; March 14, 1983.\u00a0 \u2013 Carnegie Library of Pittsburgh.\u00a0 5 letters (typescript; signed in ink).\u00a0 Dates: November 28, 1947; December 10, 1947; October 27, 1967; November 14, 1967; January 7, 1981.\u00a0 \u2013 Evanston Public Library.\u00a0 6 letters (typescript; signed in ink).\u00a0 Dates: June 7, 1950; March 15, 1951; April 17, 1975; September 29, 1982; November 5, 1984; December 14, 1984.\u00a0 \u2013 Evanston Township High School.\u00a0 2 letters (typescript; signed in ink).\u00a0 Dates: December 13, 1940; January 31, 1996.\u00a0 \u2013 Foundation for Contemporary Performance Arts.\u00a0 1 letter (typescript; signed in ink with pencil annotations).\u00a0 Date: November 15, 1967.\u00a0 \u2013 Kansas City Conservatory of Music Library.\u00a0 1 letter (typescript; signed in ink).\u00a0 Date: October 20, 1943.\u00a0 \u2013 Lennox Library Association.\u00a0 2 letters (ink MS).\u00a0 Dates: December 4, 1941; January 10, 1942.\u00a0 \u2013 MacDowell Colony.\u00a0 2 letters (typescript; signed in ink).\u00a0 Dates: November 2, 1983; January 5, 1984.\u00a0 \u2013 Nelson Gallery of Art.\u00a0 2 letters (typescript; signed in ink).\u00a0 Dates: October 16, 1946; January 22, 1947.\u00a0 \u2013 New York Public Library.\u00a0 4 letters (typescript; signed in ink with pencil annotations).\u00a0 Dates: May 1, 1951; January 9, 1954; November 17, 1960; August 29, 1979.\u00a0 \u2013 State College of Washington.\u00a0 2 letters (typescript; signed in ink).\u00a0 Dates: September 13, 1943; October 15, 1943.\u00a0 \u2013 University of Wyoming.\u00a0 3 letters (typescript; signed in ink).\u00a0 Dates: June 18, 1975; July 31, 1975; January 23, 1981.\u00a0 \u2013 Yale University Music Library.\u00a0 Various printouts of catalogue holdings for Gardner Read works at Yale University; typescript.\u00a0 Undated.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nGollancz: Contracts \u2013 Letters.\u00a0 Documents include: — Agreement between Crescendo Publishing Co. and Victor Gollancz Limited with respect to Gardner Read\u2019s Music Notation<\/em>.\u00a0 Typescript; signed in ink by officers from both corporations.\u00a0 Date: June 25, 1973. \u2013 Letter from Robert Bell, Crescendo Publishing Co., to Gardner Read.\u00a0 Ink MS.\u00a0 Date: April 24, 1973.\u00a0 \u2013 33 letters from various officers of Victor Gollancz Limited to Gardner Read.\u00a0 Typescript; signed in ink.\u00a0 Dates: August 14, 1973; August 31, 1973; September 7, 1973; September 13, 1973; November 29, 1973; December 12, 1973; January 24, 1974; January 30, 1974; February 28, 1974; April 8, 1974; October 23, 1974; February 12, 1979; March 3, 1980; June 2, 1980; June 25, 1980; January 9, 1981; June 11, 1981; January 8, 1982; September 3, 1982; January 24, 1983; April 15, 1983; May 19, 1983; May, xx 1983; July 20, 1983; September 27, 1984; June 12, 1984; June 7, 1985; August 5, 1985; September 13, 1985; October 2, 1989; December 21, 1989; January 26, 1990; April 30, 1993.\u00a0 \u2013 Copy of letter from Livia Gollancz to Robert Bell.\u00a0 Typescript.\u00a0 Date: December 4, 1975.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nGollancz: Royalties.\u00a0 46 royalty statements. Typescript with pencil annotations.\u00a0 Dates run from October 31, 1974 through December 31, 1998.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 16<\/strong><\/td>\nH. W. Gray Co., Inc. \/ Belwin Mills Publishing Corporation to Gardner Read. 44 letters. Typescript; signed in ink by various officers of the H. W. Gray Co., Inc.,and the Belwin Mills Publishing Corporation. Dates: April 15, 1940; September 9, 1940; May 16, 1941; July 15, 1943; July 21, 1944; March 21, 1945; March 27, 1945; May 14, 1945; May 24, 1945; June 26, 1946; September 30, 1947; February 27, 1948; August 23, 1949; December 2, 1949; February 21, 1951; March 9, 1951; July 24, 1951; January 22, 1952; April 29, 1952; May 5, 1952; June 23, 1952; October 14, 1952; October 15, 1952; October 27, 1952; January 27 1953; May 12, 1953; March 10, 1954; April 15, 1954; January 11, 1955; February 16, 1956; February 7, 1957; October 24, 1958; April 20, 1960; July 15, 1960; September 11, 1961; January 31, 1962; February 8, 1962; January 2, 1963; April 1, 1965; March 15, 1967; October 12, 1976; February 8, 1977; June 7, 1977;September 14, 1983. Accompanied by 24 royalty statements. Typescript; annotated in pencil. Dates run from September 1946 to January 6, 1971.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 17<\/strong><\/td>\nGreenwood: Letters.\u00a0 7 letters from various officers of Greenwood Publishing Group, Inc.\u00a0 Typescript; signed in ink.\u00a0 Dates: September 17, 1993; February 7, 1997; April 4, 1997; October 27, 1997; October 30, 1997; January 13, 1998; February 16, 2001.\u00a0 Accompanied by invoice for complimentary copy of Pictographic Score Notation<\/em>.\u00a0 Typescript.\u00a0 Date: May 22, 1998.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nGreenwood: Royalties.\u00a0 44 royalty statements.\u00a0 Typescript with pencil annotations.\u00a0 Dates run from March 31, 1968 through June 28, 2003.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 19<\/strong><\/td>\nHuntington Hartford Foundation to Gardner Read. 12 letters. Typescript; signed in ink by various officers of the Huntington Hartford Foundation. Dates: October 7, 1959; October 31, 1959; June 1, 1960; October 20, 1960; February 4, 1964; May 12, 1964; May 13, 1964; November 6, 1964; November 20, 1964; February 1, 1965; August 18, 1965; December 6, 1965.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nIndiana University Press correspondence. –13 letters (12 typescript and 1 ink MS) to Gardner Read; signed in ink by various officers of the Indiana University Press. Dates: February 18, 1977; April 1, 1977 (2); June 1, 1977; June 30, 1977; July 12, 1978; October 23, 1978; August 2, 1979; October 18, 1979; November 26, 1979; June 18, 1980; August 4, 1980; June 27, 19xx. –4 letters (1 typescript and 3 typescript repros) to various publishing firms; signed in ink by Gardner Read. Dates: March 1, 1977 (3); March 7, 1977. –14 royalty statements. Typescript; annotated in ink and pencil. Dates run from April 23, 1979 to 1995.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 21<\/strong><\/td>\nIndiana University Press.\u00a0 1 royalty statement.\u00a0 Typescript.\u00a0 For period ending\u00a0 December 2002.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 22<\/strong><\/td>\nIndianapolis Symphony Orchestra to Gardner Read. 16 letters. Typescript; signed in ink by various officers of the Indianapolis Symphony Orchestra. Dates: October 30, 1942; November 11, 1942; December 4, 1942; January 28, 1943; September 30, 1943; December 8, 1943; February 4, 1944; March 23, 1944; April 8, 1944; May 29, 1944; October 31, 1944; December 24, 1944; May 3, 1948; September 24, 1958; January 20, 1960; April 27, 1960.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nInternational Travel Grants correspondence and documents. 62 documents. –30 letters to Gardner Read. Typescript; signed in ink by various officials of government agencies in the United States and Mexico. Dates: September 18, 1956; October 3, 1956; December 6, 1956; December 17, 1956; February 6, 1957; February 20, 1957; March 28, 1957; April 3, 1957; April 11, 1957; April 12, 1957; May 13, 1957; May 15, 1957; May 25, 1957; September 11, 1957; October 9, 1957; December 4, 1957; February 4, 1958; November 3, 1958; June 10, 1964; June 18, 1964; June 19, 1964; June 22, 1964; June 26, 1964; July 2, 1964; July 6, 1964 (2); July 30, 1964; January 16, 1965; January 21, 1965; February 4, 1965. –10 letters from Gardner Read to various individuals. Carbon copy typescript. Dates: April 4, 1957; May 23, 1957; August 16, 1957 (2); July 21, 1964 (2); August 11, 1964; August 13, 1964; November 12, 1964; December 30, 1964. –4 letters written on Gardner Read\u2019s behalf regarding his activities abroad. Typescript; signed in ink. Dates: September 6, 1957; June 19, 1964; February 11, 1965; February 15, 1965. –Various documents, most of an official nature from the US state department, pertaining to Gardner Read\u2019s travels abroad. 18 documents.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 24<\/strong><\/td>\nEdwin F. Kalmus: Publisher of Music to Gardner Read. 23 letters (19 typescript and 4 ink MS); signed by various officers of the Edwin F. Kalmus firm. Dates: June 14, 1938; August 7, 1940; August 8, 1940; August 12, 1940; August 14, 1940; August 22, 1940; July 24, 1941; July 30, 1941; October 8, 1941; November 19, 1941; May 21, 1946; December 9, 1946; February 5, 1952; May 12, 1953; May xx, 1953 (accompanied by a telegram dated May 20, 1953); May 7, 1957; May 18, 1957; November 22, 1957; January 14, 1958; January 30, 1958; 3 undated. Accompanied by 15 royalty statements. Dates run from January 12, 1940 through March 10, 1955. Also accompanied by 6 Western Union telegrams. Dates August 6, 1940 (3) and August 7, 1940 (3). Typescript.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 25<\/strong><\/td>\nKansas Federation of Music Clubs. Fern Dielmann of the Kansas Federation of Music Clubs to Gardner Read. 4 letters (1 typescript and 3 ink MS); signed in ink by Fern Dielmann. No dates.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 26<\/strong><\/td>\nKerby: Royalties.\u00a0 2 letters from Elvira C. Kerby of E.C. Kerby Ltd. to Gardner Read.\u00a0 Typescript; signed in ink.\u00a0 Dates: September 11, 1974; October, xx 1988.\u00a0 9 royalty statements.\u00a0 Typescript with pen and pencil annotations.\u00a0 Dates run from August 1, 1974 through August 15, 1988.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 27<\/strong><\/td>\nKindler Foundation. Persis Kindler Batigne of the Kindler Foundation to Gardner Read. 5 letters (4 typescript and 1 ink MS); signed in ink by Persis Kindler Batigne. Dates: December 17, 1957; February 23, 1958; March 6, 1958; April 12, 1958; September 29, 1992.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 28<\/strong><\/td>\nLawson-Gould: Contracts \u2013 Letters.\u00a0 Documents include: — 17 royalty agreements between Lawson-Gould Music Publishers, Inc. and Gardner Read.\u00a0 Typescript; signed in ink by Gardner Read and an officer from Lawson-Gould Music Publishers.\u00a0 Dates: November 28, 1956; October 17, 1957; November 4, 1957; February 13, 1959; April 2, 1969; April 30, 1973; March 14, 1974; May 20, 1974; December 21, 1977 (2 agreements); July 20, 1979 (2 agreements); November 16, 1984; October 21, 1985 (2 agreements); October 21, 1985; December 12, 1985.\u00a0 \u2013 letters from various officers at Lawson-Gould to Gardner Read.\u00a0 Typescript; signed in ink.\u00a0 Dates: September 28, 1956; November 20, 1956; November 27, 1956; December 14, 1956; January 2, 1957; January 11, 1957; January 17, 1957; January 29, 1957; February 19, 1957; March 13, 1957; April 23, 1957; October 17, 1958; November 4, 1957; December 12, 1957; February 27, 1958; March 4, 1958; February 7, 1958; June 4, 1958; June 13, 1958; November 13, 1958; December 10, 1958; February 9, 1959; February 13, 1959; February 25, 1959; June 18, 1959; November 6, 1959; November 13, 1959; August 23, 1961; September 23, 1963; April 3, 1969; September 12, 1969; June 15, 1970; January 24, 1973; March 19, 1973; April 30, 1973; February 21, 1974; February 6, 1974; March 1, 1974; March 13, 1974; April 2, 1974; August 23, 1974; January 17, 1975; October 2, 1975; February 12, 1976; February 23, 1976; May 28, 1976; June 7, 1977; December 21, 1977; January 26, 1978; April 18, 1978; June 5, 1978; September 11, 1978; April 9, 1979; July 20, 1979; August 9, 1979; September 27, 1979; December 6, 1979; May 16, 1980; September 19, 1980; January 19, 1981; April 20, 1982; April 30, 1984; May 11, 1984; November 16, 1984; December 4, 1984; June 26, 1985; July 3, 1985; July 17, 1985; September 24, 1985; October 21, 1985; October 29, 1985; December 9, 1985; December 12, 1985; December 20, 1985; September 8, 1986; January 5, 1987; January 12, 1987; January 11, 1988; January 22, 1988; August 8, 1988; January 6, 1989; March 24, 1989; June 14, 1989; December 6, 1989; May 18, 1992; February 10, 1997; December 22, 1998; 1 undated.\u00a0 \u2013 Letter from Frances Frost to Gardner Read.\u00a0 Typescript; signed in ink by Frances Frost.\u00a0 Date: December 3, 1956.\u00a0 \u2013 Letter from Ralph Satz to Gardner Read.\u00a0 Ink MS.\u00a0 Date: November 16, 1957. \u2013 Copy of letter from Roberta Savler, Publication Director for Summy-Birchard Company to Walter Gould of Lawson-Gould.\u00a0 Typescript.\u00a0 Date: April 9, 1974. \u2013 2 letters from Kenneth Roberton, Roberton Publications, to Gardner Read.\u00a0 Typescript; signed in ink.\u00a0 Dates: June 4, 1982; July 29, 1982.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nLawson-Gould: Royalties.\u00a0 38 statements.\u00a0 Dates run from April 1, 1959 through December 1999.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 30<\/strong><\/td>\nLecture engagements. 83 letters (82 typescript and 1 ink MS); signed in ink by various faculty and staff members of colleges and universities throughout the United States. Dates: April 11, 1967; April 13, 1967; April 17, 1967; April 19, 1967; April 24, 1967; April 25, 1967; April 28, 1967; May 1, 1967; May 4, 1967; May 4, 1967; May 11, 1967; May 13, 1967; May 15, 1967 (2); May 17, 1967; May 24, 1967; May 26, 1967 (2); May 29, 1967; May 31, 1967; June 2, 1967; June 5, 1967; June 12, 1967 (2); June 20, 1967; June 26, 1967; July 6, 1967; July 11, 1967; July 18, 1967; July 24, 1967; August 7, 1967; August 9, 1967; August 11, 1967; August 16, 1967; September 11, 1967; September 14, 1967; September 18, 1967; September 20, 1967 (3); September 28, 1967; September 29, 1967; September 30, 1967; October 2, 1967; October 3, 1967; October 11, 1967; October 13, 1967 (2); October 14, 1967; October 18, 1967 (2); November 1, 1967; November 16, 1967; November 22, 1967; November 27, 1967; December 4, 1967; December 14, 1967; December 15, 1967; December 21, 1967; January 9, 1968 (3); January 19, 1968; January 31, 1968; February 27, 1968; March 5, 1968; March 6, 1968; March 7, 1968; March 11, 1968; March 13, 1968; March 26, 1968; March 28, 1968; March 29, 1968; April 10, 1968; April 15, 1968; April 19, 1968; April 23, 1968; May 15, 1968; May 23, 1968; May 27, 1968; September 25, 1968; 2 undated. Accompanied by a lecture tour itinerary for the dates October 24, 19xx through November 16, 19xx. Typescript. 1 page.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 31<\/strong><\/td>\nLeeds: Contracts \u2013 Letters.\u00a0 Includes correspondence between Delkas Music Publishing Company.\u00a0 Documents include: — Composers\u2019 Agreement between Delkas Music Publishing Company and Gardner Read.\u00a0 Typescript; signed in ink by Gardner Read and officers of Delkas.\u00a0 Date: July xx, 1946.\u00a0 \u2013 Standard Songwriter\u2019s Contract between Leeds Music Corporation and Gardner Read.\u00a0 Typescript; signed in ink by an officer of Leeds and Gardner Read.\u00a0 Date: April 16, 1947.\u00a0 \u2013 4 letters from Nathan Abas, Delkas Music Publishing Company, to Gardner Read.\u00a0 Typescript; signed in ink.\u00a0 Dates: June 13, 1946; July 10, 1946; February 19, 1948; June 14, 1948.\u00a0 \u2013 letters from various officers of Leeds Music Corporation to Gardner Reed.\u00a0 Typescript; signed in ink.\u00a0 Dates: March 10, 1947; March 31, 1947; May 20, 1947; May 27, 1947; June 2, 1947; November 20, 1947; December 9, 1947; March 24, 1948; March 24, 1948;\u00a0 April 7, 1948; May 26, 1948; January 12, 1949; March 14, 1951; April 22, 1952; December 9, 1953; May 9, 1955; August 22, 1963; October 18, 1963; November 19, 1963; December 2, 1963; December 11, 1963; December 24, 1963; February 7, 1964; February 18, 1964; February 25, 1964; March 5, 1964; April 29, 1964; September 17, 1964; February 25, 1965; May 5, 1965; December 20, 1965; April 4, 1973; April 26, 1973; March 13, 1995.<\/td>\n<\/tr>\n
folder 32<\/strong><\/td>\nLeeds & MCA Universal: Royalties.\u00a0 59 royalty statements.\u00a0 Typescript with pencil annotations.\u00a0 Dates range from December 31, 1947 through December 2002.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nLibrary of Congress: Letters \u2013 Evaluations.\u00a0 Documents include: 29 letters from various officers at the Library of Congress to Gardner Read.\u00a0 Typescript; signed in ink.\u00a0 Dates: October 18, 1967; October 24, 1967; November 7, 1967 (2 letters); January 8, 1969; March 20, 1969; April 8, 1969; June 4, 1969; November 7, 1969; February 10, 1971; April 30, 1971; May 17, 1971; May 26, 1971; February 11, 1974; January 13, 1975; April 12, 1975; November 21, 1975; March 20, 1979; April 10, 1979; April 7, 1980; February 6, 1981; March 26, 1981; April 13, 1981; April 28, 1981; October 27, 1981; October 2, 1991; July 21, 1983; October 24, 1983; December 13, 1983. \u2013 Copy of letter from Gardner Read to Nathan R. Einhorn, Library of Congress.\u00a0 Typescript. Date: March 18, 1980.\u00a0 \u2013 2 lists of works by Gardner Read with dollar values beside them.\u00a0 Typescript with pencil annotations.\u00a0 Dates: 1967, 1975. \u2013 2 Agreement of Deposits.\u00a0 Typescript; signed in ink by an officer from the Library of Congress and Gardner Read.\u00a0 Dates: May 7, 1971; June 1, 1971.\u00a0 \u2013 List of works given to the Library of Congress.\u00a0 Typescript with pencil annotations.\u00a0 Date: January 2, 1975. \u2013 Library of Congress Packing and Shipping Instructions Manual.\u00a0 Typescript with pencil annotations by Gardner Read.\u00a0 Undated.\u00a0 \u2013 Evaluations of Gifts to the Library of Congress (sorted by year).\u00a0 Typescript.\u00a0 Undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 34<\/strong><\/td>\nArdyth Lohuis to Gardner Read. No date. 1 page. Accompanied by a printout of a web page that contains information on the Raven Compact Discs recording by the Murray\/Lohuis Duo. The duo recorded Gardner Read\u2019s A Christmas Pastorale, Op. 124<\/em>. 1 page.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 35<\/strong><\/td>\nEllen Jane Lorenz, Chairman of the Lorenz Publishing Company, to Gardner Read, December 29, 1949. Typescript, signed in ink by Ellen Jane Lorenz.<\/td>\n<\/tr>\n
