{"id":8509,"date":"2021-08-10T13:26:08","date_gmt":"2021-08-10T17:26:08","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?page_id=8509"},"modified":"2021-08-10T13:26:08","modified_gmt":"2021-08-10T17:26:08","slug":"sub2","status":"publish","type":"page","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/specialcollections\/findingaids\/dengler\/sub2\/","title":{"rendered":"CARL DENGLER COLLECTION"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1628625128974{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 20px !important;padding-left: 0px !important;}”]<\/p>\n

SUB-GROUP II: PAPERS<\/h3>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1628625161936{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 4: Photographs<\/h3>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1628625188808{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series A: 4 x 5\u201d Sleeves <\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 29″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1629224349907{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 1<\/strong><\/td>\n[undated] \u2013 Alvera Sarson (inscribed to Carl Dengler)<\/td>\n<\/tr>\n
sleeve 2<\/strong><\/td>\n[undated] \u2013 Backyard<\/td>\n<\/tr>\n
sleeve 3<\/strong><\/td>\n[undated] \u2013 Backyard<\/td>\n<\/tr>\n
sleeve 4<\/strong><\/td>\n[undated] \u2013 Backyard (Carl Dengler, Patty Mulanie)<\/td>\n<\/tr>\n
sleeve 5<\/strong><\/td>\n[undated] \u2013Backyard (Carl Dengler, Patty Mulanie)<\/td>\n<\/tr>\n
sleeve 6<\/strong><\/td>\n\u00a0[undated] \u2013 Band Playing<\/td>\n<\/tr>\n
sleeve 7<\/strong><\/td>\n[undated] \u2013 Carl Dengler, Barber Conable, Gidget Hopf<\/td>\n<\/tr>\n
sleeve 8<\/strong><\/td>\n[undated] \u2013 Young Carl Dengler<\/td>\n<\/tr>\n
sleeve 9<\/strong><\/td>\n[undated] \u2013 Young Carl Dengler<\/td>\n<\/tr>\n
sleeve 10<\/strong><\/td>\n[undated] \u2013Young Carl Dengler in sand<\/td>\n<\/tr>\n
sleeve 11<\/strong><\/td>\n[undated] \u2013Young Carl Dengler plays trombone<\/td>\n<\/tr>\n
sleeve 12<\/strong><\/td>\n[undated] \u2013Dengler Band<\/td>\n<\/tr>\n
sleeve 13<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 14<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 15<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 16<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 17<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 18<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 19<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 20<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 21<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 22<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 23<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 24<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 25<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 26<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 27<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 28<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 29<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 30<\/strong><\/td>\n[undated] \u2013 Gleason Annual Awards Banquet (negative)<\/td>\n<\/tr>\n
sleeve 31<\/strong><\/td>\n[undated] \u2013 John Buttrill, Barber Conable, Gidget Hopf, Carl Dengler<\/td>\n<\/tr>\n
sleeve 32<\/strong><\/td>\n[undated] \u2013 Manhattan Square (Jimmy Henderson, Carl Dengler)<\/td>\n<\/tr>\n
sleeve 33<\/strong><\/td>\n[undated] \u2013 Manhattan Square (Jimmy Henderson)<\/td>\n<\/tr>\n
sleeve 34<\/strong><\/td>\n[undated] \u2013 Violinist<\/td>\n<\/tr>\n
sleeve 35<\/strong><\/td>\n[1935] \u2013 Dengler\u2019s Music of the Moderne Mode<\/td>\n<\/tr>\n
sleeve 36<\/strong><\/td>\n[1936] \u2013 Batavia High School<\/td>\n<\/tr>\n
sleeve 37<\/strong><\/td>\n[1936] \u2013 Batavia High School<\/td>\n<\/tr>\n
sleeve 38<\/strong><\/td>\n[1936] \u2013 Batavia High School<\/td>\n<\/tr>\n
sleeve 39<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 40<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 41<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 42<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 43<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 44<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 45<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 46<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 47<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 48<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 49<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 50<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 51<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 52<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 53<\/strong><\/td>\n\u00a0[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 54<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 55<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 56<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 57<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 58<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 59<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 60<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 61<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 62<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 63<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 64<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 65<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 66<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 67<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 68<\/strong><\/td>\n\u00a0[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 69<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 70<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 71<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 72<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 73<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 74<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 75<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 76<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 77<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 78<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 79<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 80<\/strong><\/td>\n\u00a0[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 81<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 82<\/strong><\/td>\n[1939] \u2013 South America<\/td>\n<\/tr>\n
sleeve 83<\/strong><\/td>\n\u00a0[1939] \u2013 South America<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 30″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1629224521490{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 1<\/strong><\/td>\n[May, 1940]<\/td>\n<\/tr>\n
sleeve 2<\/strong><\/td>\n[May, 1940]<\/td>\n<\/tr>\n
sleeve 3<\/strong><\/td>\n[April, 1941] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 4<\/strong><\/td>\n[April, 1941] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 5<\/strong><\/td>\n[April, 1941] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 6<\/strong><\/td>\n[June, 1941] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 7<\/strong><\/td>\n[June, 1941] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 8<\/strong><\/td>\n[June, 1941] \u2013 Carl Dengler<\/td>\n<\/tr>\n
sleeve 9<\/strong><\/td>\n[June, 1941] \u2013 Carl Dengler at drums<\/td>\n<\/tr>\n
sleeve 10<\/strong><\/td>\n[June, 1941] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 11<\/strong><\/td>\n[June, 1941] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 12<\/strong><\/td>\n[1942] \u2013 Peacock Room (Lennie Kahn)<\/td>\n<\/tr>\n
sleeve 13<\/strong><\/td>\n[1942] \u2013 Peacock Rooms (Lennie Kahn)<\/td>\n<\/tr>\n
sleeve 14<\/strong><\/td>\n[1942] \u2013 Peacock Room<\/td>\n<\/tr>\n
sleeve 15<\/strong><\/td>\n[1942] \u2013 Peacock Room (Lennie, Carl, Ted, Cort, Caroline Watt)<\/td>\n<\/tr>\n
sleeve 16<\/strong><\/td>\n[1942] \u2013 Peacock Room (Caroline Watt)<\/td>\n<\/tr>\n
sleeve 17<\/strong><\/td>\n[1942] \u2013 Peacock Room<\/td>\n<\/tr>\n
sleeve 18<\/strong><\/td>\n[1942] \u2013 Peacock Room<\/td>\n<\/tr>\n
sleeve 19<\/strong><\/td>\n[1942] \u2013 Peacock Room<\/td>\n<\/tr>\n
sleeve 20<\/strong><\/td>\n[1942] \u2013 Peacock Room (Ted DeBell)<\/td>\n<\/tr>\n
sleeve 21<\/strong><\/td>\n[1942] \u2013 Peacock Room (Carl Dengler)<\/td>\n<\/tr>\n
sleeve 22<\/strong><\/td>\n[1942] \u2013 Peacock Room (Cort Hartung)<\/td>\n<\/tr>\n
sleeve 23<\/strong><\/td>\n[1942] \u2013 Peacock Room (Caroline, Ted, Al, Cort)<\/td>\n<\/tr>\n
sleeve 24<\/strong><\/td>\n[Spring, 1953] \u2013 Graduation Photograph<\/td>\n<\/tr>\n
sleeve 25<\/strong><\/td>\n[Spring, 1953] \u2013 Graduation Photograph<\/td>\n<\/tr>\n
sleeve 26<\/strong><\/td>\n[October, 1959] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 27<\/strong><\/td>\n[October, 1959] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 28<\/strong><\/td>\n[October, 1959] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 29<\/strong><\/td>\n[October, 1959] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 30<\/strong><\/td>\n[October, 1959] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 31<\/strong><\/td>\n[October, 1959] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 32<\/strong><\/td>\n[October, 1959] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 33<\/strong><\/td>\n[October, 1959] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 34<\/strong><\/td>\n[October, 1959] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 35<\/strong><\/td>\n[October, 1959] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 36<\/strong><\/td>\n[October, 1959] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 37<\/strong><\/td>\n[October, 1959] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 38<\/strong><\/td>\n[October, 1963] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 39<\/strong><\/td>\n[October, 1963] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 40<\/strong><\/td>\n[October, 1963] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 41<\/strong><\/td>\n[October, 1963] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 42<\/strong><\/td>\n[October, 1963] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 43<\/strong><\/td>\n[October, 1963] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 44<\/strong><\/td>\n[October, 1963] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 45<\/strong><\/td>\n[October, 1963] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 46<\/strong><\/td>\n[October, 1963] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 47<\/strong><\/td>\n[1965, 1966] \u2013 Oak Hill (negative)<\/td>\n<\/tr>\n
