{"id":7860,"date":"2021-06-08T13:32:12","date_gmt":"2021-06-08T17:32:12","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=7860"},"modified":"2021-06-08T13:32:12","modified_gmt":"2021-06-08T17:32:12","slug":"ser5-7","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/brogers\/ser5-7\/","title":{"rendered":"BERNARD ROGERS COLLECTION"},"content":{"rendered":"

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<\/a>Series 5: Personal papers<\/h3>\n

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<\/a>Sub-series A:\u00a0Personal papers of Bernard Rogers<\/strong><\/span><\/em><\/p>\n

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folder 1<\/strong><\/td>\nCorrespondence 1920\u20131959, plus undated.
\nCorrespondence from various individuals to Bernard Rogers. 11 letters.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nCorrespondence regarding the recording of Apparitions<\/em>, 1970.
\nCorrespondence between Elizabeth Rogers and various correspondents. 12 letters; dated November 1969\u2013March 1970.
\nAlso in folder: 1 facsimile of press clipping (1968) and 1 publicity flyer issued by MCA Music.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nCorrespondence between Bernard and Betty Rogers and Ruth Shaw Wylie, 1949\u20131951.
\n48 letters and postcards.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nCorrespondence between Bernard and Betty Rogers and Ruth Shaw Wylie, 1952\u20131954.
\n34 letters and postcards.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nCorrespondence between Bernard and Betty Rogers and Ruth Shaw Wylie, 1955\u20131965.
\n38 letters, postcards, and cards.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nCorrespondence between Bernard and Betty Rogers and Ruth Shaw Wylie, 1967\u20131979.
\n15 letters, with accompanying materials (e.g., envelopes, press clippings).<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nCorrespondence between Bernard and Betty Rogers and Ruth Shaw Wylie, undated.
\n9 cards and letters.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nCorrespondence and libretto of Horse Opera<\/em>, 1947\u201348.
\nCard with print of a design for a portable shell for Flushing Meadows Swimming Stadium. Initial sketch by Lumen Martin Winter.
\nJohn Harkrider to Bernard Rogers. 1 letter pertaining to contract for Horse Opera<\/em>; dated September 24, 1947. 1 page.
\nPaul Brown to Bernard Rogers. 1 letter. Pencil MS; dated October 13, 1947. 2 pages.
\nLibretto for Horse Opera.<\/em> Concept by John Harkrider. Edited by A. Gordon Melvin. Lyrics by Martha Keller. Typescript, with annotations in colored pencil and ink. 2 drafts, certain pages affixed to cardboard. 11 + 5 pages, total.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nBiography and list of works.
\nBiography and works list. Typescript. 3 copies. 6 pages, each.
\nList of commissions. Typescript. 2 copies. 1 page, each.
\nList of music for chamber or small orchestra. Typescript. 1 page.<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nMusicians of Bremen\u2013Heiken Puppet Theatre.
\nPhotograph of puppets used for the Heiken Puppets\u2019 production of The Musicians of Bremen<\/em> (with the Indianapolis Symphony Orchestra). 1 color photograph, 3.5\u201d x 3.5\u201d.
\nConcert program from \u201cPuppet Tales for Symphony Concerts\u201d program by the Heiken Puppets; undated.
\nToday in the Twin Cities, <\/em>Vol. 2, No. 11 (Oct 28\u2013Nov 3, 1972).<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nNewspaper Clippings.
\n12 press clippings and facsimiles, pertaining to the professional activities of Dr. Rogers and his colleagues; dated 1965\u20131968; 3 undated.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nObituary. Memorial.
\nNotes from Eastman,<\/em> Vol. 2, No. 3 (June 1968). Includes in memoriam for Bernard Rogers (p. 25).
\nNotes from Eastman,<\/em> Vol. 4, No. 2 (February 1970). Includes announcement about the establishment of the Bernard Rogers Memorial Award (p. 1).
\n9 press clippings and facsimiles; dated 1968\u20131977.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nPhotographs 1946\u20131955.
\nSleeve 1: Bernard Rogers studying a score (1946). Photograph by Alexander Leventon. 1 B\/W photograph, 8\u201d x 10\u201d.
\nSleeve 2: Deems Taylor and Bernard Rogers at ASCAP party before performance of The Warrior,<\/em> Lotus Club (January 1, 1947). 1 B\/W photograph, 8\u201d x 10\u201d.
\nSleeve 3: Crowd of people mingling at ASCAP party [for performance of] The Warrior,<\/em> Lotus Club. Photograph by Standard Studios. 1 B\/W photograph, 8\u201d x 10\u201d.
\nSleeve 4: Sam Leve, Edward Johnson, Deems Taylor, Regina Resnik, Norman Corwin, William Schuman, Bernard Rogers, and Gladys Swarthout at ASCAP party after preview of The Warrior, <\/em>Lotus Club (January 10, 1947). 1 B\/W photograph, 8\u201d x 10\u201d.
