{"id":14509,"date":"2022-06-25T13:14:00","date_gmt":"2022-06-25T17:14:00","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?p=14509"},"modified":"2025-07-08T12:02:34","modified_gmt":"2025-07-08T16:02:34","slug":"june26-july3","status":"publish","type":"post","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/2022\/06\/june26-july3\/","title":{"rendered":"June 26th – July 3rd: American Harp Society\u2019s 6th annual conference"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1719334729355{background-color: #ffffff !important;}”]Published on June 26th, 2022<\/em><\/p>\n

Back to This Week at Eastman<\/a><\/p>\n

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Fifty-three years ago this week, harp performance and pedagogy were much in evidence when the Eastman School hosted the American Harp Society\u2019s sixth national conference, which took place on June 26th-29th, 1969.\u00a0 The conference was chaired by faculty member Eileen Malone, Professor of Harp, and was attended by some 200 individuals, representing most of the nation\u2019s major orchestras and music schools.\u00a0 The official program book is displayed here, presenting program details for the conference events.<\/p>\n

With its splendid facilities and abundant prestige, the Eastman School had been hosting professional conferences and meetings going back to the 1930s, some of the earliest ones being the joint convention of the National Association of Organists and the Canadian College of Organists in September, 1932; the 13th general convention of the American Guild of Organists in June, 1934; and the eighth annual meeting of the Music Library Association in November, 1939.\u00a0 The Eastman School\u2019s harp studio had been a recognized powerhouse training ground for decades, having been shaped and guided by Professors Lucile Johnson (1898-1992; served 1921-36) and Eileen Malone (1906-1999; served 1936-89).\u00a0 Ms. Johnson (later Mrs. Lucile Rosenbloom) had studied in Paris with the renowned harpist-pedagogue Marcel Tournier (1879-1951), and Eileen Malone in the years following her graduation from Eastman (BM\/PC \u201928) had also studied with Tournier and then with the renowned Marcel Grandjany (1891-1975). Ms. Malone\u2019s successor, Kathleen Bride, also studied with Mr. Grandjany, and enjoyed a collegial working relationship with him until his death.\u00a0 Both Tournier and Grandjany rank as two of the most respected harpist-composers of the 20th century; their influence has been felt at Eastman right across the past century.\u00a0 The American Harp Society was still a relatively new association when it met in Rochester in 1969, having only recently been founded in 1963.\u00a0 The Eastman School\u2019s recognition of the AHS via hosting its national conference once again confirmed Eastman as a center for harp performance and pedagogy.<\/p>\n

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Official program booklet for the 6th national conference of the American Harp Society. Eileen Malone Collection, box 23\/folder 5. <\/span><\/p>\n

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Renowned harpist-composer Marcel Grandjany with Eastman alumnus Robert Barlow during the conference, June, 1969 <\/span><\/p>\n

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Composer Alec Wilder and harpist Eileen Malone in conversation in the Eastman School\u2019s Main Hall (today Lowry Hall) during the AHS 6th national conference, June, 1969. <\/span><\/p>\n

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There were three recitals, each in Kilbourn Hall, and two workshops. Social events included a cook-out at hosted by Eastman School Director Walter Hendl at the Director\u2019s official residence, Hutchison House, 930 East Avenue (the neighboring property to Mr. Eastman\u2019s house).\u00a0 In addition, the conference was the setting for the finals of the National Harp Competition which the AHS sponsored.\u00a0 The Competition encompassed five divisions of pedal harp performance; a first prize would be awarded in each.\u00a0 Three Eastman-trained harpists, all pupils of Eileen Malone (two then-current students and one alumnus), won first prizes in their respective divisions\u00a0 Karen Lindquist of Oxford, California won first prize in the Advanced Division; she would go on to study at the Juilliard School with Marcel Grandjany, and is today an accomplished concert harpist.\u00a0 Rita Tursi (today Mrs. Rita Costanzi), also a pupil in Ms. Malone\u2019s preparatory class and daughter of faculty member Francis Tursi, won in the Intermediate Division; she would later graduate from Eastman (BM \u201976), and has enjoyed a thriving performing career.\u00a0 The top division, the Young Professionals Division, offered as its first prize a New York debut recital at Carnegie Hall; it was won by Robert Barlow, BM \u201961, who at this time was pursuing graduate studies at the Juilliard School (DMA \u201970).<\/p>\n

A concert of chamber music on Saturday evening, June 28th resembled something of an Eastman showcase, given that three of the programmed works were by composers with an Eastman School affiliation.\u00a0 Images <\/em>by faculty member Wayne Barlow (1912-1996), BM 1934, MM 1935, Ph.D. 1937, had been composed as a graduation present in 1961 for the composer\u2019s son, harpist Robert Barlow, who had been the soloist in the work\u2019s premiere performance as originally scored for harp and orchestra.\u00a0 On this occasion, Images <\/em>was performed in a chamber version featuring accompaniment by string quartet and clarinet.\u00a0 Alec Wilder\u2019s Suite for Harp, Oboe, and French Horn <\/em>had been specially composed for Eastman\u2019s Eileen Malone and was given its premiere performance in this recital by faculty members Eileen Malone, Robert Sprenkle, and Verne Reynolds.\u00a0 Mr. Wilder (1907-1980), a native Rochesterian and born into a socially prominent Rochester family, had studied at Eastman in the 1920s before leaving without completing a degree; he eventually achieved renowned as a prolific composer of popular song and of cross-over works in traditional classical forms. \u00a0The original parts for the Suite for Harp, Oboe and French Horn, <\/em>accompanied by pages of Mr. Wilder\u2019s autograph pencil sketches, reside in the Eileen Malone Collection in the Sibley Music Library.\u00a0 Finally, the Prelude and Dance <\/em>for harp and clarinet by Walter Mourant (1911-1995), BM \u201935, MM \u201936, was the second work to be premiered in this recital.\u00a0 Altogether, eight Eastman School faculty members were featured performers that evening:\u00a0 harpist Eileen Malone, oboist Robert Sprenkle, French hornist Verne Reynolds, violinists Carroll Glenn and Anastasia Jempelis, clarinetist Stanley Hasty, violoncellist Alan Harris, and violinist Francis Tursi.<\/p>\n