sleeve 48<\/strong><\/td>\n[1965, 1966] \u2013 Oak Hill (negative)<\/td>\n<\/tr>\n
sleeve 49<\/strong><\/td>\n[1968] \u2013 Logan\u2019s (negative)<\/td>\n<\/tr>\n
sleeve 50<\/strong><\/td>\n[1968] \u2013 Logan\u2019s (negative)<\/td>\n<\/tr>\n
sleeve 51<\/strong><\/td>\n[1968] \u2013 Logan\u2019s (negative)<\/td>\n<\/tr>\n
sleeve 52<\/strong><\/td>\n[May, 1968] \u2013 Carl Dengler and three unidentified men<\/td>\n<\/tr>\n
sleeve 53<\/strong><\/td>\n[1969, 1970] \u2013 Holiday Inn (negative)<\/td>\n<\/tr>\n
sleeve 54<\/strong><\/td>\n[1969, 1970] \u2013 Holiday Inn (negative)<\/td>\n<\/tr>\n
sleeve 55<\/strong><\/td>\n[1969, 1970] \u2013 Holiday Inn (negative)<\/td>\n<\/tr>\n
sleeve 56<\/strong><\/td>\n[1969, 1970] \u2013 Holiday Inn (negative)<\/td>\n<\/tr>\n
sleeve 57<\/strong><\/td>\n[1969, 1970] \u2013 Holiday Inn (negative)<\/td>\n<\/tr>\n
sleeve 58<\/strong><\/td>\n[1969, 1970] \u2013 Holiday Inn (negative)<\/td>\n<\/tr>\n
sleeve 59<\/strong><\/td>\n[1969, 1970] \u2013 Holiday Inn (negative)<\/td>\n<\/tr>\n
sleeve 60<\/strong><\/td>\n[1969, 1970] \u2013 Holiday Inn<\/td>\n<\/tr>\n
sleeve 61<\/strong><\/td>\n[1969, 1970] \u2013 Holiday Inn<\/td>\n<\/tr>\n
sleeve 62<\/strong><\/td>\n[1969, 1970] \u2013 Holiday Inn<\/td>\n<\/tr>\n
sleeve 63<\/strong><\/td>\n[1969, 1970] \u2013 Holiday Inn<\/td>\n<\/tr>\n
sleeve 64<\/strong><\/td>\n[1969, 1970] \u2013 Holiday Inn<\/td>\n<\/tr>\n
sleeve 65<\/strong><\/td>\n[1969, 1970] \u2013 Holiday Inn<\/td>\n<\/tr>\n
sleeve 66<\/strong><\/td>\n[Spring, 1970] \u2013 Bobby Hackett and Carl Dengler<\/td>\n<\/tr>\n
sleeve 67<\/strong><\/td>\n[3-16-70] \u2013 Inscribed \u201cTo Carl from your buddy Jimmy Carroll\u201d<\/td>\n<\/tr>\n
sleeve 68<\/strong><\/td>\n[5-12-79] \u2013 John LoVerde, Chuck Collins, Norbert Klem, Ev Gates<\/td>\n<\/tr>\n
sleeve 69<\/strong><\/td>\n[5-12-79] \u2013 Wilson Commons, U of R (Larry Correll)<\/td>\n<\/tr>\n
sleeve 70<\/strong><\/td>\n[5-12-79] \u2013 Wilson Commons, U of R (Dave Whitmore, Bob Kalwas)<\/td>\n<\/tr>\n
sleeve 71<\/strong><\/td>\n[5-12-79] \u2013 Wilson Commons, U of R (Wally Comfort)<\/td>\n<\/tr>\n
sleeve 72<\/strong><\/td>\n[5-12-79] \u2013 Wilson Commons, U of R (Ev Gates and Chuck Collins)<\/td>\n<\/tr>\n
sleeve 73<\/strong><\/td>\n[5-12-79] \u2013 Wilson Commons, U of R (John LoVerde, Chuck Collins, Norbert Klem, Ev Gates<\/td>\n<\/tr>\n
sleeve 74<\/strong><\/td>\n[2-14-80] \u2013 NTID Harpist<\/td>\n<\/tr>\n
sleeve 75<\/strong><\/td>\n[4-25-80] \u2013 Gates- Chili High School (Carl Dengler, Curt Gerling, Francis Swan)<\/td>\n<\/tr>\n
sleeve 76<\/strong><\/td>\n[9-25-82] \u2013 McElver-Pschierer Wedding (Bob Mowers, Ev Gates, Carl Dengler, Gene Small, Wally Comfort)<\/td>\n<\/tr>\n
sleeve 77<\/strong><\/td>\n[10-19-82] \u2013 Stardust Dance (slide)<\/td>\n<\/tr>\n
sleeve 78<\/strong><\/td>\n[10-19-82] \u2013 Stardust Dance (slide)<\/td>\n<\/tr>\n
sleeve 79<\/strong><\/td>\n[10-19-82] \u2013 Stardust Dance (slide)<\/td>\n<\/tr>\n
sleeve 80<\/strong><\/td>\n[10-19-82] \u2013 Stardust Dance (slide)<\/td>\n<\/tr>\n
sleeve 81<\/strong><\/td>\n\u00a0[10-19-82] \u2013 Stardust Dance (slide)<\/td>\n<\/tr>\n
sleeve 82<\/strong><\/td>\n[5-12-84] \u2013 Mapledale Party House (Bobby Davies and Carl Dengler)<\/td>\n<\/tr>\n
sleeve 83<\/strong><\/td>\n[5-12-84] \u2013 Mapledale Party House (Carl Dengler, John Carbone, Ev Gates, Lorin Correll, Chuck Collins)<\/td>\n<\/tr>\n
sleeve 84<\/strong><\/td>\n\u00a0[1985] \u2013 Carl Dengler (3 photos)<\/td>\n<\/tr>\n
sleeve 85<\/strong><\/td>\n\u00a0[5-15-86] \u2013 Long Ridge Mall<\/td>\n<\/tr>\n
sleeve 86<\/strong><\/td>\n\u00a0[5-15-86] \u2013 Long Ridge Mall<\/td>\n<\/tr>\n
sleeve 87<\/strong><\/td>\n[1-20-87] \u2013 Stardust Room<\/td>\n<\/tr>\n
sleeve 88<\/strong><\/td>\n[1992] \u2013 Henry Clune<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 31″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1629224584229{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 1<\/strong><\/td>\n[undated]\u00a0 Unidentified vocalist appearing with the Dengler Band<\/td>\n<\/tr>\n
sleeve 2<\/strong><\/td>\n[undated]\u00a0 Mary Helen brown appearing with the Dengler Band<\/td>\n<\/tr>\n
sleeve 3<\/strong><\/td>\n[undated] Dengler Band<\/td>\n<\/tr>\n
sleeve 4<\/strong><\/td>\n[undated] Dengler Band<\/td>\n<\/tr>\n
sleeve 5<\/strong><\/td>\n[undated] Dengler Band<\/td>\n<\/tr>\n
sleeve 6<\/strong><\/td>\n[undated] Dengler Band<\/td>\n<\/tr>\n
sleeve 7<\/strong><\/td>\n[undated] Bobby Mowers and Ed Jaworski with the Dengler Band<\/td>\n<\/tr>\n
sleeve 8<\/strong><\/td>\n[undated] Bobby Mowers, Ed Jaworski, and an unidentified woman with the Dengler Band<\/td>\n<\/tr>\n
sleeve 9<\/strong><\/td>\n[undated] Bobby Mowers and Ed Jaworski<\/td>\n<\/tr>\n
sleeve 10<\/strong><\/td>\n[undated] Ray Shiner and Carl Dengler<\/td>\n<\/tr>\n
sleeve 11<\/strong><\/td>\n[undated] Ray Shiner and Carl Dengler<\/td>\n<\/tr>\n
sleeve 12<\/strong><\/td>\n[August 1937] Carl Dengler at home<\/td>\n<\/tr>\n
sleeve 13<\/strong><\/td>\n[August 1937] Carl Dengler at home<\/td>\n<\/tr>\n
sleeve 14<\/strong><\/td>\n[December, 1937] Carl Dengler at home<\/td>\n<\/tr>\n
sleeves 15
\nthrough 27<\/strong><\/td>\n		[summer 1971]\u00a0 Carl Dengler playing percussion<\/td>\n<\/tr>\n
sleeve 28<\/strong><\/td>\n[April, 1976]\u00a0 Carl Dengler with Tim Seiler, aged 8 at CD\u2019s studio<\/td>\n<\/tr>\n
sleeves 29
\nthrough 47<\/strong><\/td>\n		[1977] \u00a0The Dengler Band on the plaza in Manhattan Square Park, Rochester<\/td>\n<\/tr>\n
sleeves 48
\nthrough 60<\/strong><\/td>\n		[1978]\u00a0 The Dengler Band on the plaza in Manhattan Square Park<\/td>\n<\/tr>\n
sleeves 61
\nthrough 74<\/strong><\/td>\n		[March 27, 1979]\u00a0 Dengler Band at the Holiday Inn, downtown Rochester<\/td>\n<\/tr>\n
sleeves 75
\nthrough 89<\/strong><\/td>\n		[March 30, 1979]\u00a0 Dengler Band at Gates-Chili High School<\/td>\n<\/tr>\n
sleeves 90
\nthrough 95<\/strong><\/td>\n		[May 12, 1979]\u00a0 Dengler band at the University of Rochester<\/td>\n<\/tr>\n
sleeves 96
\nthrough 110<\/strong><\/td>\n		[August 12, 1979]\u00a0 Dengler Band on the plaza in Manhattan Square Park<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 32″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1629224654259{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeves 1
\nthrough 10<\/strong><\/td>\n		[October 16, 1979] \u00a0Dengler Band at Gates-Chili High School<\/td>\n<\/tr>\n
sleeves 11
\nthrough 13<\/strong><\/td>\n		[November 3, 1979]\u00a0 Dengler Band at St. Joseph\u2019s, Batavia<\/td>\n<\/tr>\n
sleeves 14
\nthrough 23<\/strong><\/td>\n		[November 17, 1979]\u00a0 Dengler Band at RIT<\/td>\n<\/tr>\n
sleeves 24
\nthrough 30<\/strong><\/td>\n		[December 15, 1979]\u00a0 Dengler Band at the University Club [Rochester]<\/td>\n<\/tr>\n
sleeves 31
\nthrough 34<\/strong><\/td>\n		[1979]\u00a0 Dengler Band at Geneseo, NY<\/td>\n<\/tr>\n
sleeves 35
\nand 36<\/strong><\/td>\n		[1979]\u00a0\u00a0 Dengler Band on the plaza in Manhattan Square Park, Rochester<\/td>\n<\/tr>\n
sleeves 37
\nthrough 43<\/strong><\/td>\n		[February 14, 1980]\u00a0 Dengler Band at NTID, Rochester<\/td>\n<\/tr>\n
sleeve 44<\/strong><\/td>\n[July 4, 1980]\u00a0 Dengler Band at Crossroads Park<\/td>\n<\/tr>\n
sleeve 45<\/strong><\/td>\n[April 7, 1981] \u00a0 Everett Gates<\/td>\n<\/tr>\n
sleeves 46
\nand 47<\/strong><\/td>\n		[August 5, 1983]\u00a0 Dengler Band at Westgate Plaza, Gates, New York<\/td>\n<\/tr>\n
sleeve 48<\/strong><\/td>\n[March 5, 1986]\u00a0\u00a0\u00a0 At WGN Radio, Chicago, Illinois<\/td>\n<\/tr>\n
sleeve 49<\/strong><\/td>\n[April 25, 1986]\u00a0 Dengler Band at Gates-Chili High School<\/td>\n<\/tr>\n
sleeve 50<\/strong><\/td>\n[July 8, 1986]\u00a0 Dengler Band on the plaza in Manhattan Square Park<\/td>\n<\/tr>\n
sleeve 51<\/strong><\/td>\n[January 20, 1987]\u00a0 Dengler Band in the Stardust Room<\/td>\n<\/tr>\n
sleeves 52
\nand 53<\/strong><\/td>\n		[May 1, 1987] Dengler Band at Gates-Chili High School<\/td>\n<\/tr>\n
sleeve 54<\/strong><\/td>\n[May 31, 1987]\u00a0 Dengler Band in an unidentified venue<\/td>\n<\/tr>\n
sleeve 55<\/strong><\/td>\n[Christmas, 1987]\u00a0 Lloyd Klos<\/td>\n<\/tr>\n
sleeves 56
\nthrough 58<\/strong><\/td>\n		[April 28, 1989]\u00a0 Dengler Band at Gates-Chili Junior High School<\/td>\n<\/tr>\n
sleeves 59
\nand 60<\/strong><\/td>\n		[summer 1990]\u00a0 Carl Dengler in his home studio at 53 Alberta Street<\/td>\n<\/tr>\n
sleeves 61
\nand 62<\/strong><\/td>\n		[1991]\u00a0 Carl and Ginny Dengler at home at 53 Alberta Street<\/td>\n<\/tr>\n
sleeve 63<\/strong><\/td>\n[April 19, 1996]\u00a0 Desmond Stone and Carl Dengler<\/td>\n<\/tr>\n
sleeve 64<\/strong><\/td>\n[May, 1996]\u00a0 Bill Dengler at Eastman School reception honoring Ruth Watanabe, retired head librarian<\/td>\n<\/tr>\n
sleeve 65<\/strong><\/td>\n[May, 1996]\u00a0 Carl Dengler and Everett Gates at Eastman School reception honoring Ruth Watanabe, retired head librarian<\/td>\n<\/tr>\n
sleeves 66
\nthrough 76<\/strong><\/td>\n		\n