\nSleeve 5: Mack Harrell, Regina Resnik, and other performers in Scene I from dress rehearsal (preview) of The Warrior<\/em>. 1 B\/W photograph, 8\u201d x 10\u201d.
\nSleeve 6: Bernard Rogers, Wayne Barlow, Olin Downes, Howard Hanson, Winthrop Sargent, and Louis Mennini \u201clistening to contestants in Koussevitzky Award,\u201d Kilbourn Hall (May 1955). Photograph by Loulen Studio, Rochester. 1 B\/W photograph, 8\u201d x 10\u201d.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nRoger\u2019s \u201cQuips,\u201d collected by Wm. Patterbaum. Facsimile of typescript document. 6 pages.<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nSympathy letters, May 1968.
\n35 cards and letters to Elizabeth Rogers (offering condolences after Bernard Roger\u2019s death).<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nSympathy letters, June-July 1968.
\n18 letters to Elizabeth Rogers (offering condolences after Bernard Roger\u2019s death).<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nSympathy letters, Western Union and undated.
\n16 telegrams, cards, and letters to Elizabeth Rogers (offering condolences after Bernard Rogers\u2019s death).<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nSympathy letter and clippings, Raymond Premru.
\nRay Premru to Elizabeth Rogers. 1 letter (offering condolences after Bernard Rogers\u2019s death); dated July 1969. Accompanied by 5 newspaper clippings, 2 concert programs, and 1 publicity flyer, all for performances of Premru\u2019s compositions.<\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nPrograms 1913\u20131938.
\n11 concert programs and facsimiles from performances of compositions by Bernard Rogers.<\/td>\n<\/tr>\n
folder 20<\/strong><\/td>\nPrograms 1940\u20131942.
\n4 concert and festival programs.<\/td>\n<\/tr>\n
folder 21<\/strong><\/td>\nPrograms 1944, May Music Festival.
\nFestival program from the 35th May Music Festival, Cincinnati. 2 copies.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 1<\/strong><\/td>\nPrograms 1945\u20131959.
\n11 concert programs and publicity flyers.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nPrograms 1960\u20131966.
\n15 concert, symposia, festival, and church programs and facsimiles.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nPrograms 1967\u20131969.
\n11 church, concert, symposia, and festival programs.<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nPrograms 1970\u20131993 and undated.
\n27 concert and festival programs.<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nScrapbook\u20131920s Works Premiered Clippings.
\nContains concert programs and newspaper clippings from performances of compositions by Bernard Rogers; dated 1920\u20131934. 8 leaves with contents and 11 loose items.
\nOversized clippings (6 clippings) separated; see Box 15\/2.<\/em><\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nScrapbook: Programs 1929\u20131936.
\nContains 25 concert and festival programs.
\nAlso in scrapbook: insurance documents<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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item 1<\/strong><\/td>\nRogers\u2019s Retirement Scrapbook, May 1967.
\nLeather 3-ring scrapbook containing correspondence from students of Dr. Rogers on the occasion of his retirement from Eastman. 119 telegrams and letters.<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nMaterials from \u201cScrapbook\u20131920s Works Premiered Clippings.\u201d
\nItems separated from Box 14\/5.
\n<\/em>8 newspaper and magazine clippings; dated 1914\u20131926; 1 undated.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n\u201cRecord of publications and commissions.\u201d
\n6 publisher\u2019s catalogues\/brochures, journals, and magazines.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Sub-series B: Documents pertaining to other composers<\/strong><\/span><\/em><\/p>\n

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folder 8<\/strong><\/td>\nPrograms: [Charles] Fussell.
\n9 concert programs, 1 invitation, and 3 press clippings pertaining to performances of compositions by Charles Fussell; dated 1970\u20131974.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nPrograms: [James] Willey.
\n8 concert programs and 1 press clipping pertaining to performances of compositions by James Willey; dated 1973\u20131979; 1 undated.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 6: Works by other composers<\/h3>\n

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folder 15\/4<\/strong><\/td>\nClark, Elizabeth. Concerto <\/em>for Flute and Orchestra.
\n<\/em>Full orchestral score. MS repro. 93 pages. Three books of sketches.<\/td>\n<\/tr>\n
folder 15\/5<\/strong><\/td>\nClark, Elizabeth. Concerto <\/em>for Flute and Orchestra.
\n<\/em>Three spiral-bound notebooks containing sketches for the concerto. 12 + 14 + 7 leaves with sketches.<\/td>\n<\/tr>\n
folder 15\/6<\/strong><\/td>\nClark, Elizabeth. Little Concerto. <\/em>For flute and orchestra.
\nReduced score for flute and piano. MS repro (from Ozalids in Box 15\/7), bound. 24 pages. 36 cm. Accompanied by typescript errata list. 2 copies. 3 pages, each.<\/td>\n<\/tr>\n
folder 15\/7<\/strong><\/td>\nClark, Elizabeth. Little Concerto. <\/em>For flute and orchestra.