folder 36<\/strong><\/td>\nLouisville Philharmonic Society \/ The Louisville Orchestra to Gardner Read. 14 letters. Typescript; signed in ink by various officers of the Louisville Philharmonic Society \/ Louisville Orchestra. Dates: July 15, 1953; October 16, 1953; November 6, 1953; January 19, 1954; February 24, 1954; February 26, 1954; March 10, 1954; March 26, 1954; May 3, 1954; June 8, 1954; March 4, 1955; March 30, 1957; February 26, 1960; January 29, 1963.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nMarian MacDowell to Gardner and Vail Read. 43 letters (23 typescript and 20 ink MS); signed in ink by Marian MacDowell. Dates: April 28, 1936; July 9, 1936; November 26, 1936; April 21, 1937; May 14, 1937; May 10, 1938; May 28, 1938; April 25, 1939; June 19, 1940; July 27, 1940; August 23, 1940; October 4, 1940; October 7, 1941; December 31, 1943; March 1, 1944; December 12, 1944; March 14, 1945; April 7, 1945; April 26, 1945; May 5, 1945; May 24, 1945; May 28, 1945; June 8, 1945; June 21, 1945; October 25, 1945; October 26, 1946; November 19, 1946; March 31, 1947; June 3, 1947; January 10, 1948; February 22, 1948; August 25, 1950; December 25, 1950; September 5, 1953; October 13, 1954; November 12, 1954; April 1, 19xx; March 20, 19xx; May 8, 19xx; October 28, 19xx; July 22, 19xx; 2 undated.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nEdward B. Marks Music Corporation to Gardner Read. 24 letters. Typescript; signed in ink by various officers of the Edward B. Marks Music Corporation. Dates: December 20, 1943; December 31, 1943; May 9, 1944; May 22, 1944; October 19, 1944;\u00a0 November 16, 1945; November 27, 1945; June 27, 1946; November 4, 1946; March 14, 1947; March 17, 1947; March 20, 1947; March 31, 1947; November 16, 1948; April 4, 1950; March 16, 1951; February 21, 1956 (accompanied by a telegram dated February 13, 1951); March 5, 1956; May 2, 1956; October 31, 1956; February 12, 1957; March 3, 1971; March 12, 1971; May 28, 1971. Accompanied by two telegrams to Gardner Read from Felix Guenther. Typescript. Dates May 8, 1944 and February 2, 1945. Also accompanied by 3 royalty statements. Typescript. Dates: January 2, 1946; June 27, 1946; July 1, 1952.<\/td>\n<\/tr>\n
folder 39<\/strong><\/td>\nMcLaughlin and Reilly Co. to Gardner Read. 9 letters. Typescript; signed in ink by various officers of the McLaughlin and Reilly Co. Dates: July 27, 1961; February 21, 1966; June 1, 1966; June 20, 1966; July 18, 1966; September 1, 1966; December 9, 1966; February 9, 1968; February 28, 1968. Accompanied by a royalty statement from February 1, 1968. Typescript. 1 page.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 40<\/strong><\/td>\nMedia Press: Letters \u2013 Contract.\u00a0 Documents include: — 4 contracts between Media Press, Inc., and Gardner Read.\u00a0 Typescript with pencil annotations; signed in ink by the President of Media Press, Inc. and Gardner Read.\u00a0 Dates: October 5, 1994; March 15, 1995; January 31, 1996; March 11, 1999.\u00a0 \u2013 20 letters from Media Press to Gardner Read.\u00a0 Typescript; signed in ink by Thomas Siwe, President, Media press, Inc.\u00a0 Dates: October 5, 1994; November 4, 1994; November 13, 1994; February 8, 1995; February 22, 1995; March 16, 1995; January 4, 1996; January 30, 1996; May 23, 1996; October 5, 1996; June 7, 1997 (unsigned); December 30, 1998; March 11, 1999; October 26, 1999; April 27, 2000; September 7, 2000;\u00a0 January 15, 2001 (unsigned); February 25, 2001; January 16, 2002; January 13, 2004.\u00a0 \u2013 Facsimile of program notes by Jeremy Swerling for Phantasmagoria, Op. 147.\u00a0 Typescript.\u00a0 Date: October 16, 1996.<\/td>\n<\/tr>\n
folder 41<\/strong><\/td>\nMedia Press: Royalties.\u00a0 8 royalty statements.\u00a0 Typescript.\u00a0 Dates run from 1994 through 2002.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 42<\/strong><\/td>\nMillikin Conservatory of Music to Gardner Read. 11 letters (8 typescript and 3 ink MS); signed in ink by Carl Van Buskirk, director of the Millikin University Choral Laboratory, and William R. Fischer. Dates: January 6, 1942; January 3, 1945; January 5, 1945; February 16, 1945; March 28, 1945; April 23, 1945; December 9, 1945; October 17, 1946; November 25, 1946; February 26, 1947; March 24, 1947.<\/td>\n<\/tr>\n
folder 43<\/strong><\/td>\nMills Music, Inc. to Gardner Read. 17 letters. Typescript; signed in ink by various officers of Mills Music, Inc. Dates: May 5, 1944; May 26, 1944; September 27, 1949; October 5, 1949; November 18, 1949; June 13, 1950; February 12, 1954; March 10, 1954; March 18, 1954; April 3, 1956; August 29, 1956; January 21, 1959; September 16, 1959; October 15, 1959; October 10, 1960; January 13, 1965; May 23, 1969.<\/td>\n<\/tr>\n
folder 44<\/strong><\/td>\nMiscellaneous Orchestras (programming requests). 128 letters (119 typescript and 9 ink MS); signed in ink by various officers of symphony orchestras across the United States. Dates: October 21, 1937; December 6, 1937; June 8, 1939; July 18, 1940; March 17, 1941; March 24, 1941; April 27, 1941; June 6, 1941; October 16, 1942; October 20, 1942; April 28, 1943 (2); May 26, 1943; November 29, 1943; January 22, 1944; March 27, 1944; March 30, 1944; May 9, 1944; July 26, 1944; August 23, 1944; October 16, 1944; November 22, 1944; December 4, 1944; January 1, 1945; August 28, 1945; November 17, 1945; November 29, 1945; March 8, 1946; June 17, 1946; August 8, 1946; September 9, 1946; November 4, 1946; January 7, 1947; January 9, 1947; January 21, 1947 (2); January 30, 1947; March 13, 1947; May 5, 1947; August 9, 1947; June 9, 1948; December 10, 1948; March 11, 1949; April 28, 1949; November 16, 1949; November 22, 1949; November 23, 1949; November 28, 1949; November 30, 1949; December 30, 1949; January 31, 1950; February 6, 1950; March 24, 1950; May 22, 1950; June 9, 1950; October 16, 1950; November 22, 1950; June 15, 1951; November 12, 1951; January 3, 1952; June 23, 1952; October 17, 1952; February 24, 1953; May 7, 1953; May 12, 1953; February 12, 1954; February 7, 1956; September 24, 1956; May 13, 1957; January 15, 1960; February 8, 1960; April 21, 1960; December 6, 1960; December 20, 1960; April 4, 1961; April 17, 1961; November 17, 1961; February 28, 1962; May 2, 1962; December 24, 1963; March 27, 1964; October 14, 1964; November 16, 1965; March 14, 1967; March 11, 1968; June 8, 1968; October 16, 1968; September 25, 1969; March 4, 1970; February 15, 1971; August 2, 1972; September 17, 1973; April 1, 1975; January 23, 1976; April 1, 1976; July 7, 1977; December 12, 1977; May 17, 1978; April 3, 1981; July 11, 1981; November 25, 1981; June 4, 1982; June 17, 1982; November 8, 1982; March 25, 1983; April 6, 1983; April 26, 1984; November xx, 1984; May 29, 1985; November 13, 1985; January 3, 1986; January 21, 1986; January 16, 1987; October 1, 1987; August 15, 1988; November 2, 1988; April 16, 1992; February 9, 1993; October 27, 1993; September 24, 19xx; December 31, 19xx; 7 undated.<\/td>\n<\/tr>\n
folder 45<\/strong><\/td>\n\u00a0Morningside College Choir Series (J. Fischer & Bro. Music Publishers to Gardner Read). 80 letters. Typescript; signed in ink by various officers of J. Fischer & Bro. Music Publishers. Dates: October 10, 1943; October 30, 1943; November 1, 1943; November 9, 1943; January 3, 1944; February 8, 1944; April 24, 1944; July 23, 1944 (2); July 28, 1944; August 3, 1944; November 30, 1944; January 2, 1945 (2); March 13, 1945; June 12, 1945; November 7, 1945; November 23, 1945; December 8, 1945; March 7, 1946; March 16, 1946; December 10, 1947; January 13, 1948; January 28, 1948; February 18, 1948; April 19, 1948; September 10, 1948; September 20, 1948; February 24, 1949; July 15, 1949; December 19, 1950; June 12, 1951; August 9, 1951; October 4, 1951; February 7, 1952; July 10, 1952; January 5, 1954; February 10, 1954; February 23, 1954; March 24, 1954; June 28, 1954; September 9, 1954; December 10, 1954; March 28, 1955; March 14, 1956; April 4, 1956; September 11, 1956; December 10, 1957; January 10, 1958; February 20, 1958; March 6, 1958; April 2, 1958; May 22, 1958; November 18, 1958; April 7, 1961; August 1, 1961; September 7, 1961; January 25, 1963; February 21, 1963; April 10, 1963; November 12, 1963; December 13, 1963; March 10, 1964; June 2, 1964; December 21, 1964; January 21, 1965; February 2, 1965; August 25, 1965; September 5, 1965; December 6, 1966; January 4, 1967; May 18, 1967; June 27, 1967; October 1, 1968; September 27, 1968; November 25, 1968; January 21, 1969; September 19, 1969; 2 undated. Accompanied by 26 royalty statements. Typescript; annotated in pencil. Dates run from December 31, 1945 to June 30, 1970.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 46<\/strong><\/td>\nMusic News, Inc. to Gardner Read. 5 letters. Typescript; signed in ink by Hans Rosenwald, Managing Editor of the\u00a0Music News<\/em>. Dates: May 11, 1943; September 16, 1943; November 8, 1943; December 12, 1943; May 26, 1945.<\/td>\n<\/tr>\n
folder 47<\/strong><\/td>\nMusic Publishers Holding Corporation \/ Warner Bros. Music to Gardner Read. 26 letters. Typescript; signed in ink by various officers of Music Publishers Holding Corporation \/ Warner Bros. Music. Dates: September 23, 1947; October 2, 1947; October 10, 1947; October 28, 1947; December 4, 1947; December 15, 1947; January 23, 1948; February 5, 1948; February 9, 1948; March 15, 1948; May 6, 1948; September 29, 1948; June 21, 1949; March 24, 1950; July 3, 1950; July 26, 1950; August 15, 1950; October 18, 1950; February 18, 1955; March 24, 1955; April 22, 1957; December 3, 1957; November 11, 1970; January 14, 1971; March 17, 1971; April 20, 1971. Accompanied by 89 royalty statements from M. Witmark & Sons. Typescript; annotated in pencil. Dates run from February 28, 1948 to August 29, 1970.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nAlison Neale (of Europa Publications) to Gardner Read. No date. 1 page. Pertains to Gardner Read\u2019s entry in International Who\u2019s Who in Classical Music 2004<\/em>.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 2<\/strong><\/td>\nNortheastern Records Chamber Music CD: correspondence and documents. 38 documents including: –15 letters (11 typescript and 4 ink MS) to Gardner Read from various agencies and individuals involved in the recording of the Chamber Music CD; signed in ink. Dates: December 1, 1992; August 16, 1993 (2); September 2, 1993; September 28, 1993; October 7, 1993; November 15, 1993; December 13, 1993; December 29, 1993; January 28, 1994; July 19, 1994; August 24, 1994; January 17, 1995; February 28, 1997; April 16, 1998. –A letter from Gardner Read to Raoul Ronson. Typescript. No date. –A letter from Gardner Read to Laurence Broido. Typescript. No date. –21 miscellaneous documents pertaining to the recording of the Chamber Music CD.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nNortheastern University Press \/ Northeastern Records: correspondence and documents. 33 Documents pertaining to the recording of the CD, Gardner Read: Works for Organ, released in 1989 on Northeastern Records. Documents include: –14 letters to Gardner Read (12 typescript and 2 ink MS); signed in ink by various individuals involved in the recording the CD. Dates: May 4, 1982; April 20, 1984; January 4, 1985; April 8, 1987; April 22, 1987; May 4, 1987; June 4, 1987; February 4, 1988; June 27, 1988; July 1, 1988; October 9, 1988; January 30, 1989; March 10, 1989; March 15, 1989. –A letter written on Gardner Read\u2019s behalf by Leonard Raver to Lynn E. Joiner, February 13, 1989. Repro of typescript; annotated in red ink. Accompanied by a draft of Leonard Raver\u2019s liner notes to the CD. –3 letters written on Gardner Read\u2019s behalf by Lynn E. Joiner to officers of various publishing firms. 1 typescript, signed in ink, and 2 repros of typescript. Dates: March 14, 1989 (2); May 6, 1991. –15 documents pertaining to the recording of the CD.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nNotation lectures: 1968-69 correspondence and documents. 94 documents.\u00a0\u00a0\u00a0\u00a0\u00a0 –89 letters (83 typescript and 6 ink MS); signed in ink by various faculty and staff members of colleges and universities across the United States. Dates: January 2, 1967; April 5, 1967; April 7, 1967; April 11, 1967 (2); April 12, 1967; May 2, 1967; May 9, 1967; September 5, 1967; September 12, 1967; September 22, 1967; September 27, 1967; October 5, 1967; October 6, 1967 (2); October 19, 1967; November 7, 1967; December 6, 1967; December 27, 1967; January 5, 1968; January 8, 1968; January 12, 1968; January 15, 1968; February 8, 1968; February 13, 1968 (3); February 15, 1968; February 19, 1968; February 28, 1968; March 11, 1968 (2); April 8, 1968 (3); April 15, 1968; April 22, 1968; April 24, 1968; April 25, 1968 (2); April 29, 1968; April 30, 1968; May 2, 1968; May 10, 1968; May 14, 1968; May 15, 1968; May 16, 1968; May 27, 1968 (2); June 7, 1968; June 13, 1968; June 14, 1968; June 17, 1968; June 25, 1968; June 26, 1968; July 8, 1968; July 24, 1968; September 3, 1968; September 20, 1968 (2); September 23, 1968; September 24, 1968 (2); September 30, 1968; October 4, 1968; October 8, 1968; October 9, 1968; November 7, 1968; November 21, 1968; November 29, 1968; December 9, 1968 (2); December 10, 1968; December 16, 1968; January 14, 1969; January 20, 1969 (3); January 28, 1969; January 29, 1969; February 10, 1969; February 12, 1969; March 3, 1969 (3); March 20, 1969; April 16, 1969; February 3, 19xx; 1 undated. –3 letters from Gardner Read to various faculty and staff members of colleges and universities across the United States. Typescript; annotated in pencil. Dates: January 8, 1968 (3). –\u201cThe Dilemma of Notation\u201d lecture tour itinerary. Typescript. 1 page. –A document titled \u201cWestminster Choir College, Princeton, New Jersey, Arrangements for Assembly Speaker\u201d. Typescript. 1 page.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nOliver Ditson Company to Gardner Read. 7 letters. Typescript; signed in ink by Rob Roy Peery, Publication Manager. Dates: July 9, 1941; October 3, 1941; October 16, 1941; January 9, 1948; January 21, 1948; February 5, 1948; November 23, 1948. Accompanied by 11 royalty statements. Typescript; annotated in pencil. Dates run from July 1, 1942 through June 30, 1953.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 6<\/strong><\/td>\nOpus One: Contracts \u2013 Letters. \u00a0Documents include: \u2013 30 letters from Max Schubel, President, Opus One Records, to Gardner Read.\u00a0 Typescript; signed in ink by Max Schubel.\u00a0 Dates: June 11, 1984; June 29, 1984 (with ink and pencil annotations); July 22, 1984; August 24, 1984; September 3, 1984; November 9, 1984; November 25, 1984; December 11, 1984; January 1, 1985; March 6, 1985; March 15, 1985; May 7, 1985; July 7, 1985; October 11, 1985; October 31, 1985; December 22, 1985; May 16, 1986; August 24, 1986; September 7, 1986; September 25, 1986; October 12, 1986; \u00a0October 19, 1986; November 11, 1986; November 26, 1986; January 11, 1987; October 10, 1987; February xx, 1988; August 12, 1987; December xx, 1996; 1 undated.\u00a0 \u2013 Returned checks from Marshall Coid and Yolanda Liepa for recording Gardner Read\u2019s Violin Sonata for Opus One Records.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 7<\/strong><\/td>\nOur American Music broadcast correspondence. 57 letters (38 typescript and 19 ink MS); signed in ink by various American composers and officers from various publishing firms. Dates: May 5, 1956; October 6, 1956; October 7, 1956; October 9, 1956; October 11, 1956; October 15, 1956; November 5, 1956; November 8, 1956; January 18, 1957; November 22, 1957; January 23, 1958; February 1, 1958; January 20, 1959; April 7, 1959; May 3, 1959; May 4, 1959; May 5, 1959 (7); May 6, 1959 (2); May 7, 1959; May 8, 1959 (2); May 11, 1959; May 15, 1959; May 16, 1959; May 18, 1959 (2); May 19, 1959; May 22, 1959 (2); May 26, 1959 (2); May 29, 1959; June 8, 1959; June 9, 1959; June 15, 1959; June 17, 1959; June 28, 1959; June 29, 1959; September 20, 1959; October 13, 1959; January 23, 1960; January 25, 1960; February 24, 1960; July 7, 1960; July 11, 1960; July 16, 1960; July 23, 1960; July 25, 1960; 2 undated. Accompanied by 2 form letters written by Gardner Read. No signature or named recipient. Typescript. Dates: October 1, 1956 and May 1, 1959.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 8<\/strong><\/td>\nPeters: Contracts \u2013 Letters.\u00a0 Documents include: — 4 agreements between Henmar Press, Inc. and Gardner Read.\u00a0 Typescript; signed in ink by the President of Henmar and Gardner Read.\u00a0 Dates: February 21, 1961; July 13, 1970 (2 agreements); May 7, 1971.\u00a0 \u2013 1 royalty agreement between Henmar Press, Inc. and Gardner Read.\u00a0 Typescript with ink annotations; signed in ink by the President of Henmar Press, Inc. and Gardner Read.\u00a0 Date: May 1996.\u00a0 \u2013 \u00a078 letters from various members of C. F. Peters Corporation and Gardner Read (\u00a0 74 typescript and 4 ink MS); signed in ink.\u00a0 Dates: November 1, 1960; February 21, 1961; March 6, 1961; March 9, 1961; March 13, 1961; March 27, 1961; April 18, 1961; May 1, 1961; October 16, 1961; March 27, 1962; September 12, 1962; April 3, 1963; June 17, 1964; November 12, 1964; September 24, 1965; October 22, 1965; November 2, 1965; January 24, 1966; April 25, 1966; May 6, 1966; October 20, 1966; August 1, 1967; March 9, 1970; \u00a0June 10, 1970; July 17, 1970; September 17, 1970; December 10, 1970; February 25, 197x, April 9, 1971; May 11, 1971; May 19, 1971; June 10, 1971; August 18, 1971; November 8, 1971; January 11, 1972; March 15, 1972; March 14, 1972; May 1, 1972; March 30, 1972; June 28, 1972; March 1, 1973; June 29, 1973; July 26, 1973; November 5, 1973; December 5, 1973; February 28, 1974; December 10, 1974; October 21, 1974; March xx, 1975; October 16, 1978; January 9, 1979; April 24, 1980; June 23, 1980; September 18, 1980; September 23, 1980; March 5, 1982; February 11, 1983; March 29, 1983; August 5, 1983; January 23, 1987; March 27, 1987; August 19, 1987; February 23, 1991; December 4, 1991; September 20, 1993; January 29, 1996; February 26, 1997; July 10, 1997; October 22, 1997; December 9, 1997; April 2, 1998; July 3, 1998; January 13, 2000; November 21, 2000; April 19, 2001; August 21, 2002; 2 undated– Copy of letter from Gardner Read to Walter Hinrichsen, C. F. Peters Corporation.\u00a0 Typescript.\u00a0 Date: April 10, 1963. \u2013 Copy of ASCAP Repertory Performance Report from Henmar Press, Inc. to ASCAP.\u00a0 Typescript.\u00a0 Date: January 22, 1986.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nPeters: Royalties.\u00a0 42 royalty statements.\u00a0 Typescript with pencil annotations.\u00a0 Dates range from August 17, 1962 through December 31, 2002.