{"id":16290,"date":"2023-03-06T11:17:30","date_gmt":"2023-03-06T16:17:30","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?p=16290"},"modified":"2026-03-16T10:01:44","modified_gmt":"2026-03-16T14:01:44","slug":"mar6-mar10","status":"publish","type":"post","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/2023\/03\/mar6-mar10\/","title":{"rendered":"March 6th-12th: “Stravinsky Week” at Eastman"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1728486780718{background-color: #ffffff !important;}”]Published on March 6th, 2023<\/em><\/p>\n

Back to This Week at Eastman<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1646425342140{background-color: #f4f4f4 !important;}”][vc_column css=”.vc_custom_1728486791966{padding-top: 20px !important;padding-bottom: 20px !important;}”][vc_custom_heading text=”1966: \u201cStravinsky Week\u201d at Eastman” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1646403367597{border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;border-radius: 1px !important;}”][vc_row_inner content_placement=”top”][vc_column_inner][vc_column_text]<\/p>\n

Fifty seven years ago this week, five days in March, 1966 were officially known as \u201cStravinsky Week\u201d at the Eastman School of Music, when composer Igor Stravinsky (1882-1971) was in residence by invitation of Director Walter Hendl, who had known the composer personally for numerous years.[1]<\/a>\u00a0<\/sup> Mr. Hendl later described having conceived the Stravinsky residency \u201cwith a view toward bringing Eastman students into direct contact with the outstanding factors in today\u2019s musical world\u201d and he continued, \u201cI have always felt there is real value in any encounter with a creative force.\u00a0 The phenomenon that is Stravinsky, of course, is entirely unique, and this was quite an encounter.\u201d[2]<\/a><\/sup> \u00a0\u00a0To that end, the week\u2019s events were designed to enable quality interaction between composer and Eastman School community in meaningful ways.\u00a0 Professor Donald Hunsberger, then-chairman of the Eastman School Ensembles department, was chairman of the special Stravinsky Week Committee, the other members of which were Professors Charles Warren Fox, George Corwin, and Robert Gauldin.\u00a0 The week would conclude with a gala concert at which the University would confer an honorary doctorate on the composer.<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”top” gap=”10″][vc_column_inner width=”1\/3″ css=”.vc_custom_1643388950439{background-color: #ffffff !important;}”][vc_images_carousel images=”12493,12494,12495,12496,12497,12498″ img_size=”340×240″ css=”.vc_custom_1710523293105{margin-top: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 20px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1710523323462{margin-left: 5px !important;}”]All-media conference at Hutchison House on Monday, March 7th, 1966.\u00a0 Igor Stravinsky is flanked by Eastman School Director Walter Hendl and Mrs. Edith Hendl.\u00a0 Mr. Stravinsky\u2019s assistant, composer Robert Craft, is also present. R63-12A, R63-13A, R63-14A, R63-16A, R63-21A, R63-35A (6)<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1645822345259{background-color: #ffffff !important;}”][vc_single_image image=”12499″ img_size=”medium” add_caption=”yes” alignment=”center” style=”vc_box_border” border_color=”black” onclick=”link_image” css=”.vc_custom_1710523529280{padding-top: 20px !important;}”][\/vc_column_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1646406679962{background-color: #ffffff !important;}”][vc_images_carousel images=”12517,12518,12519,12520,12521″ img_size=”340×240″ css=”.vc_custom_1710523467936{margin-top: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 20px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1710523490152{margin-left: 5px !important;}”]Visitation for faculty members and students on Tuesday, March 8th, 1966. Igor and Vera Stravinsky are joined on the stage of Kilbourn Hall by Walter Hendl. R68-6, R68-8, R68-10, R68-18, R68-21 (5)<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”top”][vc_column_inner][vc_column_text]<\/p>\n

