{"id":8357,"date":"2021-07-27T15:24:37","date_gmt":"2021-07-27T19:24:37","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=8357"},"modified":"2024-05-21T11:56:32","modified_gmt":"2024-05-21T15:56:32","slug":"archives-papers","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/archives-papers\/","title":{"rendered":"Faculty and Alumni Papers"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content” content_placement=”top” css=”.vc_custom_1716306372342{margin-top: -10px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: -40px !important;border-top-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column css=”.vc_custom_1568747522014{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-xs-3 vc_hidden-xs”][vc_images_carousel images=”8356,8355,8354,8353,8352″ img_size=”3000×270″ slides_per_view=”7″ hide_pagination_control=”yes” css=”.vc_custom_1627413573888{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: -20px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][\/vc_column][\/vc_row][vc_row gap=”10″ content_placement=”top” css=”.vc_custom_1709651258300{margin-top: 40px !important;}”][vc_column css=”.vc_custom_1568301362178{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 0px !important;}”][vc_column_text][\/vc_column_text]

<\/span><\/div>

Faculty Papers and Collections<\/h2><\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” gap=”10″ equal_height=”yes” content_placement=”top” css=”.vc_custom_1709651436460{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 20px !important;padding-bottom: 20px !important;background-color: #f4f4f4 !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1716305775990{padding-top: 10px !important;padding-bottom: 10px !important;background-color: #ffffff !important;}”][vc_custom_heading text=”Composition and Theory” font_container=”tag:h3|text_align:left|line_height:1″ use_theme_fonts=”yes” css=”.vc_custom_1706631841820{border-bottom-width: 1px !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n

SAMUEL ADLER COLLECTION (Accession no. 999.12; 1993-98 Gifts)<\/a> (composition, 1966-94)<\/p>\n

SAMUEL ADLER COLLECTION (1999-2018 Gifts)<\/a> (composition, 1966-94)<\/p>\n

WILLIAM AMES COLLECTION<\/a> (theory\/composition, 1928-38)<\/p>\n

WAYNE BARLOW COLLECTION<\/a> (composition, 1937-78)<\/p>\n

JACK END (RG&E BIG BAND\/JACK END COLLECTION)<\/a> (clarinet\/theory\/ensemble, 1940-75)<\/p>\n

DAVID GEPPERT COMPOSITIONS COLLECTION<\/a> (theory, 1955-70)<\/p>\n

HOWARD HANSON COLLECTION, accession no. 997.12<\/a> (director\/composition, 1924-64)<\/p>\n

BERNHARD KAUN COLLECTION<\/a> (theory, 1925-28)<\/p>\n

JOHN LA MONTAINE COLLECTION<\/a> (composition [visiting], 1964-65)<\/p>\n

JOHN LA MONTAINE (PAUL J. SIFLER COLLECTION)<\/a> (composition [visiting], 1964-65)<\/p>\n

ALLEN MCHOSE PAPERS<\/a> (theory, 1929-1962; associate director, 1962-67)<\/p>\n

LOUIS MENNINI COLLECTION<\/a> (composition, 1949-65)<\/p>\n

BURRILL PHILLIPS COLLECTION<\/a> (theory\/composition, 1933-49, 1965-66)<\/p>\n

BERNARD ROGERS COLLECTION<\/a> (composition, 1929-67)<\/p>\n

ROBERT WASON (VALERIE ERRANTE AND ROBERT WASON COLLECTION) <\/a>(theory, 1983\u2013)<\/p>\n

[\/vc_column_text][vc_custom_heading text=”Dance” font_container=”tag:h3|text_align:left|line_height:1″ use_theme_fonts=”yes” css=”.vc_custom_1716306879174{border-bottom-width: 1px !important;padding-top: 20px !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text]<\/p>\n

