{"id":7462,"date":"2021-03-15T12:29:56","date_gmt":"2021-03-15T16:29:56","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=7462"},"modified":"2021-03-15T12:29:56","modified_gmt":"2021-03-15T16:29:56","slug":"ser6-8","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/awilder\/ser6-8\/","title":{"rendered":"ALEC WILDER ARCHIVE"},"content":{"rendered":"

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<\/a>Series 6: Ephemera<\/h3>\n

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<\/a>Sub-series 1: Biographical material<\/span><\/em><\/p>\n

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folder 1<\/strong><\/td>\n\u201cLife Story\u201d
\n<\/em>Typescript; 190 pages
\nNotes in pencil and ink on title page<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nBrackman, Alec Wilder works<\/em> \u2013 May 26, 1964
\nReference list of AW works based on list provided by AW
\nTypescript; 6 pages
\nProvenance: Arlene Bouras<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n\n

Wilder baptismal certificate and presidential invitation
\nInvitation from President and Mrs. Johnson to attend luncheon at The White House on October 10, 1967 at one o\u2019clock
\nInvitation on 14.5cm x 9.75cm cardstock
\nAccompanied by 10cm x 6.5cm card to present at time of arrival
\nProvenance: Arnold Sundgaard<\/p>\n

Baptismal Certificate
\nDate of baptism: June 15, 1907
\nAccompanied by letter from Mrs. Henry D. Ogden, parish secretary for St. Paul\u2019s Church
\nProvenance: Arnold Sundgaard<\/p>\n

Letter
\nFrom: Arnold Sundgaard
\nTo: Tom
\nDecember 23, 1989 \u2013 [no envelope]
\nLetter relinquishing the aforementioned items from his possession, where they had been left by AW for safekeeping
\nProvenance: Arnold Sundgaard<\/p>\n<\/td>\n<\/tr>\n

folder 4<\/strong><\/td>\nNew Yorker article
\n\u201cAlec Wilder,\u201d The New Yorker, <\/em>Vol. 47 (September 4, 1971): 22-24
\nPhotocopy; 3 pages<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n\n

Alec Wilder biography<\/p>\n

Alec Wilder
\n<\/em>By William Engvick, November 1964
\nPhotocopy; 5 pages
\nOriginal in series 4: Correspondence, box 1, folder 1<\/p>\n<\/td>\n<\/tr>\n

folder 6<\/strong><\/td>\nAutobiographical account
\nContained in notebook
\nIn ink; 23 pages
\nProvenance: Bruce M. Creditor<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\n\n

Journal entries
\nAW\u2019s journey on the Canadian National Railroad from New York through Foleyet, Winnipeg, Vancouver, SF, and ending in Hollywood.
\nDecember 12, 1951
\n<\/em>In ink; 2 pages<\/p>\n

December 13, 1951
\n<\/em>In ink; 1 page<\/p>\n

December 14, 1951
\n<\/em>In ink; 1 page<\/p>\n

December 24, 1951
\n<\/em>In ink; 2 pages<\/p>\n

December 25, 1951
\n<\/em>In ink; 5 pages<\/p>\n

December 26, 1951
\n<\/em>In ink; 2 pages<\/p>\n

December 27, 1951
\n<\/em>In ink; 3 pages<\/p>\n

December 28, 1951
\n<\/em>In ink; 1 page<\/p>\n

December 29, 1951
\n<\/em>In pencil; 1 page<\/p>\n

December 30, 1951
\n<\/em>In ink; 2 pages<\/p>\n

December 31, 1951
\n<\/em>In ink; 1 page<\/p>\n

January 1, 1952
\n<\/em>In ink; 2 pages<\/p>\n

January 4, 1952
\n<\/em>In ink; 4 pages<\/p>\n

January 13, 1952
\n<\/em>In ink; 2 pages<\/p>\n

January 18, 1952
\n<\/em>In ink; 2 pages<\/p>\n

January 29, 1952
\n<\/em>In ink; 2 pages<\/p>\n

February 13, 1952
\n<\/em>In ink; 1 page<\/p>\n

February 18, 1952
\n<\/em>In ink; 1 page<\/p>\n

May 27, 1953
\n<\/em>In ink; 1 page<\/p>\n

Provenance: Bruce M. Creditor<\/p>\n<\/td>\n<\/tr>\n

folder 8<\/strong><\/td>\nSelf-portrait of AW
\nSketch
\nIn ink; one page
\nProvenance: Bruce M. Creditor<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nCraig Houston, signed sketch of Alec Wilder
\nIn ink; one page
\n\u201cFor Marian with constant constancy Alec Wilder\u201d signed at bottom<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nCraig Houston, sketch of Alec Wilder used for American Popular Music<\/em> [radio show]
\nIn ink; one page<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\n\n

Autobiographical materials<\/p>\n

From: AW
\nTo: Dr. and Mrs. J. S. Watson, Jr.
\n[month and day illegible] 1974 – Postmarked U.S.P.S. NY 144
\n\u201cA great many years ago\u2026\u201d
\n<\/em>On time at Eastman School of Music and \u201cLot in Sodom\u201d
\nIn ink; 13 pages<\/p>\n

\u201cIt wasn\u2019t a habit of mine\u2026\u201d <\/em>[later to be titled, Retrospect<\/em>]
\nOn his chance encounter with Remsen Wood at the Eastman School of Music, meeting Dr. and Mrs. J. S. Watson and \u201cThe fall of the house of usher\u201d
\n<\/em>In ink; 19 pages<\/p>\n

\u201cRetrospect\u201d
\n<\/em>Typescript; 8 pages<\/p>\n

\u201cRetrospect\u201d <\/em>\u2013 revised June 25, 1974
\n<\/em>Typescript; 8 pages\u201cRetrospect\u201d<\/em> \u2013 revised [not dated]
\n<\/em>Typescript; 7 pages<\/p>\n

Empty manila envelope
\nLabeled, \u201cWilder carbon 5-30-74 plus 6-25-74 revision\u201d <\/em>in JSW\u2019s hand<\/p>\n

Empty manila envelope
\nFrom AW
\nTo: Dr. J. S. Watson, Jr.
\nMay 23
\nLabeled, \u201cWilder ms. Also find revised edition\u201d in J.S.W.\u2019s hand<\/p>\n<\/td>\n<\/tr>\n

folder 12<\/strong><\/td>\nBiographical and genealogical materials
\nGenealogical tree
\n<\/em>Incomplete; Only lists AW\u2019s grandfather Sam Wilder, his children (AW\u2019s father, aunts and uncle) and AW and his siblings
\nIn ink; one page\u201cAlec Wilder punning and clowning\u201d
\n<\/em>\u00a0<\/em>By Hildegarde Watson
\nVarious drafts and edits
\nTypescript; 55 pages, edits in ink
\nRough draft in ink; 7 pages<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\n\n

Loonis McGlohon, \u201cDear Alec\u201d
\n<\/em>Letter:
\nFrom: Thomas HampsonTo: Donald Ames, James Baskin, Warren Benson, Al Brackman, Jackie Cain, Douglas Colby, Louise Coyne, Francis Crociata, Charles Davidson, Edward DeWitt, Milford Fargo, Frederick Fennell, Robert freeman, Roy Kral, Robert Levy, James Maher, Beverly McGinniss, Loonis McGlohon, Marian McPartland, Mabel Mercer, Frances Miller, Mitch Miller, Louis Ouzer, William Ouzer, William Ploss, Harvey Phillips, M. H. Presburg, Howard Richmond, Lavinia Russ, Morris Sandgrund [sic], Gunther Schuller, Howard Scott, Joel Siegel, Barry Snyder, Sal Sparrazza, Desmond Stone, James Watson and George Wilder.May 11, 1981
\nAddresses AW\u2019s burial that occurred yesterday and encloses copies of the poems in AW\u2019s hand that were read at the end of their gathering<\/p>\n

\u201cDear Alec\u201d
\n<\/em>Loonis McGlohon, eulogy read at graveside farewell to AW
\nMay 10, 1981 \u2013 Avon, NY
\nTypescript; 2 pages
\n3 photocopies present<\/p>\n<\/td>\n<\/tr>\n

folder 14<\/strong><\/td>\n\u201cAlec Wilder,\u201d Current biography <\/em>[magazine] (1980)
\n<\/em>Current biography<\/em>, \u201cAlec Wilder,\u201d 1980, pages 427-431
\nPhotocopy; 5 pages
\n Current biography<\/em>, \u201cAlec Wilder,\u201d Volume 41, no 7 (July 1980): 41-45
\nCharles Moritz, editor
\nPhotocopy; 7 pages<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\n\u201cAlec Wilder: An introduction to the man and his music\u201d
\n<\/em>\u00a0<\/em>Paper-back bio-bibliography; in print.
\nCompiled and designed by Nancy Zeltsman with assistance from Judith Bell, Barbara Petersen, Gunther Schuller, David Demsey, Mary Wallace Davidson, Robert Levy and Andrew Hurlburt.
\nCover photo by Geoffrey James \u2013 Algonquin Hotel lobby: NYC, 1974.
\nMargun Music Inc., (1991) Newton Centre, MA: 96 pages.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\n\n

Miscellaneous article clippings
\n\u00a0 <\/em>\u201cRock \u2013 mass hysteria or mass art?\u201d<\/em>\u00a0<\/em>Alec Wilder, The New York Times <\/em>(Sunday, November 5, 1972), pages 17- 18
\nAW\u2019s arguments that rock lacks professionalism and dedication and that classical\/jazz musicians work harder at their craft\u00a0\u201cEastman School would lose identity if it is moved\u201d
\n<\/em>Alec Wilder, Rochester Democrat and Chronicle <\/em>(March 6, 1974)
\nPhotocopy; one page
\nFollow-up article by Lois K. Clutz (March 8, 1974) photocopied on same page stating that Eastman School of Music will remain downtown\u201cAnother wonderful Wilder Memorial\u201d<\/em>
\n<\/em>Tom Hampson, City Newspaper (<\/em>March 5, 1987), page 15
\nReview of annual Wilder Memorial concert at Carnegie Recital Hall on February 14, 1987\u201cBlowing bubbles at Carnegie\u201d<\/em>
\n<\/em>Desmond Stone, Rochester Democrat and Chronicle <\/em>(March 8, 1987)<\/p>\n

Review of 3rd<\/sup> annual Wilder Memorial concert at Carnegie Recital Hall<\/p>\n<\/td>\n<\/tr>\n

folder 17<\/strong><\/td>\n\n

Reviews, provided by Arlene Bouras<\/p>\n

\u201cTheatre: Musical Birds\u201d<\/em>
\n<\/em>Howard Taubman
\nReview on Kittiwake Island debut <\/em>at Martinique
\nLists cast, describes plot and reviews notable musical numbers
\nOriginal newspaper clipping and one photocopy<\/p>\n

\u201cA delightful sand castle\u201d<\/em>
\n<\/em>Eleanor Keen, Chicago Sun Times <\/em>(Wed. April 25, 1962)
\nReview of Jerome Hill\u2019s film, The sand castle
\n<\/em>Photocopy; one page<\/p>\n

\u201cWilder works in premiere here Sunday\u201d
\nThe Capital Times <\/em>(Friday, July 23, 1965)
\nAd for performance at the Wisconsin Union Theater titled, \u201cAn Evening with the music of Alec Wilder.\u201d Ralph Froelich, horn player from the New York Woodwind Quintet, and Zoot Sims, tenor will be guest soloists with the Madison Summer Symphony in the world premiere
\nOriginal and one photocopy<\/p>\n

\u201cWalter Winchell of New York\u201d
\nThe Star-Ledger <\/em>(Tuesday April 4, 1967)
\nShort clipping about people\u2019s concern that AW might withdrawal completely from the music business
\n5 Photocopies; 1 page each<\/p>\n<\/td>\n<\/tr>\n

folder 18<\/strong><\/td>\n\u201cComposer Alec Wilder is a loner who knows exactly what he believes in \u2013 and what he doesn\u2019t\u201d
\n<\/em> Theodore Price, Rochester Democrat and Chronicle <\/em>(Sunday, February 20, 1972)
\nPhotographs by Tim Laragy
\nOriginal newspaper accompanied by photocopy of Wilder article<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nPress release
\nAnnual Birthday Tribute to American composer, Alec Wilder
\nSaint Peter\u2019s Church, NYC (February 13, 1993)
\nTypescript; 3 pages<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\n\n

Miscellaneous newspaper clippings<\/p>\n

\u201cSmart Alec\u201d
\n<\/em>Barry Ulanov, Metronome <\/em>(May 1947)
\n<\/em>Original document; 3 pages<\/p>\n

\u201cComposer Alec Wilder is a loner who knows exactly what he believes in \u2013 and what he doesn\u2019t\u201d
\n<\/em>Theodore Price, Rochester Democrat and Chronicle <\/em>(Sunday, February 20, 1972)
\nPhotographs by Tim Laragy
\nOriginal newspaper; 5 pages<\/p>\n

\u201cBack to the roots of that novelist from Batavia\u201d
\n<\/em>Alec Wilder, Upstate<\/em> (Sunday, April 15, 1973)
\nPhotographs by Louis Ouzer
\nAbout meeting Gardner family, author of The Sunlight Dialogues
\n<\/em>Original newspaper clipping; 8 pages<\/p>\n

\u201cLibrary friends honor \u2018gypsy\u2019 with bowl\u201d
\n<\/em>Michael Walsh, Rochester Democrat and Chronicle (<\/em>April 11, 1974)
\nOn receiving the 18th<\/sup> annual literary award from the friends of of the Rochester Public Library for The American Popular Song: The Innovators 1900-1950
\n<\/em>Photocopy (first column only partially legible); one page<\/p>\n

\u201cSpeaking of Jazz\u201d
\n<\/em>Cue<\/em> (January 27, 1975): page 10
\n<\/em>Interview with Marian McPartland and AW
\n<\/em>Original magazine page and photocopy; one page each<\/p>\n

\u201cOur footloose correspondents: American Song\u201d
\n<\/em>Whitney Balliett, The New Yorker <\/em>(June 28, 1976): 64-70
\nAbout AW\u2019s radio series, American popular song with Alec Wilder and Friends
\n<\/em>Original document accompanied by reprint; 12 pages<\/p>\n

\u201cAlec Wilder: The compleat composer\u201d
\n<\/em>Marian McPartland, Down Beat<\/em> (October 21, 1976): 16-17, 49-50, 52.
\nPhotocopy; 6 pages<\/p>\n

\u201cHis love is young\u201d
\n<\/em>The Mulberry tree papers of St. Mary\u2019s College of Maryland
\n<\/em>\u00a0<\/em>Summer 1977, Volume IV, number 2; pages 8-11
\nEntire magazine present; 24 pages<\/p>\n

