{"id":7792,"date":"2021-05-04T14:59:50","date_gmt":"2021-05-04T18:59:50","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=7792"},"modified":"2021-05-04T14:59:50","modified_gmt":"2021-05-04T18:59:50","slug":"ser3-4","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/rwright\/ser3-4\/","title":{"rendered":"RAYBURN WRIGHT COLLECTION"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1620153817656{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 3: Library<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 21″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620156342018{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nApel, Willi.\u00a0Harvard Dictionary of Music<\/em>. Cambridge, Massachusetts: Harvard University Press, 1947. Signed in ink by R. Wright.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nApel, W. & Daniel, R. T.\u00a0The Harvard Brief Dictionary of Music<\/em>. New York: Washington Square Press, Inc., 1962.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nThe Authentic Librettos of the Wagner Operas<\/em>. New York: Crown Publishers, 1938. Accompanied by a program for the Metropolitan Opera House\u2019s production of Wagner\u2019s G\u00f6tterd\u00e4mmerung that took place on February 24, 1948.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nBaker, Theodore [ed.].\u00a0Pronouncing Pocket-manual of Musical Terms<\/em>. New York: G. Schirmer, Inc., 1947.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nBennett, Robert Russell.\u00a0Instrumentally Speaking<\/em>. Melville, NY: Belwin-Mills Publishing Corporation, 1975. Annotations in red ink; signed in red ink by R. Wright, January 15, 1976.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nBenward, B. & Jackson, B. G.\u00a0Practical Beginning Theory: A Fundamentals Worktext, Sixth Edition<\/em>. Dubuque, Iowa: William C. Brown, 1987. Accompanied by materials generated by William C. Brown Publishers that include: two brochures, an order card, a comment card and form letter from Mark C. Falb, President and Chief Executive Officer of William C. Brown Publishers.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nBerendt, Joachim.\u00a0The Jazz Book: From New Orleans to Rock and Free Jazz<\/em>. Westport, Connecticut: Lawrence Hill and Company, 1975. Annotations in pencil and ink.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nBoni, Margaret Bradford [ed.]. The Fireside Book of Favorite American \u00a0Songs<\/em>. New York: Simon and Schuster, 1952. Signed in ink by R. Wright. Accompanied by a repro of Voluntary on the Doxology (Old 100th<\/sup>) by Henry Purcell, published by the Music Press, Inc., 1946. Annotations in pencil. 4pp. of music. Also accompanied by a repro of a page from a book of psalms. 1p.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nBoult, Adrian C.\u00a0A Handbook on the Technique of Conducting<\/em>. Oxford: Hall the Printer Limited, 1936. Signed in ink by R. Wright.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nBranch, Harold.\u00a0Practical Rock \u2018N Roll Riffs for C Instruments<\/em>. Plainview, NY: Harold Branch Publishing, 1965.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nBranch, Harold.\u00a0Riffs and Figures for Guitar, Guitar Band, Bass Guitar, Bass<\/em>. Plainview, NY: Harold Branch Publishing, 1965.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nBrandt, C. & Roemer, C.\u00a0Standardized Chord Symbol Notation (A Uniform System for the Music Profession)<\/em>. Sherman Oaks, California: Roerick Music Co., 1976. Cover signed in ink by R. Wright.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nCarr, Ian.\u00a0Miles Davis: A Biography<\/em>. New York: William Morrow and Co., Inc., 1982. Inscribed in ink to R. Wright from Pat and Pete [last name unknown], December 1982.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nCole, Bill.\u00a0Miles Davis: A Musical Biography<\/em>. New York: William Morrow & Co., Inc., 1974. Signed in ink by R. Wright, February, 1975.<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\nCoker, Jerry.\u00a0The Jazz Idiom<\/em>. Englewood Cliffs, New Jersey: Prentice-Hall, Inc., 1975. Cover signed in ink by R. Wright.<\/td>\n<\/tr>\n
item 16<\/strong><\/td>\nCollins, W. H.\u00a0The Amateur Filmmaker\u2019s Handbook of Sound Sync & Scoring<\/em>. Blue Ridge Summit, Pennsylvania: Tab Books, 1974. Annotations in ink; cover signed in ink by R. Wright. Accompanied by a letter to R. Wright from David J. Tulbert, President of White Ox Films, Inc. [Rochester, NY] dated May 14, 1976. Typescript; signed in ink by David J. Tulbert. 2p; reverse side of page two annotated in ink. Also accompanied by a list of the board of advisors for White Ox Films, Inc dated May 15, 1976. Typescript. 1p. Also accompanied by a memo, presumably generated by White Ox Films, Inc. No date. Typescript. 1p.<\/td>\n<\/tr>\n
item 17<\/strong><\/td>\nCooper, Paul.\u00a0Perspectives in Music Theory: An Historical-Analytical Approach<\/em>. New York: Harper and Row, 1981.<\/td>\n<\/tr>\n
item 18<\/strong><\/td>\nCooper, Paul.\u00a0Workbook for Perspectives in Music Theory: Volume I.\u00a0<\/em>New York: Harper and Row, 1981.<\/td>\n<\/tr>\n
item 19<\/strong><\/td>\nCourlander, Harold.\u00a0Negro Folk Music, U.S.A.\u00a0<\/em>New York: Columbia University Press, 1963. Signed and annotated in ink by R. Wright.<\/td>\n<\/tr>\n
item 20<\/strong><\/td>\nDavison, A. T. & Apel, W.\u00a0Historical Anthology of Music<\/em>. Cambridge, Massachusetts, 1947. Annotations in pencil and ink; signed in ink by R. Wright, New York 1948.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 23″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620156443420{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nDelamont, Gordon.\u00a0Modern Harmonic Technique. Volume I: Elements of Harmony<\/em>. Delevan, NY: Kendor Music, Inc., 1965.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nDelamont, Gordon.\u00a0Modern Harmonic Technique. Volume II: The Advanced Materials of Harmony<\/em>. Delevan, NY: Kendor Music, Inc., 1965.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nDeutsch, Maury.\u00a0Dance Band Arranging<\/em>. NY: Charles Colin, 1957.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nDeutsch, M & Colin, C. [ed.].\u00a0How to Arrange Latin-American Instruments<\/em>. NY: Charles Colin, 1956. Accompanied by sketches of arrangements of Latin rhythmic configurations for various instrumental forces, chiefly percussion. Pencil and ink MS. 21pp. of music. Also accompanied by repros of pages 186-189 from\u00a0Sounds and Scores<\/em>\u00a0by Henry Mancini, [s.l.: Northridge Music, Inc., 1962]. 2pp.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nDeutsch, M & Colin, C. [ed.].\u00a0How to Arrange Latin-American Instruments<\/em>. NY: Charles Colin, 1956. Annotations in ink.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nDexter, H. & Tobin, R.\u00a0Pocket Encyclopedia of Music<\/em>. New York: Philosophical Library, 1957. Annotations in pencil.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nDiamante, Carlos.\u00a0Arranging Latin – American Music Authentically<\/em>. New York: King Brand Publications, 1948. Rayburn Wright: Local 802 stamp on cover; annotations in pencil and ink. A pencil MS bearing the ranges for the marimba, xylophone, vibraphone and glockenspiel is stapled to the first blank page.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nDiamante, Carlos.\u00a0Arranging Latin – American Music Authentically<\/em>. New York: King Brand Publications, 1948. Cover signed in ink by R. Wright. \u201c\u2018Mozian\u2019 Conga Drum Components of Rhumba\u201d taped to the inside of the back cover. Pencil MS. 1p of music.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nDolan, Robert Emmett.\u00a0Music in Modern Media<\/em>. New York: G. Schirmer, 1967. Annotations in pencil, colored pencil and ink; signed in ink by R. Wright. Accompanied by an ink MS titled, \u201c233[:] Problem d\u201d. 1p.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nDorian, Frederick.\u00a0The History of Music in Performance<\/em>. New York: W. W. Norton & Co., Inc., 1942. Signed in ink by R. Wright, New York City, July 1949. Accompanied by a copy of an article extracted from the August, 1951 issue of the journal\u00a0International Musician<\/em>\u00a0titled \u201cThe Violin: Views and Reviews\u201d by Sol Babitz. 2pp.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nEisler, Hanns.\u00a0Composing for the Films<\/em>. New York: Oxford University Press, 1947. Annotations in pencil and ink; signed in pencil by R. Wright, September 15, 1948. Accompanied by 3 pages of notes. Ink MS.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nElson, Louis C.\u00a0Elson\u2019s Pocket Dictionary of Music<\/em>. Boston: Oliver Ditson Company, 1909. Signed in ink by R. Wright.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nFarber, Mitchell. Developing a Complete Harmonic Technique<\/em>. Ossining, NY: Mitchell Farber, 1971.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nFinney, Theodore M.\u00a0A History of Music<\/em>. New York: Harcourt, Brace and Company, 1935. Annotations in pencil and ink<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\nForsyth, Cecil.\u00a0Orchestration<\/em>. New York: Macmillan Company, 1936. Annotations in pencil and ink, some of which appear on pasted-in MS paper. Signed in ink by R. Wright, October 2, 1941. Accompanied by four leaves extracted from\u00a0Harp News<\/em>, Vol. 2 (8). Also accompanied by a pencil and ink MS titled, \u201cGrand Piano Insides [:] 4 sections\u201d. 1p.<\/td>\n<\/tr>\n
item 16<\/strong><\/td>\nGarcia, Russell.\u00a0The Professional Arranger Composer<\/em>. New York: Criterion Music Corporation, 1954. Lacking back cover and portion of the spine. Annotations in pencil; cover signed in ink by R. Wright.<\/td>\n<\/tr>\n
item 17<\/strong><\/td>\nGardner, Maurice.\u00a0The Orchestrator\u2019s Handbook<\/em>. Great Neck, NY: The Staff Publishing Company, 1948. Annotations in pencil and ink; makeshift tabs have been attached to facilitate ready access to their respective sections. Signed in ink by R. Wright.<\/td>\n<\/tr>\n
item 18<\/strong><\/td>\nGoodwin, George (ed.).\u00a0Song Dex Treasury of Humorous and Nostalgic Songs<\/em>. New York: Song Dex, 1956. Annotations in ink and pencil. Markers annotated in pencil placed between pages 8 – 9, 146 – 147 and 458 \u2013 459.<\/td>\n<\/tr>\n
item 19<\/strong><\/td>\nGridley, Mark C.\u00a0Jazz Styles<\/em>. Englewood Cliffs, New Jersey: Prentice \u2013 Hall, Inc., 1978.<\/td>\n<\/tr>\n
item 20<\/strong><\/td>\nGridley, Mark C. Jazz Styles: History and Analysis, Second Edition<\/em>. Englewood Cliffs, New Jersey: Prentice \u2013 Hall, Inc., 1985.<\/td>\n<\/tr>\n
item 21<\/strong><\/td>\nHendrickson, Clarence V. Handy Manual Fingering Charts for Instrumentalists: for Teachers, Directors and Students<\/em>. New York: Carl Fischer, 1957.<\/td>\n<\/tr>\n
item 22<\/strong><\/td>\nHindemith, Paul; Mendel, Arthur (trans.).\u00a0The Craft of Musical Composition<\/em>.\u00a0Book I: Theoretical Part<\/em>. New York: Associated Music Publishers, Inc., 1945. Signed in ink by R. Wright, Cleveland, March, 1947.<\/td>\n<\/tr>\n
item 23<\/strong><\/td>\nHindemith, Paul.\u00a0Elementary Training for Musicians<\/em>. New York: Associated Music Publishers, Inc., 1949.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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item 1<\/strong><\/td>\nMehegan, John.\u00a0Jazz Improvisation: Tonal and Rhythmic Principles<\/em>. New York: Watson-Guptill Publications, 1959.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nMehegan, John.\u00a0Jazz Improvisation Volume II: Jazz Rhythm and the Improvised Line<\/em>. New York: Watson-Guptill Publications, 1962. Accompanied by two Fender \u2122 medium plectrums (between pages 70 – 71 and 98 – 99).<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nMehegan, John.\u00a0The Jazz Pianist: Book One<\/em>. New York: Sam Fox Publishing Co., 1960. \u201cHunsberger\u201d –in ink on cover.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nMeyer, Robert G.\u00a0Technical Bases of Electronic Music<\/em>. Reprinted from the Journal of Music Theory, Volume 10\/2, Winter 1966.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nMiller, Hugh M.\u00a0An Outline \u2013 History of Music<\/em>. New York: Barnes & Noble, Inc., 1948. Annotations in pencil.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nMiller, Horace A.\u00a0New Harmonic Devices: A Treatise On Modern Harmonic Problems<\/em>. [Boston]: Oliver Ditson Company, 1930. Signed in pencil by R. Wright, November 12, 1946.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nMorris, R. O. & Ferguson, H.\u00a0Preparatory Exercises in Score \u2013 Reading<\/em>. London: Oxford University Press, 1931. Signed in ink by R. Wright. Annotations in pencil and colored pencil on back cover.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nMorse, Jim.\u00a0Folk Songs of the Caribbean<\/em>. New York: Bantam Books, 1958.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nMurphy, H. A., Melcher, R. A. & Warch, W. F.\u00a0Music For Study: A Source Book of Excerpts<\/em>. Englewood Cliffs, New Jersey: Prentice-Hall, Inc., 1973.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nNef, Karl.\u00a0An Outline of the History of Music<\/em>. New York: Columbia University Press, 1947. Annotations in pencil; signed in pencil by R. Wright, Juilliard, 1948.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nOliver, Sy; Jacobs, Dick [ed.].\u00a0Sy Oliver\u2019s Self – Instructor Arranging Course<\/em>. New York: Embassy Music Corporation, 1949.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nPloyhar, J., Cacavas, J. & Weber, F.\u00a0Jazz \u2013 Rock and Harmony: Book One<\/em>. Melville, New York: Belwin – Mills Publishing Corp., 1974.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nPloyhar, J., Cacavas, J. & Weber, F. \u00a0Jazz \u2013 Rock and Harmony: Book Two<\/em>. Melville, New York: Belwin – Mills Publishing Corp., 1976.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nPrendergast, Roy M.\u00a0Film Music: A Neglected Art<\/em>. New York: W. W. Norton & Company, Inc., 1977. Signed in ink by R. Wright.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nRaph, Alan.\u00a0Dance Band Reading and Interpretation<\/em>. New York: Sam Fox Publishing Company, 1962. Cover signed in ink by R. Wright.<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\nRaksin, Ruby. Technical Handbook of Mathematics for Motion Picture Music Synchronization<\/em>. Sherman Oaks, California: R \u2013 Y Publishing Co., 1972. Signed in ink by David S. Bernstein; annotations in pencil. Accompanied by a letter to R. Wright from David S. Bernstein, March 4, 1985. Signed in ink by David S. Bernstein. 1p.<\/td>\n<\/tr>\n
item 16<\/strong><\/td>\nReed, H. Owen & Leach, Joel T.\u00a0Scoring for Percussion and the Instruments of the Percussion Section<\/em>. Englewood Cliffs, New Jersey: Prentice \u2013 Hall, Inc., 1969. Signed in ink by R. Wright; annotations in ink.<\/td>\n<\/tr>\n
item 17<\/strong><\/td>\nReed, H. Owen & Leach, Joel T.\u00a0Scoring for Percussion and the Instruments of the Percussion Section<\/em>. Englewood Cliffs, New Jersey: Prentice \u2013 Hall, Inc., 1969. Signed in ink by R. Wright; annotations in ink and pencil.<\/td>\n<\/tr>\n
item 18<\/strong><\/td>\nRich, Alan [ed.].\u00a0The Simon and Schuster Listener\u2019s Guide to Jazz<\/em>. New York: Simon and Schuster, 1980.<\/td>\n<\/tr>\n
item 19<\/strong><\/td>\nRicigliano, Daniel A.\u00a0Popular and Jazz Harmony<\/em>. New York: Donato Music Publishing Company, 1969. Signed in ink by R. Wright. Accompanied by a news clipping from the Washington Post, August 31, 1988.<\/td>\n<\/tr>\n
item 20<\/strong><\/td>\nRicker, Ramon. Pentatonic Scales for Jazz Improvisations<\/em>. Rochester, New York: Ramon Ricker, 1975. Inscribed in ink to R. Wright from Ramon Ricker, June 13, 1975.<\/td>\n<\/tr>\n
item 21<\/strong><\/td>\nRicker, Ramon. Technique Developments in Fourths for Jazz Improvisation<\/em>. Rochester, New York: Ramon Ricker, 1976. Accompanied by a note to R. Wright from Ramon Ricker. No date. Ink MS. 1p.<\/td>\n<\/tr>\n