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 10<\/strong><\/td>\nPitman Publishing Corporation to Gardner Read. 15 letters. Typescript; signed in ink by various officers of the Pitman Publishing Corporation. Dates: May 6, 1963; June 18, 1963; August 20, 1963; September 20, 1963; March 16, 1964; June 3, 1964; July 27, 1964; July 14, 1967; June 6, 1968; December 20, 1968; January 6, 1969; January 19, 1969; July 27, 1971; December 11, 1973; March 10, 1976. Accompanied by 29 royalty statements. Typescript; annotated in pencil. Dates run from July 28, 1954 through March 31, 1966.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nPosition offerings (1940-73) to Gardner Read. 33 letters. Typescript; signed in ink by representatives from various institutions that offered employment to Gardner Read. Dates: January 25, 1940; January 4, 1943; June 29, 1943; August 24, 1943; August 28, 1943; September 4, 1943; September 8, 1943; March 31, 1944; April 28, 1945; June 2, 1945; November 11, 1946; November 18, 1946; March 19, 1947; February 27, 1948; March 24, 1948; May 17, 1948; July 9, 1948; July 27, 1948; July 29, 1948; August 18, 1948; April 18, 1949; August 14, 1952; July 2, 1954; May 14, 1957; December 2, 1958; August 12, 1960; January 7, 1965; December 27, 1965; May 11, 1966; June 10, 1966; June 17, 1968; April 23, 1970; August 30, 1978. Accompanied by an employment contract from the Cleveland Institute of Music, dated April 25, 1947. Typescript; signed in ink by Gardner Read, Dorothy J. Mobery and then President of the Cleveland Institute of Music (last illegible). 1 page.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 12<\/strong><\/td>\nPresser: Contracts \u2013 Letters.\u00a0 Documents include: — 1 royalty contract and 1 rental contract between Gardner Read and Theodore Presser Company.\u00a0 Typescript; signed in ink by an officer of the Theodore Presser Company, Gardner Read, and two witnesses.\u00a0 Dates: December 13, 1966; December 12, 19xx. \u2013 68 letters from various officers of Theodore Presser Company to Gardner Read.\u00a0 Typescript; signed in ink.\u00a0 Dates: July 17, 1950; December 29, 1950; January 9, 1951; May 1, 1951; July 18, 1955; October 28, 1955; November 4, 1955; November 15, 1955; November 21, 1955; November 28, 1955; June 5, 1956; September 12, 1956; March 22, 1957; April 25, 1957; October 22, 1957; November 22, 1957; January 20, 1958; June 8, 1959; September 10, 1959; September 28, 1959; October 27, 1959; July 20, 1961; November 21, 1961; November 24, 1961; March 7, 1962; January 6, 1964; May 22, 1964; February 3, 1965; October 20, 1966; November 9, 1966; December 13, 1966 (2 letters); February 21, 1967; May 22, 1967; November 9, 1967; October 16, 1968; November 5, 1968; October 20, 1969; January 16, 1970; April 10, 1970; April 21, 1970; October 15, 1970; February 2, 1971; February 16, 1971; April 8, 1971; September 23, 1971; July 10, 1972; March 23, 1973; April 17, 1973; August 20, 1973; June 29, 1976; September 10, 1976; November 1, 1976; May 23, 1978; January 4, 1979; April 7, 1978; September 14, 1981; March 11, 1983; August 6, 1984; December 13, 1984; March 26, 1983; February 6, 1989; July 14, 1989; January 17, 1990; May 18, 1990; October 22, 1997; 1 undated.\u00a0 \u2013 Copy of letter from Aaron Copland to Bob Holton, Theodore Presser Company.\u00a0 Typescript; signed in ink.\u00a0 Date: August 5, 1969.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nPresser: Royalties.\u00a0 57 royalty statements.\u00a0 Typescript with pencil and ink annotations.\u00a0 Dates run from May 31, 1957, through April 30, 2002.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 14<\/strong><\/td>\nProgramming requests. 85 letters (82 typescript and 3 ink MS); signed in ink by officers of various performing organizations. Dates: May 20, 1937; January 3, 1940; December 1, 1940; April 4, 1941; May 11, 1941; August 29, 1941; February 21, 1942; March 2, 1942; February 25, 1943; August 27, 1943; August 3, 1944; October 20, 1945; November 22, 1946; January 10, 1947; February 18, 1947; August 15, 1947; September 23, 1947; October 14, 1947; November 3, 1947; November 17, 1949; December 4, 1949; November 6, 1952; July 26, 1954; January 8, 1955; February 2, 1955; April 5, 1955; January 15, 1956; February 8, 1956; February 13, 1956; February 15, 1956; May 3, 1956; August 27, 1956; October 10, 1956; November 6, 1956; January 28, 1957; August 22, 1957; August 23, 1957; January 30, 1958; June 8, 1958; October 27, 1958; November 6, 1958; September 4, 1959; December 4, 1959; February 16, 1960; April 19, 1960; October 4, 1960; February 1, 1961; April 18, 1961; June 27, 1962; November 26, 1962; April 11, 1963; December 5, 1963; February 27, 1964; June 3, 1964; September 29, 1964; October 1, 1964; October 9, 1964; November 25, 1964; January 2, 1965; January 11, 1965; February 9, 1965; September 13, 1965; October 12, 1965; October 28, 1965; May 24, 1966; December 27, 1966; October 26, 1967; January 30, 1968; February 29, 1968; March 14, 1968; March 20, 1968; April 29, 1968; July 31, 1969; April 4, 1972; June 10, 1972; December 3, 1973; May 23, 1975; October 10, 1975; November 28, 1978; April 9, 1979; June 4, 1980; May 27, 1982; January 30, 1987; 2 undated.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nThe Prophet premiere: correspondence. 54 letters (25 typescript and 29 ink MS) pertaining to the premiere performance of \u201cThe Prophet\u201d, February 23, 1977; signed by various friends, acquaintances and colleagues. Dates: September 29, 1976; October 21, 1976; November 19, 1976; December 7, 1976; January 12, 1977; January 17, 1977; January 18, 1977; January 25, 1977; February 3, 1977; February 4, 1977; February 7, 1977 (2); February 8, 1977; February 10, 1977; February 15, 1977 (2); February 20, 1977; February 21, 1977 (2); February 22, 1977; February 23, 1977 (3); February 24, 1977; February 25, 1977 (2); February 26, 1977; February 27, 1977; February 28, 1977 (3); March 1, 1977; March 2, 1977 (2); March 9, 1977; March 10, 1977; March 13, 1977; March 21, 1977 (3); March 23, 1977; March 25, 1977; March 28, 1977 (3); April 4, 1977 (2); April 19, 1977; April 25, 1977; April 28, 1977; 4 undated. Accompanied by a repro of the Boston University Symphony Orchestra 1976-77 rehearsal schedule. 1 page. Also accompanied by a repro of the Boston University Musical Organizations performance schedule. 1 page.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 16<\/strong><\/td>\nPublishers\u2019 Contracts \u2013 Out-of-Print Works, I.\u00a0 Contracts between various publishing firms and Gardner Read.\u00a0 Typescript; signed in ink by officers of publishing firms and Gardner Read.\u00a0 Publishers and date of contracts include: — Abingdon Press.\u00a0 August 17, 1962; August 23, 1962; January 3, 1963; January 15, 1964; November 26, 1965; October xx, 1977. \u2013 Affiliated Music Corporation.\u00a0 April 2, 1937; April 24, 1939. \u2013 Allyn-Bacon, Inc.\u00a0 November 1, 1962.\u00a0 American Music Company.\u00a0 January 5, 1953.\u00a0 \u2013 Art Publication Society.\u00a0 December 9, 1941.\u00a0 \u2013 Associated Music Publishers, Inc.\u00a0 March 19, 1945; March 31, 1945; October 10, 1978 (2 contracts); May 9, 1979.\u00a0 \u2013 Belwin Mills \/ Franco Colombo \/ J. Fischer).\u00a0 September 19, 1955; July 28, 1967; September 16, 1968 (3 contracts); November 21, 1968 (2 contracts); October 28, 1969; November 14, 1969; November 17, 1975; June 1, 1979; February 29, 1980; March 10, 1980; October 18, 1982; May 8, 1984; May 14, 1984; August 5, 1987 (2 copies).\u00a0 \u2013 Birchard.\u00a0 October 10, 1950; April 7, 1954.\u00a0 \u2013 Boosey & Hawkes.\u00a0 June 1, 1950; March 19, 1965; November 5, 1968;\u00a0 April 22, 1977; November 26, 1979;\u00a0 November 13, 1986.\u00a0 \u2013 Bradley (Asilomar\/Dreena).\u00a0 April 1, 1980; June 23, 1980 (4 contracts); August 15, 1980; April 14, 1981. \u2013 Canyon Press, Inc.\u00a0 August 7, 1967 (2 contracts).\u00a0 \u2013 Composers Press.\u00a0 January 1, 1950; May 14, 1976.\u00a0 \u2013 Oliver Ditson Company.\u00a0 October 3, 1941; August 29, 1942; January 9, 1948.\u00a0 Edition Musicus.\u00a0 April 19, 1943.\u00a0 Elkan Vogel.\u00a0 February 24, 1947.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nPublishers\u2019 Contracts \u2013 Out-of-Print Works, II.\u00a0 Contracts and\/or letters between various publishing firms and Gardner Read.\u00a0 Typescript; signed in ink by officers of publishing firms and Gardner Read.\u00a0 Publishers and dates include: — J. Fischer.\u00a0 December 7, 1945 (2 contracts); April 19, 1948; May 25, 1948; March 24, 1954; July 27, 1954; September 9, 1954 (2 contracts); April 5, 1955; January 14, 1958; May 27, 1964; September 28, 1964; December 28, 1964; \u00a0January 20, 1969; June 1, 1979.\u00a0 \u2013 FitzSimons Co. June 1, 1939; January 13, 1965 (3 contracts).\u00a0 \u2013 Galaxy Music Corporation.\u00a0 November 5, 1942; July 7, 1972; May 17, 1978.\u00a0 \u2013 H.W. Gray Co.\u00a0 September 3, 1943; November 2, 1945; December 17, 1945; September 15, 1955; June 1, 1979; September 6, 1983 (signed by an officer of the Belwin-Mills Publishing Corp.).\u00a0 \u2013 Indiana University Press.\u00a0 January 25, 1977; May 20, 1991.\u00a0 \u2013 Kalmus.\u00a0\u00a0 October 8, 19xx; June 14, 1938.\u00a0 \u2013 Lorenz Publishing Company.\u00a0 December 30, 1949; April 12, 1973.\u00a0 \u2013 E.B. Marks.\u00a0 May 9, 1944; November 14, 1945.\u00a0 \u2013 McLaughlin Reilly.\u00a0 June 20, 1966.\u00a0 \u2013 Pitman Publishing Corporation.\u00a0 April 6, 1950.\u00a0 \u2013 Theodore Presser Co.\u00a0 July 26, 1955; November 4, 1955; June 25, 1956; July 20, 1956; August 31, 1956; April 25, 1984.\u00a0 \u2013 Southern Music Publishing Co.\u00a0 July 18, 1950; December 26, 1950; November 12, 1959 (4 contracts); January 4, 1980; January 15, 1980.\u00a0 \u2013 Clayton F. Summy Co.\u00a0 November 16, 1939; January xx, 1940; April 9, 1940; May 17, 1940; May 20, 1948; April 22, 1954; April 9, 1958; December 12, 1958.\u00a0 \u2013 Volkwein Brothers, inc.\u00a0 March 25, 1948.\u00a0 \u2013 M. Witmark & Sons.\u00a0 October 14, 1947; July 5, 1950; March 3, 1971.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 18<\/strong><\/td>\nPublishers\u2019 correspondence (various). 64 letters (63 typescript and 1 ink MS); signed in ink by officers of various publishing firms. Dates: November 11, 1940; March 5, 1943; April 14, 1943; March 1, 1945; March 5, 1946; October 7, 1946; March 14, 1947; April 7, 1947; June 14, 1947; June18, 1947; August 4, 1947; September 8, 1947; January 13, 1948; February 2, 1948; February 16, 1948; April 19, 1948; July 14, 1948; December 9, 1948; January 26, 1949; February 7, 1949; March 15, 1949; March 31, 1949; April 20, 1949; April 22, 1949; October 9, 1949; October 13, 1949; January 3, 1950; February 8, 1950; April 11, 1950; October 30, 1950; February 16, 1951; January 4, 1953; November 13, 1953; November 24, 1953; December 16, 1953; January 8, 1954; June 3, 1956; March 13, 1958; June 13, 1958; May 4, 1959; November 15, 1959; January 7, 1960; August 23, 1960; October 14, 1960; October 16, 1960; November 7, 1960; March 9, 1961; May 31, 1961; April 24, 1967; May 12, 1967; August 3, 1967; August 25, 1967; October 25, 1967; July 16, 1971; August 24, 1971; September 2, 1971; January 18, 1972; December 28, 1973; January 18, 1974; May 2, 1984; April 12, 1985; April 7, 1986; November 30, 1987; 1 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 19<\/strong><\/td>\nRetirement: Reception \u2013 Letters.\u00a0 24 letters from various colleagues and friends to Gardner Read on his retirement (13 typescript and 11 ink MS; signed in ink).\u00a0 Dates: April 13, 1977; April 12, 1978; May xx, 1978; May 4, 1976 [sic]; May 4, 1978; May 6, 1978; May 8, 1978; May 10, 1978; May 14, 1978; May 15, 1978 (3 letters); May 16, 1978 (4 letters); May 17, 1978; May 18, 1978; May 19, 1978; May 20, 1978 (2 letters); May 22, 1978; 2 undated. Also includes copies of 2 letters from Vail Read to Gardner\u2019s friends.\u00a0 Typescript; signed in ink.\u00a0 Dates: April 25, 1978; April 28, 1978.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nRobert King (Leduc): Contracts \u2013 Letters.\u00a0 40 documents.\u00a0 37 typescript and 3 ink MS; signed in ink. Dates: November 27, 1949; November 17, 1950*; December 5, 1950*; July 23, 1952*; February 17, 1955; March 7, 1955; May 26, 1955; May 31, 1955; September 26, 1955; November 1, 1955; April 30, 1957; November 1, 1957; December 9, 1957; August 27, 1959; September 23, 1963; December 28, 1963; March 17, 1967; April 24, 1970; November 5, 1970; November 6, 1970 (2 documents);\u00a0 November 21, 1977; January 7, 1978; January 25, 1978; March 6, 1978; November 28, 1978; January 2, 1991; September 7, 1994; September 12, 1994; March 24, 1995; April 6, 1995; April 7, 1995; March 27, 1996; April 3, 1996; April 4, 1996; September 3, 1997; September 19, 1997; July 7, 2000; July 24, 2000; June 21, 2001.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nRobert King (Leduc): Royalties. 58 royalty statements.\u00a0 Typescript with pencil annotations.\u00a0 Dates range from 1976 through September 11, 2002.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nRolf Lieberman Preis.\u00a0 1 mailgram notifying Gardner Read that the score and libretto for Villon was received by the Koerber Foundation.\u00a0 Date: January 27, 1986.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nScarecrow Press.\u00a0 1 letter from Matt Smiley, Marketing Assistant, Scarecrow Press to Gardner Read.\u00a0 Typescript; signed in ink.\u00a0 Date: September 23, 2003.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 24<\/strong><\/td>\nSchirmer Books \/ Macmillan Publishing Co., Inc. (Contemporary Instrumental Techniques<\/em>) correspondence. 37 letters (36 typescript and 1 ink MS); signed in ink by various individuals who assisted Gardner Read in writing\u2026 Dates: August 13, 1968; February 18, 1969; March 1, 1973; March 4, 1973; December 20, 1973; March 27, 1974; March 28, 1974; May 2, 1974; May 22, 1974; June 20, 1974; June 21, 1974; June 28, 1974; July 10, 1974; July 11, 1974; August 7, 1974; August 9, 1974; September 30, 1974; October 29, 1974; November 6, 1974; November 28, 1974; December 17, 1974; March 21, 1975; April 9, 1975; June 9, 1975; June 11, 1975; June 17, 1975; June 30, 1975; August 4, 1975; August 13, 1975; November 11, 1975 (Accompanied by a repro of the front jacket for Contemporary Instrumental Techniques<\/em>. Annotated in ink. 4 pages); March 10, 1980; March 12, 1980; November 24, 1986; March 19, 1987; November 28, 1989; December 6, 1989; 1 undated. Accompanied by 20 royalty statements from the Macmillan Publishing Company. Typescript; annotated in ink and pencil. Dates run from January 1, 1976 through September 30, 1989.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 25<\/strong><\/td>\nSeesaw: Contracts \u2013 Letters.\u00a0 40 documents (29 typescript and 1 ink MS; signed in ink).\u00a0 Dates: July 8, 1971; July 21, 1971; September 8, 1971; September 15, 1971; September 18, 1971; September 24, 1971; October 14, 1971; October 25, 1971; December 6, 1971 (2 documents); January 5, 1972; January 28, 1972; July 17, 1972; February 8, 1973; May 15, 1973; May 23, 1973; June 6, 1973; June 18, 1973; April 26, 1974; April 7, 1975; August 2, 1978; November 15, 1979; March 13, 1981*; January 7, 1984; July 24, 1984; November 28, 1984; May 2, 1985; March 8, 1986; September 14, 1990; October 25, 1994; March 12, 1999; May 8, 1996; March 21, 2000; May 3, 2000; May 9, 2000; September 17, 2001; January 21, 2003; March 5, 2003; June 4, 2003; June 30, 2003.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nSeesaw: Royalties.\u00a0 19 royalty statements.\u00a0 Typescript with pencil annotations.\u00a0 Dates range from 1971 through December 31, 1999.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 27<\/strong><\/td>\nShawnee Press, Inc. \/ Alec Templeton, Inc. Music Publishers to Gardner Read. 20 letters. Typescript; signed in ink by various officers of the Shawnee Press, Inc. and Alec Templeton, Inc. Music Publishers. Dates: October 4, 1954; December 30, 1954; January 27, 1955; March 24, 1955; May 24, 1955; June 7, 1955; September 19, 1955; February 29, 1956; June 19, 1956; August 22, 1956; September 10, 1956; March 26, 1957; August 14, 1957; September 28, 1959; January 5, 1960; April 30, 1965; December 19, 1966; January 23, 1967; February 27, 1973; April 16, 1973. Accompanied by 14 royalty statements. Typescript; annotated in pencil. Dates run from August 23, 1955 through June 30, 1965. Also accompanied by a royalty spreadsheet, presumably created by Gardner Read. MS in pencil. 1 page.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nSilver Burdett Company to Gardner and Vail Read. 8 letters. Typescript; signed in ink by various officers of the Silver Burdett Company. Dates: March 27, 1974; May 8, 1974; May 15, 1974 (letter and contract: signed in ink by John P. Twomey, Harrison B. Bell and Gardner and Vail Read); August 12, 1974; November 22, 1974; May 13, 1975; November 12, 1975; December 1, 1975. Accompanied by 12 royalty statements. Typescript; annotated in pencil. Dates run from June 7, 1974 through December 31, 1986.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nPaul A. Snook (Music Director of Riverside Radio, WRVR, New York City) to Gardner Read. 8 letters. Typescript; signed in ink by Paul A. Snook. Dates: May 16, 1969; May 26, 1969; June 4, 1969; July 1, 1969; July 23, 1969; November 19, 1969; January 27, 1970; September 18, 1970.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 30<\/strong><\/td>\nSouthern: Contracts \u2013 Letters.\u00a0 36 documents (typescript; signed in ink).\u00a0 Dates: January 31, 1950; February 9, 1950 (2 documents); February 23, 1950; March 24, 1950; May 18, 1950; July 5, 1950; August 15, 1950; September 22, 1950; October 13, 1950; October 18, 1950; October 27, 1950; November 6, 1950; November 9, 1950; December 5, 1950; December 12, 1950; December 26, 1950; December 28, 1950; January 23, 1951; January 26, 1951; April 26, 1951; September 7, 1951; October 18, 1951; July 29, 1952; August 14, 1952; November 20, 1952; February 26, 1953; April 29, 1955; November 10, 1959; September 7, 1961; August 26, 1969; June 5, 1970; October 8, 1970; March 19, 1971; September 13, 1972; January 20, 1978.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nSouthern: Royalties.\u00a0 40 royalty statements.\u00a0 Typescript with pencil annotations.\u00a0 Dates range from June 30, 1951 through December 1996.