It has frequently been said around the Eastman School that the Stravinsky residency represented another step in the Hendl Administration\u2019s embrace of the musical world beyond American music. Throughout Howard Hanson\u2019s long tenure, the Eastman School of Music had correctly been perceived as an institution where American music and the American composer were ardently championed.\u00a0 The many American Composers\u2019 Concerts, and the annual Festivals of American Music (1931-1971) bore testimony to this.\u00a0 I myself have quipped more than once that during the Hanson years, one might appropriately have draped a banner reading \u201cAmerican music played here\u201d on the Eastman School\u2019s exterior.\u00a0 The cause of American music was a valid and worthy mission, and its advocacy at the Eastman School did not end with Hanson\u2019s retirement.\u00a0 For one thing, the Festivals of American Music continued through 1971 with Hanson\u2019s continuing administrative participation, and still today, the Howard Hanson Institute for American Music is instrumental in the commissioning of new works.\u00a0 The difference between the Hanson era and later is one of priority, or of balance; in the post-Hanson Eastman School, American music has taken its place as one creative entity within a broader vision of music.\u00a0 Under Director Hendl\u2019s leadership there came a succession of high-profile events which brought the students and faculty of the Eastman School into direct contact with noteworthy international figures.\u00a0 The first had been in December, 1965 when Mr. Hendl had conducted the Western Hemisphere premiere of Dmitri Kabalevsky\u2019s Requiem, <\/em>opus 27 in a performance featuring a children\u2019s chorus drawn from the Rochester City School District. (That same chorus would be re-branded the following year as the Eastman Children\u2019s Chorus, and would remain active through the 1970s.)\u00a0 Roll forward to March, 1966, when a major composer would be in residency.<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”top” gap=”10″][vc_column_inner width=”1\/3″ css=”.vc_custom_1643388950439{background-color: #ffffff !important;}”][vc_images_carousel images=”12527,12528,12529,12530,12531″ img_size=”340×245″ css=”.vc_custom_1710523565514{margin-top: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 20px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1710523618222{margin-left: 5px !important;}”]During the Eastman School\u2019s Stravinsky Week, Mrs. Edith Hendl hosts a tea at Hutchison House in honor of Mrs. Vera Stravinsky. (Hutchison House, 930 East Avenue, was the official residence of the Eastman School Director for a period of several years.) Other guests included Professor Cecile Staub Genhart and Dean of Students Flora Burton, both of whom are captured in one of these shots. R64-9A, R64-14A, R64-16A, R64-18A, R65-2 (5) <\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1645822345259{background-color: #ffffff !important;}”][vc_single_image image=”12532″ img_size=”medium” add_caption=”yes” alignment=”center” style=”vc_box_border” border_color=”black” onclick=”link_image” css=”.vc_custom_1710523578113{padding-top: 20px !important;}”][\/vc_column_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1646406679962{background-color: #ffffff !important;}”][vc_images_carousel images=”12533,12534,12535,12536,12537,12538,12539″ img_size=”340×245″ css=”.vc_custom_1710523592432{margin-top: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 20px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1710523644993{margin-left: 5px !important;}”]In an open rehearsal in the Eastman Theater, the Eastman Philharmonia is led by guest conductor Robert Craft while guest composer Igor Stravinsky is seated on-stage to offer commentary and counsel. R65-26, R65-27, R65-30, R72-3, R72-4, R72-5, R72-6 (7)<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”top”][vc_column_inner][vc_column_text]<\/p>\n