\nReduced score for flute and piano. Ozalid masters (ink MS). 24 pages. 36 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 16\/1<\/strong><\/td>\nClark, Elizabeth. Two preludes for flute and piano.
\nPiano score and part. MS repro (from Ozalids in Box 16\/2), bound. 3 copies. 11 + 3 pages. 36 cm.<\/td>\n<\/tr>\n
folder 16\/2<\/strong><\/td>\nClark, Elizabeth. Two preludes for flute and piano.
\nPiano score and part. Ozalid masters (ink MS). 3 copies. 11 + 3 pages. 36 cm.<\/td>\n<\/tr>\n
folder 16\/3<\/strong><\/td>\nFussell, Charles.\u00a0Caligula<\/em>. Text by Albert Camus.
\nAct I. Piano vocal score (June 29, 1962). MS repro, spiral bound. 60 pages. 36 cm.<\/td>\n<\/tr>\n
folder 16\/4<\/strong><\/td>\nFussell, Charles.\u00a0Eurydice<\/em>. For dramatic soprano, flute, clarinet, violin, cello, and piano, plus obbligato trumpet, horn, trombone, and bass drum. Text by Edith Sitwell.
\n[Dedicated] to Betty [Rogers?].
\nDraft of full score. Pencil MS. 39 leaves with music.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 17\/1<\/strong><\/td>\nFussell, Charles. Eurydice<\/em>. For dramatic soprano, flute, clarinet, violin, cello, and piano, plus obbligato trumpet, horn, trombone, and bass drum. Text by Edith Sitwell.
\nFor Betty Rogers.
\nFull score (September 1975). MS repro, bound. 104 pages. 39 cm.
\nAccompanied by printed program from performance by the University of Massachusetts Group for New Music (date lacking).<\/td>\n<\/tr>\n
folder 17\/2<\/strong><\/td>\nFussell, Charles. Poems. <\/em>For chamber orchestra with voices after Hart Crane.
\n[Dedicated] to Bernard and Betty Rogers.
\nFull score (May\u2013August 1964). MS repro, bound. 22 pages. 46 cm.
\n\u201cRevisions 1969.\u201d Typescript text with music excerpts. 11 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 16\/5<\/strong><\/td>\nFussell, Charles. Resum\u00e8<\/em>. Cycle for soprano, clarinet, string bass, and piano after poems by Dorothy Parker.
\nCommissioned in 1976 by the University of Massachusetts Fine Arts Council for soprano Dorothy Ornest.
\nNine movements: I. Resum\u00e8; II. A very short song; III. Unfortunate coincidence; IV. Comment; V. The thin edge; VI. Love song; VII. The small hours; VIII. Post-graduate; IX. General review of the sex situation.
\nFull score. MS repro, bound. 38 pages. 36 cm.
\nBound with (2 items):
\nFussell, Charles. A Prophecy.<\/em> For SATB chorus and piano. Score (May 1968). MS repro. 12 pages. 36 cm.
\nFussell, Charles. Greenwood Sketches.<\/em> For string quartet. Score (November 1976), MS repro. 16 pages. 36 cm.<\/td>\n<\/tr>\n
folder 16\/6<\/strong><\/td>\nFussell, Charles.\u00a0Symphony II in Two Movements.<\/em>\u00a0For soprano and large orchestra.
\nPiano vocal score (August 26, 1967). MS repro, bound. 45 pages. 36 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 17\/3<\/strong><\/td>\nFussell, Charles.\u00a0Symphony II in Two Movements.<\/em>\u00a0For soprano and large orchestra.
\nFull score (March 21, 1967). Pencil MS, hardbound. 106 pages. 48 cm.
\nInterleaved in score (12 items): 9 printed programs (2 with notes from \u201cCharles\u201d [Fussell] to \u201cBetty\u201d [Rogers], 1 press review (facsim.), 2 pages biographical sketches\/data for various performers\/composers.<\/td>\n<\/tr>\n
folder 17\/4<\/strong><\/td>\nFussell, Charles.\u00a0Symphony II in Two Movements.<\/em>\u00a0For soprano and large orchestra.
\nFull score (completed March 21, 1967; ink score November 14, 1970). MS repro, bound. 113 pages. 48 cm.<\/td>\n<\/tr>\n
folder 17\/5<\/strong><\/td>\nFussell, Charles.\u00a0Symphony II in Two Movements.<\/em>\u00a0For soprano and large orchestra.
\nMovement I. Full score (October 7, 1967; January 17, 1966 [ink copy]). MS repro, loose. 43 pages. 48 cm.<\/td>\n<\/tr>\n
folder 17\/6<\/strong><\/td>\nFussell, Charles.\u00a0Three Processionals.\u00a0<\/em>For orchestra.
