{"id":17106,"date":"2022-01-24T01:52:40","date_gmt":"2022-01-24T06:52:40","guid":{"rendered":"https:\/\/esm4.esm.rochester.edu\/sibley\/?p=11362"},"modified":"2026-02-02T10:18:54","modified_gmt":"2026-02-02T15:18:54","slug":"jan24-jan30","status":"publish","type":"post","link":"https:\/\/esm4.esm.rochester.edu\/sibley\/2022\/01\/jan24-jan30\/","title":{"rendered":"January 24th-30th: Eastman Philharmonia in USSR & Weekly dozen"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=”.vc_custom_1728406372271{background-color: #ffffff !important;}”]Published on Jan 24th, 2022<\/em><\/p>\n

Back to This Week at Eastman<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1638556686854{background-color: #f4f4f4 !important;}”][vc_column css=”.vc_custom_1728406383036{padding-top: 20px !important;padding-bottom: 20px !important;}”][vc_custom_heading text=”1962: The Eastman Philharmonia on tour in the USSR” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1642778253603{border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 1px !important;border-left-width: 0px !important;border-left-color: #dddddd !important;border-left-style: solid !important;border-right-color: #dddddd !important;border-right-style: solid !important;border-top-color: #dddddd !important;border-top-style: solid !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;border-radius: 1px !important;}”][vc_row_inner equal_height=”yes” content_placement=”top”][vc_column_inner][vc_column_text css=”.vc_custom_1728407390581{margin-top: -10px !important;}”]We continue to follow the members of the Eastman Philharmonia on their landmark tour in the late fall and winter of 1961-62. Sixty years ago this week, the 87 members of the Philharmonia were in Moscow, beginning their four-week sojourn in the USSR that would include concerts in Moscow, Odessa, Kiev, Leningrad, and elsewhere. Conductor Howard Hanson had regarded the Philharmonia\u2019s time in Russia as the climax of the tour. He would later write in his Autobiography, \u201cAs we toured over Poland, our minds went forward with both anticipation and some trepidation to our coming four weeks in Russia. We realized that this was the crucial test. If we could succeed here, the entire tour would be a triumph. If we failed, then our tour would have been a failure, regardless of our success in the countries which we had previously visited.\u201d<\/p>\n

Hanson\u2019s words are somber, indeed. If the mindset that he posited were, indeed, truly shared by all members of the Philharmonia, we can only imagine the sense of responsibility that they felt. They carried a message of peace and good will through music, much as other artists were doing during the Cold War. The geopolitical situation was fraught with tensions: 1961 was the year when President Kennedy had been embarrassed by the Bay of Pigs fiasco, and then had been thoroughly unnerved by General Secretary Krushchev at their Vienna Summit; the Western Allies had all been rattled by the construction, virtually overnight, of the Berlin Wall. There were grave tensions yet to come; the October Missile Crisis was still several months off in the future. Nor was the Space Race yet bringing any sense of unqualified accomplishment to the U.S., for ever since the USSR had launched Sputnik in 1957, the Americans had suffered one setback after another; John Glenn\u2019s successful orbital mission was still several months away in 1962. Indeed, as Americans surveyed the international situation in 1961, there was much to be nervous about, but at the same time, artists and musicians were carrying out their own mission on their own terms, facilitated by such initiatives as the President\u2019s Special International Program for Cultural Presentations, which was the very program that had sent the Eastman Philharmonia abroad.<\/p>\n

On January 24th the Philharmonia members flew from Warsaw to Moscow, where they would spend four full days. The time in Moscow was packed with activity. On their first full day in Moscow, U. S. Ambassador Llewellyn E. Thompson hosted the Philharmonia members at a cocktails reception at Spaso House, the official residence of the U. S. Ambassador in Moscow. The reception\u2019s guest list, numbering five pages altogether, included many of the most well-known figures of the Soviet musical establishment, together with a number of American correspondents, staff members of the American embassy, and cultural officers from several other embassies. (Several of the invited correspondents are well remembered today for their exemplary reporting and coverage during the Cold War years. In addition, one of the U. S. Embassy staff members on the list, Mr. Jack Matlock, was later appointed U. S. Ambassador to the USSR (served 1987-91).) The reception was reminiscent of other diplomatic engagements enjoyed by the Philharmonia during the tour, but this one was unquestionably the most high-profile. Following the U. S. Ambassador\u2019s reception, the orchestra members attended a performance of Prokofiev\u2019s opera War and Peace at the Bolshoi Theater.<\/p>\n