\u201c\u2018He has made an indelible impression on American music\u2019\u201d
\n<\/em>[unknown author and publisher] (Wednesday, December 24, 1980)
\nQuotes from Robert Freeman, director of Eastman School of Music, and on AW\u2019s influence and time at Eastman
\nPhotocopy; one page<\/p>\n

\u201cComposer Alec Wilder dies\u201d
\n<\/em>Tom Williams and Cliff Smith, Rochester Times-Union <\/em>(Wednesday, December 24, 1980)
\nPhotocopy; one page \u2013 missing additional pages<\/p>\n

\u201cAlec Wilder, 73, popular and \u2018serious\u2019 composer, is dead
\n<\/em>\u00a0<\/em>John S. Wilson, The New York Times <\/em>(Thursday, December 25, 1980)
\nPhotocopy; one page<\/p>\n

\u201cAlec Wilder, composer, 73, dead; wrote songs and classical works\u201d
\n<\/em>\u00a0<\/em>John S. Wilson, The New York Times <\/em>(Thursday, December 25, 1980)
\nPhotocopy; one page<\/p>\n

\u201cAlec Wilder dies\u201d
\n<\/em>Andy Smith, Rochester Democrat and Chronicle <\/em>[Thursday, December 25, 1980]
\nPhotocopy; two pages<\/p>\n

\u201cAt the end, his much-loved trains didn\u2019t desert composer Alec Wilder\u201d
\n<\/em>Dave Stearns, Rochester Times-Union <\/em>(Friday, December 26, 1980)
\n2 Photocopies; 2 pages each<\/p>\n

\u201c..ician marks death of Alec Wilder\u201d
\n<\/em>Georgia Urban, KN <\/em>(December 31, 1980)
\nPhotocopy (first column only partially legible); one page<\/p>\n

\u201cAlec Wilder\u2019s music is universal\u201d
\n<\/em>Edward Charbonneau, Brighton-Pittsford Post <\/em>(December 31, 1980)
\nPhotocopy; 3 pages<\/p>\n

\u201cAlec Wilder was never a compromiser\u201d
\n<\/em>Desmond Stone, Rochester Democrat and Chronicle <\/em>(January 4, 1981)
\nPhotocopy; one page<\/p>\n

\u201cAlec Wilder wrote, by his own reckoning, three or four hundred popular songs\u2019\u201d
\n<\/em>Nels Nelson, Philadelphia Daily News <\/em>(Friday January 9, 1981)
\nPhotocopy (first column only partially legible); one page<\/p>\n

\u201cThe talk of the town\u201d
\n<\/em>The New Yorker<\/em> (January 12, 1981): page 27-28
\nOriginal document; 2 pages<\/p>\n

\u00a0<\/em>\u201cPrivate riches of Alec Wilder should go to public\u201d
\n<\/em>\u00a0<\/em>Terry Teachout, The Kansas City Star <\/em>(Sunday, February 8, 1981)
\nPhotocopy; one page<\/p>\n

\u201cRemembering Alec Wilder\u201d
\n<\/em>\u00a0<\/em>Joel E. Siegel, Jazz Times <\/em>(March 1981): page 9
\n\u00a0<\/em>Photocopy; one page<\/p>\n

\u00a0<\/em>\u201cLocal jazz artists salute Wilder\u201d
\n<\/em>Cliff Smith, Rochester Times-Union <\/em>(Monday March 9, 1981)
\nPhotocopy; one page<\/p>\n

\u201cAlec Wilder now at peace in the countryside\u201d
\n<\/em>Desmond Stone, Rochester Democrat and Chronicle <\/em>(May 17, 1981)
\nPhotocopy; one page<\/p>\n

\u201cAlec Wilder was the Tiffany\u2019s of the tunesmiths\u2026\u201d
\n<\/em>Don Freeman, The San Diego Union <\/em>(Thursday, September 2, 1982)
\nPhotocopy; one page<\/p>\n

\u201cWilder admirers are on the prowl for his scores\u201d
\n<\/em>Stuart Low, Time-Union, Rochester, NY <\/em>(June 13, 1986)
\nPhotocopy; one page<\/p>\n

\u201cOn the Wilder-ness trail\u201d
\n<\/em>Stuart Low, Rochester Times-Union <\/em>[no date- 1987?]
\nPhotocopy; one page<\/p>\n

\u201cBlowing bubbles at Carnegie\u201d
\n<\/em>Desmond Stone, Rochester Times-Union <\/em>(March 8, 1987)
\nPhotocopy; one page<\/p>\n<\/td>\n<\/tr>\n

folder 21<\/strong><\/td>\n\n

Newspaper clippings from Glenn Bowen<\/p>\n

\u201cComposer cheered at Suite\u2019s performance\u201d
\n<\/em>Walter Monfried, Milwaukee Journal <\/em>(Tuesday, July 12, 1966)
\nReview of July 11th<\/sup> premiere of AW\u2019s suite at University of Wisconsin \u2013 Milwaukee
\nPerformed by the New York Woodwind Quintet and guest artists Glenn Bowen, baritone saxophone and John Barrows, French horn
\nPhotocopy; one page<\/p>\n

\u201cToday\u2019s Eastman School \u2013 Balanchine\u2019s latest\u201d
\n<\/em>From \u201cMusic to my Ears\u201d, SR<\/em> (April 29, 1967): page 24
\nOriginal document; 2 pages<\/p>\n

\u201cBernard Rogers Retires – Honored in Concert\u201d
\n<\/em>From \u201cESM Alumni Notes\u201d (July 1967): 15-16
\nPhotograph of Bernard Rogers and AW on back
\nOriginal document; 2 pages<\/p>\n

\u201cAlec Wilder\u201d
\n<\/em>Willis Conover, BMI Journal<\/em> (December 1967)
\nPhotocopy; one page<\/p>\n

\u201cWilder will talk about his music\u201d
\n<\/em>Capital Times <\/em>(Saturday, May 18, 1968)
\nPhotocopy; one page<\/p>\n

\u00a0<\/em>\u201cAlec Wilder premiere by children\u2019s chorus\u201d
\n<\/em>\u00a0<\/em>From \u201cESM Alumni Notes\u201d (June 1969): 5, 6
\nAbout May 3rd<\/sup> premiere of Children\u2019s plea for peace <\/em>at St. Agnes\u2019 Roman Catholic Church in Avon, NY.
\nWork also repeated the next day in the Eastman Theatre.<\/p>\n

\u201cNotes from Eastman\u201d <\/em>[October 1969 cover]
\nCover photo: AW with Eileen Malone, ESM\u2019s harp professor, prior to performance of his Suite for harp, oboe and horn<\/em>. The work was commissioned by Malone and introduced by her with Robert Sprenckle, oboe, and Verne Reynolds, horn during American Harp Society Conference held at Eastman in June 1969<\/p>\n

\u201cAn Eastman Album\u201d
\n<\/em>Rochester Review<\/em> \u2013 [1970?]
\nOriginal document; 4 pages<\/p>\n

Notes from Eastman<\/em> [June 1970]
\nHalf of page 7, 8 [original was cut in half]
\nMentions recording of AW\u2019s Children\u2019s plea for peace<\/em> with photograph of recording session<\/p>\n

\u201cThree Peace Concerts at ESM,\u201d<\/em> pages 15, 16
\nMay 17th<\/sup> performance of AW\u2019s Children\u2019s plea for peace\u201d<\/em> premiered last year. Recorded 2 weeks earlier, will be released this year by Vox
\nOn back: Photograph of AW signing an autograph
\nOriginal document; 4 pages<\/p>\n

\u201cThe Talk of the town: Alec Wilder\u201d<\/em>
\nThe New Yorker<\/em> (September 4, 1971)
\nAbout AW and mention of book American popular song
\n<\/em>Original document; 4 pages<\/p>\n

[Book review]:
\n\u201cAmerican Popular Song\u201d
\n<\/em>Walter Clemons , Newsweek[?]<\/em> \u2013 [1972?]
\nPhotocopy; 2 pages<\/p>\n

[Book review]:
\n\u201cAmerican Popular Song: The Great Innovators 1900-1950
\n<\/em>The New Yorker<\/em>, Vol XLVIII, No. 10 (April 29, 1972): pages 143-144
\nOriginal document; 2 pages<\/p>\n

\u201cA milestone for Alec Wilder\u201d
\n<\/em>High Fidelity Magazine<\/em> Vol. 22 (August 1972)
\nAbout AW and his book American Popular Song: The Great Innovators, 1900-1950
\n<\/em>Photocopy; one page<\/p>\n

\u201cProfiles: The president of the derri\u00e8re-garde\u201d
\n<\/em>Whitney Balliett, The New Yorker<\/em>, (July 9, 1973): pages 36-46
\nLong article on AW
\nOriginal document; 11 pages<\/p>\n

\u201cRock as Mass Hysteria\u201d
\n<\/em>Alec Wilder, Rochester Review<\/em>, (Fall, 1973)
\nPhotocopy; 3 pages<\/p>\n

\u201cAlec Wilder\u2019s Music for Winds\u201d
\n<\/em>Glenn H. Bowen, Woodwind World, <\/em>(December 1973): 16-19
\nPhotocopy; 4 pages<\/p>\n

\u201cJohn Barrows\u201d
\n<\/em>Memorial Committee: Glenn Bowen, Robert Cole, Robert Monschein
\nOne page eulogy for John Barrows who passed Jan. 11, 1974
\nTypescript; one page<\/p>\n

\u201cMusic\u2026in Madison\u2026\u201d
\n<\/em>\u00a0Wisconsin State Journal<\/em>, (Sunday, January 13, 1974)
\nAdvertisement for Madison Symphony performance of \u201cConcerto for clarinet and chamber orchestra\u201d \u2013 Glenn Bowen, clarinet
\nPhotocopy; one page<\/p>\n

\u201cBowen, Lottridge Symphony Soloists\u201d
\n<\/em>The Capital Times <\/em>\u2013 Madison, WI, (Monday, January 14, 1974)
\nArticle about Glenn Bowen, clarinet, and Richard Lottridge, bassoon, soloists in the upcoming Madison Symphony performance. Bowen premiering AW\u2019s piece \u201cConcerto for clarinet and chamber orchestra\u201d
\nPhotocopy; one page<\/p>\n

\u201cAlec Wilder sounds off\u201d
\n<\/em>Robert LaBrasca, The Capital Times<\/em> \u2013 Madison, WI, (Thurs., January 24, 1974)
\nPromotion of Madison Symphony performance of \u201cConcerto for clarinet and chamber orchestra\u201d and brief interview
\nPhotocopy; one page<\/p>\n

\u201cMadison Symphony gives color to drab weekend\u201d
\n<\/em>Carmen Elsner, Wisconsin State Journal<\/em>, (Monday, January 28, 1974)
\nReview of Madison Symphony performance of \u201cConcerto for clarinet and chamber orchestra\u201d \u2013 Glenn Bowen, clarinet
\nPhotocopy; one page<\/p>\n

\u201c3 soloists add luster to symphony concert\u201d
\n<\/em>Robert LaBrasca, Capital Times<\/em>, (January 28, 1974)
\nReview of Madison Symphony performance of \u201cConcerto for clarinet and chamber orchestra\u201d \u2013 Glenn Bowen, clarinet
\nPhotocopy; one page<\/p>\n

\u201cArt, Classical Music & Madison\u201d
\n<\/em>Review of world premiere of AW\u2019s \u201cConcerto for clarinet and chamber orchestra\u201d
\nGlenn Bowen, clarinet with the Madison Symphony Orchestra \u2013 February 8, 1974
\nPhotocopy; one page<\/p>\n

[Review of album]:
\nMarian McPartland: Plays the music of Alec Wilder<\/em> \u2013 Halcyon 109
\nHigh Fidelity Magazine <\/em>\u2013 March 1974
\nPhotocopy; one page<\/p>\n

\u201cBoehm Quintette offers fringe works\u201d
\n<\/em>Donal Henahan, The New York Times,<\/em> (Sunday, June 2, 1974)
\nReview of the NY premiere of AW\u2019s Quintet No. 10 on May 30, 1974
\nPhotocopy; one page<\/p>\n

\u201cThe Wilder shores of love\u201d
\n<\/em>Saturday review world<\/em>, (September 7, 1974)
\n\u201cTrade Winds\u201d Wm. Cole
\nOriginal document; one page [in envelope]<\/p>\n

\u201cThe emperor\u2019s new clothes\u201d
\n<\/em>Alec Wilder, Allegro<\/em>, (December 1974)
\nAW against modern music
\nPhotocopy; one page<\/p>\n

\u201cTuba Man\u201d
\n<\/em>Hubert Saal, Newsweek<\/em>, (January 27, 1975)
\nArticle about Harvey Phillips, tuba. Mention of AW
\nOriginal document; clipping, 2 pages
\n\u201cI thought this was a neat article. Ellen B\u201d in ink at foot of page. \u201cMrs. Barrows\u201d written on reverse
\nProvenance: Mrs. Phillips<\/p>\n

\u201cProfiles: Goodbye oompah\u201d
\n<\/em>Whitney Balliett, The New Yorker<\/em>, (December 15, 1975): pages 46-62
\nLong article on Harvey Phillips
\nOriginal document; 11 pages<\/p>\n

\u201cReading Alec Wilder\u2019s mail\u201d
\n<\/em>Gene Lees, High Fidelity Magazine<\/em>, (May 1976)
\nAbout AW and his book Letters I never mailed
\n<\/em>Original document; 2 pages<\/p>\n

\u201cQuintet records\u201d
\n<\/em>Wisconsin State Journal<\/em>, (Sunday, August 15, 1976)
\nWingra Woodwind Quintet to record AW\u2019s Woodwind Quintet No. 11 (1971) Photocopy; one page<\/p>\n

\u201cBooks: Orange juice for one\u201d
\n<\/em>Alec Wilder, The New Yorker<\/em>, (October 18, 1976): 181-185
\nArticle on American popular music
\nPhotocopy; 5 pages<\/p>\n

\u201cThe talk of the town\u201d
\n<\/em>\u00a0The New Yorker<\/em>, ( January 12, 1981)
\nOriginal document; 2 pages<\/p>\n

\u201cMemorial concert to honor Alec Wilder\u201d
\n<\/em>The Capital Times<\/em>, (Saturday, January 17, 1981)
\nMemorial concert Sunday, January 18 by the University Of Wisconsin School Of Music
\nPhotocopy; one page<\/p>\n

\u201cReturn engagement\u201d
\n<\/em>In \u201cNotes from Eastman\u201d (April 1981): pages 7, 8
\nOriginal document; one page<\/p>\n

\u201cAlec Wilder\u2019s clarinet and saxophone music\u201d
\n<\/em>Harry R. Gee, Saxophone Journal 8 <\/em>(Fall 1981): 30-33.
\nPhotocopy; 4 pages<\/p>\n

\u201cJazz: making do\u201d
\n<\/em>The New Yorker<\/em>, (July 26, 1982)
\nAbout concert given on June 27, 1982 in Carnegie Hall in AW\u2019s honor \u2013 part of Kool Jazz Festival New York
\nOriginal document; 2 pages<\/p>\n