\nFull score (August 5, 1973). MS repro, bound. 38 pages. 48 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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folder 16\/7<\/strong><\/td>\nFussell, Charles. Three Processionals.<\/em> For orchestra.
\nPublished score (New York: G. Schirmer, c1977). 42 pages. 48 cm. Inscribed by composer: \u201cDear Betty \/ it took forever \/ but was worth waiting for! \/ Love, \/ Charles.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 18″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1624037145310{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 18\/1<\/strong><\/td>\nFussell, Charles. Voyages. <\/em>For soprano and tenor solos, piano, and chorus of sopranos and altos with speaker (pre-recorded) and solo wind instrument.
\nFull score (original; March 1970). MS repro. 58 pages. 36 cm. Interleaved in score: publicity poster for concert of May 4, 1970; 3 pages of corrections (MS repro).
\nFull score (revised June 1970). MS repro. 2 copies. 58 pages, each. 36 cm. Copy 2 features decorative color (painted sea motif).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1624037310535{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 16\/8<\/strong><\/td>\nGilbert, David. Petit Concert. <\/em>For soprano, baritone, bass and flute, bassoon, trumpet in C, bass-trombone, percussion, and piano. Text by Geoffrey Chaucer (\u201cTruth Balade de bon Conceyl\u201d).
\nFull score (August 12, 1959). MS repro, bound. 72 pages. 36 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 18″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1624037145310{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 18\/2<\/strong><\/td>\nHodkinson, Sydney. Caricatures<\/em>. Five paintings for symphony orchestra.
\nFull score (August 1966). MS repro, bound. 44 pages. 43 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1624037310535{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 16\/9<\/strong><\/td>\nHodkinson, Sydney.\u00a0Lengeren.\u00a0<\/em>For voice and double quintet. Poem by Alvin Greenberg.
\nInscribed to Betty Rogers by the composer.
\nFull score (October 1973). MS repro. 32 pages. 36 cm.<\/td>\n<\/tr>\n
folder 16\/10<\/strong><\/td>\nPhillips, Burrill. Huntingdon Twos and Threes.<\/em> For flute, oboe, and cello.
\nWritten for and dedicated to the Huntingdon Trio.
\nPublished score and parts (3 parts) (New York: King\u2019s Crown, c1977). 24 (score) + 24 (parts) pages. 31 cm. Inscribed by composer to Betty [Rogers].<\/td>\n<\/tr>\n
folder 16\/11<\/strong><\/td>\nPhillips, Burrill. Letters from Italy Hill<\/em>. [For soprano, flute, clarinet, string quartet, and piano. Text by Alberta Phillips.]
\nFour movements: I. Summer\u2013Fall; II. From a letter to Kathy; III. Winter; IV. For Vera.
\nPiano part. MS repro, bound. 25 pages. 36 cm.
\nInterleaved in piano part: concert program and performers\u2019 biographical notes from performance given at SUNY\u2013Geneseo, September 23, 1989. 2 copies of program.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 19″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1624041977770{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 19\/3<\/strong><\/td>\nWilley, James. Concerto for Violin, Violoncello, and Orchestra.
\n<\/em>Composed for Eva Szekely and Carleton Spotts.
\nFull score (November 22, 1977). MS repro, bound. 104 pages. 51 cm. Interleaved in score: first page of flute 1\/piccolo part. MS repro. 1 page.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1624037310535{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 16\/3<\/strong><\/td>\nWilley, James. Elegy<\/em>. For string quartet.
\n[Dedicated] to Bernard Rogers.
\nScore. MS repro. 17 pages (numbered 3\u201319). 37 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 18″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1624037145310{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 18\/3<\/strong><\/td>\nWilley, James. Fanfares.<\/em> For piano.
\n[Dedicated] to Mrs. Elizabeth C. Rogers.
\nScore (completed January 1971, revised September 1973). MS repro, bound. 11 pages. 36 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1624037310535{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
folder 16\/13<\/strong><\/td>\nWilley, James Gacelas<\/em>. For voice and piano. Poems by Fernando Garcia Lorca.
\nScore (completed January 1970; revised November 1972). MS repro. 80 pages. 36 cm.
\nInterleaved in score: concert program from performance at SUNY-Geneseo, December 17, 1972).<\/td>\n<\/tr>\n
folder 16\/14<\/strong><\/td>\nWilley, James. Mendon. <\/em>For string quartet.
\n[Dedicated to] Elvira Wonderlich, in memoriam.
\nScore (November 1972). MS repro. 72 pages. 36 cm.<\/td>\n<\/tr>\n
folder 16\/15<\/strong><\/td>\nWilley, James. Robert Frost Settings. <\/em>For soprano and piano.
\nScore (August 11, 1978). MS repro. 56 pages. 36 cm.
\nInterleaved in score: concert program and program notes (date of performance unknown).<\/td>\n<\/tr>\n
folder 16\/16<\/strong><\/td>\nWilley, James. Sonata for Piano.
\n<\/em>For Joseph Fennimore.