Composer Stravinsky and his wife arrived in Rochester on Sunday evening, March 6th, having flown from Los Angeles via Chicago; their appointed accommodations were the downtown Sheraton Hotel (today the apartment building at 111 East Avenue).\u00a0 The following morning, Monday, March 7th, the composer met with media representatives in an all-media press conference at Hutchison House, 930 East Avenue, which at that time was the official residence of the Eastman School Director.\u00a0 The composer fielded questions from media representatives while seated before a microphone and flanked by his hosts Mr. and Mrs. Walter Hendl. One local newspaperman\u2019s summary of the media conference described the composer as \u201csimple, informal, friendly, slight of stature\u201d and \u201cwith a face wreathed in smiles and eyes twinkling behind heavy glasses.\u201d[3]<\/a>\u00a0<\/sup> Another press account noted that Stravinsky had refused to comment on the work of other contemporary composers, and had similarly declined to share or venture any thoughts as to the direction that music would take in the remaining years of the 20th century.[4]<\/a><\/sup>\u00a0 Still another press writer reported that when asked about the place of women in conducting and composing, the composer had answered, \u201cThat is not a woman\u2019s profession.\u201d[5]<\/a><\/sup>\u00a0 (!!!)\u00a0 Later that day, the composer\u2019s wife Vera was the guest of honor when Mrs. Edith Hendl hosted a tea at Hutchison House. Madame Stravinsky (1889-1982), like her husband a Russian-born expatriate, was a former dancer who had long been active in the art world.\u00a0 In the company of Mrs. Hendl and other guests, she graciously answered questions from the press and spoke in particular of her love of books.[6]<\/a><\/sup><\/p>\n

On Mond\u00ad\u00aday evening, March 7th, Stravinsky was officially welcomed to the Eastman School with a Collegium Musicum concert in Kilbourn Hall featuring several of his chamber and vocal works.\u00a0 The following afternoon, on Tuesday, March 8th, there was a student-faculty convocation, essentially a visitation, in Kilbourn Hall during which the composer took questions from the audience.\u00a0 He was joined on the stage by Mr. Hendl and by his wife.<\/p>\n

On the afternoon of Wednesday, March 9th, students from outside the Eastman School were welcomed to attend what had been promoted as a College and Secondary School Visitation in the Eastman Theater.\u00a0 At this event, the Eastman Wind Ensemble performed the Symphonies of Wind Instruments <\/em>(1947 revision) under Dr. Hunsberger\u2019s direction; the Eastman School Symphony Orchestra performed the Suite No. 2 for Small Orchestra<\/em> (1921) and two excerpts from the ballet Petrushka <\/em>(1947 revision), conducted by Mr. Hendl; and then followed an open rehearsal of sections from the musical play The Flood <\/em>(1962) in which the Eastman Philharmonia was conducted by Stravinsky\u2019s assistant, composer Robert Craft (1923-2015). Throughout the rehearsal Mr. Stravinsky was seated on the stage as an active participant, following his score and offering critical commentary.<\/p>\n

On the afternoon of Thursday, March 10th, Kilbourn Hall was the venue for a seminar billed as \u201cThe Performers and Contemporary Compositional Techniques\u201d which took the form of a panel discussion moderated by Mr. Stravinsky\u2019s assistant, Mr. Craft.\u00a0 The panelists were Mr. Hendl, composer Stravinsky, Professor Bernard Rogers, and Professor John Celentano. \u00a0The panel discussion was followed by a performance of Stravinsky\u2019s Septet,<\/em> performed by six Eastman School students who had been prepared by Professor Robert Gauldin.<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1710524479816{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_inner width=”2\/3″][vc_column_text]Stravinsky Week concluded on Friday evening, March 11th when the Eastman Philharmonia gave a gala concert of music by Stravinsky, conducted by the composer himself and by Mr. Craft\u00a0 (the program is displayed here).\u00a0 At the concert\u2019s intermission, UR President W. Allen Wallis conferred on Stravinsky the honorary degree of Doctor of Humane Letters.\u00a0 Director Hendl read the citation which accompanied the honorary degree; it is worth quoting in full:<\/p>\n