[July 11, 2002]\u00a0 Carl Dengler and other guests on the occasion when he was presented with the ABVI Lifetime Achievement Award<\/p>\n

 <\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1629224755905{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series B: 5 x 7\u201d Sleeves <\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 33″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1629224818300{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 1<\/strong><\/td>\n[undated] \u2013 Band playing<\/td>\n<\/tr>\n
sleeve 2<\/strong><\/td>\n[undated] \u2013 Carl Dengler at drums<\/td>\n<\/tr>\n
sleeve 3<\/strong><\/td>\n[undated] \u2013 Peacock Room<\/td>\n<\/tr>\n
sleeve 4<\/strong><\/td>\n[undated] \u2013 Peacock Room<\/td>\n<\/tr>\n
sleeve 5<\/strong><\/td>\n[undated] \u2013 Peacock Room<\/td>\n<\/tr>\n
sleeve 6<\/strong><\/td>\n[undated] \u2013 Peacock Room<\/td>\n<\/tr>\n
sleeve 7<\/strong><\/td>\n[undated] \u2013 Peacock Room<\/td>\n<\/tr>\n
sleeve 8<\/strong><\/td>\n[undated]\u00a0 Carl Dengler Orchestra<\/td>\n<\/tr>\n
sleeve 9<\/strong><\/td>\n[undated]\u00a0 Carl Dengler, John Beck, Virginia McConnell<\/td>\n<\/tr>\n
sleeve 10<\/strong><\/td>\n[undated]\u00a0 Carl and Ginny Dengler<\/td>\n<\/tr>\n
sleeve 11<\/strong><\/td>\n[undated]\u00a0 Mr. and Mrs. Frederick D. Lamb and family<\/td>\n<\/tr>\n
sleeve 12<\/strong><\/td>\n[undated]\u00a0 Carl Dengler, with Proclamation<\/td>\n<\/tr>\n
sleeve 13<\/strong><\/td>\n[undated]\u00a0 Carl Dengler with unidentified man<\/td>\n<\/tr>\n
sleeve 14<\/strong><\/td>\n[undated]\u00a0 Carl Dengler with three others (unidentified)<\/td>\n<\/tr>\n
sleeve 15<\/strong><\/td>\n[undated]\u00a0 Ginny Dengler<\/td>\n<\/tr>\n
sleeve 16<\/strong><\/td>\n[undated]\u00a0 Ginny Dengler<\/td>\n<\/tr>\n
sleeve 17<\/strong><\/td>\n[1932] \u2014 Frederick R. Schubert, aged 11<\/td>\n<\/tr>\n
sleeve 18<\/strong><\/td>\n[1939] \u2013 Billy Rose and Eleanor Holm<\/td>\n<\/tr>\n
sleeve 19<\/strong><\/td>\n[Summer, 1941] \u2013 Hotel Manitou (Mr. Dengler at head of a Conga line)<\/td>\n<\/tr>\n
sleeve 20<\/strong><\/td>\n[Summer, 1941] \u2013 Hotel Manitou (Marson Hammond, Russel Friedwald, Frederick Schubert, Leonard Kahn, Maestro, Corrland Hartung)<\/td>\n<\/tr>\n
sleeve 21<\/strong><\/td>\n[1944] \u2013 Peacock Room (Al Evans, Clint Manning, Carl Dengler, Catherine Phelps, John Iamon)<\/td>\n<\/tr>\n
sleeve 22<\/strong><\/td>\n[December, 1944] \u2013 Peacock Room (Clint Manning, Betty Barney, John Iamon, Chuck Collins, Peter Andrews, Rudy Walters)<\/td>\n<\/tr>\n
sleeve 23<\/strong><\/td>\n[1943-1945] \u2013 Peacock Room (Marion Campbell, Chuck Collins, Carl Dengler, Sid Mear, Clint Manning, Pete Andrews, John Iamon)<\/td>\n<\/tr>\n
sleeve 24<\/strong><\/td>\n[1946-1947] \u2013 Peacock Room (Muzzy DePutter, John Iamon, John LoVerde, Carl Dengler, Chuck Collins, Pete Andrews, Clint Manning)<\/td>\n<\/tr>\n
sleeve 25<\/strong><\/td>\n[1950s] \u2013 Genesee Valley Club (Don & Sally Clapp, Carl Dengler)<\/td>\n<\/tr>\n
sleeve 26<\/strong><\/td>\n[1970] \u2013 Bob Mowers Group (John, Polly, Debbie, Charlene, Betty, Bob)<\/td>\n<\/tr>\n
sleeve 27<\/strong><\/td>\n[March, 1975] \u2013 Hospitality House<\/td>\n<\/tr>\n
sleeve 28<\/strong><\/td>\n[March, 1975] \u2013 Hospitality House<\/td>\n<\/tr>\n
sleeve 29<\/strong><\/td>\n[11-17-79] \u2013 RIT 150th<\/span>\u00a0Anniversary Champagne Dinner Dance<\/td>\n<\/tr>\n
sleeve 30<\/strong><\/td>\n[1980] \u2014 Lloyd Klos (inscribed to Carl Dengler)<\/td>\n<\/tr>\n
sleeve 31<\/strong><\/td>\n[1980]\u00a0 Carl Dengler, Vince Egan<\/td>\n<\/tr>\n
sleeve 32<\/strong><\/td>\n[4-2-82] \u2013 Gates High School (Joan and Ed Jaworski)<\/td>\n<\/tr>\n
sleeve 33<\/strong><\/td>\n[4-2-82] \u2013 Gates High School<\/td>\n<\/tr>\n
sleeve 34<\/strong><\/td>\n[4-2-82] \u2013 Gates High School<\/td>\n<\/tr>\n
sleeve 35<\/strong><\/td>\n[4-2-82] \u2013 Gates High School<\/td>\n<\/tr>\n
sleeve 36<\/strong><\/td>\n[4-2-82] \u2013 Gates High School<\/td>\n<\/tr>\n
sleeve 37<\/strong><\/td>\n[4-2-82] \u2013 Gates High School<\/td>\n<\/tr>\n
sleeve 38<\/strong><\/td>\n[4-2-82] \u2013 Gates High School<\/td>\n<\/tr>\n
sleeve 39<\/strong><\/td>\n[4-2-82] \u2013 Gates High School<\/td>\n<\/tr>\n
sleeve 40<\/strong><\/td>\n[4-2-82] \u2013 Gates High School<\/td>\n<\/tr>\n
sleeve 41<\/strong><\/td>\n[4-2-82] \u2013 Gates High School<\/td>\n<\/tr>\n
sleeve 42<\/strong><\/td>\n[4-2-82] \u2013 Gates High School<\/td>\n<\/tr>\n
sleeve 43<\/strong><\/td>\n[4-2-82] \u2013 Gates High School<\/td>\n<\/tr>\n
sleeve 44<\/strong><\/td>\n[4-2-82] \u2013 Gates High School<\/td>\n<\/tr>\n
sleeve 45<\/strong><\/td>\n[4-2-82] \u2013 Gates High School<\/td>\n<\/tr>\n
sleeve 46<\/strong><\/td>\n[4-2-82] \u2013 Gates High School<\/td>\n<\/tr>\n
sleeve 47<\/strong><\/td>\n[4-2-82] \u2013 Gates High School<\/td>\n<\/tr>\n
sleeve 48<\/strong><\/td>\n[4-2-82] \u2013 Gates High School (Carl Dengler on percussion)<\/td>\n<\/tr>\n
sleeve 49<\/strong><\/td>\n[11-19-82] \u2013 Gates Recreation<\/td>\n<\/tr>\n
sleeve 50<\/strong><\/td>\n[11-19-82] \u2013 Gates Recreation<\/td>\n<\/tr>\n
sleeve 51<\/strong><\/td>\n[11-19-82] \u2013 Gates Recreation<\/td>\n<\/tr>\n
sleeve 52<\/strong><\/td>\n[11-19-82] \u2013 Gates Recreation<\/td>\n<\/tr>\n
sleeve 53<\/strong><\/td>\n[11-19-82] \u2013 Gates Recreation<\/td>\n<\/tr>\n
sleeve 54<\/strong><\/td>\n[11-19-82] \u2013 Gates Recreation<\/td>\n<\/tr>\n
sleeve 55<\/strong><\/td>\n[11-19-82] \u2013 Gates Recreation<\/td>\n<\/tr>\n
sleeve 56<\/strong><\/td>\n[11-19-82] \u2013 Gates Recreation<\/td>\n<\/tr>\n
sleeve 57<\/strong><\/td>\n\u00a0[11-19-82] \u2013 Gates Recreation<\/td>\n<\/tr>\n
sleeve 58<\/strong><\/td>\n[11-19-82] \u2013 Gates Recreation<\/td>\n<\/tr>\n
sleeve 59<\/strong><\/td>\n[11-19-82] \u2013 Gates Recreation<\/td>\n<\/tr>\n
sleeve 60<\/strong><\/td>\n[11-19-82] \u2013 Gates Recreation<\/td>\n<\/tr>\n
sleeve 61<\/strong><\/td>\n[11-19-82] \u2013 Gates Recreation<\/td>\n<\/tr>\n
sleeve 62<\/strong><\/td>\n[1985]\u00a0 Roseland Dance Hall<\/td>\n<\/tr>\n
sleeve 63<\/strong><\/td>\n[October, 1985]\u00a0 Carl and Ginny Dengler, taken on a Canadian Empress Cruise<\/td>\n<\/tr>\n
sleeve 64<\/strong><\/td>\n[May, 1986]\u00a0 Carl and Ginny Dengler<\/td>\n<\/tr>\n
sleeve 65<\/strong><\/td>\n[April, 1987]\u00a0 Carl Dengler, Mayor Thomas Ryan, Lucian Morin and members of the Lions Club, seen at City Hall, Rochester, NY<\/td>\n<\/tr>\n
sleeve 66<\/strong><\/td>\n[May, 1987]\u00a0 Carl Dengler Orchestra (two prints)<\/td>\n<\/tr>\n
sleeve 67<\/strong><\/td>\n[January 20, 1987]\u00a0 Carl Dengler Orchestra at the Stardust Room<\/td>\n<\/tr>\n
sleeve 68<\/strong><\/td>\n[6-30-90] \u2013 Oak Hill Country Club:\u00a0 Remington Wedding (Carl Dengler, Charles Van Buren, Wally Comfort, John Carbone)<\/td>\n<\/tr>\n
sleeve 69<\/strong><\/td>\n[August, 1991]\u00a0 House on Brown St.<\/td>\n<\/tr>\n
sleeve 70<\/strong><\/td>\n[1992] \u2013 The Remsens<\/td>\n<\/tr>\n
sleeve 71<\/strong><\/td>\n[May, 1996]\u00a0 Carl Dengler and Robert Freeman<\/td>\n<\/tr>\n
sleeve 72<\/strong><\/td>\n[May, 1996]\u00a0 Carl Dengler and Everett Gates<\/td>\n<\/tr>\n
sleeves 73