\nScore (June 7, 1976). MS repro. 26 pages. 36 cm. Manuscript facsimile of the score (26 pp.); 36 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 18″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1624037145310{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 18\/4<\/strong><\/td>\nWilley, James. String Quartet.
\n[Dedicated] to Bernard Rogers.
\nFull score. MS repro. 13 pages. 37 cm. Interleaved in score: \u201cInstructions\u201d [notes on performance]. Typescript. 1 page.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1624037310535{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 16\/17<\/strong><\/td>\nWilley, James. Two Sonnets of Gerard Manley Hopkins<\/em>. For SATB chorus.
\n[Dedicated] to Charles Fussell.
\nTwo movements: I. Patience, hard thing! The hard thing but to pray; II. My own heart let me more have pity on.
\nScore. MS repro. 18 pages. 32 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 18″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1624037145310{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 18\/5<\/strong><\/td>\nWilley, James. Violin Concerto.
\n<\/em>Full score. MS repro. 72 pages. 47 cm. Note on first page of score: \u201cUncorrected score.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1624037310535{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
folder 16\/18<\/strong><\/td>\nWood, William. \u201cTheme.\u201d For solo piano.
\n[Dedicated] to Bernard Rogers.
\nScore (May 21, 1967). Ozalid master (ink MS), with inscription to Dr. Rogers. 1 page.<\/td>\n<\/tr>\n
folder 16\/19<\/strong><\/td>\nWylie, Ruth Shaw. Five Occurrences. <\/em>For woodwind quintet (March, 1971).
\nScore (March 1971). MS repro, bound. 34 pages. 25 x 33 cm.
\nAccompanied by concert program from performance at Wayne State University, May 1, 1972.<\/td>\n<\/tr>\n
folder 16\/20<\/strong><\/td>\nWylie, Ruth Shaw. Involution. <\/em>For small orchestra.
\nFor Morris Hochberg.
\nScore (September 1967). MS repro, bound. 31 pages. 32 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 18″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1624037145310{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 18\/6<\/strong><\/td>\nWylie, Ruth Shaw. The Long Look Home. <\/em>For orchestra.
\nBased upon five ecology poems from a set of 45 titled The Long Look Home<\/em> written by Jeanne Wylie Torosian.
\nDedicated to Jeanne Wylie Torosian.
\nFive movements: I. Moon; II. Clouds; III. Snow; IV. Desert; V. Nuclear Energy.
\nFull score (September 20, 1975). MS repro, bound. 76 pages. 49 cm. Inscribed to Betty [likely Rogers] by the composer.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1624037310535{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 16\/21<\/strong><\/td>\nWylie, Ruth Shaw. Sonata No. 1.<\/em> For flute and piano. (December 1, 1959).
\nIn memory of \u201cJoady\u201d\u2014Christmas, 1957.
\nScore and part. MS repro, bound. 35 + 10 pages. 36 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 18″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1624037145310{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 18\/7<\/strong><\/td>\nWylie, Ruth Shaw. Three Inscapes<\/em>. For flute, viola, guitar, piano, and percussion.
\nTo Anna Husband and the Detroit Community Music School.
\nFull score (June 1970). MS repro, bound. 51 pages. 32 x 48 cm. On title page:<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 16″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1624037310535{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 16\/22<\/strong><\/td>\nWylie, Ruth Shaw. Toward Sirius. <\/em>For flute, oboe, violin, cello, piano, and harpsichord.
\nIn memory of Toby, December 5, 1975.
\nWritten in fulfillment of a commission from Wayne State University, April 1976.
\nScore (April 14, 1976). MS repro, bound. 28 pages. 36 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 18″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1624037145310{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
folder 18\/8<\/strong><\/td>\nVarious. Compilation of variations on themes by Bernard Rogers. Five variations:
\nBarlow, Wayne. Variations on a theme from \u201cThe Musician of Bremen by Bernard Rogers.\u201d<\/em> For flute, oboe, clarinet, bassoon, French horn, trumpet, timpani, percussion, and piano. Score. Ink MS. 8 pages. 35 cm.
\nProvenzano, A. \u201cThe Cat\u201d Variation.<\/em> On theme by Rogers. For chamber orchestra. Score (May 15, 1967). Pencil MS. 7 pages. 34 cm.
\nGauldin, R. Rogers Variation.<\/em> For flute, oboe, clarinet, bassoon, horn, violin, and cello. Score. MS repro. 4 pages. 35 cm.