item 22<\/strong><\/td>\nRunstein, Robert E. Modern Recording Techniques<\/em>. Indianapolis: Howard W. Sams & Co., Inc., 1975. Signed in pencil by R. Wright.<\/td>\n<\/tr>\n
item 23<\/strong><\/td>\nRusso, William.\u00a0\u00a0Composing for the Jazz Orchestra<\/em>. Chicago: University of Chicago Press, 1961. Annotations in pencil and colored pencil; signed in ink by R. Wright.<\/td>\n<\/tr>\n
item 24<\/strong><\/td>\nRusso, William.\u00a0Jazz Composition and Orchestration<\/em>. Chicago: University of Chicago Press, 1968. Signed in ink by R. Wright, July 1969.<\/td>\n<\/tr>\n
item 25<\/strong><\/td>\nSakamoto, Yoshitaka. Nihon min\u2019y\u014dkyokush\u016b<\/em>. [Japanese Folksong, Vol. 1]<\/em>. Tokyo: Ongaku no Tomosha, 1956. Annotations in pencil.<\/td>\n<\/tr>\n
item 26<\/strong><\/td>\nSakamoto, Yoshitaka.\u00a0Zoku<\/em>\u00a0Nihon min\u2019y\u014dkyokush\u016b<\/em>.\u00a0[Japanese Folksong, Vol. 2]<\/em>. Tokyo: Ongaku no Tomosha, 1959. Annotations in colored pencil.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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items 1 & 2<\/strong><\/td>\n(Sample) Click Book<\/em>. s.l.: s.n., s.d. Two copies (Copy 1: Title in ink on cover. 137pp; Copy 2: No title on cover. 137pp). Presumably proof copies of Wright\u2019s\u00a0Metronome Click Book<\/em>, [s.l.: Rayburn Wright, copyright 1989].<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nScherchen, Hermann.\u00a0Handbook of Conducting<\/em>. London: Oxford University Press, 1946. Signed in ink by R. Wright, July 4, 1949, New York City.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nSchuller, Gunther.\u00a0\u00a0Early Jazz: Its Roots and Musical Development<\/em>. New York: Oxford University Press, 1968. Signed in ink by R. Wright, June 24, 1969, New York City. Annotations in pencil. Two pages of notes inserted between pages 8 and 9. Pencil MS.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nScott, Allen.\u00a0Jazz Educated, Man<\/em>. Washington, D.C.: American International Publishers, 1973.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nSebesky, Don.\u00a0The Contemporary Arranger<\/em>. Sherman Oaks, California: Alfred Publishing Co. Inc., 1979. Accompanied by a note written by R. Wright. Typescript. 1p.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nShemel, Sidney and Krasilovsky, M. William.\u00a0This Business of Music<\/em>. New York: Billboard Publications, Inc., 1977. Signed in ink by R. Wright.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nSherman, Hal.\u00a0Techniques and Materials for Stage Band<\/em>. Comb-bound repro of the book published by Creative World Music Publications, [Los Angeles, 1976]. Pages 50 \u2013 53 are lacking.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nSkiles, Marlin.\u00a0Music Scoring for TV & Motion Pictures<\/em>. Blue Ridge Summit, Pennsylvania: Tab Books, 1976.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nStearns, Marshall W.\u00a0The Story of Jazz<\/em>. London: Oxford University Press, 1970. Accompanied by two place markers. The first is a typescript business advertisement, presumably created by R. Wright\u2019s son, Andrew Wright, titled \u201cHouse and Yard Work\u201d. 1p. The second is a blank piece of paper.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nStearns, Marshall.\u00a0The Story of Jazz<\/em>. New York: New American Library of World Literature, 1958.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nTanner, P. O .W. & Gerow, M.\u00a0A Study of Jazz<\/em>. Dubuque, Iowa: William C. Brown Co., Inc., 1964.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nToland, Litchard.\u00a0A Key To Notes<\/em>. Rochester, New York: Rochester Music Publishers, 1956.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nTovey, Donald Francis.\u00a0Essays in Musical Analysis: Volume II, Symphonies (II), Variations and Orchestral Polyphony<\/em>. London: Oxford University Press, 1946. Annotations in pencil.<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\nTovey, Donald Francis.\u00a0Essays in Musical Analysis: Volume III, Concertos<\/em>. London: Oxford University Press, 1948.<\/td>\n<\/tr>\n
item 16<\/strong><\/td>\nWalter, Bruno.\u00a0Theme and Variations: An Autobiography<\/em>. New York: Alfred A. Knopf, 1966. Inscribed in ink to R. Wright from Tony [last name unknown].<\/td>\n<\/tr>\n
item 17<\/strong><\/td>\nWarrington, Johnny.\u00a0Modulation: for the Dance Band Arranger<\/em>. New York: Bregman, Vocco and Conn, Inc., 1948.<\/td>\n<\/tr>\n
item 18<\/strong><\/td>\nWeingartner, Felix; Newman, Ernest (trans.).\u00a0On Conducting<\/em>. Scarsdale, New York: Edwin F. Kalmus, s.d. Signed in ink by R. Wright.<\/td>\n<\/tr>\n
item 19<\/strong><\/td>\nWheeler, David. Orchestration \u2013 Arranging – Composition<\/em>. Columbus: Diversified Music Publications, 1981.<\/td>\n<\/tr>\n
item 20<\/strong><\/td>\nWheeler, David.\u00a0Orchestration \u2013 Arranging \u2013 Composition: Volume III (Advanced)<\/em>. Columbus: Diversified Music Publishers, 1984. \u201cTom Wolfe\u201d –in ink on pg.1.<\/td>\n<\/tr>\n
item 21<\/strong><\/td>\nWheeler, David.\u00a0Styles and Structures, Jazz: Form and Analysis<\/em>. Columbus: Diversified Music Publications, 1979. \u201cTom Wolfe\u201d –in ink on t.p.<\/td>\n<\/tr>\n
item 22<\/strong><\/td>\nWilder, Alec.\u00a0American Popular Song: The Great Innovators 1900-1950<\/em>. New York: Oxford University Press, 1972.<\/td>\n<\/tr>\n
item 23<\/strong><\/td>\nWright, Rayburn.\u00a0The Metronome Click Book<\/em>. s.l.: Rayburn Wright, 1989.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 4: Recordings<\/h3>\n

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<\/a>Sub-series A: 10 \u00bd\u201d Reels<\/strong><\/span><\/em><\/p>\n

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item 1<\/strong><\/td>\nEllington Suite. Studio Orchestra. February 25, 1989. Accompanied by recording notes. MS repro; annotations in pencil. 1p.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nEllington Suite. Studio Orchestra with Gene Bertoncini. Re-mix of February 2, 1989. March 20, 1989.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nGershwin PPO \u2013 Dolby C Heads. No date. No track listing.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cRPO Gershwin Variations: Composite de-Dolbyized [sic]\u201d –in ink on the reel label. Artist attribution and track listing on the box reads: USCM \u2013 Ray Wright, Jazz Ensemble: ET 11-30-84, Reel #1-2; –Green Dolphin St. –In Which Our Hero.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nSide 1 \u2013 Wilder. No date. No track listing.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nSide 2 \u2013 Wilder. No date. No track listing.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: 5\u201d Reels<\/strong><\/span><\/em><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n
item 7<\/strong><\/td>\nAfrican Drum Fantasy \u2013 Cut. Track listing: –Albeniz: May 20, 1958, 4th<\/sup> Show, Paige; –African Drum Fantasy (Edited) (Cut) (Monaural).<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nTom Dawes Productions, Inc. TV Beer Marching Band: 60 radio version with voices. No date.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nRayburn Wright Music: Composition, Arranging, Conducting, Production. No date. Accompanied by a printed track listing. 1p. Track listing: 1) Instant Moods: –Insouciance from TV documentary \u201cWorld\u2019s Girls\u201d; –Elegance & Saucy Fun from \u201cWorld\u2019s Girls\u201d; –Tenderness from \u201cVisit to Washington, D.C.\u201d; –Kid Happiness from \u201cVisit to Washington, D.C.\u201d; 2) Instant Local Color: –Tokyo Wedding Preparations from \u201cWorld\u2019s Girls\u201d; –Stockholm Girl Watchers from \u201cWorld\u2019s Girls\u201d; –Roumanian Folk Dancers from \u201cBlue and Red Danube\u201d; –Boating Through Vienna from \u201cBlue and Red Danube\u201d; –Budapest Romance from \u201cBlue and Red Danube\u201d; 3) Instant Peace: –Prairie Piece from \u201cCuster to the Little Big Horn\u201d; –Religious Peace from \u201cChrist Is Born\u201d; 4) The Grand Sell: –Winston Super Symphony (with the assistance of Peter Ilyitch Tschaikowsky); 5) The Charm Sell: –World\u2019s Girls.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series C: 7\u201d Reels <\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 36″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620156761615{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n1898 Music Track. No date. No track listing.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n1898 Off \u2013 Air. No date. No track listing.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u201c1964\u201d – Music. No date. No track listing.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nAfrican Drum Fantasy. No date.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nAir Force Overture. No date. Box annotated in pencil and ink.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nAlbeniz \u2013 Rolando. Track listing: May 20 \u2013 2nd<\/sup> Show \u2013 Dosso: –Albeniz Overture \u2013 Valdes \u2013 Blain; –Rockettes; –Say Si Si; –Seguidillas; –3rd<\/sup> Show \u2013 Dosso: –Albeniz; –Seguidillas.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nArmy Dance Band. Army \u2013 Paris March 7 and April 18, 1945. Track listing: –Back-Bay Shuffle; –\u201cJo, Le Cowboy\u201d; –Medley: Foolish Things\/All of Me\/Apple Blossom Time; –Two O\u2019 Clock Jump; –Yard Dog Mazurka 3\/21\/45; –Love, Love, Love; –Blues for a Killed Kat; –Moonglow; –Ray\u2019s: Cottontail; –Shoo Shoo Baby; –I\u2019ll Be Seeing You; –Amor, Amor, Amor; –St. Louis Blues; –Spring Is Paris 4\/4\/15; –Church Is Out; –Stardust; –Give Me Something To Remember You By; –Come Again \u2013 U. S. A.; –Yard Dog Mazurka.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nArrangers Aug. Jazz Ensemble. July 29, 1986, 3:30PM. Track listing: –Forever June \u2013 Oliver\/Holober; –If I Could See You Now.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nArranger\u2019s Holiday Concert: Part I \u2013 August 1, 1963. No track listing.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nArranger\u2019s Holiday Concert: Part III \u2013 August 1, 1963. Track listing: — Private Eye I, II, III; –Brubeck Intro – -Take Five; –These Foolish Things.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nArranger\u2019s Holiday Concert: Part IV \u2013 August 1, 1963. Track listing: –St. Louis Blues; –Elementals. Accompanied by a note to R. Wright from Stan [last name unknown]. Pencil MS on the reverse side of a concert program. 1p.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nArranger\u2019s Holiday Concert: Part I \u2013 1964. No date. Track listing: –Relativity; –Jeannine; –Sally Go Round; –Scraps; –Fanny Hill; –Chopsticks.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nArranger\u2019s Holiday Concert: Part II \u2013 1964. No date. Track listing: –Decker \u2013 Doremus \u2013 Laws Report; –Dialogue for 2 Drums \u2013 Barry Miles; –Ellington Medley.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nArranger\u2019s Holiday Concert: Part III \u2013 1964. No date. No track listing.<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\nArranger\u2019s Holiday Concert: Part I \u2013 1965. No date. Track listing: –Kern Medley \/ Nurock; –Con Alma \/ Tenhet; –Lullaby of Birdland (hp solo); –Polka Dots & Moonbeams (Eng. Hn solo) \/ Hoelke; –Flute Solo.<\/td>\n<\/tr>\n
item 16<\/strong><\/td>\nArranger\u2019s Holiday Concert: Part II \u2013 1965. No date. Track listing: –Time Machine \u201cI didn\u2019t know what time it was\u201d; –1965{Bossa Nova \/ Rock N\u2019 Roll; –1938{Dorsey \/ Miller \/ Benny Goodman; –1923 Muskrat Ramble; –1865 Strauss (Moss); –1765 – 18th<\/span>\u00a0C. Drawing Room; –1000 B.C. \u2013 Rites Of Spring; –2065 \u2013 Welk; –Ellington Award Presentation; –P.G. Sawn.<\/td>\n<\/tr>\n
item 17<\/strong><\/td>\nArranger\u2019s Holiday Concert: Part III \u2013 1965. No date. No track listing.<\/td>\n<\/tr>\n
item 18<\/strong><\/td>\nArranger\u2019s Holiday Concert: Part IV \u2013 1965. No date. No track listing.<\/td>\n<\/tr>\n
item 19<\/strong><\/td>\nArranger\u2019s Holiday Concert: Part I \u2013 1966. No date. Track listing: –Makin\u2019 Whoopee; –I Can\u2019t Get Started.<\/td>\n<\/tr>\n
item 20<\/strong><\/td>\nArranger\u2019s Holiday Concert: Part II \u2013 1966. No date. Track listing: –2 Carmen McRae Numbers.<\/td>\n<\/tr>\n
item 21<\/strong><\/td>\nArranger\u2019s Holiday Concert: Part I \u2013 1967. No date. Track listing: –Work Song; –What Now, My Love?; –Suk Chu; –Spring Can Hang You Up The Most; –Casino Royale.<\/td>\n<\/tr>\n
item 22<\/strong><\/td>\nArranger\u2019s Holiday Concert: Part II \u2013 1967. No date. Track listing: –The Silent Flick; –Charlie Brown and His All-Stars; –Run for Your Money.<\/td>\n<\/tr>\n
item 23<\/strong><\/td>\nArranger\u2019s Holiday Concert: Part V \u2013 1967. No date. Track listing: –Once Around; –Suite from \u201cThe Soul Of The City\u201d.<\/td>\n<\/tr>\n
item 24<\/strong><\/td>\nArranger\u2019s Holiday Concert: 1968 \u2013 First half. No date. Track listing: –Gal in Calico; –Kathi; –Light Blue; –Little Girl Blue; –Resurrection City; –Jumping The Generation Gap; –The Musical World of Burt Bacharach.<\/td>\n<\/tr>\n
item 25<\/strong><\/td>\nArranger\u2019s Holiday Concert: 1974 (Excerpts) [Getz]. No date. Track listing: –Outside; –Circle Road; –Prayer; –Spain; –Tribute to Ellington; –Times Lie; –Concerto for Saxophone; –I\u2019m All Smiles; –Jobim Medley; –Here\u2019s That Rainy Day.<\/td>\n<\/tr>\n
item 26<\/strong><\/td>\nArranger\u2019s Workshop: 1960 \u2013 I. No date. Track listing: –Child Chasing Balloon; –Dearly Beloved; –Kicks; –Sambarina; –March; –Everytime I Fall In Love; –12-Tone Camptown; –\u201cEverytime I Fall\u201d insert; –Original comp.; –Poinciana; –Basie \u2013 Camptown; –Mambo.<\/td>\n<\/tr>\n
item 27<\/strong><\/td>\nArranger\u2019s Workshop: 1961 \u2013 Reel 1 (Dance Band). No date. Accompanied by a track listing. Typescript on the reverse side of an index card; annotations in pencil. 1p. Track listing: –Almost Like Being In Love; –Entr\u00e9e to Andre; –Play It Cool; –You Turned The Tables On Me; –Art Lang Voicing Experiments (\u201cLady is a Tramp\u201d); –Not Workshop: \u201cYou\u2019re My Thrill\u201d (Full band and small version).<\/td>\n<\/tr>\n
item 28<\/strong><\/td>\nArranger\u2019s Workshop: 1961 \u2013 Reel 2 (Small Orchestra). No date. Accompanied by a track listing. Ink MS on the reverse side of an index card. 1p. Track listing: –String Examples; –Schillinger Chase; –Tomorrow; –Dearest.<\/td>\n<\/tr>\n
item 29<\/strong><\/td>\nArranger\u2019s Workshop: 1961 \u2013 Reel 3 (Arranger\u2019s Holiday, Pt. 1). No date. Accompanied by a track listing. Typescript on the reverse side of an index card. Track listing: –Almost Like Being In Love; –All The Things You Are; –Love Walked In; –Prelude To Panic; –Blues Opener; –Bag\u2019s Groove; –Jazz Suite For Band; –Monotonous Blooz; –TV Blues; –P.S.M. Blues.<\/td>\n<\/tr>\n
item 30<\/strong><\/td>\n[Arranger\u2019s] Workshop: 1961. No date. Track listing: –Piano Solo (Reflections!); –Might As Well Be Spring; –On The Street Of Dreams; –Lady Is A Tramp; –You Turned The Tables; –In Orbit; –I\u2019ll Remember April; –Bop, Bartok & Blues.<\/td>\n<\/tr>\n
item 31<\/strong><\/td>\n[Arranger\u2019s] Workshop: 1963. No date. Track listing: –Theme from \u201cWorld\u2019s Girls\u201d; –God Save The Queen; –Mangione Piece; –Have You Met Miss Jones (incomplete); –Blue Lester; –Foggy Day; –April In Paris.<\/td>\n<\/tr>\n
item 32<\/strong><\/td>\n\u00a0[Arranger\u2019s] Workshop: 1964 \u2013 Tape 4. No date. No track listing.<\/td>\n<\/tr>\n
item 33<\/strong><\/td>\nAutumn Allegory \/ Patterns. No dates. Track listing: –Autumn Allegory, for studio orchestra, performed by the Eastman Studio Orchestra. –Patterns, for augmented symphony orchestra, performed by the Philadelphia Symphony Orchestra.<\/td>\n<\/tr>\n
item 34<\/strong><\/td>\nBal Masque \/ Ellington. [Copy of: Duke Ellington, his piano and his orchestra at the Bal Masque. New York: Columbia, ca. 1959. \u201cCol CL 1282 (LP) –in ink on back cover]. Track listing: –Alice Blue Gown; –Who\u2019s Afraid of Big Bad Wolf [sic]; –Got A Date With An Angel; –Poor Butterfly; –Satan Takes A Holiday; –The Peanut Vendor; –Satin Doll; –Lady In Red; –Indian Love Call; –Donkey Serenade; –Gypsy Love Song; — Laugh, Clown, Laugh.<\/td>\n<\/tr>\n