\u201cOur footloose correspondents: In the country\u201d
\n<\/em>\u00a0<\/em>Whitney Balliett, The New Yorker<\/em>, (September 6, 1982): 40-44, 49
\nArticle about Mabel Mercer, mentions her friendship with AW several times
\nOriginal document; 8 pages<\/p>\n

\u201cOrchestra\u2019s Wilder set shortchanges audience\u201d
\n<\/em>\u00a0<\/em>John Aehl, Wisconsin State Journal<\/em>, (1983)
\nWisconsin Chamber Orchestra\u2019s premiere performance of AW\u2019s Suite for brass quintet and strings<\/em>. Also mentions 1974 Madison Symphony Orchestra with premiere of \u201cConcerto for clarinet and chamber orchestra\u201d – Glenn Bowen, clarinet
\nPhotocopy; one page<\/p>\n<\/td>\n<\/tr>\n

folder 22<\/strong><\/td>\n\n

Newspaper clippings<\/em><\/p>\n

\u201cIt\u2019s this way \u2013 local composer bathed in limelight of song hit\u201d
\n<\/em>Howard C. Hosmer, Rochester Times-Union<\/em>, (September 9, 1941)
\nOn success of It\u2019s so peaceful in the country\u201d
\n<\/em>Photocopy; one page<\/p>\n

\u201c\u2018Mandy\u2019 has found no monopoly on absent-mindedness\u2026\u201d
\n<\/em>Rochester Democrat and Chronicle<\/em>, (March 21, 1948)
\nPhotocopy; one page<\/p>\n

\u201cThose who go back to the early days\u2026\u201d
\n<\/em>Rochester Democrat and Chronicle<\/em>, (December 13, 1953)
\nPremiere of Carl Sandburg Suite
\n<\/em>Photocopy; one page<\/p>\n

\u201cPremiere slated for new opera by Alec Wilder\u201d
\n<\/em>The Union<\/em>, (August 5, 1954)
\nOn Kittiwake Island\u2019s <\/em>upcoming world premiere by the Music Camp at Interlochen
\nPhotocopy; one page<\/p>\n

\u201cWilder\u2019s friends don\u2019t know the fourth of it\u201d
\n<\/em>Down Beat<\/em>, Vol 22, (January 26, 1955)
\nPhotocopy; one page<\/p>\n

\u201cAlec Wilder, Rochester born composer\u2026.\u201d
\n<\/em>Rochester Democrat and Chronicle<\/em>, (February 21, 1960)
\nPhotocopy; one page<\/p>\n

\u201cGetting Wilder\u201d
\n<\/em>Rochester Times-Union<\/em>, (May 10, 1966)
\nIthaca High School performing Concerto for alto saxophone and band
\n<\/em>Photocopy; one page<\/p>\n

\u201cArtist and Creator\u201d
\n<\/em>Alec Wilder, Performing Arts Review<\/em> I (1969): 337-339
\nPhotocopy; 3 pages<\/p>\n

Alec Wilder\u2019s composition to be premiered by children\u2019s chorus May 3 and 4
\n<\/em>Freed, Richard D., public relations at Eastman \u2013 Feb 24, 1969
\nWritten on University of Rochester, Eastman School of Music stationary<\/p>\n

[untitled]
\nFreed, Richard
\nArticle about upcoming performance of Children\u2019s plea for peace<\/em> on May 3, 1969<\/p>\n

\u201cPeace plea on record\u201d
\n<\/em>Rochester Democrat and Chronicle<\/em>, (December 4, 1970)
\nRecording of Children\u2019s Plea for Peace<\/em> recorded by Vox will be released nationally the week before Christmas
\nPhotocopy; one page<\/p>\n

\u201cHometown man makes good again\u201d
\n<\/em>\u00a0Rochester Democrat and Chronicle,<\/em> (May 8, 1971)
\nAbout AW\u2019s radio series The American Popular Song with Alec Wilder and Friends <\/em>which aired on NPR member stations, including WXXI-FM Rochester.
\n<\/em>Photocopy; one page<\/p>\n

\u201cA \u2018holiday\u2019 tribute to Alec Wilder\u201d
\n<\/em>Rochester Democrat and Chronicle, <\/em>\u00a0(August 4, 1971)
\nWilder songs to be featured at the 1971 Arrangers\u2019 Holiday Concert in Highland Park Bowl
\nPhotocopy; one page<\/p>\n

\u201cA milestone for Alec Wilder\u201d
\n<\/em>High Fidelity Magazine,<\/em> Vol. 22 (August 1972)
\nAbout AW and his book American Popular Song: The Great Innovators, 1900-1950
\n<\/em>Photocopy; one page<\/p>\n

\u201cRock \u2013 mass hysteria or mass art?\u201d
\n<\/em>Alec Wilder, The New York times <\/em>[Sunday November 5, 1972]: Page 17-18
\nAW\u2019s arguments that rock lacks professionalism and dedication and that classical\/jazz musicians work harder at their craft
\nPhotocopy; 3 pages<\/p>\n

\u201cBook Review\u201d
\n<\/em> Christopher Palmer, Crescendo International<\/em> II (Dec 1972):
\n13 Review of AW\u2019s book, American Popular song
\n<\/em>Photocopy; one page<\/p>\n

\u201cComposer Alec Wilder, profiled in current New Yorker\u2026\u201d
\n<\/em>Rochester Times-Union<\/em> (July 6, 1973)
\nPhotocopy; one page<\/p>\n

\u201cProfiles: The president of the derri\u00e8r-garde\u201d
\n<\/em>\u00a0<\/em>Whitney Balliett, The New Yorker \u00ad<\/em>(July 9, 1973): pages 36-46
\nOriginal document; 11 pages<\/p>\n

\u00a0<\/em>\u201cOpera premiere that grew out of an act of love\u201d
\n<\/em>Des Stone, Rochester Democrat and Chronicle<\/em> (September 23, 1973)
\nAbout world premiere of The Truth about Windmills
\n<\/em>Photocopy; one page<\/p>\n

\u201cAlec Wilder aids students\u201d
\n<\/em>\u00a0<\/em>Ruth B. Chamberlain, Rochester Times-Union<\/em> (Tues. October 9, 1973)
\nPerformance of chamber opera on Sunday October 14 of The Truth about Windmills\u201d <\/em>to help establish the Alec Wilder Scholarship Fund to aid Eastman School of Music Preparatory Department students
\nPhotocopy; one page<\/p>\n

\u201cAlec Wilder\u2019s opera is in praise of a friend\u201d
\n<\/em>\u00a0<\/em>Michael Walsh, Rochester Democrat and Chronicle<\/em> (October 10, 1973)<\/p>\n

The Truth about Windmills
\n<\/em>Photocopy; one page<\/p>\n

\u201cAlec Wilder\u2019s \u2018Windmills\u2019 premiered\u201d
\n<\/em>George H. Kimball, [Newspaper unknown] (October 13, 1973)
\nPerformance of chamber opera on Sunday October 14 of The Truth about Windmills\u201d <\/em>to help establish the Alec Wilder Scholarship Fund to aid Eastman School preparatory department students
\nPhotocopy; one page<\/p>\n

\u00a0On same page:
\n<\/em>\u201c6 given grants\u201d
\n<\/em>[Newspaper unknown] (February 8, 1974)
\nAW received grant to compose new chamber opera
\nPhotocopy; one page<\/p>\n

\u201cThe Ellington essence, according to Alec Wilder\u201d
\n<\/em>Rochester Times-Union<\/em> (May 24, 1974)
\nWhat AW says about Ellington in his book American Popular song
\n<\/em>Photocopy; one page<\/p>\n

\u201cO\u2019er the fields we go\u2026oompahing all the way\u201d
\n<\/em>Mildred Mikkanen, Rochester Times-Union <\/em>[?] (December 1974)
\nAbout founding Tuba Christmas with Harvey Phillips
\nPhotocopy; 2 pages<\/p>\n

\u201cAlec goes public\u201d
\n<\/em>Cliff Smith, Rochester Times-Union<\/em> (September 16, 1975)
\nAbout Letters I never mailed
\n<\/em>Photocopy; one page<\/p>\n

\u201cSome retrospective views\u201d
\n<\/em>Alec Wilder, The University of Rochester Library Bulletin<\/em>, Volume XXVIII, no. 2 (Winter 1975): pages 79-85
\n<\/em>Photocopy; 7 pages<\/p>\n

\u201cOur footloose correspondents: American Song\u201d
\n<\/em>Whitney Balliett, The New Yorker <\/em>(June 28, 1976): 64-70
\nAbout AW\u2019s radio series, American popular song with Alec Wilder and Friends
\n<\/em>Original document: 8 pages<\/p>\n

\u201cThe first chorus\u201d
\n<\/em>\u00a0<\/em>Charles Suber, Down Beat, <\/em>Vol. 43 (October 21, 1976): 6
\nPhotocopy; one page<\/p>\n

\u201cAlec Wilder: The compleat composer\u201d
\n<\/em>Marian McPartland, Down Beat, <\/em>Vol. 43 (Oct. 21, 1976): 16-17, 49-50.
\nPhotocopy; 5 pages, one page missing<\/p>\n

\u201cWilder airs tribute to popular song\u201d
\n<\/em>Cliff Smith, Rochester Times-Union<\/em> (March 12, 1977)
\nWorld premiere of Entertainment No. 6<\/em> by the Rochester Philharmonic Orchestra, also discusses AW\u2019s program American popular song with Alec Wilder and friends\u201d <\/em>airing on WXXI-FM
\nPhotocopy; one page\u00a0\u00a0<\/em><\/p>\n

\u201cTip off on music: Alec & Friends vs. Junk:\u201d
\nRochester Times-Union<\/em> \u2013 Wed. February 15, 1978
\nAbout AW\u2019s program American popular song with Alec Wilder and friends\u201d <\/em>airing on WXXI-FM
\nPhotocopy; one page<\/p>\n

\u201cTrumpet, marimba make intriguing duo\u201d<\/em>
\n<\/em>Francis Church, Richmond News Leader <\/em>(April 25, 1978)
\nReview of the world premiere of Alec Wilder\u2019s Suite<\/em> for marimba and trumpet
\nPhotocopy; one page<\/p>\n

\u201cComposer Alec Wilder dies\u201d
\n<\/em>Tom Williams and Cliff Smith, Rochester Times-Union <\/em>(Wednesday, December 24, 1980)
\nPhotocopy; two pages<\/p>\n

\u201cAlec Wilder, composer, 73, dead; wrote songs and classical works\u201d<\/em>
\n<\/em>John S. Wilson, The New York Times <\/em>(Thursday, December 25, 1980)
\nPhotocopy; one page
\nVariation of previous article<\/p>\n

\u201cAlec Wilder, composer, 73, dead; wrote songs and classical works\u201d<\/em>
\n<\/em>John S. Wilson, The New York Times <\/em>(Thursday, December 25, 1980)
\nPhotocopy; one page
\nVariation of previous article<\/p>\n

\u201cAlec Wilder dies\u201d
\n<\/em>Andy Smith, Rochester Democrat and Chronicle <\/em>(Thursday, December 25, 1980)
\nPhotocopy; two pages<\/p>\n

\u201cAt the end, his much-loved trains didn\u2019t desert composer Alec Wilder\u201d<\/em>
\n<\/em>Dave Stearns, Rochester Times-Union <\/em>(Friday, December 26, 1980)
\n<\/em>Photocopy; one page<\/p>\n

\u201cAlec Wilder was never a compromiser\u201d
\nDesmond Stone, Rochester Democrat and Chronicle <\/em>(January 4, 1981)
\nPhotocopy; one page<\/p>\n

\u201cThe talk of the town\u201d
\n<\/em>The New Yorker<\/em> (January 12, 1981): page 27-28
\n<\/em>Original document; 2 pages<\/p>\n

\u201cA musical tribute to Alec Wilder\u201d<\/em>
\n<\/em>Desmond Stone, Rochester Democrat and Chronicle<\/em> (February 21, 1981)
\n<\/em>Photocopy; one page<\/p>\n

\u00a0<\/em>\u201cLocal jazz artists salute Wilder\u201d<\/em>
\n<\/em>Cliff Smith, Rochester Times-Union <\/em>(Monday March 9, 1981)
\n<\/em>Photocopy; one page<\/p>\n

\u201cRemembering Alec Wilder\u201d<\/em>
\n<\/em>Joel E. Siegel, Jazz Times <\/em>(March 1981): page 9
\n<\/em>Photocopy; one page<\/p>\n

\u00a0<\/em>\u201cAlec Wilder now at peace in the countryside\u201d
\n<\/em>Desmond Stone, Rochester Democrat and Chronicle <\/em>(May 17, 1981)
\n<\/em>Photocopy; one page<\/p>\n

\u00a0<\/em>\u201cYou\u2019ll hear \u2018correct\u2019 way with Wilder\u2019s music in this concert\u201d
\n<\/em>Cliff Smith, Rochester Times-Union<\/em> (July 30, 1981)
\nTribute to AW at 20th<\/sup> annual Arrangers\u2019 holiday concert at the Eastman theatre on July 31
\nPhotocopy; 2 pages<\/p>\n

\u00a0<\/em>\u201cJazz: making do\u201d
\n<\/em>The New Yorker<\/em> (July 26, 1982)
\nAbout concert given on June 27, 1982 in Carnegie Hall in AW\u2019s honor \u2013 part of Kool Jazz Festival New York
\nOriginal document; 2 pages<\/p>\n

\u201cAlec Wilder\u2019s Friends Remember\u2026\u201d
\n<\/em>Linda Quinlan, Penfield Post-Republican<\/em> and Brighton-Pittsfield Post <\/em>\u2013 (Wed. August 25, 1982)
\nTribute airing on WXXI
\nOriginal copies accompanied by photocopy of Brighton-Pittsford
\n4 pages, photocopy; 3 pages, Penfield-Post; 14 pages, Brighton-Pittsford
\nProvenance of original clipping: Madge Briggs<\/p>\n

\u201cThe music of Alec Wilder\u201d
\n<\/em>\u00a0<\/em>Loonis McGlohon, BMI: The many worlds of music<\/em> I (1983): 42-43
\nPhotocopy; 2 pages<\/p>\n

\u201cHonoring a composer and a hotel\u201d
\n<\/em>Desmond Stone, Rochester Democrat and Chronicle<\/em> (February 24, 1985)
\nCarnegie Hall Recital Hall performance of Wilder works by \u201cFriends of Alec Wilder\u201d
\nPhotocopy; one page<\/p>\n

\u00a0<\/em>\u201cWilder admirers are on the prowl for his scores\u201d
\n<\/em>\u00a0 <\/em>Stuart Low, Rochester Time-Union <\/em>(June 13, 1986)
\n2 photocopy; one page each<\/p>\n