As recounted by bassoonist Richard Rodean, BM \u201962, MM \u201964 in his travel journal, five members of the Philharmonia\u2019s woodwinds section had been performing together as a quintet on several occasions throughout the tour. Mr. Rodean recorded in his journal that the five performed the Quintet by August Klughardt (1847-1902) — likely the composer\u2019s opus 79 among his many chamber works — at the Ambassador\u2019s reception, performing on a raised stage \u201chardly large enough for all of us\u201d before an audience that included \u201cour worst critics\u2014the members of the orchestra.\u201d Which prompts the question: isn\u2019t it always the most difficult thing to perform before one\u2019s own peers?<\/p>\n

Over the following days, their sightseeing itinerary took in numerous sites, including Moscow University, the Olympic stadium, the Kremlin and its environs (including its cathedrals and Red Square), and the Exhibition of Achievements and National Economy (abbreviated in Russian as \u0412\u0414\u041d\u0425 (VDNKh)), a sprawling complex of pavilions housing elaborate displays of scientific and economic achievements. (Personal recommendation: when in Moscow, do not pass up VDNKh, an essential destination in Moscow! For ease of transportation, it has its own Metro stop on the No. 6 line.) In Moscow as elsewhere, Philharmonia members took advantage of shopping opportunities, in particular seeking out music stores for printed music and recordings.<\/p>\n

Inevitably, the major business of the time in Moscow was performance. On January 26th, 27th, and 28th the Eastman Philharmonia gave concerts in the Great Hall of Moscow Conservatory. (When translated from the Russian, the Conservatory\u2019s full name is Moscow State Conservatory in the name of P. I. Tchaikovsky.) Composer Peter Ilyich Tchaikovsky had been appointed to the Conservatory\u2019s faculty immediately upon its founding in 1866; the Conservatory has borne his name since 1940. Today Moscow Conservatory is the second oldest conservatory in Russia, after St. Petersburg Conservatory. It is more than likely that the iconic space of the Conservatory\u2019s Great Hall was beginning to be recognized by the international musical audience after television coverage of such high-publicity events as the 1958 International Tchaikovsky Competition. (Today the Soviet Television channel on YouTube promotes a 1958 film of Van Cliburn performing with the Moscow State Philharmonic under conductor Kirill Kondrashin in the Great Hall after scoring his victory in that competition.)<\/p>\n