\nAdler, Samuel. Variation IV: \u201cThe Rooster.\u201d <\/em>On a theme by Bernard Rogers. For flute, oboe, clarinet, bassoon, French horn, trumpet, timpani, percussion, piano, and strings. Score. MS repro. 12 pages. 35<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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<\/a>Series 7: Annotated miniature scores<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 20″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1623946643112{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
item 20\/1<\/strong><\/td>\nBeethoven, Ludwig van.\u00a0Coriolanus Overture,<\/em>\u00a0opus 62. London: Boosey & Hawkes, [s.d.]. Pl. no. 8612. 28 pages. 19 cm.<\/td>\n <\/td>\n<\/tr>\n
item 20\/2<\/strong><\/td>\nBeethoven, Ludwig van.\u00a0Egmont Overture,<\/em>\u00a0opus 84. New York: Kalmus, [s.d.]. No pl. no. 44 pages. 18 cm.<\/td>\n <\/td>\n<\/tr>\n
item 20\/3<\/strong><\/td>\nBerg, Alban.\u00a0Drei Bruchst\u00fccke aud der Oper \u201cWozzeck\u201d: f\u00fcr Gesang und Orchester<\/em>\u00a0[Three Excerpts from\u00a0Wozzeck\u00a0<\/em>for voice and orchestra],\u00a0<\/em>opus 7.<\/em>\u00a0Wien: Wiener Philharmonischer Verlag; New York: Associated Music Publishers, c1924. Philharmonia Partituren, 1002. Pl. no. U.E.7660. 60 pages. 19 cm.<\/td>\n <\/td>\n<\/tr>\n
item 20\/4<\/strong><\/td>\nBerg, Alban.\u00a0Drei Bruchst\u00fccke aud der Oper \u201cWozzeck\u201d: f\u00fcr Gesang und Orchester<\/em>\u00a0[Three Excerpts from\u00a0Wozzeck\u00a0<\/em>for voice and orchestra],\u00a0<\/em>opus 7.<\/em>\u00a0Wien: Wiener Philharmonischer Verlag; Bryn Mawr, PA: Theodore Presser Co., c1952. Philharmonia Partituren, 1002. Pl. no. U.E.7660. 60 pages. 19 cm.<\/td>\n <\/td>\n<\/tr>\n
item 20\/5<\/strong><\/td>\nBerlioz, Hector.\u00a0Benvenuto Cellini Overture,\u00a0<\/em>opus 23. London: Eulenburg, [s.d.]. Pl. no. 3722. 64 pages. 19 cm.<\/td>\n <\/td>\n<\/tr>\n
item 20\/6<\/strong><\/td>\nBerlioz, Hector.\u00a0Le Carnaval Romain Ouverture<\/em>, opus 9. Paris: Heugel, c1951. Pl. no. 31441. 59 pages. 19 cm. (Copy 1.)<\/td>\n <\/td>\n<\/tr>\n
item 20\/7<\/strong><\/td>\nBerlioz, Hector.\u00a0Le Carnaval Romain Ouverture<\/em>, opus 9. Paris: Heugel. Pl. no. 31441. 59 pages. 19 cm. (Copy 2.)<\/td>\n <\/td>\n<\/tr>\n
item 20\/8<\/strong><\/td>\nBerlioz, Hector.\u00a0Fantastic Symphony<\/em>, opus 14. Scarsdale, NY: Kalmus, [s.d.]. 231 pages. 18 cm.<\/td>\n <\/td>\n<\/tr>\n
item 20\/9<\/strong><\/td>\nBerlioz, Hector.\u00a0Marche Hongroise<\/em>. [s.l.: s.n., s.d.] Pl. no. 31. 68 pages. 19 cm. Front and back covers missing.<\/td>\n <\/td>\n<\/tr>\n
item 20\/10<\/strong><\/td>\nBerlioz, Hector.\u00a0Ouverture du Corsaire<\/em>. Leipzig: Eulenburg, [s.d.]. Pl. no. E.3959 D. 63 pages. 19 cm.<\/td>\n <\/td>\n<\/tr>\n
item 20\/11<\/strong><\/td>\nBizet, Georges.\u00a0L\u2019Arlesienne Suite No. l<\/em>. Scarsdale, NY: Kalmus, [s.d.]. Pl. no. 2. 58 pages. 19 cm.<\/td>\n <\/td>\n<\/tr>\n
item 20\/12<\/strong><\/td>\nBloch, Ernest. Quatuor \u00e0 cordes (No. 2)<\/em>. London: Boosey & Hawkes, c1947. Pl. no. B.& H. 15894. 72 pages. 19 cm.<\/td>\n <\/td>\n<\/tr>\n
item 20\/13<\/strong><\/td>\nBloch, Ernest. Trois poemes juifs<\/em>. New York: G. Schirmer, c1945. Pl. no. 41660. 87 pages. 26 cm.<\/td>\n <\/td>\n<\/tr>\n
item 20\/14<\/strong><\/td>\nBorodin, Alexander. Polovetsian Dances<\/em>. No pl. no. New York. Kalmus, [s.d.]. 99 pages. 19 cm.<\/td>\n <\/td>\n<\/tr>\n
item 20\/15<\/strong><\/td>\nBritten, Benjamin. The Young Person\u2019s Guide to the Orchestra<\/em>, opus 34. London: Boosey & Hawkes, c1947. Pl. no. B. & H. 15958. 69 pages. 19 cm.<\/td>\n <\/td>\n<\/tr>\n
item 20\/16<\/strong><\/td>\nChabrier, Emmanuel. Espa\u00f1a: Rhapsody for Orchestra<\/em>. No pl. no. New York: Kalmus, c1933. 61 pages. 23 cm.<\/td>\n <\/td>\n<\/tr>\n
item 20\/17<\/strong><\/td>\nCopland, Aaron. El Salon Mexico<\/em>. London: Boosey & Hawkes, c1939. Pl. no. B. & H. 8765. 44 pages. 19 cm.<\/td>\n <\/td>\n<\/tr>\n