\nSeparated to Box 87\/4.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 32<\/strong><\/td>\nSpoleto Festival \u2013 Competition for the Creative Arts: correspondence, documents and ephemera. –6 letters to Gardner Read. Typescript; signed in ink by various members of the festival committee. Dates: February 7, 1963; July 24, 1963; September 30, 1963; June 30, 1964; December 17, 1964; 1 undated. –Repro of a Boston University press bulletin, June 17, 1964. 3 pages. –A document titled \u201cCommentary: Spoleto Festival \u2013 Competition for the Creative Arts \u2013 1963\u201d. Typescript. 5 pages. –3 \u201cRules of the Competition\u201d brochures for years 1 – 3. \u20133 Posters for the 1963, 1964 and 1965 festivals.<\/td>\n<\/tr>\n
folder 33<\/strong><\/td>\nStrathmore Hall Arts Center to Gardner Read. 5 typescript letters; signed in ink by Richard Mumford.1 ink MS letter; signed by Richard Potter. Dates: May 31, 1991; August 14, 1991; January 27, 1992; February 28, 1992; April 21, 1992; June 26, 1992. Accompanied by a memorandum, dated April 13, 1992, from the Cultural Alliance of Greater Washington that pertains to flight reservations for Gardner Read. 1 page. Also accompanied by a program for the performance of Gardner Read\u2019s music at the Strathmore Hall Arts Center, May 10, 1992. Also accompanied by a repro of press clippings, printed in the Washington Post on May 3, 8 and 15, 1992, concerning the performance. 1 page.<\/td>\n<\/tr>\n
folder 34<\/strong><\/td>\nStyle and Orchestration<\/em>: correspondence and documents. –18 letters to Gardner Read. Typescript; signed in ink by officers of various publishing firms. Dates: October 28, 1975 (2); December 12, 1975; December 22, 1975 (accompanied by 3 previous letters from officers of the Theodore Presser Company to Gardner Read with the dates: December 18, 1975; November 5, 1975; August 14, 1974); January 9, 1976; March 3, 1976; February 16, 1977; October 20, 1977; April 7, 1978; June 29, 1978; July 11, 1978; October 25, 1978; November 20, 1978; February 22, 1979; March 13, 1979; September 4, 1979 (Accompanied by two previous letters and an invoice from Boosey and Hawkes with the dates: February 9, 1976 and November 19, 1975); October 15, 1980; 1 undated. 4 letters from Gardner Read to officers of various publishing firms. Typescript; first two are signed in ink by Gardner Read. Dates: November 4, 1975; January 22, 1976; November 4, 1977; February 8, 1978. –Schirmer Books Rights and Royalties Agreement for Style and Orchestration<\/em>. Signed in ink by Gardner Read and Edward W. Barry, January 20, 1976. 3 pages. –A document pertaining to various publishers\u2019 permissions fees. 8 pages. –Repros of 6 letters from John S. Sweeney, Manager of Associated Music Publishers, Inc., to Abbie Meyer of Schirmer Books. –Extracted pages from a publisher\u2019s proof copy of Style and Orchestration<\/em>; annotated in colored pencil. –A review of the book by Kent Kennan, from the University of Texas. Repro of typescript. 1 page.<\/td>\n<\/tr>\n
folder 35<\/strong><\/td>\nSummy \u2013 Birchard Company to Gardner Read. 36 letters. Typescript; signed in ink by various officers of the Summy \u2013 Birchard Company. Dates: November 15, 1957; December 19, 1957; January 8, 1958; March 14, 1958; March 31, 1958; April 9, 1958; May 22, 1958; October 15, 1958; December 12, 1958; June 26, 1959; April 17, 1959; July 13, 1959; September 8, 1959; November 10, 1959; November 16, 1959; November 23, 1959; August 1, 1960; February 21, 1961; September 15, 1961; January 30, 1962; October 10, 1962; January 3, 1963; February 1, 1963; May 1, 1963; January 23, 1967; March 8, 1967; July 7, 1967; July 19, 1967; July 27, 1967; August 18, 1967; February 28, 1968; January 12, 1971; February 2, 1973; March 5, 1973; May 7, 1973; November 12, 1985. Accompanied by 17 royalty statements. Typescript; annotated in pencil. Dates run from November 1, 1956 through December 31, 1973.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 36<\/strong><\/td>\nTaplinger (Crescendo): Contracts \u2013 Letters.\u00a0 21 documents (19 typescript and 2 ink MS; signed in ink).\u00a0 Dates: May 19, 1972; November 26, 1973; November 11, 1974; July 17, 1975; July 31, 1975; August 4, 1975; December 1, 1975; November 18, 1976; July 12, 1977; September 26, 1977; February 9, 1978; July 10, 1978; January 28, 1982; January 23, 1995; July 24, 1995; May 12, 1997; May 24, 1999; May 3, 2000; May 22, 2000; 2 undated.<\/td>\n<\/tr>\n
folder 37<\/strong><\/td>\nTaplinger (Crescendo): Royalties. 39 royalty statements. Typescript with pencil annotations. Dates range from September 30, 1972 through December 2003.<\/td>\n<\/tr>\n
folder 38<\/strong><\/td>\nTelegrams from various correspondents to Gardner and Vail Read. 73 telegrams.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nTheatre Arts Books to Gardner Read. 18 letters (17 typescript and 1 ink MS); signed in ink by various officers of Theatre Arts Books. Dates: March 31, 1961; April 28, 1961; May 26, 1961; June 22, 1961; June 27, 1961; October 6, 1961; October 10, 1961; November 3, 1961; November 6, 1961 (2); November 21, 1961; December 13, 1961; January 19, 1962; May 8, 1962; April 2, 1963; April 10, 1963; May 21, 1963; February 28, 1977. Accompanied by 6 royalty statements. Typescript; annotated in ink. Dates run from May 8, 1962 to September 15, 1969. Also accompanied by a letter from Adelaide C. Moneta of Theatre Arts Books to Marion Moss of the British Broadcasting Company, April 10, 1963. Carbon copy typescript. 1 page.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nTranscontinental Music Publications to Gardner Read. 7 letters. Typescript; signed in ink by various officers of Transcontinental Music Publications. Dates: September 10, 1971; September 22, 1971 (letter\/contract for Gardner Read\u2019s Suite for Organ, Op.81<\/em>; signed in ink by Gardner Read and Mari Freudenthal); September 22, 1971; October 12, 1971; February 12, 1976; March 22, 1979; May 30, 1979. Accompanied by 6 royalty statements. Typescript; annotated in pencil and ink. Dates run from June 30, 1979 to June 30, 1985. Also accompanied by an ink MS note on Boston University letterhead that contains royalty totals from 1971 to 1985. 1 page.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nTwentieth Century Notation<\/em>: individual correspondence. 80 documents. –74 letters to Gardner Read (67 typescript, 6 ink MS and 1 pencil MS); signed in ink by various composers and colleagues of Gardner Read. Dates: March 20, 1967; September 29, 1967; October 13, 1967; October 16, 1967; November 2, 1967; November 14, 1967; December 4, 1967; December 9, 1967; January 26, 1968; January 29, 1968; February 8, 1968; February 12, 1968; May 13, 1968; March 26, 1968; March 30, 1968; April 30, 1968; May 16, 1968; June 14, 1968; June 17, 1968; June 25, 1968; October 2, 1968; October 25, 1968; November 11, 1968; November 12, 1968; November 18, 1968; January 11, 1969; February 6, 1969; March 17, 1969; May 18, 1969; September 25, 1969; October 30, 1969; November 20, 1969; March 8, 1970; May 14, 1970; May 27, 1970; June 18, 1970; August 20, 1970; September 9, 1970; September 14, 1970; October 8, 1970; October 26, 1970; November 23, 1970; December 8, 1970; December 14, 1970 (2); January 4, 1971; January 25, 1971; February 1, 1971; February 5, 1971; February 12, 1971; March 11, 1971; March 16, 1971; March 31, 1971; April 12, 1971; April 20, 1971; April 23, 1971; May 5, 1971; July 22, 1971; August 4, 1971; September 8, 1971; September 9, 1971; October 7, 1971; November 15, 1971; December 6, 1971; June 5, 1972; August 5, 1972; November 29, 1972; February 13, 1973; February 18, 1976; January 11, 1977; March 17, 1977; August 27, 1979; May 15, 19xx; July 16, 19xx. A repro of a typescript letter from Gardner Read to Richard C. Sheldon, December 15, 1976. 2 pages. –Repros of two letters written on Gardner Read\u2019s behalf to officers of the M.I.T. Press by William Schuman and Samuel Adler. Dates May 14, 1970 and March 30, 1971. –A photograph of Ann (last name illegible). No date. [Unclear as to which letter this photograph accompanied]. –A delivery receipt for 2 microfilm rolls to the Acquisition Division, Preparation Services of the New York Public Library from the Applied Microfilm Corporation, Cambridge, Massachusetts on April 26, 1972. Typescript. 1 page. –A document titled \u201cTwentieth Century Notation: Description of Project\u201d. Typescript. 1 page.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nTwentieth Century Notation<\/em>: correspondence from publishers. 94 letters. Typescript; signed in ink by officers of various publishing firms. Dates: April 2, 1966; July 31, 1967; August 8, 1967; August 16, 1967; September 6, 1967; November 26, 1967; December 13, 1967; December 16, 1967; December 18, 1967; January 6, 1968; January 9, 1968; February 11, 1968; February 29, 1968; March 6, 1968; March 8, 1968; March 15, 1968; March 19, 1968; April 25, 1968; May 6, 1968; May 16, 1968; May 17, 1968; May 21, 1968; May 28, 1968; June 10, 1968; June 18, 1968; July 17, 1968; September 4, 1968; September 5, 1968; September 24, 1968; November 8, 1968; January 29, 1969; March 4, 1969; March 18, 1969; May 12, 1969; May 13, 1969; May 30, 1969; July 17, 1969; July 25, 1969; July 28, 1969; August 22, 1969; September 25, 1969; September 26, 1969; October xx, 1969; November 19, 1969; December 3, 1969; February 23, 1970; November 23, 1970; June 9, 1970; September 16, 1970; October 16, 1970; November 16, 1970; December 1, 1970 (2); December 11, 1970; January 5, 1971; January 6, 1971; January 11, 1971; January 15, 1971; January 20, 1971; February 5, 1971; February 11, 1971; February 17, 1971; February 28, 1971; March 8, 1971; March 20, 1971; April 1, 1971; April 12, 1971; April 16, 1971; June 25, 1971; September 17, 1971; September 18, 1971; November 5, 1971; June 2, 1972; February 20, 1973; March 6, 1973; March 16, 1973; April 16, 1973; April 17, 1973; April 25, 1973; April 27, 1973; June 1, 1973; January 15, 1975; January 22, 1975; February 4, 1975; February 19, 1975; February 21, 1975; March 7, 1975; April 23, 1975; September 30, 1975; October 2, 1975; October 22, 1975; December 2, 1975; February 27, 1976; 1 undated.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nTwentieth-Century Microtonal Notation<\/em>: correspondence and documents. 28 documents. –18 letters (16 typescript and 2 ink MS); signed in ink by officers of various publishing firms. Dates: March 30, 1989; November 22, 1989; December 5, 1989; December 12, 1989; December 15, 1989; December 27, 1989; January 10, 1990 (2); January 11, 1990; January 17, 1990; January 23, 1990; January 29, 1990; January 31, 1990; February 2, 1990 (2); May 4, 1990; May 30, 1990; 1 undated. –Editorial Inc. invoice for Gardner Read, April 23, 1990. Typescript. 1 page. –Excerpts of proofs and lists of corrections. Word-processed and typescript documents. 9 documents. 16 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 6<\/strong><\/td>\nUMI Books on Demand: Contracts \u2013 Letters.\u00a0 9 letters (typescript; signed in ink).\u00a0 Dates: August 27, 1991; March 27, 1995; March 28, 1995; April 13, 1995; April 26, 1995; May 30, 1995; June 12, 1995; July 11, 1995; March 24, 2000.\u00a0 Accompanied by 5 royalty statements; typescript.\u00a0 Dates: December 31, 2000; March 21, 2001; 3 undated.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nUMI Books on Demand: Royalties.\u00a0 5 royalty statements.\u00a0 Typescript with pencil annotations.\u00a0 Dates range from August 9, 1995 through December 31, 1999.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 8<\/strong><\/td>\nUniversity of California, Los Angeles (visiting professorship): correspondence and documents. –13 letters to Gardner Read. Typescript; signed in ink by various members of UCLA and Boston University faculty and staff. Dates: April 22, 1965; May 3, 1965; May 27, 1965; July 28, 1965; September 14, 1965; October 7, 1965; October 21, 1965; December 29, 1965; January 7, 1966; January 8, 1966; January 12, 1966; March 28, 1966; August 9, 1966.–2 letters from Gardner Read to Dr. Roy Will, May 14, 1965, and an unknown recipient, September 27, 1965. Typescript. 1 page each. –University of California employment form. Carbon copy of typescript and typescript. 2 pages. –Boston University: Division of Music Faculty meeting minutes. Repro of typescript. 1 page.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nUnited States Information Agency to Gardner Read. 5 letters. Typescript; signed in ink by various officers of the United States Information Agency. Dates: April 12, 1957; February 6, 1958; February 18, 1958; March 3, 1958; November 20, 1958.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nUniversity of Kansas at Lawrence to Gardner Read. 17 letters. Typescript; signed in ink by various members of the faculty of the University of Kansas at Lawrence. Dates: April 25, 1959; November 6, 1959; November 30, 1959; February 21, 1960; April 25, 1960; June 6, 1960; April 17, 1962; October 30, 1969; November 12, 1969; December 18, 1969; February 19, 1970; March 17, 1970; April 4, 1970; August 20, 1973; December 22, 1971; March 9, 1972; October 23, 19xx.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nVillon, op.122: letters and documents, 1963-67. 92 documents including: –46 letters to Gardner, Vail and Cindy Read (37 typescript and 9 ink MS); signed in ink by James and Louise Forsyth. Dates: August 8, 1963; September 10, 1963; February 9, 1964; April 6, 1964; May 16, 1964; June 4, 1964; July 21, 1964; October 13, 1964; November 11, 1964; November 21, 1964; December 29, 1964; January 8, 1965; February 1, 1965; February 25, 1965; February 27, 1965; March 4, 1965 (2); April 5, 1965; April 14, 1965; April 25, 1965; April 26, 1965; May 18, 1965; June 27, 1965; September 21, 1965; November 2, 1965 (2); December 9, 1965; January 17, 1966; March 26, 1966; May 6, 1966; May 7, 1966; July 14, 1966; October 29, 1966; November 14, 1966; November 22, 1966; December 3, 1966; February 9, 1967; February 13, 1967; March 19, 1967; April 3, 1967; May 14, 1967; May 23, 1967; June 4, 1967; June 21, 1967; July 23, 1967; November 24, 1967. –18 letters from Gardner Read to James and Louise Forsyth. Typescript and typescript repro. Dates: November 29, 1964; January 16, 1965; February 7, 1965; February 14, 1965; February 21, 1965; March 6, 1965; March 23, 1965; April 9, 1965; April 15, 1965; May 2, 1965; May 25, 1965; September 5, 1965; December 28, 1965; February 14, 1966; May 23, 1966; January 10, 1967; March 12, 1967; August 11, 1967. –5 letters to Gardner Read. Typescript; signed in ink by various officers from the National Foundation on the Arts and the Humanities, the Glyndebourne Festival Opera, the Royal Opera House of London and the Sadler\u2019s Wells Theatre. Dates: November 22, 1966; April 12, 1967; April 14, 1967; April 28, 1967; June 12, 1967. –11 letters from Vail Read to James and Louise Forsyth. Typescript; signed in ink and pencil by Vail Read. Dates: October 7, 1963; May 13, 1964; May 15, 1964; January 12, 1965 (2); December xx, 1965; February 28, 1966; May 3, 1966; July 8, 1966; November 19, 1966; July 30, 1967. –A copy of \u201cA Sentimental Poem\u201d by James Forsyth. Typescript. 1 page. –Two Boston University intramural memorandums to Gardner Read and Dean Stein from Dr. Will that pertain to Gardner Read\u2019s sabbatical leave in 1964-65. Typescript; signed in ink by Dr. Will. 2 pages. –A Boston University Project Support Notice. Typescript; signed in ink by Philip E. Kubzansky. 1 page. –A newspaper article from the Los Angeles Times, May 2, 1965, that features a photograph of Gardner Read at Huntington Hartford. –Documents pertaining to James Forsyth that include: 5 press clippings, J. Forsyth\u2019s Curriculum Vitae, a program for the play \u201cThe Other Heart\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 12<\/strong><\/td>\nVillon, Op. 122: Chronological letter file, 1968\u00ad-77.\u00a0 58 documents (49 typescript and 9 ink MS; signed in ink).\u00a0 Dates: May 9, 1968; June 10, 1968; June 12, 1968; July 4, 1968; August 9, 1968; September 11, 1968; December 9, 1968; October 7, 1968; \u201cChristmas 1968\u201d; January 27, 1969; February 15, 1969; February 24, 1969 (2 letters); April 14, 1969; May 29, 1969; June 2, 1969; June 8, 1969; July 8, 1969; September 2, 1969; December 22, 1969; February 26, 1970; April 3, 1970; April 17, 1970; April 20, 1970; April 27, 1970; May 8, 1970; September 14, 1970; October 7, 1970; November 11, 1970; January 7, 1971; January 16, 1971; February 4, 1971; April 28, 1971; October 2, 1971; November 8, 1971; November 16, 1971; March 27, 1972; May 19, 1972 (ink MS; accompanied by typewritten transcript with ink annotations); January 29, 1973; September 21, 1973; May 20, 1974; February 23, 1976; March 20, 1976; December 10, 1976; March 1, 1977; March 22, 1977 (2 documents); March 29, 1977; April 6, 1977; July 23, 1977; August 14, 1977; September 30, 1977; November 11, 1977; November 18, 1977; December 5, 1977; 5 undated.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nVillon, Op. 122: Chronological letter file, 1978\u00ad-.\u00a0\u00a0 47 letters (38 typescript and\u00a0 9 ink MS; signed in ink).\u00a0 Dates: May 30, 1978; July 18, 1978; November 20, 1978; December 11, 19xx; January 18, 1979; July 12, 1979; July 16, 1979; November 13, 1979; December 18, 1979; April 27, 1980; June 12, 1980; July 15, 1980; October 27, 1980; October 31, 1980; September 13, 1980; December 8, 1980; October [sic December] 11, 1980; December 15, 1980; January 7, 1981; January 11, 1981 (2 documents); January 21, 1981; January 21, 1981; February 6, 1981; February 23, 1981; March 9, 1981;\u00a0 March 20, 1981; March 30, 1981; April 30, 1981; May 8, 1981; September 8, 1981; September 8, 1981; May 18, 1981 (ink MS; accompanied by typewritten transcript); January 10, 1982; January 22, 1982; February 2, 1982; March 18, 1982; March 24, 1982; April 10, 1982; March 1, 1983; April 8, 1983; May 24, 1984; June 25, 1986; March 9, 1990; May 18, 1990; October 5, 1990; February 5, 1991; 1 undated.\u00a0 Accompanied by 2 drafts of letters to Beverley Sills; typescript.\u00a0 Undated.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nVivace Press: Letters \u2013 Contracts.\u00a0 23 documents (21 typescript and 2 ink MS; signed in ink).\u00a0 Dates: May 20, 1990; June 8, 1990; June 21, 1990; June 23, 1990; July 20, 1990; July 30, 1990; July 31, 1990 (2 letters); August 3, 1990; August 25, 1990 (2 letters); December 8, 1990; December 13, 1990; March 9, 1991 (2 letters); March 23, 1991; June 13, 1991; July 23, 1991; \u00a0August 7, 1991; November 4, 1991; November 26, 1996; September 12, 2000; 1 undated.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nVivace Press: Royalties.\u00a0 12 royalty statements.\u00a0 Typescript with pencil annotations.\u00a0 Dates run from February 14, 1993 through February 2, 2001.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 16<\/strong><\/td>\nVolkwein Brothers, Inc., to Gardner Read. 6 letters. Typescript; signed in ink by J. C. Volkwein and Walter E. Volkwein. Dates: March 12, 1948; March 26, 1948; April 15, 1948; July 19, 1948; September 10, 1949; January 2, 1980 (composed on a previous letter from Gardner Read to J. C. Volkwein, December 27, 1979). Accompanied by 21 royalty statements. Typescript; annotated in pencil. Dates run from January 15, 1949 to December 31, 1976.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nWGBH (Our American Music radio show) audience members to Gardner Read.10 letters (3 typescript and 7 ink MS); signed in ink by audience members of WGBH. Dates: October 10, 1956; November 20, 1956; February 3, 1957; February 22, 1957; April 2, 1957; December 23, 1957; March 30, 1959; February 14, 1961; January 21, 19xx; February 4, 19xx.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nWGBH: professional correspondence. 6 letters to Gardner Read. Typescript; signed in ink by officers of various radio stations throughout Massachusetts. Dates: September 20, 1954; June 9, 1958; July 2, 1958; April 28, 1960; May 2, 1960; May 12, 1960. Accompanied by a repro of a typescript letter from Edward Rosenheim, Jr., Associate Professor of Humanities at the University of Chicago, to John R. Hurley of WGBH, June 12, 1959. 2 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 19<\/strong><\/td>\nZimmerman: Contracts \u2013 Letters \u2013 Royalties.\u00a0 15 documents (11 typescript and 4 ink MS; signed in ink).\u00a0 Dates: November 5, 1984; December 3, 1984; December 25, 1984; March 16, 1985; March 17, 1985; May 10, 1985; August 18, 1995; June 14, 1999 (2 letters); July 23, 1999; August 12, 1999; 4 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718207084347{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-series B: Publicity<\/span><\/em>[\/vc_column_text][vc_column_text css=”.vc_custom_1718207102856{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-sub-series 1: Curriculum vitae and Catalogues of Compositions<\/em>[\/vc_column_text][vc_custom_heading text=”Box 58″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1613664840062{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\n\u201cCatalogues of Works, Vitae, Curriculae, Project Plans #2\u201d(various years). 1 folio containing 15 stapled packets of typescript pages, 13 promotional brochures and 2 loose typescript pages.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nVitae, catalogues, etc. (various years).\u00a0 Typescript. 73 pages.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nCurriculum vitae, c. 1966. Typescript. 5 pages.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nListing of performances of major orchestral and chamber works. Typescript. 6 pages.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nCatalogues of Compositions. Various years. 4 catalogues. Typescript. Catalog 1: 16 pages. Catalog 2: 10 pages. Catalog 3: 10 pages. Catalog 4: 17 pages. Most indicate: opus no., title of work, instrumentation, score availability, publisher, duration, year of completion.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 86″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718207239897{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 3<\/strong><\/td>\nCatalogue of compositions, c. 1945. Typescript. 22 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 58″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1613664840062{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n\n
folder 6<\/strong><\/td>\nCatalogue of compositions, c. 1952. Typescript; annotated in pencil. 13 pages.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nCatalogue of compositions, c. 1965. Typescript. 17 pages.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nCatalogue of compositions, 1973. Typescript. 18 pages.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nCatalogue of compositions, c. 1987. Typescript reproduction. 22 pages.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\n\u201cGardner Read: Composer and Author.\u201d\u00a0 Personal promotional brochure. 14 pages. Corrected proofs (2) and final printed version. Proof 1 bears corrections in colored pencil and ink. 16 pages. Proof 2 bears corrections in colored pencil and ink. 16 pages. Printed version lacks pages 15 and 16.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n\u00a0Promotional materials. Published circulars, etc. for textbooks and compositions by Gardner Read. 13 items.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=””]<\/p>\n\n\n\n
folder 12<\/strong><\/td>\nCatalog of compositions and performances. 125 pages of MS in pencil. 28 pages of typescript; annotated in pencil.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Card file 1<\/strong><\/td>\nCompositions and Royalties, Op. 1 \u2013 107. This card file provides the following information for each composition: opus number, cum. no. [sic], title, medium, date, duration, date of acceptance by publisher, date published, publisher, royalties earned and in cases where the works were recorded: performer(s), location, format.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 72″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718207505427{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
Card file 2<\/strong><\/td>\nCompositions and Royalties, Op. 108 \u2013 154 and transcriptions; References. This card file provides the following information for each composition and transcription: opus number, cum. no. [sic], title, medium, date, duration, date of acceptance by publisher, date published, publisher, royalties earned and in cases where the works were recorded: performer(s), location, format. Also provides information on accumulated royalties and bibliographic citations of literary works that contain references to Gardner Read.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 58″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718208052982{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 13<\/strong><\/td>\nComplete catalogue of compositions.\u00a0 Includes opus number, duration, publisher, and date of publication.\u00a0 23 pages of typescript.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nCatalogue of compositions, including program notes or analysis, Op. 1 \u2013 35.\u00a0 Typescript with pencil crayon annotations.\u00a0 98 pages.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nCatalogue of compositions, including program notes or analysis, Op. 36 \u2013 60.\u00a0 Typescript with pencil crayon annotations.\u00a0 98 pages.