Besides works by recognized European composers, the three Philharmonia concert programs also featured works by American composers Samuel Barber, William Schuman, and Walter Piston, as well as Hanson\u2019s own Symphony no. 2 (\u201cRomantic\u201d) and his Elegy in Memory of Serge Koussevitzky. In addition, the Philharmonia performed one work by a living Russian composer, the Symphony no. 1 by Dmitri Shostakovich. Each of the three concerts was concluded with the predictable string of encores such as had been obligatory at each of the Philharmonia\u2019s concerts on tour. By the recollections of more than one man who recounted the events later, John Philip Sousa\u2019s Stars and Stripes Forever brought down the house each time it was played.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”top” gap=”5″ css=”.vc_custom_1769100576426{margin-top: 20px !important;margin-bottom: 20px !important;}”][vc_column_inner width=”1\/4″ css=”.vc_custom_1769099847254{background-color: #FFFFFF !important;}”][vc_images_carousel images=”11585,11586,11587,11588,11589″ img_size=”280×400″ css=”.vc_custom_1769100000449{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 10px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1769099968686{border-top-width: 0px !important;padding-top: 0px !important;}”]\u25ba From the Howard Hanson Collection. Information sheet provided to Philharmonia members providing details relevant to their stay in the USSR, including their complete USSR itinerary (annotated by Hanson), and one full page addressing what could and could not be photographed. Howard Hanson Collection.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1769100681384{margin-left: 0px !important;background-color: #FFFFFF !important;}”][vc_images_carousel images=”11590,11591,11592,11593,11594″ img_size=”280×400″ css=”.vc_custom_1769100494536{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 10px !important;padding-right: 5px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1769100025350{border-top-width: 0px !important;padding-top: 0px !important;}”]\u25ba Guest list (5 pages long!) for a cocktail reception honoring the Eastman Philharmonia hosted by the U. S. Ambassador to the USSR at Spaso House (the U. S. Ambassador\u2019s official residence in Moscow). Note that the list includes some very distinguished names from the Soviet musical establishment, including conductor Kirill Kondrashin, performers Galina Vishnevskaya and Mstislav Rostropovich, and composers Dmitri Kabalevsky and Dmitri Shostakovich and their wives. Among the U. S. Embassy personnel cited on the list is Mr. J. (Jack) Matlock, a future U. S. Ambassador (served 1987-91). Howard Hanson Collection. <\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1769099862756{background-color: #FFFFFF !important;}”][vc_images_carousel images=”11595,11596,11597,11598,11599,11600,11601,11602″ img_size=”280×400″ css=”.vc_custom_1769100503840{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-top: 10px !important;padding-right: 5px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1728407120682{margin-left: 5px !important;border-top-width: 0px !important;padding-top: 0px !important;}”]\u25ba Printed program for the Eastman Philharmonia concerts in the Great Hall of Moscow Conservatory on January 26th, 27th, and 28th. Works by American composers Hanson, Samuel Barber, William Schuman, and Walter Piston were to be programmed, as well as one work by a living Russian composer, the Symphony no. 1 by Dmitri Shostakovich. Eastman School Concert Program file. <\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″ css=”.vc_custom_1769099875539{background-color: #FFFFFF !important;}”][vc_images_carousel images=”11603,11604,11605,11606,11607,11608,11609,11610″ img_size=”280×400″ css=”.vc_custom_1769100486024{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 10px !important;padding-right: 5px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1769100053989{margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]\u25ba One issue of an on-going publication \u201cNews of American Culture\u201d of the U. S. Embassy in Moscow, printed for the Russian-speaking audience. This issue profiled the Eastman Philharmonia and its background. Howard Hanson Collection.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”top”][vc_column_inner][vc_column_text css=”.vc_custom_1728407414812{margin-top: -10px !important;}”]According to Mr. Rodean\u2019s travel journal, the first concert in the Great Hall had been filmed by NBC-TV for promotion via the \u201cToday\u201d show back in the U.S. Already immediately the concert, Philharmonia members learned that owing to the success of the event, they could expect concert engagements in both New York City and Philadelphia after returning home. The concert on January 28th was broadcast over Soviet television. That concert included two Russian works: the Shostakovich Symphony no. 1, and also Anatole Liadov\u2019s The Enchanted Lake as an encore. Mr. Rodean\u2019s description of the audience reception at and following the first concert, together with his own personal response to same, is worth quoting at length:<\/p>\n

\u201cWhat an evening! I must admit most of us were quite apprehensive about this concert. The theater is large and spacious. Upon arriving in the hall we noticed movie cameras, recording equipment, floodlights and many spotlights strewn about. This was to be a big affair. NBC-TV filmed much of the concert for the Today show in the U.S. The lights were on throughout the concert focused on both the orchestra and the audience, which filled the house to capacity. Although they were slow to get started by the end of the concert it was safe to say we were a smash! We exhausted all of our encores but they refused to leave. Finally when they kept chanting M A R C H in English, we repeated the Stars and Stripes, much to their pleasure. In true Russian tradition we applauded the audience, making quite a noisy scene. When most of the audience finally left, the enthusiasm of the orchestra could be contained no more. Quite spontaneously, we played without conductor. \u201cBugler\u2019s Holiday\u201d (by Leroy Anderson) ! The press men who were packing their equipment quickly set up again and filmed and photographed this display. It was a most exciting climax to this rave reception in a city we knew nothing about. A crowd of Russians waved goodbye to us as we drove away from the hall to our hotel. After supper, including borscht, while riding the elevator, a woman took out a program from the concert and indicated she wanted to have me autograph it. This set the entire elevator load of people into an excited exclamation of bravos for the concert. Several Soviet pins were stuck on me . . . I have never seen such a display of friendship and sincere appreciation. If anyone ever questions the value of this trip to international relations they should have been here tonight. Edward (one of the orchestra\u2019s facilitators on the tour) announced at supper tonight that due to our success tonight in Moscow, concerts in New York and Philadelphia are a certainty.\u201d<\/p>\n

By general consensus, the time in Moscow had been a triumph. On January 29th, the Philharmonia members left Moscow by train at 11:15 AM, bound for Odessa; they arrived in Odessa at 3:20 PM on January 30th, a trip of 28 hours. In Odessa the Philharmonia members stayed at the Hotel Odessa overlooking the harbor and the Black Sea. Mr. Rodean initially wrote in his travel journal that he had found the journey by train an advantage on account of the rest that it afforded him. However, other Philharmonia members were having different thoughts, for when they found out that Hanson had travelled to Odessa by plane, they took a vote to express their displeasure. Nevertheless, I will offer the observation that the opportunity to see the varied landscape by train was not one that many Americans had had the opportunity to enjoy up to that time. Having myself logged a good many kilometers by rail in Russia, I\u2019ll recommend that if you ever get the chance to travel across Russia or any other of the former Soviet republics by train, DO SO. It\u2019s an experience not to be missed.<\/p>\n