item 35<\/strong><\/td>\nBanjo \/ Columbian Music. No date. Track listing: Banjo. (Bobby Domenic): –Somebody Stole My Gal; –Ain\u2019t She Sweet; –Yes Sir, –She\u2019s My Baby; –Margie; –If You Knew Susie; –Carolina in the Mornin\u2019; –Cuddle; –California; –Alabama Jubilee; –Bye Bye Blues; Columbian Music \u2013 Shell Co.: –San Pedro en El Espinal; El Pescador; Salsipuedes; Canoita de Bet\u00e9 (Chocoano); Cambesina Santandereana; Celos; Cuatro Preguntas; El Cucarr\u00f3n; Serenata del Campo; Cumbia Cienaguera; Soysolterito y me Caso Joropa (Carvajal); Ay Cosita Linda.<\/td>\n<\/tr>\n
item 36<\/strong><\/td>\nBeauty & The Beat: 1964. No track listing.<\/td>\n<\/tr>\n
item 37<\/strong><\/td>\nLeonard Bernstein \/ Philharmonic \/ New York Rock & Roll Ensemble: \u201cBach Transmogrified\u201d, April 69. No track listing.<\/td>\n<\/tr>\n
item 38<\/strong><\/td>\nBernstein Mass (Tape I). No date. No track listing<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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item 1<\/strong><\/td>\nBernstein Mass (Tape II). No date. No track listing.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nBernstein Mass (Tape III). No date. No track listing.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nBertoncini \/ Ellington: Edited Master. No Date. Track listing: –A Section \u2013 from Digital Orig. Mix (Low Volume); –B Section (Caravan) \u2013 Multi-Track Remix \u2013 High Level; –C. Section \u2013 (Don\u2019t Get Around Much Anymore\u201d on guitar entrance) Digital dupe.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nBizet Overture. No date. Track listing: –Bizet Overture \u2013 Music Hall \u2013 Zawisza (over monitor circuit); –Canticle #3 for flute, guitar & percussion \u2013 Lou Harrison (Modern Museum Concert; February 22, 1953 \u2013 Stokowski); –End of Harrison Canticle; –Portion of Ives \u201cUnanswered Question\u201d; –Henry Brant\u2019s Signs and Alarms\u201d.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nBlockfl\u00f6tenmusik der Renaissance: Recorder music. Copy of the Wiener Blockfl\u00f6tenensemble\u2019s recording \u201cBlockfl\u00f6tenmusik der Renaissance: Italien\u201d [Hamburg: Teldec-Telefunken-Decca, 1977]. Track listing: –Madrigal \u00e0 6 : Passa la nave \/ Adrian Willaert; –Ricercar \u00e0 3 \/ Adrian Willaert; –Fantasie \/ Giulio Segni de Modena; –Fantasie \/ Giulio Segni de Modena; –Ricercar del Secondo Tuono \/ Andrea Gabrieli; –From Il primo libro de balli: La Billiarda \u2013 Saltarello ; Schiarazula Marazula ; Putta Nera Ballo Furlano ; Ungarescha – Saltarello ; La Parma : Saltarello \/ Giorgio Mainerio; –Ricercar \u00e0 4 \/ Giovanni Pierluigi da Palestrina; –Ricercar \u00e0 4 \/ Giovanni Pierluigi da Palestrina; –Madrigal \u00e0 4 : \u201cA la dolc’ombra\u201d \/ Cipriano de Rore; –Madrigal \u00e0 4 : \u201cPero piu ferm\u201d \/ Cipriano de Rore; –Ricercar \u00e0 2 \/ Orlando di Lasso; –Ricercar \u00e0 2 \/ Orlando di Lasso; — Canzon \u00e0 5 \/ Giovanni Gabrieli; –Canzon \u00e0 4 \/ Giovanni Gabrieli; –Canzon \u00e0 6 \/ Giovanni Gabrieli; –Sinfonia grave \u00e0 5 \/ Salomone Rossi; — Gagliarda : Norsina \u00e0 5 \/ Salomone Rossi.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nHenry Brant \u2013 Millenium IV \/ Bloopers Soap. No date.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nBrecker Bros. No date. Track listing: –Brecker Dub; –Tabula Rasa; –Petals; –Squids. All titles appear on the Brecker Brothers\u2019 recording \u201cDon\u2019t Stop The Music\u201d [New York: Arista, 1977].<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nBritten \u2013 \u201cThe Courtly Dances From `Gloriana\u2019\u201d (Gloriana Suite No. 3). No date.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nDave Brubeck \u2013 Miami Beach Auditorium, October 27, 1969: The Gates of Justice \u2013 Copy \u2013 Roll #1.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nDave Brubeck \u2013 Miami Beach Auditorium, October 27, 1969: The Gates of Justice \u2013 Copy \u2013 Roll #2.<\/u><\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nDave Brubeck \u2013 \u201cTruth\u201d from the cantata \u201cTruth Is Fallen\u201d \u2013 Side I. Played by the Cincinnati Symphony Orchestra, conducted by Erich Kunzel, and Chris Brubeck and New Heavenly Blue. Recorded on Atlantic Records. No date.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nDave Brubeck \u2013 \u201cTruth\u201d from the cantata \u201cTruth Is Fallen\u201d \u2013 Side II. Played by the Cincinnati Symphony Orchestra, conducted by Erich Kunzel, and Chris Brubeck and New Heavenly Blue. Recorded on Atlantic Records. No date.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\n\u00a0Dave Brubeck Quartet with the Philadelphia Orchestra, December 3, 1965: Reel #2.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nDave Brubeck Quartet with the Philadelphia Orchestra, December 3, 1965: Reel #3.<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\nDave Brubeck Quartet with the Philadelphia Orchestra, December 3, 1965: Reel #4.<\/td>\n<\/tr>\n
item 16<\/strong><\/td>\nCentral Michigan University Symphonic Wind Ensemble, January 12, 1962. Norman C. Dietz, conductor. Track listing: –Crown Imperial March (Walton); –American Legion Forever (Gould); –Menin Canzona; –Verdi \u201cNabucco\u201d; –Persichetti: Pageant; –Intro + Invention: Paul Whear.<\/td>\n<\/tr>\n
item 17<\/strong><\/td>\nCentral Michigan University Symphonic Wind Ensemble, March 6, 1966. Typescript program notes glued to the lower tray of the box. Track listing: –Festive Overture \/ Dmitri Shostakovich; –Reflections \/ Roger Nixon; –Les Biches: Rondeau, Andantino and Chanson Dansee \/ Francis Poulenc; –Suite from \u201cBachianas Brasileiras, No. 4\u201d: Prelude\/Danse \/ Heitor Villa-Lobos.<\/td>\n<\/tr>\n
item 18<\/strong><\/td>\nCentral Michigan University Symphonic Wind Ensemble, May 3, 1970. Norman C. Dietz, conductor; R. Wright, guest conductor. Concert program glued to the back of tape box. Track listing: [Norman C. Dietz conducting] –Russlan And Ludmilla \/ Glinka; –Songs of Abelard \/ Dello Joio (soloist: Stephen G. Hobson); –Jericho \/ Gould; [Rayburn Wright conducting] –Chorale and Choral Prelude \/ Bach\/Wright; –English Dances \/ Arnold; –L\u2019Apprenti Sorcier \/ Dukas; –Rocky Point Holiday \/ Nelson; –Selections from \u201cOliver!\u201d \/ Bart.<\/td>\n<\/tr>\n
item 19<\/strong><\/td>\nChrist Is Born Excerpts \/ Mrs. John Excerpts. Track listing: –3:10 – Sequence of Two `Christ is Born\u2019 Cues \/ Birth Sequence; 2:40 \u2013 Mrs. Johnson \u2013 Lincoln Tomb. Box annotated in pencil and ink. Accompanied by a track listing. Ink MS. 1p.<\/td>\n<\/tr>\n
item 20<\/strong><\/td>\nTim Clark \u2013 Demo. Music composed and performed on mini-moog synthesizer by Timothy Clark.\u00a0 Track listing: –Jujubes (Excerpt); –Sketch #1; –Sketch #2; –Moondrops (Excerpt); –Bluegrass (Complete); –Music from \u201cUniverse Reverse\u201d (Excerpt); Music from \u201cUniverse Reverse\u201d Excerpt + Stinger (Complete). \u201cCopy made 10\/30\/72\u201d –in ink on lower tray of box.<\/td>\n<\/tr>\n
item 21<\/strong><\/td>\nTim Clark \u2013 Froggie Boogie, 7\/73.<\/td>\n<\/tr>\n
item 22<\/strong><\/td>\n\u00a0Tim Clark \u2013 Music by Timothy Randolph Clark. No date. Track listing: –1 kHz 0db Reference; –Maiden Flight; –Excerpt from \u201cOmens\u201d; –Lift Your Head to the Sun.<\/td>\n<\/tr>\n
item 23<\/strong><\/td>\nTim Clark \u2013 Music for Gollum. No date.<\/td>\n<\/tr>\n
item 24<\/strong><\/td>\n[Arranger\u2019s] Class Ensemble, 7\/2\/73. Empty reel; tape box is all that is extant. \u201cSlug\u201d –in ink on back of box.<\/td>\n<\/tr>\n
item 25<\/strong><\/td>\nCollegiate Jazz Festival: University of Notre Dame, April 1976. Eastman Big Band (with Lew Soloff). No track listing.<\/td>\n<\/tr>\n
item 26<\/strong><\/td>\nColorado \u2013 Session I \u2013 Unedited. No date. \u201c`Colorado\u2019 \u2013 Mono 7 \u00bd ips: Session I, unedited & unmixed\u201d –in ink on the tape reel. \u201cMaster Copy No. 3. Vivaldi: Concerto for Cello, Strings and Continuo in E Minor. LPM 18-986 Deutsche Grammophon-Gesellschaft. January 10, 1968.\u201d –in ink on inner tray of box. \u201cComposite Tape Complete: Paso Des Tres\u201d –in ink on back of box.<\/td>\n<\/tr>\n
item 27<\/strong><\/td>\nCome, Walk With Love. Musical direction and arrangements by Rayburn Wright, except for From Sense To Soul <\/em>and I Walk With Love<\/em>, arranged and conducted by Wilfred Roberts. Recorded at Media Sound, N.Y., Aug. 20-21, 1974. Jorgen Jorgensen, Sound Engineer. Track listing: –#64\u00a0 From Sense To Soul; –233 O Love Whose Perfect Path Is Known; –311 So Brightly Burns Love\u2019s Holy Glow; –90 Guide Me, O Thou Great Jehovah; –115 Holy Father, Thou Hast Taught Us; –136 I Love Thy Way Of Freedom, Lord [Soloist: George Sawtelle]; –65 From Glory Unto Glory; –351 Through The Night Of Doubt And Sorrow [Duet, 2nd<\/sup> verse: Mary Sue Berry and George Sawtelle]; –218 O Life That Maketh All Things New; –179 Love One Another; –139 I Walk With Love [Soloist: Mary Sue Berry]; –306 Shepherd, Show Me How To Go; –196 Now The Time Is Approaching; –374 We thank Thee And Bless Thee. Accompanied by a letter to R. Wright from Bob [last name unknown, presumably Wilfred Roberts], December 10, 1974. Typescript on Christian Science Publishing Society letterhead; signed in ink by Bob [last name unknown, presumably W. Roberts]. 1p.<\/td>\n<\/tr>\n
item 28<\/strong><\/td>\nConcertos: Chopin Piano No. 2; Szymanowski Violin No. 2; Telemann .Flute Suite; Ginastera Harp. No date. Track listing: –Chopin \u2013 Concerto no. 2 in F Minor. Charles Rosen with John Pritchard and the New Philharmonia Orchestra; –Ginastera \u2013 Concierto para Arpa y Orquesta (1968 Revision); –Telemann \u2013 Suite in A Minor for Flute and Strings. Jean-Pierre Rampal with the Paris Festival Strings; –Karol Szymanowski \u2013 Violin Concerto No. 2, Op. 61. Henryk Szeryng with the Bamberg Symphony Orchestra conducted by Jan Krenz.<\/td>\n<\/tr>\n
item 29<\/strong><\/td>\nConcertos \u2013 Mozart, Sibelius, Jolivet. No date. Track listing: –Jolivet \u2013 Concertino for Trumpet, Strings & Piano, [Jolivet & Maurice Andr\u00e9]; –Sibelius \u2013 Swan of Tuonela; –Mozart \u2013 Clarinet Concerto.<\/td>\n<\/tr>\n
item 30<\/strong><\/td>\n\u201cCuster\u201d Music: Tease, Pts I, II, [and] III. No date. \u201cUse Tease for demos\u201d –in pencil on back of box. Box signed in pencil by R. Wright.<\/td>\n<\/tr>\n
item 31<\/strong><\/td>\nCuster: Parts I, II, [and] III. No date.<\/td>\n<\/tr>\n
item 32<\/strong><\/td>\nCuster: Part IV. No date.<\/td>\n<\/tr>\n
item 33<\/strong><\/td>\nCuster: Part IV. No date.<\/td>\n<\/tr>\n
item 34<\/strong><\/td>\n\u201cCuster\u201d Music: Part IV & Credits. No date.<\/td>\n<\/tr>\n
item 35<\/strong><\/td>\nAlirio Diaz \u2013 Guitar: Music of Venezuela and Paraguay. No date. No track listing. Accompanied by 1 page of notes. Pencil MS.<\/td>\n<\/tr>\n
item 36<\/strong><\/td>\nWalter Dunbar: Elegy. No date. Accompanied by a letter to R. Wright from Walter Dunbar, November 20, 1971. Ink MS. 1p.<\/td>\n<\/tr>\n
item 37<\/strong><\/td>\nWalter Dunbar: Quintet for Trumpet and Strings (Rehearsal). Alan Dean, trumpet, with the Kohon String Quartet. No date. Empty reel; tape box is all that is extant.<\/td>\n<\/tr>\n
item 38<\/strong><\/td>\nJack End with Frederick Fennell and the Eastman Wind Ensemble. No date. Track listing: –Variations in the Style of Sauter; –Blues for a Killed Cat.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 38″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620156884415{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nThe Eskimo Suite: Music From The Soundtrack Of The 16mm Color Film: The Annanaks. Produced by F. R. Crawley, directed by Rene Bonniere, music by Larry Crosley. No date. No track listing.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nGarth Fagan: Yesternow (1st<\/span>\u00a0Version). No date. Track listing: –Yesternow; –\u201cThank You Jesus\u201d; –Back Woods Sideman. Cover of box signed in ink by R. Wright.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nClare Fischer: Salsa Picante. Copy of the 1979 recording released on MPS [Hamburg]. Track listing: –Bachi; –Morning; –Guarabe; –Descarga \u2013 Y\u00e9ma Ya; –Cosmic Flight; –Inqui\u00e9ta\u00e7\u00e3o; –Minor Sights. Accompanied by a repro of the original liner notes. 1p.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nRoberta Flack. Select tracks from Roberta Flack\u2019s recording \u201cChapter Two\u201d [New York: Atlantic Records, 1970] and Ten Wheel Drive\u2019s recording \u201cConstruction #1\u201d [Germany: Polydor, 197-]. Track listing: –Reverend Lee; –Gone Away; –Business Goes On As Usual; –Lapidary; –Eye Of The Needle.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nFoss \u2013 Petrassi \u2013 Bernioz – WBAI \u2013 11-4-65. Track listing: –Time Cycle \/ Lukas Foss; –Flute Concerto \/ Petrassi; –Differences (incomplete) \/ Bernioz [sic, presumably Luciano Berio]; WBAI 11\/7\/65 \u2013 \u201cUnitarianism in America\u201d by Reverend Paul Sawyer.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nFrench Puppets: Les Chansons De Papotin. Presumably a copy of an LP released by RCA Records France titled \u201cLes Chansons De Papotin\u201d (RCA \u2013 130 068). No date. Track listing: –Petite March; –Danse Russe; –D\u00e9coupage; –Les petite oies; –No\u00ebl Argentin; –Polka du Coucou; –Ronde Paipanne: A) Yugoslavian Air B) Hungarian Air; –Trois Petite –Feuilles; –I\u2019Idole; –Chanson Catalane; –Gavotte Bretonne. Accompanied by a track listing. Ink MS; annotations in pencil. 1p.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nRonnie Gould\u2019s Mexican Percussion. April 25, 1958. Track listing: –Ronnie Gould\u2019s Mexican Percussion : MUSART 187 Songs of Don Susanito (Vocal Trio) [Boleros & Rancheros]; –MUSART 99 Marimba; –Potpourri de B\u0101i\u0101o (Elite Special 78); –Pandiero e cavaquinho : Choro.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nArthur Honegger: Le Roi David \/ Darius Milhaud: La Creation Du Monde. Utah Symphony Orchestra; Maurice Abravanel, conductor. New York: Vanguard, s.d. Catalog no. VTP 1651.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nThelma Houston \u2013 Jim Webb. No date. No track listing.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nShirley Harvey \/ Night \u2013 Cap WQXR, July 15 \u2013 16, 1952. Track listing: –I Can\u2019t Get Started With You; –You Go To My Head; –You Go To My Head (1\/2 Tone Lower); –How High The Moon; –I Only Have Eyes For You; –The Lady Is A Tramp; –Stormy Weather; –My Love and My Mule; –I\u2019m In The Mood For Love; –For Every Man There\u2019s A Woman; –Misc. from Radio; –Vince and Ron Duet Show; –We Could Make Such Beautiful Music; –Moonlight On The Ganges; –Mexicali Rose; –Judyland?; –Love, Your Magic Spell Is Everywhere; –Kiss Me Again; –Even Song; –Seldom The Sun; –La Vie En Rose; –Lovers Pnes [sic]; –Blue Mantia.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nI Loves You Porgy. \u201cSS75 Mix-down\u201d –in ink on back of box. No date.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nI Loves You Porgy (Edited). \u201c(Gershwin \/ Wright): 1975 A. W. \/ 1977 E. Studio Orch. (Intercut)\u201d –in ink on back of box. No date.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nInside The Score \u2013 Dubs A:\u00a0 Nestico \/ Basie. No date. Track listing: –Basie Straight Ahead; –Hayburner \/ Thad Jones; –3 And 1; –Kids Are Pretty People; –Us\/ Brookmeyer; –Hello And Goodbye; –First Love Song; –ABC Blues.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nInside The Score: Dubs B. No date. No track listing.<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\n[Eastman] Jazz Ensemble Concert I: February 23, 1973. Track listing: –Limelife; –Green Olives.<\/td>\n<\/tr>\n