ENID KNAPP BOTSFORD COLLECTION<\/a> (dance [opera department], 1924-25)<\/p>\n

THELMA BIRACREE SCHNEPEL COLLECTION<\/a> (dance, 1925-26)<\/p>\n

 <\/p>\n

[\/vc_column_text][vc_custom_heading text=”Humanities” font_container=”tag:h3|text_align:left|line_height:1″ use_theme_fonts=”yes” css=”.vc_custom_1716306888333{border-bottom-width: 1px !important;padding-top: 20px !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text]<\/p>\n

JESSIE HOSKAM KNEISEL PAPERS<\/a> (German, 1932-76)<\/p>\n

 <\/p>\n

[\/vc_column_text][vc_custom_heading text=”Jazz and Contemporary Media” font_container=”tag:h3|text_align:left|line_height:1″ use_theme_fonts=”yes” css=”.vc_custom_1716306899130{border-bottom-width: 1px !important;padding-top: 20px !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text]<\/p>\n

RAYBURN WRIGHT COLLECTION<\/a> (jazz, 1970-90)<\/p>\n

 <\/p>\n

[\/vc_column_text][vc_custom_heading text=”Music Teaching and Learning” font_container=”tag:h3|text_align:left|line_height:1″ use_theme_fonts=”yes” css=”.vc_custom_1716306907440{border-bottom-width: 1px !important;padding-top: 20px !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text]<\/p>\n

ALFRED SPOUSE ALBUMS<\/a> (music education, 1938-55)<\/p>\n

 <\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1716305790677{padding-top: 10px !important;padding-bottom: 10px !important;background-color: #ffffff !important;}”][vc_custom_heading text=”Musicology” font_container=”tag:h3|text_align:left|line_height:1″ use_theme_fonts=”yes” css=”.vc_custom_1627413823282{border-bottom-width: 1px !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n

CHARLES WARREN FOX PAPERS<\/a> (musicology\/psychology, 1932-70)<\/p>\n

ERNEST F. LIVINGSTONE<\/a> (musicology, 1962\u20131988)<\/p>\n

ALFRED MANN COLLECTION<\/a> (musicology, 1980-87)<\/p>\n

 <\/p>\n

[\/vc_column_text][vc_custom_heading text=”Performance” font_container=”tag:h3|text_align:left|line_height:1″ use_theme_fonts=”yes” css=”.vc_custom_1627413845706{border-bottom-width: 1px !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n

JOSEPHINE ANTOINE COLLECTION<\/a> (voice, 1957-59 and 1966-71)<\/p>\n

JAN DEGAETANI COLLECTION (ACCESSION NO. 2017-1-17)<\/a> (voice, 1973-89)<\/p>\n

JAN DEGAETANI COLLECTION (MUSIC LIBRARY)<\/a> (voice, 1973-89)<\/p>\n

JAN DEGAETANI COLLECTION (PERSONAL PAPERS)<\/a> (voice, 1973-89)<\/p>\n

JAN DEGAETANI COLLECTION (RECORDINGS)<\/a> (voice, 1973-89)<\/p>\n

JAN DEGAETANI VOCAL CHAMBER MUSIC<\/a> (voice, 1973-89)<\/p>\n

JACK END (RG&E BIG BAND\/JACK END COLLECTION)<\/a> (clarinet\/theory\/ensemble, 1940-75)<\/p>\n

HERMANN GENHART COLLECTION <\/a>(conducting\/opera, 1925-1965)<\/p>\n

HAROLD GLEASON COLLECTION<\/a> (organ\/music literature, 1921-55)<\/p>\n

JACQUES GORDON COLLECTION<\/a> (violin, 1942-48)<\/p>\n

NAN GULLO (GULLO HARP COLLECTION) <\/a> (harp, 1992\u2013)<\/p>\n

ARTHUR HARTMANN COLLECTION<\/a> (violin, 1921-22)<\/p>\n

FREDERICK HAYWOOD PAPERS<\/a> (voice, 1924-54)<\/p>\n

ABRAM LOFT COLLECTION<\/a> (chamber music\/violin, 1979-86)<\/p>\n

GEORGE MACNABB PAPERS<\/a> (piano, 1922-60)<\/p>\n

EILEEN MALONE COLLECTION<\/a> (harp, 1931-89)<\/p>\n

JANE G\u00dcNTER-MCCOY (SETH MCCOY & JANE G\u00dcNTER MCCOY COLLECTION) <\/a> (voice, 1988\u20132012)<\/p>\n