item 20\/18<\/strong><\/td>\nDebussy, Claude. Afternoon of a Faun (Prelude \u00e0 apr\u00e8s-midi d\u2019un Faune)<\/em>. New York: Kalmus, [s.d.]. No pl. no. 31 pages. 19 cm.<\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 22″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1623947891838{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
item 22\/8<\/strong><\/td>\nDebussy, Claude. La Mer<\/em>. New York: Kalmus, [s.d.].<\/em> No. pl. no. 137 pages. 31 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 20″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1623946643112{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n
item 20\/19<\/strong><\/td>\nDebussy, Claude. \u201cNuages.\u201d No. 1 from\u00a0Nocturnes.<\/em>\u00a0New York: Kalmus, [s.d.]. No pl. no. 17 pages. 23 cm.<\/td>\n<\/tr>\n
item 20\/20<\/strong><\/td>\nDukas, Paul.\u00a0The Sorcerer\u2019s Apprentice<\/em>. New York: Kalmus, c1933. 74 pages. 23 cm.<\/td>\n<\/tr>\n
item 20\/21<\/strong><\/td>\nFranck, Cesar.\u00a0Symphony in D Minor<\/em>. New York. Kalmus, c1932. No pl. no. 160 pages. 19 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 21″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1623861628362{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n
item 21\/1<\/strong><\/td>\nMahler, Gustav. Symphony No. 4<\/em>. New York: International Music Co., 1948. 188 pages. 20 cm.<\/td>\n<\/tr>\n
item 21\/2<\/strong><\/td>\nMendelssohn-Bartholdy, Felix. A Midsummer Night\u2019s Dream<\/em>, opus 21. Scarsdale, NY: Kalmus, [s.d.]. 56 pages. 19 cm.<\/td>\n<\/tr>\n
item 21\/3<\/strong><\/td>\nMendelssohn-Bartholdy, Felix. Fingal\u2019s Cave (The Hebrides) Overture<\/em>, opus 26. New York: Kalmus, [s.d.]. 48 pages. 19 cm.<\/td>\n<\/tr>\n
item 21\/4<\/strong><\/td>\nMozart, Wolfgang Amadeus. The Marriage of Figaro Overture, <\/em>K. 492. New York: Kalmus, c1933. 24 pages. 19 cm.<\/td>\n<\/tr>\n
item 21\/5<\/strong><\/td>\nMozart, Wolfgang Amadeus. Magic Flute Overture<\/em>. London: Boosey & Hawkes, [s.d.]. Pl. no. B. & H. 8541. 32 pages. 19 cm.<\/td>\n<\/tr>\n
item 21\/6<\/strong><\/td>\nMozart, Wolfgang Amadeus. Die Zauberfl\u00f6te<\/em> ouverture<\/em>. Wien, Universal Edition. Pl. no. W.Ph.V.12. 32 pages. 19 cm.<\/td>\n<\/tr>\n
item 21\/7<\/strong><\/td>\nMussorgsky, Modest. Tableaux d\u2019une exposition<\/em>. Orchestration by Maurice Ravel. London: Boosey & Hawkes, c1929. Pl. no. B. & H. 8716. 151 pages. 19 cm.<\/td>\n<\/tr>\n
item 21\/8<\/strong><\/td>\nRimsky-Korsakov, Nikolay A. Ouverture la grande p\u00e2que russe, <\/em>opus 36. Leipzig: Ernst Eulenburg, [s.d.]. Pl. no. 3271. 105 pages. 19 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 22″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1623946200910{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
item 22\/9<\/strong><\/td>\nRogers, Bernard. Once upon a Time: Five Fairy Tales<\/em>. New York: Edwin F. Kalmus, c1936. No pl. no. 64 pages. 31 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 21″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1623861628362{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
item 21\/9<\/strong><\/td>\nShostakovich, Dmitrii Dmitrievich. Fifth Symphony<\/em>, opus 47. New York: Edition Musicus, [s.d.]. Pl. no. M 16313. 165 pages. 23 cm.<\/td>\n<\/tr>\n
item 21\/10<\/strong><\/td>\nSibelius, Jean.\u00a0Swan of Tuonela: Legend,\u00a0<\/em>opus 22, no. 3. New York: E. F. Kalmus, [s.d.]. No pl. no. 16 pages. 23 cm.<\/td>\n<\/tr>\n
item 21\/11<\/strong><\/td>\nSmetana, Bedrich.\u00a0The Bartered Bride<\/em>\u00a0Overture<\/em>. London: Boosey & Hawkes, [s.d.]. Pl. no. B. & H. 8897. 52 pages. 19 cm.<\/td>\n<\/tr>\n
item 21\/12<\/strong><\/td>\nSmetana, Bedrich.\u00a0The Bartered Bride<\/em>\u00a0Overture<\/em>. London: Ernst Eulenburg, Ltd., [s.d.]. No pl. no. 50 pages. 19 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 22″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1623861162388{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