\u201cBlowing \u00a0bubbles at Carnegie\u201d
\n<\/em>Desmond Stone, Rochester Democrat and Chronicle <\/em>(March 8, 1987)
\nReview about 3rd<\/sup> annual Wilder Memorial concert at Carnegie Recital Hall\u00a0<\/em><\/p>\n

\u201cBehind the beat with Mark Tucker: Songs by Alec Wilder (1907-1980)
\n<\/em>I.S.A.M. Newsletter<\/em>, Vol. XVII, no. 1 (November 1987): 8-10
\nOn AW\u2019s popular songs with musical examples
\nPhotocopy; 3 pages<\/p>\n

\u00a0<\/em>\u201cOn the Wilder-ness trail\u201d
\n<\/em>Stuart Low, Rochester Times-Union <\/em>[no date- 1987?]
\nPhotocopy; one page<\/p>\n

\u201cLeonard Treash was for many years\u2026\u201d<\/em>
\n<\/em>[unknown author]
\n[unknown publication] \u2013 [unknown year – post AW\u2019s passing]
\nPhotocopy; one page<\/p>\n<\/td>\n<\/tr>\n

folder 23<\/strong><\/td>\n\n

Newspaper clippings and articles<\/em><\/p>\n

\u201cIf millions of jitterbugs listen\u2026\u201d
\n<\/em>[author unknown]
\nNewsweek<\/em> (July 28, 1941)
\nTypescript draft with correction in ink
\nPhotocopy; one page<\/p>\n

\u00a0<\/em>\u201cLounging with the Longhairs\u201d
\n<\/em>H.E.P., Down Beat <\/em>(July 15, 1942)
\nPhotocopy (partly illegible); one page<\/p>\n

\u201cAlec Wilder replies to charges of H.E.P.\u201d
\n<\/em>\u00a0<\/em>Mike Levin, Down Beat <\/em>(August 1942)
\nAW\u2019s response after reading accusation against him in article \u201cLounging with the Longhairs\u201d
\n<\/em>Photocopy; one page<\/p>\n

\u201cIt\u2019s this way – Composer pleased with work of \u2018voice\u2019\u201d
\n<\/em>Howard C. Hosmer, Rochester Times-Union<\/em> \u2013 1945[?]
\nAW and Frank Sinatra
\nPhotocopy; 3 pages<\/p>\n

\u00a0<\/em>\u201cIt\u2019s all music\u201d
\n<\/em> [unknown author], Seventeen<\/em> (February 1947)
\nAbout AW and Frank Sinatra and their new album with Frank conducting
\nPhotocopy; 5 pages<\/p>\n

\u201cPhilharmonic to give premiere\u201d
\n<\/em>Rochester civic music news<\/em>, Vol. XIX, no. 12 (November 18, 1947): 1-2
\nAbout upcoming premiere of Piece for orchestra<\/em> to be performed by the Rochester Philharmonic November 20, 1947 at the Eastman theatre, Erich Leinsdorf conducting
\nPhotocopy; 2 pages<\/p>\n

Copy of concert program
\n<\/em>Premiere of Piece for orchestra<\/em> performed by the Rochester Philharmonic November 20, 1947 at the Eastman theatre, Erich Leinsdorf conducting
\nPhotocopy; 2 pages<\/p>\n

\u201cWilder\u2019s music acclaimed at philharmonic\u201d
\n<\/em>\u00a0<\/em>Norman Nairn, Rochester Times-Union <\/em>[?] (November 21, 1947)
\nAbout the premiere of Piece for orchestra<\/em> performed by the Rochester Philharmonic November 20, 1947 at the Eastman theatre, Erich Leinsdorf conducting
\nPhotocopy; one page<\/p>\n

\u201cLook at the duke\u201d
\n<\/em> Alec Wilder, The Saturday Review<\/em> (August 28, 1948)
\nArticle about Duke Ellington
\nPhotocopy; 2 pages<\/p>\n

\u00a0<\/em>\u201cDw in the New Yorker of August 18, 1951\u201d
\n<\/em>[author unknown], The New Yorker<\/em> (August 18, 1951)
\nTypescript draft with correction in ink
\nPhotocopy; one page<\/p>\n

Music Library Association Notes on Alec Wilder
\n<\/em>Mitchell Miller, \u201cAlec Wilder: The Lowland sea\u201d<\/em> [and];<\/p>\n

\u201cAlec Wilder: Sunday Excursion\u201d
\n<\/em>Music Library Association Notes <\/em>(September 1953): 671-673
\nPhotocopy; 3 pages<\/p>\n

\u201cHow to trap a free spirit\u201d
\n<\/em>\u00a0<\/em>Howard C. Hosmer, Rochester Times-Union<\/em> (Tues., Feb. 23, 1960)
\nInterview with AW
\nPhotocopy; 2 pages<\/p>\n

\u201cFor Barrows by Wilder\u201d
\n<\/em>Saturday Review<\/em> (March 26, 1960)
\nPhotocopy; one page<\/p>\n

\u201cRecordings Reports II: Miscellaneous :LPs\u201d
\n<\/em>I.K., Saturday Review<\/em> \u2013 October 28, 1961
\nListing of AW\u2019s record, \u201cWilder: Quintets Nos. 3, 4, and 6\u201d by the New York Woodwind Quintet
\nPhotocopy; one page<\/p>\n

Review of opera performance
\n<\/em>Roger Carpenter \u201cCavalleria Rusticana & The Lowland Sea.\u201d Opera,<\/em> Vol 14, No. 7 (July 1963): 500-501
\nReview of performance by Bristol Opera School, April 24
\nPhotocopy; one page<\/p>\n

\u201cWilder: Quintets Nos. 3, 4, and 6\u201d
\n<\/em>Arthur Cohn, The American Record Guide, <\/em>Vol. 30, no. 1 (September 1963): 67
\nPhotocopy; one page<\/p>\n

\u201cNew recordings for instrumentalists\u201d
\n<\/em>\u00a0<\/em>[unknown author]
\nThe Instrumentalist<\/em> (December 1964): 16
\nNew recording is AW\u2019s Sonata for trombone and piano: <\/em>John Swallow, trombone; Harriet Wingreen, piano (Golden Crest RE 7015)
\nPhotocopy; one page<\/p>\n

\u201cThe lighter side\u201d
\n<\/em>Gene Lees, High Fidelity Magazine<\/em> \u2013 (December 1968)
\nReview of the album Alec Wilder: The Music of Alec Wilder<\/em> conducted by Frank Sinatra
\nPhotocopy; one page<\/p>\n

\u201cThe wandering minstrel\u201d
\n<\/em>Howard Hosmel, [Chapter from Monroe County<\/em>?] \u2013 [1971?]
\nPhotocopy; 3 pages<\/p>\n

\u00a0<\/em>\u201cSongs and Waltzes\u201d
\n<\/em>From \u201cGoing on Record\u201d By James Goodfriend, Stereo Review<\/em>, [1972?]: 40-41
\nBook review of American popular song
\n<\/em>Photocopy; two pages\u00a0<\/em><\/p>\n

\u201cThe composer\u201d
\n<\/em> [unknown author]<\/p>\n

Composers Autograph Publications<\/em>, Vol. 3, no. 2 (Spring 1972).
\nReview of Robert Levy\u2019s record (Golden Crest RE 7045) with performances of AW\u2019s Suite for Trumpet and piano <\/em>(1969); A song for a friend <\/em>(1967); Caprice<\/em> (1967)
\nPhotocopy; one page<\/p>\n

\u201cAlec Wilder looks at pop music\u201d
\n<\/em>Theodore price, [Newspaper unknown] [1972?]
\nBook review of American popular song
\n<\/em>Photocopy; one page<\/p>\n

\u201cAlec Wilder \u2013 writing about song writing presents its own copyright problems for a talented composer author\u201d
\n<\/em>Barbara A. Bannon, Publishers Weekly<\/em> (April 24? 1972)
\nBook review of American popular song
\n<\/em>Photocopy; two pages<\/p>\n

\u201cAmerican Popular Song: The Great Innovators, 1900-1950
\n<\/em>\u00a0<\/em>Louis M. Savary, America<\/em> (May 13, 1972)
\nBook review of American popular song
\n<\/em>Photocopy; one page\u00a0<\/em><\/p>\n

\u201cMusic for trumpet\u201d
\n<\/em>L.T., Stereo review<\/em> (July 1972)
\nReview of Robert Levy\u2019s record (Golden Crest RE 7045) with performances of AW\u2019s Suite for Trumpet and piano <\/em>(1969); A song for a friend <\/em>(1967); Caprice<\/em> (1967)
\nPhotocopy; one page<\/p>\n

\u201cSentimental Journey\u201d
\n<\/em>Charles Michener, Newsweek<\/em> (July 31, 1972)
\nBook review of American popular song
\n<\/em>Photocopy; one page<\/p>\n

\u201cTin pan analysis\u201d
\n<\/em>London times literary supplement<\/em> (October 27, 1972): 1283
\nBook review of American popular song
\n<\/em>Photocopy; one page<\/p>\n

\u201cReunion time for Teddi and Wilder\u201d
\n<\/em>Cliff Smith, Rochester Times-Union<\/em> (February 20, 1973)
\nAbout Teddi King and Alec Wilder \u2013 AW back in Rochester to write a new opera
\nPhotocopy; 2 pages<\/p>\n

\u201cOldies and goodies\u201d
\n<\/em>Gary Iseminger, \u201cOldies and Goodies,\u201d The Carleton Miscellany<\/em>, XIII, 2, (Spring-Summer 1973), 165-168.
\nBook review of American Popular song
\n<\/em>Photocopy; 4 pages<\/p>\n

\u201cMarian is playing Wilder\u201d
\n<\/em>\u00a0<\/em>Mark Campbell, [unknown publication] \u2013 [June 1973?]
\nPhotocopy; one page<\/p>\n

\u201cA jazz night of song that did it by the book\u201d
\n<\/em>McCandlish Phillips, The New York Times<\/em> (Fri. July 6, 1973)
\nNewport Jazz Festival themed on AW\u2019s book on American popular song
\nPhotocopy; one page\u00a0<\/em><\/p>\n

\u201cAlec Wilder: An uncommon genius\u201d
\n<\/em>\u00a0<\/em>Ann Prichard, Rochester Democrat and Chronicle<\/em> \u2013 [post 1973]
\nPhotocopy; 2 pages<\/p>\n

Copy of Marian McPartland record jacket
\n<\/em>\u201cMarian McPartland plays the music of Alec Wilder (Halcyon 109)\u201d album cover – 1974
\n\u201cTo Jon and Helen Love Marian\u201d written at top of page
\nForeword about Marian McPartland by AW
\nPhotocopy; one page<\/p>\n

\u201cWilder, Alec\u201d
\n<\/em>Kinkle, Roger D., The complete<\/em> encyclopedia of popular music and jazz 1900-1950<\/em>, Vol 3. Arlington House; first edition 1974.
\nBiography and discography
\nPhotocopy; one page<\/p>\n

\u201cComposer to get library\u2019s literary award\u201d
\n<\/em>\u00a0<\/em>Jill Zelickson, Rochester Times-Union<\/em> (March 27, 1974)
\nPhotocopy; one page<\/p>\n

\u00a0\u201cAlec the shy\u201d
\n<\/em>\u00a0<\/em>Bob Dardenne, Rochester Times-Union<\/em> (April 10, 1974)
\nAW in town to accept Friends Annual Literary Award
\nPhotocopy; 2 pages<\/p>\n

\u201cAlec talks\u2026and survives\u201d
\n<\/em>\u00a0<\/em>Bob Dardenne, Rochester Times-Union<\/em> (April 11, 1974)
\nPhotocopy; one page<\/p>\n

\u201cLibrary friends honor \u2018gypsy\u2019 with bowl\u201d
\n<\/em>Michael Walsh, Rochester Democrat and Chronicle (<\/em>April 11, 1974)
\nOn receiving the 18th<\/sup> annual literary award from the Friends of the Rochester Public Library for The American Popular Song: The Innovators 1900-1950
\n<\/em>Photocopy (first column only partially legible); one page<\/p>\n

\u201cBeautiful people and Wilder, too\u201d
\n<\/em>Rochester Democrat and Chronicle<\/em> (September 22, 1974\u00a0\u00a0\u00a0\u00a0 )
\nIllegible original
\nPhotocopy; one page<\/p>\n

\u201cSpeaking of Jazz\u201d
\n<\/em>Cue<\/em> (January 27, 1975): page 10
\nInterview with Marian McPartland and AW
\nPhotocopy; one page<\/p>\n

\u00a0<\/em>\u201cMcPartland \u2013 Wilder record real treat\u201d
\n<\/em>\u00a0<\/em>Cliff Smith, Rochester Times-Union<\/em> (April 21, 1975)
\n\u201cMarian McPartland plays the music of Alec Wilder (Halcyon 109)\u201d
\nPhotocopy; one page<\/p>\n

Book review
\n<\/em>Ouzer. \u201c<\/em>Letters I have never mailed,\u201d Music Journal<\/em>, Vol 30 (1975): 20
\nPhotocopy; one page<\/p>\n

\u201cSuitcase holds all his possessions\u201d
\n<\/em>Desmond Stone, Rochester Democrat and Chronicle<\/em> \u2013 (August 1975)
\nPhotocopy; 2 pages<\/p>\n

\u201cAlec goes public\u201d
\n<\/em>\u00a0<\/em>Cliff Smith, Rochester Times-Union<\/em> (September 16, 1975)
\nAbout Wilder\u2019s book Letters I Never Mailed
\n<\/em>Photocopy; 2 pages<\/p>\n

\u00a0<\/sub><\/em>Photocopy of record jacket
\n<\/em>Wilder about Brass<\/em> \u2013 (1976)
\nThe Tidewater Brass Quintet
\nRobert Levy, Chris Gekker (trumpets); Martin Hackleman (horn); Gary Maske (trombone); Loren Marsteller (tuba)<\/p>\n

Golden Crest CRS-4156
\nSide 1:
\nBrass Quintet No. 5 (1975)
\nBrassininity (1972)<\/p>\n

Side 2:
\nBrass Quintet No. 4 (1973)
\nPhotocopy; one page<\/p>\n

\u201cRadio: Alec Wilder and the art of pop song\u201d
\n<\/em>\u00a0<\/em>John S. Wilson, The New York Times <\/em>(Fri, October 1, 1976)
\nPhotocopy; one page<\/p>\n

\u201cAn American Tragedy\u201d
\n<\/em> Paul Turon, Music Journal<\/em> (March 1977)|
\nMention of Tidewater Brass Quintet in AW\u2019s Fourth and fifth Quintets
\nPhotocopy; one page<\/p>\n

\u201cWoodwind quintet welcomes ensemble with superb, brilliant individual talent\u201d
\n<\/em>Dom Dinardo, The Evening Bulletin<\/em> (Mon., February 6, 1978)
\nWorld premiere of Quintet No. 13 with marimba featuring Gordon Stout, percussion, and the Philadelphia Woodwind Quintet
\nPhotocopy; one page<\/p>\n