item 16<\/strong><\/td>\n[Eastman] Jazz Ensemble Concert II: February 23, 1973, 2nd<\/span>\u00a0Half. Track listing: –Green Olives \/ Pete Grenier; –Riverview \/ Manny Albam; –Willow Tree \/ Fats Waller and Andy Rasaf, arr. Bob Brookmeyer; –Blue Goose \/ Janice Robinson; –Complexity \/ Lance Rubin; (Encores): –Pussywiggle Stomp \/ Don Ellis; –Us \/ Thad Jones. A segment of the concert program, with annotations in ink, has been taped to the back of the box.<\/td>\n<\/tr>\n
item 17<\/strong><\/td>\n[Eastman] Jazz Ensemble Concert II: February 23, 1973. Track listing: –Riverview; –Willow Tree; –Blue Goose; –Complexity.<\/td>\n<\/tr>\n
item 18<\/strong><\/td>\n\u00a0[Eastman] Jazz Ensemble Concert III: February 23, 1973. Track listing: Encores: –1. Pussywiggle Stomp; –2. Us.<\/td>\n<\/tr>\n
item 19<\/strong><\/td>\nThad Jones \u2013 Mel Lewis & \u201cThe Jazz Orchestra\u201d: Presenting Thad Jones, Mel Lewis and the Jazz Orchestra. Presumably a copy of the LP recording released by Solid State in 1966. Accompanied by a track listing. Typescript; annotations in ink. 1p. \u201cSS 18003\u201d –on typescript track listing. Track listing: –Once Around; –Willow Weep For Me; –Balanced Scales = Justice; –Three In One; –Mean What You Say; –Don\u2019t Ever Leave Me; –ABC Blues.<\/td>\n<\/tr>\n
item 20<\/strong><\/td>\nQuincy Jones: The Birth Of A Band. Copy of the LP \u201cQuincy Jones : The Birth Of A Band\u201d [New York:\u00a0 Mercury Records, 19–; Mercury cat. no. SR 60129]. Track listing: –The Birth of a Band; –Moanin\u2019; –I Remember Clifford; –Along Came Betty; –Tickletoe; –Happy Faces; –Whisper Not; –The Gypsy; –A Change Of Pace; –Tuxedo Junction. Accompanied by a track and personnel listing. Word-processed document. 2pp.<\/td>\n<\/tr>\n
item 21<\/strong><\/td>\nQuincy Jones: Mellow Madness. Copy of the recording \u201cQuincy Jones : Mellow Madness\u201d [Beverly Hills, California: A & M Records, 1975; A & M cat. no. SP \u2013 4526]. Track listing: –Is It Love That We\u2019re Missing; –Paranoid; –Mellow Madness; –Beautiful Black Girl; –Listen (What It Is); –Just A Little Taste Of Me; –My Cherie Amour; –Tryin\u2019 To Find Out About You; –Cry Baby; –Bluesette. Accompanied by a track listing. Ink MS. 1p. \u201cArranger\u2019s Rehearsal 11\/21\/75\u201d –in ink on back of box.<\/td>\n<\/tr>\n
item 22<\/strong><\/td>\nFred Karlin: The Canterbury Tales. (Prologue Text by A. Kent Hiatt); Featuring: The Meg Wells Quintet with Brass Quintet, Male Vocal Quartet. No date. No track listing. Box inscribed in pencil to R. Wright, presumably from Fred Karlin, no date.<\/td>\n<\/tr>\n
item 23<\/strong><\/td>\nKitty Hawk To Paris: Mono Music \u2013 3\/69 \u2013 Reel 1. [Soundtrack to the 1969 film by] John [H.] Secondari Productions. Track listing: –Cue 1; –Cue 11 Remix; –Cue 12; –Cue 13; –Cue 15; –Cue 17; –Cue 18; –Cue 19; –Cue 21; –Cue 22; –Cue 23; –Cue 24 Part #1; –Cue 24 Part #2.<\/td>\n<\/tr>\n
item 24<\/strong><\/td>\nKitty Hawk To Paris: Mono Music \u2013 3\/69 \u2013 Reel 2. [Soundtrack to the 1969 film by] John [H.] Secondari Productions. Track listing: –Cue 25; –Cue 26; –Cue 27; –Cue 31 Remix; –Cue 32; –Cue 33; –Cue 35; –Cue 36; –Cue 41; –Epilogue edited part#1; –Epilogue edited part #2; –Revised Credits; –Epilogue Overlay #1; –Epilogue Overlay #2.<\/u><\/td>\n<\/tr>\n
item 25<\/strong><\/td>\nMrs. Kohen singing to Andrew, January 5, 1956 \/ Carlos Chavez: Third Symphony (New York Philharmonic; Carlos Chavez conducting, January 29, 1956). Track listing: –Mike Tests; –Drew + Doris; –Music Night; –Jeremy\u2019s Song; –Third Symphony \/ Chavez.<\/td>\n<\/tr>\n
item 26<\/strong><\/td>\nKreisler Overture. Track listing: [January 15, 1955] –Condenser Mikes; –Dosso Show (3rd<\/span>); –Postmen (Left Cond.); –Santa\u2019s Workshop (Right Cond.); –Ending (Left); [February 9, 19–] –\u201cFritz Kreisler\u201d Overture \u2013 [Raymond] Paige; [February 19, 19–] –Musical En [sic]; –Gillmore Suite; –Intellectuals; –Kids; –Stoop-Sweethearts; –Suite \u2013 Complete; –Blank.<\/td>\n<\/tr>\n
item 27<\/strong><\/td>\nJohn LaMontaine: Incantation, April 13, 1976 Recording Session. Eastman Jazz Ensemble; Ray Wright, conductor.<\/td>\n<\/tr>\n
item 28<\/strong><\/td>\nSteve Lang : \u201cThe Perfect Tan\u201d. No date. Track listing: –1. Inc.; –1A. Mistakes; –2. Complete; –3. Better; –4. Best.<\/td>\n<\/tr>\n
item 29<\/strong><\/td>\nLatin \u2013 American Typical and Folk Songs. Copy of the recording released by Bost Records [New York, 19–]. Track listing: (Argentina) –El Sue\u00f1o \u2013 Estilo; –El Carretero – Chacarera; (Chile) –Yo Quisiera Quererte \u2013 Tonada; –Corazones Partidos \u2013 Cueca; (Peru) –Llanto el Indo \u2013 Triste; –La Ollanta \u2013 Huaino; –Yaravi; (Ecquador) –Melod\u00eda Que Ten\u00eda (Yaravi); (Cuba) –La Mulata Tallejera – Cuaracha Antigua;\u00a0 –La Tarde \u2013 Bolero; –Punto Guajira; –Bo\u00f1ada El Rostro Canci\u00f3n Haba\u00f1era; –5. [No title given]. Accompanied by a track listing. Pencil MS on an index card. 2pp.<\/td>\n<\/tr>\n
item 30<\/strong><\/td>\nLecuona \/ Bartok. Track listing: –September 4 [19–] 3rd<\/sup> Show Zawisza (Lecuona Perc.); –4th<\/sup> Show \u2013 Same Set-up With Paige; –Broadcast of Bartok Quartet # 2; –Erwartung by Schoenberg, with Dorothy Dow, Mitropoulos, NY.<\/td>\n<\/tr>\n
item 31<\/strong><\/td>\nLecuona Overture #1. No date. Track listing: –Lecuona Overture Music Hall; –Lecuona Overture Music Hall; –Recording from Reind\u2019s [name nearly illegible] \u2013 Erase \u2013 Strauss from Eastman Program On Air; –Reception at 890 for Swifts.<\/td>\n<\/tr>\n
item 32<\/strong><\/td>\nMichel Legrand: I Love Movies. Select tracks from the 1958 recording released by Columbia (New York) that bears the same title. No date. Track listing: –Falling In Love Again (from The Blue Angel); –Sonny Boy (from The Singing Fool); –Carioca (from Flying Down To Rio); –Remember My Forgotten Man (from Gold Diggers of 1933); –Cheek To Cheek (from Top Hat); –Demons et merveilles (from Les Visiterus Du Soir); –The Third Man Theme (from The Third Man); –High Noon, Valse des orgueilleux, River of No Return and Only You (from Rock Around The Clock).<\/td>\n<\/tr>\n
item 33<\/strong><\/td>\nDick Lieb: Five Pieces For Brass And Organ. Recorded at Stereo Sound Studios, New York City; Jerry Newman, engineer. April 1964. Track listing: –Trumpet March; –Horn Ballad; –Trombone Piece; –Tuba Dance; –Organ Fugue.<\/td>\n<\/tr>\n
item 34<\/strong><\/td>\nRolf Liebermann: Concerto for Jazz Band and Symphony Orchestra. No date. Accompanied by a repro of the liner notes for the LP by the Chicago Symphony Orchestra, conducted by Fritz Reiner, \u201cLiebermann: Concerto for Jazz Band and Symphony Orchestra \/ Richard Strauss: Don Juan\u201d [Camden, N.J.: RCA Victor, 1955; RCA cat. no. LM-1888]. 1p.<\/td>\n<\/tr>\n
item 35<\/strong><\/td>\nLiebermann \/ Spanish Overture. Track listing: –July 15, 1954 \u201cSpanish Overture\u201d (Paige \u2013 Cykman); –Late September 1954 \u2013 Evening With Eloise and Jerry; –Liebermann: \u201cConcerto for Jazz Orchestra\u201d (WQXR \u2013 June 10, 1955); –Evening with Lowells \u2013 Kay Curley, Carl Lieberwitz.<\/td>\n<\/tr>\n
item 36<\/strong><\/td>\nLiner Notes on Milhaud \u201cLe Creation du Monde\u201d. No date. No track listing.<\/td>\n<\/tr>\n
item 37<\/strong><\/td>\nFranz Loffler \/ Pierre Favre: Swinging Bach Guitar. Presumably a copy of an LP released by Polydor Records (cat. no. ST237642). No date. Track listing: –Bach Goes to Paris; –Bach\u2019s Mashed Bouree; –Juan Bachanto Espagnol; –Bach\u2019s Bedroom Brew; –Ping Pong for Bach Bugs; –Go Home and Practice.<\/td>\n<\/tr>\n
item 38<\/strong><\/td>\nM. Goose: Rock. Presumably a copy of the LP \u201cA Treasury of Mother Goose\u201d, recorded by Mike McKean and the Carillon Singers with musical direction by Jim Timmens, released by Columbia Records [New York], s.d. \u201cJob 53935, 2-24-70 TG\u201d –in ink on back of box. Track listing: –1) Farmer In The Dell \/ Jack Sprat; –2) Old King Cole \/ Old Mother Hubbard; –3) Three Little Kittens \/ One, Two Buckle My Shoe; –4) The House That Jack Built \/ Simple Simon; –5) London Bridge \/ Little Bo Peep; –6) Old Mother Goose \/ Sing A Song Of Sixpence.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 39″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620156910525{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nMelissa Manchester. No date. Track listing: –Pick Up The Good stuff (arr. by Chris Dedrick); –Bell. 1123 \u201cHome To Myself\u201d.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nMary Mayo \u2013 Records \/ Anne Harvey \u2013 Radio: Sample Program. No date. Track listing: –\u201cI Can See You\u201d; –\u201cDark Is The Night\u201d; –Part of Hindemith Quintet; [Tex Beneke] –\u201cPennies From Heaven\u201d; –\u201cLaura\u201d; –\u201cUnless\u201d; –\u201cPretty Eyed Baby\u201d; –Messiaen?; –Penthouse Theme; –\u201cMake The Man Love Me\u201d; –\u201cEmbraceable You\u201d; –\u201cI Wonder Why\u201d; –\u201cHold Me\u201d; –Bob & Ray; –George Blackwell.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\n\u00a0John Mehegan, WNYC: \u201cSpeakin\u2019 Of Jazz\u201d, 9\/29\/62 \/ History of Tenor Sax \u2013 Coleman Hawkins \/ Coletraine. Track listing: –[illegible title] \/ Rimsky \u2013 Korsakov; –Desert Danse (Ballet) \u2013 (Mozian); –Glee Club Hayride; –Trio Channel 13 10\/3\/62; –Guitare Valdez \u2013 Blain; –Mundell Lowe.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nJohn Mehegan: \u201cLet\u2019s Talk Jazz WNYZ \u2013 FM\u201d 10\/6\/62, Tenor Sax (Con\u2019t). Presumably dubbed over a previously existing recording; back of box contains a track listing from the previous recording that has been erased and is largely illegible.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n\u00a0[John] Mehegan: 3rd<\/span>\u00a0Stream, 10\/18\/62 \/ Perry Como, Lena Horne, Stan Getz \/ Charlie Byrd: 10\/23\/62. Track listing: –\u201cMoon Rays\u201d \/ Horace Silver; –Talk; –\u201cBlack + Tan\u201d Fantasy \/ Ellington; –Bud Powell \u2013 \u201c Dusk In Sandy\u201d; –Cecil Taylor \u2013 (Atonal) \u2013 \u201cAzure\u201d (incomplete); –00 \u2013 Talk \u2013 Intro To Graettinger \u201cCity Of Glass\u201d; –Kodak Jingle; –Right Time \u2013 Intro Production; –\u201cSo In Love\u201d \u2013 Perry; –Lena Horne \u201cI\u2019ve Grown Accustomed To His Face\u201d.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n[John] Mehegan: \u201cLet\u2019s Talk Jazz\u201d, 11\/3\/62, 3rd<\/span>\u00a0Stream \u2013 Last Of 3 Programs. Track listing: –Schuller: 4 Variants on Thelonious Monk: Crisscross; –Ran Blake: Church on Russell St. (Piano); –Giuffre: Crawdad Suite, Train + The River; –Gershwin: Concerto in F; –Naked City 11\/21\/62; –Short Interlude w\/ Bajo, pnos., etc. from Channel 13 (Turn Of The Century) \u2013 Part Of \u201cParliament\u201d Jingle.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\n[John] Mehegan: 12\/1\/62 with Barry Miles (Drummer) as guest \/ Mulligan on Dinah Shore 12\/8\/62 w\/ Ben Webster. No track listing.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nHelen Merrill; Gil Evans, arrangements: Dream Of You \/ Carmen McRae \/ Jimmy Jones. Select tracks from the 1956 LP recording \u201cDream of You\u201d [Chicago: Em Arcy; Em Arcy cat. no. MG 36078]. Track listing: –People Will Say We\u2019re In Love; –By Myself; –Anyplace I Hang My Hat Is Home; –I\u2019ve Never Seen; –He Was Too Good To Me; –A New Town Is A Blue Town; –You\u2019re Lucky To Me.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nMini \u2013 Course #1, 1975. Track listing: –Us \/ Thad Jones (Consummation); –Ahunk Ahunk \/ Thad Jones; –Chameleon \/ Herbie Hancock (Headhunters); –Moon Germs \/ Joe Farrell; –Pussywiggle Stomp \/ Don Ellis; played by the Eastman Jazz Ensemble. Accompanied by a document titled \u201cMini Course #1: Jazz & Pop Record List 1\/8\/74\u201d. Ink MS. 1p.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nMulligan \/ Mehegan. Track listing: –Mulligan in the Garden of the Museum of Modern Art (from Summer 62) \u2013 Channel 4, November 28, 1962; –Part of Copland Rehearsal; –Andy Williams Part I (Bob Newhart), 11\/28\/62.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nOliver Nelson: Full Nelson. Presumably a copy of the LP released by Verve Records [New York: 1963]. No date. Track listing: –Full Nelson; –Skokian; –Miss Fine; –Majorca; –Cool (West Side Story); –Back Woods; –Lila\u2019s Theme (from The Stripper); –Ballad For Benny; –Hoe Down; –Paris Blues; –What Kind Of Fool Am I; –You Love But Once.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nNew Porgy And Bess Overture. Track listing: –New Porgy + Bess Overture; –Paige, Butterfield Beatley \u2013 Friday, October 26, [19–] \u2013 4th<\/span>\u00a0Show on Warren Jenkins Magnecorder; –Disk Jockey \u2013 New Rochelle, January 19, 1956; –(Ella Fitzgerald \u2013 Rodgers + Hart).<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nOld-Time Religion. No date. Track listing: –Glee Club \u2013 Music Hall (Steal Away); –\u201cOld Time Religion\u201d; –Deep River; –Eisenhower\u2019s Speech.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nRaymond Paige Conducting \u201cThe RCMH Orchestra\u201d: Record #1. No date. Track listing: –Roumanian Rhapsody #2; –Madame Butterfly; –Aida Fantasy; –Tschaikousky [sic] Overture #2.<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\nRaymond Paige Conducting \u201cThe RCMH Orchestra\u201d: Record #2. No date. Track listing: –Dvorals [sic] Tribute; –Fantasie Espana (Hp. Solo); –Die Fledermaus Overture; –Sousa Tribute.<\/td>\n<\/tr>\n
item 16<\/strong><\/td>\nRaymond Paige Conducting \u201cThe RCMH Orchestra\u201d: Record #3. No date. Track listing: –Carmen Fantasy; –Mights [sic] In Vienna (Johann Strauss); –Faust Fantasy; –Lecuona Fantasy.<\/td>\n<\/tr>\n
item 17<\/strong><\/td>\nParty BG Music: Reel 2 (Vol. I + II), 5\/69, Hard Rock And Gospel (Dancing). Track listing: –Street Picnic Medley 1907; –Mouse & The Clock 6\/8 – 1907; –House Cleaning Time Recitation; –Elk\u2019s Song B.P.O.E. \u2013 1909; –\u201cThe Ragtime Drummer\u201d1907; –\u201cI\u2019m Afraid To Come Home In The Dark\u201d \/ Arthur Collins; –\u201cWhen I Was 21 + You Were Sweet 16\u201d; –\u201cWaiting At The Church\u201d; –Second Selection From \u201cA Country Girl\u201d; –\u201cTramp, Tramp, Tramp\u201d; –\u201cNo Place Like Home\u201d; –Dream of the Rarebit Fiend \u2013 1907; –Village Seamstress \u2013 Recitation; –Kerry Miles Barn Dance; –In The Good Old Steamboat Days; –That\u2019s Where I Come In; –Press Eldredge \u2013 A Confidential Chat; –Old Daddy Peg Leg (NY Mil Band); –The Girl Who Threw Me Down; –I Used To Be Afraid To Go Home In The Dark \u2013 1909; –The Laughing Song \/ George W. Johnson; –I Told His Missus All About Him; –The Baseball Girl (Recitation); –For You Alone; –Street Po.<\/td>\n<\/tr>\n
item 18<\/strong><\/td>\nPilgrims\u2019 Saga \u2013 Excerpts. Spring 1965. No track listing.<\/td>\n<\/tr>\n
item 19<\/strong><\/td>\nPortable Channel Logo. No date. No track listing.<\/td>\n<\/tr>\n
item 20<\/strong><\/td>\nPlymouth Choir: Humming Old Hundreth. No date. No track listing.<\/td>\n<\/tr>\n
item 21<\/strong><\/td>\nJim Pugh Quartet. No date. Track listing: –Lost Dreams; –Starbird; –Horizon. Accompanied by a concert poster for a performance by the Jim Pugh Quartet at Eric\u2019s [location unknown] on October 12, 1979. 1p.<\/td>\n<\/tr>\n
item 22<\/strong><\/td>\nR. A. U. N.: Music Sampler for \u201cUnconscious Prejudice\u201d Discussion, 12\/10\/73. Track listing: –Circus March – Quality Plus \/ Ringling Bros. and Barnum & Bailey Circus Band; –Symphonic – Sibelius 2nd<\/sup> Finale; –Semi-classical – Syncopated Clock \/ Leroy Anderson; –Dixieland — Dukes of Dixieland; –Contemporary Piano Jazz – Steps \u2013 Aria; –Avant Garde Jazz \u2013 Ornette Coleman; –Country Music \u2013 Flat & Scruggs \u201cSome Old Day\u201d; –Soul \u2013 James Brown \u201cOut Of Sight\u201d; –Acid Rock \u2013 Hendrix \u201cStar Spangled Banner\u201d; –Rock Opera – Scenester [sp?] \u201cHerod\u2019s Son\u201d; –M.O.R. \u2013 Muzak \u2013 I Wish You Here \u2013 Reader\u2019s Digest, Nelson Riddle; –Grand Opera; –Avant Garde \u2013 Earle Brown \u201cAvailable Forms\u201d. Accompanied by a track listing. Ink MS. 2pp. Also accompanied by a survey, presumably distributed during the discussion. Original: Typescript with pasted-in emendations. 1p. Repros: repros of typescript. 12pp.<\/td>\n<\/tr>\n