\u201cAlthough many men are acclaimed by their contemporaries, only a few of them hear the mark of lasting fame. Igor Stravinsky is among those few. His cultural achievements\u2014as composer, conductor, and artist\u2014will always be cited as unexcelled by any figure of this century.
\n\u201cBorn in Russia near St. Petersburg, in 1982, he studied in his youth with Rimsky-Korsakov, already showing the genius that still continues to grow. \u00a0The brilliance of his early successes made its impact on this side of the Atlantic long before his first visit to America in 1925; and the nation takes pride in his choice of the United States as his home since 1939.
\n\u201cA citizen of this country now, he is also a citizen of the cultural world that is unbounded by space and time. \u00a0His increasing and unceasing influence in shaping the progress of music in the twentieth century is everywhere apparent in modern composition: in polytonality, serial technique, and neo-Baroque music, among other things.
\n\u201cBringing to his own creative activities such diverse influences as folklore, church rites, eighteenth century reserve, and unbridled jazz, he has composed in, and had his effect upon, almost every musical form and medium.
\n\u201cThe world is fortunate to have the thought of this man of genius recorded in a series of Harvard lectures and the four books he has written in recent years. \u00a0The Eastman School of Music of the University of Rochester pays homage to Igor Stravinsky as one of the immortals of music and offers him the degree, Doctor of Humane Letters, as the symbol of its veneration.\u201d[7]<\/sup><\/a><\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1646614571128{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 0px !important;}”][vc_images_carousel images=”12487,12488,12489,12490″ img_size=”300×400″ css=”.vc_custom_1646614944522{margin-bottom: 5px !important;margin-left: 5px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 30px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1646615200610{margin-top: -10px !important;margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n

\u25ba Printed program, gala concert, March 11th, 1966 (4 pages) <\/span><\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”top” css=”.vc_custom_1646615165856{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 0px !important;}”][vc_column_inner][vc_column_text css=”.vc_custom_1710523723248{border-top-width: 0px !important;padding-top: 0px !important;}”]Altogether, the Stravinsky Week initiative\u2014boasting the presence of an internationally acclaimed composer, and enabling substantive engagement with that composer\u2014represented a mighty coup for the Eastman School, bringing at once prestige and pedagogical meaning.\u00a0 Significantly, the composer was later quoted as saying, \u201cOnly a few weeks ago I heard the Eastman School orchestra [i.e., the Philharmonia] play to perfection, on a minimum of rehearsal, some of my most difficult later music, including parts of The Flood, <\/em>which at least one renowned professional orchestra could not manage after a week of rehearsals and a dozen performances.\u00a0 The flexibility of the young versus the rigidity of the routiniers <\/em>is an old theme, of course, but you can hardly imagine the pleasure this student orchestra gave me.\u201d[8]<\/a><\/sup><\/p>\n

As regards archival documentation of Stravinsky Week, the extant content includes press clippings, photographs (most by Louis Ouzer), printed programs, and a feature article published in the very first issue of Notes from Eastman <\/em>(front cover of that issue displayed here).\u00a0 <\/em>The extant audio archival content is particularly rich, consisting of the master tapes of the week\u2019s events: the concerts by both the Collegium Musicum and the Eastman Philharmonia; the March 8th convocation and the March 10th composition seminar; the March 9th visitation and following open rehearsal; and an additional rehearsal of Stravinsky\u2019s music by the Eastman Philharmonia.\u00a0 Much of this audio content is already represented in CD service copies at the Sibley Music Library\u2019s Recordings\/Reserves department.\u00a0 If there should happen to be sufficient interest, we will execute new digital transfers of the content for streaming via the Ampache interface. \u00a0Email me!\u00a0<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”top” gap=”10″][vc_column_inner width=”1\/2″ css=”.vc_custom_1643388950439{background-color: #ffffff !important;}”][vc_images_carousel images=”12540,12541″ img_size=”medium” css=”.vc_custom_1710524521876{margin-top: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 20px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1710524512946{margin-left: 5px !important;border-top-width: 0px !important;padding-top: 0px !important;}”]On the evening of the Eastman Philharmonia concert, Concert Manager Mr. Robert Sattler escorts composer Igor Stravinsky and his wife Vera. R72-15, R72-16(2) <\/span>[\/vc_column_text][vc_images_carousel images=”12542,12543″ img_size=”medium” css=”.vc_custom_1710524539658{margin-top: 20px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1710524559387{margin-left: 5px !important;border-top-width: 0px !important;padding-top: 0px !important;}”]On the occasion of the Eastman Philharmonia concert that concluded the Eastman School\u2019s Stravinsky Week, UR President W. Allen Wallis confers the honorary degree Doctor of Humane Letters on the guest composer. R85-15, R85-28 (2)<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1645822345259{background-color: #ffffff !important;}”][vc_single_image image=”12485″ img_size=”medium” add_caption=”yes” alignment=”center” style=”vc_box_border” border_color=”black” onclick=”link_image” css=”.vc_custom_1710524529705{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-top: 20px !important;padding-bottom: 0px !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]<\/p>\n