\u201cRecord Reviews\u201d
\n<\/em>\u00a0<\/em>James R. McKay, Fugue<\/em> (November 1978)
\nThe Tidewater Brass Quintet performing Wilder\u2019s Brass Quintet No. 5<\/em> (Golden Crest 1474)
\nPhotocopy; one page<\/p>\n

\u201cNew recordings\u201d
\n<\/em>The Instrumentalist<\/em> (March 1979): 125
\nThe Tidewater Brass Quintet performing Wilder\u2019s Brass Quintet<\/em> on Golden Crest CRS 4174
\nPhotocopy; one page<\/p>\n

\u201cThrough wry-colored glasses\u201d
\n<\/em>\u00a0<\/em>Jack Dawson, Rochester Times-Union<\/em> (September 21, 1979)
\nPhotocopy; 3 pages<\/p>\n

\u201cWilder: Sextet for marimba and wind quartet; suite for trumpet and marimba; suite for flute and marimba\u201d
\n<\/em>P.K., Stereo Review<\/em> (September 1980)
\nPreview of article to be printed in magazine
\nPhotocopy; one page<\/p>\n

\u201cA boy of uncommon goodness\u201d
\n<\/em>\u00a0<\/em>Desmond Stone, Rochester Democrat and Chronicle<\/em> (October 1980)
\nPhotocopy; one page<\/p>\n

\u201cAlec Wilder wrote, by his own reckoning, three or four hundred popular songs\u201d
\n<\/em>Nels Nelson, Philadelphia Daily News <\/em>(Friday January 9, 1981)
\nPhotocopy; two pages<\/p>\n

\u00a0<\/em>\u201cLetter to the Editor\u201d
\n<\/em>Robert Levy, St. Mary\u2019s College of Maryland \u2013 The Mulberry Tree Papers
\n<\/em>Letter written to inform the college of AW\u2019s passing
\nPhotocopy; one page<\/p>\n

\u201cThe master of American popular song\u201d
\n<\/em>C. Smith, The Charlotte News<\/em> (Thurs., January 22, 1981)
\nAbout life and passing of AW
\nPhotocopy; one page<\/p>\n

\u201cPrivate riches of Alec Wilder should go to public\u201d
\n<\/em>Terry Teachout, The Kansas City Star <\/em>(Sunday, February 8, 1981)
\nPhotocopy; one page<\/p>\n

\u00a0<\/em>\u201cTribute to Alec Wilder\u201d
\n<\/em>WBGO public radio program guide article [1981-1982?]
\n\u201cRemember Alec Wilder\u201d <\/em>to air each Saturday at 7am beginning April 4; hosted by Marian McPartland and Loonis McGlohon
\nNote written, \u201cBob\u2026\u201d unknown writer
\nPhotocopy; one page<\/p>\n

\u00a0<\/em>\u201cListen: On remembering Alec Wilder\u201d
\n<\/em>\u00a0<\/em>Loonis McGlohon, [unknown publication] (April 1981)
\nPhotocopy; one page<\/p>\n

\u201cWilder days\u201d
\n<\/em>Peter Clayton, The Sunday Telegraph<\/em> (April 5, 1981)
\nPhotocopy; one page<\/p>\n

\u201cLU concert will honor Alec Wilder\u201d
\n<\/em>The Post-Crescent \u2013 Wisconsin<\/em> (Thurs. April 23, 1981)
\nLawrence University tribute concert to AW
\nPhotocopy; one page<\/p>\n

\u201cA friend recalls Alec Wilder\u201d
\n<\/em>\u00a0<\/em>John Miner, Leisure & home<\/em> (April 25, 1981)
\nInterview with Robert Levy, associate professor of music at Lawrence University, about AW
\nPhotocopy; one page<\/p>\n

\u201cStage: \u2018Alec Wilder,\u2019 a song collage\u201d
\n<\/em>Mel Gussow, The New York Times<\/em> (Tues., February 9, 1982)
\nReview of performance conceived by Barbara Zinn and Elliot Weiss, performed by D\u2019Jamin Bartlett, Christine Andreas, Keith David and Craig Lucas
\nPhotocopy; one page<\/p>\n

\u201cMcPartland album pre\u2026Wilder\u201d
\n<\/em>\u00a0<\/em>Michael Anthony, Minneapolis Tribune<\/em> (Sun., April 25, 1982)
\nReview of record Marian McPartland plays the music of Alec Wilder<\/em> (Halcyon 109)
\nPhotocopy; one page<\/p>\n

\u201cTidewater Brass Quintet IV\u201d
\n<\/em>Michael Meckna, American Record Guide<\/em> (May 1982)
\nThe Tidewater Brass Quintet performing Wilder\u2019s Brass Quintet No. 8<\/em> (Golden Crest CRS 4205)
\nPhotocopy; one page<\/p>\n

\u201cFestival in town for 10-day gig- Starting the day in church\u201d
\n<\/em>\u00a0The New York Times<\/em> (June 25, 1982)
\nFriends of Alec Wilder in Carnegie Hall
\nPhotocopy; one page<\/p>\n

\u201cThe Great jazz bazaar\u201d
\n<\/em>\u00a0<\/em>Jim Miller, Newsweek<\/em> (July 12, 1982)
\nWilder tribute at the Kool (Newport) Jazz Festival
\nPhotocopy; 2 pages<\/p>\n

\u201cFriends of Alec Wilder and Listen to the words\u201d
\n<\/em>Joel E. Siegel, Jazz Times <\/em>(September 1982)
\nReview of Friends of AW concert at Carnegie hall and the \u201cListen to the Words\u201d concert performed in Alice Tully hall on June 28th
\n<\/sup>Photocopy; one page<\/p>\n

\u201cRobert Levy \u2013 Music for trumpet\u201d
\n<\/em>Russell Murray, The International Trumpet Guild Journal<\/em> (Dec. 1982)
\nReview of Robert Levy\u2019s record (Golden Crest RE 7045) with performances of AW\u2019s Suite for Trumpet and piano <\/em>(1969); A song for a friend <\/em>(1967); Caprice<\/em> (1967)
\nPhotocopy; one page<\/p>\n

\u00a0<\/em>\u201cThey left so much behind them\u201d
\n<\/em> Desmond Stone, Rochester Democrat and Chronicle<\/em> \u2013 (1983)[?]
\nPhotocopy; 2 pages<\/p>\n

\u201c\u2018Children\u2019s plea\u2019 by Alec Wilder will be heard Sunday at Lawrence\u201d
\n<\/em>By John Miner, The Post-Crescent<\/em> (Wed. May 11, 1983)
\nPhotocopy; one page<\/p>\n

\u201cSchulze and the wind\u201d
\n<\/em> [unknown author], [unknown\u00a0 publication] (Fri., May 13, 1983)
\nPerformance of Children\u2019s plea for peace on Sunday May 15 in Lawrence Memorial Chapel
\nPhotocopy; one page<\/p>\n

\u201c\u2018A plea for peace\u2019\u201d
\n<\/em>Jane Dwyre Garton, Sunday Post-Crescent<\/em> (May 15, 1983)
\nPhotocopy, some duplicate pages; 4 pages<\/p>\n

\u201cThe Wilder side of Alec Wilder\u201d
\n<\/em>Peter B. Traub, Rochester Times-Union <\/em>(Sat., August 27, 1983)
\n
\n<\/em>On same page:<\/p>\n

\u201cKool Jazz fest gives Wilder warm tribute\u201d
\n<\/em>Mary Campbell, Rochester Times-Union<\/em> (Tues., Jun 29, 1982)
\nPhotocopy; one page<\/p>\n

\u201cJazz \u2013 still there\u201d
\n<\/em>The New Yorker<\/em> \u00a0(August 5, 1985)
\nAbout Norma Deloris Egstrom a.k.a. Peggy Lee
\nPhotocopy; one page<\/p>\n

\u201cA reporter in Washington\u201d
\n<\/em> The New Yorker<\/em>\u00a0 (July 28)
\nAbout the Reagan presidency
\nPhotocopy; one page<\/p>\n

\u00a0<\/em>\u201cJazz musicians write good books\u2026\u201d
\n<\/em>Whitney Balliett, The New Yorker<\/em> (December 28, 1987): 91
\nPhotocopy; one page<\/p>\n

\u201cComposing Rochester\u201d
\n<\/em>\u00a0<\/em>Scott Cantrell, Rochester Times-Union upfront<\/em>\u00a0 (Tues., April 4, 1989)
\nAbout the composition program at the Eastman School of Music, and about the composers who are ESM students and faculty or else native Rochesterians
\nPhotocopy; 4 pages<\/p>\n

\u201cA memory of Alec Wilder\u201d
\n<\/em>Loonis McGlohon. Collector\u2019s Record Club Newsletter<\/em> [?] \u2013 [undated]
\nArticle published after AW\u2019s passing
\nPhotocopy; one page<\/p>\n

\u201cThe New Records\u201d<\/em><\/p>\n

    \n
  1. The New Yorker <\/em>[?]\u2013 October [? \u2013 after AW\u2019s passing]<\/li>\n<\/ol>\n

    The Tidewater Brass Quintet performing Wilder\u2019s Brass Quintet No. 8<\/em> (Golden Crest CRS 4205) and The New York woodwind quintet performing The world\u2019s most beautiful girls <\/em>(Golden Crest CRS 4208)
    \nPhotocopy; one page<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615901608187{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
    folder 1<\/strong><\/td>\n\u201cPhilharmonic to give premiere\u201d
    \n<\/em>Civic Music News,<\/em> Vol. XIX, No. 12 (November 18, 1947): 1-2
    \nPremiere of Piece for Orchestra<\/em> on November 20, 1947 by the RPO under
    \nconductor Erich Leinsdorf
    \nOriginal document (entire booklet); 8 pages<\/td>\n<\/tr>\n
    folder 2<\/strong><\/td>\nHonorary doctorate from Columbia College
    \nHonorary Doctor of Arts degree conferred in Chicago, June 6, 1975
    \nDiploma in dark red certificate holder<\/td>\n<\/tr>\n
    folder 3<\/strong><\/td>\nAlec Wilder\u2019s last will and testament
    \nOriginal letter in blue ink dated February 10, 1978
    \nCodicils in red ink on Algonquin stationery dated October 25, 1978
    \nAccompanied by original envelope
    \nIn ink; 4 pages total<\/td>\n<\/tr>\n
    folder 4<\/strong><\/td>\nThe clarinet in the music of Alec Wilder<\/em>, (excerpt)
    \nGlenn Bowen
    \nTypescript; 2 pages<\/td>\n<\/tr>\n
    folder 5<\/strong><\/td>\nAlec Wilder in spite of himself \u2013 A life of the American composer<\/em>
    \n<\/em>Desmond Stone \u2013 November 1994
    \nBound, complete draft \u2013 Typescript; 570 pages<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/vc_column_text][vc_column_text css=”.vc_custom_1615825556564{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

    <\/a>Sub-series 2: Programs<\/span><\/em><\/p>\n

    [\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615477298620{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
    folder 1<\/strong><\/td>\n\n

    Programs, public radio\/TV ads<\/p>\n

    \u201cTribute to Alec Wilder \u2013 A retrospective\u201d
    \n<\/em>Presented by Phi Mu Alpha Sinfonia and Lawrence University
    \nGuest artist \u2013 John Harmon, piano with Lawrence faculty and students
    \nHarper Hall – April 26 [no year]
    \nProvenance: Glenn Bowen\u201c<\/em><\/p>\n

    The Sand Castle\u201d
    \n<\/em>University of Wisconsin School of Music
    \nDiscussion with the composer following showing of the film
    \nWisconsin Center – May 22 [no year]
    \nProvenance: Glenn Bowen<\/p>\n

    \u201cAlec Wilder and friends discuss and perform American popular song\u201d
    \n<\/em>Booklet advertisement for weekly public radio series American Popular Song with Alec Wilder and Friends
    \n<\/em>Provenance: Glenn Bowen<\/p>\n

    American popular song with Alec Wilder
    \n<\/em>Pocket folder with art from series on cover<\/p>\n

    \u201cMabel and Bobby\u201d
    \n<\/em>Booklet advertisement for weekly public television series Mabel and Bobby <\/em>produced by South Carolina ETV Network
    \nAlec Wilder listed as consultant for the series<\/p>\n

    \u201cConcert of music by Alec Wilder\u201d
    \n<\/em>The Friends of Music in the Gallery in collaboration with the Memorial Art Gallery, performed by the New York Woodwind Quintet
    \nThe Fountain Court – Sunday March 20, 1960
    \nProvenance: Glenn Bowen<\/p>\n

    \u201cFirst chair concert\u201d booklet
    \n<\/em>\u00a0<\/em>Madison Symphony Orchestra; Roland Johnson, conducting
    \nAW Concerto for clarinet and chamber orchestra; <\/em>Glenn Bowen, clarinet
    \nSaturday, January 26 and Sunday, January 27, 1974
    \nMadison Area Technical College Auditorium
    \nProvenance: Glenn Bowen<\/p>\n

    \u201cA tribute to Alec Wilder 91907-1980)\u201d
    \n<\/em>Lawrence University Conservatory of Music \u2013 Phi Mu Alpha Sinfonia
    \nSusan Woodard, piano; Herbert Hardt, percussion; Mari Taniguchi, soprano; Robert Levy, trumpet and Lawrence students
    \nApril 26, 1981 \u2013 Harper Hall
    \n2 original copies of program
    \nProvenance: Glenn Bowen<\/p>\n<\/td>\n<\/tr>\n

    folder 2<\/strong><\/td>\n\n

    Programs, miscellaneous<\/em><\/p>\n

    \u201cAmerican ballet\u201d
    \n<\/em>First Inter-American tour\u2013 Brazil, Uruguay, Argentina, Chile, Peru Ecuador, Colombia, Venezuela, Panama, Puerto Rico, Cuba, Mexico
    \nJune – December 1941<\/p>\n

    \u201cNew York Woodwind Quintet
    \n<\/em>Presented by the Great Neck Symphony Society, Inc.
    \nMarch 30, 1954 \u2013 Junior High School Auditorium<\/p>\n

    \u201cConcert of music by Alec Wilder\u201d
    \n<\/em>The Friends of Music in the Gallery in collaboration with the Memorial Art Gallery, performed by the New York Woodwind Quintet
    \nThe Fountain Court – Sunday March 20, 1960<\/p>\n

    \u201cAn evening with the music of Alec Wilder\u201d<\/em>
    \n<\/em>Presented by the Wisconsin Union Committee
    \nThe Madison Summer Symphony Orchestra; Gordon B. Wright, conductor
    \nJuly 25, 1965 – Wisconsin Union Theater<\/p>\n