SETH MCCOY (SETH MCCOY & JANE G\u00dcNTER MCCOY COLLECTION) <\/a> (voice, 1982\u20131997)<\/p>\n

WILLIAM F. OSSECK COLLECTION<\/a> (clarinet\/saxophone, 1946-87)<\/p>\n

TOM PAUL COLLECTION<\/a> (voice, 1979-97)<\/p>\n

RICHARD PEARLMAN COLLECTION<\/a> (opera, 1976-95)<\/p>\n

MARIE ERHART PEARSON COLLECTION<\/a> (piano, 1923-71)<\/p>\n

VERNE REYNOLDS COLLECTION (2002 accession)<\/a> (horn, 1959-95)<\/p>\n

VERNE REYNOLDS COLLECTION (2011 accession)<\/a> (horn, 1959-95)<\/p>\n

RUSSELL SAUNDERS COLLECTION<\/a> (organ, 1967-92)<\/p>\n

RUSSELL SAUNDERS (HAZEL SAUNDERS COLLECTION)<\/a> (organ, 1967-92)<\/p>\n

LEONARD TREASH COLLECTION<\/a> (opera, 1947-76)<\/p>\n

FRANCIS TURSI PAPERS<\/a> (viola, 1949-88)<\/p>\n

SANDOR VAS PAPERS<\/a> (piano, 1923-54)<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=”10″ content_placement=”top” css=”.vc_custom_1709651258300{margin-top: 40px !important;}”][vc_column css=”.vc_custom_1568301362178{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 0px !important;}”][vc_column_text][\/vc_column_text]

<\/span><\/div>

Alumni Papers and Collections<\/h2><\/div><\/div>[\/vc_column][\/vc_row][vc_row full_width=”stretch_row” gap=”20″ css=”.vc_custom_1716306722868{padding-top: 20px !important;background-color: #f4f4f4 !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1716306652347{padding-top: 20px !important;background-color: #ffffff !important;}”][vc_custom_heading text=”Composition and Theory” font_container=”tag:h3|text_align:left|line_height:1″ use_theme_fonts=”yes” css=”.vc_custom_1716306924682{border-bottom-width: 1px !important;padding-top: 10px !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text]<\/p>\n

CARL EDMUND AMT<\/a> (theory, PhD 1956)<\/p>\n

LOUIS ANGELINI<\/a> (composition, MM 1960, PhD 1968)<\/p>\n

WAYNE BARLOW<\/a> (composition, BM 1934, MM 1935, PhD 1937)<\/p>\n

WILLIAM BERGSMA<\/a> (composition, 1942, MM 1943)<\/p>\n

GORDON BINKERD<\/a> (composition, MM 1941)<\/p>\n

WILL GAY BOTTJE COLLECTION<\/a> (composition, DMA 1955)<\/p>\n

FRANCIS BROWN<\/a> (piano\/composition, BM 1947)<\/p>\n

ALEXANDER COURAGE<\/a> (composition, BM 1941)<\/p>\n

LEON DALLIN<\/a> (composition, BM 1940, MM 1941)<\/p>\n

BRUCE CAMPBELL DECKER<\/a> (theory\/piano, BM 1951)<\/p>\n

NATHANIEL DETT<\/a> (composition, MM 1932)<\/p>\n

DAVID DIAMOND (DAVID DIAMOND-BERNARD ROGERS CORRESPONDENCE)<\/a> (studied 1930-34)<\/p>\n

JACK END (RG&E BIG BAND\/JACK END COLLECTION)<\/a> (theory, BM 1940)<\/p>\n

MICHAEL D. FARRIS<\/a> (organ, Performer’s Certificate, 1986; DMA 1989; Artist’s Diploma 1989)<\/p>\n