[1]<\/a>\u00a0 \u201cStravinsky, in person, with his \u2018Firebird\u2019\u201d by Harvey Southgate. Rochester Democrat & Chronicle, <\/em>March 6, 1966. \u00a0Rochester Scrapbooks, Sibley Music Library.<\/span><\/p>\n

[2]<\/a> \u00a0\u201cStravinsky Week\u201d in Notes from Eastman, <\/em>vol. I, no. 1 (September 1966), p. 3.\u00a0 Notes from Eastman <\/em>was the forerunner publication to Eastman Notes; <\/em>it began its run in a small format and in entirely black and white print.<\/span><\/p>\n

[3]<\/a>\u00a0 \u201cStravinsky unmoved by electronic music\u201d by Harvey Southgate.\u00a0 Rochester Democrat & Chronicle, <\/em>March 8, 1966.\u00a0 Rochester Scrapbooks, Sibley Music Library.<\/span><\/p>\n

[4]<\/a>\u00a0 \u201c\u2019Heart\u2019 old hat to Stravinsky\u201d by Hamilton B. Allen.\u00a0 Rochester Times-Union, <\/em>March 7, 1966.\u00a0 Rochester Scrapbooks, Sibley Music Library.<\/span><\/p>\n

[5]<\/a>\u00a0 \u201cStravinsky: impressions of the Maestro\u201d by Judith Kerman. Campus Times, <\/em>March 15, 1966.\u00a0 Rochester Scrapbooks, Sibley Music Library.<\/span><\/p>\n

[6]<\/a> \u201cStravinskys get around\u201d by Lynne Godwin.\u00a0 Rochester Times-Union, <\/em>March 8, 1966.\u00a0 Rochester Scrapbooks, Sibley Music Library.<\/span><\/p>\n

[7]<\/a>\u00a0 \u201cIgor Stravinsky receives honorary degree from UR.\u201d\u00a0 Campus Times, <\/em>March 15, 1966.\u00a0 Rochester Scrapbooks, Sibley Music Library.<\/span><\/p>\n

[8]<\/a>\u00a0 The composer\u2019s remarks were initially printed in The New York Review of Books, <\/em>issue of May 11th, 1966, and were subsequently reprinted elsewhere, including Notes from Eastman.<\/em><\/span><\/p>\n

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Five days in March, 1966 were officially known as \u201cStravinsky Week\u201d at the Eastman School of Music, when composer Igor Stravinsky (1882-1971) was in residence by invitation of Director Walter Hendl.<\/p>\n","protected":false},"author":276,"featured_media":8461,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[18],"tags":[25],"coauthors":[3],"class_list":["post-16290","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-this-week-at-eastman","tag-march"],"acf":[],"_links":{"self":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/posts\/16290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/users\/276"}],"replies":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/comments?post=16290"}],"version-history":[{"count":1,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/posts\/16290\/revisions"}],"predecessor-version":[{"id":22824,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/posts\/16290\/revisions\/22824"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media\/8461"}],"wp:attachment":[{"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/media?parent=16290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/categories?post=16290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/tags?post=16290"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/esm4.esm.rochester.edu\/sibley\/wp-json\/wp\/v2\/coauthors?post=16290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}