item 23<\/strong><\/td>\nReaching For The Moon: Demo 8\/6\/87. Track listing: –Foggy Day \u2013 2nd\u00a0<\/span>Demo Session; –Let\u2019s Call the Whole Thing Off; –Stiff Upper Lip; –Sousa \u2013 Aborted Incomplete 1\/19\/89.<\/td>\n<\/tr>\n
item 24<\/strong><\/td>\nRecorders \u2013 Guitars I, Tenor Duets: January 22, 1955 \/ Flute Keys Experiment. Track listing: –\u201cThe Kids\u201d \/ Gillmore; –\u201cStoop Sweethearts\u201d \/ Gillmore; –Jeremy\u2019s Song; –Birdwatchers; –Don\u2019s and Ray [sic] on Mozart Sonatas (Rehearsal); –Don\u2019s Singing + Playing John Dowland; –On Re-use.<\/td>\n<\/tr>\n
item 25<\/strong><\/td>\nRed & Blue Danube \u2013 M & E Mix \u2013 Mono I: Reel I. No date. No track listing.<\/td>\n<\/tr>\n
item 26<\/strong><\/td>\nRed & Blue Danube \u2013 M & E Mix \u2013 Mono II: Reel II. No date. No track listing.<\/td>\n<\/tr>\n
item 27<\/strong><\/td>\nRed & Blue Danube: FX From Track. No date. Track listing indicates that the reel now contains a recording of the \u201cEaster Show At Wrights: 1967\u201d. Accompanied by a list of the cast for \u201cThe Great Egg Mystery\u201d. Typescript. 1p.<\/td>\n<\/tr>\n
item 28<\/strong><\/td>\nThe Blue And Red Danube [sic]: Reels. No date. Track listing: –Tease A; –Q11 Myth and Source (Original J. Strauss); –Q12 Small Boy Boat and River Montage; –Q12B Upper River (Idyllic Austria); –Q13 Vienna (Outdoor Caf\u00e9 and Amusement Park); –Q14 Iron Curtain (Short Sting); –Q15 Budapest; –Q16 Transistorized; –Q17 Romantic (Budapest); –Q20 Yugoslavia Map; –Q21 Yugoslavia; –Q22 Belgrade (Supermarket and Tractor Factory); –Q23 Belgrade Homes; –Q24 Iron Gate Approach; –Q25 Iron Gate (Turkish Island); –Q26 Iron Gate To Dam; –Q27; Old Village; –Q28 End Part II (Constructing New Village); –Q31 Bulgarian Town and Roumanian Port; –Q32 Delta (Game Preserve); –Q33 Black Sea; –Q34 Beach Fun; –Q41 CREDITS.<\/td>\n<\/tr>\n
item 29<\/strong><\/td>\n\u00a0Remington Memorial Service. December 15, 1971. Track listing: –Beginning; –Conclusion.<\/td>\n<\/tr>\n
item 30<\/strong><\/td>\nRiegge: Brass Piece \/ Tex Beneke Broadcast: June 27, 19–. Track listing: –Brass Piece by Riegge; –Trombone Piece by Creston; –Rockin\u2019 Chair; –Sentimental Music; –Hop Scotch; –Would I Love You; –Here\u2019s To Your Illusions; –Dig-A-Dig A-Doo; –Moonlight Serenade; –Part Of Duber Slot; –Churdle \u2013 Florene Foster Jenkins.<\/td>\n<\/tr>\n
item 31<\/strong><\/td>\n\u201cSaga 1964\u201d Complete Track. No date. No track listing.<\/td>\n<\/tr>\n
item 32<\/strong><\/td>\nMaria Schneider. September 20, 1986. Track listing: –It\u2019s You Or No One.<\/td>\n<\/tr>\n
item 33<\/strong><\/td>\nSherman \/ Guitar Piece. Louis Hemsey, Guitar Soloist; Garry Sherman, Conductor. No date. Track listing: –Perfpo #1 \/ Concerto for Guitar and Orchestra; –Perfpo #1 \/ A Lyric Episode In Rhythm; –Perfpo #1 \/ Rondo For Solo Guitar.<\/td>\n<\/tr>\n
item 34<\/strong><\/td>\nSousa Overture. December 1, 1954. Track listing: –\u201cSousa\u201d Overture; –American Profile (Cut); –Civil War \u2013 Glee Club.<\/td>\n<\/tr>\n
item 35<\/strong><\/td>\nSousa Realization. January 20, 1989. No track listing.<\/td>\n<\/tr>\n
item 36<\/strong><\/td>\nSoviet Woman \u2013 Mono Copy. No date. No track listing.<\/td>\n<\/tr>\n
item 37<\/strong><\/td>\nSoviet Woman \u2013 Mono Original. No date. No track listing.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 40″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620156260915{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nSoviet Woman \u2013 Stereo 2 Track. November 25, 1963. Track listing: –Cue #1 Teaser; –Cue #2 Daily Workers; –Cue #3 Kindergarten Hurry; –Cue #4 Hospital Nursery; –Cue #5 Scalpel & Sponge; –Cue #6 Buildings & City Homes; –Cue #7 Worker Heroine; –Cue #8 Markets; –Cue #9 Na Zdorovie; –Cue #10 Lady Officials; –Cue #11 Watch Factory; –Cue #12 Gymnasts; –Cue #13 University; –Cue #14 Dormitory; –Cue #17 Wedding Reception; –Cue #18 Beauty Aids; –Cue #19 Buying Clothes; –Cue #20 Sexless Ads; –Cue #21 Epilogue & Credits. Accompanied by a track listing. Typescript; annotations in pencil and colored pencil. 1p. Also accompanied by a track listing for \u201cWorld\u2019s Girls\u201d with a cue sheet for \u201cSoviet Woman\u201d on the reverse side. Ink MS. 2pp.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\n\u00a0Soviet Woman \u2013 Complete. No date. No track listing.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nThe Stars In Stereo. Hollywood, California: Capitol Records, Inc., 19–. Stereo Tape ZD \u2013 21.Track listing: –I\u2019m A Fool To Want You \/ Frank Sinatra; –Ring For Porter \/ Harry James; –Bangkok Cock Fight \/ Les Baxter; –A Cottage For Sale \/ Nat \u201cKing\u201d Cole; –September Song \/ Jackie Gleason; –Apple Valley \/ Les Brown; –Way Back Home \/ Fred Waring and the Pennsylvanians; –Time Was \/ Nelson Riddle; –Valencia \/ Gordon Jenkins; –Lover \/ Stan Kenton.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nEdgar Summerlin: Liturgical Jazz, A Musical Setting for an Order of Morning Prayer. Copy of the LP released by Ecclesia Records, 1959 [\u201cEcclesia record #R-101\u201d –on typescript track listing]. Track listing: –Prelude; –Collect for Purity of Heart; –Hymn of Praise: \u201cLove Divine\u201d; –Scripture Sentences; –Call To Confession; –General Confession; –Prayer of Absolution; –The Lord\u2019s Prayer; –Service of the Word; –Versicle; –Venite; –Old Testament Hymn (Psalm 6); –Old Testament Lesson (Hosea 14: 1 \u2013 7, 9); –Te Deum; –New Testament Lesson (II Peter 1: 3 \u2013 11); –Benedictus; –The Apostle\u2019s Creed; –Witness to the Word: Sermon; –Service of Offering; –Song Without Words (Replacing Anthem); –Versicle; –Collect of the Day; –Collect for Peace; –Collect for Grace to Live Well; –The Grace; –After \u2013 Service; –Hymn: \u201cSoldiers of Christ, Arise\u201d; –Benediction; –Postlude. Accompanied by a track listing. Typescript; annotations in ink. 1p. Also accompanied by a newspaper clipping from the Washington Post, June 4, 1962.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nBilly Taylor: \u201cO.K. Billy\u201d. Copy of the LP recording released by Bell Records [New York, 197-; Bell cat. no. 6049]. Track listing: –By George; –O.K. Billy; –Tell Me Why; –Dirty Ole Man; –If You Are Really Concerned; –Break-A-Way; –After Love, Emptiness.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nBilly Taylor: \u201cO.K. Billy\u201d. Copy of the LP recording released by Bell Records [New York, 197-; Bell cat. no. 6049]. Track listing: –By George; –O.K. Billy; –Tell Me Why; –Dirty Ole Man; –If You Are Really Concerned; –Break-A-Way; –After Love, Emptiness. Accompanied by a document bearing notes on the recorded tracks. Ink MS. 2pp.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nTen \u2013 Wheel Drive: \u201cBrief Replies\u201d w\/ Genya Ravan (Vocals). Presumably a copy of the LP recording released by Polydor Records [New York: 1970]. Track listing: –Morning Much Better; –Brief Replies; –Pulse; –Come Live With Me; –Stay With Me; –How Long Before I\u2019m Gone; –Last Of The Line; –Interlude: –A View Of Soft.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nTraction In The Rain: 3\/15\/71 Mix \u2013 Down. Track listing: –Traction In The Rain (2 \u2013 Track Mix-Down); –Canticle; –Mixed Emotions.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nUnitarian Meeting 10\/12\/69: \u201cWhy Unitarianism?\u201d Track listing: –\u201cWhy Unitarianism\u201d; –Red Skelton 10\/14\/69; –Greyhound Conn. (Inst.); –The Revolts \u2013 Group; –Animal Behavior 10\/14\/69 – Channel 2; –National Geographic; –Almost Complete; –Good Times Inst.; –Walon [sp?] Green.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nUnitarian Music: Music For Unitarian Services. No date. Track listing: –I. Segovia Guitar Solos (–Passacaglia \/ Roncalli; –Canzonetta \/ Tansman; –Canzono \/ Anon.; –Variations On A Theme By Milan \/ Nin-Culmell); –II. Mozart Symphony #29 in A Major.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nUnitarian Music Program I, Reel 1. 11\/17\/71. Track listing: –Symphony of Psalms; –Annie Dobson; –Methodist Service; –Section of Leading To Prayer; –Missa Lubis; –Strange Fruit; –Gesang der J\u00fcnglinge \/ Stockhausen. Auxiliary Tape track listing: –Symphony of Psalms; –Methodist Jazz Service Excerpt; –Missa Lubis \/ Belgian Congo; –Stockhausen \/ \u00a0Gesang der J\u00fcnglinge.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nUnitarian Music Program I, Reel 2. No date. No track listing. Accompanied by two pages of notes. Ink MS.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nUnitarian Open Forum, 1\/8\/75. Track listing: –Eleanor Rigby (arr. Rubin; performed by the Eastman Studio Orchestra 11\/17\/73); –Nature Trail (Gordon Johnson).<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nRolando Valdes \u2013 Blain. March 1959. Track listing: –Recuerdos de la Alhambra \/ [Francisco T\u00e1rrega]; –Recuerdos de la Alhambra \u2013 Faster \/\u00a0 [T\u00e1rrega]; –Cappricio Arabe \/ [T\u00e1rrega]; –Danza Mora \/ [T\u00e1rrega]; –Prelude #6 \/ Ponce; –Pavanne \/ Milan; –Gu\u00e1rdame las vacas \/ Milan; –Canarios \/ Sainz [sic]; –Fandaguillo; –Cancion Catalonian \u2013 \u201cLa Noi de la Mare\u201d; –El Mestre (Llobet); –Testamente Di Amerias; –El Mestre; –Seguidillas; –Paso Doble; –Habanera; –(Zapaleo \u2013 from before).<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\nVatican City Film: Easter, 1963. No track listing.<\/td>\n<\/tr>\n
item 16<\/strong><\/td>\nSara Vaughan, Robert Farnon and the Danish Choir of Svend Saaby. Select tracks presumably taken from the LP recording, \u201cVaughan With Voices [Chicago: Mercury Records, 1964; Mercury cat. no. MERC SR 60882]. Track listing: –My Coloring Book; –Hey There; –Deep Purple; –Days Of Wine And Roses; –I\u2019ll Be Around; –Funny; –Charade; –It Could Happen To You; –This Heart Of Mine; –Then I\u2019ll Be Tired Of You.<\/td>\n<\/tr>\n
item 17<\/strong><\/td>\nVon Supp\u00e9 Overture.. Recorded 3\/9\/54. Track listing: –Von Supp\u00e9 Overture; –Under Paris Skies; –Polly\u2019s Song; –Mack The Knife; –New Piece; –Under Paris Skies; –Mack The Knife; –Use-less Song; –Mozart Duet With Guitar; –Polly\u2019s Song; –Under Paris Skies.<\/td>\n<\/tr>\n
item 18<\/strong><\/td>\nWatertown Universalist: November 1971. Track listing: –\u201cChrist Is Born\u201d excerpts; –\u201cGo Pray Ye\u201d \/ Annie Dodson; –\u201cStrange Fruit\u201d \/ Billie Holiday; –\u201cShe\u2019s Leaving Home\u201d \/ Beatles; –\u201cLong Ago And Far Away\u201d \/ James Taylor; –\u201cCanticle\u201d \/ Marg McGlinn; –\u201cTraction In The Rain\u201d \/ Silhan [sp?] ; Crosby.<\/td>\n<\/tr>\n
item 19<\/strong><\/td>\nWebern, Babbitt. Musica Nova; R. Wright, conductor. April 25, 1973. Track listing: –F\u00fcnf St\u00fccke, Op. 10 \/ Anton von Webern; –Composition for Twelve Instruments \/ Milton Babbitt. Accompanied by a program for the performance. Signed in pencil by R. Wright.\u00a0<\/td>\n<\/tr>\n
item 20<\/strong><\/td>\nWebern – F\u00fcnf St\u00fccke, Op. 10 \/ Babbitt – Composition for Twelve Instruments. Presumably from the Musica Nova performance on April 25, 1973.<\/td>\n<\/tr>\n
item 21<\/strong><\/td>\nWebern \u2013 Five Pieces for Orchestra, Op. 10. London Symphony; Antal Dorati, conductor. No date.\u00a0\u00a0<\/td>\n<\/tr>\n
item 22<\/strong><\/td>\nKurt Weill: Three \u2013 Penny Opera. Taped from Capitol Telefunken KDM 8117. No date. Track listing: –Three \u2013 Penny Opera; –Recorder \/ Guitar \u2013 Spring 1955.<\/td>\n<\/tr>\n
item 23<\/strong><\/td>\nWhen You Walk Away. No date. Track listing: –When You Walk Away \u2013 Vocal; –When You Walk Away \u2013 Instrumental.<\/td>\n<\/tr>\n
item 24<\/strong><\/td>\nThe Who \u2013 Tommy \u2013 Tape 2. No date. Select tracks from the 1969 self-titled LP by Blind Faith. Track listing: 1. Stereo \u2013 Blind Faith: –1. Sea Of Joy; –2. Do What You Like; –3. Had To Cry Today; –4. Can\u2019t Find My Way Home. \u201cDrew Wright\u201d –in ink on tape box.<\/td>\n<\/tr>\n
item 25<\/strong><\/td>\nWQXR Music Makers 1969: NY Rock And Roll Ensemble 2-24-69 \/ Michael Kamin [sic: Kamen] of the NY Rock And Roll Ensemble: Track listing: –Discussion & Demo; –She\u2019s Gone Away; –Mister Tree; –Fall Picture; –Wake Up In The Morning \u2013 or \u2013 Make Love In The Morning; –Wait Till Tomorrow; –Michael Pretorius (17th<\/span>\u00a0C.); –Italian Baroque: Perscenello?; –Couperin \/ Le Baricades Miste\u0301rieuses; –Ragtime 1918 \u2013 Stravinsky (11 instruments); –Whiter Shade Of Pale.<\/td>\n<\/tr>\n
item 26<\/strong><\/td>\nRayburn Wright and the Eastman Jazz Ensemble: NYSSMA Mini-Course Demo. February 23, 1973. Track listing: –Us; –Pussywiggle Stomp; –Petrus Zamboo; –Circular Flight 33\/8; –Que Pasa, 11\/3\/73. Accompanied by 4 pages of notes. Ink MS. Also accompanied by a syllabus for the Music Mini \u2013 Course. Word-processed document; reverse side annotated in ink. 2pp.<\/td>\n<\/tr>\n
item 27<\/strong><\/td>\nRayburn Wright: Edited Scratch Track. August 6, 1988. Track listing: –My Favorite Things; –Small Fry.<\/td>\n<\/tr>\n
item 28<\/strong><\/td>\nRayburn Wright: Jazz Phrasing Duets. No sate. Track listing [on box]; –Jazz Phrasing Duets; –Winston Symphony; –Winston March. \u201cKarlin Jazz Duets; Winston Symphony; Winston March\u201d –track listing in ink on reel.<\/td>\n<\/tr>\n
item 29<\/strong><\/td>\nRayburn Wright: Merry Wives Of Windsor. No date. Track listing: –Overture \u201cMerry Wives Of Windsor\u201d; –Mozart Duet; –Shaw Hunter Chorale; –Blue Moon.<\/td>\n<\/tr>\n
item 30<\/strong><\/td>\nRayburn Wright Mix. No date. Track listing: –Q11; –Q10; –Q10A Mountain Climb; –Q9; –Q9A Waltz; –Q6; –Q7 Shoot Out; –Q13 End; –Q1.<\/td>\n<\/tr>\n
item 31<\/strong><\/td>\nRayburn Wright: Patterns. Performed by the Philadelphia Orchestra, December 3, 1964. Accompanied by a concert program for the performance; annotations in ink. Track listing: –Patterns \/ R. Wright; –Brandenburg Gate \/ D. Brubeck. \u201cDave Brubeck Quartet with the Philadelphia Orchestra, 12\/3\/65: Reel #1, 7 \u00bd IPS, Stereophonic Copy\u201d –on labels affixed to reel and edge of tape box.<\/td>\n<\/tr>\n
item 32<\/strong><\/td>\nRayburn Wright: Regeneration \u2013 Concerto For Jazz Quartet, Rock Ensemble and Symphony Orchestra (dubbed from cassette recorded in audience) \/ Rochester Philharmonic Orchestra with Dave Brubeck, Gerry Mulligan and New Heavenly Blue. June 2, 1972. No track listing.<\/td>\n<\/tr>\n
item 33<\/strong><\/td>\nRayburn Wright: Rehearsal Tape (Stage Band Copies). No date. Track listing: –Almost Like Being In Love; –Entr\u00e9e to Andr\u00e9; –Play It Cool; –You Turned The Tables On Me; –You\u2019re My Thrill (flutes); –According To The Moonlight.<\/td>\n<\/tr>\n
item 34<\/strong><\/td>\nRayburn Wright: SMPTE Jiffy Film. June 1974. Track listing: –SMPTE Jiffy Tape (Stereo); –Q2; –SMPTE Jiffy Tape (Mono); –Q2.<\/td>\n<\/tr>\n
item 35<\/strong><\/td>\nRayburn Wright: Spanish Overture \/ GT \u2013 Rec. June 30, 1954. Track listing: –Spanish Overture; –Dimitriades; –December 25, 1954 Musical Eve; –Rachlin – Recorder Trio; –Sat. Dec. 11th<\/span>\u00a0Musical; –Beginning 3rd<\/span>\u00a0Psalm; –Bach; –Birdwatchers; –Slumber Song; –Birdwatcher (fragment only); –Susato \u00be; –Susato; –Susato (without guitar); –Basse Dance.<\/td>\n<\/tr>\n
item 36<\/strong><\/td>\nRayburn Wright: Special Arrangers Holiday, September 1966, Fundraiser\u2019s Dream. No track listing.<\/td>\n<\/tr>\n
item 37<\/strong><\/td>\nRayburn Wright: Szymanowski \/ Ginastera Concertos (RPO). No date. Track listing: –Violin Concerto No. 2 \/ Szymanowski; –Concerto for Harp \/ Ginastera.<\/td>\n<\/tr>\n