THEODORE F. FITCH (THEODORE F FITCH AND LORRAINE NOEL FINLEY COLLECTION)<\/a> (composition, MA 1928)<\/p>\n

LEE GANNON<\/a> (composition, BM 1988)<\/p>\n

DAVID GEPPERT<\/a> (theory\/composition, PhD 1958)<\/p>\n

HAROLD GLEASON<\/a> (composition, MM 1932)<\/p>\n

EDMUND HAINES<\/a> (theory\/composition, PhD 1941)<\/p>\n

NEWTON HOFFMAN<\/a> (theory\/composition, BM 1947, MM 1948, PhD 1955)<\/p>\n

MICHAEL ISAACSON<\/a> (composition, PhD 1979)<\/p>\n

GOMER LLYWELYN JONES<\/a> (composition, MM 1936)<\/p>\n

LOUIS KARCHIN<\/a> (composition, BM 1973)<\/p>\n

HOMER TODD KELLER<\/a> (composition, BM 1937, MM 1938)<\/p>\n

WOLFGANG KNITTEL<\/a> (theory\/composition, BM 1959)<\/p>\n

EUGENE KURTZ<\/a> (composition, BM 1947, MM 1949)<\/p>\n

JOHN LA MONTAINE<\/a> (composition, BM 1942)<\/p>\n

JOHN LA MONTAINE (PAUL J. SIFLER COLLECTION)<\/a> (composition, BM 1942)<\/p>\n

JACK WARREN LOWE<\/a> (piano, BM 1938; composition, MM 1939)<\/p>\n

HOLON MATTHEWS COLLECTION<\/a> (composition, PhD 1948)<\/p>\n

FRANCIS MCBETH<\/a> (studied for PhD in composition, summers 1959-64)<\/p>\n

ALLEN I. MCHOSE<\/a> (organ\/composition, BM 1927, MM 1929)<\/p>\n

EDWARD C. MCIRVINE<\/a> (composition, BM 1977)<\/p>\n

LOUIS MENNINI<\/a> (composition, BM 1947, MM 1948, DMA 1961)<\/p>\n

ROBERT W. MOLS<\/a> (composition\/flute, BM 1943, MM 1946, PhD 1962)<\/p>\n

WALTER B. MOURANT<\/a> (composition, BM 1935, MM 1936)<\/p>\n

JEROME NEFF<\/a> (composition\/percussion, BM 1951)<\/p>\n

BURRILL PHILLIPS<\/a> (composition, BM 1932, MM 1933)<\/p>\n

GARDNER READ<\/a> (composition, BM 1936, MM 1937)<\/p>\n

PETER SACCO<\/a> (composition, MM 1954, DMA 1958)<\/p>\n

JOSEPH C. SCIANNI<\/a> (composition, MM 1953, DMA 1959)<\/p>\n

MALCOLM SEAGRAVE<\/a> (composition, MM 1952, DMA 1961)<\/p>\n

STANLEY SUSSMAN <\/a> (composition, BM 1960, MM 1961)<\/p>\n

DONALD H. WHITE<\/a> (composition, MM 1947, PhD 1952)<\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1716306644236{padding-top: 20px !important;background-color: #ffffff !important;}”][vc_custom_heading text=”Music Teaching and Learning” font_container=”tag:h3|text_align:left|line_height:1″ use_theme_fonts=”yes” css=”.vc_custom_1716306972571{border-bottom-width: 1px !important;padding-top: 10px !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text]<\/p>\n

WILLIAM F. OSSECK<\/a> (music education\/clarinet, BM 1941, Performer\u2019s Certificate 1941, MM 1942)<\/p>\n

ROBERT ROSEVEAR<\/a> (music education, BM 1939)<\/p>\n

FREDERICK W. WESTPHAL<\/a> (music education, MA 1939; PhD 1948; Performer\u2019s Certificate in clarinet, 1947)<\/p>\n