    \u201cThe Truth about windmills\u201d
    \n<\/em>Saint Agnes School Hall
    \nOctober 12 and 13, 1973 \u2013 Avon, NY
    \n2 original programs
    \nProvenance: Madge Briggs, widow of Wm. F Briggs MM \u201858<\/p>\n

    \u201cThe Truth about windmills\u201d
    \n<\/em>Eastman School of Music benefit performance to establish the Alec Wilder Scholarship fund ESM Preparatory Department
    \nOctober 14, 1973 \u2013 Kilbourn Hall
    \n7 original programs<\/p>\n

    \u201cRochester Chamber Orchestra\u201d<\/em>
    \n<\/em>David Fetler, conductor; Zvi Zeitlin, soloist
    \nSunday, January 11 \u2013 Nazareth College Arts Center<\/p>\n

    \u201cKilbourn concert series 1979-80\u201d
    \n<\/em>David Van Hoesen, bassoon, and friends
    \nJanuary 29, 1980 – Kilbourn Hall<\/p>\n

    \u201cArrangers\u2019 holiday 1981 \u2013 A tribute to Alec Wilder\u201d
    \n<\/em>Featuring Marian McPartland, piano; Susannah McCorkle, voice
    \nJuly 31, 1981 \u2013 Eastman Theatre<\/p>\n

    \u201cHaywire: A music revue\u201d
    \n<\/em>Sponsored by Phi Mu Alpha Sinfonia
    \nApril 3 and 4 \u2013 Kilbourn Hall<\/p>\n

    \u201cThe Wilder Winds with Gerry Mulligan\u201d
    \n<\/em>Town Hall\u2019s Fifth Connoisseur concert
    \nAugust 7, 1971 \u2013 The Town Hall, NYC<\/p>\n

    \u201cAlec Wilder Clues to a life\u201d
    \n<\/em>Conceived by Barbara Zin & Elliot Weiss
    \nThe production Company in Association with Vineyard Theater
    \n[no date] \u2013 1981?<\/p>\n

    \u201cWhile we\u2019re young\u201d
    \n<\/em>Music and words of AW
    \nConceived and adapted by Barbara Zin & Elliot Weiss
    \nThe production Company in Association with Vineyard Theater
    \n[no date] \u2013 1981?
    \nProvenance: Helen Ouzer<\/p>\n

    \u201cFourth graduation concert with orchestra\u201d
    \n<\/em>\u00a0<\/em>Eastman-Rochester Symphony Orchestra; Dr. Howard Hanson, conducting
    \nApril 16, 1953 \u2013 Kilbourn Hall<\/p>\n

    \u201cSongs by Alec Wilder were made to be played by Marian McPartland\u201d
    \n<\/em>\u00a0And sung by Marlene Verplanck
    \n<\/em>\u00a0<\/em>[no date] – Michael\u2019s Pub, NYC<\/p>\n

    \u201cSongs of Alec Wilder (1907-1980)\u201d
    \n<\/em>\u00a0<\/em>Community Education Division Summer Concert Series
    \nValerie Errante, soprano; Robert Wason, piano; Aleck Brinkman, double bass; Ken Meyer, guitar
    \nJuly 30, 1997 \u2013 Kilbourn Hall
    \nTwo copies of original program<\/p>\n

    \u201cCelebrating Wilder\u2019s life and music\u201d
    \n<\/em>Friends of Alec Wilder
    \nFebruary 14, 1987 \u2013 Weill Recital Hall at Carnegie Hall<\/p>\n

    \u201cCelebrating Wilder\u2019s life and music\u201d
    \n<\/em>Friends of Alec Wilder
    \nFebruary 13, 1988 \u2013 Weill Recital Hall at Carnegie Hall<\/p>\n

    \u201cCelebrating Wilder\u2019s life and music\u201d
    \n<\/em>Friends of Alec Wilder
    \nFebruary 18, 1989 \u2013 Saint Peter\u2019s Church, NYC<\/p>\n

    \u201cCelebrating Wilder\u2019s life and music\u201d
    \n<\/em>Friends of Alec Wilder
    \nFebruary 17, 1990 \u2013 Saint Peter\u2019s Church, NYC<\/p>\n

    \u201cCelebrating Wilder\u2019s life and music\u201d
    \n<\/em>Friends of Alec Wilder
    \nFebruary 16, 1991 \u2013 Saint Peter\u2019s Church, NYC<\/p>\n

    \u201cCelebrating Wilder\u2019s life and music\u201d
    \n<\/em>\u00a0<\/em>Friends of Alec Wilder
    \nFebruary 13, 1993 \u2013 Saint Peter\u2019s Church, NYC<\/p>\n

    \u201cCelebrating Wilder\u2019s life and music\u201d
    \n<\/em>\u00a0<\/em>Friends of Alec Wilder
    \nFebruary 17, 1996 \u2013 Saint Peter\u2019s Church, NYC<\/p>\n<\/td>\n<\/tr>\n

    folder 3<\/strong><\/td>\n\n

    Programs, miscellaneous<\/em><\/p>\n

    \u201cKittiwake Island\u201d
    \n<\/em>\u00a0<\/em>A Mill Playhouse Premiere
    \nBook and lyrics by Arnold Sundgaard, music by AW
    \nAugust 24-28 and August 31-Sept 4 [no year]
    \nProvenance: Bruce M. Creditor<\/p>\n

    \u201cSunday Excursion\u201d
    \n<\/em>\u00a0<\/em>Brigham Young University Opera Workshop
    \nLibretto by Arnold Sundgaard, music by AW
    \n[No date or location given]
    \nProvenance: Bruce M. Creditor<\/p>\n

    \u201cThe Lowland Sea\u201d
    \n<\/em>The combined Armstrong mixed and male choruses annual spring concert
    \nLibretto by Arnold Sundgaard, music by AW
    \nMay 18-20, 1953 \u2013 Lancaster, PA
    \nProvenance: Bruce M. Creditor<\/p>\n

    \u201cSunday Excursion\u201d
    \n<\/em>\u00a0<\/em>The Augustana College Opera Workshop
    \nLibretto by Arnold Sundgaard, music by AW
    \nJanuary 13-14, 1956 \u2013 Potter Hall, Fine Arts Building, Augustana College
    \nProvenance: Bruce M. Creditor<\/p>\n<\/td>\n<\/tr>\n

    folder 4<\/strong><\/td>\n\n

    Programs, dedication of Wilder reading room<\/em><\/p>\n

    \u201c\u2019I\u2019ll be around:\u2019 A celebration of the life and music of Alec Wilder\u201d
    \n<\/em>Eastman School of Music, University of Rochester
    \nConcert performed after dedication of AW reading room in Sibley Library
    \nFebruary 13, 1991 \u2013 Eastman Theatre<\/p>\n

    Invitation to the dedication of the AW reading room
    \nEnvelope addressed to Charles E. Lindahl
    \nContains two invitations and contribution card
    \nDedication in Sibley Music Library followed by a Reception in Sproull Atrium and concert in Eastman Theatre
    \nFebruary 13, 1991<\/p>\n

    Invitation to the dedication of the AW reading room
    \nLoose invitation
    \nFebruary 13, 1991<\/p>\n

    Alec Wilder Dedication\/Reception\/Concert RSVP list
    \nList of those who attended; 46 total guests<\/p>\n

    Dedication agenda for Dedication of the AW reading room
    \nList of who gave welcome, remarks and conclusion<\/p>\n

    Eastman flier advertising AW reading room dedication and concert
    \nFebruary 13 \u2013 Eastman Theatre<\/p>\n

    News article about the AW reading room dedication concert
    \nChuck Cuminale. \u201cDedication\u201d from Gabba Gabba, Rochester City Newspaper<\/em> (February 1991)<\/p>\n<\/td>\n<\/tr>\n

    folder 5<\/strong><\/td>\nPrograms, \u201cTouch & Thrash\u201d
    \n<\/em>\u201cTouch & Thrash superior wares\u201d
    \n<\/em>\u00a0<\/em>Supplementary catalogue Xmas, 1952
    \nAlec Wilder, vice president I; Bill Engvick, vice president II; Margaret Spanel, vice president III
    \n2 original copies\u201c<\/em>Touch & Thrash superior wares\u201d
    \n<\/em>\u00a0<\/em>Literary supplement Xmas, 1960
    \nAlec Wilder, pres.; Bill Engvick, pres.
    \n3 originals, 1 photocopy<\/td>\n<\/tr>\n
    folder 6<\/strong><\/td>\n\u201cThe Lowland Sea\u201d
    \n<\/em> Libretto by Arnold Sundgaard, music by AW
    \nIthaca College Departments of Music and Drama
    \nMarch 18-21, 1953 \u2013 College Theatre<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615477298620{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1615825590156{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

    <\/a>Sub-series 3: Listserv<\/span><\/em><\/p>\n

    [\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615477298620{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
    folder 1<\/strong><\/td>\nWilder Listserv October 1994 \u2013 March 1995
    \nAlec Wilder mailing list for discussions on the life and works of AW
    \nTypescript; 152 pages<\/td>\n<\/tr>\n
    folder 2<\/strong><\/td>\nWilder Listserv April 1995 \u2013 December 1995
    \nAlec Wilder mailing list for discussions on the life and works of AW
    \nTypescript; 101 pages<\/td>\n<\/tr>\n
    folder 3<\/strong><\/td>\nWilder Listserv 1996
    \nAlec Wilder mailing list for discussions on the life and works of AW
    \nTypescript; 268 pages<\/td>\n<\/tr>\n
    folder 4<\/strong><\/td>\nWilder Listserv 1997
    \nAlec Wilder mailing list for discussions on the life and works of AW
    \nTypescript; 206 pages<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/vc_column_text][vc_column_text css=”.vc_custom_1615825621997{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

    <\/a>Sub-series 4: Ancillary<\/span><\/em><\/p>\n

    [\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615477298620{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    folder 1<\/strong><\/td>\nList of Wilder holdings in Sibley and Library of Congress
    \nTypescript; 6 pages
    \n<\/em>Photocopies of Library of Congress Wilder holdings – Music Card Catalogue
    \n47 pages<\/td>\n<\/tr>\n
    folder 2<\/strong><\/td>\nAvon Foundation, \u201cAmerican Popular Song\u201d Supplemental grant 1970-71
    \nIncludes letters, additional production costs, grant conditions and approval
    \n22 pages
    \nProvenance: Joseph Taubman<\/td>\n<\/tr>\n
    folder 3<\/strong><\/td>\nAvon Foundation, financial reports 1968-1970
    \nTypescript and handwritten; 77 pages
    \nProvenance: Joseph Taubman<\/td>\n<\/tr>\n
    folder 4<\/strong><\/td>\nAvon foundation, report for May 1, 1969-April 30, 1970
    \n\u00a0<\/em>Typescript; 8 pages
    \nGift of Joseph Taubman<\/td>\n<\/tr>\n
    folder 5<\/strong><\/td>\nHarvey Phillips Foundation, Inc. \u2013 Alec Wilder
    \n\u00a0<\/em>Typescript; 40 pages and one envelope<\/td>\n<\/tr>\n
    folder 6<\/strong><\/td>\n\u201cAn analysis of woodwind quintets numbers three, six and twelve of Alec Wilder\u201d
    \n<\/em>Tedrow Lewis Perkins, – California State University, Fullerton
    \nMaster of Music thesis \u2013December 15, 1977
    \nBound book; 73 pages<\/td>\n<\/tr>\n
    folder 7<\/strong><\/td>\nAlec Wilder tape transcriptions
    \nAugust 11, 1969
    \nDiscussion between AW, brother George Wilder, J. S. Watson Jr., H. L. W and Mrs.\u00a0 A. Robey
    \nTypescript; 132 pages<\/td>\n<\/tr>\n
    folder 8<\/strong><\/td>\nFriends of Alec Wilder, projects 1981-1982
    \nRobert Levy, chairman of Projects to Honor Alec Wilder
    \nProjects include:
    \n75th<\/span>\u00a0birthday tribute for AW in Carnegie Hall – February 16, 1982
    \nEstablishment of \u201cAlec Wilder \u2013 Performers assistance fund\u201d
    \nCreation of organization \u201cFriends of Alec Wilder\u201d
    \nTypescript; 8 pages<\/td>\n<\/tr>\n
    folder 9<\/strong><\/td>\nFriends of Alec Wilder, NYC display February 19 & 20, 1994
    \nHandout on the Alec Wilder Archives in Sibley Music Library
    \nEastman intramural correspondence from Mary Wallace Davidson to Mary Ram\u00e9 including copy of speech about AW prepared for the Friends of AW February 19, 1994 \u2013 St. Peter\u2019s Church, NYC
    \nSpeech in typescript; 8 pages<\/td>\n<\/tr>\n
    folder 10<\/strong><\/td>\nFriends of Alec Wilder, NYC display February 19 & 20, 1994
    \nPhotographs and negatives taken by T. Honea
    \nTwenty-one 4\u201d x 6\u201d color photographs of materials on display for the Friends of AW February 19, 1994 \u2013 St. Peter\u2019s Church, NYC<\/td>\n<\/tr>\n
    folder 11<\/strong><\/td>\nFriends of Alec Wilder, NYC display February 19 & 20, 1994
    \nEnlarged photographs taken by T. Honea
    \nFourteen 8\u201d x 11\u201d color photographs of materials on display for the Friends of AW \u2013 includes 13 paper strips with descriptions of each display; In typescript
    \nFebruary 19, 1994 \u2013 St. Peter\u2019s Church, NYC<\/td>\n<\/tr>\n
    folder 12<\/strong><\/td>\nCertificate of registration of a claim to copyright in a musical composition
    \nChick Lorimer (Gone)\u00a0<\/em>\u2013 Words by Carl Sandburg, music by AW\\
    \nR.D. Row Music Company, Boston, MA – March 10, 1953
    \nTypescript; one page
    \nProvenance: Joseph Taubman<\/td>\n<\/tr>\n
    folder 13<\/strong><\/td>\nMemorabilia, bumper sticker \u201cAlec lives!\u201d
    \n3 stickers<\/td>\n<\/tr>\n
    folder 14<\/strong><\/td>\nContracts
    \nCopyright and royalties contract for Mitch Miller\u2019s recording of\u00a0Horn belt boogie\u00a0<\/em>and\u00a0Serenade for horns<\/em>\u00a0(C1961)
    \nSigned by Sparton of Canada, Limited on May 14, 1952
    \nAcknowledgment signed by Alec Wilder on May 19, 1952
    \nProvenance: Bruce M. Creditor<\/td>\n<\/tr>\n
    folder 15<\/strong><\/td>\nList of works by Alec Wilder
    \nIn ink; 5 pages
    \nWritten on the back of unknown violin part<\/td>\n<\/tr>\n
    folder 16<\/strong><\/td>\nList of works by Alec Wilder
    \nTyped list with postscript including references to AW in book \u201cShow music on record\u201d by Jack Raymond, signed V.H.
    \nTypescript; 2 pages
    \nSeparate list titled, \u201cFlute music by Alec Wilder\u201d
    \nTypescript; one page<\/td>\n<\/tr>\n
    folder 17<\/strong><\/td>\nWilder\u2019s Columbia recordings
    \nA provisional listing by Peter Lowe, parts 1-4
    \nTypescript; 9 pages\u201cDiscographical forum\u201d published by Malcolm Walker
    \nTypescript; 5 pages\u201cLou Ouzer\u201d
    \n<\/em>Rochester Times-Union, <\/em>Tuesday, March 22, 1988
    \nPhotocopy; one pageDiscography
    \nPhotocopy of handwritten list; 3 pagesGolden Crest Records Alec Wilder ad
    \nMade possible by Friends of Alec Wilder
    \nAW Golden Crest discographyA complete listing of [Frank Sinatra\u2019s] Columbia recordings
    \nNotes arrangements done by AW
    \nLast page photocopy collage of photographs \u2013 center, middle photograph of Sinatra conducting Wilder in studio, Wilder present
    \nPhotocopy; 4 pages<\/td>\n<\/tr>\n
    folder 18<\/strong><\/td>\nCompositions of Alec Wilder
    \nArranged by ensemble, notes if published and publisher
    \nTypescript; 9 pages<\/td>\n<\/tr>\n
    folder 19<\/strong><\/td>\nList of works prepared by Robert Levy
    \nList prepared ca. 1986
    \nIn ink; 3 pages<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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    folder 1<\/strong><\/td>\nFriends of Alec Wilder \u2013 newsletters
    \nVol. 1 issue 1 \u2013 photocopy; 4 pages
    \nPostmarked Jan. 2, 1988 \u2013 Bloomington, IN
    \nVol. 4 \u2013 2 original copies; 4 pages each
    \nOne unaddressed
    \nOne postmarked January 22, 1993 \u2013 Paterson, NJ
    \nVol. 7 \u2013 original; 4 pages
    \nNo postmark, January 1996
    \nVol. 8 \u2013 original; 4 pages
    \nPostmarked January 14, 1997
    \nVol. 9 \u2013 original; 4 pages
    \nNo postmark, January 1998<\/td>\n<\/tr>\n
    folder 2<\/strong><\/td>\nComputer print-outs
    \nList of Wilder publications
    \nSee oversize 4\/4<\/td>\n<\/tr>\n
    folder 3<\/strong><\/td>\nCompositions of Wilder
    \nList of Wilder works at Stan Webb studio
    \nSee oversize 4\/2<\/td>\n<\/tr>\n
    folder 4<\/strong><\/td>\nLibrary of Congress lists of Wilder
    \nCatalogue entries of Wilder items in Library of Congress
    \nSee oversize 4\/1<\/td>\n<\/tr>\n
    folder 5<\/strong><\/td>\n\u201cThe Bird\u201d
    \n<\/em>\u00a0<\/em>AW\u2019s Eastman school magazine
    \nPhotocopy; 2 pages<\/td>\n<\/tr>\n
    folder 6<\/strong><\/td>\n\n