item 22\/10<\/strong><\/td>\nStrauss, Richard. Till Eulenspiegel, <\/em>opus 28. New York: E. F. Kalmus, [s.d.]. No pl. no. 60 pages. 31 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 21″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1623861628362{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
item 21\/13<\/strong><\/td>\nStrauss, Richard.\u00a0Death and Transfiguration,<\/em>\u00a0opus 24. New York: E. F. Kalmus, c1933. 90 pages. 23 cm.<\/td>\n<\/tr>\n
item 21\/14<\/strong><\/td>\nStrauss, Richard.\u00a0Tod und Verkl\u00e4rung,\u00a0<\/em>opus 24. Leipzig: Ernst Eulenburg, c1904. Pl. no. U.E.1078 E.E.3501. 123 pages. 19 cm.<\/td>\n<\/tr>\n
item 21\/15<\/strong><\/td>\nStravinsky, Igor.\u00a0Chant du rossignol<\/em>. Berlin: Edition Russe, c1921. Pl. no. R.M.V.343b. 83 pages. 21 cm.<\/td>\n<\/tr>\n
item 21\/16<\/strong><\/td>\nStravinsky, Igor. Fire-bird Suite<\/em>. New York: E. F. Kalmus, c1932. 78 pages. 19 cm.<\/td>\n<\/tr>\n
item 21\/17<\/strong><\/td>\nStravinsky, Igor Suite de l\u2019oiseau de feu. <\/em>Orchestrated by the composer in 1919. London: J. & W. Chester, c1920. Pl. no. J.W.C.17. 78 pages. 19 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 22″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1623861162388{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
item 22\/1<\/strong><\/td>\nStravinsky, Igor.\u00a0Firebird Suite.\u00a0<\/em>Reorchestrated by the composer in 1919. London: Boosey & Hawkes, Ltd., [s.d.]. Pl. no. B. & H. No. 573. 78 pages. 27 cm.<\/td>\n<\/tr>\n
item 22\/2<\/strong><\/td>\nStravinsky, Igor. Petrouchka<\/em>. Berlin: Edition Russe de Musique, [s.d.]. Pl. no. R. M. V. 142. 156 pages. 21 cm.<\/td>\n<\/tr>\n
item 22\/3<\/strong><\/td>\nStravinsky, Igor. Petrouchka<\/em>. [s.l.: s.n., s.d.] No pl. no. Front cover missing. 156 pages. 23 cm.<\/td>\n<\/tr>\n
item 22\/4<\/strong><\/td>\nStravinsky, Igor. Le sacre du printemps<\/em>. New York: E. F. Kalmus, c1933. No pl. no. 139 pages. 22 cm.<\/td>\n<\/tr>\n
item 22\/5<\/strong><\/td>\nTchaikovsky, Peter Ilitch. March Slave<\/em>, opus 31. New York: E. F. Kalmus, [s.d.]. No pl. no. 80 pages. 19 cm.<\/td>\n<\/tr>\n
item 22\/6<\/strong><\/td>\nTchaikovsky, Peter Ilitch. Nutcracker Suite, <\/em>opus 71a. New York: E. F. Kalmus, c1932. No pl. no. 146 pages. 18 cm.<\/td>\n<\/tr>\n
item 22\/7<\/strong><\/td>\nTchaikovsky, Peter Ilitch. Symphonie No. 6,<\/em> opus 74. Revised by Paul Klengel. Vienna: Wiener Philharmonischer Verlag, [s.d.]. Pl. no. 5919. 233 pages. 19 cm.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

\u2190 BERNARD ROGERS COLLECTION: Series 1 to 4<\/a><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

BERNARD ROGERS COLLECTION \u2192<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1623173171800{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Series 5: Personal papers [\/vc_column_text][vc_column_text css=”.vc_custom_1623173223107{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Sub-series A:\u00a0Personal papers of Bernard Rogers [\/vc_column_text][vc_custom_heading text=”Box 13″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1623173552520{margin-top: 0px !important;margin-right: 0px […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":1339,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-7860","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=7860"}],"version-history":[{"count":0,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/7860\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1339"}],"wp:attachment":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=7860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=7860"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=7860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}