\nthrough 80<\/strong><\/td>\n		[July 11, 2002]\u00a0 Carl Dengler and others at ABVI awards event<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1630419947265{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series C: 8 x 10\u201d sleeves <\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 34″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1630419981822{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 1<\/strong><\/td>\n[undated] \u2013 Unidentified men with cameras<\/td>\n<\/tr>\n
sleeve 2<\/strong><\/td>\n[undated] \u2013 Unlabeled man with liquor<\/td>\n<\/tr>\n
sleeve 3<\/strong><\/td>\n[undated] \u2013 Unlabeled<\/td>\n<\/tr>\n
sleeve 4<\/strong><\/td>\n[undated] \u2013Betty Gale<\/td>\n<\/tr>\n
sleeve 5<\/strong><\/td>\n[undated] \u2013 Betty Gale<\/td>\n<\/tr>\n
sleeve 6<\/strong><\/td>\n[undated] \u2013 Bill Rusniak (reproduction); inscribed to Carl Dengler<\/td>\n<\/tr>\n
sleeve 7<\/strong><\/td>\n[undated] \u2013 Bob Mowers<\/td>\n<\/tr>\n
sleeve 8<\/strong><\/td>\n[undated] \u2013 Bob Mowers Group (12 photos)<\/td>\n<\/tr>\n
sleeve 9<\/strong><\/td>\n[undated] \u2013 \u201cThe Buster Brown Boys\u201d (Sam Carlisi, Charles Parson, Fred Blum, Charles McCormack, Carl Dengler, Francis Swan, Syl Novelli)<\/td>\n<\/tr>\n
sleeve 10<\/strong><\/td>\n[undated] \u2013 Carl Dengler (3 photos)<\/td>\n<\/tr>\n
sleeve 11<\/strong><\/td>\n[undated] \u2013 Carl Dengler (4 photos)<\/td>\n<\/tr>\n
sleeve 12<\/strong><\/td>\n[undated] \u2013 Carl Dengler (9 photos)<\/td>\n<\/tr>\n
sleeve 13<\/strong><\/td>\n[undated] \u2013 The Debonairs (2 photos)<\/td>\n<\/tr>\n
sleeve 14<\/strong><\/td>\n[undated] \u2013 The Debonairs (2 photos)<\/td>\n<\/tr>\n
sleeve 15<\/strong><\/td>\n[undated] \u2013 Dengler Band<\/td>\n<\/tr>\n
sleeve 16<\/strong><\/td>\n[undated] \u2013 Dorothy Remsen (inscription to Carl Dengler)<\/td>\n<\/tr>\n
sleeve 17<\/strong><\/td>\n[undated] \u2013 Dorothy Remsen (inscription to Carl Dengler)<\/td>\n<\/tr>\n
sleeve 18<\/strong><\/td>\n[undated] \u2013 Edythe (inscription to \u201cFreddy\u201d from \u201cEdythe\u201d<\/td>\n<\/tr>\n
sleeve 19<\/strong><\/td>\n[undated] \u2013 \u201cTo Freddy Schubert\u201d<\/td>\n<\/tr>\n
sleeve 20<\/strong><\/td>\n[undated] \u2013 Guitar Player<\/td>\n<\/tr>\n
sleeve 21<\/strong><\/td>\n[undated] \u2013 John Beck (autographed)<\/td>\n<\/tr>\n
sleeve 22<\/strong><\/td>\n[undated] \u2013 Johnny Schwab at the Peacock Room (Mel Clement, Chuck Ayres, Carl Dengler, George Taplin, Herb White, Myron Sweeney, Vic Kowalski, Chuck Collins) \u2013 2 photos<\/td>\n<\/tr>\n
sleeve 23<\/strong><\/td>\n[undated] \u2013 Ken Frederick\u2019s Orchestra (photo and letter from Ken Frederick to Carl Dengler)<\/td>\n<\/tr>\n
sleeve 24<\/strong><\/td>\n\u00a0[undated] \u2013 Louie Bellson (autographed) \u2013 4 photos)<\/td>\n<\/tr>\n
sleeve 25<\/strong><\/td>\n[undated] \u2013 Miss Emma Lynn\u2019s School (photo and letter to Carl from W. Smith O\u2019Brien)<\/td>\n<\/tr>\n
sleeve 26<\/strong><\/td>\n\u00a0[undated] \u2013 \u201cReturn to Nancy Babcock\u201d<\/td>\n<\/tr>\n
sleeve 27<\/strong><\/td>\n[undated] \u2013 Peacock Room (2 photos)<\/td>\n<\/tr>\n
sleeve 28<\/strong><\/td>\n[1925] \u2013 Sax Smith\u2019s Cavaliers (2 photos)<\/td>\n<\/tr>\n
sleeve 29<\/strong><\/td>\n[1929] \u2013 Radio Station \u2013 WHAM (Clyde Morse, Helen Ankner)<\/td>\n<\/tr>\n
sleeve 30<\/strong><\/td>\n\u00a0[1931-1935] \u2013 Carl Dengler (5 photos)<\/td>\n<\/tr>\n
sleeve 31<\/strong><\/td>\n[November, 1936] \u2013 Carl Dengler (7 photos)<\/td>\n<\/tr>\n
sleeve 32<\/strong><\/td>\n\u00a0[1937] \u2013 George Leedham, Louis Saverina, Carl Hedquist, Carl Dengler<\/td>\n<\/tr>\n
sleeve 33<\/strong><\/td>\n[1937] \u2013 Kathryn \u201cKay\u201d Kreuzer (2 photos)<\/td>\n<\/tr>\n
sleeve 34<\/strong><\/td>\n[1938] \u2013 Dorothy Spencer (3 photos)<\/td>\n<\/tr>\n
sleeve 35<\/strong><\/td>\n[December, 1938] \u2013 Carl Dengler<\/td>\n<\/tr>\n
sleeve 36<\/strong><\/td>\n[1939] \u2013 Erwin Smith, William Rusniak, Everett Gates, Russell Garrison<\/td>\n<\/tr>\n
sleeve 37<\/strong><\/td>\n[1939] \u2013 Carl Dengler (3 photos)<\/td>\n<\/tr>\n
sleeve 38<\/strong><\/td>\n[November, 1940] \u2013 Carl Dengler (5 photos)<\/td>\n<\/tr>\n
sleeve 39<\/strong><\/td>\n[1942] \u2013 Romberg and Carl Dengler (3 photos)<\/td>\n<\/tr>\n
sleeve 40<\/strong><\/td>\n[1943] \u2013 Peacock Room<\/td>\n<\/tr>\n
sleeve 41<\/strong><\/td>\n[1945] \u2013 Peacock Room (3 photos)<\/td>\n<\/tr>\n
sleeve 42<\/strong><\/td>\n[1946] \u2013 Frankie Carle (inscription to Carl Dengler)<\/td>\n<\/tr>\n
sleeve 43<\/strong><\/td>\n[1951] \u2013 Carl Dengler (3 photos)<\/td>\n<\/tr>\n
sleeve 44<\/strong><\/td>\n[1957] \u2013 Carl Dengler (2 photos)<\/td>\n<\/tr>\n
sleeve 45<\/strong><\/td>\n[1957] \u2013 John Freitas (2 photos)<\/td>\n<\/tr>\n
sleeve 46<\/strong><\/td>\n[1957] \u2013 Thomas Ross (2 photos)<\/td>\n<\/tr>\n
sleeve 47<\/strong><\/td>\n[1959] \u2013 Cutler Union (2 photos)<\/td>\n<\/tr>\n
sleeve 48<\/strong><\/td>\n[1959] \u2013 The Debonairs (autographed)<\/td>\n<\/tr>\n
sleeve 49<\/strong><\/td>\n[1960] \u2013 Dengler Band (2 photos)<\/td>\n<\/tr>\n
sleeve 51<\/strong><\/td>\n[1960] \u2013 Rochester Club (6 photos)<\/td>\n<\/tr>\n
sleeve 52<\/strong><\/td>\n[1-17-60] \u2013 Carl Dengler<\/td>\n<\/tr>\n
sleeve 53<\/strong><\/td>\n[October, 1960] \u2013 Carl Dengler (2 photos)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 35″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1630420067395{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 1<\/strong><\/td>\n[October, 1963] \u2013 Stardust Roof<\/td>\n<\/tr>\n
sleeve 2<\/strong><\/td>\n[October, 1963] \u2013 Stardust Roof<\/td>\n<\/tr>\n
sleeve 3<\/strong><\/td>\n[October, 1963] \u2013 Stardust Roof (Carol Whitmore)<\/td>\n<\/tr>\n
sleeve 4<\/strong><\/td>\n[October, 1963] \u2013 Stardust Roof (5 photos)<\/td>\n<\/tr>\n
sleeve 5<\/strong><\/td>\n[1965] \u2013 Bobby Hackett and Carl Dengler<\/td>\n<\/tr>\n
sleeve 6<\/strong><\/td>\n[1965] \u2013 Oak Hill (3 photos)<\/td>\n<\/tr>\n
sleeve 7<\/strong><\/td>\n[November, 1965] \u2013 Oak Hill Country Club (Fred\u2019s 50th<\/span>\u00a0Wedding Anniversary and Carl Dengler)<\/td>\n<\/tr>\n
sleeve 8<\/strong><\/td>\n[1966] \u2013 Oak Hill (4 photos)<\/td>\n<\/tr>\n
sleeve 9<\/strong><\/td>\n[1966] — Michigan Music Festival<\/td>\n<\/tr>\n
sleeve 10<\/strong><\/td>\n[4-22-67] \u2013 Roger Williams<\/td>\n<\/tr>\n
sleeve 11<\/strong><\/td>\n[1968] \u2013 Logan\u2019s (3 photos)<\/td>\n<\/tr>\n
sleeve 12<\/strong><\/td>\n[1972] \u2013 Dengler and others<\/td>\n<\/tr>\n
sleeve 13<\/strong><\/td>\n[1973] \u2013 Steve May (inscription to Carl Dengler)<\/td>\n<\/tr>\n
sleeve 14<\/strong><\/td>\n[March 14, 1975] \u2013 Hope Hall, Hospitality House (3 copies)<\/td>\n<\/tr>\n
sleeve 15<\/strong><\/td>\n[November, 1975] \u2013 Batavia (2 photos)<\/td>\n<\/tr>\n
sleeve 16<\/strong><\/td>\n[1977] \u2013 Al Wilcox (inscription to Carl Dengler)<\/td>\n<\/tr>\n
sleeve 17<\/strong><\/td>\n[5-6-78] — Bobby Mowers at New City Hall<\/td>\n<\/tr>\n
sleeve 18<\/strong><\/td>\n[1985] \u2013 Carl Dengler (10 photos)<\/td>\n<\/tr>\n
sleeve 19<\/strong><\/td>\n[7-6-85] \u2013 Belhurst Castle:\u00a0 Geneva, NY (3 photos)<\/td>\n<\/tr>\n
sleeve 20<\/strong><\/td>\n[1987] \u2013 Lew Buckley (inscription to Carl Dengler) \u2013 Reproduction<\/td>\n<\/tr>\n
sleeve 21<\/strong><\/td>\n[1-20-87] \u2013 Stardust Room<\/td>\n<\/tr>\n
sleeve 22<\/strong><\/td>\n\u00a0[August, 1992] \u2013 Matt and Ginny Dennis (inscriptions to Carl Dengler)<\/td>\n<\/tr>\n