    Margun Music catalogues<\/p>\n

    November 1978 – Newton MA
    \nBound test-run catalogue inscribed by Gunther Schuller
    \n31 pages<\/p>\n

    [undated]
    \nCatalogue of music by Alec Wilder
    \nTypescript list; 7 pages<\/p>\n

    28 February 1980
    \nLetter:
    \nFrom William Routch, general manager at Margun music
    \nTo: AW
    \nSurvey of sales on music for the period Feb. 1979 \u2013 Feb. 1980
    \nTypescript list; 2 pages<\/p>\n<\/td>\n<\/tr>\n

    folder 7<\/strong><\/td>\nCrossword puzzles
    \nCrossword clues labeled \u201cXXXII\u201d on Ozalid paper
    \nIn ink; one page
    \nCrossword clues and solved puzzle labeled \u201cXXVI\u201d
    \nIn pencil; one page<\/td>\n<\/tr>\n
    folder 8<\/strong><\/td>\nNEA application card
    \nMusic program \u2013 National Endowment for the arts
    \n1980-81 Composers program \u2013 January 17, 1980<\/td>\n<\/tr>\n
    folder 9<\/strong><\/td>\n\u201cKittiwake Island\u201d<\/em>\u00a0libretto
    \nNotes in pencil
    \nTypescript; 56 pages<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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    <\/a>Sub-series 5: Artifacts<\/span><\/em><\/p>\n

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    \u00a0<\/td>\n\n

    Awards<\/p>\n

    Friends of the Rochester Public Library Annual Literary award 1974
    \nSilver bowl \u2013 14.5cm diameter, 11.5cm height<\/p>\n

    In box inside manila envelope:
    \nSouth Carolina Tricentennial medal, 1970
    \nBronze, 7.5cm diameter<\/p>\n

    In manila envelope:
    \nThe Songwriters Hall of Fame Award
    \nPresented by The National Academy of Popular Music \u2013 March 7, 1983
    \n2.9cm x 9cm\u00a0 x 12.5cm<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615901844068{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
    \u00a0<\/strong><\/td>\nMiscellaneous<\/td>\n<\/tr>\n
    folder 1<\/strong><\/td>\nFour address books belonging to AW<\/td>\n<\/tr>\n
    folder 2<\/strong><\/td>\nNY state driver\u2019s license and passport<\/td>\n<\/tr>\n
    folder 3<\/strong><\/td>\nReceipt for grave plot at The Church of St. Agnes in Avon, NY<\/td>\n<\/tr>\n
    folder 4<\/strong><\/td>\nStencil used by AW<\/td>\n<\/tr>\n
    folder 5<\/strong><\/td>\nChord sheet for piano and organ belonging to AW<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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    <\/a>Series 7: Photographs<\/h3>\n

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    sleeve 1<\/strong><\/td>\nDr. James Sibley Watson, Jr. and Alec Wilder in No. 6 Sibley Place living room
    \n4 Kodachrome color slides \u2013 [undated]<\/td>\n<\/tr>\n
    sleeve 2<\/strong><\/td>\nAlec Wilder?
    \nNegative of three men paddling in a river \u2013 [undated]<\/td>\n<\/tr>\n
    sleeve 3<\/strong><\/td>\nAlec Wilder
    \nColor <\/em>photograph, 4.5 x 3.3\u201d taken by Nancy Watson Dean
    \nPrint made November 1979<\/td>\n<\/tr>\n
    sleeve 4<\/strong><\/td>\nAlec Wilder with unidentified young woman [Hildegarde Watson?]
    \nB\/W<\/em> photograph, 7 x 5\u201d \u2013 October 21 [no year]
    \nAccompanied by envelope containing three negatives<\/td>\n<\/tr>\n
    sleeve 5<\/strong><\/td>\nAlec Wilder
    \nB\/W<\/em> photograph, 2.75 x 3.25\u201d
    \n\u201cAlec Wilder in love \u2013 1940, St. Regis again\u201d written on the back in J. S. Watson, Jr.\u2019s hand \u2013 [undated]<\/td>\n<\/tr>\n
    sleeve 6<\/strong><\/td>\nAlec Wilder at recording of civil war record \u2013 Golden Crest Studio, 1961
    \nB\/W<\/em> photograph, 4\u201d x 3.25\u201d
    \nProvenance: Bruce M. Creditor<\/td>\n<\/tr>\n
    sleeve 7<\/strong><\/td>\nAlec Wilder with Urling Sibley Iselin and Hildegarde Watson
    \nin living room, 6 Sibley Place
    \nColor <\/em>photograph, 7 x 5\u201d \u2013 accompanied by negative<\/td>\n<\/tr>\n
    sleeve 8<\/strong><\/td>\nClara Wilder Haushalter
    \nB\/W<\/em> photograph, 6\u201d x 8\u201d from Dudley Hoyt, New York
    \n[undated] – In cardboard photo protector<\/td>\n<\/tr>\n
    sleeve 9<\/strong><\/td>\nMarian McPartland
    \nThree B\/W<\/em> photographs, 7.75\u201d x 10\u201d taken by Louis Ouzer \u2013 [undated]<\/td>\n<\/tr>\n
    sleeve 10<\/strong><\/td>\nAlec Wilder with Harold Arlen and Jim Maher
    \nB\/W<\/em> photograph, 10 x 8\u201d taken by Louis Ouzer \u2013 [undated]<\/td>\n<\/tr>\n
    sleeve 11<\/strong><\/td>\nAlec Wilder in the Duke University band room
    \nB\/W<\/em> photograph, 10 x 8\u201d taken by Louis Ouzer \u2013 [undated]<\/td>\n<\/tr>\n
    sleeve 13<\/strong><\/td>\nMarian McPartland and Thomas Hampson standing at AW\u2019s grave
    \nB\/W <\/em>photograph, 6.75 x 8.25\u201d taken by Louis Ouzer \u2013 [undated]<\/td>\n<\/tr>\n
    sleeve 14<\/strong><\/td>\nAlec Wilder and Marian McPartland at Duke University \u2013 Durham, NC
    \nB\/W<\/em> photograph, 1\u201d x 8\u201d taken by Louis Ouzer – [undated]<\/td>\n<\/tr>\n
    sleeve 15<\/strong><\/td>\nAlec Wilder and Marian McPartland
    \nB\/W<\/em> photograph, 10\u201d x 8\u201d taken by Jon Ouzer
    \nAt the library on the day he received the Friends of the Rochester Public Library Annual Literary award, 1974<\/td>\n<\/tr>\n
    sleeve 16<\/strong><\/td>\nAlec Wilder at a party in NY for his book
    \nB\/W<\/em> photograph, 8 x 10\u201d \u2013 [undated]<\/td>\n<\/tr>\n
    sleeve 19<\/strong><\/td>\nAlec Wilder and Marian McPartland at the Cookery, NY \u2013 1960s
    \nB\/W<\/em>\u00a0photograph, 10\u201d x 8\u201d taken by Katusji Abe<\/td>\n<\/tr>\n
    sleeve 20<\/strong><\/td>\nAlec Wilder and Timmy Madison [drummer] at Arranger\u2019s Holiday \u2013 1970s
    \nB\/W\u00a0<\/em>photograph,10 x 8\u201d<\/td>\n<\/tr>\n
    sleeve 21<\/strong><\/td>\nAlec Wilder, Marian McPartland and Mabel Mercer at Berklee College of Music
    \nB\/W<\/em>\u00a0photograph, 10 x 8\u201d
    \n[undated] \u2013 Mabel Mercer receiving honorary doctorate in 1975?<\/td>\n<\/tr>\n
    sleeve 26<\/strong><\/td>\nAlec Wilder and Mabel Mercer
    \nB\/W <\/em>photograph, 10 x 8\u201d taken by Louis Ouzer<\/td>\n<\/tr>\n
    sleeve 27<\/strong><\/td>\nWilder by Josef Schiff
    \nSee oversize 4\/3<\/td>\n<\/tr>\n
    sleeve 28<\/strong><\/td>\nAlec Wilder
    \nB\/W<\/em>\u00a0photograph, 8 x 10\u201d NPR promotion for\u00a0American Popular Song
    \n<\/em>Provenance: Ouzer?<\/td>\n<\/tr>\n
    sleeve 29<\/strong><\/td>\nAlec Wilder and Loonis McGlohon
    \nB\/W<\/em>\u00a0photograph, 8 x 10\u201d NPR promotion for\u00a0American Popular Song
    \n<\/em>Provenance: Ouzer?<\/td>\n<\/tr>\n
    sleeve 30<\/strong><\/td>\nBarbara Lea, Willard Robison, Lee Wiley
    \nB\/W<\/em> photograph, 8 x 10\u201d NPR promotion for American Popular Song
    \n<\/em>Provenance: Ouzer?<\/td>\n<\/tr>\n
    sleeve 31<\/strong><\/td>\nJerome Kern, David Allyn, Harold Arlen
    \nB\/W<\/em> photograph, 8 x 10\u201d NPR promotion for American Popular Song
    \n<\/em>Provenance: Ouzer?<\/td>\n<\/tr>\n
    sleeve 32<\/strong><\/td>\nRichard Rodgers, Lorenz Hart, Teddi King, Mildred Bailey
    \nB\/W<\/em> photograph, 8 x 10\u201d NPR promotion for American Popular Song
    \n<\/em>Provenance: Ouzer?<\/td>\n<\/tr>\n
    sleeve 33<\/strong><\/td>\nMarlene VerPlanck, Hugh Martin
    \nB\/W<\/em> photograph, 8 x 10\u201d NPR promotion for American Popular Song
    \n<\/em>Provenance: Ouzer?<\/td>\n<\/tr>\n
    sleeve 34<\/strong><\/td>\nMabel Mercer
    \nB\/W<\/em>\u00a0photograph, 8 x 10\u201d NPR promotion for\u00a0American Popular Song
    \n<\/em>Provenance: Ouzer?<\/td>\n<\/tr>\n
    sleeve 35<\/strong><\/td>\nJohnny Hartman, Bill Strayhorn, Cole Porter
    \nB\/W<\/em> photograph, 8 x 10\u201d NPR promotion for American Popular Song
    \n<\/em>Provenance: Ouzer?<\/td>\n<\/tr>\n
    sleeve 36<\/strong><\/td>\nAlec Wilder, Loonis McGlohon and Thelma Carpenter
    \nB\/W<\/em> photograph, 8 x 10\u201d NPR promotion for American Popular Song
    \n<\/em>Provenance: Ouzer?<\/td>\n<\/tr>\n
    sleeve 37<\/strong><\/td>\n[unknown \u2013 performance of AW stage work?]
    \nTwo B\/W<\/em> photographs, 8 x 10\u201d
    \nProvenance: Madge Briggs, widow of Wm. F Briggs MM \u201858<\/td>\n<\/tr>\n
    sleeve 38<\/strong><\/td>\nHouse labeled \u201cVictorian? Villa\u201d for sale
    \nColor<\/em>\u00a0photograph, 3.5 x 4.75\u201d<\/td>\n<\/tr>\n
    sleeve 39<\/strong><\/td>\nAlec Wilder
    \nSee oversize 4\/5<\/td>\n<\/tr>\n
    sleeve 40<\/strong><\/td>\nAlec Wilder
    \nSee oversize 4\/6<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615477580007{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
    film 1<\/strong><\/td>\nConcerto for alto sax and wind ensemble
    \nFilm reel, 3.5\u201d diameter<\/td>\n<\/tr>\n
    film 2<\/strong><\/td>\nEntertainment #1
    \nFilm reel, 3.5\u201d diameter<\/td>\n<\/tr>\n
    film 3<\/strong><\/td>\nEuphonium concerto
    \nFilm reel, 3.5\u201d diameter<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/vc_column_text][vc_column_text css=”.vc_custom_1615825760429{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