RAYBURN WRIGHT<\/a> (music education\/trombone, BM 1943)<\/p>\n

[\/vc_column_text][vc_custom_heading text=”Musicology” font_container=”tag:h3|text_align:left|line_height:1″ use_theme_fonts=”yes” css=”.vc_custom_1716306980602{border-bottom-width: 1px !important;padding-top: 20px !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text css=””]RUTH HANNAS <\/a>(musicology, PhD 1934)<\/p>\n

BORIS KREMENLIEV COMPOSITIONS COLLECTION <\/a> (musicology, PhD 1942)<\/p>\n

BORIS KREMENLIEV LIBRARY <\/a> (musicology, PhD 1942)<\/p>\n

ERNEST F. LIVINGSTONE<\/a> (musicology, BM 1949, MA 1952, PhD 1962)<\/p>\n

EDWARD N. WATERS<\/a> (piano, BM 1927; musicology, MM 1928)[\/vc_column_text][vc_custom_heading text=”Performance” font_container=”tag:h3|text_align:left|line_height:1″ use_theme_fonts=”yes” css=”.vc_custom_1716306987705{border-bottom-width: 1px !important;padding-top: 20px !important;border-bottom-style: solid !important;border-color: #cccccc !important;}”][vc_column_text]<\/p>\n

PAULINE ALPERT<\/a> (piano, studied 1923-27)<\/p>\n

FRANCES JEWETT BUXTON<\/a> (violin, MM 1941)<\/p>\n

ROSLYN WEISBURG COMINSKY<\/a> (piano, BM 1922)<\/p>\n

ANNA MASUCCI DODGE<\/a> (piano, BM 1928)<\/p>\n

VALERIE ERRANTE (VALERIE ERRANTE AND ROBERT WASON COLLECTION) <\/a>(voice, DMA 1995)<\/p>\n

ANNA WALKER GOSS<\/a> (music student, 1920s)<\/p>\n

NAN GULLO (GULLO HARP COLLECTION) <\/a> (harp, DMA 1992)<\/p>\n

PAUL HORGAN<\/a> (voice, BM 1926)<\/p>\n

HARRY HART KAUFMAN<\/a> (voice, BM 1931)<\/p>\n

RALPH LOOMIS<\/a> (clarinet, BM 1962)<\/p>\n

JACK WARREN LOWE<\/a> (piano, BM 1938; composition, MM 1939)<\/p>\n

ETHEL CODD LUENING<\/a> (opera, certificate 1928)<\/p>\n

JANE G\u00dcNTER-MCCOY (SETH MCCOY & JANE G\u00dcNTER MCCOY COLLECTION) <\/a> (voice, BM 1959)<\/p>\n

ROBERT W. MOLS<\/a> (composition\/flute, BM 1943, MM 1946, PhD 1962)<\/p>\n

CATHERINE A. AMT MURPHY (CARL E. AMT AND CATHERINE MURPHY COLLECTION)<\/a> (voice, MM 1945)<\/p>\n

WILLIAM F. OSSECK<\/a> (music education\/clarinet, BM 1941, Performer\u2019s Certificate 1941, MM 1942)<\/p>\n

MARIE ERHART PEARSON<\/a> (piano, BM 1933)<\/p>\n

MARVIN J. RABIN<\/a> (viola, MM 1948)<\/p>\n

FRANCIS TURSI<\/a> (composition\/viola, BM 1949)<\/p>\n

RAYBURN WRIGHT<\/a> (music education\/trombone, BM 1943)<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”stretch_row_content” content_placement=”top” css=”.vc_custom_1716306372342{margin-top: -10px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: -40px !important;border-top-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column css=”.vc_custom_1568747522014{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}” offset=”vc_col-xs-3 vc_hidden-xs”][vc_images_carousel images=”8356,8355,8354,8353,8352″ img_size=”3000×270″ slides_per_view=”7″ hide_pagination_control=”yes” css=”.vc_custom_1627413573888{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px […]<\/p>\n","protected":false},"author":276,"featured_media":0,"parent":3308,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[3],"class_list":["post-8357","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/8357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/276"}],"replies":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=8357"}],"version-history":[{"count":0,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/8357\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/3308"}],"wp:attachment":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=8357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=8357"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=8357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}