sleeve 23<\/strong><\/td>\n[1999] — Kay Ebeling<\/td>\n<\/tr>\n
sleeve 24<\/strong><\/td>\n[undated] — Dengler Band<\/td>\n<\/tr>\n
sleeve 25<\/strong><\/td>\n[undated] — Carl Dengler<\/td>\n<\/tr>\n
sleeve 26<\/strong><\/td>\n[undated] — Unidentified woman (? possibly Ginny in her youth)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1630420132521{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series D: 9 x 12\u201d sleeves <\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 35, continued” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1630420163935{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
sleeve 27<\/strong><\/td>\n[undated] \u2013 Sagamore Roof (Ken Brown, Newcome, Duffy, Bob Fair, Olney Smith, Jensen)<\/td>\n<\/tr>\n
sleeve 28<\/strong><\/td>\n[1932] — Fred Schubert<\/td>\n<\/tr>\n
sleeve 29<\/strong><\/td>\n[1944] — Carl and Ginny Dengler, taken on the Genesee River<\/td>\n<\/tr>\n
sleeve 30<\/strong><\/td>\n[approximately 1956] — Dengler Band<\/td>\n<\/tr>\n
sleeve 31<\/strong><\/td>\n[1973] — Sax Smith<\/td>\n<\/tr>\n
sleeve 32<\/strong><\/td>\n[April, 1991] — Carl and Ginny Dengler<\/td>\n<\/tr>\n
sleeve 33<\/strong><\/td>\n[birthday, 1992] — Springbrook Inn<\/td>\n<\/tr>\n
sleeve 34<\/strong><\/td>\n[undated] — Banquet hall (interior)<\/td>\n<\/tr>\n
sleeve 35<\/strong><\/td>\n[undated] — Carl Dengler. Reproduction of high school graduation photo<\/td>\n<\/tr>\n
sleeve 36<\/strong><\/td>\n[undated] — Carl Dengler. Publicity shot<\/td>\n<\/tr>\n
sleeve 37<\/strong><\/td>\n[undated] — Carl Dengler. Publicity shot<\/td>\n<\/tr>\n
sleeve 38<\/strong><\/td>\n[undated] — Carl Dengler, Roger Williams<\/td>\n<\/tr>\n
sleeve 39<\/strong><\/td>\n[undated] — Carl Dengler, Roger Williams, unidentified woman<\/td>\n<\/tr>\n
sleeve 40<\/strong><\/td>\n[undated] — Carl Dengler, Sigmund Romberg<\/td>\n<\/tr>\n
sleeve 41<\/strong><\/td>\n[undated] — The Debonairs. Publicity shot \u201cfeatured with Carl Dengler and his Music\u201d<\/td>\n<\/tr>\n
sleeve 42<\/strong><\/td>\n[undated] —\u00a0 Yankee Six Orchestra<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1630420236836{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series E: Framed Photos <\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 36″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1630420251569{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nCarl Dengler and five colleagues in Rochester\u2019s Peacock Room, 1944.
\nMr. Dengler at the drums; the five musicians\u2019 names handwritten on the frame\u2019s reverse.
\nB&W; in frame, 7.75 x 5.75\u201d<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nCarl Dengler in his mature years.
\nColor; in frame, 8.75 x 11\u201d<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nGinny Dengler in her young adulthood
\nColor; in frame, 8 x 10\u201d<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\n\u201cCarl Dengler and his music\u201d [publicity photo]
\nB&W; in frame, 8.25 x 10.25\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1630420320723{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series F: Oversized Photos <\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1630420378570{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n
folder 6<\/strong><\/td>\nThe Rochesterians [musical ensemble].
\nThe musicians\u2019 names of handwritten on reverse.
\nB&W, 8.75 x 12.25\u201d<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nDamon Lang\u2019s Orchestra. 1920.
\nB&W, 9.5 x 12.5\u201d
\nPhoto by Morrall, Rochester, N.Y.<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nFour musicians during live CBS radio broadcast, ca. 1935-36.
\nB&W, 9.25 x 12.75\u201d
\nNames on accompanying slip: Ralph Mazza, Don Lindley, Harlan Wells, Charlie Barber.<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nCarl Dengler.
\nB&W, 10.5 x 13.5\u201d (mounted on cardstock)
\nPresented by St. John Fisher College, December, 1983.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1630420467653{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 5: Scrapbooks<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 1″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1609868580463{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Box 37<\/strong><\/td>\nWesley Howland\u2019s scrapbook of fraternity activities; 1924-1929<\/td>\n<\/tr>\n
Box 38<\/strong><\/td>\nScrapbook leaves, lacking front and back covers; 1936-1944<\/td>\n<\/tr>\n
scrapbook 1<\/strong><\/td>\n1914-1939<\/td>\n<\/tr>\n
scrapbook 2<\/strong><\/td>\n1940-1949<\/td>\n<\/tr>\n
scrapbook 3<\/strong><\/td>\n1950-1959<\/td>\n<\/tr>\n
scrapbook 4<\/strong><\/td>\n1960-1965<\/td>\n<\/tr>\n
scrapbook 5<\/strong><\/td>\n1966-1969<\/td>\n<\/tr>\n
scrapbook 6<\/strong><\/td>\n1970-1073<\/td>\n<\/tr>\n
scrapbook 7<\/strong><\/td>\n1974-1977<\/td>\n<\/tr>\n
scrapbook 8<\/strong><\/td>\n1978-1980<\/td>\n<\/tr>\n
scrapbook 9<\/strong><\/td>\n1981-1985<\/td>\n<\/tr>\n
scrapbook 10<\/strong><\/td>\n1985-1991<\/td>\n<\/tr>\n
scrapbook 11<\/strong><\/td>\n1992-1999<\/td>\n<\/tr>\n
scrapbook 12<\/strong><\/td>\n1999-2001<\/td>\n<\/tr>\n
scrapbook 13<\/strong><\/td>\nPress items, letters, and other documents pertaining to Alec Miller; Roger\u00a0Williams; Willis Page; Howard Hanson<\/td>\n<\/tr>\n
scrapbook 14<\/strong><\/td>\nPress items, letters, and other documents pertaining to a host of \u201cBig Band Celebs\u201d including Guy Lombardo; Frankie Carle; Stan Kenton; Joe Mooney; Lester Lanin; and many others<\/td>\n<\/tr>\n
scrapbook 15<\/strong><\/td>\nPhotos of musicians of local and national standing, many of which are inscribed personally to Carl Dengler; also included are photos of Carl Dengler and his band members in various venues; 1930s\u20131989.
\nThe pictured personalities include Tommy Thomas; a young Carl Dengler; Dengler and colleagues at the Hotel Rochester, 1937; Dengler and colleagues aboard the S. S. Argentine, 10\/15\/39; Dengler and other at the Hotel Manitou, summer 1941; Dengler and his orchestra, approximately 1956; Dengler and his orchestra playing Oak Hill; Dengler and his orchestra at the Rochester Club; saxophonist Fred Schubert, aged 11, 1932; Howard Hanson (inscribed to Carl Dengler); Robert Freeman (inscribed to Carl Dengler); Alec Wilder (inscribed to Carl Dengler); MS lead sheet \u201cWill I Be Upset\u201d; letter (October 12, 1996) from Loonis McGlohon; Carl Dengler with Sigmund Romberg; Freddy Martin (inscribed to Carl Dengler); Russ Morgan (inscribed to Carl Dengler); Clyde McCoy (inscribed to Carl Dengler); Fred Waring and his orchestra (inscribed to Carl Dengler); Jimmie Lunceford and his orchestra; Carl with Vincent Lopez; column \u201cVincent Lopez\u201d is mourned published in International Musician, <\/em>1975; Meyer Davis (inscribed to Carl Dengler); 45rpm disc \u201cAquarius\u201d instrumental version recorded by Lester Lanin and his orchestra, the sleeve inscribed to Carl and Ginny by Mr. Lanin; Frankie Carle (inscribed to Carl Dengler); Roger Williams (inscribed to Carl Dengler); Roger Williams (unsigned publicity shot); Bob Hemings; Lou Combs, Kelly Dan-Price, Betty Dean McGuire; Betty McGuire with accompanying note; Carl with Bobby Hackett; Carl with Jimmy Carroll; Lew Buckley with his Dixieland band colleagues (inscribed to Carl Dengler); Lew Buckley, with baton (inscribed to Carl Dengler); Captain William D. Rusinak of the U. S. Marine Band (inscribed to Carl Dengler); Bill Rusinak (inscribed to Carl Dengler); Carl with Dorothy Spencer Remsen, 1938; Roxanne Roth, 1971; Rosalyn Troiano, 1989; George Marge (inscribed to Carl Dengler); George Marge (inscribed to Carl Dengler); Al Wilcox (inscribed to Carl Dengler); John Beck (inscribed to Carl Dengler); Louis Bellson (inscribed to Carl Dengler); Phil Kraus (inscribed to Carl Dengler);<\/td>\n<\/tr>\n