item 38<\/strong><\/td>\nRayburn Wright: Telemann \/ Chopin Concertos (RPO). No date. Track listing: –Suite in A Minor for Solo Flute and Strings \/ Telemann; –Piano Concerto No. 2 in F Minor \/ Chopin.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 41″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620156207410{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nRayburn Wright: Towson, September 1979. Track listing: –Interfaces; –Leaves Of Time; –Verberations.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nRayburn Wright: Undercurrents, [performed by] the Eastman Tuba Choir. March 18, 1976.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nRayburn Wright: Ursa Major. No date.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nRayburn Wright: World\u2019s Girls \u2013 Soviet Woman (Excerpts) Mono. No date. Track listing: –Teaser; –Feminine Mystic; –Japanese Masseuse & Walking Theme; –Italian Funeral, Equitable. Mirrors. Playboys; –Models \u2013 Playboys; –Japanese Bride; –Senior Prom; –Science Class; –Ancient Donkeys; –Church Ending; –End Pt II; –Epilogue.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nRayburn Wright: World\u2019s Girls Takes. No date. Track listing: –Revised Complete Mono Demo (Latin); –Revised Mono With Drum Intro Into Long Version; –Revised Mono With Drum Intro Into Short Version; –Original Latin Version Mono w\/ Drum Intro; –Original Latin Version w\/ Drum Intro Into Short Version; –Stereo 1x; –Incomplete; –Yellow Leader \u2013 Plain Mono (L. T. \/ Cha-Cha R.T.); –Ditto (1 Splice); –Ditto \u2013 Meringue Spliced.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nRayburn Wright: Music from \u201cWorld\u2019s Girls\u201d TV Film. \u201cReceived Christmas of December 25, 1963\u201d –in ink on back of box. No track listing.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1620154597392{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series D: Cassettes<\/strong><\/span><\/em><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 42″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620156134259{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nAcademy Award Themes. S.l.: Stage & Screen Productions, [1983]. Factory sealed. Track listing: –Chariots Of Fire; –On Golden Pond; –Dr. Zhivago Theme; –Theme From \u201c2001\u201d; –Exodus Theme; –The Godfather; –Theme From \u201cZ\u201d; –Lawrence Of Arabia Theme; –Tara\u2019s Theme.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nSamuel Adler: Flute Concerto. Bonita Boyd, flute; Rochester Philharmonic Orchestra. No date.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nAction Film Scores. S.l.: Stage & Screen Productions, [1983]. Factory sealed. Track listing: –Blade Runner; –Ride Of The Valkyries; –`2001\u2019; –Battle Of The Planets; –Imperial Attack; –Jaws; –The Good, The Bad And The Ugly; –Raiders Of The Lost Ark; –Battle Of Borodino; –A Bridge Too Far; –The Longest Day.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nAgainst All Odds: Film Score. [Personnel]: Michel Columbrier \/ Larry Carlton \/ [?] Clinton. No date. No track listing.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\n[Manny] Albam \u2013 NPR Prog. I. No date. Track listing: –It\u2019s A Wonderful Life; –Discovery; –Lushlife; –Reunion; –Wistful Thinking; –I Get A Kick Outa You; –Pretty Women; –Overtime.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\n[Manny] Albam \u2013 NPR Program # II. No date. Track listing: –Suite Georgia Brown; –A Thought For The Day; –When Sonny Gets Blue; –Sweet + Lonely; –Embraceable You; –So Nice To Come Home To; –Caravan; –Elegy (For Thad) \/ Mel Lewis Orchestra w\/ Concerto Soloists of Philadelphia.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nMonty Alexander \/ Manny Albam: Arranger\u2019s Holiday, 2nd<\/span>\u00a0Half, August 8, 1986. No track listing.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nArranger\u2019s Holiday July 28, 1989: Part 1, Part 3. No track listing.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nArranger\u2019s Holiday July 28, 1989: Part 2. No track listing.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nBob Badami: (Badami \/ Bernstein) Music Sync System. October 29, 1986. No track listing.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nThe Band: Nov. 6. No track listing.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nRob Barrett, Jr. Demo. Fall 1988. No track listing. Accompanied by Rob Barrett Jr.\u2019s business card.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nJeff Beal: Liberation. Presumably a copy of the LP recording released by Antilles \/ New Directions [New York, 1987]. Track listing: –Missing You; –Afterglow; –Premonition; –Skylight; –Liberation; –Elegy; –Marching Through The Lion\u2019s Gate; –Sirvova; –Omstomct.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nRichie Beirach on Marian McPartland\u2019s Show, December 20, 1986. No track listing.<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\n\u00a0Berg: Lulu. No date. No track listing.<\/td>\n<\/tr>\n
item 16<\/strong><\/td>\nBerg: Lulu, Beginning of Act II. Met Opera Live, January 3, 1981.<\/td>\n<\/tr>\n
item 17<\/strong><\/td>\nBerg: Lulu (Conclusion). No date. No track listing.<\/td>\n<\/tr>\n
item 18<\/strong><\/td>\nBlues Singer: Carrie Smith. No date. No track listing.<\/td>\n<\/tr>\n
item 19<\/strong><\/td>\nBradley J. Berendes: 919.782.7008; Ten., Alto, Sop. Saxes, Flute, Clar. No date. No track listing.<\/td>\n<\/tr>\n
item 20<\/strong><\/td>\nSteve Bramson: Illustration, Funk, Fusion \/ Demo On Funk R. S. April 5, 1983. No date. No track listing.<\/td>\n<\/tr>\n
item 21<\/strong><\/td>\n[Steve] Bramson: Talk On Rites Of Passage. Spring 1983. No track listing.<\/td>\n<\/tr>\n
item 22<\/strong><\/td>\nBrookmeyer Phone Interview. March 23, 1981.<\/td>\n<\/tr>\n
item 23<\/strong><\/td>\nJohn Cacavas. No date. No track listing.<\/td>\n<\/tr>\n
item 24<\/strong><\/td>\nKenny Clarke \u2013 Francy Boland Big Band. No date. Track listing: –The Golden Eight; –Box 703 Washington D.C.; –Now Hear My Meanin\u2019; –Milkshake; –Sweet And Lovely; –Let\u2019s Face The Music And Dance; –You Stepped Out Of A Dream; –Rue Chaptal; –I Don\u2019t Want Nothin\u2019; –Volcano; –High School Cadets; –Sax No End; –The Jamfs Are Coming; –November Girl; –Love For Sale; –Doing Time; –Dancing In The Dark; –The Song Is You; –Son Of Sax No End. Accompanied by a track and personnel list. Word-processed document. 2pp.<\/td>\n<\/tr>\n
item 25<\/strong><\/td>\nClementi 7 w\/ Drum Machine. No date. No track listing.<\/td>\n<\/tr>\n
item 26<\/strong><\/td>\nSynth \u2013 Clementi. No date. No track listing. Cassette is lacking; empty cassette case only.<\/td>\n<\/tr>\n
item 27<\/strong><\/td>\nCopland: Billy The Kid (Suite) \/ Rodeo \u2013 Four Dance Episodes. The Utah Symphony; [Maurice] Abravanel, conductor. No date.<\/td>\n<\/tr>\n
item 28<\/strong><\/td>\nChick Corea: Live From Phil. Hall w\/ Chamber Music Society. January 9, 1983. No track listing.<\/td>\n<\/tr>\n
item 29<\/strong><\/td>\nJohn Corigliano In Film Scoring Class. December 6, 1985. Track listing: –Takes 108 \u2013 128; –Takes 129 \u2013 159. \u201cJoe Dennison \/ Lo Bruce Dudley\u201d –in ink on side A label of cassette.<\/td>\n<\/tr>\n
item 30<\/strong><\/td>\nJohn Corigliano: Original Soundtrack \u2013 Altered States. New York: RCA Records, 1981. Track listing: –Main Title And First Hallucination; –Love Theme; –Second Hallucination; –First Transformation; –Primeval Landscape; –Second Transformation; –The Ape Man Sequence; –Religious Memories and Father\u2019s Death; –The Laboratory Experiment; –The Final Transformation.<\/td>\n<\/tr>\n
item 31<\/strong><\/td>\nJohn Corigliano: Revolution Soundtrack. No date. Track listing: –Revolution \u2013 Track I; –Revolution II.<\/td>\n<\/tr>\n
item 32<\/strong><\/td>\nEddie Daniels: Breakthrough. New York: GRP Records, Inc., 1985. Track listing: –Solfeggietto \/ Metamorphosis; –Siciliano; –Circle Dance; –Aja\u2019s Theme; –Divertimento; –Concerto for Jazz Clarinet and Orchestra.<\/td>\n<\/tr>\n
item 33<\/strong><\/td>\nBill Dobbins: The Contemporary Jazz Pianist Vol. 4. New York: Charles Colin, 1989. Accompanied by a track listing. Word-processed document. 1p. Track listing: –All Of You: Theme; –Variation I: Scott Joplin; –Variation II: Jelly Roll Morton; –Variation III: James P. Johnson; –Variation IV: Willie \u201cThe Lion\u201d Smith; –Variation V: Earl Hines; –Variation VI: Fats Waller; –Variation VII: Teddy Wilson; –Variation VIII: Duke Ellington; –Variation IX: Art Tatum; –Variation X: Meade Lux Lewis; –Variation XI: Pete Johnson; –Variation XII: Jimmy Yancey; –Variation XIII: Thelonious Monk; –Variation\u00a0 XIV: Bud Powell; –Variation XV: Oscar Peterson; –Variation XVI: Erroll Garner; –Variation XVII: Lennie Tristano; –Variation XVIII: Bill Evans; –Variation XIX: Clare Fischer; –Variation XX: Jimmy Rowles; –Variation XXI: Cecil Taylor; –Variation XXII: Chick Corea; –Variation XXIII: Keith Jarrett; –Variation XXIV: Richie Beirach.<\/td>\n<\/tr>\n
item 34<\/strong><\/td>\nBill Dobbins \/ Clare Fischer Duets and the Eastman Jazz Ensemble. February 14, 1985. Track listing: –All The Things You Are; –Some Day My Prince Will Come; –Cherokee; –Gaviotta; –Bachi; –Morning.<\/td>\n<\/tr>\n
item 35<\/strong><\/td>\nDrum and Bugle Corps Competition, August 8, 1981, Whitewater, Wisconsin, BCI. No track listing.<\/td>\n<\/tr>\n
item 36<\/strong><\/td>\nEastman Jazz Ensemble Explains To Dave Geppert. No date. No track listing.<\/td>\n<\/tr>\n
item 37<\/strong><\/td>\nEastman Jazz Ensemble: \u201cLive\u201d \u2013 Mark Album \/ \u201cHoliday\u201d. No date. No track listing.<\/td>\n<\/tr>\n
item 38<\/strong><\/td>\nEastman Jazz Ensemble: Allen Vizzutti, flugelhorn. \u201cI Never Told You\u201d. No date. No track listing.<\/td>\n<\/tr>\n
item 39<\/strong><\/td>\nEastman Jazz Ensemble: October, 1975 \/ Eastman Studio Orchestra, no date. Track listing: –Motion Suspended; –Unfinished Business; –Quilisma; –I Never Told You; –Prayer; –Like Before; –Keep Your Rainbow Up.<\/td>\n<\/tr>\n
item 40<\/strong><\/td>\n[Eastman] Jazz Ensemble \/ Clare Fischer, soloist: 1980 NAJE Convention, University of Colorado at Denver. No date. No track listing.<\/td>\n<\/tr>\n
item 41<\/strong><\/td>\n\u00a0Eastman Jazz Ensemble: WXXI Concert \u2013 Off-Air, March 21, 1980. No track listing.<\/td>\n<\/tr>\n
item 42<\/strong><\/td>\nEastman Jazz Ensemble: Alfred University, November 8, 1980. No track listing.<\/td>\n<\/tr>\n
item 43<\/strong><\/td>\nEastman Jazz Ensemble: Downbeat Submissions, Spring and Fall 1984. Track listing: –Crackdown; –My Man\u2019s Gone Now; –Papier Mache; –Shallow Waters; –Bill Bailey; –How Insensitive; –Bitter Leaf; –Just Friends; –Simpatico.<\/td>\n<\/tr>\n
item 44<\/strong><\/td>\nEastman Jazz Ensemble: Hot House Album, 1985. Track listing: –Hot House; –How Insensitive; –If You Could See Me Now; –Nefarious Times We Live In; –Hang Time; –Bill Bailey.<\/td>\n<\/tr>\n
item 45<\/strong><\/td>\nEastman Jazz Ensemble with Urbie Green: Tape 2. March 8, 1986. No track listing.<\/td>\n<\/tr>\n
item 46<\/strong><\/td>\nEastman Jazz Ensemble: Unitarian Church, April 20, 1986. No track listing.<\/td>\n<\/tr>\n
item 47<\/strong><\/td>\nEastman Jazz Ensemble: ET, May 2, 1986. No track listing.<\/td>\n<\/tr>\n
item 48<\/strong><\/td>\nEastman Jazz Ensemble: Live At The Lancaster Opera House, May 4, 1986. Sides 1 and 2. No track listing.<\/td>\n<\/tr>\n
item 49<\/strong><\/td>\nEastman Jazz Ensemble: Live At The Lancaster Opera House, May 4, 1986. Sides 3 and 4. No track listing.<\/td>\n<\/tr>\n
item 50<\/strong><\/td>\nEastman Jazz Ensemble with Bob Brookmeyer, February 13, 1987: First Half. Track listing: –Sackbut City; –Only You; –What Do You Say Dr. J?; –Jordu; –Here\u2019s That Rainy Day; –Techno Pop; –In The 80\u2019s. Cassette is lacking; empty cassette case only.<\/td>\n<\/tr>\n
item 51<\/strong><\/td>\nEastman Jazz Ensemble with Bob Brookmeyer, February 13, 1987: Second Half. No track listing.<\/td>\n<\/tr>\n
item 52<\/strong><\/td>\nEastman Jazz Ensemble with Bob Brookmeyer, February 13, 1987: Second Half. No track listing.<\/td>\n<\/tr>\n
item 53<\/strong><\/td>\nEastman Jazz Ensemble: PBS \u2013 March 19, 1988. No track listing.<\/td>\n<\/tr>\n
item 54<\/strong><\/td>\nEastman Jazz Ensemble: WXXI AM \u2013 March 29, 1988. No track listing.<\/td>\n<\/tr>\n
item 55<\/strong><\/td>\nEastman Jazz Ensemble; Robert Hudson, director: November 17, 1989. Track listing: –Don\u2019t Get Sassy; –Triste; –Five; –Willow Weep For Me; –Israel; –The Quiet Side; –Beyond The Limit; –I Love You.<\/td>\n<\/tr>\n
item 56<\/strong><\/td>\nEastman Jazz Ensemble; Bill Dobbins, director: A Tribute To Rayburn Wright, October 20, 1989, Eastman Theatre. Track listing: –Rejoice; –Sackbut City; –Good Thinking; –Make Me Smile; –La Nevada; –In A Sentimental Mood; –Pressure Cooker; –Blues For Red; –Blues.<\/td>\n<\/tr>\n
item 57<\/strong><\/td>\nEastman Jazz Lab Band; Jim Doser, director: November 16, 1988, Kilbourn Hall. Track listing: –Groovin\u2019 Hard; –Mr. Fonebone; –Perdido; –Cindy\u2019s Waltz; –Seven Steps To Heaven; –Oliver; –Frankie and Johnnie; –Incredible Journey; –Prelude To A Kiss; –Filthy McNasty; –Escape Valve.<\/td>\n<\/tr>\n
item 58<\/strong><\/td>\nDuke Ellington – WXXI \/ Rosanne Wright, Holger Otten. No date. No track listing.<\/td>\n<\/tr>\n
item 59<\/strong><\/td>\n\u00a0Essence Of Jazz: Barry Harris Guest Program #1. Will Moyle \u2013 Producer. No date. No track listing.<\/td>\n<\/tr>\n
item 60<\/strong><\/td>\nFavourite TV Themes. S.l.: Stage & Screen Productions, s.d. Track listing: –Dallas; –Soap; –Star Trek; –The Rockford Files; –Fame Medley of: The Untouchables, Peter Gunn, Kojak, Hawaii Five \u2013 O, Hill Street Blues, Dynasty; M.A.S.H., Peyton Place; –The Late Late Horror Show.<\/td>\n<\/tr>\n
item 61<\/strong><\/td>\nClare Fischer: Extensions \/ Duality. Track listing for \u201cExtensions\u201d: –Ornithardy; –Quiet Dawn; –Bittersweet; –Igor; –Extension; –Soloette \/ Passacaglia; –Canto Africano. Track listing for \u201cDuality\u201d: –Waltz; –One; –Old Folks; –Liz Anne; –Confusion In Dallas; –Their Tears; –This Is Always; –Come Sunday; –The Greek.<\/td>\n<\/tr>\n
item 62<\/strong><\/td>\nClare Fischer: February 14, 1986. Track listing: –Igor; –Quiet Dawn; –Gaviotta; –Duets; –Morning; –Bachi.<\/td>\n<\/tr>\n
item 63<\/strong><\/td>\nGary Fletcher: Arrangements of Gary Fletcher for Solo \u2013 Strings & Rhythm. No date. Track listing: –When Your Lover Has Gone; –Night In Tunisia; –This Is All I Ask.<\/td>\n<\/tr>\n
item 64<\/strong><\/td>\n[Keith] Foley: Fly Away. No date. Track listing: –Fly Away; –Breezin\u2019 Easy \u2013 T. Scott; –Breezin\u2019 Easy \u2013 Jenson Demo; Afraisia.<\/td>\n<\/tr>\n
item 65<\/strong><\/td>\nKeith Foley: Jingles, Etc. Copyright 1980. Track listing: –Jubilation Strut; –Squeeze; –Mango Tango; –Mellow; –Fun Run.<\/td>\n<\/tr>\n
item 66<\/strong><\/td>\nFoggy Day. No date. No track listing.<\/td>\n<\/tr>\n
item 67<\/strong><\/td>\nFoggy Day: 1st<\/span>\u00a0Demo, July 17, 1987. Track listing: –Let\u2019s Call The Whole Thing Off; –Things Are Looking Up; –Love Walked In; –Nice Work (Act I Reprise); –I Can\u2019t Be Bothered Now; –The World Is Mine.<\/td>\n<\/tr>\n