    <\/a>Series 8: General\/Oversized<\/h3>\n

    [\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615902212544{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
    folder 1<\/strong><\/td>\nAlbert Schweitzer, Reel I & II<\/em>. \u2014 [without date].
    \nScore (13\u201d x 16.25\u201d) Reel I<\/p>\n
      \n
    1. Title idea<\/em><\/li>\n
    2. Boy on road<\/em><\/li>\n
    3. Africa map<\/em><\/li>\n
    4. Chorale (strings) in G
      \n<\/em>D2. Chorale (strings) in Ab<\/em><\/li>\n
    5. Boy on road<\/em><\/li>\n<\/ol>\n

      Reel II<\/p>\n

        \n
      1. Chorale (woodwinds) in G<\/em><\/li>\n
      2. Chorale (woodwinds) in Ab<\/em><\/li>\n<\/ol>\n

        In pencil; 16 pages of music.
        \nContains performance markings in red and blue pencil.<\/p>\n<\/td>\n<\/tr>\n

    folder 2<\/strong><\/td>\nAlbert Schweitzer, Reel III & IV<\/em>. \u2014 [without date].
    \nScore (13\u201d x 16.25\u201d)Reel III<\/p>\n
      \n
    1. Trip between villages<\/em><\/li>\n
    2. Parsonage<\/em><\/li>\n
    3. School sequence<\/em><\/li>\n
    4. School sequence<\/em><\/li>\n
    5. School sequence<\/em><\/li>\n
    6. Run off<\/em><\/li>\n
    7. Prayer<\/em><\/li>\n
    8. Boy on road<\/em><\/li>\n
    9. Boy on road<\/em><\/li>\n<\/ol>\n

      Reel IV<\/p>\n

        \n
      1. Cadences for commentary<\/em><\/li>\n
      2. School sequence (minor)<\/em><\/li>\n
      3. School sequence<\/em><\/li>\n
      4. Boy on road<\/em><\/li>\n
      5. Rainbow sequence<\/em><\/li>\n
      6. Family portrait<\/em><\/li>\n
      7. Cadences for commentary<\/em><\/li>\n<\/ol>\n

        In pencil; 38 pages of music.
        \nContains performance markings in red and blue pencil.<\/p>\n<\/td>\n<\/tr>\n

    folder 3<\/strong><\/td>\nAlbert Schweitzer, Reel V & VI<\/em>. \u2014 [without date].
    \nScore (13\u201d x 16.25\u201d)Reel V<\/p>\n
      \n
    1. Decision I<\/em><\/li>\n
    2. Title idea<\/em><\/li>\n
    3. Letter writing<\/em><\/li>\n<\/ol>\n

      Reel VI<\/p>\n

        \n
      1. Decision I<\/em><\/li>\n
      2. Operation (big ending)<\/em><\/li>\n
      3. Decision I<\/em><\/li>\n
      4. Reconstruction canon<\/em><\/li>\n
      5. Rainbow sequence
        \n<\/em>E2. Rainbow sequence
        \n<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Repeat (section E \u2013 Reel IV score p. 47- p. 50)<\/em><\/li>\n
      6. Preface to arrival<\/em><\/li>\n
      7. Arrival<\/em><\/li>\n<\/ol>\n

        In pencil; 23 pages of music.
        \nContains performance markings in red and blue pencil.<\/p>\n<\/td>\n<\/tr>\n

    folder 4<\/strong><\/td>\nAlbert Schweitzer, Reel VII & VIII<\/em>. \u2014 [without date].
    \nScore (13\u201d x 16.25\u201d)Reel VII<\/p>\n
      \n
    1. War years (clar)<\/em><\/li>\n
    2. War years (viole + celli)<\/em><\/li>\n
    3. War years (violins + celli)<\/em><\/li>\n
    4. Operation<\/em><\/li>\n
    5. New patients<\/em><\/li>\n<\/ol>\n

      Reel VIII<\/p>\n

        \n
      1. Mother and child<\/em><\/li>\n
      2. Film repeat of Mother and child<\/em><\/li>\n
      3. Garden (Db)<\/em><\/li>\n
      4. Title idea
        \n<\/em>(repeat of reel I \u2013 section A)<\/em><\/li>\n<\/ol>\n

        In pencil; 20 pages of music.
        \nContains performance markings in red and blue pencil.<\/p>\n<\/td>\n<\/tr>\n

    folder 5<\/strong><\/td>\nAlbert Schweitzer, Reel IX – XI<\/em>. \u2014 [without date].
    \nScore (13\u201d x 16.25\u201d) draft MSReel IX<\/p>\n
      \n
    1. Garden (original key)<\/em><\/li>\n
    2. Family portrait (woodwinds)<\/em><\/li>\n
    3. Family portrait
      \n<\/em>(Repeat Reel IV \u2013 section F)<\/em><\/li>\n
    4. Beastly eleven <\/em>[also titled as \u201cBeastly elevenses\u201d]<\/li>\n<\/ol>\n

      Reel X<\/p>\n

        \n
      1. Decision I
        \n<\/em>(Repeat of Reel V \u2013 section A)<\/em><\/li>\n
      2. Title idea
        \n<\/em>(Repeat of Reel I \u2013 section A)<\/em><\/li>\n<\/ol>\n

        Reel XI<\/p>\n

          \n
        1. Storm<\/em><\/li>\n
        2. Operation
          \n<\/em>(Repeat of reel VII \u2013 section D)<\/em><\/li>\n
        3. Letter writing in \u201cG\u201d (solo strings)<\/em><\/li>\n
        4. Last letter writing<\/em><\/li>\n<\/ol>\n

          In pencil; 25 pages of music, 1 page of notes.
          \nContains page of notes for Reel X, second copy of first page of Reel XI.
          \nContains performance markings in red and blue pencil.<\/p>\n<\/td>\n<\/tr>\n

    folder 6<\/strong><\/td>\nBrass quintet no. 8<\/em>. \u2014 [without date].
    \nDraft MS (12\u201d x 17\u201d)
    \nIn pencil; 22 pages of music.
    \n\u201cFor the Tidewater Brass Quintet\u201d in heading.
    \nProvenance: Margun Music.<\/td>\n<\/tr>\n
    folder 7<\/strong><\/td>\nTrio for flute, clarinet and bassoon<\/em>. \u2014 [without date].
    \nDraft MS (11.5\u201d x 17\u201d)
    \nIn pencil; 12 pages of music.
    \n\u201cFor Virginia\u201d written in heading.
    \nProvenance: Margun Music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/vc_column_text][vc_custom_heading text=”Box 2″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615902259320{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
    folder 1<\/strong><\/td>\n[No. 1] False dawn (Three ballets in search of a dancer)<\/em>. \u2014 [without date].
    \nBound draft holograph score (10.75\u201d x 17.625\u201d)
    \nIn pencil; 46 pages of music.
    \nContains performance markings in red and blue pencil.
    \nProvenance: Margun Music.<\/td>\n<\/tr>\n
    folder 2<\/strong><\/td>\n[No. 2]\u00a0Life goes on (Three ballets in search of a dancer)<\/em>. \u2014 [without date].
    \nBound draft holograph score (10.75\u201d x 17.625)
    \nIn pencil; 45 pages of music.
    \nContains performance markings in red and blue pencil.
    \nProvenance: Margun Music.<\/td>\n<\/tr>\n
    folder 3<\/strong><\/td>\n[No. 3]\u00a0The green couch (Three ballets in search of a dancer)<\/em>. \u2014 [without date].
    \nBound draft holograph score (10.75\u201d x 17.625\u201d)
    \nIn pencil; 38 pages of music.
    \nContains performance markings in red and blue pencil.
    \nProvenance: Margun Music.<\/td>\n<\/tr>\n
    folder 4<\/strong><\/td>\nFour sentiments<\/em>. \u2014 [without date].
    \nDraft MS (12.5\u201d x 19\u201d)<\/p>\n
      \n
    1. Calm after storm<\/em><\/li>\n
    2. Joy after misery<\/em><\/li>\n
    3. Loneliness after love<\/em><\/li>\n
    4. Laughter after tears<\/em><\/li>\n
    5. The tune that wouldn\u2019t quit <\/em>[reproduction]<\/li>\n<\/ol>\n

      In pencil; 68 pages of music.
      \n\u201cFor Mitchell Miller\u201d in heading.
      \nMvt. V \u2013 reproduction of pages 53-68.
      \nProvenance: Mitch Miller.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

      [\/vc_column_text][vc_custom_heading text=”Box 3″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615478243864{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
      folder 1<\/strong><\/td>\nEntertainment no. III<\/em>. \u2014 [without date].
      \nOzalid repro of holograph score (11\u201d x 17\u201d)
      \n53 pages of music.
      \nProvenance: Margun Music.<\/td>\n<\/tr>\n
      folder 2<\/strong><\/td>\nEntertainment <\/em>[no.] 6<\/em>. \u2014 1974-1975.
      \nFair copy holograph Ozalid master, (13\u201d x 18.5\u201d)
      \n68 pages of music.
      \n\u201cTo Howard Scott\u201d in heading.
      \nProvenance: Margun Music.<\/td>\n<\/tr>\n
      folder 3<\/strong><\/td>\nEntertainment # 6<\/em>. \u2014 1975.
      \nDraft MS, holograph score (11\u201d x 17\u201d)
      \nIn pencil; 100 pages of music.
      \n\u201cTo Howard Scott\u201d in heading.
      \nProvenance: Margun Music.<\/td>\n<\/tr>\n
      folder 4<\/strong><\/td>\nSerenade for winds<\/em>. \u2014 [without date].
      \nDraft holograph MS (10\u201d x 17\u201d)
      \nIn pencil; 48 pages of music.
      \nContains 5 pages (pages 21-25) that appear to be first draft of 3rd<\/sup> movement and a revised ending which contains a note of approval possibly from Gunther Schuller.
      \nProvenance: Margun Music.<\/td>\n<\/tr>\n
      folder 5<\/strong><\/td>\nSerenade for winds<\/em>. [movement III only]. \u2014 [without date].
      \nReproduction of holograph score (11\u201d x 17\u201d)
      \n9 pages of music.
      \nAppears to be revised copy of movement III per Box 15 Folder 12 [see oversize box 3\/4].
      \nProvenance: Margun Music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

      [\/vc_column_text][vc_custom_heading text=”Box 4″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615902322345{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
      folder 1<\/strong><\/td>\nLibrary of Congress lists of Wilder
      \nCatalogue entries of Wilder items in Library of Congress
      \nPhotocopies; 95 pages<\/td>\n<\/tr>\n
      folder 2<\/strong><\/td>\nCompositions of Wilder
      \nList of Wilder works through 1963 held at Stan Webb studio (as of 1\/1\/67)
      \nLenny Carroll, copyist
      \nIn ink; 8 pages in Plastic comb binding<\/td>\n<\/tr>\n
      folder 3<\/strong><\/td>\nAlec Wilder
      \nB\/W photograph by Josef Schiff
      \n9.5\u201d x 7.5\u201d photograph on 15.5\u201d x 11.75\u201d mat<\/td>\n<\/tr>\n
      folder 4<\/strong><\/td>\nComputer printouts
      \nList of Wilder publications
      \nParticipant Catalog List
      \nComplete Print-out from 2\/25\/1983
      \nIn ink, \u201c2\/28\/83 Wilder = 651 titles (others in separate pkg.)\u201d
      \n141 pages
      \nParticipant Catalog List
      \nPartial BMI print-out from 10\/12\/1990
      \n76 pages<\/td>\n<\/tr>\n
      folder 5<\/strong><\/td>\nInstrumental piece<\/em> \u2013 [without date]
      \nMS score; \u2013 misc. jazz band arrangements
      \nIn pencil; 37 pages
      \nProvenance: Gunther Schuller<\/td>\n<\/tr>\n
      folder 6<\/strong><\/td>\nSpring morning <\/em>\u2013 [without date]
      \nMS score; \u2013 misc. jazz band arrangements
      \nPhoto-static copies in negative exposure; 33 pages
      \nAccompanied by original MS page 17 from separate jazz arrangement; title unknown – In pencil, corrections in red and blue; one page
      \nProvenance: Gunther Schuller<\/td>\n<\/tr>\n
      folder 7<\/strong><\/td>\nSomething for the girls <\/em>\u2013 [without date]
      \n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>MS score; \u2013 misc. jazz band arrangements
      \nIn pencil; 31 pages
      \nProvenance: Gunther Schuller<\/td>\n<\/tr>\n
      folder 8<\/strong><\/td>\nLonely man seeks company <\/em>\u2013 [without date]
      \n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>MS score; Arranged by AW
      \nIn pencil; 37 pages
      \nProvenance: Gunther Schuller<\/td>\n<\/tr>\n
      folder 9<\/strong><\/td>\nSpring magic<\/em> \u2013 [without date]
      \nMS fair copy; Arranged by AW
      \nIn pencil; 23 pages
      \nWarock Publishing
      \nProvenance: Gunther Schuller<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

      [\/vc_column_text][vc_custom_heading text=”Box 5″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615902330376{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
      folder 1<\/strong><\/td>\nThe Scarlet Sail<\/em>\u00a0[from]\u00a0The Lowland Sea
      \n<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em>MS fair copy
      \nIn pencil; 256 pages
      \nProvenance: Gunther Schuller<\/td>\n<\/tr>\n
      folder 2<\/strong><\/td>\n\n

      2 B\/W photographs of AW<\/em><\/p>\n

      (1) Alec Wilder at Duke University
      \nB\/W<\/em> 14 x 9.5\u201d<\/p>\n

      (2) Alec Wilder on Swan St. just outside ESM \u2013 Rochester, NY
      \nB\/W 11 x <\/em>14\u201d<\/p>\n<\/td>\n<\/tr>\n

      folder 3<\/strong><\/td>\nClarinet Sonata \u00ad<\/em>\u2013 [without date]
      \n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em>Reproduction, fair copy clarinet part
      \nTwo copies of the 1st<\/span>, 2nd<\/span>\u00a0and 3rd<\/span>\u00a0movements, one copy of 4th<\/span>\u00a0movement
      \n35 pages of music<\/td>\n<\/tr>\n
      folder 4<\/strong><\/td>\nWoodwind quintet no. 2<\/em>\u00a0\u2014 [without date]
      \nPhotocopy of MS score
      \n27 pages
      \nProvenance: Judy Bell, The Richmond Organization<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

      [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

      \u2190 ALEC WILDER ARCHIVE: Series 3 to 5<\/a><\/p>\n

      [\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

      ALEC WILDER ARCHIVE \u2192<\/a><\/p>\n

      [\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

      [vc_row][vc_column][vc_column_text css=”.vc_custom_1615825118114{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Series 6: Ephemera [\/vc_column_text][vc_column_text css=”.vc_custom_1615825150764{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Sub-series 1: Biographical material [\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1615477298620{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":7392,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-7462","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7462","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=7462"}],"version-history":[{"count":0,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7462\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7392"}],"wp:attachment":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=7462"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=7462"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=7462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}