scrapbook 16<\/strong><\/td>\nVarious personalities represented:
\nHenry Clune, Curt Gerling, and other columnists; TV & radio personalities; Lou Ouzer; Barber Conable; Bill Darling; Elwood Glover; Henry Ebeling; Jeff Healey; and several local (Rochester, NY) figures.<\/td>\n<\/tr>\n
scrapbook 17<\/strong><\/td>\nA record of Carl Dengler\u2019s ABVI Lifetime Achievement Award, together with other awards and mementoes.
\nCompiled on Mr. Dengler\u2019s behalf in 2005 by Kirsten Shiner-McGuire.<\/td>\n<\/tr>\n
scrapbook 18<\/strong><\/td>\nResearch notes on Rochester, NY musical life taken and collated by Lloyd E. Klos on Mr. Dengler\u2019s behalf.\u00a0 Numerous pages of typescript content.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1630420541718{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 6: Correspondence<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 39″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1630420564427{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nWalter Chilman<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nHenry Clune<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nJoe Dixon<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nMyron Floren<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nBill Irwin<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nJohn Jones<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nBill McNeil<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nFreddy Martin<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nOrchestra World<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nWillis Page<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nThe Remsens<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nSouth America Trip<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nDesmond Stone<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nRaymond Suhl<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nAlec Wilder<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nRoger Williams<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nFan mail<\/td>\n<\/tr>\n
folder 18<\/strong><\/td>\nOutbound letters<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1630420629078{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 7: Programs<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 40″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1630420647093{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\n1940s<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\n1950s<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\n1960s<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\n1970s<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\n1980s<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\n1990s<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nUndated<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1630420712806{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 8: Press Material<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 40, continued” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1630420680398{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
folder 8<\/strong><\/td>\nPress clippings, 1930s<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nPress clippings, 1940s<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nPress clippings, 1950s<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nPress clippings, 1960s
\n*Oversized 1960s clippings separated to box 44\/folder 1.<\/em><\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nPress clippings, 1970s
\n*Oversized 1970s clippings separated to box 44\/folder 2.<\/em><\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nPress clippings, 1980s
\n*Oversized 1980s clippings separated to box 44\/folder 3.<\/em><\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nPress clippings, 1990s
\n*Oversized 1990s clippings separated to box 44\/folder 4.<\/em><\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nPress clippings, 2000s
\n*This content is oversized; separated to box 44\/folder 5.<\/em><\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nPress clippings, undated<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1630420799646{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 9: Association with Alec Wilder<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 41″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1630420825404{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text css=”.vc_custom_1630420928170{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series A: Manuscript Music <\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nBlackberry Winter<\/em>.\u00a0 (reproduction)<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nFoggy Day.<\/em>\u00a0(piano\/chimes, bass, baritone sax, clarinet, III sax, trumpet I, trumpet II, trombone)<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nIf Someday Comes Ever Again<\/em>.\u00a0 (reproduction)<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nIt\u2019s So Peaceful in the Country<\/em>.\u00a0 (piano, bass, tenor sax I, tenor sax II, tenor sax III, trumpet I, trumpet II)<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nThe Lady Sings the Blues<\/em>.\u00a0 (piano, bass, 1st<\/span>\u00a0sax, 2nd<\/span>\u00a0sax, 3rd<\/span>\u00a0sax, 4th<\/span>\u00a0sax, 1st<\/span>\u00a0trumpet, 2nd<\/span>\u00a0trumpet, 3rd<\/span>\u00a0trumpet, 1st<\/span>\u00a0trombone, 2nd<\/span>\u00a0trombone, 3rd<\/span>\u00a0trombone)<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nMirrors<\/em>.\u00a0 (score)<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nMy Kind of Blues<\/em>.\u00a0 (reproduction)<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nSaturday\u2019s Child.\u00a0\u00a0<\/em>(reproduction)<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nSoft as Spring\u00a0<\/em>\u00a0(2nd piano)<\/td>\n<\/tr>\n
folder 10<\/strong><\/td>\nTwilight World<\/em>.\u00a0 Inscription to Carl from Marian McPartland. (reproduction)<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nWill I Be Upset<\/em>.\u00a0 (piano, tenor, bass)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1630420984752{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series B: Published Music<\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