\nN.B. Originally housed in 3-ring binder; on spine: \u201cRead\u2014Op. 36\u201360.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 59″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718208200143{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 1<\/strong><\/td>\nCatalogue of compositions, including program notes or analysis, Op. 61 \u2013 89.\u00a0 Typescript with pencil crayon annotations.\u00a0 89 pages.
\nN.B. Originally housed in 3-ring binder; on spine: \u201cRead\u2014Op. 61\u201389.\u201d<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nCatalogue of compositions, including program notes or analysis, Op. 90 \u2013 123 [Spine erroneously indicates up to Op. 129].\u00a0 Typescript with pencil crayon annotations.\u00a0 100 pages.
\nN.B. Originally housed in 3-ring binder; on spine: \u201cRead\u2014Op. 90\u2013129.\u201d<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nCatalogue of compositions, including program notes or analysis, Op. 124 \u2013 155 and transcriptions.\u00a0 Typescript with pencil crayon annotations.\u00a0 46\u00a0 pages.
\nN.B. Originally housed in 3-ring binder; on spine: \u201cRead\u2014Op. 124\u2013155.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718208319122{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-sub-series 2: Pressbooks and press clippings<\/em>[\/vc_column_text][vc_custom_heading text=”Box 59″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718208347136{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 4<\/strong><\/td>\n\u201cOur American Music,\u201d 1953-56.\u00a0 Miscellaneous documentation pertaining to the radio program Gardner Read hosted on WGBH-FM Studios, Boston, Massachusetts. One 2-ring binder.
\nN.B. Materials originally housed in labeled 2-ring binder.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cOur American Music,\u201d 1956-58.\u00a0 Miscellaneous documentation. One 3-ring binder.
\nN.B. Materials originally housed in labeled 3-ring binder.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n\u201cOur American Music,\u201d 1958-60.\u00a0 Miscellaneous documentation. One 3-ring binder.
\nN.B. Materials originally housed in labeled 3-ring binder.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 60″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718210224074{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 1<\/strong><\/td>\nClippings: Bach\/Read, Martini\/Read. 1 pressbook [containing concert programs, press clippings, and other documentation pertaining to Gardner Read\u2019s transcriptions of music by Bach (WT3) and Martini (WT6)]. 24 pages. Inscribed in ink Gardner Read from Janet (last name unknown), January 2, 1936.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 2<\/strong><\/td>\nComposers of the Americas<\/span> draft entry. Carbon copy typescript. 14 pages. Appears in Composers of the Americas; biographical data and catalogs of their works, Vol. 8. <\/em>Washington, DC: Pan American Union. Division of Music and Arts, 1955 \u2013 1972.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nMiscellaneous press profiles, interviews, etc. 10 documents.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nReviews.\u00a0 Xerographic reproductions of published reviews of textbooks and compositions by Gardner Read; annotated in ink and pencil.\u00a0 7 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nHuman interest profiles of Gardner Read. 9 articles.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nPress Clippings (primarily press regarding Gardner Read\u2019s professional activities). 19 documents.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 5<\/strong><\/td>\nBiographical writings about Gardner Read.\u00a0 9 articles.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nPress Clippings.\u00a0 22 documents.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nPress release from Boston University concerning Gardner Read\u2019s speech, \u201cOur National Culture in Jeopardy\u201d delivered on June 4, 1942.\u00a0 2 pages.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nReviews of Gardner Read\u2019s music and writing.\u00a0 Xerographic reproductions of published reviews.\u00a0 16 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 1<\/strong><\/td>\nMexico \u2013 1957. 80 pages.<\/td>\n<\/tr>\n
pressbook 2<\/strong><\/td>\nRead \u2013 Published Writings. 83 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 3<\/strong><\/td>\nThesaurus of Orchestral Devices. 76 pages. Accompanied by a folder containing 41 letters pertaining to the book.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 4<\/strong><\/td>\nSymphony No. 1; Symphony No. 2. 146 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 5<\/strong><\/td>\nSymphony No. 3; Symphony No. 4. 101 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 6<\/strong><\/td>\nFour Nocturnes, Op. 23; Songs for a Rainy Night, Op. 48. 81 pages.<\/td>\n<\/tr>\n
pressbook 7<\/strong><\/td>\nSketches of the City, Op. 26. 100 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 97″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718213059493{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
pressbook 8<\/strong><\/td>\nThree Satirical Sarcasms, Op. 29; Piano Quintet, Op. 47; Music for Piano and Strings. 52 pages.<\/td>\n<\/tr>\n
pressbook 9<\/strong><\/td>\nSuite for String Quartet, Op. 33; Suite for String Orchestra, Op. 33A. 61 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 10<\/strong><\/td>\nPassacaglia and Fugue, Op. 34. 80 pages.<\/td>\n<\/tr>\n
pressbook 11<\/strong><\/td>\nFrom a Lute of Jade, Op. 36. 71 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 99″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718213845506{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
pressbook 12<\/strong><\/td>\nFantasy for Viola and Orchestra, Op. 38; Where Corals Lie, Op. 49. 72 pages.<\/td>\n<\/tr>\n
pressbook 13<\/strong><\/td>\nPrelude and Toccata, Op. 43. 78 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 14<\/strong><\/td>\nPrelude and Toccata, Op. 43. 53 pages.<\/td>\n<\/tr>\n
pressbook 15<\/strong><\/td>\nNight Flight, Op. 44. 48 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 16<\/strong><\/td>\nNight Flight, Op. 44. 55 pages.<\/td>\n<\/tr>\n
pressbook 17<\/strong><\/td>\nGood King Wenceslas, Op. 50; Nine by Six, Op. 86. 47 pages.<\/td>\n<\/tr>\n
pressbook 18<\/strong><\/td>\nThe Prophet, Op. 110. 43 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 19<\/strong><\/td>\nSonoric Fantasia No. 2, Op. 123; Villon, Op. 122. 41 pages.<\/td>\n<\/tr>\n
pressbook 20<\/strong><\/td>\nHaiku Seasons, Op. 126. 40 pages.<\/td>\n<\/tr>\n
pressbook 21<\/strong><\/td>\nPiano Concerto, Op. 130; Read Festival \u2013 Eastman. 34 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 22<\/strong><\/td>\nThe Hidden Lute, Op. 132; Nocturnal Visions, Op. 145. 57 pages.<\/td>\n<\/tr>\n
pressbook 23<\/strong><\/td>\nSonoric Fantasia no. 4, Op. 133; Galactic Novae, Op. 136. 50 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 24<\/strong><\/td>\nPhantasmagoria, Op. 147; Five Aphorisms, Op. 150. 72 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 25<\/strong><\/td>\nNo. 8, 1966 \u201374. 140 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 26<\/strong><\/td>\nNo. 9. [1973 \u2013 1982]. 140 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 27<\/strong><\/td>\nNo. 10. [1975 \u2013 1990]. 108 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 28<\/strong><\/td>\nNo. 11. [1991 \u2013 1998]. 112 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 29<\/strong><\/td>\nNo. 12. [1997 \u2013 2003]. 98 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 30<\/strong><\/td>\nCompendium of Modern Instrumental Techniques.\u00a0 19 pages.<\/td>\n<\/tr>\n
pressbook 31<\/strong><\/td>\nContemporary Instrumental Techniques.\u00a0\u00a0 43 pages.<\/td>\n<\/tr>\n
pressbook 32<\/strong><\/td>\nThe Dilemma of Notation (lecture).\u00a0 66 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 33<\/strong><\/td>\nModern Rhythmic Notation.\u00a0 43 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 34<\/strong><\/td>\nMusic Notation : A Manual of Modern Practice. 78 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 35<\/strong><\/td>\nMusic Notation : A Manual of Modern Practice (continued).\u00a0 35 pages.<\/td>\n<\/tr>\n
pressbook 36<\/strong><\/td>\nOrchestral Combinations.\u00a0 8 pages.<\/td>\n<\/tr>\n
pressbook 37<\/strong><\/td>\nOrchestral Combinations (continued).\u00a0 4 pages.<\/td>\n<\/tr>\n
pressbook 38<\/strong><\/td>\nPictographic Score Notation.\u00a0 12 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 39<\/strong><\/td>\nSource Book of Proposed Music Notation Reform.\u00a0 44 pages.<\/td>\n<\/tr>\n
pressbook 40<\/strong><\/td>\nStyle and Orchestration.\u00a0 24 pages.<\/td>\n<\/tr>\n
pressbook 41<\/strong><\/td>\nTwentieth-Century Microtonal Notation.\u00a0 24 pages.<\/td>\n<\/tr>\n
pressbook 42<\/strong><\/td>\nAmerican Circle, Op. 52.\u00a0 52 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 43<\/strong><\/td>\nPan e Dafni, Op. 53; A Bell Overture, Op. 72; Cello Concerto, Op. 55.\u00a0 52 pages.<\/td>\n<\/tr>\n
pressbook 44<\/strong><\/td>\nThe Temptation of St. Anthony, Op. 56.\u00a0 44 pages.<\/td>\n<\/tr>\n
pressbook 45<\/strong><\/td>\nFirst Overture, Op. 58.\u00a0 68 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 46<\/strong><\/td>\nQuiet Music for Strings, Op. 65; Quiet Music for Organ, Op. 65; Partita, Op. 70.\u00a0 37 pages.<\/td>\n<\/tr>\n
pressbook 47<\/strong><\/td>\nPennsylvaniana Suite, Op. 67.\u00a0 82 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 48<\/strong><\/td>\nSuite for Organ, Op. 81.\u00a0 46 pages.<\/td>\n<\/tr>\n
pressbook 49<\/strong><\/td>\nArioso Elegiaca, Op. 91; Elegiac Aria, Op. 91a.\u00a0 35 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 50<\/strong><\/td>\nToccata Giocosa, Op. 94.\u00a0 118 pages.<\/td>\n<\/tr>\n
pressbook 51<\/strong><\/td>\nVernal Equinox, Op. 96.\u00a0 58 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 52<\/strong><\/td>\nString Quartet No. 1, Op. 100.\u00a0 85 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 53<\/strong><\/td>\nLos Dioses Aztecas, Op. 107.\u00a0 95 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 54<\/strong><\/td>\nNo. 1 [1926 \u2013 41].\u00a0 142 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 55<\/strong><\/td>\nNo. 2 [1946 \u2013 45].\u00a0 136 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 56<\/strong><\/td>\nNo. 3 [1946 \u2013 50].\u00a0 140 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 57<\/strong><\/td>\nNo. 4 [1949 \u2013 54].\u00a0 140 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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pressbook 58<\/strong><\/td>\nNo. 5 [1954 \u2013 59].\u00a0 142 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 123″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718211446297{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
pressbook 59<\/strong><\/td>\nNo. 6 [1959 \u2013 63].\u00a0 140 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 124″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718211323159{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
pressbook 60<\/strong><\/td>\nNo. 7 [1963 \u2013 66].\u00a0\u00a0 146 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 125″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718211042805{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
pressbook 61<\/strong><\/td>\nGardner Read\u2019s teaching positions, 1940 \u2013 1980.\u00a0 23 pages.<\/td>\n<\/tr>\n
pressbook 62<\/strong><\/td>\nPittsburgh International Contemporary Music Festival.\u00a0 49 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718220611458{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-sub-series 3: Concert Programs<\/em>[\/vc_column_text][vc_custom_heading text=”Box 61″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718221056441{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nEastman School of Music American Composers\u2019 Concerts\/Festivals of American Music, 1935\u201342. 3 festival bulletins and 1 program.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nEastman School of Music Festivals of American Music, 1944\u201351. 5 festival bulletins and 1 program.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nEastman School of Music Festivals of American Music, 1955\u201362. 3 festival bulletins and 2 program booklets.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nConcert programs, 1937\u201345. 11 programs.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nConcert programs, 1951\u201369. 24 programs.
\nN.B. Folder of programs from the First Pittsburgh International Contemporary Music Festival (November 1952) separated to Box 62\/4;\u00a0Evenings for New Music: A Catalogue, 1964\u20131977\u00a0<\/em>(SUNY Buffalo) separated to Box 62\/5.
\nN.B. Folder of programs and materials for Il Festival de Musica Contemporanea (June\u2013August 1964) separated to Box 86\/4; program from the Inauguration of Arland Frederick Christ-Janer, Boston University (October 8, 1967), separated to Box 86\/5.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nConcert programs, 1970\u201371. 14 programs.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nConcert programs, 1972\u201379. 20 programs.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 62″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718221074761{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nConcert programs, 1980\u201387. 19 programs.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nConcert programs, 1988\u201399. 27 programs, press clippings, and publicity materials.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nConcert programs, 2000\u20132004. 25 programs, announcements, radio program guides, and related documents.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nConcert programs: First Pittsburgh International Contemporary Music Festival (November 24\u201330, 1952). Festival program booklets (2), program announcements, and composer booklet.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 86″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718221182723{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 4<\/strong><\/td>\nPrograms and materials for Il Festival de Musica Contemporanea, 1964. –14 programs. Dates: July 17, 1964; July 20, 1964; July 22, 1964; July 24, 1964; July 29, 1964; July 31, 1964; August 2, 1964; August 3, 1964; August 5, 1964; August 7, 1964; August 8, 1964; August 10, 1964; June \u2013 July 1964 and August, 1964. Most accompanied by Read\u2019s manuscript notes on the performance, press reviews and typescript performer biographies. –A form letter, dated August 14, 1964, signed in ink by Almam R. [sic] that is accompanied by a guest list. Typescript. 3 pages.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nInauguration of Arland Frederick Christ-Janer, Sixth President of Boston University (October 8, 1967). 1 program.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 62″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718221074761{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 5<\/strong><\/td>\nConcert programs:\u00a0Evenings for New Music: A Catalogue, 1964\u20131977\u00a0<\/em>(Center for Performing Arts, SUNY Buffalo). 87 pages.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nConcert programs, undated. 11 programs and publicity materials.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nRead programs 1932\u201343. 96 programs.
\nN.B. Originally housed in labeled 3-ring binder.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 63″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718221316182{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nRead programs 1944 \u2013 49. (1 of 2: 1944\u201346.) 50 programs.
\nN.B. Originally housed in labeled 3-ring binder.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nRead programs 1944 \u2013 49. (2 of 2: 1947\u201349.) 44 programs.
\nN.B. Originally housed in labeled 3-ring binder.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nRead programs 1950 \u2013 56. (1 of 2: 1950\u201352.) 41 programs.
\nN.B. Originally housed in labeled 3-ring binder.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nRead programs 1950 \u2013 56. (2 of 2: 1953\u201356.) 47 programs.
\nN.B. Originally housed in labeled 3-ring binder.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nRead programs 1957 \u2013 63. (1 of 2: 1957\u201360.) 42 programs.
\nN.B. Originally housed in labeled 3-ring binder.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nRead programs 1957 \u2013 63. (2 of 2: 1961\u201363.) 40 programs.
\nN.B. Originally housed in labeled 3-ring binder.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nRead programs 1964 \u2013 69. 67 programs.
\nN.B. Originally housed in labeled 3-ring binder.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 64″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718221332855{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nRead programs 1970 \u2013 74. (1 of 2: 1970\u201371.) 24 programs.
\nN.B. Originally housed in labeled 3-ring binder.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nRead programs 1970 \u2013 74. (2 of 2: 1972\u201374.) 25 programs.
\nN.B. Originally housed in labeled 3-ring binder.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nRead programs 1975 \u2013 95. (1 of 2: 1975\u201386.) 53 programs.
\nN.B. Originally housed in labeled 3-ring binder.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nRead programs 1975 \u2013 95. (2 of 2: 1987\u201395.) 36 programs.
\nN.B. Originally housed in labeled 3-ring binder.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nStudents of Gardner Read, Boston University, 1960\u201373. 11 programs.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718221627931{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-series C: Radio Broadcasts<\/span><\/em>[\/vc_column_text][vc_custom_heading text=”Box 65″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718221616378{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\n\u201cThe American Composer in the Twentieth Century\u201d program proposal.\u00a0 9 pp.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\n\u201cOur American Music\u201d grant-in-aid proposal, 1958-59.\u00a0 21 pp.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n\u201cOur American Music\u201d program proposal, ca. 1959-60?\u00a0 20 pp.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n\u201cOur American Music\u201d proposal, 1960? Repro of typescript. 15 pages.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\u201cOur American Music\u201d documentation (miscellaneous).\u00a0 Contains program listings, lists of broadcasting stations involved in the syndication of \u201cOur American Music\u201d, program proposals and repros of letters and memorandums. Repro of typescript. 39 pages.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n“Our American Music\u201d programs, 1953-57.\u00a0 3 booklets. Booklet 1 (1953-54): MS in pencil; annotated in colored pencil. 35 pages. Booklet 2 (1955-56): MS in pencil; annotated in colored pencil. 56 pages. Booklet 3 (1956-57): MS in pencil; annotated in colored pencil. 40 pages.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\n\u201cOur American Music\u201d programs, 1957-60.\u00a0 3 booklets. Booklet 1 (1957-58): MS in pencil; annotated in colored pencil. 34 pages. Booklet 2 (1958-59): MS in pencil; annotated in colored pencil. 37 pages. Booklet 3 (1959-60): MS in pencil; annotated in colored pencil. 36 pages.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nPrograms for Radio Broadcasts. Dates range from 1940\u20132003. 5 documents.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718221668243{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-series D: Professional Involvement<\/span><\/em>[\/vc_column_text][vc_custom_heading text=”Box 66″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1719324335205{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nTeaching Materials in Music History and Orchestration, Kansas City Conservatory of Music, 1941-42 (compiled folder of lecture notes and related materials); typescript and pencil MS.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nSt. Louis Institute of Music, Coda 1943 (yearbook).<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nLimberlost Camps Bulletin, 1943. (Gardner Read and Vail Read on faculty.)<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nTeaching Materials for Counterpoint and Harmony; Cleveland Institute of Music, 1945\u201348, Boston University, 1948\u2013 (music sketchbook containing transcriptions of counterpoint examples); pencil MS.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nBoston University School of Fine and Applied Arts bulletin. 47 pages.
\nN.B. Photograph of Gardner Read with two colleagues on page 24.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nHarvard University Extension Courses, 1957\u201358, pamphlet. 28 pages.