item 68<\/strong><\/td>\nFoggy Day: 2nd<\/span>\u00a0Demo Session, August 6, 1987. Track listing: –Opening Pt. II; –Put Me To The Test; –Act I; –Foggy Day T1; –[Foggy Day] T2; –These Charming People T1; –I Can\u2019t Be Bothered Now; –Let\u2019s Call The Whole Thing Off; –Stiff Upper Lip; –He Loves & She Loves.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 43″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620156054624{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cFoggy Day\u201d Songs. Acts I and II. No date. No track listing.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nGerald Fried. No date. No track listing.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nAntonio Garcia: Athens New Jazz Festival, May 17, 1987. New Orleans: Writer\u2019s Block Music Publications, 1987. Track listing: –Never Forget; –Theloneliness [sic]; –Metanoia; –Midst Warm Winter\u2019s Chill; –Honest Engine.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nGershwin By Cole And Feinstein. No date. Track listing for Kevin Cole: –Lady Be Good; –Yan\u2013Kee; –The World Is Mine; –Waltz Medley; –Short Story; –Till Then; –Just Another Rhumba; –Wake Up Brother And Dance; –Primrose Medley; –Dance Alone With You; –All The Live Long Day; –Dawn Of A New Day. Michael Feinstein track listing: –Girl Crazy Overture; –Wonderful; –Our Love Is Here To Stay; –Liza; –The World Is Mine; –They Can\u2019t Take That; –Isn\u2019t It A Pity; –Let\u2019s Call The Whole Thing [Off]; –Embraceable You; –What Causes That; –He Loves \/ How Long Has This.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nGershwin REH w\/ Cast Members, October 19, 1987. No track listing.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nIra Gershwin Sings(?): For The Life Of Me. No date. Track listing: –Stiff Upper Lip; –Put Me To The Test; –Do Do Do; –Who Cares; –They Pass By Singing; –\u201cPark Avenue\u201d Medley; –[Oscar Levant]: Liza; –Prelude; –Concerto In F; –Promenade; –Walking The Dog; –12. Bari Sings: –Spring Again; –Who\u2019s Complaining; –As Long As I Live; –\u201cJenny\u201d In Yiddish, Sung by H. Arlen; –Firebrand of Florence Medley; –Oscar Levant Talks About G. G.; –Cossack Love Song.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nGoldsmith I. No date. No track listing.<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\n\u00a0Jerry Goldsmith: \u201cThe Omen\u201d Excerpts From Track. No date. Track listing: –After Father Brennan Visits; –Damien Won\u2019t Go To Church; –Remick and Peck are Talking, Psychological Overtones; –After Newspaper Headline; –After Peck Learns Of Wife\u2019s Death; –Fight With Nanny; –Sanctus. Closing Credits. Accompanied by notes describing the corresponding visual events for each audio track. Word-processed document; annotations in ink. 1p.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\n\u00a0[Jerry] Goldsmith: Runaway. Copy of the LP recording released by Varese Sarabande [North Hollywood, California, 1985; cat .no. STV 81234]. Track listing: –Main Title; –Crazed Robot; –She Went Home; –Alley Flight; –Shootin\u2019 Up The Ritz; –The Bullet; –Sushi Switch; –Lockons; –Psychic Reading; –Ground Floor; –40th<\/span>\u00a0Floor; –Over The Edge; –Luther Dies; –The Resolution.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\n\u00a0Herbie Hancock: Maiden Voyage. No date; presumably a copy of the recording originally released by Blue Note Records in 196-. Track listing: –Maiden Voyage; –The Eye Of The Hurricane; –Little One; –Survival Of The Fittest; –Dolphin Dance.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nGeorge Handy: By George! April 1955. \u201cRCA LXA 1032\u201d –in typescript on cassette jacket. Track listing: –Maretet; –Wooden Sail; –Foolish Little Boy; –Of Gossamer Sheen; –Tender Touch; –Pensive; –Stream Of Consciousness; –The Flatterer; –Knobby Knees; –Pulse; –Sleepwalker.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nMatt Harris: Hit And Run. Oxnard, California: Voss Records, 1989. Track listing: –Coast To Coast; –Roll Call; –Hit And Run; –Cruzin\u2019; –Roadrat; –Sunrise; –Sure Enough; –Blix Blues.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nWoody Herman: 50th<\/span>\u00a0Anniversary Album. Presumably a copy of the 1986 LP recording released by the Concord Jazz Label, \u201c50th<\/span>\u00a0Anniversary Tour\u201d. Track listing: –It Don\u2019t Mean A Thing; –What\u2019s New; –Pools; –Blues To Red; –Conga; –Central Park West; –Fried Buzzard; –Epistrophy.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nNew Woody Herman Album (Rec. 3-3-87). Presumably a copy of the recording \u201cWoody\u2019s Gold Star\u201d [Concord, California: Concord Jazz, 1987]. Track listing: –Battle Royal; –\u2018Round Midnight; –Rose Room \/ Mellotone; –Dig; –Woody\u2019s Gold Star; –Samba Song; –Nefertiti; –The Great Escape; –Mambo Rockland; –Watermelon Man.<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\nHis Song Shall Be With Me: Christian Science Hymns. Doreen Burkhart \/ George Sawtelle \/ Rayburn Wright, musical director. Recorded at Media Sound, June 11 \u2013 12, 1973. Track listing: –317; –408; –2; –412; –148; –139; –342; –359; –134; –43; –78; –57; –210.<\/td>\n<\/tr>\n
item 16<\/strong><\/td>\nBill Holman\u2019s Great Big Band \/ Terry Gibbs: Explosion. Bill Holman\u2019s Great Big Band: Copy of the LP recording \u201cBill Holman\u2019s Great Big Band\u201d [Hollywood, California: Capitol Records, 1960; cat. no. T1464]. Track listing: –Shadrack; –The Moon Is Blue; –Quickstep; –In A Sentimental Mood; –Stereoso; –June Is Bustin\u2019 Out All Over; –Old Man River; –Lush Life; –Spinuet; –Speak Low. Terry Gibbs: Explosion: Select tracks from the LP recording by Terry Gibbs, \u201cExplosion\u201d, [Chicago: Mercury Records, 1962; cat. no. 60704]. Track listing: –Big Bad Bob; –The Big Cat; –Soft Eyes; –Billie\u2019s Bounce; –Pretty Blue Eyes; –I\u2019ll Take Romance; –Nature Boy; –Jump The Blues Away; –Sleep.<\/td>\n<\/tr>\n
item 17<\/strong><\/td>\nJeff Holmes Lecture: Rock Concepts \u2013 Basic Arr. 78 \u2013 79. No track listing.<\/td>\n<\/tr>\n
item 18<\/strong><\/td>\nHorror Movie Music: Music To Terrify. S. l.: Stage & Screen Productions, s. d. Track listing: –The Omen; –The Exorcist; –Poltergeist; –Vampire\u2019s Return; –Zombie Flesh Eaters; –Werewolf\u2019s Revenge; –Dracula; –Halloween; –Amityville Horror; –Night Of The Living Dead. Factory sealed.<\/td>\n<\/tr>\n
item 19<\/strong><\/td>\nJazz Ensemble Works Commissioned By Penfield, NY Music Department. No date. Track listing: –Blues \u2013 Itis by Jeff Beal (High School); –Scatacook Stomp by Ellen Rowe (Elementary); –Rat \u2013 Race by David Slonaker (High School); –Dancing Eyes by Bud Daddis (High School); –Rumors Of Spring by Bevan Manson (Jr. High).<\/td>\n<\/tr>\n
item 20<\/strong><\/td>\nThad Jones Phone Call – Denmark, February 27, 1981. No track listing.<\/td>\n<\/tr>\n
item 21<\/strong><\/td>\nLet\u2019s Dance Medley \u2013 Samples. No date. Track listing: –Let\u2019s Dance; –Sing, Sing, Sing; –Goodbye; –Cherokee; –Getting Sentimental Over You; –Begin The Beguine; –Snowfall; –You Made Me Love You; –Artistry In Rhythm; –Moonlight Serenade; –In The Mood.<\/td>\n<\/tr>\n
item 22<\/strong><\/td>\nMel Lewis: Make Me Smile. Presumably a copy of the recording \u201cMake Me Smile & Other Works\u201d by Mel Lewis [New York: Finesse Records, 1982]. Track listing: –Make Me Smile; –Nevermore; –The Nasty Dance; –McNeely\u2019s Piece; –My Funny Valentine; –Goodbye World.<\/td>\n<\/tr>\n
item 23<\/strong><\/td>\nDick Lieb Muzak Session October 1981: [Recorded at] RCA Studios Plus 2 Originals & Rupert Holmes \u201cBrass Knuckles\u201d. Track listing: –Night Talk; –Coldspring; –Westchester; –Angela (Theme From Taxi); –Warm Weather; –Answering Machine; –The People You Never Get To Love; –Every Little Thing She Does Is Magic; –Brass Knuckles (Muzak Version); –Closing Time; –Mellow Day \/ Lazy Feeling Groove (Orig.); –Brass Knuckles (Rupert Holmes Vocal Version).<\/td>\n<\/tr>\n
item 24<\/strong><\/td>\nLoeffler: Four Songs \/ Wilder: McGinley. No date. No track listing.<\/td>\n<\/tr>\n
item 25<\/strong><\/td>\nLunceford 1938 \u2013 42. Select tracks from the LP recording \u201cJimmie Lunceford: Vol. 4. Blues In The Night (1938 \u2013 1942) [University City, California: MCA Records, 1980; cat. no. MCA1314]. Track listing: –Margie; –Love Nest; –Down By The Old Mill Stream; –Sweet Sue; –By River St. Marie; –Siesta At The Fiesta; –Hi Spook; –Yard Dog Mazurka; –Blues In The Night; –Life Is Fine; –Strictly Instrumental.<\/td>\n<\/tr>\n
item 26<\/strong><\/td>\nMan From La Mancha [sic]: Original Cast Album MCA. Presumably a copy of the recording \u201cMan Of La Mancha\u201d [University City, California: MCA Records, s. d.]. No track listing.<\/td>\n<\/tr>\n
item 27<\/strong><\/td>\nManchild Revisited. Music By Michael Patterson \u00a91986. Track listing: –Main Title; –Promo; –Transition; –Hostage; –Street Gang; Angry Harvest; –Crime & Consequences; –High Risk Area; –Undercover \/ Pressure Point; –Assault \/ In Training; –Kyle\u2019s Style; –On The Inside; –End Title.<\/td>\n<\/tr>\n
item 28<\/strong><\/td>\nChuck Mangione: Disguise. New York: Columbia Records, 1984. Track listing: –Diana \u201cD\u201d; –Love Theme From \u201cLondon And Davis In New York\u201d; –Love Wears No Disguise; –She\u2019s Not Mine To Love (No More); –Shirley MacLaine; –Josephine; –Leonardo\u2019s Baby.<\/td>\n<\/tr>\n
item 29<\/strong><\/td>\nWynton Marsalis: Haydn \/ Hummel \/ L. Mozart Trumpet Concertos. With Raymond Leppard and the National Philharmonic Orchestra. New York: CBS Records, 1983. Track listing: –Haydn: Concerto In Eb Minor For Trumpet And Orchestra; –L. Mozart: Concerto In D Major For Trumpet And Orchestra; –Hummel: Concerto In Eb Major For Trumpet And Orchestra.<\/td>\n<\/tr>\n
item 30<\/strong><\/td>\nWynton Marsalis: Live Mix \u2013 2nd<\/span>\u00a0Half, March 14, 1984. No track listing.<\/td>\n<\/tr>\n
item 31<\/strong><\/td>\nMatrix: Harvest \/ Tale Of The Whale. Harvest: Copy of the 1981 LP recording [Beverly Hills, CA: Pablo Records; cat. no. 3212-121]. Track listing: –El Tigre; –Pony; –Harvest; –Blue Black; –Maestro; –Balthazar. Tale Of The Whale: Copy of the 1979 LP recording [Burbank, CA: Warner Bros. Records; cat. no. WB BSK 3360]. Track listing: –The Fly; –Tale Of The Whale; –Homage; –Galadriel; –Nessini \/ Naronz.<\/td>\n<\/tr>\n
item 32<\/strong><\/td>\nRob McConnell: Present Perfect. Select tracks from the recording released by MPS Records [S. l.: s. d.]. Track listing: –You Took Advantage Of Me; –Everything Happens To Me; –Twist Of The Wrist.<\/td>\n<\/tr>\n
item 33<\/strong><\/td>\nSusannah McCorkle: October 21, 1984. Track listing: –Let Yourself Go; –They Can\u2019t Take That Away From Me; –Forty Second Street; –Remember My Forgotten Man; –It\u2019s A Most Unusual Day; –Blues In The Night; –Trolley Song; –As Time Goes By; –Bye Bye Baby.<\/td>\n<\/tr>\n
item 34<\/strong><\/td>\n\u00a0Joel McNeely Film Music Demo. No date. Track listing: –M. T. \u2013 Orch.; –M. T. \u2013 Synth; –Suspense \u2013 Orch.; –Montage \u2013 Orch.; –Suspense \u2013 Synth; –Love Theme \u2013 Orch.; –Synth. Ballad; –Cop Show \u2013 Orch.<\/td>\n<\/tr>\n
item 35<\/strong><\/td>\nMe & Jon. No date. No track listing.<\/td>\n<\/tr>\n
item 36<\/strong><\/td>\nM. Mendelson: Tunes & Jingles. No date. Track listing: –Herve; –L. V.; –Pam\u2019s Tune; –Lowenbrau Epic (Synth & Perc.); –Commonwealth Edison \u201cPainter\u201d; –Com \u2013 Ed \u201cSewing \/ Painter\u201d; –McDonald\u2019s \u201cChicken Salad Oriental\u201d; –Delco (Demo); –United Airlines; –Sears \u201cOverture\u201d. Cassette is lacking; empty cassette case only.<\/td>\n<\/tr>\n
item 37<\/strong><\/td>\nDon Menza: Burnin\u2019. Presumably a copy of the 1981 recording. [Culver City, CA: Real Time Records]. No track listing. Accompanied by a repro of the LP liner notes. 1p.<\/td>\n<\/tr>\n
item 38<\/strong><\/td>\nMilligan \u00a9: February 3, 1982. No track listing.<\/td>\n<\/tr>\n
item 39<\/strong><\/td>\nMiami Vice: Music From The Television Series. Universal City, CA: MCA Records, 1985. Track listing; –The Original Miami Vice Theme (Instrumental); –Smuggler\u2019s Blues; –Own The Night; –You Belong To The City; –In The Air Tonight; –Miami Vice (Instrumental); –Vice; –Better Be Good To Me; –Flashback (Instrumental); –Chase (Instrumental); –Evan (Instrumental).<\/td>\n<\/tr>\n
item 40<\/strong><\/td>\nMingus At Antibes. Presumably a copy of the 1976 recording {New York: Atlantic Records]. Track listing: –Wednesday Night Prayer Meeting; –Prayer For Passive Resistance; –What Love; –I’ll Remember April; –Folk Forms; –Better Git Hit In Your Soul.<\/td>\n<\/tr>\n
item 41<\/strong><\/td>\nMarilyn Monroe. Sandy Hook, Connecticut: Sandy Hook Records, 1979. Track listing: –A Fine Romance; –Like A Woman Should; –You\u2019d Be Surprised; –Scene With Groucho Marx From The 1950 Film \u201cLove Happy\u201d; –Royal Triton Oil. 1950 TV Commercial; –Anyone Can See I Love You; –Anyone Can See I Love You. Reprise; –Every Baby Needs A Da-Da-Daddy; –Down In The Meadow; –Little Girl From Little Rock. Reprise; –Bye Bye Baby; –Diamonds Are A Girl\u2019s Best Friend; –Scene With Betty Grable and Lauren Bacall From 1953 Film \u201cHow To Marry A Millionaire\u201d; –Kiss From 1953 Film \u201cNiagara\u201d; –Scenes With Tom Ewell From 1955 Film \u201cSeven Year Itch\u201d; –A Man Chases A Girl; –Marilyn Accepts Several Awards In 1952; –Press Conference During The Filming Of \u201cBus Stop\u201d; –That Old Black Magic; –I Found A Dream; –Some Like It Hot; –Something\u2019s Got To Give; –Happy Birthday and Thanks For The Memory.<\/td>\n<\/tr>\n
item 42<\/strong><\/td>\nMovie Love Themes \/ The London Philharmonic and Cinema Sound Stage Orchestra. S.l.: Stage & Screen Productions, 1983. Track listing: –Ravel\u2019s Bolero \u2013 Theme in \u201c10\u201d; –Love Story \u2013 Main Theme; –The French Lieutenant\u2019s Woman; –On Golden Pond; –A Man And A Woman \u2013 From The Umbrellas Of Cherbourg; –Cavatina \u2013 From The Deer Hunter; –Romeo & Juliet \u2013 Theme; –Elvira Madigan \u2013 Theme.<\/td>\n<\/tr>\n
item 43<\/strong><\/td>\nWill Moyle Interviews \/ Manny Albam \u2013 WXXI FM. March 29, 1980. No track listing.<\/td>\n<\/tr>\n
item 44<\/strong><\/td>\nWill Moyle: Eddie Sauter Tribute & Duke Ellington. April 25, 1981. No track listing.<\/td>\n<\/tr>\n
item 45<\/strong><\/td>\nNAJE Copyright Lecture: Dallas. No date. Track listing: –Charles Gary; –Allen Smith; –Herb Patnoe; –Part II: Is Jazz Ed. Commercially Realistic.<\/td>\n<\/tr>\n
item 46<\/strong><\/td>\n\u00a0NAJE: Copyright 1 \u2013 78, Dallas. No date [presumably took place January, 1978]. Track listing: –Aebersold Improv Clinic, D. Liebman, Rufus Reid; Dan Haerle, Ed Soph; –Fred Koenigsberger, ASCAP; –Joel Heath; –Charles Gary.<\/td>\n<\/tr>\n
item 47<\/strong><\/td>\nSammy Nestico: Phone Interview. March 16, 1981. No track listing.<\/td>\n<\/tr>\n
item 48<\/strong><\/td>\nNew Jazz Ensemble: George Russell, Raw Mix. December 1, 1984. No track listing. [\u201c12\/1\/85\u201d \u2013in ink on cassette label].<\/td>\n<\/tr>\n
item 49<\/strong><\/td>\nNew Jazz Ensemble \/ George Russell. Bill Dobbins, director; George Russell, guest artist. December 3, 1984. No track listing. [\u201c12\/3\/85\u201d \u2013in pencil on cassette box insert].<\/td>\n<\/tr>\n
item 50<\/strong><\/td>\nNew Jazz Ensemble: Eastman Theatre, May 2, 1986. No track listing.<\/td>\n<\/tr>\n
item 51<\/strong><\/td>\nNew Jazz Ensemble \/ Rob Hudson, director. March 5, 1990. Cassette 1 of 2. Track listing: –Fat Babes; –Hello And Goodbye; –Primrose; –Fortnight With Ferguson; –Down By The Riverside; –Where\u2019s Frank; –Wall Gazing; –Which Way Is Uptown.<\/td>\n<\/tr>\n
item 52<\/strong><\/td>\nNew Jazz Ensemble \/ Rob Hudson. March 5, 1990. Cassette 2 of 2. Track listing: –I Loves You Porgy; –Dudley Stations, –Something Sassy.<\/td>\n<\/tr>\n
item 53<\/strong><\/td>\nOhio MEA Clinic On Jazz Rehearsal Techniques \/ Follow Up OMEA Session (Including Few Minutes On Other Side): 1981. No track listing.<\/td>\n<\/tr>\n
item 54<\/strong><\/td>\nOliver!: An Original Soundtrack Recording. New York: RCA Records, 1968. Track listing: –Overture; –Food, Glorious Food: Oliver!; –Boy For Sale; –Where Is Love?; –Pick A Pocket Or Two; –Consider Yourself; –I\u2019d Do Anything; –Where Is Love? (Reprise); –Be Back Soon; –As Long As He Needs Me; –Who Will Buy?; –It\u2019s A Fine Life; –I\u2019d Do Anything; –Reviewing The Situation; –Oom-Pah-Pah; –As Long As He Needs Me (Reprise); –Finale (Where Is Love? \/ Consider Yourself).<\/td>\n<\/tr>\n
item 55<\/strong><\/td>\n\u00a0Owomohozom. December 10, 19–. Track listing: –You Know; –So What; –You Could\u2026[sic].<\/td>\n<\/tr>\n
item 56<\/strong><\/td>\nPantheon: Eastman Brass Quintet. No date. No track listing. Cassette is lacking; empty cassette case only.<\/td>\n<\/tr>\n
item 57<\/strong><\/td>\nPatterson Arrangements 1988. Track listing: [\u201cTriste\u201d \u2013 Joe Renteria]: –Quien Liegara; –Like A Lover; –The Way She Makes Me Feel; –Triste; –Besame Mucho; –The Girl From Ipanema; –What Are You Doing The Rest Of Your Life; –H. Villa \u2013 Lobos \u201cBachianas Brasileiras No. 5\u201d (Arr.); –\u201cEye Of The Sparrow\u201d W\/ Jennifer Holiday.<\/td>\n<\/tr>\n
item 58<\/strong><\/td>\nPatterson: Sears \u201c100th<\/span>\u00a0Anniversary\u201d \/ Kirche T\u00f6nen. No date.<\/td>\n<\/tr>\n
item 59<\/strong><\/td>\nMike Post. No date. no track listing.<\/td>\n<\/tr>\n
item 60<\/strong><\/td>\nBill Potts Big Band: 1\/80 Jazz Alive. No track listing.<\/td>\n<\/tr>\n
item 61<\/strong><\/td>\nBoyd Raeburn \/ Eastman. No date. No track listing.<\/td>\n<\/tr>\n
item 62<\/strong><\/td>\n\u201cReaching for the Moon\u201d: 1st<\/span>\u00a0orchestral dress rehearsal. October 23, 1987. Kilbourn Hall. No track listing.<\/td>\n<\/tr>\n