The renowned harpist-composer Marcel Grandjany, one of the founders of the American Harp Society, was in attendance at the Conference.\u00a0 He appears in several of the Louis Ouzer photographs displayed here.<\/p>\n

Professor Eileen Malone received two professional accolades at the conference: a citation from the American Harp Society for her contributions to the development of interest in the harp in America; and also a silver bowl, the gift of her first three graduated students: Dorothy Remsen, Doris Johnson, and Marilyn Baxter.<\/p>\n

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Composers Alec Wilder and Wayne Barlow in conversation in the Eastman School\u2019s Main Hall (today Lowry Hall) during the AHS 6th national conference, June, 1969. One might well caption this photo \u201cMr. Anti-Establishment meets Mr. Establishment,\u201d for such would accurately capture each man\u2019s position and outlook. Mr. Wilder dropped out of university studies and pursued his own professional path as a free spirit unencumbered by allegiance to any employer or association or any other entity; Dr. Barlow was the academic prototype, serving as a longtime professor, administrator, and associate dean. <\/span><\/p>\n

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Publications consulted and\/or cited: <\/em><\/p>\n

\u201cTop U.S. harpists to perform here.\u201d\u00a0 Rochester Times-Union, <\/em>June 24, 1969.\u00a0 Rochester Scrapbook May-September 1969, pages 60-61.\u00a0 Sibley Music Library.<\/p>\n

\u201cHarp conference and contest at Eastman.\u201d\u00a0 Notes from Eastman, <\/em>vol. III, no. 3 (June, 1969), page 7.\u00a0 Eastman School of Music Archives.<\/p>\n

\u201c\u2019Compulsion to play\u2019 harp pays of at Top of Plaza.\u201d\u00a0 Rochester Times-Union, <\/em>July 11, 1969.\u00a0 Rochester Scrapbook May-September 1969, page 96.\u00a0 Sibley Music Library.<\/p>\n

\u201cThree Eastman harpists take contest honors.\u201d\u00a0 Notes from Eastman, <\/em>vol. IV, no. 1 (October, 1969), pages 8 and 9. \u00a0Eastman School of Music Archives.<\/p>\n

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In this week\u2019s \u201cWeekly Dozen\u201d we recognize recitals by summer faculty members, including a voice recital by Russian-born Nicolas Konraty (served 1929-57), appropriately programming Russian operatic and vocal repertory, and a recital by the Jazz Faculty Quartet;\u00a0 two recitals by woodwind quintets, one by the visiting New York Woodwind Quintet (not the ensemble of the same name that is today in residence at the Juilliard School) and one by Eastman faculty members; \u00a0a performance by the regularly appearing jazz ensemble of faculty member Dave Rivello;\u00a0 a performance of J. S. Bach\u2019s monumental The Art of Fugue <\/em>by organist Dr. Klaus Speer, curator of rare books in the Sibley Music Library (served 1965-76), which might lead one to ponder whether Dr. Speer used the copy of the first edition of The Art of Fugue\u00a0 <\/em>that the Sibley Music Library has owned since 1929;\u00a0 and finally, some superlative student performances such as grace the Eastman School\u2019s concert calendar in any given week.<\/p>\n

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\u25baJune 30, 1925<\/strong><\/p>\n

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\u25baJuly 2, 1931<\/strong><\/p>\n

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\u25baJune 30, 1932<\/strong><\/p>\n

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\u25baJuly 1, 1937 <\/strong><\/p>\n

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\u25baJune 29, 1950<\/strong><\/p>\n

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\u25baJuly 2, 1962 <\/strong><\/p>\n

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\u25baJune 27, 1967 <\/strong><\/p>\n

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\u25baJuly 1, 2003 <\/strong><\/p>\n

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\u25baJune 30, 2006 <\/strong><\/p>\n

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\u25baJune 27, 2011 <\/strong><\/p>\n

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\u25baJune 28, 2011 <\/strong><\/p>\n

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Harp performance and pedagogy were much in evidence when the Eastman School hosted the American Harp Society\u2019s sixth national conference on June 26th-29th, 1969.<\/p>\n","protected":false},"author":276,"featured_media":14525,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[18],"tags":[28,29],"coauthors":[3],"class_list":["post-14509","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-this-week-at-eastman","tag-july","tag-june"],"acf":[],"_links":{"self":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/posts\/14509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/276"}],"replies":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=14509"}],"version-history":[{"count":0,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/posts\/14509\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media\/14525"}],"wp:attachment":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=14509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=14509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/tags?post=14509"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=14509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}