In Odessa the Philharmonia members stayed at the Hotel Odessa overlooking the harbor and the Black Sea. They would perform concerts in the city\u2019s Philharmonic Hall on January 31st and February 1st. Next stop: Kishinev.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”top” gap=”15″][vc_column_inner width=”2\/3″ css=”.vc_custom_1728408908481{padding-top: 20px !important;padding-bottom: 20px !important;background-color: #ffffff !important;}”][vc_media_grid style=”pagination” items_per_page=”1″ element_width=”12″ arrows_design=”vc_arrow-icon-arrow_12_left” item=”masonryMedia_SlideWithTitleAndCaption” css=”” grid_id=”vc_gid:1769100663380-401df299-016e-6″ include=”11611,11612,11613″][\/vc_column_inner][vc_column_inner width=”1\/3″ css=”.vc_custom_1728408897305{margin-left: 0px !important;padding-top: 20px !important;padding-bottom: 20px !important;background-color: #ffffff !important;}”][vc_media_grid style=”pagination” items_per_page=”1″ element_width=”12″ arrows_design=”vc_arrow-icon-arrow_12_left” item=”masonryMedia_SlideWithTitleAndCaption” css=”” grid_id=”vc_gid:1769100663380-8e7b9203-c4b1-7″ include=”11614,11615,11616″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1639161448416{margin-top: 40px !important;margin-bottom: 40px !important;padding-bottom: 20px !important;}”][vc_column][vc_custom_heading text=”The Weekly Dozen” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1635537718385{border-bottom-width: 1px !important;border-bottom-color: #dddddd !important;border-bottom-style: solid !important;}”][vc_row_inner equal_height=”yes” content_placement=”top” gap=”5″][vc_column_inner][vc_column_text]<\/p>\n

In this week\u2019s \u201cWeekly Dozen\u201d we acknowledge the New Eastman Symphony, an entirely student-managed orchestra of graduate students that flourished for three academic years (1997-2000); a noteworthy concert in the PRISM series that paid exclusive tribute to the music of Duke Ellington; the celebration of the 80th birthday of Eastman alumnus William Warfield (year-year), BM \u201942; the second of Eastman Opera Theater\u2019s two (to date) productions of Debussy\u2019s opera Pell\u00e9as et M\u00e9lisande; and a host of superlative student performances such as grace the Eastman concert calendar each week of the semester.<\/p>\n

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\u25baJanuary 25, 1998: New Eastman Symphony (Bradley Ludman, conductor)<\/strong><\/p>\n

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\u25baJanuary 29, 1999: PRISM: A Century of Duke Ellington: 1899-1999<\/strong><\/p>\n

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\u25baJanuary 25, 2000: Paul M. Vasile (piano)<\/strong><\/p>\n

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\u25baJanuary 26, 2000: Eastman Philharmonia\/William Warfield 80th Birthday Celebration <\/strong><\/p>\n

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\u25baJanuary 30, 2002: Eastman Philharmonia (Donald Hunsberger and Michael Butterman, conds.)<\/strong><\/p>\n

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\u25baJanuary 26, 2004: OSSIA (Heather Gardner and Vincent Calianno, conductors)<\/strong><\/p>\n

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\u25baJanuary 24, 2007: Rahim AlHaj (oud) in the World Music Series <\/strong><\/p>\n

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\u25baJanuary 25, 2007: Zuzanna A. Szewczyk (collaborative piano) and Joshua Fein (baritone)<\/strong><\/p>\n

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\u25baJanuary 28, 2007: casey\u2019s greatest hits live at the kilbourn <\/strong><\/p>\n

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\u25baJanuary 23, 25, 29, 31, 2009: Eastman Opera Theater presents Pell\u00e9as et M\u00e9lisande \u00a0<\/strong><\/p>\n

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\u25baJanuary 28, 2010: Harmony for Haiti: A Benefit Concert <\/strong><\/p>\n

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\u25baCOMALA: a scenic cantata by Ricardo Zohn-Muldoon, in collaboration with: Alia Musica; Eastman Broadband; PUSH Physical Theater; and, University of Kentucky Guitar Ensemble. <\/strong><\/p>\n

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