item 63<\/strong><\/td>\n\u201cReaching for the Moon\u201d: 8\/9\/87 tape for Teddy Kern. Track listing: –Opening Pt. 2 (Nice Work); –Put Me To The Test; –Foggy Day; –The World Is Mine; –Nice Work (Reprise); –These Charming People; –I Can\u2019t Be Bothered Now; –Let\u2019s Call The Whole Thing Off; –Things Are Looking Up; –Stiff Upper Lip; –Love Walked In; –He Loves & She Loves.<\/td>\n<\/tr>\n
item 64<\/strong><\/td>\nDianne Reeves: Blue Note. Presumably a copy of Dianne Reeves\u2019 self-titled recording [Hollywood, CA: Blue Note, 1987]. Track listing: –Sky Islands; –I\u2019m OK; –Better Days; –Harvest Time; –Never Said (Chan\u2019s Song); –Yesterdays; –I\u2019ve Got It Bad; –That\u2019s All.<\/td>\n<\/tr>\n
item 65<\/strong><\/td>\nLaurence Rosenthal: Film Talk, Composers\u2019 Seminar. February 10, 1983. Track listing: Conclude 2\/10\/83 \u2013 Start 2\/11\/83.<\/td>\n<\/tr>\n
item 66<\/strong><\/td>\nLaurence Rosenthal: Film Talk, Composers\u2019 Seminar, Pts 3-4. February 11, 1983. Track listing: Laurence Rosenthal (Con\u2019t).<\/td>\n<\/tr>\n
item 67<\/strong><\/td>\nGeorge Russell: London, March 2, 1986, Sides 1 & 2. No track listing.<\/td>\n<\/tr>\n
item 68<\/strong><\/td>\nGeorge Russell: London, March 2, 1986, Sides 3 & 4. No track listing.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620155976793{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\n\u201cSaints\u201d: LP Version, Pedal Point To Be Revised. No date. No track listing.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nSalsa: La Morella, December 10, 1981. No track listing.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nMaria Schneider: Studio Orchestra Rehearsal \/ Recital. No date. Track listing: –That\u2019s What She Says; –Serendipity; –Hot House; –On Again \u2013 Off Again; –Gumba Blue; –My Ideal; –My Man\u2019s Gone, Now; –Espino; –Bird Count; –Serendipity; –Last Season; –Espino; –In A Pinch.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nSchwantner \/ Stargell: New Morning, Edited. No date. No track listing.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nSea Legs \/ D. Wright, E. Rowe, D. Hooker. no date. No track listing.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nShaker Songs From The Happy Journey (Nonesuch) \/ Eastman Jazz Ensemble: Hallucinations. Select tracks from the recording \u201cThe Happy Journey: Early American Vocal Music, Vol. II\u201d by Western Wind [Los Angeles, CA: Nonesuch, 1984]. Track listing: –The Happy Journey; –Now My Dear Companions; –Drink Ye Mother\u2019s Wine; –Funeral Hymn; –Who Will Bow And Bend Like A Willow; –From The Moon; –Come Life, Shaker Life; –Honor To The Hills; –Brevity.<\/td>\n<\/tr>\n
item 7<\/strong><\/td>\nPaul Shure \/ Erma Levin. No date. Track listing: –Paul Shure \/ Musician; –Start Erma Levin (Music Editor).<\/td>\n<\/tr>\n
item 8<\/strong><\/td>\nSinatra: Only The Lonely. No date. No track listing.<\/td>\n<\/tr>\n
item 9<\/strong><\/td>\nSlonaker: Basic Arranging Lecture, January 17, 1980 \/ Analysis: Blue Bossa. No track listing.<\/td>\n<\/tr>\n
item 10<\/strong><\/td>\nHopkinson Smith: Original Instruments \u2013 Lute. Presumably a copy of the LP recording \u201cPi\u00e8ces de Luth \/ Fran\u00e7ois Dufaut, Hopkinson Smith, lute\u201d [Hamburg: Teldec “Telefunken-Decca” Schallplatten-GmbH., 1977]. Track listing:\u00a0 –Suite c-moll: Pr\u00e9lude, Allemande, Courent, Sarabande, Gigue; –Suite a-moll: Pr\u00e9lude, Allemande, Gigue Courante, Courante, Sarabande; –Suite g-moll: Tombeau de M. Blanrocher, Courante, Sarabande, Gigue; –Suite C-dur: Allemande, Sarabande, Gavotte, Sauterelle; –Pavane e-moll.<\/td>\n<\/tr>\n
item 11<\/strong><\/td>\nBrian Soule: Homeward. Fairport, NY: Sunflare Records, 1988. Track listing: –Red By Blue; –Bedtime Story; –When You Were; –Sleeping Jenna.<\/td>\n<\/tr>\n
item 12<\/strong><\/td>\nSpace Movies. S. l.: Stage & Screen Productions, 1983. Performed by the London Philharmonic Orchestra and Cinema Sound Stage Orchestra with Synthesizers. Track listing: –E. T. Main Theme; –Star Trek Theme; –Planet Of The Apes Theme; –Battle Of The Planets; –Theme \u201c2001\u201d Also Spracht Zarathustra; –Close Encounters; –Tron Theme And Actions; –Star Wars End Title.<\/td>\n<\/tr>\n
item 13<\/strong><\/td>\nSpyro Gyra: Catching The Sun. Select tracks from the 1979 recording [Universal City, CA: MCA Records]. Track listing: –Catching The Sun; –Cockatoo; –Autumn Of Our Love; –Laser Material; –Percolator; –Lovin\u2019 You (Interlude); –Lovin\u2019 You; –Here Again; –Safari.<\/td>\n<\/tr>\n
item 14<\/strong><\/td>\nSteps Ahead: Modern Times. Select tracks from the 1984 recording [Los Angeles: Elektra \/ Musician]. Track listing: –Radioactive; –Now You Know; –Old Town.<\/td>\n<\/tr>\n
item 15<\/strong><\/td>\nJohn Stevens: Seasons \u2013 A Symphony For Brass Quintet. Performed by the Wisconsin Brass Quintet. No date. Track listing: –I. \u2013 Spring; –II. \u2013 Summer; –III. \u2013 Autumn; –IV. \u2013 Winter.<\/td>\n<\/tr>\n
item 16<\/strong><\/td>\nStravinsky: Agon \/ Boston Symphony. No date. No track listing.<\/td>\n<\/tr>\n
item 17<\/strong><\/td>\nStudio Orchestra: Off \u2013 Air, February 5, 1982. No track listing.<\/td>\n<\/tr>\n
item 18<\/strong><\/td>\nStudio Orchestra: Live Mix, March 23, 1984. Track listing: –First Half; –2nd<\/span>\u00a0Half \u2013 Bertoncini.<\/td>\n<\/tr>\n
item 19<\/strong><\/td>\nStudio Orchestra: Dobbins Piano Piece, December 2, 1984 \/ Eastman Jazz Ensemble: First Half, December 2, 1984. Track listing: –Dobbins Piano Piece; –Check The Oil; –Once Around; –All My Yesterdays; –Miles Mode; –Round Midnight; s.n. (Harris); s.n. (Beal).<\/td>\n<\/tr>\n
item 20<\/strong><\/td>\nStudio Orchestra: 85 Downbeat Selections. \u201cStudio Orch. from Spr. 84\u201d –in ink on cassette jacket. Track listing: –PHB; –Now & Then; –Round Midnight; –Invitation.<\/td>\n<\/tr>\n
item 21<\/strong><\/td>\nGeorge Szell and the Cleveland Orchestra: Debussy \/ Ravel. New York: Columbia Records, 1973. Track listing: –La Mer; –Daphnis Et Chloe, Suite No. 2; –Pavane Pour Une Infante Defunte.<\/td>\n<\/tr>\n
item 22<\/strong><\/td>\nClark Terry \/ Eastman Jazz Ensemble: September 80. No track listing. Cassette is lacking; empty cassette case only.<\/td>\n<\/tr>\n
item 23<\/strong><\/td>\nTheberge: \u201cTwo Ideas\u201d. no date. No track listing.<\/td>\n<\/tr>\n
item 24<\/strong><\/td>\nTurtle Island String Quartet: Metropolis. Stanford, CA: Windham Hill Records, 1989. Track listing: –Jaco; –Jeannine; –Naima; –Mr. Bumbles; –Four On The Floor; –Sidewinder; –Sunny August Full Of Moon; –Ecaroh; –Julie \u2013 O; –Street Stuff.<\/td>\n<\/tr>\n
item 25<\/strong><\/td>\n\u00a0Jeff Tyzik: Big Band & Orchestra. No date. Track listing: –A Train; –Summertime; –In The Mood; –Stride With Ease; –FLM; –Straight Ahead; –How Did We Get This Far.<\/td>\n<\/tr>\n
item 26<\/strong><\/td>\nJeff Tyzik: Carriage House Studios. No date. Track listing: –Distant Dreams; –Brazil; –Cry Freedom; –Manhattan Nights; –Perelandra; –Playground; –Beijing; –At Last I\u2019m Coming Home; –Lost Souls (Blues From Beyond).<\/td>\n<\/tr>\n
item 27<\/strong><\/td>\nU. M. Comp Chords \/ Light Waves ; Gtr. Ens.: \u201cBarefoot\u201d ; D\/P\/J: \u201cTranin\u201d. No date. No track listing.<\/td>\n<\/tr>\n
item 28<\/strong><\/td>\nAllen Vizzutti & Jeff Tyzik and the National Repertory Orchestra: High Class Brass. No date. Track listing: –High Class Brass Suite; –Pavane; –Sophisticated Lady; –Notte A Roma; –Summertime; –Aries Eyes; –Adagio; –Overture.<\/td>\n<\/tr>\n
item 29<\/strong><\/td>\nRoger Wagner: Folk Songs Of The Frontier. No date. Track listing for an Eastman Jazz Ensemble performance with Allen Vizzutti as featured soloist. Track listing: –I Never Told You.<\/td>\n<\/tr>\n
item 30<\/strong><\/td>\nRick Wald: 12 Piece Band 85 (Copeland). Track listing: –Little Do They Know; –A Likely Story (12\/8); –You\u2019ve Got A Friend; –Dangerous Woman.<\/td>\n<\/tr>\n
item 31<\/strong><\/td>\nPhone Talk With Gene Watts. October 1989.<\/td>\n<\/tr>\n
item 32<\/strong><\/td>\nWebern \/ Dallapiccola. No date. Track listing: –Webern: Symphony, Op. 2 (24); Variations, Op. 37; Concerto, Op. 24; –Dallapiccola: Quaderno; \u00a0Variations for Orchestra.<\/td>\n<\/tr>\n
item 33<\/strong><\/td>\nBruce Wermuth – Music Writer: TV and Radio Promos \/ Radio IDs. No date. No track listing.<\/td>\n<\/tr>\n
item 34<\/strong><\/td>\nKenny Wheeler: Double Double You. Copy of the 1983 recording [Munich: ECM Records]. Track listing: –Foxy Trot; –Ma Bel; –W. W.; –Three For D\u2019Reen; –Blue For Lou; –Mark Time. Cassette is lacking; empty cassette case only.<\/td>\n<\/tr>\n
item 35<\/strong><\/td>\nJiggs Whigham: The Third Stone. Select tracks from the 1982 recording [Hamburg: Koala Records]. Track listing: –I\u2019ll Be Around; –Emily; –What Might Have Been; –Bess.<\/td>\n<\/tr>\n
item 36<\/strong><\/td>\nJiggs Whigham \/ Bill Holman: The Third Stone. Copy of the 1982 recording [Hamburg: Koala Records]. Track listing: –I\u2019ll Be Around; –Emily; –What Might Have Been; –Bess; The Third Stone: Suite For Orchestra. Accompanied by a repro of the LP liner notes. 1p.<\/td>\n<\/tr>\n
item 37<\/strong><\/td>\nStevie Wonder: The Secret Life Of Plants. Copy of the 1979 recording [Hollywood, CA: Tamla]. Track listing: –Earth\u2019s Creation; –First Garden; –Voyage To India; –Same Old Story; –Venus Flytrap And The Bug; –Ai No, Sono; –Seasons; –Power Flower; –Send One Your Love I; –Race Babbling; –Send One Your Love II; –Outside My Window; –Black Orchid; –Ecclesiastes; –Kesse Ye Lolo De Ye; –Come Back As A Flower; –A Seed\u2019s A Star And Tree Medley; –The Secret Life Of Plants; –Tree; –Finale. Cassette is lacking; empty cassette case only.<\/td>\n<\/tr>\n
item 38<\/strong><\/td>\nShelley Woodworth \/ Keith Foley. Copyright 1989. Track listing: –Wolsey\u2019s Wilde; –Cortege; –Five Greek Folk Songs; –Minnelied; –Prelude From Suite Bergamasque; –The Fanaid Grove.<\/td>\n<\/tr>\n
item 39<\/strong><\/td>\nWright 2: Chords And Tunes. No date. No track listing.<\/td>\n<\/tr>\n
item 40<\/strong><\/td>\nDavid Wright: Sunny Days \u2013 Checkers \/ Great Stirrup Cay. May 21, 1984. No track listing: –Bang Bang Lulu; –Jamaica Farewell; –Ooh La La La; –Red Baron; –Roots Rock Reggae; –Island In The Sun.<\/td>\n<\/tr>\n
item 41<\/strong><\/td>\nDavid Wright: Sunny Days – Checkers, (5-17-84) \/ Pool Deck (5-23-84). Track listing: –Ipanema; –Never On Sunday; –Three Little Birds; –Feelings; –Island In The Sun; –Dayo; –Red Baron; –Lively Up Yourself; –Red Baron; –Rasman; –Island Woman; –Stir It Up; –Red Baron.<\/td>\n<\/tr>\n
item 42<\/strong><\/td>\nDavid Wright: Sunny Days \u2013 Pool Deck (5\/23\/84). Track listing: –Lively Up Yourself; –I Can See Clearly Now; –Dayo; –Kaya; –Red Baron; –Shaving Cream; –Limbo Dance; –No Woman No Cry; –One Draw; –Jammin\u2019; –Exodus Jam; –Red Baron.<\/td>\n<\/tr>\n
item 43<\/strong><\/td>\n[David Wright]: Sunny Daze. No date. Track listing: –Shaving Cream; –Easy Skankin; –Buffalo Soldier; –Island Woman; –Big Bamboo; –Si Se\u00f1or; –Red Baron; –Guantanamera; –Stir It Up; –Red Baron.<\/td>\n<\/tr>\n
item 44<\/strong><\/td>\nDavid Wright: Sunny Daze Beach. No date. Track listing: –Ipanema; –Quando Quando; –Sunrise Sunset; –Jamaica Farewell; –Guantanamera; –Peanut Vendor; –Somewhere My Love; –Si Se\u00f1or; –Red Baron.<\/td>\n<\/tr>\n
item 45<\/strong><\/td>\nDavid Wright \/ Lee Anne Harriman: Sunrise \/ 2nd<\/span>\u00a0Show. No date. Track listing: –I\u2019m Beginning To See The Light; –Sunshine Of My Life.<\/td>\n<\/tr>\n
item 46<\/strong><\/td>\nRayburn Wright: George M. Cohan And Broadway \u2013 Rough Synthesized Demo. No date. No track listing.<\/td>\n<\/tr>\n
item 48<\/strong><\/td>\nRayburn Wright: Tribute To John Phillip Sousa \u2013 DX-7 Realization. February, 1989. No track listing.<\/td>\n<\/tr>\n
item 49<\/strong><\/td>\nRayburn Wright: Westerns (Excerpts) for CB Quintet \/ Westward Ho \u2013 Synthed. No date.<\/td>\n<\/tr>\n
item 50<\/strong><\/td>\nYankee Doodle Dandy \u2013 Excerpts. No date. No track listing.<\/td>\n<\/tr>\n
item 51<\/strong><\/td>\nZvi Zeitlin \/ Barry Snyder: Kilbourn Hall, December 14, 1986. Track listing: –Aaron Copland: Sonata for Violin and Piano; –Jacob Druckman: Duo for Violin and Piano.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series E: 45 RPM EPs<\/strong> \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/em><\/p>\n

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item 1<\/strong><\/td>\nMary Mayo With Orchestra Conducted By Ray Wright: Dancing In The Dark \/ Molly Malone. Hollywood, CA: Capitol Records, s.d. Y-side: Dancing In The Dark (Arthur Schwartz \u2013 Howard Dietz) from the musical \u201cThe Bandwagon\u201d, \u201c(45-5781)\u201d –on label area; Z-side: Molly Malone (Traditional) \/ arr. by R. Wright, \u201c(45-5779)\u201d –on label area.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nMary Mayo With Orchestra Conducted By Al Ham: It Only Takes A Minute \/ My Love An\u2019 My Mule. Hollywood, CA: Capitol Records, s.d. Y-side: It Only Takes A Minute (Russ Morgan \u2013 Leni Mason), \u201c(45-6263)\u201d –on label area; Z-side: My Love An\u2019 My Mule (Harold Arlen \u2013 Dorothy Fields) From the MGM Picture \u201cMr. Imperium\u201d, \u201c(45-6262)\u201d –on label area.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nMary Mayo With Orchestra Conducted By Ray Wright: It Seemed So Right Last Night \/ Memory Book.\u00a0 Hollywood, CA: Capitol Records, s.d. [A-side; \u201cZSP 43974\u201d–on label area]: It Seemed So Right Last Night (H. David, Bacharach); [B-side, \u201cZSP 43975\u201d –on label area]: Memory Book (P. Ballard).<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nMary Mayo With Orchestra Conducted By Ray Wright: Just A Wearyin\u2019 For You \/ I Never Dreamt. Hollywood, CA: Capitol Records, s.d. Y-side: Just A Wearyin\u2019 For You (Carrie Jacobs Bono \u2013 Frank Stanton), \u201c(45-5780)\u201d –on label area; Z-side: I Never Dreamt (Donovan Parsons \u2013 Vivian Ellis), \u201c(45-5778)\u201d –on label area.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nMary Mayo With Orchestra Conducted By Al Ham: The Springtime Cometh \/ Serenata. Hollywood, CA: Capitol Records, s.d. Y-side: The Springtime Cometh (E. Y. Harburg \u2013 Sammy Fain) From the Musical Show \u201cFlahooley\u201d, \u201c(45-6295)\u201d –on label area; Z-side: Serenata (Leroy Anderson \u2013 Mitchell Parish), \u201c(45-6296)\u201d –on label area.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series F: 33 1\/3 RPM EPs<\/strong><\/span><\/em><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n
items 6-9<\/strong><\/td>\n[Three copies of] New Sounds For The Stage Band. Selected and edited by Ray Wright. New York: Sam Fox Publishing Co., Inc., s.d. Track listing: –Almost Like Being In Love \/ Alan Jay Lerner & Frederick Loewe, arr. by Fred Karlin; –Lollipop \/ Sidney Clare & Richard Whiting, arr. by Dick Lieb; –You Turned The Tables On Me \/ Louis Alter & Sidney Mitchel, arr. by Ray Wright; –You\u2019re My Thrill \/ J. Gorney, arr. by Larry Wilcox. \u201cRL4M \u2013 0048\u201d –on label area of side one; \u201cRL4M \u2013 0049\u201d –on label area of side two.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

\u2190 RAYBURN WRIGHT COLLECTION: Series 1 to 2<\/a><\/p>\n

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RAYBURN WRIGHT COLLECTION \u2192<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1620153817656{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Series 3: Library [\/vc_column_text][vc_custom_heading text=”Box 21″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1620156342018{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":7777,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-7792","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7792","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=7792"}],"version-history":[{"count":0,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7792\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7777"}],"wp:attachment":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=7792"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=7792"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=7792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}