folder 12<\/strong><\/td>\nWilder, Alec.\u00a0\u00a0I Got Big Eyes for You<\/em>.\u00a0 New York:\u00a0 Essex Music, Inc., 1952.\u00a0 Cover photo: \u201cIntroduced and recorded by TOMMY DORSEY on Decca Records.\u201d<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nWilder, Alec.\u00a0\u00a0I\u2019ll Be Around<\/em>.\u00a0 New York:\u00a0 Edwin H. Morris & Co., 1943.\u00a0 Cover photo: \u201cFeatured by The Mills Brothers.\u201d<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nWilder, Alec.\u00a0 Arr. Fud Livingston.\u00a0\u00a0It\u2019s So Peaceful in the Country<\/em>.\u00a0 New York:\u00a0 Regent Music Corp., 1941.\u00a0 (1st<\/span>\u00a0Trumpet, Piano, Bass)<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nWilder, Alec.\u00a0\u00a0The Outstanding Work of Alec Wilder:\u00a0 A Special Folio for the Entertainment Industry<\/em>.\u00a0 New York:\u00a0 Regent Music Corp.\u00a0 51 pages.<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nWilder, Alec.\u00a0\u00a0Songs by Alec Wilder<\/em>.\u00a0 Hollis Music, Inc.\u00a0 104 pages.<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nWilder, Alec.\u00a0\u00a0Songs by Alec Wilder:\u00a0 A Collection of Heretofore Unpublished Compositions.\u00a0\u00a0<\/em>New York:\u00a0 Ludlow Music, Inc., 1955.\u00a0 23 pages.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1630421153573{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series C: Papers<\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n
folder 18<\/strong><\/td>\nCopies of various issues of the Friends of Alec Wilder Newsletter<\/em><\/td>\n<\/tr>\n
folder 19<\/strong><\/td>\nPress releases<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1630421188996{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Sub-series D: Books<\/em><\/strong><\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n\n\n\n\n
item 1<\/strong><\/td>\nStone, Desmond.\u00a0\u00a0Alec Wilder in Spite of Himself:\u00a0 A Life of the Composer<\/em>.\u00a0 New York:\u00a0 Oxford University Press, 1996.\u00a0 244 pages.\u00a0 Inscription to Carl Dengler from Des Stone.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nWilder, Alec.\u00a0\u00a0Letters I Never Mailed.\u00a0\u00a0<\/em>Boston, MA:\u00a0 Little, Brown and Co., 1975.\u00a0 243 pages.\u00a0 Inscription to Carl Dengler from Alec Wilder.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1630592267521{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 10: Books<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 42″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1630422201995{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nBordman, Gerald.\u00a0\u00a0Jerome Kern:\u00a0 His Life and Music<\/em>.\u00a0 New York:\u00a0 Oxford University Press, 1980.\u00a0 438 pages.\u00a0 Inscribed to Carl Dengler by Friends of the Penfield Library.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nBordman, Gerald.\u00a0\u00a0Jerome Kern:\u00a0 His Life and Music<\/em>.\u00a0 New York: \u00a0Oxford University Press, 1980. 438 pages.\u00a0 Inscribed to Carl Dengler by Everett Gates, 28 May 1981.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nHadfield, John, editor.\u00a0A Last Encore: Words by No\u00ebl Coward. Pictures from His Life and Times<\/em>.\u00a0 Boston:\u00a0 Little, Brown and Company, 1973.\u00a0 144 pages.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nRodgers, Richard.\u00a0\u00a0Musical Stages:\u00a0 An Autobiography<\/em>.\u00a0 New York:\u00a0 Random House, 1975.\u00a0 341 pages.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nShemel, Sidney and M. William Krasilovsky.\u00a0\u00a0This Business of Music:\u00a0 A Practical Guide to the Music Industry for Publishers, Writers, Record Companies, Producers, Artists, Agents<\/em>.\u00a0 New York:\u00a0 Billboard Publishing Company, 1964.\u00a0 420 pages.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nWilder, Alec. American Popular Song: The Great Innovators, 1900-1950. <\/em>Edited and with an introduction by James T. Maher.\u00a0 New York: Oxford University Press, 1972.\u00a0 536 pages.\u00a0 \u201cFor Carl Dengler \/ One of my most dear and loyal friends and perhaps the most steadfast believer in good songs I have ever known \/ Alec Wilder \/ Jan. 25, 1973\u201d\u2014inscription inside front cover.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 43″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1630422272845{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n
item 1<\/strong><\/td>\nBrown, Goold.\u00a0\u00a0The First Lines of English Grammar.\u00a0\u00a0<\/em>New and revised edition. New York: William Wood & Company, 1888.\u00a0 156 pages.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nMcNeill, Don.\u00a0\u00a0Breakfast Club Family Album.\u00a0<\/em>Chicago: Don McNeill, c1942.\u00a0 96 pages.\u00a0 Inscribed by the author.<\/td>\n<\/tr>\n
item 2<\/strong><\/td>\nMcKelvey, Blake.\u00a0\u00a0A Panoramic History of Rochester and Monroe County, New York.\u00a0<\/em>Woodland Hills, California: Windsor Publications, 1980, 1979.\u00a0 Second edition. 264 pages.\u00a0 Inscribed to Carl Dengler by Everett Gates, December 16, 1985.<\/td>\n<\/tr>\n
item 3<\/strong><\/td>\nClune, Henry.\u00a0\u00a0Souvenir, and Other Stories.\u00a0\u00a0<\/em>Illustrated by Marilyn Reynolds.\u00a0 Geneseo, New York: James Brunner, 1990.\u00a0 218 pages.\u00a0 Inscribed to Carl by the author.<\/td>\n<\/tr>\n
item 4<\/strong><\/td>\nMcNeil, Bill.\u00a0\u00a0Voice of the Pioneer,\u00a0<\/em>volume two. Toronto: Macmillan of Canada, 1984.\u00a0 271 pages.\u00a0 Inscribed to Carl and Ginny on their wedding anniversary (1984) by the author.
\nAccompanied by a copy of an appreciation of Bill McNeil (1924-2003) by Kenneth Bagnell, printed in\u00a0The Globe and Mail,\u00a0<\/em>February 4, 2003.<\/td>\n<\/tr>\n
item 5<\/strong><\/td>\nThinking of You.\u00a0<\/em>A poem by Louis Untermeyer. New York: Golden Press.\u00a0 Inscribed to Ginny by Vera.<\/td>\n<\/tr>\n
item 6<\/strong><\/td>\nChasing a Rainbow.\u00a0<\/em>\u00a0Carl Dengler\u2019s notes for an autobiography.
\nTypescript; 28 pages of content (not a continuous narrative).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1630422344584{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 11: Awards<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 44″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1630422353246{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n
folder 10<\/strong><\/td>\nCertificates [reproductions].
\nCertificate of Appreciation, awarded to Carl Dengler for work in furthering the mission of ABVI, June 13th, 1988.
\nLetter (January 22, 1992) informing Carl Dengler of his election to Writer Membership in ASCAP.
\nVolunteer Award, presented to Carl Dengler by the ABVI of Greater Rochester, May 1st, 1992.<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nCertificates.
\n\u201cBravo\u201d awarded to Carl Dengler in recognition of dedication and commitment to ABVI, April 26th, 1991.
\nVolunteer Service Award, certificate in grateful recognition of outstanding performance, dedicated service and contribution to the volunteer program of the ABVI, April 23rd, 1993.<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nPapers from the ABVI of Greater Rochester.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nCertificate of Appreciation, presented to Carl Dengler by the ABVI of Greater Rochester, June 13th, 1988.\u00a0 Framed.<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nCommunity Service Award, presented to Carl Dengler by the ABVI of Greater Rochester, June 14th, 1993.\u00a0 Framed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_custom_heading text=”Box 45″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1630422412751{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n
\u00a0<\/td>\n\n