\nN.B. Course description for American Music taught by Gardner Read on page 18.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nOrchestration notebook. Compiled by Gardner Read; contains range, tone
\nquality, special effects, and transposition notes. Typescript; annotated in ink. 66 pages.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nConference programs, 1939\u201370. 7 programs.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 86″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1719324874112{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 6<\/strong><\/td>\nConference program: International Congres Nieuwe Muziek-Notatie (October 22\u201325, 1974). Paper folio containing conference programs, handouts, and other documentation from the conference.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 66″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1719325195419{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 9<\/strong><\/td>\nConference programs, 1981\u201389. 3 programs.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nEdward MacDowell Association, Inc., Annual Reports, 1936\u201339. 4 reports. Also includes program for an exhibition held at the MacDowell Club, May 10 to October 1, 1939.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nEdward MacDowell Association, Inc., Annual Reports, 1940\u201344. 5 reports.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 67″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1719324087355{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 1<\/strong><\/td>\nEdward MacDowell Association, Inc., Annual Reports, 1945\u201349. 4 reports.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nEdward MacDowell Association, Inc., Annual Reports, 1950\u201354. 4 reports.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nSurveys of American composers\/compositions. Includes reports produced by the WPA Music Project (1941), Missouri State Federation of Music Clubs (1945), The Composers Forum (1961), and BMI Orchestral Program (1969\u201370). 4 documents.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 86″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1719325002362{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 6<\/strong><\/td>\nOrchestra Program Survey, prepared by Ulysses Kay (Broadcast Music, Inc.) in cooperation with the American Symphony Orchestra League (1962\u20131963). 12 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 67″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1719324087355{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n
folder 4<\/strong><\/td>\nDirectory of Educational Specialists \u201cMeritorious Achievement\u201d award for composition. Undated. Certificate.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nDiploma from Instituto Mexicano-Norteamericano de Relationes Culturales, August 16, 1957. Signed in ink by the Presidente, Consejo Directivo whose name is illegible; Gloria I. Wasieliewski, Directora de Cursos and Darrell D. Catz, Director Ejecutivo.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nHonorary doctorate conferred by Doane College, Nebraska, 1961. Citation and letter from President Donald M. Typer, October 31, 1961. Typescript; letter is signed in ink by Donald M. Typer.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nUniversity of Rochester, Alumni Achievement Award. Alumni Achievement Award presented to Gardner Read by the University of Rochester. Rochester, New York, October 16, 1982.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 81″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1719324069090{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 1<\/strong><\/td>\nMen of Achievement (Cambridge, England) diploma, 1973. Certificate.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nCitizen of the Age of Enlightenment award of the American Foundation for the Science of Creative Intelligence, 1976. Certificate.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n7 miscellaneous certificates. Documents include certificates presented to Gardner Read from: The Whale Adoption Project, August 1985; the Statue of Liberty, Ellis Island Centennial Commission; the Center for Environmental Education, Whale Protection Fund; the Atlantis Submarine Dive; the National Wildlife Federation; the Marquis Biographical Library Society; the National Geographic Society, July 1, 1978.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718221819511{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-series E: Gardner Read Bio-Bibliography Addenda<\/span><\/em>[\/vc_column_text][vc_custom_heading text=”Box 67″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718983597169{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 8<\/strong><\/td>\nAddenda to Gardner Read: A Bio-Bibliography<\/em> by Mary Ann Dodd and Jayson Rod Engquist. Pencil MS. 27 pages. Undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718221881272{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-series F: Pre-compositional Materials for Villon, Op. 122<\/span><\/em>[\/vc_column_text][vc_custom_heading text=”Box 67″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718984289856{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n
folder 9<\/strong><\/td>\nGardner Read\u2019s composition notes for Villon.\u00a0 Pencil MS.\u00a0 8 pages.\u00a0 Undated.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nOpera libretto by James Forsyth, first draft.\u00a0 Typescript with ink annotations.\u00a0 45 pages.\u00a0 Accompanied by a photocopy of the complete draft.\u00a0 Undated.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nOpera libretto by James Forsyth.\u00a0 Typescript with ink annotations.\u00a0 45 pages.\u00a0 Accompanied by a spiral-bound photocopy of the draft.\u00a0 Undated.\u00a0 Also accompanied by a Synopsis of the Action.\u00a0 Typescript.\u00a0 11 pages (missing p. 1).<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nSynopsis of the Action (first version).\u00a0 Typescript.\u00a0 12 pages.\u00a0 Undated.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nSynopsis of the Action (second version).\u00a0 Typescript with ink emendations.\u00a0 45 pages.\u00a0 Undated.\u00a0 Accompanied by spiral-bound photocopy.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 86″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718984310082{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 8<\/strong><\/td>\nSynopsis of the Action by the librettist, James Forsyth. Typescript.\u00a0 24 pages.\u00a0 Undated.\u00a0 Accompanied by a photocopy of complete synopsis.\u00a0 Condensed Synopsis of the Action by the composer, Gardner Read.\u00a0 Typescript.\u00a0 12 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 68″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718984528085{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 1<\/strong><\/td>\nThe Other Heart: A Play by James Forsyth.\u00a0 As prepared for publication, May 1964.\u00a0 Typescript with ink annotations.\u00a0 107 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718221914375{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-series G: Ephemera<\/span><\/em>[\/vc_column_text][vc_custom_heading text=”Box 68″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718986793672{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
folder 2<\/strong><\/td>\nCamp Sosawagaming Catalogs, Yearbook, and Songbook and Directory (1924\u201325). 4 items.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n[Haven Intermediate School?]: Music Notes, Books 3 and 4. Published workbooks (Silver, Burdett & Co., c1927), completed in ink by Gardner Read. 2 items.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nHaven Intermediate School: The Haven Scroll, February 1928. Published by the students of Haven Intermediate School, Evanston, IL. 40 pages.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nEvanston Township High School: Music Theory, student exercises (1928\u201329). Bound scrapbook containing graded music theory assignments completed by Gardner Read; pencil MS.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nEvanston Township High School: Music Appreciation notebook (1929\u201330); ink MS. 80 pages.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nEvanston Township High School: Music Appreciation notebook (1931\u201332); ink MS. 26 pages.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nEvanston Township High School: Music Appreciation notebook (1931\u201332); ink MS. 66 pages.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nEvanston Township High School: Soft Pipes (collection of student poetry compiled from The Evanstonian magazine and newspaper during the year 1931\u201332); typescript.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nEvanston Township High School: The Evanstonian senior yearbooks (1930\u201332). 3 yearbooks.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 69″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718987415178{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 1<\/strong><\/td>\nInterlochen autograph albums, 1932 and 1933.\u00a0 Contains signatures collected by Gardner Read from his fellow National Music Camp participants and faculty. All entries inscribed in ink. 1932 album: 58 pages. 1933 album: 47 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 87″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718987455379{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 1<\/strong><\/td>\nCrescendo: Souvenir Picture Book of the National Music Camp, Interlochen, Michigan (1940).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 2<\/strong><\/td>\nEastman School of Music: course binder for \u201cHistory of Music; Pedagogy of Music papers: 1932\u201333\u201d (comprised of graded assignments). Ink MS and typescript.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nEastman School of Music: course binder for \u201cTheory; Harmony; Composition; Counterpoint; Pedagogy of Theory; Analytical Technic exercises\u201d (comprised of graded assignments and exams). Pencil MS.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nProgram for a performance by the Metropolitan Opera Company of Howard Hanson\u2019s Merry Mount<\/em>, April 12, 1934. Inscribed in ink by Lawrence Tibbett, Leonora Corona, Gladys Swarthout, Edward Johnson, Howard Hanson, Tullio Serafin and Giulio Setti.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nEastman School of Music: The Score, 1935 (yearbook).<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nEastman School of Music: The Score, 1936 (yearbook).<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nEastman School of Music: The Score, 1937 (yearbook).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nDiary (Gardner Read), 1933. Ink MS. 187 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 8<\/strong><\/td>\nCarte de Voyage Touristique 1938.\u00a0 Bears stamps from Munich (5 October 1938) and Calais (2 November 1938). Signed in ink by Gardner Read.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nTravel Diaries: Bound volume of letters written by Gardner Read Jr. on his European Tour via \u201cThe Cromwell Fellowship,\u201d 1938\u20131939; ink MS; 231 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 2<\/strong><\/td>\nEuropean Travel Diary (Gardner Read), 1938. Ink MS. 220 pages.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nEuropean Travel Diary (Gardner Read), 1938-39. Ink MS. 222 pages.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nEuropean Travel Diary (Gardner Read), 1939. Ink MS. 224 pages.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nEvanston, St. Louis Diary (Vail Read), 1941. MS in pencil and ink. 396 pages<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 10<\/strong><\/td>\nTravel Diaries: Honeymoon Saga (by Vail Read), 1941; typescript, bound; 26 pages.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nDatebook\/journal, spiral-bound (entries by Vail Read), 1942. Entries in ink MS. 54 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 6<\/strong><\/td>\nDiary (Vail Read), 1942. Ink MS. 383 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nDiary (Vail Read), 1944. Ink MS. 384 pages.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nDiary (Vail Read), 1945. Ink MS. 385 pages.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nDiary (Vail Read), 1946. Ink MS. 320 pages.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nDiary (Vail Read), 1947. Ink MS. 386 pages.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nDiary (Vail Read), 1948. Ink MS. 388 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nUK ephemera. Documents include: –Diary \/ address book. Ink MS and typescript. 73 pages. –English Diary. Typescript; annotated in ink. 26 pages. –3 postcards. –Brochure for the Goring Hotel; annotated in ink. Accompanied by a breakfast menu; annotated in ink. –Harrods of London currency conversion guide. –10 receipts. –Jarman, C. E., Tilbrook, R. H. Look at Chester Cathedral and City<\/em>. Norwich, England: Jarrold & Sons LTD.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nTravel Diary: Holland and Scandinavia (Vail Read), 1970; typescript; 26 pages.
\nN.B. Originally housed in labeled 3-prong folder.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nTravel Diary: Canada (Vail Read), 1971; typescript; 22 pages.
\nN.B. Originally housed in labeled 3-prong folder.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nTravel Journal (Gardner Read), 1972; typescript and ink MS, bound; 136 pages; includes photograph, receipts from various transactions, and illustrations.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nAfrican Journal (Gardner Read), 1979; typescript; 28 pages; includes two photographs. Accompanied by original 3-prong folder.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nTravel Notes: Ecuador and Peru (Vail Read), 1979; typescript; 36 pages.
\nN.B. Originally housed in labeled 3-prong folder.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nTravel Notes: Greece, Turkey, Venice (Vail Read), 1982; typescript; 54 pages.
\nN.B. Originally housed in labeled 3-prong folder.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nUntitled, spiral bound notebook with Gardner Read\u2019s handwriting; undated; ink MS; 60 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 70″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718989780867{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n\n\n\n
folder 8<\/strong><\/td>\nGuest Log for \u201cDriftwood III\u201d (the Read\u2019s home in University Heights, OH), 1947\u201354. Entries in ink MS. 89 pages.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nExpense ledger for \u201cHighwood\u201d (the Read\u2019s home in Manchester, MA), 1954-77. Ink MS. 76 pages.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nDoor Plaque for Gardner Read. Cardstock.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nMiscellaneous mementos. 7 items. Folder contains:
\n[1] A plaque from Boston University recognizing Gardner Read\u2019s 30 years of service.
\n[2] A brochure for Summer Ranch, Ethete, Wyoming. Annotated in ink.
\n[3\u20134] Two scrapbook leaves. Annotated in ink.
\n[5] A list of participants from \u201cA Natural History Workshop to Kenya and Tanzania, August 3 \u2013 25, 1979\u201d. Annotated in pencil and colored pencil.
\n[6] A brochure listing compositions by Modest Mussorgsky. Published by W. Bessel & Co. and Breitkopf & Hartel. 10 pages.
\n[7] Boosey \u2013 Hawkes \u2013 Belwin Stock Order List of Selected Best Sellers. 32 pages.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nAn Introduction to Music Publishing. New York: C. F. Peters Corporation, 1981. A photo of Gardner Read appears on page 19.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nAngelo Gilardino Net Postings (January 31, 2000). Reprint of a posting on an Internet forum. The guitarist, Angelo Gilardino, discusses his experiences with editing Gardner Read\u2019s piece for guitar, Canzone Di Notte, Op. 127<\/em>. 2 pages.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nEvanston Township High School, program from Class of 1932 50th<\/sup> anniversary reunion, June 18\u201320, 1982. Includes Gardner Read\u2019s nametag for the event and a map of the high school. Also includes a letter from the event organizer, James Pierce, to Gardner Read. Typescript and ink MS; signed in ink. Date: April 1, 1982.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nGifts from Cindy Read to Gardner Read.\u00a0 Documents include:\u00a0The Definitive Biography of P.D.Q. Bach The Definitive Biography of P.D.Q. Bach\u00a0<\/em>by Peter Schickele; inscribed to Gardner Read by Cindy Read in ink; August 11, 1976.\u00a0\u00a0The Gardener\u2019s Diary<\/em>\u00a0by The Metropolitan Museum of Art; inscribed to Gardner Read by Cindy Read in ink; January 2, 1981.\u00a0 \u201c90 Memories, Appreciations and Wishes;\u201d folder compiled by Cindy Read for Gardner Read\u2019s 90th<\/span>\u00a0birthday; January 2, 2003.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 81″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718990027855{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 4<\/strong><\/td>\nConcert poster: Northern Illinois University symphony Orchestra, 25 May 1953. Year of performance annotated in ink.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nConcert poster: Students of Gardner Read, 1 December 1960.\u00a0 Boston University.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nConcert poster: Boston University Symphony Orchestra, 11 March 1963.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nConcert poster: A Festival of Music by Gardner Read, 27-28 March 19xx [1963].\u00a0 Boston University.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nFestival poster: Bowdoin Contemporary Music Festival (includes lecture The Dilemma of Notation), 16-19 April 19xx [1967?]. Ink MS.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nConcert poster: Boston University Symphony Orchestra, 18 October 1967.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nLecture poster: \u201cProblems of Avant Garde Notation,\u201d 13 March 1968.\u00a0 Boston University.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nConcert poster: Students of Gardner Read, 5 December 1968.\u00a0 Boston University.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nLecture poster: \u201cThe Dilemma of Modern Notation,\u201d 20 March 19xx [1969].\u00a0 Indiana University.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nConcert poster:\u00a0 Boston University Wind Orchestra, 10 April 1969.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nLecture poster: \u201cThe Dilemma of Modern Notation,\u201d 16 April 1969.\u00a0 University of Vermont, Waterman Lower Lounge.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nConcert poster: Boston University Omnibus Concert, 16 October 1969.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nConcert poster: Students of Gardner Read, 9 December 1969. Boston University.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nConcert poster: Students of Gardner Read and John Goodman, 30 and 31 March 1970. Boston University.<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nConcert poster: Boston University Chorus, 16 April 1970.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nConcert poster: 12th<\/sup> Annual Symposium of Contemporary American Music, 10-12 May 19xx[1970].<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nConcert poster: Students of Gardner Read, 14 December 1970.\u00a0 Boston University.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\n\u201cMusical Portraits of Famous Americans.\u201d\u00a0 24th<\/sup> Annual Course of the Standard School Broadcast, 1951-52.\u00a0 25 pp. Published by the Standard Oil Company of California, 1951.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nPictorial Music Map of the United States of America.\u00a0 Issued by Standard School Broadcast; undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=””]<\/p>\n\n\n\n
folder 23<\/strong><\/td>\nThe Sun \u2013 New York, December 1, 1883.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 84″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718990051768{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n
folder 2<\/strong><\/td>\nGuidebook to Ulster (Ulster: The Official Publication of the Ulster Tourist Development Association Ltd.<\/em>), 1938; typescript.
\nN.B. Additional travel guidebooks in Series 5, sub-series D (Study collection: literature); see Box 127.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nGuidebook to Cairo (Cairo: How to See It, <\/em>by Alexander R. Cury), 1938; typescript with Gardner Read\u2019s signature and date January 2, 1939.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nGuidebook to Berlin (Berlin,<\/em> by Theodor Heuss), 1960; typescript.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nGuidebook to London (The A1 Guide and Atlas to London and Suburbs<\/em>), undated; typescript.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 85″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1614008025364{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
item 1<\/strong><\/td>\nPlaque for the Boston University Faculty Publications Merit Award 1970 \u2013 1971.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nSilver platter for the Eastman School of Music Alumni Achievement Award, October 16, 1982.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n1 wooden desk display bearing Gardner Read\u2019s name.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718984657585{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-series H: Photographs and Iconography<\/span><\/em>[\/vc_column_text][vc_custom_heading text=”Box 83″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718985048080{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nPhotographs of Gardner Read. 7 photographs.
\n[1] Unidentified group [Gardner Read in back row?]. Undated.
\n[2] Gardner Read (at harp) with 12 bunkmates from Cabin III, National Music Camp, Interlochen, MI. [1932]. Photograph signed by those pictured (including Frederick Fennell).
\n[3] Group seated at banquet\/dinner [unidentified event]. Undated.
\n[4] Frederic Helevy, Victor Nicholas Alessandro, Paul White, Gardner Read, Carl Anton Wirth, and Richard Horner Bales [all examining unidentified score]. Undated. Photograph signed by those pictured.
\n[5] Gardner Read (at piano) with 5 unidentified men. Undated.
\n[6] Frederick Fennell with Gardner Read [examining score of Jungle Garden by Moonlight, Op. 54, no. 2]. Undated.
\n[7] Gardner Read with unidentified man [examining score]. Undated. Photograph by Day Photographers (St. Louis, MO).<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nGardner Read, promotional portrait. Two photographic negatives, one 5\u201d x 7\u201d and one 8\u201d x 10\u201d. Undated. Accompanied by a photonegative sleeve from the Buffalo Photo Co., Chicago, Illinois.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nPersonal photographs. 3 photographs.
\n[1] A fragment of a score featuring an unconventional approach to notation. No date.
\n[2] Edith and Cynthia Anne Read, Evanston, Illinois ca. 1950. Annotated in ink on back by Gardner Read.
\n[3] Yosemite Valley, June 6, 1966. Annotated in ink on back by Gardner Read.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nAutographed photographs given to Gardner Read (1 of 4). 8 photographs.
\n[1] Richard Bales. Inscribed in ink to Gardner Read from Dick [Richard Bales], August 1935.
\n[2] Dorothy Bell Briggs. Inscribed in ink to Gardner Read from Dorothy Bell Briggs, 1938.
\n[3] Marjorie Edwards. Inscribed in ink to Gardner Read from Marjorie Edwards, 1938.
\n[4] Marjorie Edwards. Inscribed in ink to Gardner Read from Marjorie Edwards, 1939.
\n[5] Muriel [Reeves Ford]. Inscribed in ink to Gardner Read from Muriel Reeves Ford. No date.
\n[6] Flora True Bower. Inscribed in ink to Gardner Read from Flora True Bower, May 29, 1946.
\n[7] Charles Wakefield Cadman. Inscribed in ink to Gardner Read from Charles Wakefield Cadman. No date.
\n[8] Arthur Fiedler. Inscribed in ink to Gardner Read from Arthur Fiedler, 1949.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nAutographed photographs given to Gardner Read (2 of 4). 5 photographs.
\n[1] Ally\/Mary? [at harp]. On photo: inscribed in ink to Gardner Read from Mary, December 1936. On back: same inscription in pencil from Ally.
\n[2] Victor [Alessandro]. Inscribed in ink to Gardner Read from Victor, January 19, 1937.
\n[3] Richard [Bales]. Inscribed in ink to Gardner Read from Dick [Richard Bales], September 6, 1939.
\n[4] Charles Haubiel. Inscribed in ink to Gardner Read from Charles Haubiel. Undated.
\n[5] Paul White. Inscribed in ink to Gardner Read from Paul White, June 1935.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nAutographed photographs given to Gardner Read (3 of 4). 15 photographs.
\n[1] V. [Vladimir] Bakaleinikoff. Inscribed in ink to Gardner Read from V. Bakaleinikoff, 1932.
\n[2] Richard Bales. Inscribed in ink to Gardner Read from Richard Bales, April 1950.
\n[3] Sir John Barbirolli. Inscribed in ink to Gardner Read from John Barbirolli, 1937.
\n[4] D\u2019Anna Fortunato. Inscribed in ink to Vail and Gardner Read from D\u2019Anna Fortunato. Undated.
\n[5] Moshe [Ganchoff?]. Inscribed in ink to Gardner Read from Moshe. Undated.
\n[6] Howard Hanson. Inscribed in ink to Gardner Read from Howard Hanson. Undated.
\n[7] Wiktor Labunski. Inscribed in ink to Gardner Read from Wiktor Labunski, 1944.
\n[8] Rafael Kubelik. Inscribed in ink to Gardner Read from Rafael Kubelik, Chicago, 1953.
\n[9] Erich Kunzel. Inscribed in ink to Gardner Read from Erich Kunzel. Undated.
\n[10] Lorin Maazel. Inscribed in ink to Gardner Read from Lorin Maazel. Undated.
\n[11] Janet Packer. Inscribed in ink to Gardner Read from Janet Packer. Undated.
\n[12] Henry J. William. Inscribed in ink to Gardner Read from Henry J. William. Undated.
\n[13] Ally. Inscribed in ink to Gardner Read from Ally, May 1938.
\n[14] Doriss. Inscribed in ink to Gardner Read from Doriss, June 22, 1939.
\n[15] Lila. Inscribed in ink to Gardner Read from Lila, 1938.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nAutographed photographs given to Gardner Read (4 of 4): Roman Totenberg. Inscribed in ink to Gardner Read from Roman Totenberg, May 1964.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nFramed photograph: Aaron Copland. Inscribed in ink to Gardner Read from Aaron Copland, 1941.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nFramed photograph: Frederick Fennell. Inscribed in ink to Gardner Read from Frederick Fennell, 4 May 1947.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nFramed photograph: Vladimir Golschmann. Inscribed in ink to Gardner Read from Vladimir Golschmann, 1943.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nFramed photograph: Guy Harrison. Inscribed in ink to Gardner Read from Guy Harrison. Undated.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nFramed photograph: Louis Kaufman. Inscribed in ink to Gardner Read from Louis Kaufman, May 1946.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nFramed photograph: Arthur Loesser. Inscribed in ink to Gardner Read from Arthur Loesser, May 24, 1948.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nFramed photograph: Ildebrando Pizzetti. Inscribed in ink to Gardner Read from Ildebrando Pizzetti, Rome, March 29, 1939.<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\nFramed photograph: Fritz Reiner. Inscribed in ink to Gardner Read from Fritz Reiner, November 1947.<\/td>\n<\/tr>\n
item 16<\/strong><\/td>\nFramed photograph: Bernard Rogers. Inscribed in ink to Gardner Read from Bernard Rogers, May 4, 1947.<\/td>\n<\/tr>\n
item 17<\/strong><\/td>\nFramed photograph: Fabian Sevitzky. Inscribed in ink to Gardner Read from Fabian Sevitzky, 1943.<\/td>\n<\/tr>\n
item 18<\/strong><\/td>\nFramed photograph: Izler Solomon. Inscribed in ink to Gardner Read from Izler Solomon, 1941.<\/td>\n<\/tr>\n
item 19<\/strong><\/td>\nFramed photograph: Frederick A. Stock. Inscribed in ink to Gardner Read from Frederick A. Stock, Chicago, Christmas 1940.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 81″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718985370534{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 24<\/strong><\/td>\nPhotograph of Gardner Read. 11\u201d x 13\u201d. Undated. Glued to a cardboard backing.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 84″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718985277876{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
item 6<\/strong><\/td>\nPortrait of Gardner Read. Photographic negative plate block, apparently copper mounted on wood, 5\u201d x 7\u201d.<\/td>\n<\/tr>\n
items 7-8<\/strong><\/td>\nTwo portraits of Gardner Read. Two photographic negative plate blocks, apparently copper mounted on wood, 2\u201d x 3\u201d (2).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 86″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718985079152{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 9<\/strong><\/td>\nPortrait of Gardner Read in pencil. Signed by the artist (illegible signature) and dated Aug. 22, 1946.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718730829049{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 5: Library<\/h3>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718730847754{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-series A: Presentation copies: Scores<\/span><\/em>[\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718730898001{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 1<\/strong><\/td>\nW233. Villon, Op. 122. Act II. Score. Manuscript in pencil. 186 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 91″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718730907673{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 1<\/strong><\/td>\nAntoniou, Theodore. Mikrographien f\u00fcr gro\u00dfes Orchester, Op. 24. Kassel: B\u00e4renreiter, 1977. 59 pp. Inscribed in ink to Gardner Read by the composer, February 1980.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 87″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718731007770{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n
folder 5<\/strong><\/td>\nArnatt, Ronald. Eight Pieces for Organ. Cover only. Inscribed in ink to Gardner Read by the composer, 1987.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nArnatt, Ronald. Introduction and Rondo. Cover only. Inscribed in ink to Gardner Read by the composer, 1987.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nArnatt, Ronald. Sonata for Organ. Cover only. Inscribed in ink to Gardner Read by the composer, November 1985.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nBaron, Maurice. Quatre Melodies Gracieuses. Cover only. Inscribed in ink to Gardner Read by the composer, June 30, 1950.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nBarth, Hans. Sonata No. 2 for Piano Solo. New York: Associated Music Publishers, Inc., 1937. 20 pp. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 91″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718730907673{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 2<\/strong><\/td>\nBerger, Arthur. Ideas of Order. New York: C. F. Peters, 1956. 63 pp. Inscribed in ink to Gardner Read by the composer, April 1957.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nBerger, Arthur. Serenade Concertante. New York: C. F. Peters, 1958. 42 pp. Inscribed in ink to Gardner Read by the composer, January 1959.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 87″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718731007770{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 10<\/strong><\/td>\nBingham, Seth. Passacaglia, Op. 40. Cover only. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718731212619{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 2<\/strong><\/td>\nBrings, Allen. (1984). Symphony. MS repro. Copyright 1984, Allen Brings. 161 pages.\u00a0 Inscribed by the composer to Gardner Read.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 87″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718731259837{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 11<\/strong><\/td>\nBriggs, Dorothy Bell. More Musical Jingles. Boston: Oliver Ditson, 1935. 43 pp.\u00a0 Inscribed in ink to Gardner Read by the composer, September 1935.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nBriggs, Dorothy Bell. Outdoor Sketches. Boston: The B. F. Wood Music Company, 1936. 19 pp. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nCadman, Charles Wakefield. Sonata in G for Violin and Piano. New York: J. Fischer, 1937. 36 pp. + 12 pp. Inscribed in ink to Gardner Read by the composer, September 9, 1937.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 91″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718731440007{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 4<\/strong><\/td>\nCesana, Otto. Second American Symphony. New York: Affiliated Music Corporation, 1937. 155 pp. Inscribed in ink to Gardner Read by the composer, 1952.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 87″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718731259837{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 14<\/strong><\/td>\nChilders, Lemuel. Pictures from Hiawatha. Cover only. Inscribed to Gardner Read in ink by the composer.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nCohn, Arthur. Music for Bassoon. Philadelphia: Elkan-Vogel, 1948. 7 pp.\u00a0 Inscribed in ink to Gardner and Vail Read by the composer, September 1948.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718731540831{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 3<\/strong><\/td>\nDiamond, David. Sixth Symphony. U. S. A.: Harms, Inc., 1955. 88 pp. Inscribed in ink to \u201cNicholas\u201d by the composer, March 10, 1957.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nDykema, Peter. The Arrow and the Song. Cover only. 2 copies. Inscribed to Vail Read by the composer on February 10 and 20, 1940.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 87″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718731259837{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 16<\/strong><\/td>\nElwell, Herbert. Sonata for Piano.\u00a0 Cover only.\u00a0 Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718731540831{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 5<\/strong><\/td>\nEvans, Louise Marchison. To Night. Cover only. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nFelciano, Richard. Sic Transit. Boston: E. C. Schirmer Music Company, 1971. 7 pp. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nFine, Irving. The Choral New Yorker. New York: M. Witmark and Sons, 1930. 8 pp. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 87″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718731259837{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 17<\/strong><\/td>\nFoss, Lukas. Four Two Voiced Inventions and Grotesque Dance. New York:\u00a0 G. Schirmer, 1947. 15 pp. Inscribed in ink to Gardner Read by the composer, October 20, 1947.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718731540831{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 8<\/strong><\/td>\nFromm, Herbert. Chemdat Yamim (The Day of Delight). New York:\u00a0 Transcontinental Music Publications, 1964. 66 pp. Inscribed in ink to Gardner and Vail Read by the composer, October 1965.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 87″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718731259837{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 18<\/strong><\/td>\nFromm, Herbert. Four Psalms. Cover only. Inscribed in ink to Gardner and Vail Read by the composer, May 1972.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nFromm, Herbert. How Can I Sing? Cover only. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 87″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718731259837{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 19<\/strong><\/td>\nFromm, Herbert. The Piper. Cover only. MS repro. Inscribed in ink to Gardner Read by the composer, December 30, 1972.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 91″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718732417366{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 5<\/strong><\/td>\nFromm, Herbert. String Quartet. U. S. A.: Boosey and Hawkes, 1961. Inscribed in ink to Gardner Read by the composer. 49 pp. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 87″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718731259837{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 20<\/strong><\/td>\nFromm, Herbert. Suite of Organ Pieces on Hebraic Motifs. Cover only.\u00a0 Inscribed in ink to Gardner Read by the composer, February 1959.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nGalindo, Blas. Sinfonia Breve Para Cuerdas. Washington: Pan American Union, 1956. 71 pp. Inscribed in ink to Gardner Read by the composer, 1957.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718732646234{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 10<\/strong><\/td>\nGoode, Jack. Merry Christmas. 1944. Manuscript reproduction. 1 p.\u00a0 Inscribed in ink to Gardner and Vail Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 87″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718731259837{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 22<\/strong><\/td>\nGriffis, Elliot. Nocturne. Cover only. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nHalffter, Cristobal. Sinfonia para tres grupos instrumentals. London: Universal Edition, 1963. 43 pp. Inscribed in ink to Gardner Read by the composer, July 23, 1964.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718732845018{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 11<\/strong><\/td>\nHalffter, Rodolfo. Don Lindo De Almeria: Suite del Ballet, Opus 7b. Mexico City: Ediciones Mexicanas De Musica, A. C., 1956. Inscribed in ink to Gardner Read from Rodolfo Halffter, Mexico, July 1957.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nHalffter, Rodolfo. Tres Piezas Para Orquesta De Cuerda, Opus 23. Mexico City: Ediciones Mexicanas De Musica, A. C., 1956. Inscribed in ink to Gardner Read from Rodolfo Halffter, Mexico, July 1957.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 87″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718731259837{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 24<\/strong><\/td>\nHarris, Roy. Concerto for Piano, Clarinet and String Quartet, Op. 2. New York: Cos Cob Press, Inc., 1932. Page one is inscribed in colored pencil by Roy Harris. Features performance markings, presumably made by Roy Harris, in pencil and colored pencils.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n\n\n
folder 25<\/strong><\/td>\nHaubiel, Charles. Dos Piezas Espanolas. New York: The Composers Press, 1936. 9 pp. Inscribed in ink to Gardner Read by the composer, July 20, 1936.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nHaubiel, Charles. Etchings:\u00a0 Dance of the Dorian Youths. New York: The Composers Press, 1936. 3 pp. Inscribed in ink to Gardner Read by the composer, July 20, 1936.<\/td>\n<\/tr>\n
folder 27<\/strong><\/td>\nHaubiel, Charles. Metamorphoses: Variations on a Melody by Stephen Foster.\u00a0 New York: The Composers Press, 1948. 67 pp. Inscribed in ink to Gardner Read by the composer, October 29, 1948.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\n\u00a0Haubiel, Charles. Mezzotints. Cover only. Inscribed in ink to Gardner Read by the composer, April 10, 1936.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nHaubiel, Charles. Suite Passecaille: Allemande. New York: The Composers Press, 1936. 17 pp. Inscribed in ink to Gardner Read by the composer, July 20, 1936.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nHovhaness, Alan. Suite for Violin, Piano, and Percussion. New York: C. F. Peters, 1957. 29 pp. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n
folder 31<\/strong><\/td>\nHowe, Mary. Ripe Apples. Cover only. Inscribed in ink to Gardner Read by the composer, 1940.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718732845018{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 13<\/strong><\/td>\nHusa, Karl. Apotheosis of this Earth. New York: Associated Music Publishers, Archive Edition. 124 pp. Inscribed in ink to Gardner Read by the composer, 1992.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\n\u00a0James, Philip. Skyscraper Romance (The Typist and the Mailman). New York:\u00a0 Leeds Music, 1950. 32 pp. Inscribed in ink to Gardner and Vail Read by the composer, January 22, 1950.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 91″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718740618500{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 6<\/strong><\/td>\nJolivet, Andr\u00e9. Cinq Danses Rituelles. Paris: Durand & Cie, 1959. 151 pp. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718740681581{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 15<\/strong><\/td>\nJosephs, Wilfred. Sonata No. 2 for Violin and Pfte. MS repro. Date (on cover): December 11, 1975. 31 pages of music. Inscribed in ink to Gardner Read by the composer, November 8, 1988.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 91″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718740822557{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 7<\/strong><\/td>\nKabalevsky, Dmitri. Symphony No. 2. New York: Leeds Music Corporation, 1945. 171 pp. Inscribed in ink to Gardner Read by the composer, December 6, 1959.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nKay, Ulysses. Brass Quartet. New York: Peer International Corporation, 1958. Kabalevsky, Dmitri. Symphony No. 2. New York: Leeds Music Corporation, 1945. 171 pp. Inscribed in ink to Gardner Read by the composer, December 6, 1959..<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718732845018{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 16<\/strong><\/td>\nKay, Ulysses. Serenade for Orchestra. New York: Associated Music Publishers, Inc., 1955. 114 pp. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 88″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718897263838{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 1<\/strong><\/td>\nKennan, Kent. Quintet for Piano and Strings. New York: G. Schirmer, Inc., 1940. 5 parts; 129 pp. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718732845018{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 17<\/strong><\/td>\nKoo, David Tuhoy. The Morning Breaks the Darkness. Reproduction. 36 pp. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 91″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718900445822{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 9<\/strong><\/td>\nKorte, Karl. Second Quartet for Strings. New York: Galaxy Music Corporation. 46 pp. Inscribed in ink to Gardner Read by the composer, November 8, 1967.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 88″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718900702480{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 2<\/strong><\/td>\nKoutzen, Borris. Valley Forge. New York: American Music Center, 1946. 71 pp. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 3<\/strong><\/td>\n\u00a0Labunski, Wiktor. Reminiscence. Cover only. Inscribed in ink to Gardner Read by the composer, 1943.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nLopatnikoff, Nikolai. Sonata for Piano Solo, Op. 29. New York: Associated Music Publishers, 1948. 29 pp. Inscribed in ink to Gardner Read by the composer, 1948.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nLeisner, David. Dances in the Madhouse. Pennsylvania: Merion Music, Inc., 1987. 20 pp. Inscribed in ink to Gardner Read by the composer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718732845018{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 3<\/strong><\/td>\n\u00a0Labunski, Wiktor. Reminiscence. Cover only. Inscribed in ink to Gardner Read by the composer, 1943.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nLopatnikoff, Nikolai. Sonata for Piano Solo, Op. 29. New York: Associated Music Publishers, 1948. 29 pp. Inscribed in ink to Gardner Read by the composer, 1948.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nLeisner, David. Dances in the Madhouse. Pennsylvania: Merion Music, Inc., 1987. 20 pp. Inscribed in ink to Gardner Read by the composer<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 91″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718905000191{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 10<\/strong><\/td>\nLopatnikoff, Nikolai. Opus Sinfonicum. New York: Leeds Music Corporation, 1951. 58 pp. Inscribed in ink to Gardner Read by the composer, 1955.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 88″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718905084272{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 6<\/strong><\/td>\nLopatnikoff, Nikolai. Sonata for Piano Solo, Op. 29. New York: Associated Music Publishers, 1948. 29 pp. Inscribed in ink to Gardner Read by the composer, 1948.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nMadden, Edward J. Fantasia on a Folk Theme. New York: Franco Colombo Inc., 1968. 12 pp. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718905221903{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n\n
folder 18<\/strong><\/td>\nMartino, Donald. Concerto for Alto Saxophone and Orchestra. Newton, MA: Dantalian, Inc., 1987. 84 pp. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nMcDonald, John. Celebration for Gardner Read. Medford, MA: Third Floor Press, 1988. 2 pp. Two copies. Dedicated to Gardner Read on his 85th<\/sup> creative year.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nMcDonald, John. Four Pieces Celebrating Gardner Read, Op. 386. For piano. MS repro. Dates (at the end of each piece): –1. Celebration: September 12-25, 1998 [N.B. See also Box 89\/19]. –2. Loud Reader: January 2-3, 2000 [N.B. See also Box 89\/21]. –3. Transcription: \u201cTears,\u201d from the Song Cycle \u201cFrom A Lute of Jade, \u201c Op. 36: October 1-2. 2002. –4. Ninety Praise Chords: January 6\/ June 9-18, 2003. 6 pages of music.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nMcDonald, John. Loud Reader. Tufts, January 2-3, 2000. Ink MS., 1 p. Dedicated to Gardner Read on his 87th<\/sup>\u00a0birthday.<\/td>\n<\/tr>\n
folder 22<\/strong><\/td>\nMcDonald, John. Vail Read Her Requiescat, Op. 403. For piano. MS repro. Date (at end): March 4-17, 2003. 3 pages of music. Accompanied by word-processed document created by John McDonald in January 2004 dedicating the piece to the late Vail Read. 1 page. Also accompanied by a eulogy for Vail Read written by Frances Caudill, February 16, 2003. 1 page.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nMorgan, Diane. 3rd<\/sup>\u00a0Movement (Piano and Cello Sonata). Pages 21 and 22 only. Inscribed in ink to Gardner and Vail Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 88″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718979963965{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 8<\/strong><\/td>\nNewman, Anthony. Fantasy on La Fa Fis. Boston, MA: McLaughlin & Reilly Co., 1967. 40 pp. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nNorton, Spencer. Keltic Portraits. Cover only. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nNorton, Spencer. Three Dances, Op. 5. Cover only. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 91″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718980134104{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 11<\/strong><\/td>\nNystroem, G\u00f6stra. Sinfonia del mare. Stockholm, Sweden: Nordiska Musikforlaget, 1950. 149 pp. Inscribed in ink to Gardner Read by the composer, December 19, 1948.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718979793404{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 24<\/strong><\/td>\nOrrego-Salas, Juan. Turns and Returns (Vueltas y revueltas). For violin and piano. Date (at end): January 17, 2004. 20 pages of music.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nPinkham, Daniel. Symphony No. 1. New York: C. F. Peters Corporation, 1961. 69 pp. Inscribed in ink to Gardner Read by the composer, May 12, 1972.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 88″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1613759161830{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 11<\/strong><\/td>\nProcter, Alice McEvoy. Panorama. Cover only. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nProcter, Leland. Five Easy Pieces for the Piano. Cover only. Inscribed in ink to Gardner and Vail Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718979258987{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 26<\/strong><\/td>\nRands, Bernard. Wildtrack 1. London: Universal Edition, 1970. 41 pp. Inscribed in ink to Gardner Read by the composer, December 12, 1987.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 88″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1613759161830{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 39<\/strong><\/td>\nReizenstein, Franz. Twelve Preludes and Fugues for Pianoforte. London:\u00a0 Alfred Lengnick, 1966. 46 pp. Inscribed in ink to Gardner Read by the composer, January 1966.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718979258987{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n
folder 27<\/strong><\/td>\nRoy, Klaus George. Canticle of the Sun. Cover only. Inscribed in ink to Gardner Read by the composer, September 1953.<\/td>\n<\/tr>\n
folder 28<\/strong><\/td>\nRoy, Klaus George. Leporello\u2019s Catalogue Aria (Part I) alla un Menu di Guarino. First page only. MS repro. Inscribed in ink to Gardner and Vail Read by the composer.<\/td>\n<\/tr>\n
folder 29<\/strong><\/td>\nRoy, Klaus George. Lie Still, Sleep Becalmed. Cover only. Inscribed in ink to Gardner, Vail and Cindy Read by the composer, September 17, 1956.<\/td>\n<\/tr>\n
folder 30<\/strong><\/td>\nRoy, Klaus George. Not Only Unto Me. Cover only. Inscribed in ink to Gardner Read by the composer, June 28, 1956.Roy, Klaus George. Not Only Unto Me. Cover only. Inscribed in ink to Gardner Read by the composer, June 28, 1956.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 88″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1613759161830{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 14<\/strong><\/td>\nRoy, Klaus George. Rondance for Piano, Op. 16. MS repro. Date (at end): September 24, 1950. 6 pp. Inscribed in ink to Gardner Read by the composer, Christmas 1950.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 89″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718979258987{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 31<\/strong><\/td>\nRoy, Klaus George. The Rune of St. Patrick. Pages 1-2 only.\u00a0 MS repro. Date (on page 1): 1959. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 88″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1613759161830{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 15<\/strong><\/td>\nRoy, Klaus George. Sterlingman. 1957. MS repro. 148 pp. Includes libretto; typescript; 9 pp. Inscribed in ink to Gardner Read by the composer, February 20, 1957.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nRudhyar, Dane. Prophetic Rite. New York: Mercury Music, 1950. 11 pp.\u00a0 Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 91″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718979038369{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 12<\/strong><\/td>\nShapero, Harold. Serenade in D. New York: Southern Music Publishing Company, Inc., 1959. 44 pp. Inscribed in ink to Gardner Read by the composer, July 6, 1964.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nShepherd, Arthur. Horizons: Four Western Pieces for Symphony Orchestra. U. S. A.: C. C. Birchard & Company, 1929. Inscribed in ink to Gardner Read by the composer, January 30, 1950.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 88″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1613759161830{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 17<\/strong><\/td>\nShepherd, Arthur. The Song of the Pilgrims. Boston: C.C. Birchard, 1937. 30 pp. Inscribed in ink to Gardner Read by the composer, with emendations in blue pencil.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 90″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718978887577{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 1<\/strong><\/td>\nSlonimsky, Nicolas. Yellowstone Park Suite. Providence RI: Axelrod Publications Inc., 1951. 17 pp. Inscribed in ink to Gardner Read by the composer, 1951.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 88″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1613759161830{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 18<\/strong><\/td>\nSlonimsky, Nicolas. Yellowstone Park Suite. Providence RI: Axelrod Publications Inc., 1951. 17 pp. Inscribed in ink to Gardner Read by the composer, 1951.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nSpencer, James. Three American Folk Tunes. Cover only. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nSpencer, James. Valsette. Cover only. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 90″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718905819735{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 2<\/strong><\/td>\nSteg, Paul. The Visions of Black Elk. MS repro; annotated performance markings in pencil. 64 pp.\u00a0 Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 88″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718978671312{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 21<\/strong><\/td>\nStevens, Halsey. She\u2019s Somewhere In the Sunlight Strong. MS repro. Date (at end): April 7, 1942. 1 page. Inscribed in ink to Gardner Read by the composer, 1942.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 91″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718907091422{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 14<\/strong><\/td>\nToch, Ernst. Second Symphony, Op. 73. New York: Associated Music Publishers, Inc. 140 pp. Inscribed in ink to Gardner Read by the composer, August, 1953.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 90″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718905819735{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 3<\/strong><\/td>\nWade, James. III. Epilogue. Pages 1-2 only. Inscribed in ink to Gardner Read by the composer, December 1967.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nWagner, Joseph F. David Jazz. Boston: Riker, Brown and Wellington, 1933. Cover only. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 88″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1613759161830{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n
folder 22<\/strong><\/td>\nWagner, Joseph F. Two Moments Musical for the Piano. Boston: Riker, Brown and Wellington, 1936. 5 pp. Inscribed in ink to Gardner Read by the composer, August 26, 1936.<\/td>\n<\/tr>\n
folder 23<\/strong><\/td>\nWagner, Joseph F. Two Moments Musical, No. 1. Cover only. Inscribed in ink\u00a0 to Gardner Read by the composer.<\/td>\n<\/tr>\n