Contains one item:<\/em><\/p>\n

2002 Lifetime Achievement Award, presented by the ABVI of Greater Rochester. \u00a0Glass.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1630422517771{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”]<\/p>\n

<\/a>Series 12: Ephemera<\/h3>\n

[\/vc_column_text][vc_custom_heading text=”Box 46″ font_container=”tag:h4|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1630422529888{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;border-left-color: #cccccc !important;border-left-style: solid !important;border-right-color: #cccccc !important;border-right-style: solid !important;border-top-color: #cccccc !important;border-top-style: solid !important;border-bottom-color: #cccccc !important;border-bottom-style: solid !important;}”][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
folder 1<\/strong><\/td>\nPublicity posters and handbills<\/td>\n<\/tr>\n
folder 2<\/strong><\/td>\nScenes out of Rochester\u2019s past:
\nreproductions of photographs; and, one copy of the publication\u00a0Westward Ho! –to Rochesterville: Sketches of Early Rochester,\u00a0<\/em>published by Scrantom\u2019s Book & Stationery Co., Inc., 1968.<\/td>\n<\/tr>\n
folder 3<\/strong><\/td>\nMenus<\/td>\n<\/tr>\n
folder 4<\/strong><\/td>\nKeynoter,\u00a0<\/em>spring 1994 issue<\/td>\n<\/tr>\n
folder 5<\/strong><\/td>\nRochester Radio Revue & Entertainment Guide,<\/em>\u00a0week of April 11th, 1948
\nCarl Dengler featured on pages 1, 24.<\/td>\n<\/tr>\n
folder 6<\/strong><\/td>\nRochesterama Spotlight Magazine,\u00a0<\/em>vol. 7, no. 3 (March, 1968).
\nThe Carl Dengler Orchestra promoted on page 19.<\/td>\n<\/tr>\n
folder 7<\/strong><\/td>\nTravel maps and guides for San Francisco, California<\/td>\n<\/tr>\n
folder 8<\/strong><\/td>\nPicture postcards and other items from Florida<\/td>\n<\/tr>\n
folder 9<\/strong><\/td>\nRochester TV Life, <\/em>14 issues.
\nvol. 1, no. 3 (week of December 20, 1951)
\n* Carl Dengler\u2019s orchestra cited in \u201cWelcome to the Barn\u201d (pp. 13-14).<\/p>\n

vol. 2, no. 1 (week of January 26\/February 1, 1952)
\n* Carl Dengler profiled in \u201cDengler: He makes wonderful music — any way you want it!\u201d (pp. 13, 20).<\/p>\n

vol. 2, no. 2 (week of February 2\/8, 1952)
\n* \u201cDean of the Down Beat: Reminiscence with Carl Dengler\u201d (pp. 10, 13).<\/p>\n

vol. 2, no. 3 (week of February 9\/15, 1952)
\n* \u201cDean of the Down Beat: Reminiscence with Carl Dengler\u201d (p. 9).<\/p>\n

vol. 2, no. 4 (week of February 16\/22, 1952)
\n* \u201cDean of the Down Beat: Reminiscence with Carl Dengler\u201d (p. 9).<\/p>\n

vol. 2, no. 5 (week of February 23\/29, 1952)
\n* \u201cDean of the Down Beat: Reminiscence with Carl Dengler\u201d (p. 10).<\/p>\n

vol. 2, no. 6 (week of March 1\/7, 1952)
\n* \u201cDean of the Down Beat: Reminiscence with Carl Dengler\u201d (p. 10)<\/p>\n

vol. 2, no. 7 (week of March 8-14, 1952)
\n* \u201cDean of the Down Beat: Reminiscence with Carl Dengler\u201d (p. 10)<\/p>\n

vol. 2, no. 8 (week of March 15\/21, 1952)
\n* \u201cDean of the Down Beat: Reminiscence with Carl Dengler\u201d (p. 10)<\/p>\n

vol. 2, no. 9 (week of March 22\/28, 1952)
\n* \u201cDean of the Down Beat: Reminiscence with Carl Dengler\u201d (p. 10)<\/p>\n

vol. 2, no. 10 (week of March 29\/April 4, 1952)
\n* \u201cDean of the Down Beat: Reminiscence with Carl Dengler\u201d (p. 10)<\/p>\n

vol. 2, no. 15 (week of June 7\/13, 1952)
\n* \u201cDean of the Down Beat: Reminiscence with Carl Dengler\u201d (p. 10)<\/p>\n

vol. 2, no. 16 (week of June 27\/July 4, 1952)
\n* \u201cDean of the Down Beat: Reminiscence with Carl Dengler\u201d (p. 8)<\/p>\n

vol. 2, no. 26 (week of September 6-12, 1952)
\n* Carl Dengler profiled in \u201c17 Musical Years\u201d (pp. 7-8)<\/p>\n<\/td>\n<\/tr>\n

folder 10<\/strong><\/td>\nPicture postcards and other items from Las Vegas<\/td>\n<\/tr>\n
folder 11<\/strong><\/td>\nPicture postcards and other items from Hawaii<\/td>\n<\/tr>\n
folder 12<\/strong><\/td>\nOther publicity and ephemera promoting Carl Dengler and his music.
\nEspecially noteworthy is a copy of a promotional flyer for Carl Dengler\u2019s Rainbow Rhythm, \u201cSociety\u2019s Musical Cocktail\u201d profiling the band and listing the venues where it was featured.<\/td>\n<\/tr>\n
folder 13<\/strong><\/td>\nPress clippings on Alec Wilder<\/td>\n<\/tr>\n
folder 14<\/strong><\/td>\nInvitations<\/td>\n<\/tr>\n
folder 15<\/strong><\/td>\nOther ephemera (first of two)<\/td>\n<\/tr>\n
folder 16<\/strong><\/td>\nOther ephemera (second of two)<\/td>\n<\/tr>\n
folder 17<\/strong><\/td>\nPortrait of Carl Dengler.\u00a0 Pencil drawing, unsigned.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

\u2190 CARL DENGLER COLLECTION: Sub-group I<\/a><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

CARL DENGLER COLLECTION: Sub-group III\u2192<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1628625128974{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 20px !important;padding-left: 0px !important;}”] SUB-GROUP II: PAPERS [\/vc_column_text][vc_column_text css=”.vc_custom_1628625161936{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px !important;padding-bottom: 10px !important;padding-left: 0px !important;}”] Series 4: Photographs [\/vc_column_text][vc_column_text css=”.vc_custom_1628625188808{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 10px !important;padding-right: 0px […]<\/p>\n","protected":false},"author":42,"featured_media":0,"parent":1151,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template_Finding_Aids.php","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"coauthors":[12],"class_list":["post-8509","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/8509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=8509"}],"version-history":[{"count":0,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/8509\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/pages\/1151"}],"wp:attachment":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=8509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=8509"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=8509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}