folder 24<\/strong><\/td>\nWard, Robert. Third Symphony. New York: Highgate Press, 1958. 106 pp. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n
folder 25<\/strong><\/td>\nWeaver, Powell. Don Quixote Visits Vienna. New York: G. Schirmer, 1945. 11 pp. Inscribed in ink to Gardner Read by the composer, June 19, 1945.<\/td>\n<\/tr>\n
folder 26<\/strong><\/td>\nWhear, Paul. Catskill Legend. Philadelphia, PA: Elkan-Vogel Company Inc., 1963. 28 pp. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 90″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718905819735{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 5<\/strong><\/td>\nWhear, Paul. Hartshorn. Evanston, IL: Summy-Birchard Publishing Company, 1958. 23 pp. Inscribed in ink to Gardner Read by the composer, June 14, 1962.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nWhear, Paul. Invocation and Study for Brass Quintet. North Easton, Massachusetts: Robert King Music Company, 1960. 15 pp. Inscribed in ink to Gardner Read by the composer, June 15, 1962.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nYannatos, James. String Quartet No. 2. Cambridge, Mass.: Sonory Publications, 1983. 32 pp. Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718980354353{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-series B: Presentation copies: Literature<\/span><\/em>[\/vc_column_text][vc_custom_heading text=”Box 90″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718905819735{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 8<\/strong><\/td>\nAllen, Warren D. (1946). Music and the Idea of Progress<\/em>. Reprinted from the Journal of Aesthetics and Art Criticism 4(3), 166-180. Inscribed in ink to Gardner Read from Warren Dwight Allen, August 1946.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 126″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718980538512{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
item 1<\/strong><\/td>\nCope, David. New Music Notation<\/em>. Dubuque, IA: Kendall\/Hunt Publishing Company, 1976. Inscribed in ink to Gardner Read from David Cope.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 90″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718980597440{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n
folder 9<\/strong><\/td>\nde la Vega, Aurelio. \u201cLatin American Composers in the United States.\u201d Latino Music Americana Review<\/em> 1\/2 (1980): 162-175. Inscribed in ink to Gardner Read from Aurelio de la Vega, February 1981.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nde la Vega, A. (1950). The Negative Emotion (An Essay on Modern Music)<\/em>. Pamphlet. Habana, Cuba: La Habana. Inscribed in ink to Gardner Read by Aurelio de la Vega, 25 May 1950.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nDubinets, Elena. \u201c\u0410\u043c\u0435\u0440\u0438\u043a\u0430\u043d\u0441\u043a\u0430\u044f \u043c\u0443\u0437\u044b\u043a\u0430 \u0432\u0442\u043e\u0440\u043e\u0439 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u044b \u0425\u0425 \u0432\u0435\u043a\u0430: \u041d\u043e\u0442\u0430\u0446\u0438\u044f \u0438 \u043c\u0435\u0442\u043e\u0434\u044b \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u0438 = Amerikanskaia muzyka vtoroi poloviny XX veka: notatsiia i metody kompozitsii.\u201d Abstract of thesis. Moskva: Moskovskaia gos. konservatoriia im. P.I. Chaikovskogo, 1996. Inscribed in ink to Gardner Read from Elena Dubinets, February 1996.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nDubinets, Elena. \u201cAmerican Music in the Second Half of the 20th<\/sup> Century: Notation and Compositional Techniques\u201d (Summary of Dissertation). Unpublished manuscript [translation of text of published abstract; see Box 90\/11]. Inscribed in ink to Gardner Read from Elena Dubinets.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 126″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718980538512{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
item 2<\/strong><\/td>\nDubinets, Elena. Znaki zvukov \ud83d\ude2e sovremennoi muzykal\u2019noi notatsii<\/em>. Kiev: Gamaiun, 1999. Inscribed in ink to Gardner Read from Elena Dubinets, December 8, 1999.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nElias, William Y. Grapes: Practical Notation for Clusters and Special Effects for Piano and Other Keyboards, <\/em>2nd<\/sup> Edition. New York, NY: Pendragon Press, 1984. Inscribed in ink to Gardner Read from William Y. Elias, January 2, 1988.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 90″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718980597440{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 13<\/strong><\/td>\nErin, Ronald. \u201cCuban Elements in the Music of Aurelio de la Vega.\u201d Latino Music Americana Review <\/em>5\/1 (1984): 1-32. Inscribed in ink to Gardner Read from Aurelio de la Vega, November 1984.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 126″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718980538512{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n
item 4<\/strong><\/td>\nGrantham, D., Kennan, K. (1983).\u00a0The Technique of Orchestration (3rd<\/span>\u00a0 Ed.)<\/em>. Englewood Cliffs, New Jersey: Prentice Hall, Inc. Inscribed in ink to Gardner Read from Kent Kennan, March 1983.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nGrantham, D., Kennan, K. (1990). The Technique of Orchestration (4th<\/sup> Ed.)<\/em>. Englewood Cliffs, New Jersey: Prentice Hall. Inscribed in ink to Gardner Read from Kent Kennan.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nKahan, S. (1957). Bosquejos Musicales<\/em>. Mexico City: Editorial Independencia. Inscribed in ink to Gardner Read from Salomon Kahan, 12 September 1957.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nKahan, S. (1951). Impresiones Musicales<\/em>. Mexico City: Editorial Independencia. Inscribed in ink to Gardner Read from Salomon Kahan, 14 June 1957.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 90″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718980597440{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 14<\/strong><\/td>\nKlein, Markus. <\/em>\u201cTo Extend the System of Music Notation.\u201d Unpublished manuscript, 1972. Inscribed in ink to Gardner Read from Markus Klein, November 7, 1974.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nKohs, E. B. (1939). \u201cAn Aural Approach to Orchestration.\u201d Reprinted from The Musical Mercury<\/em> 6 (3-4), Mar.-May 1939. Inscribed in ink to Gardner Read from Ellis B. Kohs.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nMeave, M. R. (1951). Ensayo Psicologico De La Creacion Musical<\/em>. (Thesis.) Mexico City: Universidad Nacional Autonoma De Mexico \u2013 Escuela Nacional De Musica. Inscribed in ink to Gardner Read from Manuel Reyes Meave.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 126″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718980538512{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n
item 8<\/strong><\/td>\nNovaro, Augusto. Sistema Natural de la M\u00fasica. <\/em>M\u00e9xico, D. F., 1951. Inscribed in ink to Gardner Readfrom August Novaro, July 27, 1957..<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nProcter, Leland H. Tonal Counterpoint<\/em>. Dubuque, IA: WM. C. Brown Company, 1952. Inscribed in ink to Gardner Read from Leland Procter<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nSlonimsky, Nicolas. Lexicon of Musical Invective<\/em>. New York, NY: Coleman-Ross Company, Inc, 1953. Inscribed in ink to Gardner Read from Nicolas Slonimsky, June 15, 1953<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nSlonimsky, N. (1947). Thesaurus of Scales and Melodic Patterns<\/em>. New York: Coleman \u2013 Ross Company, Inc. Inscribed in ink to Gardner Read from Nicolas Slonimsky, 21 March 1949.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718981731771{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-series C: Study collection: Scores<\/span><\/em>[\/vc_column_text][vc_custom_heading text=”Box 88″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718981718026{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 27<\/strong><\/td>\nMozart, W. A. Klaviersonaten. Munich: G. Henle Verlag, ca. 1977. Bears performance markings in pencil on pages 64 \u2013 70 and directions for musical analysis in pencil on page II.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1613666403052{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series D: Study collection: Literature<\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 127″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718981779995{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
item 1<\/strong><\/td>\nBaudelaire, C. (1900s). Les Fleurs Du Mal<\/em>. Paris: Editions Verda. Signed in ink by Gardner Read, 23 November 1938.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nBond, O. F., Dumas, A. (1943). D\u00e0ntes :<\/strong><\/em> \u00e9pisode tir\u00e9 du Comte de Monte-Cristo<\/em>. Boston: D.C. Heath and Company. Signed in pencil by Vail Read.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nBrowning, R. (1898).\u00a0Pauline; Paracelsus; Pippa Passes; King Victor and King Charles<\/em>. New York: Thomas Y. Crowell and Company. Signed in pencil by Florence R. Thayer, April 1907.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 90″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718980597440{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 17<\/strong><\/td>\n\u00a0Cortot, A. (1922).\u00a0The Piano Music of Claude Debussy<\/em>. London: J & W Chester Ltd. This essay was originally published in French, in the special Debussy number of \u2019La<\/em>\u00a0Revue<\/em>\u00a0musicale<\/em>.\u2019 (December,\u00a01920). Signed in ink by Gardner Read.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 127″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718981779995{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
item 4<\/strong><\/td>\nCranmer \u2013 Byng, L., Kapadia, S. A. (Eds.). (1926). A Lute of Jade<\/em>. (L. Cranmer \u2013 Byng, Trans.). New York: E. P. Dutton and Company. Inscribed in ink by Jane (first name only), December 1926.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 90″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718980597440{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 18<\/strong><\/td>\nElias, William H. \u201cDevice for Rhythmic Groupings.\u201d Pamphlet. Copyright 1964 by William H. Elias. Library of Congress registration no. Afo 44673, 1964.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 127″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718981779995{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 5<\/strong><\/td>\nEwen, D. (1943).\u00a0 Dictators of the Baton<\/em>. New York: Stratford Press, Inc. Inscribed in ink to Gardner and Vail read from \u201cDoc\u201d, Christmas 1949.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n\u00a0Flaubert, G. (1936).\u00a0Trois Contes<\/em>. Paris: Editions De Cluny. Signed in ink by Gardner Read, Rome, March 28, 1939.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nHoare, A. (1937). A Short Italian Dictionary, Volume One<\/em>. London: Cambridge University Press. Signed in ink by Gardner Read, Rome, March 24, 1939.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nHoare, A. (1937). A Short Italian Dictionary, Volume Two<\/em>. London: Cambridge University Press. Signed in ink by Gardner Read, Rome, March 24, 1939.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nKarl Baedeker, Firm. (1930). Northern Italy; including Ravenna, Florence and Pisa; Handbook for Travellers (Fifteenth Revised Edition)<\/em>. Leipzig: Karl Baedeker, Publisher. Signed in ink by Gardner Read, Rome, March 9, 1939.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nKlatt, E. (1929). Langenscheidt\u2019s Pocket Dictionary of the English and German Languages (10th<\/sup> ed.)<\/em>. Berlin \u2013 Schoneberg: Langenscheidtsche Verlagsbuchhandlung. Signed in ink by Gardner Read, Rome, March 24, 1939.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nA. Leconte, Firm. (1937).\u00a0Standard Paris Guide; with complete list of streets and transport system<\/em>. Paris: A. Leconte, Publisher.\u00a0\u00a0<\/em><\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nMetropolitan Museum of Art. The Gardener\u2019s Diary.<\/em> Edited by Elizabeth Glass.\u00a0 New York: Metropolitan Museum of Art, 1980. Inscribed to Gardner Read by Cindy Read in ink; January 2, 1981. Contains dated entries in ink by Gardner Read.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nPhiladelpheus, A. (1934). The Monuments of Athens<\/em>. Athens: s.n. Signed in ink by Gardner Read.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nSabersky, H. (1914). A Pocket Dictionary of the English and French Languages (4th<\/sup> ed.)<\/em>. Berlin \u2013 Schoneberg: Langenscheidtsche Verlagsbuchhandlung. Signed in ink by Gardner Read, Rome, March 24, 1939.<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\nSabersky, H. (1915). A Pocket Dictionary of the French and English Languages (6th<\/sup> ed.)<\/em>. Berlin \u2013 Schoneberg: Langenscheidtsche Verlagsbuchhandlung. Signed in ink by Gardner Read, Rome, March 24, 1939.<\/td>\n<\/tr>\n
item 16<\/strong><\/td>\nSchickele, Peter. The Definitive Biography of P.D.Q. Bach The Definitive Biography of P.D.Q. Bach<\/em>. Inscribed to Gardner Read by Cindy Read in ink; August 11, 1976. d.<\/td>\n<\/tr>\n
item 17<\/strong><\/td>\nShelley, P. B., De Bosis, A.(trans.). (1928).\u00a0Liriche<\/em>. Milan: A. Mondadori.\u00a0Signed in ink by Gardner Read, 23 March 1939.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718982260074{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-series E: Recordings<\/span><\/em>[\/vc_column_text][vc_custom_heading text=”Box 20″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718982305274{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n
reel 90<\/strong><\/td>\nHayes, Joseph. Time Capsules. Wayne State University Women\u2019s Glee Club; Robert Harris Conducting, June 7, 1968. 7\u201d audio reel.
\nN.B. Not included in Gardner Read\u2019s original numbering.<\/td>\n<\/tr>\n
CD 5<\/strong><\/td>\nPinkham, Daniel. Brass Trio No. 2. Jordan Hall, 24 September 2002. Compact disc. Also contains unidentified solo organ works by Pinkham, Read (track 16), Hovland, Gardonyi, and Guilmant. Harvard-Epworth [United Methodist Church], September 29, [2002?].<\/td>\n<\/tr>\n
CD 6<\/strong><\/td>\nVercoe, Elizabeth. Kleemation. <\/em>Lisa Vanarsdel, flute; Patricia Halbeck, piano. Dimensions New Music Concert, Austin Peay State University, March 31, 2003. Compact disc.<\/td>\n<\/tr>\n
CD 7<\/strong><\/td>\n\u201cA Musical Tribute to Vail Read.\u201d Compact disc.
\nNo tracklist given.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 138″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718982324114{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
VHS 8<\/strong><\/td>\nOddesey (WBEZ Boston TV Special on Gardner Read at 50). VHS videocassette tape.<\/td>\n<\/tr>\n
VHS 9<\/strong><\/td>\nOddesey (WBEZ Boston TV Special on Gardner Read at 50). Visual only, no sound. VHS videocassette tape.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718126805530{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 6: Oversize<\/h3>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718126820377{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-series A: Manuscripts and Imprints<\/span><\/em>[\/vc_column_text][vc_custom_heading text=”Box 128″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718725754144{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 1<\/strong><\/td>\nW40. Four Nocturnes. Op. 23b. For contralto and chamber orchestra. When Moonlight Falls, no. 1; The Unknown God, no. 2; A White Blossom, no. 3; The Moon, no. 4. Score. MS repro, bound. 27 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 132″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718725840466{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 1<\/strong><\/td>\nW43. Sketches of the City, Op. 26. Symphonic Suite for Large Orchestra After Poems of Carl Sandburg. Score. Ozalid manuscript. 40 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 128″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718725754144{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 2<\/strong><\/td>\nW43. Sketches of the City, Op. 26. Symphonic Suite for Large Orchestra After Poems of Carl Sandburg. Score. MS repro with pencil annotations, bound. 40 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 132″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718725840466{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 2<\/strong><\/td>\nW44. Prayers of Steel, Op. 26, no. 3. Score. Manuscript in ink; annotated with colored pencil. 22 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 128″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718725754144{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 3<\/strong><\/td>\nW45. Prayers of Steel, Op. 36, no. 3b. After the poem by Carl Sandburg. For wind ensemble. Score. Ozalid manuscript. Date (at end): November 16-24, 1958. 29 pp. of music.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nW74. Petite Pastorale, Op. 40a. For full orchestra. Score. Ozalid manuscript. 3 pp. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nW74. Petite Pastorale, Op. 40a. For full orchestra. Score. MS repro, bound. 3 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 132″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718725840466{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 3<\/strong><\/td>\nW77. The Golden Journey to Samarkand, Op. 41. Based on the poem of James Elroy Flecker. For mixed chorus, soloists, and orchestra. Score. Manuscript in pencil. 77 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 128″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718725754144{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 6<\/strong><\/td>\nW139. Partita for Small Orchestra, Op. 70. Score. Ozalid manuscript. 32 pp. of music.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nW139. Partita for Small Orchestra, Op. 70. Score. MS repro, bound. 32 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 132″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718725840466{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 4<\/strong><\/td>\nW139. Partita for Small Orchestra, Op. 70. Score. MS repro, bound. 32 pp. of music. Stamp on page 1 of score: \u201cRental Material \u2026Southern Music Publishing Co. Inc.\u201d<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nW139. Partita for Small Orchestra, Op. 70. Score. MS repro, bound. 32 pp. of music. Stamp on page 1 of score: \u201cRental Material \u2026Southern Music Publishing Co. Inc.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 129″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718728728593{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nW142. A Bell Overture, Op. 72. For full orchestra. Score. Ozalid manuscript. 29 pp. of music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nW142. A Bell Overture, Op. 72. For full orchestra. Score. MS repro, bound. 29 pp. of music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nW142. A Bell Overture, Op. 72. For full orchestra. Score. MS repro with pencil annotations, spiral bound. 29 pp. of music. Stamp on inside front cover: \u201cRental Material \u2026 Southern Music Publishing Co., Inc.\u201d<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nW167. Chorale and Fughetta, Op. 83. Movement III of: For Serge Koussevitzky, in grato jubilo: an occasional cantata. By Irving Fine, Daniel Pinkham, Gardner Read, Allen Sapp, Herbert Fromm, and Lukas Foss. For soloist, chorus, and orchestra. Score. 87 pp. of music. Typescript; signed by composers.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nW189. Symphony No. 4, Op. 92. For orchestra. Score. MS repro, bound. 106 pp. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nW189. Symphony No. 4, Op. 92. For orchestra. Score. MS repro, bound (hard cover). 106 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 132″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718725840466{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 6<\/strong><\/td>\nW189. Symphony No. 4, Op. 92. For orchestra. Score. MS repro. 106 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 130″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718729145670{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 1<\/strong><\/td>\nW189. Symphony No. 4, Op. 92. For orchestra. Score. MS repro.; annotated with pencil, colored pencil, and ink. 106 pp. of music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nW206. Boston Arts Festival Fanfare, Op. 106. For orchestra. Score. MS repro, bound. 5 pp. of music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nW207. Los Dioses Aztecas, Op. 107. Suite for percussion ensemble. Score. MS repro, bound. 69 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 135″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718729423993{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
items 1-2<\/strong><\/td>\nW210. The Prophet, Op. 110. For orchestra and chorus. Score. MS repro.; annotated with colored pencil. 212 pp. of music 2 copies with annotations.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 132″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718729526571{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 7<\/strong><\/td>\nW212. Jeux des Timbres, Op. 111. For orchestra. Score. Pencil MS; bound. 29 pp. of music. Accompanied by pre-compositional sketches. Pencil. 2 pp.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nW233. Villon, Op. 122. Opera in three acts; libretto by James Forsyth. Act I. Score. Manuscript in pencil. 217 pp. of music<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 133″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718729567579{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 1<\/strong><\/td>\nW233. Villon, Op. 122. Act II. Score. Manuscript in pencil. 186 pp. of music.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nW233. Villon, Op. 122. Act III. Score. Manuscript in pencil. 98 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 130″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718729623988{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 4<\/strong><\/td>\n\u00a0W233. Villon, Op. 122. Act I. Full score. Manuscript facsimile, bound. 173 pp. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nW233. Villon, Op. 122. Acts II and III. Full score. Manuscript facsimile, bound. 248 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 134″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718729591188{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 7<\/strong><\/td>\nW233. Villon, Op. 122. Act I. Full score. Repro from Ozalid. 173 pp. of music. Copyright date, 1967, inscribed in ink by Gardner Read.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nW233. Villon, Op. 122. Act II. Full score. Repro from Ozalid. 157 pp. of music. Copyright date, 1967, inscribed in ink by Gardner Read.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nW233. Villon, Op. 122. Act III. Full score. Repro from Ozalid. 90 pp. of music. Copyright date, 1967, inscribed in ink by Gardner Read.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 131″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718726936730{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 1<\/strong><\/td>\nW239. Haiku Seasons, Op. 126. For 2 female speakers, 2 male speakers, and percussion ensemble. Score. Ozalid manuscript. 18 pp. of music. Accompanied by performance notes. Ink and typescript. 7 pp.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 133″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718727045412{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 3<\/strong><\/td>\nW243. Concerto for Piano and Orchestra, Op. 130. Score. Manuscript facsimile, bound. 107 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 131″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718726936730{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 2<\/strong><\/td>\nW251. \u201cand there appeared unto them tongues as of fire,\u201d Op. 134. For organ. Score and instructions. MS repro, bound. 16 pp. of music, 1 p. of text.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 133″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718725562311{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n
folder 4<\/strong><\/td>\nW254. Astral Nebulae, Op. 136a. For orchestra. Score. Pencil MS; spiral bound. 25 pp. of music.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nMiscellaneous sketches and orchestrations. Various formats, housed in spiral bound album cover. 91 pp. of music.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nOzalid MS fragments. Folder includes: –pg. 12 of Scherzino, Op. 24. W41. For woodwind quintet; –pg. 1 of First Overture, Op. 58. W117. For orchestra; –pgs. 3 \u2013 7 of Tryste Noel, Op. 59. W118. For contralto voice solo, SATB chorus and organ; –pg. 2 of Spiritual, Op. 63. W124. For double bass [or violoncello] and piano; –pg. 1 of Lullaby for Cindy, Op. 74. W144. For piano; –pg. 19 of The Hidden Lute, Op. 132a. W249. For soprano voice and piano; –Four pages from unidentified compositions. 14 pp. of music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718126838241{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-series B: Ephemera<\/span><\/em>[\/vc_column_text][vc_custom_heading text=”Box 131″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718127252524{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 3<\/strong><\/td>\nDiplomas and certificates. 4 items:
\n[1] Bachelor of Music diploma from Eastman School of Music, University of Rochester. June 15, 1936. Signed by the Director of the School of Music and the President of the University.
\n[2] Master of Music diploma from Eastman School of Music. June 21, 1937. Signed by the Dean of the School of Music and the President of the University
\n[3] American Society of Composers, Authors, and Publishers membership certificate. March 28, 1945. Signed by the Secretary.
\n[4] Honorary doctorate diploma from Doane College. June 4, 1962. Signed by the Secretary of the Board of Trustees and the President of the College.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 134″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718127730840{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nBoston University 1969 Calendar. September leaf features manuscript page from The Temptation of St. Anthony, Op. 56a.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nConcert poster: Marshall University Contemporary Music Festival<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nConcert poster: \u201cThe Prophet\u201d world premiere<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nConcert poster: Boston University Omnibus Concert, 30 March 1972.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718127046779{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-series C: Presentation Copies: Scores<\/span><\/em>[\/vc_column_text][vc_custom_heading text=”Box 131″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718127252524{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n\n
folder 4<\/strong><\/td>\nBrings, Allen.\u00a0 Two Pieces for Orchestra: I. Capriccio.\u00a0 New York, NY: Seesaw Music Corp., 1978.\u00a0 43 pp.\u00a0 Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nde la Vega, Aurelio.\u00a0 Structures.\u00a0 New York, NY: Broadcast Music, Inc., 1964.\u00a0 76 pp.\u00a0 Inscribed in ink to Gardner Read by the composer, Spring, 1968.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 134″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718127730840{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 5<\/strong><\/td>\nMcDonnell, Donald.\u00a0 Nexus\/Dreamscape.\u00a0 Unpublished, 1991.\u00a0 32 pp.\u00a0 Inscribed in ink to Gardner Read by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1718127035581{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/a>Sub-series D: Study collection: Scores<\/span><\/em>[\/vc_column_text][vc_custom_heading text=”Box 131″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1718127252524{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-style: solid !important;border-right-style: solid !important;border-top-style: solid !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]<\/p>\n\n\n\n
folder 6<\/strong><\/td>\nStrauss, Richard. Tod und Verkl\u00e4rung. Gift from Edition Peters, Leipzig, Germany.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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\u2190 GARDNER READ COLLECTION: Series 1-3<\/a><\/p>\n

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GARDNER READ COLLECTION \u2192<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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